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00:00Greetings to all.
00:02TM Soundararajan and Sivaji Ganesan.
00:06This combination always amazes me.
00:10Because both of them would have performed so seamlessly.
00:14They would have given such a seamless performance.
00:22It is indistinguishable.
00:24In the scene where Sivaji Ganesan is singing and acting,
00:32if TM's partner would have sung somewhere else,
00:36there wouldn't have been such a scene.
00:38The performance of both of them would have been so seamless.
00:44What amazes me about TM Soundararajan is that
00:49even though he is a singer,
00:51he has his own voice,
00:53the modulation done for Sivaji is top class.
00:58In many songs, Sivaji has changed himself.
01:05It is not only about changing the voice,
01:07but also the body language, timing, etc.
01:11Sivaji has brought all these things.
01:13If you see this video,
01:15I am going to tell you about 4 songs of TM Soundararajan.
01:24Let's see which song it is.
01:26See if the song you like is in this video.
01:30Let me know which song you like in the comment section.
01:34The countdown is 4, 3, 2, 1.
01:38Let's go.
01:40Song number 4.
01:42Which song?
01:44It is from the movie Alaipandiya.
01:46Niye Unakku Enrum Nigaranavan.
01:53This is the song.
01:54Niye Unakku Enrum Nigaranavan.
01:58In this song, there is a part called Mama Maafule.
02:03The part where he sings Mama,
02:07I felt that Sivaji has sung and acted that part.
02:13The reason is that the voice matches that part perfectly.
02:19Before the song starts, there is a dialogue.
02:23There is a conversation between MR Ratha and Sivaji Ganesan.
02:28Sivaji Ganesan would have said,
02:31Mama Vargalai.
02:34Kamalakku Mama Vargalai.
02:37T.M. Soundararajan has brought that Mama in the song.
02:44Replicating it is a different thing.
02:48But when the song starts,
02:50the music, the background music,
02:52everything is brought in the same voice modulation.
02:56It is a very difficult thing.
02:58T.M. Soundararajan has done it very well.
03:02Next is song number 3.
03:06In the movie Gnana Uli,
03:09Devani Ennai Paarungal.
03:17You might know why I have mentioned this song.
03:22In the song, there is a dialogue between Sivaji Ganesan.
03:29There is interlude music, song, dialogue etc.
03:35Not only the song, there is a lot of scope in it.
03:40T.M. Soundararajan has done it so well.
03:44I can't even describe it.
03:48Sivaji Ganesan's body language, modulation,
03:54how he cries, how he moves,
03:57he has brought it all in one song.
04:07Some might ask,
04:09that dialogue could have been sung by Sivaji Ganesan.
04:12Why should it be sung by T.M. Soundararajan?
04:15But there is a reason for that.
04:17When the dialogue is sung,
04:19there is music in the background.
04:21The dialogue should be sung in that.
04:24The dialogue should be sung in the same scale as the music.
04:32For example,
04:34Oh my lord, pardon me.
04:37This is a pitch.
04:39Another one,
04:40Oh my lord, pardon me.
04:42This is a pitch.
04:43Oh my lord, pardon me.
04:46The pitch changes.
04:48The background music should be sung in the same scale as the music.
04:58This can only be sung by a chosen singer.
05:01T.M. Soundararajan is a professional singer.
05:04It is not a big deal for him to match the pitch.
05:08But it should match the pitch,
05:11and should speak like Sivaji Ganesan.
05:16That is the highlight of this song.
05:19Song number 2.
05:22In the film, Vendamanithan,
05:25the song,
05:26Anthanal Nyapagam Nenjile Vandhuthu.
05:29Anthanal Nyapagam Nenjile Vandhuthu.
05:35Nandparee, Nandparee, Nandparee.
05:39I have been thinking about this song for many years.
05:42I remember that Anthanal Nyapagam was sung by Sivaji Ganesan.
05:48Because it is such a unique song.
05:51After the dialogue,
05:53he comes running,
05:55and after that,
05:57the song comes as if he is speaking.
06:01Sivaji Ganesan brought the exact modulation,
06:08which was used in Anthanal Nyapagam.
06:11That is how the song takes off.
06:13Nandparee, Nandparee.
06:14That is how the song takes off.
06:23It is not a simple thing.
06:26Everyone tries to sing like Shruthi Thappam.
06:30But it is difficult to sing like this.
06:34TMSI got a vocal card for this song.
06:42This song is my favorite.
06:46TMSI has become Sivaji in this song.
06:53Song number 1.
06:55Can you guess what song it is?
06:58Ok.
07:003, 2, 1.
07:02Did you guess?
07:04Ok, I will tell you what song it is.
07:06It is a song called,
07:08Yaarukkaga in Vasanthamaligai.
07:18What a Brahmandam!
07:20It is a big Brahmandam.
07:22Because,
07:23the name is Vasanthamaligai.
07:25A Maligai Brahmandam.
07:27Look at the music.
07:29It is a powerful music.
07:33Look at the picturization.
07:35It is a big Maligai.
07:37Vasanthamaligai.
07:38Picturization.
07:39Colour film.
07:40TMSI has brought a Brahmandam
07:44by giving a lead to all these.
07:47We can say that.
07:49In this song,
07:51the song,
07:53the dialogue,
07:54the song,
07:55the dialogue,
07:56In the end,
07:57when he shouts,
07:58Yaarukkaga,
07:59Yaarukkaga,
08:00when he shouts,
08:01you can't see the difference.
08:03The character,
08:05the performance was very seamless.
08:08We can say that.
08:10DM Soundararajan,
08:12has become a Shivaji.
08:15He has lived as a Shivaji.
08:17He has lived as a character.
08:19DM Soundararajan,
08:21his performance,
08:22his pitch,
08:23he was so good.
08:24I have said 4 songs.
08:26In these 4 songs,
08:27according to me,
08:28TMSI,
08:29has become a Shivaji.
08:31We can say that.
08:32Ok.
08:33Which song did you think
08:34has come in this?
08:35Which song did you think
08:36has come in this?
08:37Which song did you think
08:38has been added in this?
08:39Don't forget to tell us.
08:40Thank you.
08:41Vanakkam.