ವಿಜಯ್ ಕುಮಾರ್ ಜೊತೆ ಮೊದಲ ಬಾರಿಗೆ ಹೀರೋಯಿನ್ ಆಗಿ ನಟಿಸುತ್ತಿರುವ ಅಶ್ವಿನಿ ಅಂಬರೀಶ್ ಅವರು ತಮ್ಮ ಮೊದಲನೆಯ ಸಿನಿಮಾ ಭೀಮ ಬಗ್ಗೆ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
#AshwiniAmbareesh #BheemaHeroin #VijayKumar #Bhima #Duniya #BadBoy #PsychSong #DuniyaVijay #RahulDitto #Rama #Ayodhya
#DuniyaVijayBirthday
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#AshwiniAmbareesh #BheemaHeroin #VijayKumar #Bhima #Duniya #BadBoy #PsychSong #DuniyaVijay #RahulDitto #Rama #Ayodhya
#DuniyaVijayBirthday
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NewsTranscript
00:00I won't cry. I know why you asked me this question.
00:10Who would have thought that I would get lost in my first title with a chicken?
00:15Poor thing. Everyone would have seen it.
00:18I did it. It's okay. Everyone would have seen it.
00:21How did I come to that country?
00:26I lost my mind because of you.
00:30When I was young, they used to say that I am an actor.
00:43Hello, you are watching Beat Kannada. I am Eshwant.
00:46I have a guest with me today. She is an actress who has just entered the film industry.
00:53Her name is Vijay Kumar.
00:56Vijay Kumar is a world-famous actor.
00:58Ashwini Amrish is entering the film industry.
01:03Let's go and talk to her.
01:05Namaste to Ashwini Amrish.
01:06Namaste. How are you?
01:08I am good. How are you?
01:10I am good. Thank you so much.
01:11Ashwini Amrish might be a little confused to enter the film industry.
01:17No, no. My parents are not related to the industry.
01:22I respect Rebelstar. I am also a big fan of theirs.
01:28Your father's name is Amrish?
01:30Yes. My father's name is Amrish.
01:31Most probably, it would have come from them.
01:33They would have seen it and put it up.
01:35Of course, back then it was like that.
01:37So, you are a fan of Rebelstar?
01:38Yes. My father is also a big fan of Rebelstar.
01:42The screen name is also Ashwini Amrish.
01:46So, this is your first film with Vijay Kumar.
01:50How do you feel about it?
01:54I am very excited, Ashwin.
01:56I will tell you how excited I am.
01:58I can't control my excitement.
02:00So, the first film is Salaga.
02:03It is a big hit film in his direction.
02:06After that, Bheema came up with a powerful title.
02:11So, Bheema introduced a new heroine.
02:16So, Bheema is introducing you in his film.
02:21It is a cult film.
02:23We have seen Bheema's songs.
02:25So, it is a cult film.
02:28At the first introduction, the heroine has a desire.
02:34She wants to be lovely and bubbly.
02:38So, it is a cult film.
02:40I am wondering how Ashwini's character will be.
02:43So, how do you feel?
02:45I feel it is very special and surprising.
02:49Every heroine has a dream.
02:53But, there is a God who gives dreams beyond that.
02:59Who would have thought?
03:02I didn't know it would be a hit.
03:06I didn't know it would be a hit.
03:10But, I liked it a lot.
03:12Actually, I didn't know it would be a hit.
03:16I thought it would be a post release.
03:18Everyone would have been informed.
03:20That there is a newbie coming in the industry.
03:23But, I didn't know it would be a big hit.
03:26Why did you get selected?
03:29I got selected because of my plays.
03:33I used to do theatres.
03:35Achith sir's brother and I used to do theatres together.
03:39He had come to a book release function.
03:43He had played a character in Salaga.
03:46His name was Chanakeshava.
03:48He got selected.
03:50When he came to the book release function, I spotted him.
03:54I said, I will play a character.
03:56He said, yes.
03:59That's how the journey began.
04:01You grew up in Bengaluru, right?
04:03Yes.
04:05I did my MBA in education.
