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Story-Screenplay-Direction: Gopichand Malineni
Producer: B.Madhu
Music: Thaman S
Cinematographer: G.K. Vishnu
Editing: Naveen Nooli
Art Director: A.S. Prakash
Fights : Ram - Laxman
Dialogues: Sai Madhav Burra
Lyrics: Rama Jogaiah Sastry
Co-Producer : Ammi Raju Kanumilli
Co-Directors : Gulabi Srinu, Nimmagadda Srikanth
Chief Co-Director: P.V.V. Soma Raju
Stills: Sai
PRO: Vamshi - Shekar
Publicity Designer: Working Title Shiva
Production Controller: Kottapalli Murali Krishna
Make up : Srinivasa Raju
Costumes: Swetha (Ravi Teja), Neeraja Kona (Shruthi Hassan)
Music Label: Lahari Music
Story-Screenplay-Direction: Gopichand Malineni
Producer: B.Madhu
Music: Thaman S
Cinematographer: G.K. Vishnu
Editing: Naveen Nooli
Art Director: A.S. Prakash
Fights : Ram - Laxman
Dialogues: Sai Madhav Burra
Lyrics: Rama Jogaiah Sastry
Co-Producer : Ammi Raju Kanumilli
Co-Directors : Gulabi Srinu, Nimmagadda Srikanth
Chief Co-Director: P.V.V. Soma Raju
Stills: Sai
PRO: Vamshi - Shekar
Publicity Designer: Working Title Shiva
Production Controller: Kottapalli Murali Krishna
Make up : Srinivasa Raju
Costumes: Swetha (Ravi Teja), Neeraja Kona (Shruthi Hassan)
Music Label: Lahari Music
Category
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Short filmTranscript
00:00:00we are going to complete this project.
00:00:02We will finish the project.
00:00:04We will finish the project.
00:00:06We will finish the project.
00:00:0850 rupees.
00:00:1050 rupees?
00:00:12One minute. Do you have 50 rupees?
00:00:14No madam.
00:00:16Madam.
00:00:24I was once in Mumbai from Dubai
00:00:26and managed it with a phone call.
00:00:28The reason why you are sitting idle in jail is because of this 50 rupees.
00:00:37The accused in Mumbai bomb blast case is an international terrorist who has been on the run for 3 years.
00:00:42His name is Saleem Bhatkal.
00:00:43It is a sensational news in India.
00:00:45Mumbai police have started air raids to catch him.
00:00:59Mumbai police have started air raids to catch him.
00:01:03Mumbai police have started air raids to catch him.
00:01:11Thank you.
00:01:12Salam Bhai.
00:01:13Salam.
00:01:14Mastan. Mancleet Mastan.
00:01:17I got a call from Mumbai that you are coming.
00:01:19I will take care of the work you have to do in Kurnool.
00:01:23Please come.
00:01:28Salam Bhai.
00:01:34Please have some rest.
00:01:35You will be ready by the time you finish eating.
00:01:39We issue trade alert against Saleem Bhatkal at all the airports including Delhi, Mumbai, Chennai, Hyderabad and Bangalore.
00:01:45His passport has also been seized.
00:01:46He will not be able to get out of the country.
00:01:48All his exit points have been seized.
00:01:49Arrange new passports for me and my wife.
00:01:52Arrange it immediately.
00:01:54Okay?
00:01:55Okay.
00:01:56Assalamualaikum, Jairam Bhai.
00:01:58Waalaikumsalam.
00:01:59We have already seized 20 passports from this address.
00:02:02He is a new officer.
00:02:04He is very strict.
00:02:05Change this address and get a new one.
00:02:19Come, Swami.
00:02:20This is the house I told you about.
00:02:21Did you tell him about our conditions?
00:02:23Do you think this is an ordinary house?
00:02:25You have to pay rent for 5 years and advance for 6 years.
00:02:27You will get an extra 50 rupees from this month.
00:02:3050 rupees?
00:02:31Do you think you can pay me 50 rupees every time you come to the party?
00:02:34If you don't like it, you can stay here.
00:02:35If you don't like it, you can leave.
00:02:36We will be in trouble.
00:02:37He is a broker.
00:02:38You will also be in trouble.
00:02:39Please, please.
00:02:40Hey!
00:02:41Who is a broker?
00:02:42Hey!
00:02:43Bastard!
00:02:44Where is my flyer?
00:02:45Give it to me.
00:02:46Give it to me.
00:02:47Give it to me.
00:02:48Give it to me.
00:02:49Give it to me.
00:02:50Give it to me.
00:02:51The house in front of you is the number one property.
00:02:53Will you give it to me?
00:02:55What is the problem with 50 rupees?
00:02:59I am giving it to you.
00:03:00Come tomorrow and pay the rent.
00:03:01Okay.
00:03:028-2-167.
00:03:05Now the address is correct.
00:03:11You have been looking for Salim Batkal for 4 days.
00:03:13Do you think he is still in India?
00:03:16There is no chance for him to cross the country.
00:03:18This time, Salim Batkal...
00:03:20...cannot escape from the police.
00:03:22No matter how big a criminal he is...
00:03:24...he will commit a small mistake somewhere.
00:03:26To catch that mistake...
00:03:28...there will be a police force somewhere.
00:03:46Mom!
00:03:47Dad!
00:03:50Dad!
00:04:16Bose, your husband is a circuit inspector.
00:04:18Go slowly.
00:04:19They are running away.
00:04:20Slow! Slow!
00:04:21Go fast, mom.
00:04:22Fast! Fast!
00:04:23Listen to me, son.
00:04:25Please!
00:04:26Tell him that you love him.
00:04:27Fast! Fast!
00:04:42It is enough if you come for the festival.
00:04:43You will buy matching clothes for me...
00:04:45...and take me to the temple.
00:04:47Yes, dad.
00:04:48He is asking me to buy matching clothes for him.
00:04:51You should not talk to God like that.
00:04:53You will lose your eyesight.
00:04:55Keep the carriages down.
00:04:56Wear the sandals.
00:05:02It is the same menu, Acharya.
00:05:04It is the same puliyara.
00:05:05This time, the cashew nuts and raisins...
00:05:07...are very tasty.
00:05:08The food prepared by you is delicious.
00:05:10Dad, come down.
00:05:11What is it, son?
00:05:12I woke up at 4 in the morning...
00:05:14...and made puliyara.
00:05:16Why did you give it to mom?
00:05:18Don't talk loudly.
00:05:19I will get hurt.
00:05:20I will become weak in public.
00:05:22I will get hurt, dad.
00:05:23It is nothing.
00:05:25Dad, I will get hurt.
00:05:29Let's go.
00:05:30Let's go.
00:05:31You scoundrel!
00:05:33You change your words depending on the situation.
00:05:36Will you support mom at home...
00:05:37...or will you support me here?
00:05:38You scoundrel!
00:05:39Will you become a politician?
00:05:40No, dad.
00:05:41Only police.
00:05:42Get lost!
00:05:43You scoundrel!
00:05:44Get lost!
00:05:47Dad, you gave me a uniform.
00:05:49You gave me a beautiful wife.
00:05:51You gave me a son.
00:05:54This is enough for me.
00:05:56I will leave now.
00:05:57See you soon.
00:05:58Okay.
00:05:59I didn't get any enquiry about the passport.
00:06:01You didn't?
00:06:02No.
00:06:03Look what happened.
00:06:07This is the second line of Sulaimanpet.
00:06:09So?
00:06:10The road is near the well.
00:06:12I didn't get any enquiry.
00:06:14So?
00:06:15The road is near the well.
00:06:17Two town police station is on the other side.
00:06:19One town police station is on the other side.
00:06:21One town?
00:06:22Yes.
00:06:24Sir.
00:06:25Tell me.
00:06:26You made a mistake, sir.
00:06:27The road we took for rent is on the other side.
00:06:30So what?
00:06:31All our people are on the other side.
00:06:33Our passports are being managed there.
00:06:35They will come for enquiry from one town.
00:06:37The police is there.
00:06:39Manage it.
00:06:40Okay, sir.
00:06:42What is this for Rs.50?
00:06:50Good morning.
00:06:54Are you saying bye or saluting?
00:06:56Keep quiet, sir.
00:06:57What do we have?
00:06:58I am doing police job not for salary but for saluting.
00:07:02Okay, sir.
00:07:03That's it.
00:07:04My salute is for you and your salary is for me.
00:07:06Good morning, sir.
00:07:07Good morning.
00:07:09Subbarao.
00:07:10Sir.
00:07:11Is Raju here?
00:07:12Not yet, sir.
00:07:13Not yet?
00:07:14Why is he not here yet?
00:07:16He will be here by this time.
00:07:19Come, come, come, Mr. Raju.
00:07:22If you don't come, the station will be empty.
00:07:24How can you be late, Mr. Raju?
00:07:26I am using the house, sir.
