In Bruges Movies (2008)
London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own problems, not only with Harry, but with a Canadian couple and a half-blind thief named Eirik. Ray hopes he can count on both Chloe and Ken to help him carve out a new life for himself. In the end, Harry, involved in an incident with Jimmy, may have to keep to his own principles.—Huggo
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Short filmTranscript
00:00:30♪♪
00:00:40♪♪
00:00:50♪♪
00:01:00♪♪
00:01:04After I killed them, I dropped a gun in the Thames,
00:01:08washed the residue off my hands in the bathroom of a Burger King,
00:01:11and walked home to await instructions.
00:01:15Shortly thereafter, the instructions came through.
00:01:18Get the fuck out of London, yous dumb fucks.
00:01:22Get to Bruges.
00:01:25I didn't even know where Bruges fucking was.
00:01:32It's in Belgium.
00:01:37Bruges is a shithole.
00:01:38Bruges is not a shithole.
00:01:40Bruges is a shithole.
00:01:41Ray, we've only just got off the fucking train.
00:01:43Could we reserve judgment on Bruges
00:01:45until we've seen the fucking place?
00:01:46I know it's gonna be a shithole.
00:01:48♪♪
00:01:58♪♪
00:02:08♪♪
00:02:16Shithole.
00:02:18♪♪
00:02:23I think you have a couple of rooms
00:02:24booked under Cranham and Blakely.
00:02:27Yes. No, we have one room booked.
00:02:30Oh.
00:02:31One twin room.
00:02:33Booked for two weeks.
00:02:34Two weeks?
00:02:36Uh, do you have another room?
00:02:38No, I'm afraid we're fully booked with Christmas.
00:02:41Everywhere is fully booked.
00:02:43Okay.
00:02:44Oh.
00:02:50It's very pretty.
00:02:51I'm not being funny. We can't stay here.
00:02:53We've got to stay here until he rings.
00:02:55Well, what if he doesn't ring for two weeks?
00:02:56Then we'll stay here for two weeks.
00:02:58For two weeks?
00:02:59In fucking Bruges?
00:03:00In a room like this?
00:03:02With you?
00:03:03No way.
00:03:04Ray, I really don't like to say this.
00:03:06You really don't like to say what?
00:03:08Well, you know.
00:03:12Oh, bring that up.
00:03:15♪♪
00:03:37♪♪
00:03:44♪♪
00:03:51Do you think this is good?
00:03:53No, I think what's good?
00:03:55You know, going around a boat, looking at stuff.
00:03:59Yes, I do.
00:04:03It's called sightseeing.
00:04:06♪♪
00:04:14Oh, look at that.
00:04:17♪♪
00:04:20Former hospital.
00:04:22In the 1100s.
00:04:26Bruges is the most well-preserved medieval town
00:04:28in the whole of Belgium, apparently.
00:04:30♪♪
00:04:40♪♪
00:04:50♪♪
00:04:53Coming up.
00:04:55What's up there?
00:04:57The view.
00:04:58The view of what?
00:04:59The view of down here.
00:05:00I can see that from down here.
00:05:02Ray, you're about the worst tourist in the whole world.
00:05:06Ken, I grew up in Dublin.
00:05:09I love Dublin.
00:05:10If I'd grown up on a farm and was retarded,
00:05:13Bruges might impress me.
00:05:14But I didn't, so it doesn't.
00:05:16♪♪
00:05:26Try to get rid of my coins.
00:05:28Three, 50, 4, 4, 10, 20, 30, 4, 40, 4, 50, 4, 60, 4, 70,
00:05:394, 80, 4, 80, 40, 40, 40, 40, 40, 40, 40, 40, 40, 40, 40,
00:05:4640, 90, you take 4, 90?
00:05:51Entry is five euro.
00:05:54Come on, man, it's only 10 cents.
00:05:57Entry is five euro.
00:06:10Happy in your work?
00:06:11I'd be happy.
00:06:16♪♪
00:06:26♪♪
00:06:36♪♪
00:06:46♪♪
00:06:48I like it here.
00:06:50♪♪
00:07:00♪♪
00:07:10♪♪
00:07:18Been to the top of the tower?
00:07:20Yeah.
00:07:22Yeah.
00:07:23It's rubbish.
00:07:24It is?
00:07:25The guidebook says it's a must-see.
00:07:28Well, you lot ain't going up there.
00:07:30Pardon me?
00:07:31Why?
00:07:32I mean, it's all windy stairs.
00:07:34I'm not being funny.
00:07:36What exactly are you trying to say?
00:07:39What exactly am I trying to say?
00:07:41These are a bunch of fucking elephants.
00:07:44Fuck you.
00:07:53Come on, leave it, fatty.
00:07:58Come on.
00:08:04You know you're just the rudest man.
00:08:06The rudest man.
00:08:09What's all that about?
00:08:12They're not going up there.
00:08:14Hey, guys, I wouldn't go up there.
00:08:16It's really narrow.
00:08:17Screw you, motherfucker!
00:08:22Americans, isn't it?
00:08:28Now, this is more like it.
00:08:30Proper holidays.
00:08:31One gay beer for my gay friend,
00:08:33one normal beer for me because I am normal.
00:08:36This is the life.
00:08:38We're not staying here getting pissed.
00:08:40We are quietly sightseeing, like he says,
00:08:43and awaiting his call to see what we do next.
00:08:46This is my vote on what we should do.
00:08:48We give it another day, two days max,
00:08:50and we check the papers again,
00:08:52and if there's still nothing in them,
00:08:54we phone them and say,
00:08:55Harry, thank you for the trip to Bruges.
00:08:57It's been very nice, all the old buildings and that,
00:08:59but we're coming back to London now
00:09:01and hide out in a proper country
00:09:03where it isn't all just fucking chocolates.
00:09:05My vote would be we quietly sightsee, like he says,
00:09:08and await his call to see what we do next.
00:09:14You don't even know we're here hiding out.
00:09:19What are you talking about?
00:09:20You don't even know we're not here on a job.
00:09:23What, on a job?
00:09:24Yeah.
00:09:25Here in Bruges?
00:09:26Yeah.
00:09:27Here in Bruges, on a job?
00:09:29Yeah.
00:09:30Why, what did he actually say?
00:09:32He didn't actually say anything.
00:09:33Where do you think it might be?
00:09:35Don't think anything.
00:09:36But it's a bit fucking over-elaborate, isn't it?
00:09:39Go take him to hideout, go take him to hideout.
00:09:41Where?
00:09:42Go take him to hideout in fucking Bruges.
00:09:46You can hide out in Croydon.
00:09:50Mm.
00:09:52Or Coventry.
00:09:56Hmm.
00:09:59It is a bit over-elaborate.
00:10:03Hmm.
00:10:05But we haven't got any guns.
00:10:07Harry can get guns anywhere.
00:10:26He's not going to ring tonight.
00:10:36He's not going to ring tonight.
00:10:40Let's go out.
00:10:41Go out where?
00:10:42The pub.
00:10:43No.
00:10:56No.
00:11:07Let's go out and have a look at some of the old medieval buildings and that.
00:11:12Because I bet they look even better at night all lit up.
00:11:20Chris.
00:11:26That there is called the Gruthus Museum.
00:11:29They all have funny names, don't they?
00:11:31Yes.
00:11:32Flemish.
00:11:34In here it says,
00:11:35The Belgians twice sheltered fugitive English kings from being murdered.
00:11:381471 and 1651.
00:11:40I used to hate history, didn't you?
00:11:42It's all just a load of stuff that's already happened.
00:11:44What are they doing over there?
00:11:46They're filming something.
00:11:47They're filming midgets.
00:11:50Ray.
00:11:51What?
00:11:52They're filming midgets.
00:11:55Ray.
00:11:59So on this scene you're supposed to walk like a little tiny mouse, you know.
00:12:07Okay.
00:12:12Ray, come on, let's go.
00:12:13My arse, let's go.
00:12:15They're filming midgets.
00:12:18Oh my God.
00:12:20Look at that girl.
00:12:21She's gorgeous.
00:12:22Ray, we're going right now.
00:12:24Fuck off, are we?
00:12:25It's the best bit of brew so far.
00:12:27You and your buildings.
00:12:52Hello.
00:12:56Do you speak English?
00:12:58No.
00:12:59Ah, yes you do.
00:13:01Everybody does.
00:13:03What are you filming midgets for?
00:13:05It's a Dutch movie.
00:13:07It's a dream sequence.
00:13:10It's a pastiche of Nicolas Roeg's Don't Look Now.