04:07I did my MBA in distance.
04:09I did my degree in Maharani Lakshmi Ammani College.
04:11All in Bengaluru.
04:13So, you are growing up in Bengaluru.
04:15Completely.
04:17Hopefully, I will grow up there.
04:19I would like to ask you a question.
04:21Vijaya's first film was Duniya.
04:23Yes.
04:25What were you reading then?
04:27I won't tell you.
04:29Why did you ask me?
04:31I know.
04:33It would have been better if you asked on the internet.
04:35No.
04:37Nobody asked me.
04:39That's why I said I won't tell you.
04:41Which school did you go to?
04:43St. Philomena's.
04:45The name of the school is...
04:47You went to that school.
04:49So, the first time,
04:51there is a song on the channel.
04:53Yes.
04:56How did you like the school?
04:58Very much.
05:00Not only Vijaya sir,
05:02I was very proud of Ganesh sir.
05:04After that,
05:06I started to be completely proud of Canada.
05:08At that time,
05:10the radio was playing.
05:12The radio was playing on the phone.
05:14I would listen to it
05:16and go to school.
05:18Nowadays,
05:20my best friend Megha sings the same song in school.
05:22She and I,
05:25if we sit together,
05:27we would sing the same song.
05:29We would sing the same song.
05:31We are very proud of Canada.
05:33Extremely.
05:35They were singing
05:37Kariya I love you.
05:39Now, you are singing a duet with Kariya.
05:41No.
05:43I love you.
05:45How is it?
05:47Is it a coincidence?
05:49Oh God.
05:51How did I get it?
05:54The sync is perfect.
05:56Yes.
05:58It feels like
06:00I am seeing with my eyes.
06:02The sync is perfect.
06:04The movement is also perfect.
06:06Very nice.
06:08When I was listening to the song,
06:10I felt like I was listening to a traditional Bhakti song.
06:12But,
06:14when I saw the lyrics,
06:16it was different and catchy.
06:18Actually, Canada's music director is superb.
06:20They have given a good music.
06:23How was the song?
06:25Was there something special in the song?
06:27Something special means,
06:29there was a lot of discussion.
06:31Actually, the first sync came to this song.
06:33The first sync came here.
06:35After that,
06:37the sync went to the next sync.
06:39In the beginning,
06:41Charan sir sent the track.
06:43At that time,
06:45Charan sir sent the song.
06:47It was in Hindi.
06:49Something like that.
06:51When I was listening to the song,
06:53I was thinking that the music is like a woman.
06:55It is like listening to music in a loop.
06:57When you listen to the music,
06:59it is like a rag.
07:01I don't know which rag it is.
07:03It is like a rag.
07:05I liked that rag a lot initially.
07:07After that,
07:09there were a lot of alterations.
07:11When it comes to lyrics,
07:13there were a lot of alterations.
07:15Sync was fixed.
07:17But, the night out,
07:20there were a lot of alterations.
07:22In the beginning,
07:24there was something else.
07:26After that, the sync came.
07:28It was like magic.
07:30On the first day of shooting,
07:32Charan sir sent the song.
07:34He sent the track.
07:36The track was very good.
07:38Later, it got molded.
07:40It started to sound different.
07:42Charan sir was very specific.
07:44Because,
07:46the song should be relatable.
07:49It should be night out.
07:51It is a trend.
07:53Everyone goes out at night.
07:55He wanted it to be that way.
07:57That way, it started to be fun.
07:59It was a very good process.
08:01It was a very good process.
08:03Can I give you a few lines?
08:05No, sir.
08:07Everyone will say,
08:09you did it.
08:11No, sir.
08:13Try a few lines.
08:15Think of Vijji sir.
08:19How is it?
08:31I love you.
08:33Superb. Nice.
08:35Vijji sir,
08:37now,
08:39after Salaga,
08:41has a big job.
08:43He directs,
08:45writes lyrics,
08:48he is also involved in music.
08:50He is a captain.
08:52He leads the team.
08:54How was the shooting?
08:56As a director, as a hero,
08:58as a technician, how was it?
09:00Very sound.
