Salón de té La Moderna - Ep 205
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00:00Well, they'll tell me something later, but in principle, we can go home.
00:08How happy I am, Antonia.
00:10As in one's home, there is no place.
00:12Even if the beams are in charcoal?
00:15It is assumed that it is already solved and that there is no danger of collapse.
00:20Well, if you want me to tell you the truth, I am more worried about Lucia than that.
00:28Have I already told you something, Pietro?
00:29What do you want me to say?
00:31Well, since he can't be in the pension, he'll have to host her at home.
00:35I already knew that.
00:37And about her intentions?
00:49Well, she has confessed that she is still in love with him.
00:55By the Most Holy Christ of miracles.
00:59Esperanza, but let's see, can we know what bug has bitten her?
01:03It is that that is much worse than the carcoma.
01:05As much as it does not correspond to him, going to live under the same roof, well ...
01:10I wouldn't trust a hair.
01:13Because of the door of trust, the bad upbringing slips.
01:16No, of course you are the only one getting the worst.
01:21Don't listen to her, Antonia.
01:23We both know that Pietro would betray us.
01:26And where are they going to sleep?
01:28Give her the mattress.
01:29They are going to sleep, each in his bed, as all normal couples do, which are not a couple.
01:34It is that this normal has nothing.
01:36Besides, Pietro's house is not exactly a palace.
01:41Oh, and don't forget.
01:43They are still married and have a common son.
01:47Esperanza, if you wanted to put me in a bad position, I congratulate you because you did it.
01:51And even if you are right, I tell you that I fully trust the man I was going to marry.
01:56You yourself have said it, the one you were going to marry.
01:58And go ahead.
02:00Let's see that woman emigrated because of greater force.
02:03And what does that have to do with it?
02:04Well, it has to do with the fact that she did not leave for pleasure or because she was scolded.
02:09And what do I do? Do I put myself at the door? Do I become a guard?
02:12You were happy, you had to take everything out to reduce it.
02:15I don't do it for pleasure.
02:17It is that someone has to tell the truth, things as they are.
02:20And it's always my turn.
02:22The only thing I want is that Antonia doesn't get fooled.
02:40I didn't listen to Antonia.
02:41Yes, you are right, Berta.
02:43About what?
02:44Because he also loved Lucia a lot, a lot.
02:48And if you touch him, those feelings bloom.
02:52Good morning.
02:57Good morning.
02:58How did you sleep, little thing?
03:01I hope you forgive your parents for so many crazy things they have done.
03:05We know it is not easy to understand.
03:07Although that of getting married again and having a fake wedding, for me, it takes the palm.
03:12But hey, the important thing is that now we are going to solve everything at last.
03:15And we will be a normal family.
03:18Yes.
03:19Have you convinced Elias that we can't celebrate a wedding?
03:22Well, yes.
03:23Well, for now.
03:25Because you already know how clumsy he is.
03:27And now, for more inri, he has become a friend of Aureliano.
03:30That instead of having his mouth shut, he doesn't stop giving him ideas of a firefighter.
03:34As, for example, I have recommended a sale in Camporreal to make an invitation of 100 people.
03:39Well, well, the important thing is that we are putting this matter in order.
03:42And our fake wedding will be as we want.
03:45Petit Comité.
03:47It is still a shame.
03:48Because our real wedding was very modest.
03:51I didn't have a job and we couldn't afford much more.
03:54And now that we could afford it, it has to be fake and Petit Comité.
03:59Yes, but what do you want?
04:01Solve the problem or make it more complicated?
04:04What's wrong with dreaming awake?
04:06Don't tell me you haven't done it.
04:09I don't know what to tell you.
04:10I don't know either, a little, but ...
04:12Come on, tell me, tell me.
04:14It is true that sometimes I imagine myself entering a church.
04:17Well, what do I say church?
04:18The Almudena Cathedral.
04:20I imagine myself mounted on a chalice,
04:22pulled by black, brave Jerez horses,
04:26and that suddenly trumpets begin to sound
04:28and white rose petals begin to fall on my cheeks.
04:31And then I appear in a luxurious convertible vehicle
04:34with a string quartet playing in the background.
04:39And I don't live for a banquet in a postman's grill.
04:42And how do we deserve it, my love?
04:44Yes, we deserve it.
04:47Yes, but none of that is going to happen.
04:50Not this, not anything, come on.
04:52No Jerez horses, no rose petals.
04:57Yes, yes, yes, yes, yes.
04:58The ceremony will be seen and not seen.
05:00And at most, a chocolate with churros in the town square.
05:04Well, come on, let's get serious.
05:06We have to cut Aureliano and Elías short.
05:09These two, if they always come up together,
05:12are the devil.
05:14By the way, I don't see that string quartet thing.
05:17Don't you think it's too obvious?
05:19Come on, the Jerez horses, brave, black.
05:22Come on, throw it away.
05:23Original.
05:33Thank you for coming.
05:36Thank you for trusting us.