00:13:12Not a pastiche, but a homage is too strong.
00:13:17A nod of the head.
00:13:19A nod of the head.
00:13:23Wow, your English is very good.
00:13:30A lot of midgets tend to kill themselves.
00:13:35A disproportionate amount.
00:13:38I heard of village chase off a fantasy island.
00:13:42I think somebody off the Time Bandits.
00:13:45I suppose they must get really sad about being really little and that.
00:13:51People looking at them and laughing at them.
00:13:54Calling them names.
00:13:56Short hairs.
00:13:59There's another famous midget.
00:14:01I miss him, but I can't remember.
00:14:04It's not the R2-D2 man.
00:14:06No, he's still going.
00:14:08I hope your midget doesn't kill himself.
00:14:10Your dream sequence will be fucked.
00:14:13He doesn't like being called a midget. He prefers dwarf.
00:14:16This is exactly my point.
00:14:18People go around calling you a midget when you want to be called a dwarf.
00:14:21Of course you're going to blow your head off.
00:14:26My name's Ray. What's yours?
00:14:28Chloe.
00:14:31How did you get past the security man?
00:14:33Ah, getting past security men.
00:14:35Sort of my job.
00:14:37You're a shoplifter.
00:14:38No, not a shoplifter.
00:14:40It's a good joke, though.
00:14:43Now, I'll tell you what I am at dinner tomorrow night.
00:15:04Fuck.
00:15:11Fuck.
00:15:19That'll fucking kill.
00:15:31Mr. Blakely?
00:15:33Yes. No, Mr. Cranham.
00:15:35No, yes, Mr. Blakely. Yes.
00:15:38You have a message.
00:15:46Shit.
00:15:48Number one, why aren't you in when I fucking told you to be in?
00:15:51Number two, why doesn't this hotel have phones with fucking voicemail
00:15:54and not I have to leave messages with the fucking receptionist?
00:15:57Number three, you'd better fucking be in tomorrow night when I fucking call again
00:16:00or there'll be fucking hell to pay, I'm fucking telling you.
00:16:02Harry.
00:16:07Harry.
00:16:37Harry.
00:16:43You turned the fucking light off.
00:16:45Sorry, Ken.
00:16:47Keep the fucking noise down.
00:16:52Someone's in a mood.
00:17:08You'll never guess what.
00:17:10Can you shut your fucking mouth, please, and go to sleep?
00:17:12Oh. Sorry.
00:17:18Except I've got to take my contact lenses out.
00:17:28Altogether, I have had...
00:17:32five pints of beer and six bottles.
00:17:36No.
00:17:39Six pints of beer and seven bottles.
00:17:41And you know what? I'm not even pissed.
00:17:49You'll never guess what, Ken.
00:17:53Ken, you'll never guess what. What?
00:17:55I've got a date for tomorrow night. I'm very happy for you.
00:17:58With a girl. Can you turn the light off, please?
00:18:00I've only been in Bruges one day.
00:18:02They're doing a film there on the film business.
00:18:04The Belgian film business.
00:18:07They're doing a film there on major.
00:18:28Um, miss?
00:18:31I'm sorry about the message last night.
00:18:33The man who left it is a bit of a...
00:18:37Well, he's a bit of a...
00:18:40Cock?
00:18:42Yes, he's a bit of a cock.
00:18:47Oh.
00:19:00Harry called last night.
00:19:03We missed him.
00:19:07He swears a lot, doesn't he?
00:19:11We're staying in tonight.
00:19:13Whatever happens.
00:19:17Except...
00:19:22Except what?
00:19:24Except only one of us needs to stay in.
00:19:28Really?
00:19:30Uh-huh.
00:19:32And which one of us will that be now, Ray?
00:19:35I thought you didn't like Bruges.
00:19:37I don't like Bruges. It's a shithole.
00:19:39But I did already say I had a date with a Belgian lady.
00:19:42The Belgian film business.
00:19:44Which I did already say about before.
00:19:51Just don't get into any fucking trouble.
00:19:53We're keeping a low profile.
00:19:56And this morning, and this afternoon,
00:19:59we are doing what I want to do.
00:20:02Got it. Of course.
00:20:04Which I presume will involve culture.
00:20:06Oh, we shall strike a balance between culture and fun.
00:20:10Somehow I believe, Ken, that the balance shall tip in the favour of culture.
00:20:16Like a big, fat, fucking retarded, fucking black girl on a seesaw.
00:20:21Opposite.
00:20:25A dwarf.
00:20:56Ray.
00:20:58Did we or did we not agree that if I let you go on your date tonight,
00:21:01we'd do the things I wanted to do today?
00:21:03We are doing the things that you wanted to do today.
00:21:05And how we'd do them without you throwing a fucking moody,
00:21:07like some five-year-old who's dropped all his sweets.
00:21:10I didn't agree to that.
00:21:13I'll cheer up, won't you?
00:21:15Up there, at the top altar, is a five-year-old
00:21:19who's dropped all his sweets.
00:21:21I didn't agree to that.
00:21:23Up there, at the top altar, is a vial
00:21:26brought back by a Flemish knight from the Crusades in the Holy Land.
00:21:30And that vial, do you know what it's said to contain?
00:21:33No, what's it said to contain?
00:21:35It's said to contain some drops of Jesus Christ's blood.
00:21:38Yeah, that's how this church got its name.
00:21:40Basilica of the Holy Blood.
00:21:42Yeah, yeah.
00:21:44And this blood, right, it's dry blood.
00:21:46At different times over many years,
00:21:48they say it turned back into liquid.
00:21:50Turned back into liquid from dry blood.
00:21:53At various times of great...
00:21:57...stress.
00:21:58Yeah.
00:21:59Yeah, so yeah.
00:22:01I'm gonna open the queue and touch it, which is what you do.
00:22:04Yeah?
00:22:05Yeah.
00:22:06Come.
00:22:07Do I have to?
00:22:11Do you have to?
00:22:12Of course you don't have to.
00:22:14It's Jesus' fucking blood, isn't it?
00:22:16Of course you don't fucking have to.
00:22:18Of course you don't fucking have to.
00:22:48Come on.
00:23:04You little fucking cunt.
00:23:18Come on.
00:23:39Murder, Father.
00:23:42Why did you murder someone, Raymond?
00:23:45For money, Father.
00:23:47For money?
00:23:50You murdered someone for money?
00:23:52Yes, Father.
00:23:53Not out of anger.
00:23:54Not out of nothing.
00:23:55For money.
00:23:59Who did you murder for money, Raymond?
00:24:02You, Father.
00:24:06I'm sorry?
00:24:07I said you, Father.
00:24:08What are you, deaf?
00:24:10Harry Water says I know.
00:24:15Fuck.
00:24:30You little boy.
00:24:44You little boy.
00:25:14You little boy.
00:25:45You little boy.
00:25:46You little boy.
00:26:15I quite like this one.
00:26:17All the rest were rubbish by spastics,
00:26:19but this one's quite good.
00:26:21What's it all about, then?
00:26:25Judgment day.
00:26:27You know?
00:26:28Oh, yeah.
00:26:31What's that, then?
00:26:34Well, it's, you know,
00:26:36the final day on earth.
00:26:38And mankind will be judged for all they've done.
00:26:42And mankind will be judged
00:26:44for all the crimes they've committed and that.
00:26:47Oh.
00:26:48And see who gets into heaven and who gets into hell and all that.
00:26:52Yeah.
00:26:53What's the other place?
00:26:55Purgatory.
00:26:56Purgatory.
00:26:58Purgatory's kind of like the in-betweeny one.
00:27:01You weren't really shit,
00:27:03but you weren't all that great either.
00:27:06Like Tottenham.
00:27:08Do you believe in all that stuff, Ken?
00:27:11Tottenham?
00:27:13The last judgment and the afterlife.
00:27:18Guilt and sins and...
00:27:22hell and...
00:27:24all that.
00:27:32Oh.
00:27:35I don't know.
00:27:37I don't know what I believe.
00:27:39The things you're taught as a child,
00:27:41they never really leave you, do they?
00:27:43So, like, I believe in trying to lead a good life.
00:27:46Like if there's an old lady carrying a shopping home.
00:27:49Well, I don't try and help her carry her shopping.
00:27:52I don't go that far.
00:27:54But I'll certainly hold the door open for her and that
00:27:57and let her go out before me.
00:27:59Yeah, and anyway, if you try to help her carry her shopping,
00:28:02she'd probably think you were just trying to nick her shopping.
00:28:05It's like... This is the world we live in today.