00:07:28I have to be near the house from tomorrow.
00:07:33I am retiring, sir.
00:07:3633 years...
00:07:37Complaints...
00:07:38Reporting...
00:07:39Inquiries...
00:07:40Transfers...
00:07:42I am used to living like this, sir.
00:07:45My wife and children look like pending cases.
00:07:49If I don't have uniform, I feel like I am in disguise, sir.
00:07:53It will be like that till I die.
00:07:55I don't know why...
00:07:57I feel like I am leaving my own house, sir.
00:08:00I don't know, sir.
00:08:04Mr. Raju, come.
00:08:07Sit, sit.
00:08:09Sit.
00:08:12Mr. Raju.
00:08:15Retirement is giving a salary after giving rest.
00:08:18Once you are a police, you are a police till you die.
00:08:21This is your station.
00:08:22You can come anytime.
00:08:24Share your 33 years of experience with us and make us walk behind you, Mr. Raju.
00:08:28We will feel very happy.
00:08:30What do you say?
00:08:31Okay?
00:08:49Mom!
00:08:50What is it, Chinku?
00:08:51Mom!
00:08:53What is it, dear?
00:08:55Do you want booze?
00:08:57No.
00:08:58Horlicks?
00:08:59No.
00:09:00Then what else?
00:09:01I slept between you both last night.
00:09:04Why did I wake up early in the morning?
00:09:10Ask your dad.
00:09:14Dad!
00:09:15What is it, dear?
00:09:16Dad!
00:09:17Don't scare me.
00:09:18I mean...
00:09:19Somnambulijam.
00:09:20Somnambulijam?
00:09:22What does it mean?
00:09:23Don't walk in sleep.
00:09:25You slept there last night.
00:09:27You walked in sleep and slept here.
00:09:29I don't believe it.
00:09:30You should believe it, dear.
00:09:31It is a disease in our family.
00:09:32From my grandpa to my dad, from my dad to me, from me to you,
00:09:36from me to your son, it is called Somnambulijam.
00:09:39Is it?
00:09:40Yes.
00:09:41Keep smiling like that.
00:09:44I woke up early in the morning.
00:09:46Where did you wake up?
00:09:50Police, my foot!
00:09:51You are getting too many doubts.
00:09:52Get ready. It is time for school.
00:09:53Stop it!
00:09:54Dad!
00:09:55Behave yourself.
00:09:56What is it, dear?
00:09:57Hurry up.
00:09:58Hey!
00:09:59Cheeku!
00:10:00Come here.
00:10:03Why did he hit you?
00:10:05He is telling me all his problems.
00:10:09Do you know how your dad came into my life?
00:10:12How?
00:10:13Hey, Shankara!
00:10:14Shankara!
00:10:15What is it?
00:10:16What is it?
00:10:17Why are you drinking only whisky?
00:10:19Police training requires physical fitness as well as mental fitness.
00:10:23Yoga is very important for that.
00:10:24Come, come, come.
00:10:26What are these clothes?
00:10:27Do you think they are fresh?
00:10:28What did you see and tell me?
00:10:29How did you know?
00:10:30I came to do yoga with lungi.
00:10:32Can't you do yoga with lungi?
00:10:34I can.
00:10:35But I can't see people around me.
00:10:37Can you do asanas?
00:10:39We don't have any habits other than asanas.
00:10:42For beggars like you...
00:10:44For beginners like you...
00:10:46There is a class. Go there.
00:10:49They do yoga at night.
00:10:50They come in the morning and do yoga.
00:10:52They are so stupid.
00:10:53Are we less?
00:10:55Not like that.
00:10:56We do our own asanas.
00:10:58Ramana, try that.
00:11:00Mahesh, try that.
00:11:02You try that.
00:11:04Good.
00:11:05Hello, Jhumkili.
00:11:06Hey, not her.
00:11:07What is the doll behind you?
00:11:09This one?
00:11:10Go and see properly.
00:11:11I...
00:11:12He looks good.
00:11:13He is finished today.
00:11:17He is confident.
00:11:20He is asking for an ashram.
00:11:22She is sitting with her legs up.
00:11:24We came in lungi.
00:11:25Let's see.
00:11:26We don't have anything.
00:11:27They will go.
00:11:28Let's go.
00:11:33Wow!
00:11:34Look at him.
00:11:35Even Baba Ramdev...
00:11:37...didn't do yoga like this for so long.
00:11:40He is genius.
00:11:50Pose.
00:11:51You did it.
00:11:52I didn't do it.
00:11:54I got stuck.
00:11:55He got stuck?
00:11:56This is foolishness.
00:11:57He got stuck.
00:11:58He got stuck.
00:11:59He got stuck.
00:12:00Slowly.
00:12:01Slowly.
00:12:02Slowly.
00:12:03Oh, no.
00:12:04Hey.
00:12:05Hey.
00:12:06Wait.
00:12:07Wait.
00:12:08Wait.
00:12:09Wait.
00:12:10Wait.
00:12:11Wait.
00:12:12Wait.
00:12:13Wait.
00:12:14Wait.
00:12:15Wait.
00:12:16Wait.
00:12:17Wait.
00:12:18Wait.
00:12:19Wait.
00:12:20Wait.
00:12:21Wait.
00:12:22Wait.
00:12:23She is the solution.
00:12:25Yoga.
00:12:26Yoga.
00:12:27This is the solution.
00:12:30This is a Yaga K.
00:12:31Yogini Ahivda.
00:12:32What happened?
00:12:33An ashram named Mandapuri Nanda looted first.
00:12:35Now watch this.
00:12:36Mind blown.
00:12:37Amazing.
00:12:38Amazing.
00:12:39Amazing.
00:12:40I see.
00:12:41I see.
00:12:42I see.
00:12:43What do you do?
00:12:44Doctor.
00:12:45Me.
00:12:46Me.
00:12:47Oh
00:13:17Hey Subbarao, what happened?
00:13:24The vehicle is not starting, sir.
00:13:25To the station, right?
00:13:26There is a passport inquiry on Suleiman's behalf, sir.
00:13:27It's on the way, right?
00:13:28Let's go there.
00:13:29Let's go, sir.
00:13:308-2-167, sir.
00:13:31This is the address, sir.
00:13:32Oh, okay.
00:13:33Okay, you come.
00:13:34Okay, sir.
00:13:35Passport inquiry.
00:13:36Yes, sir.
00:13:37Sit down.
00:13:39Sathyanarayana, is it you?
00:13:43Yes, sir.
00:13:45Annapoornamahaaru…
00:13:46Annapoornamah…?
00:13:47Yes, sir.
00:13:48Hi.
00:13:49Hi, madam.
00:13:50Why did you call me so early, dear?
00:13:53Are you missing me?
00:13:55Yes, sir.
00:13:57Hello, madam.
00:13:58You have a message from the head of the department.
00:14:02Yes, sir.
00:14:05Hello. Yes, madam. Do we have a white T-shirt?
00:14:09Yes, we do.
00:14:10You do?
00:14:11Do one thing.
00:14:12What do we do this evening?
00:14:15Okay.
00:14:18He didn't look. Give him anything.
00:14:22Boy.
00:14:23Hey, Zubbaru. Are you done?
00:14:24I'm coming, sir.
00:14:26Hello.
00:14:28Do you sell black tickets?
00:14:30That's also a Shikila movie.
00:14:32You didn't even watch it.
00:14:33Black tickets.
00:14:34Hit him.
00:14:35Do you come to a Shikila movie without your wife's knowledge?
00:14:38You made me an innocent man.
00:14:40Hit him.
00:14:41Hit him.
00:14:42You look like a pig.
00:14:43You look like a pig in a black ticket.
00:14:45If I see you again, I'll kill you.
00:14:47Do you sell black tickets?
00:14:54Zubbaru.
00:14:55Sir.
00:14:56Sir.
00:14:57What's the name of the guy who inquired about the passport?
00:14:59Sathyanarayan, sir.
00:15:00Why did Burka go to his house?
00:15:01Burka?
00:15:02I didn't notice.
00:15:03Zubbaru.
00:15:04Call Adhobhai.
00:15:05Okay, sir.
00:15:06He never makes such mistakes.
00:15:08It's him.
00:15:10How do you know him?
00:15:11He came to my house and set fire to the house.
00:15:13I told him that his brothers were burning it.
00:15:15The gas bill and power bill are also correct, sir.
00:15:17The problem is not the bill, Zubbaru.
00:15:19It's Burka.
00:15:20Hello, Mr. Sathyanarayan. May I come in?
00:15:22You inquired about the passport, right?
00:15:24The passport inquiry is over, right?
00:15:25How many times do you have to go to the police station?
00:15:27It can happen as many times as you want.
00:15:29All the deities are here.
00:15:31I think Mr. Sathyanarayan has a lot of deities.
00:15:33He has built a wall with the deities.