05:38How can we help you?
05:41I think I'm not mistaken if I consider you
05:43the closest people to Matilde.
05:46And that's why I think it's fair to inform you
05:49of what's going to happen.
05:50Well, rather, what's going to happen to her.
05:54My God, you're scaring me.
05:56What's going to happen to her?
05:59From a common agreement with Dr. Mendoza,
06:02who is the doctor who is treating her,
06:05we have decided to admit her to a sanatorium.
06:09So that she can recover as soon as possible.
06:16Does she agree?
06:18She doesn't know.
06:19My God.
06:21And I assure you that it is the best for her.
06:25And I wish there was another solution, but there isn't.
06:30Excuse me, but have you thought about it well?
06:33You have to be very sure to put her in a place like this.
06:37Sure?
06:39How can I be sure of that, Antonia?
06:42Of course I'm not.
06:44But the only thing I have no doubt about
06:46is that if we don't do something,
06:47Matilde's hallucinations are going to get worse.
06:50And they're going to have a solution.
06:54Matilde still sees Carla.
06:59And you know she also hears her.
07:03The only way to return her to reality
07:07is by submitting her to treatment in an appropriate institution.
07:13That is, putting her in a asylum.
07:16I prefer to call it a sanatorium.
07:20And if I tell you all this, it's because
07:23my soul breaks just thinking about it.
07:26And because I also need your support.
07:32The three of us.
07:35Count on me.
07:37I wouldn't like to be in her place.
07:40Poor thing.
07:42What her mother would suffer if she were here.
07:46And we can visit her.
07:48When can we do that?
07:51You don't know how much I appreciate your understanding.
07:56When will it be?
07:58Today.
08:02Matilde, I beg you, please be discreet.
08:06Dr. Mendoza has insisted that Matilde should know nothing about this.
08:10Because she could escape and that's terrible.
08:13Can you imagine?
08:15Matilde wandering the streets.
08:20Anyway, thank you for taking care of me.
08:33Poor Matilde.
08:35Her misfortunes will never end.
08:38How is it possible that this woman is underground and still causing so much damage?
08:43And now how are we going to look her in the face?
08:45Knowing that...
08:47Knowing that that child is for her own good.
08:50And that there is no other way out but to put her in.
08:56Well, I'm leaving. I'm sure Esperanza is looking for me.
09:02Bye.
09:08Antonia.
09:10I have something to tell you.
09:14It turns out that they have found carcoma in the beams of my house.
09:19They will have to check them.
09:22What does that mean?
09:24That now that you are leaving Matilde's house, you will put the sand there.
09:32I don't know.
09:36Antonia, but...
09:38The house has two rooms.
09:40And you think that calms me down after what you told me yesterday?
09:45Pietro, I trust you.
09:47But I can't say the same about her.
10:02Good morning, Antonio.
10:03Good morning, Mr. Fermin.
10:05For a moment, you reminded me of our dear friend Mr. Jaime, may he rest in peace.
10:10I would like to have his talent for business.
10:14As you know, my thing is diplomacy.
10:16It's better for me to get political agreements than business benefits.
10:20No, I don't want to distract you.
10:22I just came to ask you if you have any questions.
10:26No.
10:27I don't want to distract you.
10:28I just came to remind you of the meeting tonight with the gallery's businessmen.
10:32I assumed that Mrs. Bárbara would continue to mourn and that you would go in her name.
10:36You assumed very well.
10:38Perfect.
10:39I would sit next to you.
10:40And if you have any questions, I will be there to support you.
10:43Thank you.
10:46Who was going to tell you, right?
10:48That you would end up managing Mrs. Carla's businesses.
10:51Honestly, I never imagined it.
10:53Although I must admit that the world of business also has its share of diplomacy.
10:58In any case, I try to apply the common sense that my father instilled in me.
11:02Yes, because your family has businesses in Andalusia, right?
11:06That's right.
11:07But don't believe it.
11:08The one who helps me the most is Mrs. Bárbara.
11:11You can't imagine the advice she gives me so well.
11:15Really, Don Fabio, I didn't just come to remind you of the meeting tonight.
11:19I also wanted to talk to you about something that concerns me and worries me a lot.
11:26Well, of course. Sit down and tell me.
11:28Thank you.
11:29Look.
11:31I have heard rumors that you intend to liquidate some companies in the company.
11:38And the reason is the lack of liquidity.
11:41I see.
11:42Well, that's why I'm here.
11:44And the reason is the lack of liquidity.
11:47I see.
11:48Well, that's a half-truth.
11:51It's true that Mrs. Bárbara wants to sell.
11:53But it's not a matter of liquidity, it's a matter of strategy.
11:56Concentrate on the companies that are more profitable and pretend that they are not.
12:01Well, I'm glad to hear that.
12:02And that you are the one in charge of cutting off those rumors, because you know what they say.
12:06A company not only has to do well, but also to look like it.
12:15Wait, Mr. Fermin.