00:28:08At the same time...
00:28:10At the same time as trying to lead a good life,
00:28:13I have to reconcile myself with the fact that, yes,
00:28:16I have killed people.
00:28:18Not many people.
00:28:20Most of them are not very nice people.
00:28:22Apart from one person.
00:28:24Who's that?
00:28:26This fellow, Danny Allopan's brother.
00:28:28He was just trying to protect his brother.
00:28:30Like you or I would.
00:28:32Just a lollipop man.
00:28:34He came at me with a bottle.
00:28:36What are you going to do?
00:28:38Shot him down?
00:28:40Hmm. In my book, though.
00:28:42Sorry. If someone comes at you with a bottle,
00:28:45that is a deadly weapon and he's got to take the consequences.
00:28:48I know that in my heart.
00:28:50I also know that he was just trying to protect his brother, you know?
00:28:53I know. But a bottle, they can kill you.
00:28:55It's a case of it's you or him.
00:28:57That wouldn't have been fair.
00:28:59Technically, your bare hands can kill somebody, too.
00:29:01They can be deadly weapons, too. What if he knew karate, say?
00:29:04You said he was a lollipop man. He was a lollipop man.
00:29:07What's a lollipop man doing on karate?
00:29:09I'm just saying. How old was he?
00:29:11About 50.
00:29:13What's a 50-year-old lollipop man doing on karate?
00:29:16Was he a Chinese lollipop man?
00:29:18Jesus, Ken.
00:29:20I'm trying to talk about...
00:29:28You know what you're trying to talk about.
00:29:30I killed a little boy.
00:29:32You keep bringing up the fucking lollipop man.
00:29:34You didn't mean to kill a little boy.
00:29:36I know I didn't mean to.
00:29:40But because of the choices I made
00:29:42and the course that I put into action,
00:29:44the little boy isn't here anymore.
00:29:46And he'll never be here again.
00:29:52I mean here in the world, not here in Belgium.
00:29:57Well, he'll never be here in Belgium either, will he?
00:29:59I mean, he might have wanted to come here when he got older.
00:30:02I don't know why.
00:30:06And that's all because of me.
00:30:10He's dead because of me.
00:30:12And I'm trying to...
00:30:14I'm trying to get my head around it, but I can't.
00:30:19I will always have killed that little boy.
00:30:23And that ain't ever going away.
00:30:25Ever.
00:30:27Unless...
00:30:30maybe I go away.
00:30:36Don't even think like that.
00:30:55No.
00:31:26You look good.
00:31:32What's the matter, anyway?
00:31:56So what do you do, Raymond?
00:31:58I...
00:32:00shoot people for money.
00:32:04What kinds of people?
00:32:06Priests. Children.
00:32:08You know, the usual.
00:32:10Is there a lot of money to be made in that line of business?
00:32:12There isn't priests. There isn't any children.
00:32:14So what is it you do?
00:32:16I...
00:32:18I...
00:32:20I...
00:32:22I...
00:32:24So what is it you do, Chloe?
00:32:26I sell cocaine and heroin to Belgium from Cruz.
00:32:29Do you?
00:32:33Do I look like I do?
00:32:36You do, actually.
00:32:41Do I...
00:32:43look like I shoot people?
00:32:45No.
00:32:48Just children.
00:32:50Mm-hmm.
00:32:55I saw your major today.
00:32:57Little prick didn't even say hello.
00:32:59Well, he's on a lot of ketamine.
00:33:01What's that?
00:33:03Um... horse tranquilizer.
00:33:06A horse tranquilizer? Where'd you get that?
00:33:08I sold it to him.
00:33:10You can't sell horse tranquilizers to a major.
00:33:16This movie, I think it's going to be a very good one.
00:33:18There's never been a classic movie made in Bruges until now.
00:33:21Of course there hasn't. It's a shithole.
00:33:23Well, it's just my hometown, right?
00:33:25Well, it's still a shithole.
00:33:27It's not a shithole.
00:33:29What? Even midgets have to take drugs to stick it.
00:33:31OK.
00:33:33So...
00:33:35we've insulted my hometown.
00:33:37You were doing very well, Raymond.
00:33:39Why don't you tell me some Belgian jokes while you're at it?
00:33:42I've done only Belgian jokes.
00:33:44And if I did, I think I'd have the good sense not to...
00:33:47Hang on. Is Belgium where there are all those child abuse murders lately?
00:33:51Then I do know a Belgian joke.
00:33:55What's Belgium famous for?
00:33:58Chocolates and child abuse.
00:34:00And they only invented the chocolates to get to the kids.
00:34:04What?
00:34:06One of the guys they murdered was a friend of mine.
00:34:20I'm sorry, Chloe.
00:34:31One of the guys they murdered was a friend of mine.
00:34:34I just wanted to make you feel bad.
00:34:37It worked.
00:34:39Quite well.
00:34:51Fuck.
00:34:59It's fucking unbelievable.
00:35:14What's fucking unbelievable?
00:35:16Are you talking to me?
00:35:19He pauses, even though he should just hit the cunt.
00:35:22And he repeats.
00:35:24Yes, I am talking to you.
00:35:27What's fucking unbelievable?
00:35:29Well, I'll tell you what's fucking unbelievable.
00:35:31I'm blowing cigarette smoke straight into myself and my girlfriend's face.
00:35:34That's fucking unbelievable.
00:35:35This is the smoking section.
00:35:36I don't care if it's the smoking section.
00:35:38All right? She directed it right in my face, man.
00:35:41I don't want to die just because of your fucking arrogance.
00:35:43Uh-huh. Isn't that what the Vietnamese used to say?
00:35:46Vietnamese?
00:35:48What are you talking about, the Vietnamese?
00:35:50That statement makes no fucking sense at all.
00:35:52Yes, it does. The Vietnamese.
00:35:54Well, saying it over and over ain't going to make any more sense out of it.
00:35:57How does the Vietnamese have any relevance whatsoever to myself and my girlfriend
00:36:01having to breathe your friend's cigarette smoke?
00:36:04Tell me how it's saying.
00:36:06That's for John Lennon, you Yankee fucking cunt.
00:36:10A bottle.
00:36:11Now, don't bother.
00:36:17Ugh.
00:36:25Right. We're leaving.
00:36:27I don't hate women.
00:36:29I would never hate a woman, Chloe.
00:36:31I'd hate a woman who was trying to hit me with a bottle.
00:36:34That's different. That's self-defense, isn't it?
00:36:36Or a woman who could do karate.
00:36:39I'd never hate a woman generally, Chloe.
00:36:41Don't think that.
00:36:43God, you're pretty.
00:36:46I have to make a call.
00:36:48Oh, no.
00:36:50You've gone off me now, haven't you?
00:36:52Just because I hit that fucking cow.
00:37:09PHONE RINGS
00:37:12PHONE RINGS
00:37:17Hello?
00:37:18Where the fuck were you yesterday?
00:37:20We just popped out for some dinner, Harry.
00:37:22We only popped out for half an hour.
00:37:24Yeah? What'd you have?
00:37:26For dinner? Yeah.
00:37:28Pizza. Pizza Hut.
00:37:29Was it nice?
00:37:30Yeah, it was all right.
00:37:31You know, it's Pizza Hut.
00:37:33It's the same as in England.
00:37:34Yeah, that's globalisation, isn't it?
00:37:36Is Ray there with you?
00:37:39He's in the toilet.
00:37:41Can he hear?
00:37:43No.
00:37:44What's he doing?
00:37:45What do you mean?
00:37:46Is he doing a wee or a poo?
00:37:48I don't know, Harry. The door's closed.
00:37:50We'll send him out on an errand for half an hour,
00:37:52but don't make it sound suspicious.
00:37:59Ray, why don't you go out down to the pub for half an hour?
00:38:03Yeah, yeah, I know I said you couldn't,
00:38:05but we might as well enjoy ourselves, eh?
00:38:09No, I don't know if they've got bowling anywhere.
00:38:11We could have a look.
00:38:14Yeah, see you.
00:38:28Yeah, he's gone.
00:38:29What'd you say?
00:38:30I said, why don't you go have a drink?
00:38:32Say you've been cooped up.
00:38:33What'd he say?
00:38:34He said, yeah, he would.
00:38:35He might go have a look, see if there's a bowling alley around.
00:38:37Was he just having a wee?
00:38:39Yeah, I think so. I assume so.
00:38:41So he didn't mind?
00:38:42No, he was glad to get out.
00:38:44Is he definitely gone?
00:38:45Yeah, yeah, he slammed the door.