00:15:35He is very good at cooking.
00:15:37Can you give me a cold drink?
00:15:39Okay.
00:15:40Which culture?
00:15:41He has managed everything well.
00:15:42Then...
00:15:44What is this Burka?
00:15:46I'm asking you, Mr. Sathyanarayan.
00:15:48What is this Burka?
00:15:50You came to the inquiry.
00:15:51Take as much as you want.
00:15:53How much will you take?
00:15:54Two.
00:15:55Two is cheap, right?
00:15:56Five.
00:15:57Thousand or lakhs?
00:15:58Hey!
00:16:00Do you know Salim Bhadkal?
00:16:02Who is he? Is he the tailor who built this Burka?
00:16:04Hey!
00:16:05Do you know what my background is?
00:16:08Background!
00:16:20See, Chowchow.
00:16:21It's better than before.
00:16:24Hey!
00:16:33Suman Rao.
00:16:34Go and see what's going on there.
00:16:35Okay, sir.
00:16:44This is the flour that the colonel gave us.
00:16:46No matter where you come from, you have to come here as a prisoner.
00:16:55Move aside!
00:17:01Move aside!
00:17:03What are you doing?
00:17:04What are you doing?
00:17:05What are you doing?
00:17:06What? What?
00:17:07What?
00:17:08What?
00:17:09What are you doing?
00:17:11Call the police.
00:17:20Why did you kill him, sir?
00:17:21Get out of the way I'm calling.
00:17:25The guy who kicked you is in the Bible now.
00:17:26A special soda for him.
00:17:29Do you want to go to the bank or do you want me to get a soda?
00:17:33Give me my soda.
00:17:38Shut up!
00:17:39Why are you hitting him, Dad?
00:17:41Is he a fool to watch TV?
00:17:44Dad, do you know who this guy is?
00:17:46I don't care who he is.
00:17:47At least he kicked me!
00:17:48You don't know who you've gotten yourself into, Dad.
00:17:50Salim Guthkami.
00:17:51Salim Bakht!
00:17:53Salim Bakht?
00:17:55Is it him?
00:17:57Yes, brother.
00:17:59I couldn't recognize him.
00:18:01If he is Salim Bakht, then who is Anapurna?
00:18:03She is not Anapurna.
00:18:05She is the heroine Dhrithi Vedi.
00:18:07Dhrithi Vedi?
00:18:09Heroine Dhrithi Vedi?
00:18:11Sorry, madam. I made a mistake.
00:18:13Can I take a photo with you?
00:18:15Here.
00:18:17Can I take a photo with you?
00:18:19Sir, sir, sir.
00:18:21You caught the most wanted criminal in the country so easily.
00:18:23Can you explain your action plan?
00:18:25I followed whatever SP told me.
00:18:27My whole career goes to him.
00:18:29Plan and plan of action.
00:18:31Gun and trigger.
00:18:33I am a die hard fan of SP.
00:18:35He is my inspiration.
00:18:37He is the reason why I am like this.
00:18:43I changed my house with this 50 rupees.
00:18:45I changed my wife with Shankar's help.
00:18:47She made me a joker in front of you.
00:18:51Can I ask you something?
00:18:53What do you want to do with Shankar now?
00:18:55I want to kill him.
00:18:57It's been years since you came to jail.
00:18:59Do you know where Shankar is now?
00:19:01I know. But it's a long time ago.
00:19:03He was transferred to Calcutta as a C.I.
00:19:13Doctor.
00:19:15I am here.
00:19:17Greetings, doctor.
00:19:19You have to save me somehow.
00:19:21Don't worry. Sit down.
00:19:23What is your problem?
00:19:27Tell me.
00:19:31I am suffering from a strange pain.
00:19:35No problem.
00:19:37You came to the right place.
00:19:39London FRCS is here.
00:19:41What is your problem?
00:19:43I get angry when I touch anything.
00:19:45If I don't get what I want,
00:19:49I get tensed.
00:19:51I feel like killing.
00:19:53Give me your hand.
00:19:59It's bipolar disorder.
00:20:01I fall on stage.
00:20:03Do you die?
00:20:05No. I behave violently.
00:20:07I feel like murdering.
00:20:09If I am not wrong,
00:20:11Did you call me?
00:20:15Relax. Relax.
00:20:17You are 100% correct.
00:20:19You are a great doctor.
00:20:21You told me everything.
00:20:23It's superb.
00:20:25Uncle.
00:20:27If you come for a week,
00:20:29tell me what to do.
00:20:31I will tell you, uncle.
00:20:33When I went to the court,
00:20:35my brother-in-law was playing.
00:20:37When I saw him,
00:20:39He was wearing a yellow dress.
00:20:41I told him why he was not there.
00:20:43I will tell you.
00:20:45In the old house of Shiva Netty,
00:20:47that old man ate here.
00:20:49When you come out,
00:20:51see the big building with European structure.
00:20:53Don't worry.
00:20:55Since that day,
00:20:57you have been saying this.
00:20:59Two properties are mine.
00:21:01Is it so?
00:21:03I earned for hard work.
00:21:05What did you do?
00:21:07If I catch you, I'll cut your head off.
00:21:11Doctor, you know what my disease is.
00:21:14You know what stage it's in.
00:21:16Son, what's your problem?
00:21:23I want to get rid of all the diseases.
00:21:27Don't do it.
00:21:30Greetings, sir.
00:21:34Sister, I want to go to America.
00:21:36I want to go to America.
00:21:37Okay, you stay here. I'll go and get you.
00:21:44Hey, Subbarathi.
00:21:45Yes, brother-in-law.
00:21:46You take care of your own business.
00:21:48Okay, brother-in-law.
00:21:49Don't go far.
00:21:50If you cross the road, you'll be in trouble.
00:21:52Okay, brother.
00:21:53Bye, brother.
00:22:06Mom.
00:22:13Mom.
00:22:16It's over.
00:22:17It's over in a minute.
00:22:19For a girl, he's not even looking at her.
00:22:21How can he treat her like this?
00:22:22Rascal.
00:22:23Did you file a police complaint?
00:22:28Tell me, madam.
00:22:29You have to file a case with the girl.
00:22:30Tell me, how many cases do you want me to file?
00:22:32How many cases?
00:22:37How are you, SP?
00:22:38I'm fine.
00:22:39How are you?
00:22:40I'm fine, SP.
00:22:41What happened, SP?
00:22:42Kondareddy.
00:22:43What happened to you in the last 24 hours?
00:22:44Did you file a case?
00:22:47Cases on the head and cases on Kondareddy
00:22:49are becoming common.
00:22:51The other day, I filed a case on you.
00:22:52Do you know that?
00:22:53Animal Act.
00:22:54A case in which a small animal is mixed with a dog.
00:22:57Oh, that one.
00:22:58That's a big case, SP.
00:22:59It's a small case.
00:23:00But the one who's going to deal with that case
00:23:01is not an ordinary guy.
00:23:03What are you, SP?
00:23:04Why are you so tensed?
00:23:05Haven't you seen so many people like him?
00:23:07I've seen so many people, Reddy.
00:23:08But he's a big cracker.
00:23:14If you mess with us, you won't be alive.
00:23:16A lot of people died because of him, Reddy.
00:23:23How far is Central Jail from here?
00:23:25Central Jail?
00:23:26If you jump hard, it's six hours.
00:23:27Jump.
00:23:30Go there in four hours and go to jail.
00:23:32He'll show you.
00:23:33He'll tell you about the one who's coming.
00:23:47SP has sent it.
00:23:52Why did you bring him here?
00:23:53The one you want is here.
00:23:54Come.
00:23:55Where?
00:23:58Upstairs.
00:24:00Upstairs.
00:24:11Hey!
00:24:13It's getting late.
00:24:14Don't be in a hurry.
00:24:15SP asked me to meet you in a hurry.
00:24:18He won't come.
00:24:20Where are you from?
00:24:22Gadapa.
00:24:23How many people came?
00:24:24Three.
00:24:25Six there.
00:24:27How many people will come after you?
00:24:29More than ten.
00:24:32If I'm not mistaken, it's less than twenty.
00:24:34How many murders have you committed?
00:24:36A lot.
00:24:37One.
00:24:40He's got 22.
00:24:42He's got 30.
00:24:43Total 52.
00:24:44I know that.
00:24:46Who's this big rowdy I don't know?
00:24:48Katari Krishna.
00:24:50Thieves.
00:24:53Do you know where Katari Krishna's story started?
00:24:55Do you know how it started?
00:24:56In the days when rowdyism was rampant in Bengal,
00:24:59Katari Krishna was working for him.
00:25:04What's this?
00:25:05Those are country bombs.
00:25:08Will it work?
00:25:09Hey!
00:25:10If it's with knives, you have to kill them one by one.
00:25:12If it's with sticks, you have to kill them until they die.