09:02Soundful.
09:04Knowledgeable.
09:06He knows the complete information.
09:08What is happening in the set.
09:10What should happen.
09:12At the same time, very calm.
09:14Presentable.
09:17Because it is a huge team.
09:19At least when we are in the set,
09:21we have time to breathe.
09:23But,
09:25when we shoot in the streets,
09:27we don't have time to breathe.
09:29People come and go.
09:31We don't know what is happening.
09:35I think,
09:37he handled the situation very well.
09:39He took care of all the artists.
09:41After that,
09:43what I liked the most,
09:45was that
09:47everyone knew
09:49what was happening.
09:51Even in the scene,
09:53everyone had the knowledge.
09:55Not just us,
09:57everyone knew.
09:59The direction team,
10:01everyone knew.
10:03I was very happy about that.
10:07Now, you are doing a theatre.
10:10Before that,
10:12you wanted to become an artist.
10:14Did you have in mind,
10:16how to become a heroine?
10:18Should I be glamorous?
10:20Should I be like this?
10:22How was it for you?
10:24I didn't have it.
10:26I was told,
10:28I will become a heroine.
10:30I will become an actor.
10:32I ate a lot.
10:34I was eating well.
10:36My grandmother told me,
10:39I will get you married in a bakery.
10:41You should eat well.
10:43I told her,
10:45I will marry Ganesh.
10:47I will become a heroine.
10:49I don't know from where did it start.
10:51I don't know how it started.
10:53It became a continuous calling for me.
10:57Even after completing my education,
10:59I had to distance myself.
11:01I worked in BPOS.
11:03I did all the work.
11:05I told my parents,
11:08how will you manage?
11:10They said,
11:12let's see.
11:14I didn't want to work in BPOS.
11:16I didn't want to work in BPOS.
11:18There was a lot of growth.
11:20On one side,
11:22I felt,
11:24there is a need for others.
11:26There is a need for me.
11:28That was a calling for me.
11:30Let anything happen.
11:32Let's go.
11:34Let's see what happens.
11:37I wanted to give a try.
11:39In that journey,
11:41I didn't have any plans.
11:43I didn't have any plans.
11:45I wanted to do something.
11:47I wanted to attend this calling.
11:49I wanted to see something.
11:51I don't have such big expectations.
11:53Rest all is bonus for me.
11:55The bonus is working.
11:59When it comes to theatre,
12:01there is a variation in acting.
12:03There is a variation in acting for theatre and camera.
12:05What molded you?
12:07What shocked you?
12:09Sir, variations are based on,
12:11there is no variation.
12:13We don't have to bias it.
12:15Because acting or lighting
12:17or anything you take up,
12:19it all comes from theatre.
12:21It comes from theatre.
12:23So, if you
12:25have to direct here,
12:27or act here,
12:29or do lighting here,
12:31all are base.
12:34It is not different.
12:36It is wrong to differentiate.
12:38Since it is base,
12:40it is a stage where
12:42you can do it better.
12:44It can be updated.
12:46There will be an updation here too.
12:48It can be another form of updation.
12:50I tried to mold myself.
12:52I tried to mold myself technically.
12:54I tried to mold myself technically.
12:56To be honest,
12:58initially I didn't know how to take light.
13:00In our play,
13:03I didn't know how to take light.
13:05I didn't know how to touch up.
13:07I always had an oily face.
13:09I was asked to touch up.
13:11I didn't know that it was that important.
13:13I didn't know that it was that important.
13:15I was asked to look at the monitor at least once.
13:17I didn't look at the monitor.
13:19I couldn't understand
13:21what is the
13:23need of
13:25watching the monitor all the time
13:27when you take up.
13:29Initially I didn't know that.
13:32I tried to look at the monitor at least once.
13:34I tried to look at the monitor at least once.
13:36What else can I say?
13:38There are a lot of things.
13:40In our play,
13:42we do make up in a different way.
13:44Here, the make up is very advanced.
13:46I did my own make up in Bheema.
13:48It was a very subtle make up.
13:50I didn't need much make up.