00:38:47I don't mean he's gone. Go check outside the door.
00:39:01Harry, he's definitely gone.
00:39:03You realise there are no bowling alleys in Bruges?
00:39:05I realised that.
00:39:06Harry the boy wanted to have a look anyway.
00:39:08What were they going to have, a medieval fucking bowling alley?
00:39:10As I say, I think he was just glad to get out and about.
00:39:12Oh, was he having a nice time, seeing all the canals and that?
00:39:15I had a lovely time when I was there.
00:39:17All the canals and the old buildings and that.
00:39:20Where were you, Harry?
00:39:21I was at the pub.
00:39:22You were at the pub?
00:39:23Yeah, I was at the pub.
00:39:24You were at the pub?
00:39:25Yeah, I was at the pub.
00:39:26You were at the pub?
00:39:27Yeah, I was at the pub.
00:39:29When were you here?
00:39:37Yeah.
00:39:40Yeah.
00:39:43Yeah.
00:39:45Yeah.
00:39:46Yeah.
00:39:49Well, I'm having a really nice time.
00:39:52I'm not sure if it really is a cup of tea.
00:39:58What?
00:39:59You know, I'm not sure if it's really his thing.
00:40:01What do you mean, it's not really his thing?
00:40:03What's that supposed to mean, it's not really his thing?
00:40:05What the fuck is that supposed to mean?
00:40:07Nothing, Harry.
00:40:08It's a fairy tale fucking town, isn't it?
00:40:10How can a fairy tale town not be somebody's fucking thing?
00:40:13How can all those canals and bridges and cobbled streets and those churches
00:40:16and all that beautiful fucking fairy tale stuff,
00:40:18how can that not be somebody's fucking thing, eh?
00:40:20What I think I meant to say was...
00:40:22Is the swans still there?
00:40:23Yeah, the swans.
00:40:24How can fucking swans not fucking be somebody's fucking thing, eh?
00:40:27How can that be?
00:40:28What I think I meant to say was when he first arrived,
00:40:30he wasn't quite sure about it.
00:40:32You know, there's that big dual carriageway when you get off the train?
00:40:36That mightn't have been here when you were here last, Harry.
00:40:39But as soon as he got into, like, the old town proper
00:40:42and he saw the canals and the bridges and, you know, the swans and that,
00:40:46he just fucking loved it then.
00:40:48Couldn't get enough of it, the medieval part of town.
00:40:51It's just that initial dual carriageway thing
00:40:55started to pull him off for a second.
00:40:57I don't remember a dual carriageway. It must be recent.
00:40:59I didn't suppose you had it.
00:41:01No, no, no.
00:41:03Just that initial thing.
00:41:07And, you know what?
00:41:09As we were walking through the streets,
00:41:12there was this sort of freezing fog hanging over everything
00:41:17and it made it look almost like a fairy tale or something.
00:41:21And he turned to me, and do you know what he said?
00:41:23What did he say?
00:41:25He said, Ken, I know I'm awake, but I feel like I'm in a dream.
00:41:30Yeah? He said that?
00:41:32Yeah.
00:41:33Meaning not in a good dream?
00:41:36Yeah, of course, like in a good dream.
00:41:39Oh, good.
00:41:41I'm glad he likes it there.
00:41:43I'm glad we were able to give him something, something good and happy.
00:41:46Cos he wasn't a bad kid, was he?
00:41:49Huh?
00:41:51He wasn't a bad kid, was he?
00:41:54Listen, take down this address.
00:41:56Ramstrat 17.
00:41:58That's Ram, like Ram, but with an extra A.
00:42:01Ramstrat 17.
00:42:03You got that?
00:42:05Yes, Ramstrat 17.
00:42:07Good. There'll be a man there tomorrow morning at nine.
00:42:09His name's Uri.
00:42:11Uri.
00:42:12He'll give you the gun.
00:42:13Ring me on the public phone at Jimmy Driscoll's about three or four tomorrow,
00:42:16after he's done.
00:42:18After what's done?
00:42:20Are you being fit?
00:42:23No.
00:42:24Listen, I like Ray, he was a good bloke,
00:42:26but when it all comes down to it, you know,
00:42:28he blew the head off a little fucking kid,
00:42:30and you brought him in, Ken.
00:42:31So if the buck don't stop with him, where does it stop?
00:42:40Ken?
00:42:42If the buck don't stop with him, where does it stop?
00:42:45It stops with me, Harry. That's an easy one.
00:42:47Don't get shirty, Ken.
00:42:50Listen, I'm just glad I was able to do something for the boy before he went.
00:42:55Too hard for the boy.
00:42:57You know, have him get to see Bruges.
00:43:00I'd like to get to see Bruges again before I die.
00:43:04What was it you said again?
00:43:06It's like a dream.
00:43:09I'm all awake, but I feel like I'm in a dream.
00:43:13Oh.
00:43:15Yeah.
00:43:17Give me a call when he's dead.
00:43:20Fuck.
00:43:45That's my fucking girlfriend, you asshole.
00:43:48Hey, what are you doing?
00:43:49Where are you from, fucker?
00:43:51Ireland, originally.
00:43:53And you think it's okay to come over to Belgium and fuck another man's girl?
00:43:57Look, I didn't know she had a boyfriend, all right?
00:43:59And I hadn't fucked her anyway. Ask her.
00:44:01I'd only put my hand on it.
00:44:03I put the gun down.
00:44:05Get down on your knees and open your mouth.
00:44:08Don't start being silly.
00:44:10Get down on your...
00:44:12Exactly at what point was it that all skinheads suddenly became puffs?
00:44:16Used to be you were a skinhead.
00:44:17You just went around beating up Pakistani 12-year-olds.
00:44:19Now it seems a prerequisite to be a fucking bum boy.
00:44:24That's not going to help you, man.
00:44:25Ray, there's only place in that gun.
00:44:35Don't.
00:44:36Now, who's the fucking bum boy?
00:44:38You, you fucking bum boy.
00:44:42Chloe, what exactly is going on here?
00:44:44I can't see. I can't see.
00:44:46Of course you can't fucking see.
00:44:47I just shot a blank in your fucking eyes.
00:44:51Is this fella your boyfriend?
00:44:52No.
00:44:53I mean, he used to be.
00:44:56What's he doing now?
00:44:57Look, we...
00:44:59We robbed tourists sometimes.
00:45:01I fucking knew it was too good to be true.
00:45:04I knew you'd never shag me normally.
00:45:06No, that's not true.
00:45:07I called it off tonight.
00:45:09I told him not to come tonight.
00:45:11Why did you come tonight?
00:45:13I can't see, Chloe. I can't see, I swear.
00:45:15Stop whinging like a big gay baby.
00:45:17I haven't had a shag in months.
00:45:19I can't see.
00:45:20I don't have any sight, Chloe.
00:45:22I have to go to the hospital.
00:45:24I'll drive you.
00:45:26Great.
00:45:27Now the whole night's ruined.
00:45:28No.
00:45:29You can stay if you want.
00:45:31I just don't know how I'm going to be.
00:45:33I just knew someone like you would never like someone like me.
00:45:36I just knew.
00:45:37What do you mean, someone like me?
00:45:39You know, someone nice.
00:45:44Chloe.
00:45:49Call me.
00:45:51Please.
00:45:57Chloe!
00:46:13Shit.
00:46:37Shit, Jane.
00:46:43Shit.
00:47:08Have you got some sort of problem?
00:47:10No, no problem.
00:47:12In ten minutes?
00:47:13No problem.
00:47:16Fuck off.
00:47:25Beer and a red wine.
00:47:31How's the movie going?
00:47:33It's a jumped-up hero trash piece of rip-off fucking bullshit.
00:47:38Oh, you're taking it the bad way?
00:47:43Your girlfriend's very pretty.
00:47:45She ain't my girlfriend.
00:47:47She's a prostitute I just picked up.
00:47:49Oh.
00:47:51Didn't know there were any prostitutes in British.
00:47:53Just have to look in the right places.
00:47:56Brothels are good.
00:47:59Well, you've picked up a very pretty prostitute.
00:48:02Thank you.
00:48:08You from the States?
00:48:10Yeah.
00:48:12But don't hold it against me.
00:48:13I won't try not to.
00:48:16Just try not to say anything too loud or cross.
00:48:37Hey, old. Drowning your sorrows, huh?
00:48:39Not sorrows.
00:48:40You know, being a sad, old, ugly little man.
00:48:43One gay beer, please.
00:48:44How's your date go?