00:25:15But if it's with these bombs,
00:25:17my sons will die if they don't do anything.
00:25:21Really?
00:25:22Let me see.
00:25:26Hey!
00:25:27What is happening?
00:25:56KADAKADAKADAKADARODU
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00:30:25Please! Please!
00:30:50What do you want me to do?
00:30:51What do you want to do, brother?
00:30:53We are going to shoot a new movie called Thaadai Thista.
00:30:55They have asked us to act as villains in the movie.
00:30:57Do we have any villains?
00:30:59Do we have any heroes?
00:31:01Do we have any heroines?
00:31:03We are going to shoot the Thaadai Thista movie.
00:31:05We are going to shoot the Thaadai Thista movie.
00:31:07You said that you are going to shoot the Thaadai Thista movie.
00:31:09What happened?
00:31:11My brother-in-law got hurt.
00:31:13Brother-in-law? What do you mean?
00:31:15He got hurt.
00:31:17Oh! Oh!
00:31:19Hey!
00:31:21Hey! Come here.
00:31:23Devil!
00:31:35Crackers!
00:31:37Crackers!
00:31:43Crackers!
00:31:49Do not hit us. We do not have any case.
00:31:51Sir, I came here to meet you on TV.
00:31:52Then, why did you come here?
00:31:54Sir, I came here to talk to that media guy.
00:31:56It's him, sir.
00:31:57Who?
00:31:58That guy?
00:31:59Yes, it's him, sir.
00:32:00Hey, you come here once.
00:32:03Hey, it's done in Waggy's style.
00:32:04Hey, why are you shaking?
00:32:05Media.
00:32:06Oh.
00:32:07Yes and yes for society.
00:32:08Hey, my cutie pie, my darling.
00:32:10Give me a hug, man.
00:32:13Oh, no.
00:32:14How many days has it been?
00:32:15Two weeks, sir.
00:32:16What's the problem?
00:32:17Water problem all over the body.
00:32:18This is the problem.
00:32:19This is the problem, sir.
00:32:20Hey, focus on this guy.
00:32:21Even if he comes near you, people will run away.
00:32:23You will be in trouble.
00:32:42Yes, sir.
00:32:43It's done, sir.
00:32:44It's done, sir.
00:32:45It's done, sir.
00:32:46It's done, sir.
00:32:47It's done, sir.
00:32:48It's done, sir.
00:32:50Do you watch a lot of movies?
00:32:51Yes.
00:32:52Oh, my God.
00:32:53Abdullah sir, Ashok Kumar sir.
00:32:55Constable Keran, sir.
00:32:57Welcome to Ongarelu, sir.
00:32:59Thank you.
00:33:00You are my inspiration, sir.
00:33:01Sir, you can go to everyone in the village.
00:33:02But, you know the entire department, sir.
00:33:03I'm the head constable Rajiv's son.
00:33:05Sir, I'm the head constable Rajiv's son.
00:33:06I'm a retired constable who used to work at the police station.
00:33:08Hey, is it?
00:33:09Yes, sir.
00:33:10How is the job?
00:33:11It's very good, sir.
00:33:12Tell me if you need any help.
00:33:13Sure, sir.
00:33:14Sure.
00:33:15Rosa.
00:33:16I don't know how to scream or how to shout.
00:33:18Listen.
00:33:20Oh, it's spicy.
00:33:21Why are you in such a hurry? I'll get the parcel.
00:33:23Dad called me.
00:33:24What did he say?
00:33:25There are a lot of goons in Kumbakonam.
00:33:27Your dad is very angry.
00:33:28He won't even look back.
00:33:30He told me to be careful.
00:33:32Dear, shall I ask your dad to do a job?
00:33:34If he doesn't have a job,
00:33:36I'll give him a few acres, a few cows, a few cows.
00:33:38He'll take care of it.
00:33:39He'll take care of it.
00:33:40He'll take care of it.
00:33:41He'll take care of it.
00:33:42He'll take care of it.
00:33:43He'll take care of it.
00:33:44I'll give him a few acres, a few cows, a few cows.
00:33:47Ask him to sell the milk.
00:33:49Everyone will be ready to give advice.
00:33:51What's wrong with that?
00:33:52Listen.
00:33:55These guys are no less.
00:33:56Hello, hey, listen.
00:33:57I don't want.
00:33:58What's wrong with you?
00:33:59Mom is angry.
00:34:00I'm angry too.
00:34:01Hey, hey, hey.
00:34:02Oh, my God.
00:34:03What's wrong with them?
00:34:04They don't eat or don't let me eat.
00:34:06Mom.
00:34:07Shall I sleep in the hall in the morning?
00:34:11Sleep here.
00:34:12That won't happen today.
00:34:13That won't happen today.
00:34:14Why not, dad?
00:34:15That's it.
00:34:16I'll tell you.
00:34:17Your mom doesn't know anything.
00:34:18No matter if it's a classroom or a bedroom,
00:34:19you can't miss the timetable.
00:34:20You have to get settled by the end of the month.
00:34:21You can't do it with the teacher's help, can you?
00:34:22Oh, my dear.
00:34:23Your mom's sharpness has come to you.
00:34:24Sleep.
00:34:25Sleep.
00:34:26Sleep.
00:34:27Sleep.
00:34:28Sleep.
00:34:29Sleep.
00:34:30Sleep.
00:34:31Sleep.
00:34:32Sleep.
00:34:33Sleep.
00:34:34Sleep.
00:34:35Sleep.
00:34:36Sleep.
00:34:37Sleep.
00:34:38Sleep.
00:34:39Sleep.
00:34:40Sleep.
00:34:41Sleep.
00:34:42Sleep.
00:34:43Sleep.
00:34:44Sleep.
00:34:45Sleep.
00:34:46Sleep.
00:34:47Sleep.
00:34:48Sleep.
00:34:49Sleep.
00:34:50Sleep.
00:35:01Dad!
00:35:02You're the one who tells me to sleep!
00:35:03No, I'm just joking.
00:35:07Sleep.
00:35:08Sleep.
00:35:09Sleep.
00:35:10Sleep.
00:35:11You can't go anywhere. I'll be right here.
00:35:13Go to sleep.
00:35:14Go to sleep.
00:35:15Go to sleep.
00:35:16Mom, what if he calls me?
00:35:19Hey, go to sleep.
00:35:41Go to sleep.
00:35:59Please, I love you.
00:36:02Hey, please I love you.
00:36:04So long.
00:36:05Please.
00:36:11Please.
00:36:14Sorry, I'm late.
00:36:17First, tell me something.
00:36:19I don't know what to ask.
00:36:21But I guess I'll do whatever you ask.
00:36:22I'm like a...
00:36:23I'm like a First wife?
00:36:25Do you work?
00:36:26I'm like my second wife.
00:36:28You're my first wife.
00:36:29job and my wife.
00:36:32Are you stupid?
00:36:34Oh, come on!
00:36:40Kiran, get me a tea.
00:36:42Okay, sir.
00:36:43Hello?
00:36:43You are new to the station, right?
00:36:45Don't you want to meet me?
00:36:47Who are you?
00:36:48I am JPTC.
00:36:49If you don't have time or if you don't have a good time,
00:36:54I'll beat you up so badly that your family and people around you won't remember you.
00:36:58Hey!
00:36:58Hey, shut up!
00:37:00You idiot!
00:37:01Get lost!
00:37:02JPTC, idiot!
00:37:06Why are you laughing, Kiran?
00:37:08Sir, I came here to ask you a question.
00:37:10Go ahead.
00:37:12My father was right.
00:37:13What is it?
00:37:14You are a bit of a cracker.
00:37:18Sorry, sir.
00:37:20Why are you so angry when you hear the word, background?
00:37:24I grew up as an orphan, Kiran.
00:37:26Everyone used to irritate me saying my background.
00:37:31Is that a license?
00:37:32To ride a bike.
00:37:33That's why I get angry when I hear that word.
00:37:37I don't know why.
00:37:38I'll lose my control.
00:37:39But I'll try to control.
00:37:40Shall we go?
00:37:41Let's go.
00:37:41Okay, sir.
00:37:43Why don't you sit here once?
00:37:44I'll sit here only if I forget you.
00:37:46You are here.
00:37:48Which card?
00:38:32I'll be back.
00:38:44What's up, Jayamma?
00:38:45How's the movie?
00:38:47It's good.
00:38:48But our girl isn't good.
00:38:50What are you saying?
00:38:53Your daughter is also in the movie, Krishna.
00:38:55Why? Can't she come?
00:38:56There's a guy next to her.
00:38:58I think he's her lover.
00:39:00I'll keep it a secret.
00:39:02I'll kill you.
00:39:03Don't you feel ashamed?
00:39:05Did you see her properly?
00:39:07I saw her.
00:39:07I saw her with my own eyes.
00:39:09I know you'll feel bad if I tell you about this.
00:39:12It's a matter of a girl.
