Category
🎥
Short filmTranscript
00:00:00I am leaving. I have rested beside your eyes, which are drooping. I have rested on a silence and on a heart that is thirsty and longing. I have rested beside your love, which is fearful and bewildered.
00:00:22Your silence is a warning to a rebellious warrior who wants his revenge from time to time. Your silence is like the sound of thunder that rings in the ears. And your movements remind me of the treacherous traitor.
00:00:47I have spoken to you many times. You take me in the hands of the poor, the hungry, the thirsty. I have spoken to you about the love of a beloved who is fearful and bewildered. I have spoken to you and my words are as empty as a cup.
00:01:17I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I have spoken to you. I
00:01:47have spoken to you. I have spoken to you.
00:02:17Hello, how are you?
00:02:34I'm fine, thank you.
00:02:37Where have you been?
00:02:39I didn't think you'd come back here.
00:02:43How are you?
00:02:45How's your friend?
00:02:49Great, great.
00:02:52Thank you for the call, sir.
00:02:55Yes?
00:02:57Yes, go ahead.
00:03:01What can I do for you? This is the director's job.
00:03:07Tell him to come back to me. I'll introduce him to the director.
00:03:10I can't do that.
00:03:12The director doesn't know what he's doing.
00:03:16Okay, sir.
00:03:17Thank you, goodbye.
00:03:41Open the door. What are you waiting for?
00:04:07Taxi!
00:04:11Get out of the car.
00:04:13Get out of the car. At least open the door.
00:04:16Taxi!
00:04:37I'm Janja, from Tel Aviv.
00:04:40I'm here to participate in a film.
00:04:43I'll tell you the news.
00:04:45The police wanted to get me out of here.
00:04:51You don't look like a movie star.
00:05:04Look in front of you.
00:05:13Thank you.
00:05:43Thank you.
00:06:13Thank you.
00:06:26I know you. I saw you on TV.
00:06:30I'm the director.
00:06:32I'm Janja.
00:06:34Come in.
00:06:43Your garden is beautiful, like my garden in Azero.
00:06:47Your garden is beautiful.
00:06:49Come in, come in.
00:06:55Come in, come in.
00:07:05Great, bravo, bravo.
00:07:08Beautiful, simple and clean.
00:07:11You have a special taste.
00:07:14Do you live alone in Tel Aviv?
00:07:17Almost.
00:07:19We are artists, we have to be close to each other.
00:07:22But the car says you're an actress.
00:07:25Of course I'm an actress.
00:07:27I'm sorry, I've never seen you in a movie before.
00:07:30What do I look like?
00:07:32You don't look like an actor.
00:07:34I apologize again.
00:07:36Thank you for your hospitality.
00:07:38You're welcome.
00:07:51Now you're a writer.
00:07:53You're a writer and I'm an actress.
00:07:56We fell in love.
00:07:59I used to wake up the children and sing.
00:08:03I used to love you and dream of fame.
00:08:06And now...
00:08:08Now...
00:08:10I used to talk.
00:08:13Now I understand and I know that what matters in our work,
00:08:17whether we're artists or writers,
00:08:19is not fame or fame.
00:08:21It's not what I used to dream of.
00:08:23But what matters is the ability to continue.
00:08:27I know and I believe.
00:08:29That's why I don't suffer so much.
00:08:32And when I know my role in life,
00:08:35I don't fear it again.
00:08:38How are you?
00:08:39I'm fine.
00:08:40I'm fine.
00:08:42This is a clip from Chekhov's play,
00:08:45played by Nina,
00:08:47with the director Jawad Al-As'ad.
00:08:49I was cast at the last minute.
00:08:51And I was replaced by an actress from the fourth grade.
00:08:54And the result?
00:08:56The play was a failure.
00:08:58And on the day of the show, the audience beat them up.
00:09:02Really?
00:09:04Is that your real name?
00:09:06That's my real name.
00:09:08My real name is Fatima Al-Sfar.
00:09:10And where do you live?
00:09:12I live 100% of my job.
00:09:14I don't do anything else.
00:09:16But you don't live your job as an artist in this country.
00:09:20I'm a singer and an actress.
00:09:23I'm the poor leaf
00:09:28That fell from the tree
00:09:33It's so dry and sad
00:09:38I don't know what to do
00:09:42God bless you.
00:09:43Thank you.
00:09:44God bless you.
00:09:45We could even do an opera.
00:09:54God bless you.
00:09:55I'm sure you have a great voice.
00:09:58And you have a great voice.
00:10:00Thank you.
00:10:01I have to go now.
00:10:03I have some work to do.
00:10:05And I have to go to the director's office.
00:10:08I'll be there in two hours.
00:10:10You should go and rest.
00:10:12And don't worry.
00:10:13You can go out and see the city.
00:10:15It's going to be great.
00:10:17You writers have a lot of time.
00:10:19I don't want to hear my life story.
00:10:21You know, you write a great novel.
00:10:23The readers will cry.
00:10:25You know, I've lived my life.
00:10:27I don't want to waste your time.
00:10:29And I don't want to hurt you.
00:10:31We could write a novel or an opera.
00:10:34Or we could do a screenplay.
00:10:37Where's the bathroom?
00:10:39Go to the left.
00:10:57Yes.
00:11:01Hello.
00:11:02Yes, yes, yes.
00:11:04Tell me, my brother.
00:11:06What do you want to write?
00:11:09What's this?
00:11:10What's this?
00:11:11Is it an opera?
00:11:13Or a screenplay?
00:11:14Or what?
00:11:15What's the...
00:11:16Yes?
00:11:17No.
00:11:18You know, I'll see.
00:11:20I...
00:11:21No, no.
00:11:22See.
00:11:23I'll hand it over to the director.
00:11:25I don't know.
00:11:27Good luck.
00:11:31Thank you.
00:11:33You're welcome.
00:11:35I knew you would win.
00:11:43Is this a full set of books?
00:11:45Almost.
00:11:51Is this our son?
00:11:53No, this is my son.
00:11:57This is my son, not our son.
00:12:02Who is he?
00:12:04He lives with his mother.
00:12:05So he's a divorcee?
00:12:06Almost.
00:12:07And he loves you?
00:12:09Of course, he loves life, he loves people.
00:12:12And you?
00:12:14I want to make a serious confession.
00:12:17I love...
00:12:18I love crime.
00:12:20I'm a woman who loves crime.
00:12:23I love to kill.
00:12:25With these hands that you see.
00:12:27I love to kill.
00:12:29Great, great.
00:12:30Congratulations.
00:12:31You're great.
00:12:32You have a person in your heart.
00:12:34Congratulations.
00:12:35I'm sure the director will like you.
00:12:38And maybe he'll give you the role of the heroine.
00:12:41You're telling me about the role of the heroine?
00:12:42No, I'm telling you.
00:12:43But maybe I'll be punished.
00:12:45And I'll surprise the director.
00:12:46Of course, we'll tell you about the role of the heroine.
00:12:48And we'll tell you everything on the way.
00:12:49Now, wash your face.
00:13:03Janja?
00:13:05Janja?
00:13:12Come in, I'll show you.
00:13:18Come in.
00:13:48Come in.
00:14:11Hello.
00:14:12Hello.
00:14:13Hello.
00:14:14Hello.
00:14:15Hello.
00:14:16Hello.
00:14:17Hello.