12:18There is something that I also want to consult with you.
12:22A good friend of mine, whom I appreciate, wants to open a bank account in Switzerland.
12:28I'm worried that he might get into some trouble, you know.
12:33You appreciate him a lot, my friend.
12:35I say this because normally those who work like this have something to hide.
12:39It may be funds from an illegal operation.
12:46I hope it's not the case.
12:48As I said, if you appreciate him, warn him of the risk he is taking.
12:52Because the public treasury will have his point of view.
12:57I will.
12:58Thank you for your wise advice.
13:00See you tonight.
13:10A few days later.
13:18This is a coffee in condition, if not the chicory they give us in the village.
13:22Let's see, Pompeya.
13:23Focus and listen to them.
13:26Hey, be careful. Can I have another coffee?
13:28Later.
13:29Let's see.
13:31It's over giving ideas to make this wedding a high-class wedding.
13:35Yes, and enough to give information about sales where we could give the invitation.
13:38The important thing is that we solve all this in a discreet way.
13:42Discreet, Pompeya, discreet.
13:44Which is the opposite of drawing attention.
13:47Understood.
13:48Come on, what you want is a small and sad wedding.
13:51Yes.
13:52Well, you have nothing to worry about.
13:54Don't worry, I have everything well tied up.
13:56And in the hermitage the cake will not be discovered.
13:58Because you are the first interested.
14:00By the way, where is the priest going to be? The real one.
14:03Well, that's the best of all.
14:05He has gone on a pilgrimage to Rome for a few weeks.
14:07Do you see him?
14:08Everything is going to come out.
14:10Like the song of a river.
14:11Well, we'll see, we'll see.
14:12Of course, be careful with Elias, is that clear?
14:14Yes, yes, be careful, my friend.
14:16Can I have another coffee?
14:17Later.
14:18The important thing is that you know that the only person who is aware of this party is Cañete.
14:22Okay?
14:23The chief of waiters.
14:25He is our accomplice.
14:27Ah, of course, Cañete.
14:29I already assumed that he was in the ajo.
14:31Ah yes?
14:32Yes, it's been many years since I saw the pilgrims.
14:34And I have no idea about the knowledge of human nature.
14:38Hey!
14:43How are you?
14:44Good, father.
14:45What a mess, huh?
14:47False priest, false wedding, huh, Cañete?
14:50False wedding?
14:52What are you saying, man?
14:54I don't understand anything, really.
14:56Aren't you our...
14:58Accomplice?
15:00What accomplice?
15:02What wedding and what false priest are you talking about?
15:05Cañete, Cañete, Cañete.
15:08You are a fabulous chief of waiters.
15:11You are the pride of the profession.
15:13Chief, something strange is happening here.
15:16Can someone please explain to me about the false wedding and the priest?
15:19Well, let's see, let's see.
15:22As I was saying,
15:25Miguel had a crazy love of youth.
15:29And being a young sacristian, he asked me...
15:32I asked him to become a priest.
15:34And to marry the girl,
15:36who was none other than the daughter of...
15:38Of the priest.
15:40Of the priest's wallet.
15:42Of a wallet that had four or five sheep.
15:45What a piece it was made of!
15:47Look, but this was before or after the seminary?
15:50Before, before, before.
15:53Don't you remember?
15:54Miguel has told us that story many times.
15:57Because I remember it perfectly.
15:59Really? Well, I don't fall for it now, chief.
16:01Well, I, as a promised bride,
16:03the truth is that I think it's very ugly
16:05that you are talking about this in front of me.
16:08You see, Elias?
16:09Because you are so stingy, you have made the bride feel bad.
16:11Let's see, it wasn't my intention.
16:13Trini, I'm really sorry.
16:15I'm really sorry.
16:16Let's see, the important thing here is that nothing has happened here,
16:18that Aurelia has explained us wrongly.
16:20Eh? Aurelia, no.
16:22Elias, give me those two I asked you for.
16:25I'm leaving, chief. I'm sorry, father.
16:32I told you.
16:36How did I tell you that you had to behave?
16:38With discretion.
16:41Can I have that coffee now?
16:42No.
16:48Hot.
16:55Thank you.
17:01Mrs. Lara.
17:09Inés, woman, what's wrong with you?
17:11Are you okay?
17:13I have realized that you have been down all morning.
17:16With how well we had fun yesterday.
17:19Yes, yesterday we had a great time.
17:22But today is today.
17:26Look, I don't like to get into where they don't call me,
17:29but I don't like to see you with those sad eyes.
17:33I can't help but worry.
17:36You know I'm here for anything you need.
17:39I appreciate it.
17:42But I won't be able to help you
17:44if you don't tell me first what's going on.
17:47If you want to tell me, of course.
17:50Even if I told you, you wouldn't be able to help me.
17:55Well, because you don't give me the opportunity.
17:57It's a problem that has no solution.
18:03As far as I know, the only thing that has no solution is death.
18:07And I don't think that's your problem, right?
18:09No.