00:39:14It's not good if everyone knows about it.
00:39:16We must settle it.
00:39:18What do you mean?
00:39:18Don't get angry.
00:39:21You killed a guy in public.
00:39:23He's a police officer.
00:39:27We must do something.
00:39:32Kill him.
00:39:45This is what I'm talking about.
00:40:02Let go of me.
00:41:32Let go of me.
00:42:02What are you doing?
00:42:04Let go of me.
00:42:06Let go of me.
00:42:08Let go of me.
00:42:10Let go of me.
00:42:26So, uncle.
00:42:28You've been running around like crazy.
00:42:30What is this, Jeyamma?
00:42:31Isn't this a donkey's blood, Jeyamma?
00:42:33If you want to touch the body, do you have to have that much strength?
00:42:37If not, we will die by the blood.
00:42:43What is the job?
00:42:45Krishna has got a job for you.
00:42:47His own job.
00:42:54Hey, stop.
00:42:57Take this.
00:42:58Eat it hot when you go to the station.
00:42:59Okay, madam.
00:43:01Go carefully.
00:43:02Don't forget to take your father's tablets.
00:43:04Okay.
00:43:05Okay, bye.
00:43:29Jeyamma.
00:43:59Oh, no.
00:44:30Hey.
00:44:38Police.
00:44:41Police.
00:44:42Stop.
00:44:43Stop.
00:44:44Stop.
00:44:45Stop.
00:44:46Stop.
00:44:47Stop.
00:44:48Stop.
00:44:49Stop.
00:44:50Stop.
00:44:51Stop.
00:44:52Stop.
00:44:53Stop.
00:44:54Stop.
00:44:55Stop.
00:44:56Stop.
00:44:57Stop.
00:44:59Ah.
00:45:00Ah.
00:45:01Ah.
00:45:02Ah.
00:45:03Ah.
00:45:12Get up now.
00:45:13Ah.
00:45:14Ah.
00:45:15Oh
00:45:45Oh
00:46:15Oh
00:46:45Oh
00:47:15Oh
00:47:17Oh
00:47:39Now service low chala post-mortem you choose an inter core Anga champion of the life law first time just to know
00:47:45You're in a murder loop, but I don't know just don't know just that we'll not run out of the nut to get out of the nut to chaser
00:47:54Madam, it'll be sir. I thought I'm gonna get generally a pattern knee will fight a hunter
00:48:06You don't take a little bit of a chair
00:48:09It'll move the sari my senior a little case deal just a little
00:48:12You put an echo naru you don't know naru but he's retired now, okay
00:48:29Rajan I don't mind it. You're a new champion. I love you. Okay. No, but I love
00:48:35Khaki method
00:48:37We were there in London
00:48:43I
00:48:45Don't take a saloon
00:48:47But even with our new post-mortem Jason and he couldn't get selected. Tell him like Kona Mondo
00:48:54Me constable murder Kuda. I like it
00:48:58Same old signature new post-mortem Jason and new reports concerned police station Kipa Pichon same report copies
00:49:06My hospital
00:49:11Thank you so much for it's okay. I'll see you then Malika. Welcome. Thank you
00:49:17The lock Balaji sigh
00:49:20He be my post-mortem report
00:49:22The post-mortem report is a month in a case with Jilla. We a station or is there a what a fire charge sheet witness list
00:49:29What let us sell the Sahara?
00:49:32Okay
00:49:342005 year KCD
00:49:36But if I are files in count, I am a fire copy like one of it, sir
00:49:40Six years back Deepavali Rojana station look like it's been a fire accident a chala affairs look all paired, sir
00:49:45I didn't eat this day. Let's chase America. I did it with me distillation process starting, sir
00:49:50I'm looking at the Kundalini distill information
00:50:02When I spot to do it in a chappaloo, but I can't answer me, sir
00:50:04Why don't you enquiry just a hostile or chappaloo could tell you?
00:50:07I'm gonna go tell him to tell you sir, but I'm going to say sir
00:50:11I chase him, sir, but I can't families
00:50:13But I like rhythm and who would leave it under sir?
00:50:15He case deals in the CI bejavada Durga gullu journey to don't turn on case middle villain to a case path cases
00:50:20Look at that. There was an officer lover who put in to go put on to a case pending case
00:50:24Come here, sir
00:50:31I
00:50:36Don't have any case like some of the institution alone is a seed it is the cancer
00:50:39Can you oka station each mother? Oh, I don't response. Let's taste. You know, come to the station sir. Come to cool is dish
00:50:45Mission
00:50:54In tomato mark can be chattel it's a phone case to switch off host on the virus and the
00:51:01Sonstruals are automatic. I can't be skunk. Oh boy. I say
00:51:06That's the my god. I'm a new to the
00:51:10Automatic, you know
00:51:12My mom I like to discuss
00:51:14Automatically, I'm through to be there fine. Oh, honey. I'm going to end up there
00:51:19Lacey boy in a pet the my guru in children to the money is in the delay spoke on that. Who's going to
00:51:25automatic
00:51:27Yeah, man, I
00:51:29request room should I
00:51:33Rules limits will ever station needy gothu naughty
00:51:39I
00:51:44Know
00:52:03Johnny boy in the naughty naughty police or
00:53:08a
00:53:12Little girl in a MLS Subbaiah murder case a man in China a fire paper ready. He's a show-off
00:53:22Hindu lucky Bhagavad Gita Christ will give a ball muslims kick around police or key FIR
00:53:28He's just a little chitka. I don't have any boy in the knee made action. He's gonna write. No, I don't want to
00:53:34New job on God
00:53:36New period this is a one
00:53:44We return simple condom in case we dissolve just that automatic
00:53:56I'm gonna get a guy got out of the FIR
00:54:00I'm a man. It'll do a inquiry. I'm going to suspect number one. What do you do?
00:54:08Suspect number two Jinnah Basha
00:54:12Inquiry Jason
00:54:15Suspect number three Katari Krishna
00:54:24It's a monster
00:54:29I
00:54:59I
00:55:29I
00:55:59I
00:56:29I
00:56:35Yeah, the bunny my constable Kiran a champion
00:56:38I can't agree to inquiry Jason today, but they look at them come to court police station. No, no, they're not fire. No, I'm on it
00:56:44It'll be period
00:56:46I'd be like to case it but initial station go say inquiry Jason Malini Pesta
00:56:51Come on
00:56:53Here I will
00:56:54Some it's not even okay to get there and I do now won't be safe to Jericho
00:57:04They would like about the Jatara
00:57:06But the Pooja like about the Pooja get what the double like about the sound like about the mirror like what the kid I got it
00:57:11I need a partnership stationer and sir
00:57:14station
00:57:16But it don't get it you put a soldier there man a station it put on a Susama
00:57:46I
00:58:16I
00:58:46I
00:58:54Hey cocky
00:58:58Singara Konda Tirunelvelu Katari Krishnamidha
00:59:02Kutika Kosta Katari Krishna can the panel moves gonna have to do it and you went
00:59:08Kundu geesta
00:59:16I
00:59:46I
01:00:16I
01:00:46I
01:01:16I
01:01:18I
01:01:39Oh
01:01:48Come on, come on, look at it.
01:01:51Look at it properly, Kitty.
01:01:52This is how the police station looks from inside.
01:01:54Are you looking at it? Look at it.
01:01:56Look at it properly. Look at the police station.
01:01:59This is how it looks when you put the cell inside.
01:02:02Remember the name of the person who put it inside.
01:02:04Shankar.
01:02:06Potharaju Veera Shankar.
01:02:08One town police station means one tail.
01:02:11I want one tail, you scoundrel.
01:02:18So this is how you came here when he beat you up there.
01:02:21No, brother.
01:02:23It started when we both got destroyed.
01:02:28Sir, tea for him.
01:02:30Elamanda, he is not a dead man. He is a living dead.
01:02:33Yes, Gulabi. He is not an ordinary man.
01:02:36He made that Tariqist enter Sukkurara and bailed out the soldiers.
01:02:41Today is the third day. My son must be drenched.
01:02:49I think it's J.M.
01:02:50What do you mean? It's J.M.
01:02:53Did she bring it?
01:02:55She must have brought the bail.
01:02:56Let's go and see.
01:02:58Give me the glasses.
01:02:59I will give it tomorrow.
01:03:01Where is the SI?
01:03:03There.
01:03:14Hey, police.
01:03:15Hey, police.
01:03:17Here is the bail paper.
01:03:18Take it out. Take out the cell phone.
01:03:20The CI must come. Wait.
01:03:22What are you waiting for? Give me the keys.
01:03:24Madam.
01:03:24Give it to me. Open the cell phone.
01:03:25Madam.
01:03:26Give it to me.
01:03:27Madam, I am waiting.
01:03:27Give it to me.
01:03:28Madam, please.
01:03:39Tilak, get me a cup of coffee.