00:14:18Hello.
00:14:20I'd like to introduce you to Janja.
00:14:21She's an actress and a singer.
00:14:24Yes.
00:14:25What do you want?
00:14:26Sit here.
00:14:27Janja is here to participate with you in this film.
00:14:29God willing, you'll do well.
00:14:30Let's see if the director will give her a suitable role.
00:14:34But, sir, we're...
00:14:36This week, we're going to start our tour.
00:14:38God bless you.
00:14:39Look.
00:14:40The director chose me to play the role of the heroine in your film.
00:14:44And now you have to give me the script to work on the character.
00:14:47Janja, God bless you.
00:14:48Look.
00:14:49The director is the one who works.
00:14:51He's the one who's responsible for it.
00:14:52And he's the one who decides.
00:14:53I'm the one who's allowed to leave the scene.
00:14:55Really?
00:14:56Of course.
00:14:58Please, come in.
00:14:59No, no, no.
00:15:00I don't have anything to do with you.
00:15:01Sir!
00:15:02Sir!
00:15:32I don't know what to do with myself.
00:15:33I'm going to lose my face completely.
00:15:38Sir, sir.
00:15:40What are you doing?
00:15:41How would I know?
00:15:43This is a friend of mine.
00:15:44His name is Sifat Aliyev.
00:15:45He's an actor.
00:15:46You see, you might not get the role this year.
00:15:48But I don't even have a role.
00:15:50And besides, I don't have any money.
00:15:53What you can't see from me is my bed.
00:15:56And my bed is what you can't see from me.
00:16:03You don't get it.
00:16:06What are you talking about?
00:16:08We, the actresses, are not jealous.
00:16:16I'll tell you what.
00:16:17You don't get it.
00:16:29Did you see what I did?
00:16:31Did you see?
00:16:32Honestly, I'm afraid of signs and transformations.
00:16:34What did you see?
00:16:36I didn't see anything.
00:16:37I'll do it again.
00:16:38No, you don't have to do it again.
00:16:39God bless you.
00:16:40I can sing.
00:16:41I have an amazing voice.
00:16:56Be careful.
00:16:57If you want to sing, put your hand up.
00:16:59What's the matter with you?
00:17:00You don't know how to act.
00:17:02But you're an actress.
00:17:03You should be on TV.
00:17:05This is a closed shop.
00:17:07You don't have the right to enter.
00:17:08If you want to enter, I'll give you two tickets.
00:17:10Sorry, Lisa.
00:17:11Let me talk to him.
00:17:12Okay.
00:17:16Listen, Ginger.
00:17:18I acknowledge your talent.
00:17:21But...
00:17:22I'm sorry.
00:17:24I'm a little late for the movie I'm going to shoot.
00:17:27But...
00:17:29All the actors took their roles and signed the contracts.
00:17:34But I promise you...
00:17:35If the movie goes well, I'll give you the trophy.
00:17:38I'm not the writer.
00:17:39I didn't choose to play the role of the trophy.
00:17:41If I changed my mind, you're in charge.
00:17:43The director is God's gift to this country.
00:17:45No, I'm not.
00:17:46I'm the writer.
00:17:48I'm not the writer of the movie anymore.
00:17:50I swear to God, I still have a lot to do.
00:17:53Let me work.
00:17:55You don't understand.
00:17:56You don't understand.
00:17:57You don't understand.
00:17:58I'm not going to play the role of the trophy.
00:18:00I'm Ginger.
00:18:01I can do whatever I want.
00:18:03I can play the role of the trophy in the movie.
00:18:06I'm not going to play the role of the trophy.
00:18:08I don't know you.
00:18:09I don't know you.
00:18:11And you...
00:18:12You're the director.
00:18:14You...
00:18:15You can't just stand there like everyone else.
00:18:17Director, enough.
00:18:19You planted your seed in my feet.
00:18:22And you threw it on the floor.
00:18:24A rich, unw有 profit parent.
00:18:28Would you call your child a bankrupt son?
00:18:30Why have you sold out the land I work on?
00:18:34I should get myself killed.
00:18:37I'm a legacy.
00:18:38No, it doesn't work like that.
00:18:40I'm a producer.
00:18:41And I'm also a writer.
00:18:43Writer?
00:18:45A writer!
00:18:46And a producer!
00:18:48And a producer!
00:18:49A writer!
00:18:50A writer!
00:18:51I'm a creator.
00:18:52I'm going to the hospital!
00:19:22This man seems to appreciate art and the artist.
00:19:26I'm sorry, but this is the artist's private space.
00:19:29Your ID card, please.
00:19:31I'm Janja. He knows everything about me. I don't need an ID card.
00:19:33I don't know you either.
00:19:36Please, do you have your ID card or not?
00:19:39I don't have it.
00:19:41Then you'll have to come with me.
00:19:46Bring me your bag and get ready to go.
00:19:52Thank you.
00:20:01I hope you sleep well tonight.
00:20:04Thank God.
00:20:22Thank you.
00:20:23Thank you.
00:20:51Hey, what?
00:20:53I'm sorry.
00:21:24Don't you dare touch the artist!
00:21:32I'm sorry.
00:21:34The artist wants to sleep.
00:21:36There's someone coming to do something.
00:21:39Your problem is that you don't have an ID card.
00:21:42What's your name?
00:21:44Fatima El-Sfar.
00:21:45The famous Janja.
00:21:47What's your name?
00:21:49What's your name?
00:21:50Mohamed.
00:21:51Who are you?
00:21:52I'm Muslim.
00:21:53What's your name?
00:21:54Rukia.
00:21:55Who are you?
00:21:56I'm Issa.
00:21:58What's your name?
00:22:00Azrou.
00:22:01I'm 35 years old.
00:22:06What do you do for a living?
00:22:09I told you I'm an artist.
00:22:12I know you're an artist, but you're not an artist.
00:22:15I'm a singer.
00:22:17Do you want to hear a song?
00:22:23What's the latest movie you've made?
00:22:26Actually, I haven't made a movie in a while.
00:22:30Because I got special training.
00:22:33Where?
00:22:34Paris.
00:22:35The land of the angels.
00:22:37What's the title of the movie?
00:22:39You're asking too many questions.
00:22:41You're making fun of the artist.
00:22:43Yes, yes, yes.
00:22:44I swear to God.
00:22:45I'll throw you in jail.
00:22:47And we're here to do our job.
00:22:49Answer the question.
00:22:51When did you come to Fajr?
00:22:52Today.
00:22:53Taxi Corsa.
00:22:55How old are you?
00:22:56I came alone.
00:23:03Do you think you're married?
00:23:10What's your husband's name?
00:23:12Mohattir.
00:23:13Is he still married?
00:23:15He's 40 years old.
00:23:17He got me out of jail.
00:23:19Do you have any kids?
00:23:21No.
00:23:23I asked him.
00:23:24He said he was on his own.
00:23:29Someone's waiting for me.
00:23:32I'll be right back.
00:23:41Listen.
00:23:42Next time,
00:23:43I want you to bring your ID card.
00:23:45Where are we going?
00:23:46The police station.
00:23:48Follow me.
00:23:55Changer.
00:23:57He's got a gold card.
00:23:58He just got out of jail.
00:23:59Don't forget the card.
00:24:00I don't need a card.
00:24:02He knows everything.
00:24:03I'm afraid he won't come.