00:48:46My date involved two instances of extreme violence.
00:48:48One instance of her hand on my cock and me finger up her thing,
00:48:50which lasted all too briefly.
00:48:52Not always the way.
00:48:53One instance of me stealing five grams of a very high-quality cocaine
00:48:56and one instance of me blinding a puffy little skinhead.
00:48:59So, all in all, my evening pretty much balanced out fine.
00:49:02You got five grams of coke?
00:49:05I got four grams on me and one gram in me,
00:49:07which is where my heart is going like the clappers,
00:49:08as if I'm about to have a heart attack.
00:49:09So, if I collapse any minute now,
00:49:10please remember to tell the doctors
00:49:11that it might have something to do with the coke.
00:49:13Give us a gram, then.
00:49:15Talk to Rolando, because it makes you depressed.
00:49:16You know what?
00:49:17Right now, I don't really give a fuck.
00:49:40Why didn't you wave hello to me today
00:49:42when I waved hello to you today?
00:49:44I was on a very strong first-ranked glycerin today.
00:49:46I wasn't waving hello to anybody.
00:49:49Except maybe to a horse.
00:49:52Huh?
00:49:53What are you talking about?
00:49:55Just horse shit.
00:49:57You from America?
00:49:59Yeah.
00:50:01Don't hold it against me.
00:50:02I'm not from America.
00:50:03I'm not from America.
00:50:04I'm not from America.
00:50:05I'm not from America.
00:50:06I'm not from America.
00:50:07I'm not from America.
00:50:08Don't hold it against me.
00:50:09Well, that's for me to decide, isn't it?
00:50:12You from America, too?
00:50:14No, I'm from Amsterdam.
00:50:16Amsterdam.
00:50:17Amsterdam's just a load of bloody prostitutes, isn't it?
00:50:20Yes, that's why I came to Bruges.
00:50:22I thought I'd get a better price for my pussy here.
00:50:27Huh?
00:50:29You two are weird.
00:50:33Would you like some cocaine?
00:50:38I've also got some acid and some ecstasy.
00:50:52Her villa chase, I know did.
00:50:54The dwarf buff.
00:50:56I think the time bandits did.
00:50:58Lots of midgets.
00:51:01Dwarves.
00:51:02Top themselves.
00:51:04Shit loads.
00:51:08Would you ever think about it?
00:51:10Huh?
00:51:11Would you ever think about killing yourself because you're a midget?
00:51:15Fuck, man.
00:51:16What kind of question is that?
00:51:18Just chatting, Harry.
00:51:26See, Ken?
00:51:27This is the kind of hotel Harry should have put us in.
00:51:29A five-star with prostitutes in.
00:51:32You know, sometimes I think Harry doesn't even give a shit about us at all.
00:51:39Is he still not called?
00:51:42No. Still hasn't called.
00:51:44No news is good news, eh?
00:51:55Hmm.
00:52:00It's gonna be a war, man.
00:52:03I can see it.
00:52:04There's gonna be a war between the blacks and between the whites.
00:52:08You ain't even gonna need a uniform no more.
00:52:10This ain't gonna be a war where you pick your side.
00:52:13Your side's already picked for you.
00:52:15I don't know whose side I'm fighting on.
00:52:17Fighting with the blacks.
00:52:18Whites are gonna get their heads kicked in.
00:52:20You don't decide this shit, man.
00:52:22Well, who are the half-cats gonna fight with?
00:52:24The blacks, man.
00:52:25That's obvious.
00:52:27But what about the Pakistanis?
00:52:30The blacks.
00:52:31What about...
00:52:32What about...
00:52:34Think about it.
00:52:37What about the Vietnamese?
00:52:39The blacks.
00:52:41Well, I'm definitely fighting with the blacks if they cut the Vietnamese.
00:52:49So, hang on.
00:52:52Would all of the white majors in the world be fighting against all the black majors in the world?
00:52:55Yeah.
00:52:57That'd make a good film.
00:52:58You don't know how much shit I've had to take off of black midgets, man.
00:53:03That's...
00:53:06Undeniably true.
00:53:08See, Jimmy.
00:53:11My wife was black.
00:53:14And I loved her very much.
00:53:17And in 1976, she was murdered by a white man.
00:53:22So...
00:53:24Where the fuck am I supposed to stand?
00:53:26Where the fuck am I supposed to stand in all this blood and carnage?
00:53:32Did they get the guy who did it?
00:53:35A friend of mine got him.
00:53:36Harry Waters got him.
00:53:40So tell me, Jim.
00:53:42Whose side do I fight on in this wonderful war?
00:53:48I think you need to weigh up all your options and...
00:53:52Let your conscience decide, Ken.
00:53:57Two monkey hookers and a racist dwarf.
00:54:02I think I'm heading home.
00:54:04Yeah? I think I'll come with you.
00:54:08Hey, what?
00:54:10Back off, shorty.
00:54:12You don't know karate.
00:54:14Don't say you didn't have a cover.
00:54:17Short ass!
00:54:21I'm sorry.
00:54:23I'm sorry.
00:54:24I'm sorry.
00:54:55In a village on the left, there stands a layman.
00:55:08And with his stiff fingers, he turns what he can.
00:55:14Barefoot on the ice, he walks back and forth.
00:55:45Meeting Yuri?
00:55:47Yes, I'm Yuri.
00:56:15Mr. Waters said that might be necessary.
00:56:21There are a lot of alcoves in the Cunningham Ashford Park.
00:56:25Do you use this word, alcoves?
00:56:28Alcoves, yes. Sometimes.
00:56:30There are not many people around in these alcoves in Christmas time.
00:56:35If I were to murder a man,
00:56:37I would kill him.
00:56:38Are you sure this is the right word, alcoves?
00:56:41Alcoves, yes.
00:56:43Kind of like nooks and crannies.
00:56:45Nooks and crannies, yes.
00:56:47Perhaps this would be more accurate.
00:56:49Nooks and crannies, rather than alcoves.
00:56:51Yeah.
00:56:58I'm sorry.
00:57:00I'm sorry.
00:57:02I'm sorry.
00:57:04I'm sorry.
00:57:06I'm sorry.
00:57:09You are going to do it, aren't you?
00:57:11Mr. Waters will be very disappointed.
00:57:14Of course I'm going to fucking do it.
00:57:17It's what I do.
00:57:25Your friend was behaving rather oddly this morning.
00:57:36Oddly?
00:57:37How?
00:57:39Well, he asked me about the baby.
00:57:41If I wanted a boy or a girl.
00:57:43I said I didn't mind, as long as it's healthy, of course.
00:57:46But then he gave me 200 euros to give to the baby.
00:57:52I refused, obviously.
00:57:54But he was quite insistent.
00:57:59Would you give it back to him when you see him?
00:58:03I don't want to be ungrateful,
00:58:05but it seemed like all the money he had.
00:58:07Do you know where he is now?
00:58:09He said he was going to the park.
00:58:37I don't know where he is.
00:59:08I'm sorry, Ray.
00:59:11I'm sorry.
00:59:38Ray!
00:59:39Don't!
00:59:40Fucking hell!
00:59:41Where the fuck did you come from?
00:59:43I was behind the thing.
00:59:44What the fuck are you doing, Ray?
00:59:46What the fuck are you doing?
00:59:47Nothing.
00:59:51Oh, my God.
00:59:54You were going to kill me.
00:59:56No, I wasn't.
00:59:58You weren't going to kill yourself.
01:00:00What?
01:00:02You weren't going to kill yourself.
01:00:04No, I wasn't.
01:00:05You weren't going to kill yourself.
01:00:07What?
01:00:09I'm allowed to.
01:00:11No, you're not.
01:00:12What?
01:00:14I'm not allowed to and you are?
01:00:16How's that fair?
01:00:24Can we go somewhere and talk about this, please?
01:00:30I wasn't going to go through with it, Ray.
01:00:32You fucking looked like you were going to go fucking through with it.
01:00:38Where'd you get that gun?
01:00:40A friend of Harry's.
01:00:41Fuck, man.
01:00:45Let me see it.
01:00:51Silence of two.
01:00:55Nice.
01:00:57Fuck.
01:01:02Mine's a bloody girl's gun.
01:01:13I'm keeping it.
01:01:15Pardon me?
01:01:18Give me me gun back.
01:01:19You're not getting it back.
01:01:21You're a suicide case.
01:01:22And you're trying to shoot me in the fucking head.
01:01:24You're not getting that gun back.
01:01:26Oh, great day this has turned out to be.
01:01:28I'm suicidal.