01:03:41Go.
01:04:01Sir, bail papers.
01:04:11Sir, bail papers.
01:04:21Hey, Kittika.
01:04:33I have put you behind the bars for three days...
01:04:35...because of the three suspicions raised...
01:04:37...at Kandakuru station ten years ago.
01:04:41That is you in the murder case of our constable Kiran.
01:04:45If I come to know that you are there...
01:04:48...I will walk on the streets of Ungolu...
01:04:50...and stand on the streets of Navarandhra...
01:04:52...and put an end to it, you scoundrel.
01:04:55Get lost.
01:04:57Sir, please.
01:04:59Sir.
01:05:01Sir.
01:05:03Sir, please.
01:05:05Sir, please.
01:05:07Sir.
01:05:09Sir.
01:05:11Sir.
01:05:14Sir.
01:05:26We both fell in love.
01:05:55All these days, I was scared of you and wanted to marry your daughter.
01:05:59But now, a man has come to our village.
01:06:01That man is in the station.
01:06:04That courage made me stand in front of you.
01:06:25We killed the man we loved, who is he? What happened?
01:06:41Krishna, I think we made a mistake.
01:06:43We made a mistake, sir.
01:06:46Nithya, we loved you.
01:06:48Hey, father!
01:06:54Our love killed Kiran, sir.
01:06:57That day, Kiran came with us to the movie.
01:07:01I was supposed to die in Kiran's place.
01:07:05I was supposed to drop Nithya on the bike that day.
01:07:08Shiva, it's good. Let's do it again.
01:07:10That girl did a great job.
01:07:15What happened, Balaji?
01:07:17Hey, what happened?
01:07:19Let's go to the hospital.
01:07:20No.
01:07:22Drop Nithya at home.
01:07:24She'll get into trouble if we are late.
01:07:26I'll drop Nithya at home.
01:07:27I'll take care of her.
01:07:28You go.
01:07:29Be careful.
01:07:40If that girl hadn't stepped into my life, I wouldn't have gone to drop Nithya.
01:07:45After seeing Jayamma,
01:07:47Kiran was the one who loved Nithya.
01:07:51Krishna's men brutally killed Kiran, sir.
01:07:58I was afraid that they would kill me too if the truth came out.
01:08:02I couldn't tell anyone about this, sir.
01:08:06But, after you beat up Krishna,
01:08:08I got the courage to tie the nuptial thread around his neck and come to you, sir.
01:08:13I'm sorry, sir.
01:08:15I'm sorry, sir.
01:08:18I'm the witness to what happened.
01:08:20This won't be a statement.
01:08:22Get the station warrant ready.
01:08:23I'll bring that son of a bitch home.
01:08:26Sir, I have a small suggestion.
01:08:28He'll go to the police legally saying that he was killed by the police and that he gave the statement.
01:08:31No matter how many times we lock him up, he'll escape somehow.
01:08:36We must find the correct evidence or he must commit a mistake.
01:08:40Let's wait till then, sir.
01:08:42Do we have to wait till he commits a mistake?
01:08:44I'll make him commit a mistake.
01:08:46The station knows that his daughter is married to Balaji.
01:08:49The entire village must know about this.
01:08:50Put up the posters.
01:08:53Hey, Gulabi!
01:08:54Look at this.
01:08:57Oh, my God!
01:08:59Kattarakrishna's daughter is married to a college table.
01:09:03Kattarakrishna's reputation has been tarnished by this.
01:09:07Kattarakrishna's daughter is married to a college table.
01:09:12I came to the village after learning about this, Krishna.
01:09:14I was very sad to see the posters in the town.
01:09:17I wouldn't have let this happen if I was in this district.
01:09:20Don't worry.
01:09:21I'll use my influence to transfer him somewhere.
01:09:25Where will you send him?
01:09:27Anywhere. Guntur or Nellore.
01:09:32Okay, he's been transferred.
01:09:34What will the people think of him?
01:09:36They'll say,
01:09:38if I beat Kattarakrishna like a dog,
01:09:41he got his hands and legs tied and got him transferred.
01:09:46SP!
01:09:48It's a shame if he hits me here.
01:09:51It's a shame if he gets transferred to the next district.
01:09:57Should he stay in the same station?
01:09:59Should he roam in the same village?
01:10:00Should I cut him into pieces in front of the same people?
01:10:06Should I cut him?
01:10:08Should I cut him?
01:10:14When did this old lady come here?
01:10:21Dear!
01:10:24Mr. Krishna, I'm leaving.
01:10:27Don't kill a daughter.
01:10:30I know how much you love her.
01:10:32I'll kill her if I have to.
01:10:35Please don't kill my daughter.
01:10:37Promise me that you won't kill me.
01:10:40Promise me.
01:10:51Mom!
01:10:55Mom!
01:10:57Mom!
01:11:00I want you both to live happily for 100 years.
01:11:03Go somewhere for a while.
01:11:06I know about your father.
01:11:08He's not a human being.
01:11:10It's enough if you stay with Pasupuggal.
01:11:13Go somewhere.
01:11:14Don't worry.
01:11:16I'll be there for them.
01:11:17Is this marriage for their happiness?
01:11:19For your family?
01:11:21If my daughter's life is ruined because of your fight,
01:11:23I can't live.
01:11:27I'm asking you as a mother.
01:11:30Please try to understand.
01:11:32Send them somewhere.
01:11:34I'm ready to do anything for your daughter.
01:11:36She's right.
01:11:38You shouldn't get involved in our fight.
01:11:41I'll send them away tonight.
01:11:43I'm leaving because I trust you.
01:11:45You should send them away.
01:11:47Be brave.
01:11:50Mom!
01:11:57Where did you go?
01:12:02I'm asking you.
01:12:04Where are you going?
01:12:11Do you know that marriage is called co-marriage?
01:12:14I should be a part of your co-marriage.
01:12:17I sent your daughter, her husband, that policeman
01:12:20and three of them to that place.
01:12:22Now, show me your manliness.
01:12:25Everyone in this village is born as a husband.
01:12:28I thought my daughter was born as a husband.
01:12:31Your manliness is mine.
01:12:33Kill the man who hit you and tied the knot around your daughter's neck.
01:12:37Bring back your lost dignity and my daughter.
01:12:55Okay, sir.
01:13:05Sir, take this.
01:13:06Thank you so much, sir.
01:13:08Call me if you need anything.
01:13:09Sure, sir.
01:13:10Take care of mom.
01:13:11Okay, sir.
01:13:25Oh, no!
01:13:36There was a power cut in Ongole at 8 p.m.
01:13:39It must be a murder.
01:13:55Oh, no!
01:14:13Hurry up!
01:14:25Hey!
01:14:30Balaji!
01:14:31Balaji!
01:14:49Sir!
01:14:54Sir!
01:15:24Oh, no!
01:15:54Oh, no!
01:16:24Oh, no!
01:16:55Oh, no!
01:17:09Oh, no!
01:17:25Hey, Kittiga!
01:17:26Where is Mr. Mahanedi?
01:17:29Call your wife.
01:17:31Where is she?
01:17:32Where is Mr. Mahanedi?
01:17:33Oh, no!
01:17:34Oh, no!
01:17:36Your face is like Goddess Sridevi.
01:17:37Your sketch is like Goddess Phoolan.
01:17:40I am begging you, sir.
01:17:42Please save my daughter, Pazhukumar.
01:17:44Sir!
01:17:45Sir!
01:17:46Oh, no!
01:17:47What a realistic performance!
01:17:48Hats off!
01:17:50Hey, Kittiga!
01:17:51Your wife is a great actress.
01:17:53Try her in a movie.
01:17:54You can live happily with your wife and kids.
01:17:57Why do you need rowdyism?
01:17:58Idiot!
01:18:00Hey!
01:18:01You would have lived if your time was good.
01:18:03No!
01:18:04My time is not good.
01:18:05Your time is not good.
01:18:08Killing is one of your needs.
01:18:10It is one of my responsibilities.
01:18:12Weapon is in your house.
01:18:14It is inbuilt.
01:18:15It is in my uniform.
01:18:17A policeman takes training to keep his gun out.
01:18:21If he takes it out once,
01:18:23sure shot,
01:18:25no doubt,
01:18:27his head will explode.
01:18:29Hey!
01:18:30Hey!
01:18:32What is this?
01:18:33Your cutout is not enough to hit you and us.
01:18:36If anyone knows that I hit you,
01:18:37they would have made fun of me.
01:18:39I will tell you what I know.
01:18:41Bring that chair here.
01:18:44Go and stand in your position.
01:18:46Go fast.
01:18:53For which daughter did you do all this?
01:18:55For the same daughter,
01:18:56today is the first night with our constable Balaji.
01:19:00In my house.
01:19:03Write the address.
01:19:04Sujatha Nagar Police Quarters.
01:19:06If you say you will come alone,
01:19:07I will send a taxi.