00:24:05Next time,
00:24:06I want you to bring your ID card.
00:24:08Let's go.
00:24:18Let's go.
00:24:44Hello?
00:24:46Calm down.
00:24:48I went to the police station.
00:24:50They took me to the director.
00:24:52I went to him.
00:24:54He didn't give me a job.
00:24:58Now I'm home alone.
00:25:00I'll call him.
00:25:03Okay?
00:25:05Okay, bye.
00:25:07I'll call you later.
00:25:09Bye.
00:25:17Bye.
00:25:32Don't leave me.
00:25:34What's wrong?
00:25:35I'm sorry.
00:25:36I'm really sorry.
00:25:37What happened?
00:25:38What happened?
00:25:39I came from the movies.
00:25:40I ran into the police station.
00:25:42I swear to God.
00:25:43Don't say that.
00:25:44He's an artist.
00:25:45Anyway,
00:25:46don't worry about him.
00:25:47I promise you.
00:25:48I'll introduce you to the director.
00:25:50You can act with him.
00:25:51You can film with him.
00:25:52You don't have to be shy.
00:25:53You don't have to be shy.
00:25:54You just have to act.
00:25:55You just have to act.
00:25:56I don't want to act.
00:25:57I don't speak Arabic.
00:25:58I swear to God,
00:25:59I'm sick of them and their movies.
00:26:00Don't worry.
00:26:01Don't worry.
00:26:02What do you want to do now?
00:26:03I want to go to the writer.
00:26:04I want to go to him.
00:26:05What's wrong with you?
00:26:06Go to him.
00:26:07I don't need a card.
00:26:08I didn't go to a hotel.
00:26:09I'll open the door for you
00:26:10and you can tell me where you want to go.
00:26:11No, thank you.
00:26:12I'm sorry.
00:26:13Don't make me chase you.
00:26:14No, don't chase me.
00:26:15Let me take you there.
00:26:18Okay, brother.
00:26:19I'm going.
00:26:27What a beautiful city!
00:26:28You're walking around
00:26:29and you don't see anything.
00:26:30No waterfalls,
00:26:31no valleys,
00:26:32nothing.
00:26:33It's a shame.
00:26:35I didn't come here to travel.
00:26:39But I have a house.
00:26:40Wow, wow, wow.
00:26:42Everything is made of wood.
00:26:43What do you mean?
00:26:44What do you mean I'm hot?
00:26:46I'll show you a diesel bunk
00:26:47I have with two adults.
00:26:49Americans and Sibelians.
00:26:52I'll take you there.
00:26:53Stop, I'll get on the car.
00:26:55Stop, stop, stop here.
00:27:04I'm at the writer's house?
00:27:06Yes, it's this way.
00:27:07Don't forget to call me if you need anything.
00:27:11I'll call you if I stay here.
00:27:13Don't, don't.
00:27:15I have a business card.
00:27:18Goodbye.
00:27:19And as I told you, the door is open.
00:27:22Goodbye.
00:27:23If you want to change your mind, I have a business card.
00:27:37Goodbye.
00:27:48We received news today that Mimi and I are in the city.
00:27:54That's why you have to be very careful about all the areas where he might be.
00:28:01I swear to you, don't miss the chance to meet him.
00:28:20Hey, who do you want to know about Mimi and I?
00:28:23Why did Mimi come back? He doesn't know where we are.
00:28:25Can I talk to him?
00:28:27No, you can't.
00:28:28He's sick. He might die.
00:28:31Let's go.
00:29:01Let's go.
00:29:31Let's go.
00:30:01Fantasy.
00:30:02All the neighbors know that we arrested the criminal because of Mimi.
00:30:07On the first page.
00:30:08And if you look at the picture we took of him, this is the picture of the criminal.
00:30:12What are you doing here?
00:30:14I'm just showing up.
00:30:19Did you bring this?
00:30:25What?
00:30:27Isn't this the picture of the director?
00:30:30Yes, it is.
00:30:31Let's go.
00:30:34In the city of Azrou, the police raided a villa in Rufat's neighborhood.
00:30:39The remains of a man's body were believed to have disappeared five years ago.
00:30:43But now there are doubts about his wife's whereabouts.
00:30:47Her name is Fatima Al-Sfar.
00:30:50Really?
00:30:51She has been missing for a year.
00:30:53This crime was not revealed until the owner of the villa returned to his villa after Fatima Al-Sfar's disappearance.
00:30:58As for Rufat's wife, it was discovered by chance that the security guards were on their way to turn the villa into a building.
00:31:05I don't know why she disappeared.
00:31:08Most likely, she was the one who killed the man and buried him in the villa's attic.
00:31:12Yes, but according to the newspaper articles, she disappeared a year ago.
00:31:19You're right.
00:31:23Janja.
00:31:28Let's go.
00:31:37According to the police of Azrou, this woman, before she disappeared,
00:31:40some people said that she was going to come to the attic to shoot a film.
00:31:46She came to shoot a film, but she had a fight with her director.
00:31:49He told us that he didn't have her ID card, so we brought it to him.
00:31:53We were able to find the ID card and we left.
00:31:55Do you have an ID card?
00:31:58Do you want enough information from the police of Azrou?
00:32:03I'll give it to you.
00:32:09I'll give it to you.
00:32:25I'll give it to you.
00:32:41This is the fourth time that you've entered the attic.
00:32:45Before or after she killed the man?
00:32:48According to the report, before she killed the man.
00:32:51Anyway,
00:32:53this woman has nothing to do with the death of the man.
00:32:56She didn't leave her house because she didn't want anyone to doubt her.
00:33:16Hello.
00:33:18Come in.
00:33:20How are you?
00:33:21I'm fine, thank God.
00:33:22Thank God.
00:33:24Yes.
00:33:26Is there anything wrong?
00:33:28I don't think so.
00:33:30We've met before.
00:33:32Maybe we've met before.
00:33:34It's just that that night, we were tired, so we took a break.
00:33:38Exactly.
00:33:40And where is your film?
00:33:42It's a bit delayed, but we'll see it soon.
00:33:44We'll see it soon.
00:33:47Come with me to my office, then we'll have a cup of coffee and discuss another matter.
00:33:51Okay.
00:34:14Come on.
00:34:45Good morning.
00:34:47Good morning, sir.
00:34:48How are you, ma'am?
00:34:49I'm fine. How are you?
00:34:51I'm fine, thank God.
00:34:53Thank you, sir.
00:35:14Good morning, sir.
00:35:40Sit down, sir.
00:35:44Thank you.
00:35:49Come in.
00:35:50I'm the son of this teacher.
00:35:52Good.
00:36:07Hello, hello.
00:36:08Hello, sir.
00:36:09Hello.
00:36:11This is the first time I've been visited by a man of my stature like you.
00:36:15You always come to me with other thinkers, writers and artists.
00:36:19Come in, come in.
00:36:21Let me introduce you to my wife, Awatif.
00:36:24Nice to meet you.
00:36:25Nice to meet you, sir.
00:36:30Yes?
00:36:31Congratulations, sir.
00:36:32Your books are great.
00:36:33What did you read to me?
00:36:35Actually, I read a few books, but I can't remember them all.
00:36:41What was the reason for your visit?
00:36:43Nothing important.
00:36:45It was a lady named Fatima Zafar.
00:36:47She came to you to talk to your director friend.
00:36:50What did she do?