18:10No.
18:11Not exactly.
18:13Then it has to do with the possibility of singing again.
18:17That problem does have a solution.
18:20No, I don't think so.
18:22Besides, singing again would mean that my voice has healed,
18:26but...
18:28but my heart doesn't.
18:33Don't think that because I'm older than you,
18:35I don't understand you perfectly.
18:37What happens to you is that you have a love sickness.
18:40Am I wrong?
18:44What's your name?
18:48César.
18:51He was my boss at Madrid Cabaret.
18:54He trusted me from the beginning
18:56and not only supported me to study singing,
18:59but also helped me launch my career as a singer.
19:04You must have loved him a lot.
19:07If I remember correctly,
19:09he was the one from the newspaper,
19:11El Tiroteo.
19:13Yes.
19:15It's...
19:17It's an impossible love because...
19:20because I'll never see him again.
19:23However, you won't be able to forget him.
19:31He said he won't see you again.
19:34But I told him a while ago that the only thing that has no solution is death.
19:39And we don't know what fate will bring us.
19:42Maybe the impossible becomes possible.
19:45Maybe in a few years, everything will be solved
19:48and your paths will meet again.
19:51Inés,
19:53you have the gift of youth,
19:55the virtue of talent,
19:57and your whole life ahead of you.
20:00So hold on to her.
20:02Hold on to life.
20:03And turn around this situation that has you so distressed.
20:09Thank you.
20:12For your words.
20:14You're welcome.
20:18I also wanted to tell you...
20:23I got...
20:26an appointment
20:27with a...
20:29vocal problems specialist.
20:31Well, actually, she's the best in the whole city.
20:35There's...
20:37a waiting list of months to get an appointment,
20:39but I managed to make room for her.
20:43You've exceeded me.
20:44You've exceeded me, I'm very sorry.
20:45Excuse me, excuse me.
20:48But when I tell you that you have to hold on to life,
20:51I mean exactly this.
20:54That man, César.
20:57If he still has a place in your heart,
20:59then you can't give up, you can't stop singing.
21:02Do it for him, if not for you.
21:08And he says she's the best?
21:11It's an eminence.
21:13Her name is Marcela Juanes.
21:15She's the one who treated my cousin Manolita.
21:18I called her to ask for her contact,
21:20and since they're great friends,
21:22she made room for him right away.
21:25And would she...
21:26take care of me?
21:27Of course she would.
21:30Besides, she has nothing to lose.
21:33And you think this will be worth it?
21:35Oh, Inés, for God's sake.
21:37If someone in this world
21:39can help you to sing again,
21:41it's her, of course.
21:45And why does she treat me as if she were my godmother?
21:50Well, I guess we all have one.
21:53And I've had to be hers.
22:10Pietro?
22:11I'm sorry, Mr. Fermin.
22:13I didn't realize you were here.
22:15No, I'm sorry.
22:16I didn't want to interrupt your thoughts,
22:18because maybe you're thinking about a new recipe.
22:21I wish, Mr. Fermin, I wish.
22:23I was just distracted.
22:25How can I help you?
22:26I wanted to ask you about the new flour supplier.
22:29I'm negotiating a long-term relationship
22:31and I'd like to know if you're satisfied.
22:33I'm satisfied, Mr. Fermin.
22:35I hope I can keep the same quality.
22:37Let's hope so.
22:40Pietro, I also wanted to ask you
22:44how is your...
22:46Well, yes, your wife.
22:48I have no choice but to host her in my house, Mr. Fermin.
22:51In your house?
22:53Yes, well, not in my house,
22:55because I have a carcoma problem,
22:57but in the house where the Garcés lived.
23:00It's just that the owner of the pension
23:02doesn't want her to stay one more day
23:04and I can't leave her on the street.
23:07And Antonia?
23:09What does all this say?
23:10Because, after all, they were about to get married
23:12and now...
23:14Because those are still your plans, right?
23:17Of course, my intention has not changed
23:19and neither have my feelings, Mr. Fermin.
23:22But it is undeniable that the situation is not the same, right?
23:27Pietro, certainly.
23:28I enter a theater and I am presented with this argument,
23:30I think the author has gone crazy.
23:32Because the situation can't be more demonized.
23:35Demonized, yes.
23:37I couldn't express it better, Mr. Fermin.
23:40Of course, that's why Antonia was so serious this morning.
23:45I can't even look you in the eye, Mr. Fermin.
23:47But it's not your fault, Pietro.
23:49What could you do?
23:51After all, that woman is your legitimate wife
23:53and the mother of your child.
23:55What less than to host her Christianly.
23:59Well, Pietro,
24:02let's trust that everything will be fixed.
24:06Sure, you'll see.
24:19Hey, hey, hey, hey, hey.
24:20You left me a lot of dust.
24:23If you have a clean finger,
24:25come on, don't laugh at me.
24:27I've been up since dawn.
24:29I need hours of sleep.
24:31Have you ever thought that it would be so easy to clean?