01:01:30My mate tries to kill me.
01:01:32My gun gets nicked and we're still in the fucking bush.
01:01:36Listen.
01:01:38I'm going to give you some money and put you on a train somewhere.
01:01:41I don't want to.
01:01:43Don't say you don't want to, Ray.
01:01:44You'll be a dead man.
01:01:45I can't.
01:01:46I don't want to be a dead man.
01:01:48It's as if you've been missing something.
01:01:51You don't want to be a dead man, Ray.
01:01:53I can't.
01:01:56I killed a little boy.
01:02:12Unsave the next little boy.
01:02:16Just go away somewhere.
01:02:18Get out of this business and try to do something good.
01:02:23You're not going to help anybody dead.
01:02:26You're not going to bring that boy back.
01:02:31But you might save the next one.
01:02:35What am I going to be, a doctor?
01:02:38You need exams.
01:02:40Do anything, Ray.
01:02:42Do anything.
01:02:57What a wanker.
01:03:01He said this whole trip.
01:03:05This whole being in Bruges thing.
01:03:08Just to give you one last joyful memory before you died.
01:03:13In Bruges?
01:03:20The Bahamas, maybe?
01:03:22The Bahamas, maybe?
01:03:26Why fucking Bruges?
01:03:28I suppose it's cheaper.
01:03:37The rest of the acid and the ecstasy.
01:03:41Can I have my gun back, please?
01:03:48What am I going to do, Ken?
01:03:51What am I going to do?
01:03:53Just keep moving.
01:03:55Keep on moving.
01:03:57Try not to think about it.
01:04:00Learn a new language, maybe?
01:04:02I can hardly do English.
01:04:04That's one thing I like about Europe, though.
01:04:05You don't have to learn any of their languages.
01:04:07Just forget about home for a while.
01:04:10See how the land lies in six years, seven years.
01:04:13Seven years is not that long.
01:04:16It's longer than that boy got.
01:04:17My first fucking job.
01:04:20Great hitman I turned out to be.
01:04:26Some people just aren't cut out for it, right?
01:04:30You?
01:04:38When are you going back to England?
01:04:41I'll head back in a couple of hours or something.
01:04:43Harry's not going to be mad at you, is he?
01:04:44For letting me go?
01:04:46No, it's all good, Harry.
01:04:48Just tell him I'd have probably killed myself
01:04:49on a fortnight anyway.
01:04:51You won't. Are you all right?
01:05:15Harry?
01:05:17It's Ken.
01:05:18Listen to this noise.
01:05:22Do you know what that is?
01:05:24Yeah, I know you know it's a train.
01:05:26Do you know what train?
01:05:28Well, it's a train that Ray just got on.
01:05:31And he's alive and he's well
01:05:32and he doesn't know where he's going
01:05:33and neither do I.
01:05:35So if you need to do your worst, do your worst.
01:05:37You've got the address of the hotel.
01:05:39I'll be here waiting.
01:05:41Cos I've got to quite like Bruges now.
01:05:42It's like a fucking fairytale or something.
01:06:13Harry!
01:06:15Harry!
01:06:17What?
01:06:19It's an inanimate fucking object.
01:06:21You're an inanimate fucking object!
01:06:33Now you lot be good for your mummy in Nimamoto, OK?
01:06:36Cos Daddy's got to go away for a few days.
01:06:38Where are you going?
01:06:40I've got to go to Bruges.
01:06:42Bruges? Where's that?
01:06:44It's in Belgium.
01:06:46Why would anybody have to go to Belgium?
01:06:48Cos I've got to sort something out.
01:06:51Is it something to do with the phone?
01:06:54It's something to do with Ken.
01:06:57It's a matter of honour.
01:07:00Well, it ain't going to be dangerous, is it?
01:07:06Well, of course it's going to be dangerous
01:07:07if it's a matter of fucking honour.
01:07:09You are bringing the fellas with you.
01:07:10Tell me you're bringing the fellas with you.
01:07:15I'm sorry for calling you an inanimate object.
01:07:18I was upset.
01:07:40I'm sorry.
01:08:10I'm sorry.
01:08:41Um...
01:09:00You're Irish?
01:09:02Yes.
01:09:04What is your name?
01:09:06Um...
01:09:08Derek Earl.
01:09:09Earl.
01:09:14You heed the Canadian?
01:09:16Huh?
01:09:17You heed the Canadian?
01:09:19I heed the Canadian.
01:09:21I don't know what you're talking about.
01:09:25That's him!
01:09:26That's the motherfucker!
01:09:34You heed the Canadian?
01:09:35Yeah.
01:09:37Canadian.
01:09:39Shit.
01:09:46We're taking you back to Bruges.
01:09:48Brilliant!
01:10:08Aye, aye.
01:10:10Take your pick, Mr. Waters.
01:10:16An Uzi?
01:10:18I'm not from South Central Los fucking Angeles.
01:10:21I didn't come here to shoot 20 black ten-year-olds
01:10:23in a fucking drive-by.
01:10:25I want a normal gun for a normal person.
01:10:30I'm not from South Central Los fucking Angeles.
01:10:33I'm not from South Central Los fucking Angeles.
01:10:36I know you wouldn't kill a guy.
01:10:38I could see it in his eyes
01:10:40when I was telling him about the Alcoves.
01:10:43About the what?
01:10:45The Alcoves.
01:10:46The Alcoves in the Conning and Gatsworth Park.
01:10:51Oh, I also have some dim-dims.
01:10:54Use this with me.
01:10:56I'm not from South Central Los fucking Angeles.
01:10:59I'm not from South Central Los fucking Angeles.
01:11:02I'm not from South Central Los fucking Angeles.
01:11:05What's the word, dim-dims?
01:11:07The bullets that make the head explode?
01:11:08Dum-dums, yeah.
01:11:10Would you like some of these dim-dims?
01:11:13I know I shouldn't.
01:11:16But I will.
01:11:22Motherfucker!
01:11:25Is he talking to me?
01:11:27No, Eric's on your side, Mr. Waters.
01:11:29Your young friend blinded him last night.
01:11:31Righted?
01:11:32I was trying to rub him.
01:11:33And he took my gun from me.
01:11:36And the gun was full of blanks.
01:11:38And he shot the blank into my eye.
01:11:41And now I cannot see from this eye ever again,
01:11:44the doctor say.
01:11:46Well, to be honest, it sounds like it was all your fault.
01:11:50What?
01:11:51I mean, basically, if you're robbing a man
01:11:52and you're only carrying blanks
01:11:54and you allow your gun to be taken off you
01:11:56and you allow yourself to be shot in the eye with a blank,
01:11:58which I assume the person has to get quite close to you,
01:12:00then, yeah, really, it's all your fault
01:12:02for being such a poof.
01:12:04So why don't you stop whinging and cheer the fuck up?
01:12:07Eric, I really wouldn't respond.
01:12:16I thought you wanted the guy dead.
01:12:18I do want the guy dead.
01:12:20I want him fucking crucified.
01:12:22But it don't change the fact that he stitched you up
01:12:24like a blind little gay boy, does it?
01:12:26Thanks for the gun, Yuri.
01:12:30You're welcome.
01:13:00Fuck.
01:13:31Well?
01:13:35The boy is suicidal, Harry.
01:13:37He's a walking dead man.
01:13:40Keeps going on about hell and bargaining.
01:13:42When I phoned you yesterday, did I ask you,
01:13:44Ken, will you do me a favor
01:13:46and become Ray's psychiatrist, please?
01:13:48No.
01:13:49What I think I asked you was,
01:13:51could you go blow his fucking head off for me?
01:13:53He's suicidal.
01:13:55I'm suicidal.
01:13:57I'm suicidal.
01:13:58I'm suicidal.
01:14:00I'm suicidal.
01:14:01You're suicidal.
01:14:02Everybody's fucking suicidal.
01:14:04We don't all keep going on about it.
01:14:06Has he killed himself yet?
01:14:08No.
01:14:09So he's not fucking suicidal, is he?
01:14:11He put a load of gun to his head this morning.
01:14:13I stopped him.
01:14:14This gets fucking worse.
01:14:16We were down the park.
01:14:18Let me get this right.
01:14:20You were down the park?
01:14:22What's that got to do with fucking anything?
01:14:24Let me get this right.
01:14:26Not only have you refused to kill the boy,
01:14:28which would have solved my problem,
01:14:30which would have solved your problem,
01:14:32which sounds like it would have solved the boy's problem.
01:14:34It wouldn't have solved his problem.