00:36:51Yes, yes.
00:36:52She's a friend of my director's.
00:36:54She took a novel from one of my novels and wrote it for the cinema.
00:36:58Then she came to me and told me about your book.
00:37:01Yes, but when I was there, I didn't work with her, because she's a bit...
00:37:06Really?
00:37:07Or did you meet her at a club and we went in?
00:37:10Maybe it's because you're close, right?
00:37:12No.
00:37:13I'm not going to waste your time.
00:37:16What I want to know is what's your relationship with this lady?
00:37:20I don't have any relationship with her.
00:37:22Neither close nor far.
00:37:23Whenever there's a friend of my friend who's a journalist,
00:37:27I call her to ask her to work with me.
00:37:30No more, no less.
00:37:31What's the journalist's name?
00:37:34His name is...
00:37:36His name is Al-Arabi Al-Wazani.
00:37:39Al-Arabi Al-Wazani.
00:37:41Why? What's wrong with this lady?
00:37:44She doesn't tell you what happened?
00:37:46No.
00:37:47This lady came to the bakery the other day.
00:37:50Tell me, sir.
00:37:52The day she came here, where did you meet her?
00:37:55I met her at home.
00:37:57One o'clock.
00:37:58After I took her, I went and introduced her to this director.
00:38:01And you didn't see her again?
00:38:03Why would I see her again?
00:38:05Sir, excuse us.
00:38:07This is a good opportunity.
00:38:09This lady is going to close the door.
00:38:12Sir, please.
00:38:14Thank you, sir.
00:38:15You're welcome.
00:38:17Thank you.
00:38:24Tell me, sir.
00:38:26Where did this lady come from?
00:38:28I don't know what you're talking about.
00:38:30This is the lady in the newspaper.
00:38:32Excuse me, sir.
00:38:33My neighbor doesn't read.
00:38:35I read every morning.
00:38:37Thank you.
00:38:38You're welcome.
00:38:39I'll see you in an hour.
00:38:48They don't read the newspaper.
00:38:51Even if they have a newspaper at home.
00:38:54Excuse me, sir.
00:38:56They don't read the newspaper.
00:38:58They read everything.
00:39:00On the contrary.
00:39:01They read the newspaper to get the news.
00:39:04Because the newspaper is about crimes and violence.
00:39:07I understand.
00:39:09But they don't read the newspaper.
00:39:13Yes, I see.
00:39:16What do we do now?
00:39:18It's too early for that.
00:40:15I feel like I'm going to die.
00:40:20It's like I'm stuck in something that happens outside.
00:40:26It makes me look more and more.
00:40:30But outside, nothing is mentioned.
00:40:45What are you doing here?
00:40:47We took their papers and threw them out.
00:40:50Excuse me, sir.
00:40:52Mr. Abdelwazani is here.
00:40:54He wants to see you.
00:40:56Tell him to come in.
00:40:58Come in.
00:41:05Excuse me, sir.
00:41:07Can I talk to you for a moment?
00:41:10Yes, of course.
00:41:12Excuse me, sir.
00:41:16I'm Al-Arabi Al-Wazani.
00:41:18I'm the editor of Al-Shawq.
00:41:22It's a local newspaper.
00:41:24But we'd like to make it a national newspaper.
00:41:27Here you go.
00:41:28This is their last issue.
00:41:31Good.
00:41:34Did you know why we brought you here?
00:41:36I had a relationship with Fatima Al-Sifar.
00:41:39She's an actress.
00:41:41She was looking for her missing clothes.
00:41:45Here you go.
00:41:46Please come in, sir.
00:41:55What can you tell us about her?
00:41:57It's not important.
00:41:59What we know is that she disappeared this year.
00:42:02In addition, they found her husband's clothes
00:42:06buried in the garden of their house.
00:42:09I called the police to get more information.
00:42:13They want us to write an article
00:42:15to expose this crime.
00:42:18You're right about that.
00:42:21But you don't know this case.
00:42:23You only know Sida.
00:42:25You don't know her husband.
00:42:27No.
00:42:28He disappeared this year.
00:42:30I didn't know him before that.
00:42:32How did you not know him?
00:42:34My newspaper has a special page
00:42:37about talent.
00:42:38When I heard the news,
00:42:40I got a picture of him and some information
00:42:43to let people know who he is.
00:42:46And then?
00:42:47Then we became friends.
00:42:49She visited me at the office.
00:42:51Mr. Al-Arabi.
00:42:53Why did you get married?
00:42:55Of course.
00:42:56I have two sons and two daughters.
00:42:59Look, Mr. Al-Arabi.
00:43:02If you don't want to be a judge,
00:43:04you have to be honest with us.
00:43:07I've always been honest with you.
00:43:10I've always helped you.
00:43:15So, where did you meet her?
00:43:20At the office, first.
00:43:22And at some other respected cafes.
00:43:25And at...
00:43:26You mean at home?
00:43:27Only sometimes.
00:43:29Sir.
00:43:31If you were to describe her
00:43:34in a realistic way,
00:43:36what would you say?
00:43:40Of course,
00:43:41to describe her in a realistic way,
00:43:44she's an introverted person.
00:43:46But she's funny.
00:43:47I like that about her.
00:43:49In addition to that,
00:43:51her behavior is...
00:43:54Look ahead.
00:43:56It makes her see reality
00:43:59as a fantasy
00:44:01and she sees the fantasy as reality.
00:44:04And maybe this introversion
00:44:06is what created...
00:44:07Maybe she found her husband's body,
00:44:10her husband's ashes,
00:44:12in their house, buried.
00:44:14Is that why she killed your husband?
00:44:16It's possible.
00:44:17Very possible.
00:44:18Because the introversion,
00:44:20the behavior,
00:44:21the introversion she has
00:44:23is to hide the fear.
00:44:25That it's a crime.
00:44:26So, you don't think
00:44:28that she might have left?
00:44:30Unfortunately, no.
00:44:31And she was surprised.
00:44:33And she didn't have the guts
00:44:35to stay like this?
00:44:36No.
00:44:37I mean...
00:44:39One week or more.
00:44:40When was the last time she called you?
00:44:42When I asked her about Cedric,
00:44:44she called me.
00:44:46Because she had a problem
00:44:48with that director.
00:44:49And she said she didn't have
00:44:51her national card
00:44:52and she didn't need a hotel.
00:44:54So,
00:44:55I asked her about Cedric.
00:44:57Didn't you go to his house?
00:44:58No, I called him
00:44:59the other day.
00:45:00We talked about it.
00:45:01And he told me he didn't have it.
00:45:04And she didn't call you again?
00:45:07She didn't call me.
00:45:09So, your friend,
00:45:10the writer,
00:45:11where did you find him?
00:45:12Cedric,
00:45:13he's Jewish.
00:45:14And he told me he saw her.
00:45:16I went to his house
00:45:17and I called him.
00:45:18Excuse me.
00:45:24Is he still in Ifrah?
00:45:25Yes, one week.
00:45:27We want to call you.
00:45:28Where can we find him?
00:45:29I live in the Salam Hotel.
00:45:32I'll call him.
00:45:34Salam.
00:45:47I want to ask you
00:45:49about Cedric.
00:45:51Go ahead.
00:45:59Hello, Mr. Shakib.
00:46:01I'm Qadani.