24:33There would be no cleaners.
24:35Well, look, you're right about that.
24:36It's not that easy.
24:37And less for a man,
24:38because our sense of cleaning is not the same.
24:41But you learn.
24:43What?
24:44You still haven't convinced your dear Marta?
24:47That girl is impossible.
24:49I didn't imagine she would resist so much, really.
24:52Well, I'm sorry to tell you that the deadline is running out
24:54and if it's not her, it will have to be another one,
24:56but we can't go on like this.
24:58The good part is that you won't have to get up early
25:00or wear that ridiculous apron.
25:03And the bad part...
25:04Yes, Marta won't be here.
25:08Good morning, Miguel.
25:09Good morning.
25:11Excuse me.
25:12Yes, yes.
25:16Salvita, can you tell me why you had to give Tabas Esperanza
25:18to let me work here?
25:20In case you didn't know, she's my boss at Moderna
25:22and you've put me in a very uncomfortable situation.
25:24Look, I'm sorry.
25:25It's already clear to me that I'm not going to make you change your mind.
25:28The only thing I can tell you is that I'm sorry
25:30and more than that I'm going to feel it.
25:32Because I can't imagine that you're not the one who cleans here.
25:34Notice that I even prefer to clean.
25:40Hey, don't look at me like that, huh?
25:41So even with the apron I'm still handsome.
25:45I must admit, Marta, that this time the boy speaks seriously,
25:48which never ceases to surprise me.
25:50And the truth is that he's been cleaning the bookshop from top to bottom for two days now.
25:55And only so that you could re-train him.
26:00Did you really do that for me?
26:02But don't get out of here, huh?
26:04It took me a lot to earn the fame of Viva la Virgen
26:06and I don't want to lose it to you.
26:10Miguel and I have talked about the conditions
26:12and we are willing to offer you the best conditions you can imagine.
26:17So much so that you put them on.
26:19You?
26:20Me.
26:21Here you will be your own boss.
26:26So you've been getting up early.
26:29Okay, I accept.
26:31But on one condition.
26:32We accept it.
26:33Whatever it is.
26:34Right, Miguel?
26:35Of course.
26:36Then we'll call your father to give him the good news
26:39and you'll talk to him about the conditions.
26:41I'm going to unpack the news that just arrived.
26:49If you start nagging me, I'll fire you less than a rooster sings.
26:52Got it?
26:53Got it, got it.
26:54Don't complain about me.
26:56Thank you very much for accepting.
26:58Thank you for thinking about me.
27:14Look, Mr. Fermin.
27:16I'm going to publish an article
27:18talking about the importance of organizing events
27:20that claim the role of the woman.
27:22Let's see, let's see.
27:26The participation of that girlfriend I approved
27:28in your niece's store has been a success.
27:30Did you know she's Catalan like me?
27:32No.
27:33I would have liked to go see her,
27:34but of course, my obligations prevented me.
27:36You know I'm preparing a musical.
27:38Of course, The Court of Pharaoh.
27:40And are you still determined to count on my niece?
27:42I can't think of anyone better for the leading role.
27:45Of course, I'll wait until she recovers,
27:47even if her niece doesn't consider it necessary.
27:49You are very generous.
27:51Well, if we continue like this,
27:53we will turn the gallery into a cultural center.
27:56As an entrepreneur, entertainment wouldn't hurt me.
27:59In the times that run, people will need to evade.
28:03Good morning, Agustín.
28:05No, please, don't get up.
28:07I came to give my aunt the list of appointments for the week.
28:11We were just talking about you
28:13and your possible participation in The Court of Pharaoh,
28:16because Agustín is still determined to count on you.
28:19So he will know that I have rejected his kind offer.
28:22Yes, yes, I know, and you don't know how sorry I am.
28:25Time flies, Don Fermín.
28:27I'll see you later at the business meeting.
28:31I can still wait a few weeks before making a decision.
28:34You can call me whenever you want.
28:36Good morning.
28:37Good morning, Agustín.
28:40You really don't want to sing again.
28:43Agustín is putting you on a plate.
28:46The truth is that he has so much confidence in me
28:49that he is making me doubt, and not just him.
28:52I have never doubted you.
28:54Yes, I know, man, but I mean Mrs. Lázara.
28:57She got me an appointment with the most sought-after specialist in Madrid.
29:01Mrs. Lázara did that for you?
29:03Yes, not just that.
29:05Her way of speaking and listening has given me confidence in myself.
29:08And I think I want to regain my voice.
29:10And if that's the case, I don't understand your reluctance to Agustín.
29:13Well, because I don't want to rush, man.
29:15First I want to meet that woman and see if she can cure me.
29:19I think it's very reasonable.
29:21Thank you.
29:22So, I take it that you and Mrs. Lázara have congeniated.
29:26Yes, I think she's a very nice and attentive woman.
29:31Well, I'm going to work.
29:33See you later.
29:38See you later.
29:51Hi, Marta.