01:14:36Ken, if I had killed a little kid,
01:14:38accidentally or otherwise, I wouldn't have thought twice.
01:14:40I'd have killed myself on the fucking spot.
01:14:42On the fucking spot.
01:14:44I'd have stuck the gun in me mouth on the fucking spot.
01:14:46That's you, Harry.
01:14:48The boy has the capacity to change.
01:14:50The boy has the capacity to do something decent with his life.
01:14:52Excuse me, Ken.
01:14:54I have the capacity to change.
01:14:56Yeah, you do.
01:14:58It's only going to get fucking worse.
01:15:00Oh, yeah, now I'm getting down to it.
01:15:02Harry, let's face it.
01:15:04And I'm not being funny.
01:15:06I mean, no disrespect.
01:15:08But you're a cunt.
01:15:10You're a cunt now.
01:15:12You've always been a cunt.
01:15:14And the only thing that's going to change
01:15:16is you're going to become an even bigger cunt.
01:15:18Now you have some more cunt kids.
01:15:20Leave my kids fucking out of it.
01:15:22What have they done?
01:15:24You fucking retract that bit about my cunt fucking kids.
01:15:26I retract that bit about your cunt fucking kids.
01:15:28I retracted it, didn't I?
01:15:33It still leaves you being a cunt.
01:15:35Yeah, I fucking got that.
01:15:55Where's Ray now?
01:15:58I don't know.
01:16:00Right about now, Ray is in one or other
01:16:02of the one million towns in mainland Europe
01:16:04it's possible to be in,
01:16:06other than here.
01:16:21I'll get all the money back to you
01:16:23as soon as I get through to my friend.
01:16:25It's not a problem, Raymond.
01:16:26What's he doing?
01:16:28He's a shoomer.
01:16:30I'm assuming you've got your gun on you.
01:16:35That Uri bloke's a funny fella, isn't he?
01:16:37He does yoga.
01:16:40The Alcoves.
01:16:42What's he getting on with you about the Alcoves?
01:16:45The Alcoves in the Curricanastra Park.
01:16:56You gotta do what you gotta do.
01:16:59It's a bit crowded around here, you know.
01:17:01Well, I'm not going to have a shootout
01:17:03in the middle of a thousand fucking Belgians, am I?
01:17:07Not to mention the other nationalities
01:17:09just on their holidays.
01:17:12To see the swans and the Gothic
01:17:14and all the fairy tale stuff, eh?
01:17:16Are you trying to fucking wind me up?
01:17:18No, Harry.
01:17:20On top of calling me a cunt,
01:17:22I'm calling my kids cunts.
01:17:24I might just have to fucking shoot you right here.
01:17:27Let's go up to the Battle Tower.
01:17:30It'll be quiet up there at this time of evening.
01:17:32Let's go up there.
01:17:53Yeah.
01:17:54Canadians.
01:17:56I feel a bit bad.
01:17:58They didn't kill John Lennon, did they?
01:18:00Anyway, he's supposed to turn up to court here in two days.
01:18:02Are you going to turn up?
01:18:04I don't know.
01:18:06I forgot to stay for it.
01:18:09The most beautiful woman
01:18:13I've ever seen
01:18:16in all of your stupid life.
01:18:25The Tower is closed this evening.
01:18:27No way.
01:18:29It's supposed to be open until seven.
01:18:31The Tower is usually open until seven.
01:18:33Yesterday an American had a heart attack at the Tower.
01:18:35Today the Tower is closed.
01:18:37Here, Cranky.
01:18:39Here's 100 for you.
01:18:41We're only going to be 20 minutes.
01:18:47The Tower is closed
01:18:51until seven.
01:18:52The Tower is closed this evening.
01:18:57Understand, Englishman?
01:19:23Jimmy.
01:19:25I've been wanting to say I'm really sorry
01:19:27for karate chopping you the other night.
01:19:29That was way out of order.
01:19:31You know, Ray,
01:19:33I find it easier to believe and forgive you somehow.
01:19:36If the two of you
01:19:38were in the same situation,
01:19:40I'd forgive you.
01:19:42I'd forgive you.
01:19:44I'd forgive you.
01:19:46I'd forgive you.
01:19:48I'd forgive you.
01:19:50I'd forgive you.
01:19:52If you weren't laughing straight in my fucking face!
01:19:58It's for the goddamn movie, man.
01:20:04It is a nice town, Harry.
01:20:07I'm glad I got to see it.
01:20:14I didn't mean to be taken to piss
01:20:16out of it being a fairytale place.
01:20:18It is a fairytale place.
01:20:20It really is.
01:20:22It's just a shame it's in Belgium, really.
01:20:24But then you think if it wasn't in Belgium,
01:20:26if it was somewhere good,
01:20:28there'd be too many people coming to see it.
01:20:30It would spoil the whole thing.
01:20:34I'm glad I got to see it.
01:20:38Before I died.
01:20:47What are you doing?
01:20:49What are you fucking doing?
01:20:50I'm not fighting anymore, Harry.
01:20:53All right, then I'm blowing your fucking head off.
01:20:58Don't come over all gandy.
01:21:00What are you fucking doing?
01:21:03Ken, stop messing about, please.
01:21:05Pick up your gun.
01:21:07I know I'm going to beat you anyway
01:21:09because you're a spaz, but...
01:21:11Harry.
01:21:13I'm totally in your debt.
01:21:16Things that have gone between us in the past,
01:21:17I love you unreservedly for all that.
01:21:21For your integrity,
01:21:24for your honour.
01:21:27I love you.
01:21:31A boy had to be let go.
01:21:36A boy had to be given a chance.
01:21:39And to do that,
01:21:41I had to say, fuck you
01:21:43and fuck what I owe you.
01:21:44I had to say, fuck you
01:21:46and fuck what I owe you
01:21:48and fuck everything that's gone on between us.
01:21:50And that's what I had to do.
01:21:53I'm not fighting you.
01:21:57And I accept totally everything you've got to do.
01:21:59I accept it.
01:22:00Totally.
01:22:04Oh, yeah?
01:22:08Yeah.
01:22:14Well, you say all that fucking stuff,
01:22:16I can't fucking shoot you now, can I?
01:22:20It's entirely up to you, Harry.
01:22:22Entirely your call.
01:22:26All I'm saying is,
01:22:28I'm not fighting.
01:22:36Oh, you fucking cunt!
01:22:38Like I'm not going to do nothing to you
01:22:40just because you're standing about like Robert fucking Powell?
01:22:44Like who?
01:22:45Like Robert fucking Powell,
01:22:46out of Jesus by fucking Nazareth.
01:22:48My fucking leg!
01:22:50The psycho dork turns out
01:22:52to just be a lovable little schoolboy
01:22:54and it's all some kind of Boschian nightmare.
01:22:56Kiss my ass.
01:22:58I guess at least
01:22:59there weren't any black people involved, eh, Jimmy?
01:23:03I wasn't...
01:23:05I wasn't talking about it.
01:23:08There's going to be a war
01:23:10between all the blacks and all the whites
01:23:12and all the black midgets and all the white midgets
01:23:14and it's going to be really good.
01:23:16That's just cocaine.
01:23:18He didn't even want the Vietnamese on his side.
01:23:20That's just cocaine.
01:23:23Listen,
01:23:25we're filming down by the Pointy building tonight.
01:23:27It might actually be good for once.
01:23:31You guys should come along.
01:23:33Harry,
01:23:35I think we're just going to have a quiet one tonight, Jimmy.
01:23:38Ah,
01:23:40that's how it is.
01:23:42Another life.
01:23:50They're great, aren't they?
01:24:07You did.
01:24:09You did.
01:24:11You did.
01:24:41You did.
01:25:01Mr. Waters!
01:25:03Mr. Waters!
01:25:06Who's there?
01:25:08It's Eric.
01:25:09The blind boy?
01:25:11Yeah.
01:25:13Yes.
01:25:15What do you fucking want?
01:25:17The guy you're looking for.
01:25:19The guy Ray.
01:25:21He's downstairs at the bar.
01:25:40Eric!
01:25:57I'm sorry, Ken.
01:26:00But you can't kill a kid
01:26:02and expect to get away with it.
01:26:05You just can't.
01:26:10Where?
01:26:12To the left when you come out.
01:26:14The bar to the left.
01:26:39Fuck.