00:46:03I want you to give me the names
00:46:05of the actors and actresses
00:46:07who came to you
00:46:08in Cedric's office
00:46:10and so on.
00:46:14Will you be at the cinema?
00:46:16I need your help.
00:46:18Goodbye.
00:46:29Everything happened
00:46:30when Janja left
00:46:31the police station.
00:46:33A journalist called.
00:46:35The journalist called the writer
00:46:36and asked him
00:46:37to prove his innocence.
00:46:38But she didn't
00:46:39prove her innocence.
00:46:42So, where did she go?
00:46:44At that time,
00:46:45she called me at the train station.
00:46:48I was wondering
00:46:49if he had
00:46:50anything to do with the crime.
00:46:52In this case,
00:46:53it's like we think
00:46:54about the journalist
00:46:55or the journalist's wife.
00:46:57I don't think
00:46:58the crime has anything
00:46:59to do with the journalist.
00:47:01I don't think about the crime,
00:47:03but I need your help.
00:47:05I want you
00:47:06to give me the names
00:47:07of the actors
00:47:08and actresses
00:47:09who came to you
00:47:10in Cedric's office.
00:47:14Hello, Salam.
00:47:16I want you to give me
00:47:17the names of the actors
00:47:18and actresses
00:47:19who came to you
00:47:20in Cedric's office.
00:47:21Hello.
00:47:22Thank you.
00:47:23Goodbye.
00:47:24Goodbye.
00:47:25Goodbye.
00:47:27Hello.
00:47:28Welcome to Cedric's office.
00:47:29Thank you.
00:47:30Sir,
00:47:31I'm from the police.
00:47:33Do you remember
00:47:34the girl
00:47:35who played
00:47:36the actress
00:47:37in the movie?
00:47:38Yes.
00:47:39How did she die?
00:47:40Her story
00:47:41is strange.
00:47:43You can't
00:47:44imagine
00:47:45the movie.
00:47:46The girl
00:47:47in the movie
00:47:48killed her husband
00:47:49and buried him
00:47:50in a tree.
00:47:51The girl
00:47:52who played
00:47:53the actress
00:47:54in the movie
00:47:55died.
00:47:57We haven't seen her
00:47:58since that night.
00:47:59If you know
00:48:00anything about her
00:48:01or if you know
00:48:02where she is,
00:48:03call us.
00:48:04Excuse us.
00:48:05We're busy.
00:48:06Thank you.
00:48:07Goodbye.
00:48:08Goodbye.
00:48:18Sir,
00:48:20excuse me.
00:48:21I have something
00:48:22to tell you
00:48:23about the girl.
00:48:24I don't know
00:48:25if it will help you
00:48:26or not.
00:48:27Anything you think
00:48:28is important
00:48:29to me
00:48:30is up to the police.
00:48:43The important thing
00:48:44is the police.
00:48:46I was waiting
00:48:47for my car.
00:48:48I was thinking
00:48:49if I don't get there
00:48:50in half an hour,
00:48:51I'll be in trouble.
00:48:52I don't even know
00:48:53the people here.
00:48:54I only know
00:48:55a detective
00:48:56named Hosny.
00:48:57He's tall and handsome.
00:48:59Anyway,
00:49:00I don't care.
00:49:01She came out
00:49:02and I followed her
00:49:03with my eyes.
00:49:04I even
00:49:05turned my phone
00:49:06around.
00:49:07It died.
00:49:08I was waiting
00:49:09for her
00:49:10to finish talking.
00:49:12I didn't know
00:49:13where she was.
00:49:14Did you know
00:49:15where she was
00:49:16when she talked?
00:49:17No, I didn't.
00:49:18And then?
00:49:19Then,
00:49:20I went to her
00:49:21and talked to her.
00:49:22She was
00:49:23always with me.
00:49:24And I...
00:49:28And I wrote
00:49:29this poem.
00:49:35I've been through
00:49:36a time
00:49:37other than mine.
00:49:39And I'm lost
00:49:40and confused.
00:49:42How many times
00:49:43have I kissed you?
00:49:44And how many times
00:49:45have I been?
00:49:46And how many dates
00:49:47have I been to?
00:49:49And then?
00:49:50And then,
00:49:51I told her
00:49:52that I have a friend
00:49:53who's a director.
00:49:54I sit with him
00:49:55in the coffee shop.
00:49:57He's going to make
00:49:58a film soon.
00:49:59We'll present it
00:50:00and maybe
00:50:01he'll give me a role.
00:50:02And then?
00:50:04I told her
00:50:05no.
00:50:09She refused.
00:50:10I swear,
00:50:11she refused.
00:50:12She refused politely
00:50:13and respectfully.
00:50:14And she didn't want
00:50:15a taxi.
00:50:16I told her,
00:50:17no.
00:50:18She came here
00:50:19and didn't want a taxi.
00:50:20I told her,
00:50:21how did you get here?
00:50:22I reached
00:50:23a…
00:50:25a…
00:50:27zamrani teacher.
00:50:28A great writer.
00:50:31But why did you talk to him?
00:50:32I wasn't lying.
00:50:34I just didn't.
00:50:38And I couldn't stop.
00:50:39I humiliated him
00:50:40by inviting him
00:50:41into my house.
00:50:42What did he think?
00:50:45I even reached
00:50:46the writer.
00:50:47I haven't taught him anything.
00:50:48So,
00:50:51You didn't go to her party, did you?
00:50:53No, she's been waiting for me for a long time.
00:50:57I was hoping you'd give her your opinion and accept her offer.
00:51:00Maybe.
00:51:03How did you get this information?
00:51:05Is it important?
00:51:06It's very important.
00:51:09Anyway, I hope you didn't forget anything else you wanted to tell us.
00:51:13No, I told you everything.
00:51:16And you didn't see her from afar?
00:51:18No, no.
00:51:19I didn't know if she'd call me.
00:51:24I was waiting for her to tell me something else.
00:51:27I feel better now.
00:51:30That's enough. One more time.
00:51:31No, no.
00:51:32One more time, please.
00:51:33Thank you.
00:51:48No, no, no.
00:52:18One more time, please.
00:52:34Good morning.
00:52:35Good morning.
00:52:37What are you doing here?
00:52:39God bless you, my friend.
00:52:42Follow him.
00:52:49Follow him.
00:53:00Thank you.
00:53:04Thank you.
00:53:10Did she smoke a lot?
00:53:12Yes, a lot.
00:53:14Good morning.
00:53:15Good morning, sir.
00:53:16Good morning.
00:53:17Good morning, sir.
00:53:19Good morning.
00:53:20Please, come in.
00:53:21Thank you.
00:53:25That's all?
00:53:26Yes, that's all.
00:53:27But we'd like to ask you a few questions.
00:53:29About what?
00:53:31There's something new in the case of Gerger.
00:53:33So, the case is still an issue?
00:53:37No, I'll leave it to you.
00:53:39No, I'll leave it to you.
00:53:40I'll leave it to you.
00:53:49Have some sugar.
00:53:50It's good for you.
00:53:51I don't drink sugar.
00:53:53Why did you tell me?
00:53:54You didn't tell her after you introduced her to that director, did you?
00:53:57Huh?
00:53:58Exactly.
00:53:59But, on the same night,
00:54:02your friend called your friend.
00:54:04He asked you to meet him at your house.
00:54:06Really?
00:54:08But he didn't show up.