29:53Matilde, I didn't expect to find you here.
30:02Is something wrong?
30:04No, why?
30:06Why can't you look me in the face?
30:11Marta, Esperanza told me she saw you talking to Íñigo in the alley.
30:15And that Antonia and Pietro were also there.
30:20Marta, after everything we've been through, you can't fail me now.
30:25What did she tell you?
30:30Well...
30:33According to that doctor, you'd better be in one of those places.
30:39And Íñigo believes it too?
30:42Matilde, he just wants you to heal.
30:44That you stop suffering and have those...
30:47Hallucinations.
30:52Don't be mad at me.
30:54He asked us not to tell you anything and...
30:58I don't know, I'm very sorry, Matilde.
31:00All of this is very strange.
31:02I'm not mad at you, Marta.
31:07But I want you to know that...
31:09I've been informed and...
31:11And those places, those sanatoriums, as they're called...
31:14They're not there to heal people.
31:17They're there to keep them away...
31:20And to stop bothering people.
31:24If that were the case, Íñigo wouldn't allow it.
31:27You're his wife, Íñigo loves you madly, he doesn't...
31:30I know.
31:32But this isn't the way to help me, Marta.
31:35I don't know if I'm going to hold on in a place like that, do you understand?
31:40I might never get out of there.
31:45Marta, I don't deserve to end up in a place like that.
31:48I don't deserve it, I'm not crazy.
31:50I'm not crazy, do you understand? I'm not!
31:53Matilde, don't scream.
31:58The only thing you're going to get is for people to think otherwise.
32:02Do you realize that?
32:05That's what I've come to, Marta.
32:07If I deny that I'm crazy, it's because I am.
32:11I didn't say that.
32:13And I don't think you are either.
32:19Maybe what you need is to rest and someone to take care of you.
32:24Rest.
32:26Rest.
32:29Did Íñigo tell you when they're going to let me in?
32:34Today.
32:42Thank you, Marta.
32:54No.
33:03I understand.
33:05No.
33:06With that information I have enough.
33:09I thank you very much.
33:11I count on your discretion.
33:14Goodbye.
33:18You have arrived at the right time.
33:21I just had a very revealing conversation with a person who works in the sanatorium.
33:27Dr. Mendoza's sanatorium?
33:30He just confirmed to me that they are waiting for a new entry this afternoon.
33:34It is a young woman, newly married, and who suffers from hallucinations.
33:41You got it, Carla.
33:44You managed to drive her crazy.
33:47I admit that I did not expect this ending.
33:50And that your plan seems crazy to me.
33:52And that you have taken an excessive risk.
33:54But you never cease to surprise me.
33:59It's not enough.
34:01Don't you think it's enough to lock her up?
34:03What else do you want?
34:05You said it yourself.
34:06I have taken too many risks.
34:08And all that effort cannot be lost.
34:11I want her to rot in there.
34:13And never step on the street again.
34:15But you have already managed to get rid of her.
34:18I don't want to miss a single detail of her madness.
34:21I want to know what treatment she is subjected to and how she evolves.
34:24I want to know how she is sinking.
34:27Do you think your contact could provide us with that information?
34:30It won't be a problem.
34:33It seems that we are going to witness the end of that miserable woman.
34:37We will have to celebrate it, right, mother?
34:39Of course, daughter.
34:42I never imagined that the saying that revenge is served cold was true.
34:47And I never imagined that you would get away with it.
34:56Because Matilde Garcés never left that asylum.
35:12Your uncle's manager?
35:14And what has he done for you?
35:16He got me an appointment with a very reputable specialist.
35:20And first of all, I wanted to thank you for your support during these difficult days.
35:25Especially you, Agustín, being a man with so many obligations.
35:30And I consider your well-being one of them.
35:32Well, Inés, you're making me a little nervous.
35:35What do you want to tell us?
35:37I want to sing again.
35:40That's great! Finally!
35:42But that's wonderful, Inés.
35:44Yes.
35:45Could you tell me that lady's name?
35:48Yes, I think she told me...Juanes? Could it be?
35:51Marcela Juanes.
35:52Yes, that's it. Do you know her?
35:54Well, I know she has treated many singers and that she enjoys a deserved prestige within the profession.
36:00Of course, you couldn't be in better hands than hers.
36:04If when the time comes, you feel the necessary forces,
36:08the role is still yours.
36:11Agustín, I think there are very few theatrical producers as honored and generous as you.
36:16Well, I don't consider there's another way to see the world
36:19if it's not through trust and sincerity.
36:24I share your vision.
36:26Would you like to celebrate it with a snack?
36:29Will you join us, Agustín?
36:31Well...
36:34It would be a pleasure, yes.
36:36Can you help me set the table?
36:42By the way, Inés, they left a note for you.
36:46You have it there.
36:56It's from César.
37:06After my conversation with Íñigo,
37:08the most probable thing is that they'll send her to a sanatorium.
37:12If there's no other option, she'll have to pay.