01:26:56On Raglan Road
01:27:01Of an autumn day
01:27:04I saw her first and knew
01:27:12That her dark hair
01:27:16Would weave a snare
01:27:21That I might one day rue
01:27:28I saw the danger and I passed
01:27:36Along the enchanted way
01:27:43And I said let grief
01:27:47Be a fallen leaf
01:27:51At the dawning of the day
01:28:00On Grafton Street
01:28:04In November
01:28:07We'd trip lightly
01:28:10Along the bay
01:28:15Of a deep ravine
01:28:17Where can be seen
01:28:22The words of passion's pledge
01:28:28The queen of hearts
01:28:31Still making charms
01:28:35And I'm not making hay
01:28:41Oh I loved too much
01:28:46And by such, by such
01:28:50Is happiness thrown away
01:28:58When the angel rules
01:29:03The play he'd lose
01:29:07His wings at the dawn
01:29:11Of day
01:29:42Ken!
01:29:44Ken!
01:29:46Ken!
01:29:48Ken!
01:29:51Larry's here.
01:29:54What?
01:29:57Take
01:30:00My gun.
01:30:11Ken.
01:30:16Ken.
01:30:18Where's my gun?
01:30:22Where's my gun?
01:30:26I'm gonna die in there.
01:30:32Ken.
01:30:35Jesus.
01:30:41Ken.
01:31:11Ken.
01:31:41Shit, shit, shit, shit, shit.
01:32:12Fuck.
01:32:15Fuck.
01:32:18Fuck.
01:32:20Fuck.
01:32:42Um, Mr. Blakely said you'd left.
01:32:44I need a key to the room right now.
01:32:45Quickly, now!
01:32:48You gotta go home right now.
01:32:49It's very, very dangerous here.
01:32:50Right, go home, right now!
01:33:12Fuck.
01:33:38No, I won't let you up there.
01:33:40Just go on your way, right now.
01:33:43No, I won't.
01:33:45I won't get out of your way.
01:33:48You'll have to go through me.
01:33:49Well, obviously I'm not gonna go through you.
01:33:51I'm a little baby, you know.
01:33:52I'm a nice person.
01:33:53But could we just get out of the fucking way, please?
01:34:01Marie!
01:34:03Just let him come up, it's okay.
01:34:06Harry!
01:34:07Swear not to start shooting until she's left the hotel.
01:34:09I swear not to start shooting until she's left the hotel.
01:34:11I totally swear.
01:34:12Well, I'm not going anywhere.
01:34:15This is my hotel.
01:34:17So you can fuck off.
01:34:31I suppose you got a gun up there?
01:34:33Yep.
01:34:35Well, what are we gonna do?
01:34:36We can't stand here all night.
01:34:38Why don't you both put your guns down?
01:34:40Go home.
01:34:41Don't be stupid.
01:34:43This is the shootout.
01:34:46Harry!
01:34:47I've got an idea.
01:34:48What?
01:34:49My room faces onto the canal, right?
01:34:51I'm gonna go back to me room,
01:34:53jump into the canal,
01:34:54and see if I can swim to the other side and escape.
01:34:56Alright.
01:34:57If you go outside and round the corner,
01:34:59you can shoot at me from there and try and get me.
01:35:01That way we leave this lady and her baby out of the whole entire thing.
01:35:04You completely promised to jump in the canal.
01:35:06I don't want to run out there, come back in ten minutes,
01:35:08and find you fucking hiding in a cupboard.
01:35:10I completely promised, Harry.
01:35:11Not going to risk having another little kid die, am I?
01:35:13So, hang on.
01:35:14I go outside, then I go which way, right or left?
01:35:17You go right, don't you?
01:35:19You can see it from the doorway.
01:35:20It's a big fucking canal!
01:35:22Alright.
01:35:23Jesus, I've only just got here, haven't I?
01:35:25Okay, on the count of one, two, three, go, okay?
01:35:28Okay.
01:35:30What? Who says it?
01:35:32Oh, you say it.
01:35:33You guys are crazy.
01:35:35Okay, ready?
01:35:36Ready.
01:35:37Set?
01:35:38Set.
01:35:39One, two, three, go!
01:35:59Keep driving.
01:36:08No way.
01:36:09You're way too far away.
01:36:29Fuck.
01:36:59Fuck.
01:37:29Fuck.
01:38:00Fuck.
01:38:13The little boy.
01:38:15That's right, Ray.
01:38:17The little boy.
01:38:29The little boy.
01:39:00Fuck.
01:39:24Wow.
01:39:26I say.
01:39:34No way.
01:39:37He's not...
01:39:41You've got to stick to your principles.
01:39:55Fuck.
01:40:11There's a Christmas tree somewhere in London
01:40:13with a bunch of presents underneath it
01:40:15that'll never be opened.
01:40:18And I thought, if I survive all this,
01:40:20I'll go to that house,
01:40:22apologise to the mother there,
01:40:24for all the punishments she chose for me.
01:40:27Prison.
01:40:29Death.
01:40:30Didn't matter.
01:40:32Because at least in prison and at least in death, you know,
01:40:35I wouldn't be in fucking Bruges.
01:40:40But then, like a flash, it came to me.
01:40:43And I realised...
01:40:46Fuck, man.
01:40:47Maybe that's what hell is.
01:40:50The entire rest of eternity spent in fucking Bruges.
01:40:55And I really, really hoped I wouldn't die.
01:41:00I really, really hoped I wouldn't die.
01:42:55I'm sorry.
01:42:56I'm sorry.
01:42:57I'm sorry.
01:42:58I'm sorry.
01:42:59I'm sorry.
01:43:00I'm sorry.
01:43:01I'm sorry.
01:43:02I'm sorry.
01:43:03I'm sorry.
01:43:04I'm sorry.
01:43:05I'm sorry.
01:43:06I'm sorry.
01:43:07I'm sorry.
01:43:08I'm sorry.
01:43:09I'm sorry.
01:43:10I'm sorry.
01:43:11I'm sorry.
01:43:12I'm sorry.
01:43:13I'm sorry.
01:43:14I'm sorry.
01:43:15I'm sorry.
01:43:16I'm sorry.
01:43:17I'm sorry.
01:43:18I'm sorry.
01:43:19I'm sorry.
01:43:20I'm sorry.
01:43:21I'm sorry.
01:43:22I'm sorry.
01:43:23I'm sorry.
01:43:24I'm sorry.
01:43:25I'm sorry.
01:43:26I'm sorry.
01:43:27I'm sorry.
01:43:28I'm sorry.
01:43:29I'm sorry.
01:43:30I'm sorry.
01:43:31I'm sorry.
01:43:32I'm sorry.
01:43:33I'm sorry.
01:43:34I'm sorry.
01:43:35I'm sorry.
01:43:36I'm sorry.
01:43:37I'm sorry.
01:43:38I'm sorry.
01:43:39I'm sorry.
01:43:40I'm sorry.
01:43:41I'm sorry.
01:43:42I'm sorry.
01:43:43I'm sorry.
01:43:44I'm sorry.
01:43:45I'm sorry.
01:43:46I'm sorry.
01:43:47I'm sorry.
01:43:48I'm sorry.
01:43:49I'm sorry.
01:43:50I'm sorry.
01:43:51I'm sorry.
01:43:52I'm sorry.
01:43:53I'm sorry.
01:43:54I'm sorry.
01:43:55I'm sorry.
01:43:56I'm sorry.
01:43:57I'm sorry.
01:43:58I'm sorry.
01:43:59I'm sorry.
01:44:00I'm sorry.
01:44:01I'm sorry.
01:44:02I'm sorry.
01:44:03I'm sorry.
01:44:04I'm sorry.
01:44:05I'm sorry.
01:44:06I'm sorry.
01:44:07I'm sorry.
01:44:08I'm sorry.
01:44:09I'm sorry.
01:44:10I'm sorry.
01:44:11I'm sorry.
01:44:12I'm sorry.
01:44:13I'm sorry.
01:44:14I'm sorry.
01:44:15I'm sorry.
01:44:16I'm sorry.
01:44:17I'm sorry.
01:44:18I'm sorry.
01:44:19I'm sorry.
01:44:20I'm sorry.
01:44:21I'm sorry.
01:44:22I'm sorry.
01:44:23I'm sorry.
01:44:24I'm sorry.
01:44:25I'm sorry.
01:44:26I'm sorry.
01:44:27I'm sorry.
01:44:28I'm sorry.
01:44:29I'm sorry.
01:44:30I'm sorry.
01:44:31I'm sorry.
01:44:32I'm sorry.
01:44:33I'm sorry.
01:44:34I'm sorry.
01:44:35I'm sorry.
01:44:36I'm sorry.
01:44:37I'm sorry.
01:44:38I'm sorry.
01:44:39I'm sorry.
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