00:54:09Why do you think he didn't show up?
00:54:12Look, maybe you're thinking of something else.
00:54:14What do you mean?
00:54:18You mean this?
00:54:19I was lying.
00:54:21I told you he didn't show up.
00:54:23It means he didn't show up.
00:54:24If he did, I told you he did.
00:54:26God forbid, sir.
00:54:27Don't make fun of us.
00:54:29We were doing our job.
00:54:30It's our right to do it for you.
00:54:33And it's our duty to answer you.
00:54:35Listen.
00:54:36I'm a writer.
00:54:39I have a place in society.
00:54:41And if you don't listen to me,
00:54:43I'll have to call the Human Rights Association,
00:54:46the Press,
00:54:48and the Literature Association.
00:54:51And then we'll create endless problems for you.
00:54:53Do you know what you're talking about?
00:54:55Even the United Nations can't cancel Shaheed's testimony
00:54:58to get you to the top.
00:55:01Shaheed?
00:55:02What's Shaheed's name?
00:55:05You'll find out soon enough.
00:55:08Before we forget,
00:55:10thank you, sir.
00:55:12For what?
00:55:14For your testimony.
00:55:16Mr. Dress,
00:55:18did you hear Mr. Moussa's testimony?
00:55:20What do you think?
00:55:22This gentleman was the one
00:55:24who wrote the letter to Mr. Tamin.
00:55:27And now he wants to get rid of me.
00:55:29I don't care.
00:55:31I don't care.
00:55:33I don't care.
00:55:35I don't care.
00:55:38I don't care.
00:55:40I don't care.
00:55:42I don't care.
00:55:44And now he wants to get rid of me.
00:55:47And why would he want to go with her?
00:55:49And he's going to annoy her.
00:55:51And he's going to annoy her.
00:55:53And she's going to get rid of him.
00:55:55She asked him to get rid of me.
00:55:58I shouldn't have lied to Shaheed.
00:56:00I should have respected her.
00:56:02I'm not saying you shouldn't respect a woman.
00:56:04But you should have been patient with her.
00:56:06And why would he want to get rid of her
00:56:09when you told him to get rid of her?
00:56:11This is all a woman's fault.
00:56:13This is all a woman's fault.
00:56:15You should have waited for her
00:56:17because you knew her
00:56:19when she was in a difficult situation
00:56:22and you wanted to take advantage of her.
00:56:24Don't you remember, Mr. Rizmi,
00:56:26when you left our house?
00:56:28You called your friend,
00:56:30who called you and asked you
00:56:33to help him in the house.
00:56:35Yes, but he didn't come.
00:56:37And I'm afraid I'm going to have to
00:56:39get rid of him.
00:56:41I'm not going to get rid of him.
00:56:43I'm not going to be happy.
00:56:46I'm not going to get rid of him.
00:56:48And I'm not going to get rid of him.
00:56:50I'm not going to get rid of him.
00:56:52The answer to the question of Mr. Ahmed.
00:56:54I stayed in the car.
00:56:57I was looking at her with an eye full of dust.
00:56:59I didn't see her.
00:57:01The world was dark.
00:57:03Mr. Rizmi, who do you leave the house for?
00:57:05What do you have left in it?
00:57:08When you were talking to me,
00:57:10I was about to get married.
00:57:13I was going out, and all my family was going out.
00:57:17Because this house was empty, there was no one.
00:57:20Maybe she didn't need anyone, and went to another place.
00:57:23Maybe that's what happened.
00:57:34I told you about that job I read about in the newspaper.
00:57:37Thank God.
00:57:38This way of writing is new.
00:57:41Yes.
00:57:43Ah, that's great.
00:57:45I hope God gives us something more than this job, sir.
00:58:07No, no, no, no.
00:58:20I told you about it yesterday.
00:58:22Give me the instructions, and everything will be fine.
00:58:26No, no.
00:58:28God help you.
00:58:29I feel like I've helped you.
00:58:31I've helped you.
00:58:32I've worked for you.
00:58:33I've worked for you.
00:58:34I've worked for you.
00:58:35Okay.
00:58:37Andra.
00:58:38Did you see the newspaper?
00:58:40Yes, I saw it.
00:58:41What do you think?
00:58:43I think that the investigation we did, was a success.
00:58:47I think that the investigation we did, was a success.
00:58:54What's best is to go back to the hospital, and do a deep search in the victim's area.
00:59:00Don't you think that this business is far from the first investigation?
00:59:03No, no, I don't think so.
00:59:05I'll give you a call, Mr. Rashid.
00:59:07I'll give you a call.
00:59:33What do you want?
00:59:34Please sit down.
00:59:36Hello.
00:59:37You're all here by yourself?
00:59:41Yes, we are.
00:59:42Is everything okay?
00:59:43Yes, everything is fine.
00:59:46Come in.
00:59:47What's the matter?
00:59:48My family is not well, and we are here to see you.
00:59:51What happened to them?
00:59:52I don't know, Mr. Moshad.
00:59:53You didn't see them?
00:59:54No.
00:59:55You didn't see them?
00:59:56No.
00:59:57You didn't see your family?
00:59:58No, no, no.
00:59:59I don't understand the logic of the password.
01:00:01How can I understand it?
01:00:06Anyway, I'm here to help you.
01:00:08Thank you.
01:00:09You're welcome.
01:00:10You're welcome.
01:00:11What are you doing here?
01:00:23I'm looking for Omar.
01:00:26Why?
01:00:28Hello.
01:00:29How are you?
01:00:30I'm fine.
01:00:31Thank God.
01:00:32Did you get hurt?
01:00:33A little.
01:00:34Are you alone or with your family?
01:00:35I'm alone here.
01:00:36If you want, I can take you somewhere else.
01:00:37No, thank you.
01:00:38I'm fine here.
01:00:39Thank God.
01:00:40So, you know your relatives?
01:00:41Yes, we do.
01:00:42They are very nice people.
01:00:43Let me show you your relatives.
01:00:45You can take a look.
01:00:48Thank you.
01:00:49You're welcome.
01:00:50Thank you.
01:00:51You're welcome.
01:00:52Thank you.
01:00:58You don't have to do that.
01:00:59You should have done it like this.
01:01:03Thank you.
01:01:04You're welcome.
01:01:05Thank you.
01:01:06You're welcome.
01:01:07Thank you.
01:01:08What are you doing?
01:01:09I'm looking for my relatives.
01:01:10Brother, someone wants to see you.
01:01:13Yes, where are you?
01:01:14I'm looking for Omar.
01:01:16He's a good guy.
01:01:18He told me you gave him money to publish these photos.
01:01:23Yes.
01:01:24And there was another thing.
01:01:25There was a guy...
01:01:26Yes.
01:01:37I told him there was a guy who was going to have a meeting with a group of people.
01:01:41And he was going to meet important people from Lebanon.
01:01:43No, no, no.
01:01:44Was he your friend?
01:01:45No, no, no.
01:01:46For me, he was a chicken in Cameroon.
01:01:48And what are you going to tell me about his health?
01:01:51Oh, he had a lot of money.
01:01:53I left more than three billion in his account.
01:01:58Three billion?
01:01:59Three billion.
01:02:00Who is this guy?
01:02:01His wife was a pilot.
01:02:03The biggest smuggler in the country.
01:02:05And you don't doubt that she was behind his disappearance?
01:02:08No.