37:14Yes, but poor Matilde will have a very bad time.
37:18Both of them, poor Matilde and poor Íñigo.
37:21Yes, yes, they're such a young couple and they've come so well.
37:26But, well, if he thinks it's best to keep her...
37:29Yes, but as much as it's an act of love, Matilde won't see it that way.
37:33Of course.
37:35She'll see that her husband, who she loves the most in the world, has betrayed her.
37:39We just have to hope that everything will end well,
37:42that she'll get out of that place healed
37:44and that they'll be able to resume their lives.
37:47You're right about that.
37:51Well, we can't ignore our obligations
37:54if the convention of pharmacists is putting us on the spot.
37:57And given the circumstances, I think the best thing to do
38:01is to cancel it.
38:03Do you agree with me?
38:05Well, I'm sorry, but I don't agree with you.
38:10I think it's not just about that convention,
38:14but we have more projects pending.
38:18I mean, we're going to give a very bad image of the salon
38:21if we back out just when we're offering a new service.
38:24Yes, yes, you're right, but...
38:27What are you thinking about?
38:29I could take care of it
38:31until Matilde recovers and can go back to her position, of course.
38:37Mrs. Lázara, I don't know what to tell you that I haven't told you yet.
38:42And not just professionally, but also personally.
38:48Well, I'm just trying to do my job and be useful.
38:52She does a lot more than that and she knows it.
38:54She even got my nieces to admire her.
38:57Especially Inés, and I assure you it's not an easy task.
39:01Well, I'm just worried about your nieces
39:03because I know they're very important to you.
39:05You love them as if they were your daughters.
39:07The truth is that they haven't had much luck with their parents, have they?
39:10The luck they've had with their uncle.
39:15The idea she had yesterday,
39:17that we'd spend the afternoon together,
39:20was very lucky.
39:22A lot.
39:23She even got a specialist for Inés.
39:28Mrs. Lázara.
39:36You're a blessing.
39:40You're also a blessing to me, Mr. Fermin.
39:43Thank you.
39:49Mr. Fermin, I'm sorry to interrupt you like this,
39:51but a lady is asking for you, Mrs. Lázara.
39:53She says she's your neighbor and she needs you urgently.
39:58What a setback. If you'll excuse me.
40:00Of course.
40:13I'm sorry.
40:40On the contrary, I'm afraid it's getting worse.
40:44Yes, that's what I want to avoid,
40:47that when we make the decision, it's too late for my wife.
40:55I'll prepare everything to bring her back.
41:03Don't worry, I won't tell her anything.
41:14Yes?
41:15Matilde, it's me.
41:18I called La Moderna and they told me you'd already left.
41:22I just wanted to make sure you'd arrived and that you're okay.
41:27Yes.
41:29I'm at home and I'm fine.
41:32Where are you?
41:34I'm fine here.
41:36I'm at home and I'm fine.
41:39I'm at home and I'm fine.
41:42Here?
41:45At the Madrid Cabaret, going out.
41:49Can you imagine how much I want to see you and hug you?
41:58Matilde, are you there?
42:07Yes.
42:08I really want to hug you too.
42:12I'll be waiting for you.
42:15Okay.
42:17See you later.
42:39Trinidad told me she wanted to see me.
42:42Come in.
42:46My neighbor came here to see me, to La Moderna.
42:50Just when I was having a very important meeting with Don Fermin.
42:54And I don't know, I assumed it would be a serious matter.
42:59Serious enough to justify such an intervention.
43:04And was it?
43:05I don't know.
43:06Let's see if this can help me because it's a bit strange.
43:10It turns out that a woman has been asking about me at my house.
43:16Even for the neighbor.
43:19Look, I don't know what you're talking about and I have a lot of work.
43:22Excuse me.
43:23I'm not finished, Teresa.
43:26What's more, I just started.
43:31Close the door and sit down.
43:37Because now comes the most interesting part of all.
43:41You will love it because it is just when you appear.
43:46My neighbor has confirmed to me that you are that woman who was asking about me.
43:53What do you mean?
43:55That while she was waiting to talk to me, she saw you in the box.
44:00That while she was waiting to talk to me, she saw you in the box.
44:07Oh, she doesn't say anything.
44:09I see.
44:11Well, maybe I have to go find her to make her recognize her.
44:18You choose, Teresa.
44:20Or the scorn or confess.
44:23Teresa.
44:29You don't have to go find her.
44:33It's true, it was me.
44:36Confessing doesn't make it more tolerable.
44:39Do you realize how serious the facts are?
44:43Well, yes.
44:45Yes, I realize.
44:46And can you tell me what you were planning when you spied on me?
44:49If you are so interested in my private life, why don't you ask me?
44:51Here, now, face to face.
44:54Very well, I'm going to ask you.
44:58What are your real intentions with Don Fermin?
45:03My real intentions?
45:06Honestly, I don't know what you mean.
45:08Since he became manager, his only goal has been to seduce you.