01:19:08If you say you will come with alcohol,
01:19:09I will send a lorry.
01:19:11Come.
01:19:13Will you come?
01:19:15Hey!
01:19:20My daughter died today.
01:19:21From now on, you are my target.
01:19:24I will think about it after I kill you.
01:19:28If I don't cut you into pieces,
01:19:29and hang you in the bus stand center,
01:19:32my name is not Katari Krishna.
01:19:34Very good.
01:19:40This is manliness.
01:19:41Now you have become a man.
01:19:43Get ready to change your name.
01:19:45Not Katari Krishna,
01:19:47Konguchatu Krishna.
01:19:51Shall I call you?
01:19:52Okay.
01:20:11Okay. Okay.
01:20:12Dilak.
01:20:13Didn't Srinu open his mouth?
01:20:15I don't understand what he is eating and drinking.
01:20:18For the past three days,
01:20:20he didn't utter a single word.
01:20:33Dilak.
01:20:34You hit very hard.
01:20:44Now tell me, Srinu.
01:20:46Who asked you to kill my constable Kiran?
01:20:50Huh?
01:20:58Dilak, eyes back.
01:21:02Now this.
01:21:03I don't know how I will feel if it lasts for a while.
01:21:06I don't know which one I will cut.
01:21:15Yes, tell me.
01:21:17Guntur Srinu opened his mouth.
01:21:19He said his name, sir.
01:21:21He went to your house.
01:21:30Okay.
01:21:31I will take care.
01:21:45By the way,
01:21:46today is Friday, right?
01:21:47You didn't go to the movie, right?
01:21:50What movie, Krishna?
01:21:53I can't think of watching a movie.
01:21:56I am scared that Srinu will tell your name here.
01:22:00He didn't tell.
01:22:01Didn't I tell?
01:22:03That our 8 polymorphs have a lot of faith?
01:22:08Don't think about that.
01:22:11Go to the movie.
01:22:13Is that what you are saying?
01:22:15Okay.
01:22:17Okay.
01:22:22Jayamma.
01:22:24Come here.
01:22:32It's okay if I don't go.
01:22:34I will watch the movie later.
01:22:36No, no.
01:22:37Don't give up your style for me.
01:22:39What do you like?
01:22:41It's getting late, Jayamma.
01:22:42Go early.
01:22:43Okay.
01:22:47Jayamma.
01:22:59What is it, brother?
01:23:00When did Jayamma call?
01:23:01Why are you calling?
01:23:03I have some work.
01:23:05Jayamma calls when there is work.
01:23:07I have to kill Jayamma.
01:23:10Why don't you kill our Jayamma?
01:23:12It's been 15 years.
01:23:14I have to kill her.
01:23:16Seenu opened his mouth in the station.
01:23:19If I find it now,
01:23:21the police will torture her until I tell her my name.
01:23:24I can't bear it even if she gets hurt.
01:23:28I can't bear it even if she tells my name.
01:23:31They will kill our Jayamma.
01:23:33Jayamma.
01:23:35Kill her without your knowledge.
01:23:37Okay, brother.
01:23:43CI Veerashankar responding.
01:23:44Sir, information has come that the DM is in Navabharath theatre.
01:23:47Okay, I am out.
01:23:48Go to Navabharath theatre.
01:23:54One and only one, Sharkam.
01:23:57I will not spare you.
01:24:00I will not spare you.
01:24:03What is it, Suriga?
01:24:05Jayamma.
01:24:06Krishnan told me to kill you.
01:24:10Krishnan?
01:24:12They are going to kill you, Jayamma.
01:24:14Run away, Jayamma.
01:24:16I can't hear you.
01:24:18Wait outside.
01:24:21Jayamma.
01:24:30What happened to Krishnan?
01:24:34Why isn't Krishnan answering his phone?
01:24:42What happened to Krishnan?
01:24:44Jayamma, Krishnan told me to kill you.
01:24:46What?
01:24:47They are going to kill you, Jayamma.
01:24:49Nothing will happen to Krishnan, Jayamma.
01:25:01Hey, uncle.
01:25:02Why are you roaming outside?
01:25:08Police has come. You will get caught.
01:25:09Go away.
01:25:12Police has come. You will get caught.
01:25:17Why are you standing there?
01:25:20Go away.
01:25:39What is it?
01:25:41Go away.
01:25:43Krishnan told me to kill you, Jayamma.
01:26:08Uncle, good luck.
01:26:10Good luck.
01:26:40Hey!
01:27:11Jayamma.
01:27:15Jayamma.
01:27:18Jayamma.
01:27:20Jayamma.
01:27:22Jayamma.
01:27:24Jayamma.
01:27:26Jayamma.
01:27:28Jayamma.
01:27:41The game has started, Shankar.
01:27:44This Kattarikrishnan has come back to his form.
01:27:47I will play with the uniform on your body.
01:27:50I will play with the confidence on you.
01:27:57Hey, Katti.
01:27:59C.A. Shankar has killed your son.
01:28:01What will you do now?
01:28:03I have been waiting for this chance for a long time.
01:28:05Now I got it.
01:28:06I will burn the whole village.
01:28:08I will show the power of my clan.
01:28:11Hey, leave me.
01:28:15Leave me.
01:28:17C.A. Shankar has killed your son.
01:28:20C.A. Shankar has killed your son.
01:28:22Leave me.
01:28:24Leave me.
01:28:26Leave me.
01:28:28Leave me.
01:28:29Leave me.
01:28:40In a shootout near Nava Bharat Theatre in Ongole city, an innocent man lost his life.
01:28:54C.I. Shankar, who was responsible for this, has been arrested.
01:28:57The police and political parties are fighting over this.
01:29:00The city of Ongole is in a state of chaos.
01:29:03C.I. Shankar has been arrested by the Human Rights Commission.
01:29:10The police and political parties are fighting over this.
01:29:14The city of Ongole is in a state of chaos.
01:29:20The police and political parties are fighting over this.
01:29:24What is this, Shankar?
01:29:25Don't you know how to be careful when using a gun in public?
01:29:28Sir, I shot the suspect.
01:29:30But, an innocent man died there.
01:29:32The people who whistled at Krishna were trying to set a trap for you.
01:29:36What is this?
01:29:37You hit the C.I. at Kandukuri station.
01:29:39You hit Katari Krishna in the name of enquiry.
01:29:42You tortured Guntur senior in the name of interrogation.
01:29:44He died.
01:29:45Just now, you shot and killed a boy in public.
01:29:50You considered that you caught Salim and misused him when you gave him a free hand.
01:29:54With your emotions, you committed mistakes everywhere.
01:29:57Now, orders have come from above.
01:30:00They want you to be suspended.
01:30:01What do you want me to do?
01:30:02I am sorry, sir.
01:30:09Next week, you will be commissioned for enquiry.
01:30:11Sir.
01:30:12You can give an explanation there.
01:30:14You may go now.
01:30:23Greetings, sir.
01:30:24You hit him.
01:30:26Put your hand down.
01:30:27You said that you have a uniform on your body.
01:30:30If someone hits you, raise your hand on him.
01:30:32The result will be like this.
01:30:34Automatically.
01:30:39You lost, right?
01:30:40I heard it.
01:30:42How much?
01:30:43Will you say that it is okay?
01:30:44What is the case?
01:30:45Noti Dola.
01:30:46Without knowing that it is SP's family...
01:30:49How is it?
01:30:50Come.
01:30:56Is it you?
01:30:57Hey, Shankar.
01:31:01Without hat and belt...
01:31:03I thought that you are a home guard.
01:31:08Why did you sit that day?
01:31:13Will the police take training not to fire a gun?
01:31:17How can they fire a gun?
01:31:19I understood.
01:31:21When I was a kid, our Telugu priests also had a saying.
01:31:25If they start coming, they will keep coming one by one.
01:31:28If they start going, they will go all at once.
01:31:33Now, your uniform is gone.
01:31:35What is left is the scar on your neck.
01:31:38I will remove that.
01:31:40I will drink your blood.
01:31:48Hey, Kitty.
01:31:49Do you think that my head is a coconut to throw at anyone?
01:31:54Do you think that my blood is a coconut water to drink?
01:31:58Take it, my son.
01:32:03I gave you a small break.
01:32:05Put as many ads as you want in this gap.
01:32:08I will come again with the breaking news.
01:32:18He is yet to get a crack.
01:32:37Dad, lower the key sound.
01:32:47Dad, lower the key sound.
01:33:02Hey!
01:33:03Don't you understand what I am saying?
01:33:05Go inside.
01:33:08Go.
01:33:10Mom.
01:33:11Mom.
01:33:12Mom.
01:33:15What did the kid do?
01:33:17I am asking you, what did he do?
01:33:21Because of this anger, a life was lost there.
01:33:25Now, are you showing all that anger on the kid?