01:02:09We thought he ran away.
01:02:10Because he was a researcher.
01:02:12He ran away.
01:02:21Oh, oh, oh!
01:02:24Oh, that's her!
01:02:51Hello, Hajja.
01:02:52Hello, son.
01:02:53Did you call for me?
01:02:54Yes, I called for you.
01:02:55Do you have any news about Fatima Benzi?
01:02:56We came to your village.
01:02:57Can we come in?
01:02:58Hello.
01:02:59Hello.
01:03:00Come in.
01:03:01Come in.
01:03:02Hello, son.
01:03:03Hello.
01:03:04Hello.
01:03:05Hello.
01:03:06Hello.
01:03:07Hello.
01:03:08Hello.
01:03:09Hello.
01:03:10Hello.
01:03:11Hello.
01:03:12Hello.
01:03:13Hello.
01:03:14Hello.
01:03:15Hello.
01:03:16Hello.
01:03:17Hello.
01:03:18Hello.
01:03:19Hello.
01:03:20Hello.
01:03:21Come in, my son.
01:03:29Come in.
01:03:34Come in.
01:03:41Hello, son.
01:03:45Thank God for my daughter.
01:03:48I decided to come here and see her as I wanted.
01:03:50I swear to God.
01:03:52It seems that you were working with Hamdyan.
01:03:54Because she took advantage of you and took her home.
01:03:56The important thing is that we want to know where her father is.
01:03:59Fatima ran away one day.
01:04:01She didn't call you again.
01:04:02You didn't hear anything from her.
01:04:04Where is he, son?
01:04:05He is in charge of this land.
01:04:07Did you know that he was killed by a man in the garden of the villa?
01:04:11No, son.
01:04:12Uncle Fatima killed him, son.
01:04:14And you can't do anything about it.
01:04:16Do you know his name?
01:04:18Hamoud Tayar.
01:04:20He killed the man who was selling meat with him.
01:04:24Uncle Fatima, son.
01:04:26Son.
01:04:27Let's suppose that Fatima didn't kill this man.
01:04:30And she buried him in the garden of her villa.
01:04:32What do you think?
01:04:34Who has the right to kill a criminal?
01:04:37It can't be anyone.
01:04:39Because he is the one who sells them meat.
01:04:42Because he is the one who sells them meat.
01:04:46He killed my daughter.
01:04:48Ten days.
01:04:49Fifteen days.
01:04:50And many more.
01:04:52Maybe one of his friends killed him.
01:04:54You wrote his name.
01:04:56Do you know one of them?
01:04:58Give us his name.
01:04:59I don't know them.
01:05:00How can I know their names?
01:05:02Just try.
01:05:03Try to think.
01:05:04If Uncle Fatima didn't want anything from you.
01:05:07If she didn't want to talk to you.
01:05:09If she didn't want you to be with her uncle.
01:05:11And she tried to help you to get us out of that grave.
01:05:14Enough, I'm going to sleep.
01:05:16God help you.
01:05:18What can I say to you, son?
01:05:21I can't say anything to you.
01:05:24I can't say anything.
01:05:26You don't know how he died.
01:05:28Before he died, he was called Rebel.
01:05:31My daughter was afraid of one of his friends.
01:05:34They called him...
01:05:37Smith and...
01:05:39Farhadi.
01:05:41Smith and Farhadi.
01:05:44Farhadi?
01:05:45Yes, that Farhadi.
01:05:48God help you.
01:05:50God help you.
01:05:53That Farhadi.
01:06:10God help you.
01:06:24You're in jail.
01:06:26What do you want from me?
01:06:28You're in jail.
01:06:30This is better than before.
01:06:33I present to you, Officer Iqdan.
01:06:36Detective Omar.
01:06:38They told me you were here.
01:06:40It doesn't matter.
01:06:42I'm going to cooperate with them.
01:06:48Welcome.
01:06:51You're in jail.
01:06:56Look.
01:06:58Fatima Zafar.
01:07:00Do you know her?
01:07:02Who is Fatima Zafar?
01:07:05Let's not laugh at each other.
01:07:07I'm going to tell you the truth.
01:07:09I'm going to cooperate with them.
01:07:11I'm going to cooperate with them.
01:07:14What do you want from me?
01:07:17I'm going to cooperate with them.
01:07:21Fatima Zafar.
01:07:23She's a very ambitious woman.
01:07:26Your friend.
01:07:27Where did you meet her?
01:07:29Where did I meet her?
01:07:31Where did I meet her?
01:07:33The only thing I know is that...
01:07:36she's been in jail for a long time.
01:07:39She's been in jail for a long time.
01:07:41What did you do?
01:07:43She's been in jail for a long time.
01:07:45What did you do?
01:07:46According to the report of the first day of the investigation,
01:07:49you and the gang were involved in a plane attack.
01:07:53You were in the plane.
01:07:55Fatima Zafar was in the plane.
01:07:59What do you think?
01:08:01What's the reason behind this message to the police?
01:08:04The reason is obvious.
01:08:06I knew I was going to find out who was behind your kidnapping.
01:08:11I was the only one who knew I was going to marry her.
01:08:15So the three of you were going to marry her?
01:08:17I was going to marry her because she wasn't dead.
01:08:21And since her money was in the bank,
01:08:26I killed her and buried her.
01:08:30I was the one who ran away.
01:08:33At that time, we were preparing for the plane attack.
01:08:36It was supposed to be three of us,
01:08:39not just the three of us,
01:08:41but the three of us ran away.
01:08:45We thought we were going to run away.
01:08:49Dad, I thought you didn't understand.
01:08:53The killer wasn't hiding anything from his wife.
01:08:57He knew about the plane attack.
01:09:00At the same time,
01:09:02he knew about the kidnappers.
01:09:05So his goal was to hide the message to the police
01:09:09and kill you.
01:09:12Get out of here.
01:09:14What about Fatima?
01:09:17I don't know.
01:09:18What did you tell her?
01:09:20I told her not to tell anyone.
01:09:23I hope she's still alive.
01:09:26I hope she's still alive.
01:09:28What did you tell her?
01:09:31Everything.
01:09:33Especially today.
01:09:35Half of them are with us.
01:09:38I told them about the plane attack.
01:09:41Get out of here.
01:09:44Get out of here.
01:09:50Get out of here.
01:09:56Get out of here.
01:10:27Get out of here.
01:10:35Come in.
01:10:37Hello.
01:10:38Hello.
01:10:39Welcome.
01:10:41Hello.
01:10:42Hello.
01:10:43Welcome.
01:10:44Come in.
01:10:45You have a nice house.
01:10:47It's a little expensive.
01:10:49I came to visit you.
01:10:51It's a business visit.
01:10:53I heard you were the last person to see Janja.
01:10:57You have a relationship with her.
01:11:00Unfortunately, I have a relationship with her.
01:11:03She's a murderer.
01:11:05She's a criminal.
01:11:07But I'm interested to know what's going on.
01:11:12I'll give you a call.
01:11:14Okay.
01:11:15Sir.
01:11:16How do you explain to us
01:11:18that a woman married to the biggest smuggler
01:11:21in the world
01:11:23came up with this idea?
01:11:26I've already explained it to you.
01:11:29When they found out that she had killed her husband,
01:11:33that is, her son,
01:11:35she became very angry.
01:11:37She came to a psychoanalyst
01:11:39who was an expert in human behavior.