13:52I was asked how my skin was
13:54and how I wanted my skin to be.
13:56I was asked how my skin was and how I wanted my skin to be.
13:58I started doing that.
14:01It was a complete learning process.
14:03I was very happy.
14:05What were the inputs you got in this?
14:07In every aspect,
14:09there were a lot of inputs in acting.
14:11The best part of
14:13working with Vijay sir is
14:15he will let you do what you want to do.
14:17He gives complete freedom.
14:19He gives complete freedom.
14:21He says, do what you want to do.
14:23He says, do what you want to do.
14:25He says, do what you want to do.
14:27In many scenes,
14:29You are saying different dialogues at the same time
14:32Sir, I am not saying that it is wrong. You were correcting me
14:35But if the situation was correct, you would take the input
14:39I was very happy about that. You were not taking it
14:43No, this input is good. No, this dialogue is good. Let's take it. Let's do it
14:47So in such situations, I learnt spontaneity
14:50How spontaneous and at the same time present
14:54The more you are in the present moment, the more it will work for you
14:58I learnt that a lot
15:00And everything was about the moment
15:04I learnt that a lot in the process
15:08And you are a newbie. The heroine is a newbie
15:13So when you are a newbie, there are a lot of seniors in the team
15:17But in this team, there are a lot of newbies
15:20You give more opportunities to newcomers
15:23How do you feel about the bonding in the set?
15:25There is a lot of bonding. Everyone is a newbie
15:28Nobody is there to judge you at the same time
15:31Everybody is there to teach
15:33Like Kalyani ma'am. Priya is not a movie newbie
15:38She is a newbie for Bheema
15:42But she has done a lot of other films
15:45She is also theatre based
15:47Aishwarya has done Ash Mellow
15:50Sushma
15:52Sanvi
15:54Jalli Thanda
15:56Jalli gang
15:58Viji sir
16:00Puni, Abhi, Adil, Velu
16:05They are all actors
16:07It was fun
16:09It was fun every single day
16:12There are a lot of night shoots
16:14You don't have people to disturb you
16:17There is no crowd
16:21It was a lot of fun
16:25It was even more fun because it was a newcomer
16:29What is the base of this film?
16:34The base is
16:37What is happening in society in Bengaluru
16:43At the same time
16:45With a social awareness
16:47Including of all
16:49Action, love, mother sentiment
16:54With all these commercial aspects
16:56A message is conveyed
16:59You say that
17:01No matter how good the set is
17:03Night shoots, new comers
17:05You have taken a lot of time to say that dialogue
17:08No, not like that
17:12One dialogue
17:14One shot
17:16It was my only shoot
17:18It was a lot of night shoots
17:20I was tired
17:22I didn't do a lot of night shoots
17:24I was tired
17:26At the same time, I was physically drained
17:28I don't know what happened that day
17:31I was riding a cycle like Sivan
17:35Hopefully, no one came to see me
17:37No one came to see me
17:39How long did it take?
17:412 to 3 hours
17:43I was like this
17:45But it was my main scene
17:47I am very thankful to Vijay sir
17:50To Shiv sir and the technicians
17:54It was a very important scene
17:58They made it very easy
18:00It was just one scene
18:02How did the cycle go?
18:04It went well after 19 takes
18:07Did you complete it in 6 nights?
18:09No
18:10Did you complete it in 10 nights?
18:11I completed it that day
18:12Since it was my only shoot
18:14Luckily, I completed it that day
18:16What happened was
18:18There was no dialogue
18:20It didn't go well
18:22That day, I understood a little bit
18:25You can't say a lot of dialogue in a dialogue
18:29Something will work at that point
18:34At that time, there was a problem
18:36Vijay sir also understood that there was a problem
18:46Thankfully, no one got hurt
18:48It was the first time
18:52Initially, I had taken 8 takes
18:54After that, I hope it came out well
18:58It became my favorite
19:01Maybe because of that situation
19:03I don't know if it worked
19:05But luckily, no one got hurt
19:08Can you say a dialogue?
19:10No
19:12Vijay sir will shout from there
19:14Yes, he will