45:12I don't know what you're saying.
45:16Yes, what you hear.
45:17And thus be able to achieve his true purpose.
45:20To become the Lady of La Moderna.
45:24I know what he's doing.
45:26First he managed to get away from me.
45:28And now he's taking advantage of Don Fermin's goodness to manipulate him and take control of everything.
45:33But I'm not going to allow it.
45:35Really?
45:40And how are you going to stop him, Teresa?
45:42Well, I don't know.
45:45But I'll try.
45:49Look, this is not the time or the place to deal with this matter.
45:53But I'm going to tell you one thing.
45:55He just crossed a very dangerous line.
45:58He doesn't know who he's dealing with.
46:00Yes, I know.
46:03With a woman without any scruples.
46:07Oh my God, I know what's wrong with you.
46:10You're jealous because I have a beautiful friendship with Don Fermin.
46:15Something you never got, by the way.
46:16Because I always knew what my place was.
46:19Well, it seems he's forgetting because I'm also his superior.
46:23And I'm not going to allow him to spy on me or accuse me.
46:26Or to accuse him of wanting to take Don Fermin to the altar, whatever the cost.
46:31Enough.
46:33We've come this far.
46:35And I warn you.
46:37He's going to curse every day in La Moderna.
46:40Because I'm going to make his life a living hell.
46:46Let's go.
47:16Good afternoon.
47:18Good afternoon.
47:20And I've settled in again at home.
47:23This is what was left of Marta's clothes.
47:26Antonia, I was just telling Pietro how very grateful I am to you for welcoming me to your house.
47:32And you too, for being so understanding.
47:35I would need more.
47:37I'm sorry to cause so much trouble.
47:39But I didn't imagine this was going to be so difficult.
47:43Nor that they were going to treat me as if I were a criminal.
47:46I'm ashamed to think about it.
47:49I see.
47:52Have you already told her that you're going to be at the old house of the Ogards?
47:56Yes, yes. I've told her, yes.
47:58Well, at least we won't be door to door.
48:02I mean, that way we'll leave her alone.
48:09It's curious, isn't it?
48:11How suddenly an inconvenience can cause so much damage.
48:17I mean the carcoma.
48:19It's good that in the end you have to adapt to whatever comes.
48:27If you need anything...
48:31Really, you know where to find me.
48:34Antonia, I don't have any more words to express my gratitude.
48:42Well...
48:47Antonia.
48:49Yes?
49:01The key, please.
49:03Oh, yes.
49:05Yes, sorry, they don't know where I keep it.
49:12Antonia.
49:14Yes?
49:16The key, please.
49:47No.
49:55I find it so strange, after so many years, to spend another night together, under the same roof.
50:05You're still my wife.
50:09I should have gone with him, Laurita.
50:12No, Inés. He tells you himself, your life is here.
50:15And now you have a challenge, which is to recover and sing again.
50:20But I love him so much.
50:22I need Antonia to come home urgently.
50:24Has something happened to her?
50:26No, not to her, but I need her to come with me.
50:28Believe me, it's better that I see him for himself.
50:30But after everything we've been through together, you're going to miss the most important day of our lives?
50:36Well, you don't even stop the car. We're talking about a wedding for IP.
50:39Outside this room things are getting complicated. And a lot.
50:42What do you mean, mother?
50:44Fabio is starting to suspect.
50:46Mr. Cañete has the right to a few days off, and he can use them whenever he wants.
50:50I'm sorry to tell you that he won't be able to take those days off, no matter how much the company owes him.
50:55I appreciate you telling me what happened with Teresa.
50:57Well, I wouldn't have done it if I didn't consider it serious enough.
51:01I don't want to worry him anymore.
51:03I was the one who asked.
51:05What do you think?
51:07It's very good, but Celia, are you mad at Agustín?
51:11Because I already told you that I want to go head-to-head with the men, and much more with him.
51:15I'm aware of the friction they've been having lately.
51:18I'm very sorry that your professional jealousy is playing a trick on you, but everything has a limit, Teresa.
51:26I like Laura so much that I'm willing to do anything to gain her trust.
51:30Well, stop playing tricks.
51:31And you? Instead of working and taking care of your things, you're more concerned about what others are doing.
51:35What are you looking at?
51:37Nothing, woman. I'm a very curious person, and I was wondering what was in that package.
51:43A book.
51:45What kind of book? A novel?
51:47Do you know what the problem is, mother?
51:49That Fabio is too honest, and if we can't trust him, maybe it's time to take different paths.
51:55Do you know what I mean?
51:57No, I don't know.
51:58No, I don't know.
52:00Let's do what we always do when we have problems.
52:04Bury him.
52:06If there's something I should know, something that could put us both in danger,
52:11I need you to tell me now.
52:13Because if I find out that while I supported you unconditionally, believing every word you said to me,
52:19you've been taking advantage of me,
52:22I assure you that you will meet a very different Fabio.
52:28Thank you.
52:37Thank you, doctor.