01:33:27Are you also blaming me?
01:33:29I am not saying that you did it deliberately.
01:33:32But, it happened because of you, right?
01:33:34Kalyani.
01:33:42Kalyani.
01:33:49How many times do I have to tell you?
01:33:50If you don't understand, how will others understand?
01:33:55Shankar is not the type of person who shows his frustration on his wife and kids.
01:34:02If you were that Shankar, you wouldn't be worried about the lost uniform.
01:34:07You would be thinking about the lost life.
01:34:12I don't know how your husband died.
01:34:14But, your anger is killing your thoughts.
01:34:19The mistake happened to you.
01:34:21You should know how it happened.
01:34:23It is your mistake not to know.
01:34:26Being a police officer, you should be able to know who is at fault.
01:34:29Whether it is you or anyone else.
01:34:32In this situation, your wife should be with you.
01:34:37But, see how he is afraid.
01:34:39He shouldn't see you as a father who did a mistake.
01:34:44Correct the mistake and show him.
01:34:49Kalyani.
01:34:50Kalyani.
01:35:09Kalyani.
01:35:14If you were that Shankar, you wouldn't be worried about the lost uniform.
01:35:19You would be thinking about the lost life.
01:35:22Being a police officer, you should be able to know who is at fault.
01:35:26Whether it is you or anyone else.
01:35:39I don't know how many bullets I've fired, but I've hit the chest, there's no way it's a bullet box.
01:36:09I don't know how many bullets I've fired, but I've hit the chest, there's no way it's a bullet box.
01:36:27I don't know how many bullets I've fired, but I've hit the chest, there's no way it's a bullet box.
01:36:43Sai, get the ammunition record.
01:36:46What are you staring at? Get it.
01:36:57Yes, I've fired one bullet, there's another bullet missing in the records.
01:37:11Where's the difference? Huh? I'm asking you.
01:37:15Speak up.
01:37:17Sir, what are you doing here?
01:37:19You were with me that day. We have the same weapons.
01:37:22One bullet was found on the spot. Where did the second bullet come from?
01:37:24The bullet you fired is in the dead body. It was confirmed in the post-mortem report.
01:37:29I'm not asking about the bullet in the body. I'm asking about the bullet that was missing in the station. Where is it?
01:37:36Give me your gun.
01:37:38Why do you need a gun, sir?
01:37:40Give me your gun, Tilak.
01:37:42Tilak, I'm asking you to give me your gun.
01:37:45Tilak, stop!
01:37:55You scoundrel!
01:38:00How dare you stand next to me?
01:38:05Why did you shoot that boy?
01:38:08Tell me!
01:38:10I'll tell you, sir.
01:38:12To kill Anka, sir.
01:38:14Why did you want to kill Anka?
01:38:19Tell me!
01:38:20Tell me!
01:38:22Jayamma's name came out because of the gun scene.
01:38:25I shot it because if Anka gets caught there, Krishna's name will come out.
01:38:41But by mistake, the boy was shot dead, sir.
01:38:45I'm the one who shares every moment in this station with Krishna.
01:38:50Guntur Singh spoke up.
01:38:53He said Jayamma's name, sir.
01:38:55Okay, I'll take care of it.
01:38:57Krishna, Shankara has been suspended, sir.
01:39:02Krishna's men are in every station in Ongo district, sir.
01:39:09In this station, like me,
01:39:11if we get any witness against Krishna, it's our duty to kill him.
01:39:20Kill him!
01:39:26Tell me where you hid the rest of the files.
01:39:30Tell me!
01:39:33Take it out!
01:39:35Where did you hide it? Take it out!
01:39:39Take it out!
01:39:50If I didn't hide it, Krishna would've killed me long ago, sir.
01:39:55Will you say this in front of the SP?
01:39:58Will you?
01:40:06Hello!
01:40:08Shankar, even though you don't have a uniform on you,
01:40:11we thought you were a police officer.
01:40:13Okay, bring the police officer with you,
01:40:16along with the documents in his hands and come here.
01:40:17Kitty, you're getting too excited.
01:40:20You're asking me as easily as my son asked for chocolate.
01:40:22I know you're a big crack, my son.
01:40:25You won't listen to me.
01:40:27That's why I sent my men to kill your wife and son.
01:40:38If you don't come here now, they'll start working there.
01:40:43Krishna sir! Krishna sir!
01:40:44Krishna sir, don't get involved with them.
01:40:46I beg you. Please, Krishna sir!
01:40:49Don't get involved with the family, Krishna sir.
01:40:53Krishna sir has come from Kitty.
01:40:56Shankar! Shankar!
01:41:07Krishna sir, we'll take care of it.
01:41:10But don't get involved with the wife and son.
01:41:11Please, Krishna sir! Krishna sir!
01:41:13Krishna sir! Krishna sir!
01:41:15Krishna sir! Krishna sir!
01:41:17Hey, Kitty!
01:41:20Do you think I'll come to your house,
01:41:22give you a foot massage and threaten you?
01:41:25You're a junkie!
01:41:29Hey!
01:41:31Why are you laughing when your wife and son are about to die?
01:41:42Are you out of your mind?
01:41:45Or did you remember anything that the priest said?
01:41:48I don't remember anything.
01:41:50Hey, Kitty! Shall I tell you something that will make you out of your mind?
01:41:53What is it?
01:41:55Shall I tell you?
01:41:57Tell me.
01:42:05Mom!
01:42:11Mom!
01:42:27Do you think my wife is the type to bathe her son in the morning,
01:42:30send him to school, sit in the kitchen and chop vegetables?
01:42:342005!
01:42:36She is the topper in the batch that I trained in AP Police Academy.
01:42:41That too black belt in Taekwondo!
01:43:11After marriage, Sivangi Radhe, who left her career and stayed at home for her husband and unborn child.
01:43:41But, Sivangi Radhe, who left her career and stayed at home for her husband and unborn child,
01:44:06who left her career and stayed at home for her husband and unborn child,
01:44:31who left her career and stayed at home for her husband and unborn child,
01:44:56who left her career and stayed at home for her husband and unborn child,
01:45:21who left her career and stayed at home for her husband and unborn child,
01:45:41who left her career and stayed at home for her husband and unborn child,
01:46:01who left her career and stayed at home for her husband and unborn child,
01:46:21who left her career and stayed at home for her husband and unborn child,
01:46:41who left her career and stayed at home for her husband and unborn child,
01:47:01who left her career and stayed at home for her husband and unborn child,
01:47:21who left her career and stayed at home for her husband and unborn child,
01:47:41who left her career and stayed at home for her husband and unborn child,
01:48:01who left her career and stayed at home for her husband and unborn child,
01:48:21who left her career and stayed at home for her husband and unborn child,
01:48:41who left her career and stayed at home for her husband and unborn child,
01:49:01who left her career and stayed at home for her husband and unborn child,
01:49:21who left her career and stayed at home for her husband and unborn child,
01:49:41who left her career and stayed at home for her husband and unborn child,
01:50:01who left her career and stayed at home for her husband and unborn child,
01:50:21who left her career and stayed at home for her husband and unborn child,
01:50:41who left her career and stayed at home for her husband and unborn child,
01:51:01who left her career and stayed at home for her husband and unborn child,
01:51:21who left her career and stayed at home for her husband and unborn child,
01:51:41who left her career and stayed at home for her husband and unborn child,
01:52:01who left her career and stayed at home for her husband and unborn child,
01:52:21who left her career and stayed at home for her husband and unborn child,
01:52:41who left her career and stayed at home for her husband and unborn child,
01:53:01who left her career and stayed at home for her husband and unborn child,
01:53:21who left her career and stayed at home for her husband and unborn child,
01:53:41who left her career and stayed at home for her husband and unborn child,
01:54:01who left her career and stayed at home for her husband and unborn child,
01:54:21who left her career and stayed at home for her husband and unborn child,
01:54:41who left her career and stayed at home for her husband and unborn child,
01:55:01who left her career and stayed at home for her husband and unborn child,
01:55:21who left her career and stayed at home for her husband and unborn child,
01:55:41who left her career and stayed at home for her husband and unborn child,
01:56:01who left her career and stayed at home for her husband and unborn child,
01:56:21who left her career and stayed at home for her husband and unborn child,
01:56:41who left her career and stayed at home for her husband and unborn child,
01:57:01who left her career and stayed at home for her husband and unborn child,
01:57:21who left her career and stayed at home for her husband and unborn child,
01:57:41who left her career and stayed at home for her husband and unborn child,
01:58:01who left her career and stayed at home for her husband and unborn child,
01:58:21who left her career and stayed at home for her husband and unborn child,
01:58:41who left her career and stayed at home for her husband and unborn child,
01:59:01who left her career and stayed at home for her husband and unborn child,
01:59:21who left her career and stayed at home for her husband and unborn child,
01:59:41who left her career and stayed at home for her husband and unborn child,