01:11:42May God forgive him.
01:11:44Instead of distinguishing
01:11:46between the madness of creativity
01:11:49and the madness of the brain,
01:11:51that is, neurosis,
01:11:53psychosis, and behavior,
01:11:55they used her to perform.
01:11:58It's as if performing doesn't cure mental,
01:12:01neurotic, and psychotic diseases.
01:12:03Do you understand?
01:12:05So I called a group of actors
01:12:08and told them that she was going to be a big star.
01:12:13Why did you call for help?
01:12:15I helped her more than I could.
01:12:19Sir.
01:12:20The relationship you had with Janja
01:12:22did you know about it until recently?
01:12:25Please,
01:12:26don't burden my relationship with Fatima
01:12:29more than you need to.
01:12:31And your wife?
01:12:32Did you know about this relationship?
01:12:34Mr. Dawit Yigdan,
01:12:36I think if you follow this path,
01:12:39you will remain...
01:12:41you will remain...
01:12:43I don't know.
01:12:45How did you meet a woman
01:12:47who was married to the biggest star of the night?
01:12:50Why didn't you fear?
01:12:52God forbid.
01:12:53God forbid.
01:12:54No matter how much you met her,
01:12:56she was single.
01:12:57I mean, without a husband.
01:12:58I mean, without a man.
01:13:00Okay.
01:13:01Anyway,
01:13:02I need to make a call.
01:13:04Do you understand?
01:13:05I understand.
01:13:06Okay.
01:13:09The madness of the brain.
01:13:10And the madness of creativity.
01:13:17The Madness of Creativity
01:13:33It's good.
01:13:34It's good.
01:13:35This is what will happen.
01:13:37Either you hide,
01:13:39or you kill.
01:13:40Do you know the gang that your man was working with?
01:13:44Don't let them see me,
01:13:46the gang.
01:13:47And don't apologize to me,
01:13:49because if I do, they will blame me.
01:14:08Good morning.
01:14:09How are you?
01:14:10Good morning.
01:14:11Good morning.
01:14:13Good morning.
01:14:39Hello?
01:14:40Good morning, sir.
01:14:42Good morning.
01:14:43I'm calling to apologize for the inconvenience we caused you.
01:14:46I'm calling to apologize for the inconvenience we caused you.
01:14:49If you can solve this problem,
01:14:51let me publish your books.
01:14:54I thought you called me to tell me this.
01:14:57I'm telling you this to warn you from your journalist friend.
01:15:00Because she's using Janja and is playing with your reputation.
01:15:09Thank you for warning me.
01:15:11I think the case is closed.
01:15:13Janja lived in a mafia world.
01:15:15And when she was killed,
01:15:17she was killed in an account settlement.
01:15:21No, not yet.
01:15:25I'm asking you to excuse us one last time.
01:15:27Goodbye, sir.
01:15:28Goodbye.
01:15:41Hello.
01:15:52Hello.
01:15:53How are you?
01:15:54I'm good, thank God.
01:15:55How are you?
01:15:56I'm fine, thank God.
01:15:57Congratulations on your book.
01:15:59Congratulations on everything.
01:16:00It will be published soon.
01:16:01We've been waiting for it.
01:16:02Thank God.
01:16:03Tell me, what will you do with it?
01:16:05It's a matter of course.
01:16:06Rihal.
01:16:07Yes.
01:16:08I'll be back in a minute, darling.
01:16:10Yes, it is.
01:16:12Look.
01:16:14I'm a saint.
01:16:15But it's hard to wear this dress alone.
01:16:18No, you have to go to Montefiore.
01:16:20He'll give you this dress.
01:16:22Montefiore.
01:16:25Are you going to measure it?
01:16:27Yes.
01:16:28Let's go.
01:16:41Montefiore
01:17:02Hello?
01:17:03Hello, Mr. Awatif.
01:17:04Are you okay?
01:17:05I'm okay.
01:17:06Thank God.
01:17:07Look, I met a friend of mine.
01:17:10An old friend.
01:17:11Mr. Abu Samad.
01:17:12Look, I'll come back to pick you up.
01:17:15I'll see how you're doing.
01:17:16And I'll go to the cinema to see the movie.
01:17:19Okay.
01:17:20I'll come back to pick you up.
01:17:22Goodbye.
01:17:27No, no.
01:17:28I'm fine.
01:17:29Okay, God willing.
01:17:31Okay, okay.
01:17:33I'll see you later.
01:17:34Goodbye.
01:17:38Thank you.
01:17:43Hello.
01:17:44Hello.
01:17:45Good evening.
01:17:46Good evening.
01:17:47I'm sorry I'm late.
01:17:48I'm going back to the cinema.
01:17:49What can I say?
01:17:50I've never met anyone like you.
01:17:52All Moroccans know you.
01:17:54Tell me,
01:17:55are you going to see the movie?
01:17:57What movie?
01:17:58The movie I'm filming.
01:17:59Is it all screened today?
01:18:01Yes, it's all screened.
01:18:02It's not on screen.
01:18:03It's not on screen.
01:18:04It's not on screen.
01:18:05It's not on screen.
01:18:06It's not on screen.
01:18:07The wedding is on screen.
01:18:08Yes, it is.
01:18:11Look.
01:18:12No, no.
01:18:14Don't worry.
01:18:15All the actors and the invitations
01:18:18and all the people that smell his perfume
01:18:19brought some blue wine,
01:18:21if you want to drink it.
01:18:22Mohamed!
01:18:23Some blue wine, if you want to drink it.
01:18:25Oh, you mean the one that you're wearing?
01:18:26Yes.
01:18:27Oh God.
01:18:28I'm going to sing a song.
01:18:35I love you.
01:19:06What do you think of the film?
01:19:10It's a great film.
01:19:12It's the first time I've seen such a beautiful film.
01:19:15It's a great story.
01:19:16Idris is a great writer.
01:19:18I agree.
01:19:22Ladies and gentlemen,
01:19:24I present to you the great writer Idris Zamrani
01:19:28as well as the artistic and technical team.
01:19:36May God bless you.
01:19:38Thank you.
01:19:55In the name of God, the Merciful, the Compassionate.
01:19:58The subject is our natural wealth
01:20:02under the slogan,
01:20:03To revive the tree of the earth.
01:20:07What is happening in the world today is a natural disaster.
01:20:12Its origin is the lack of respect for the environment in general
01:20:17and the forest in particular.
01:20:20The forest law
01:20:22that has been in force since the time of protection
01:20:26must be changed
01:20:29because it serves the interests of the colonizer
01:20:33and compensates for it with a law
01:20:35that protects the Moroccan forest wealth
01:20:39and preserves it from extinction.
01:20:42The forests are 80%
01:20:48of the biological diversity of the remaining earth on the world level.
01:20:58Thank you.
01:21:14May God bless you, Miss.
01:21:16Thank you.
01:21:17The film was wonderful.
01:21:20Thank you.
01:21:21Thank you.
01:21:26Do you like the film?
01:21:28Congratulations, sir.
01:21:29Thank you.
01:21:30The film was wonderful.
01:21:31God bless you.
01:21:32God bless you, sir.
01:21:33Let's go.
01:21:40Good evening, sir.
01:21:41Good evening.
01:21:42Good evening.
01:21:43Good evening.
01:21:44Good evening.
01:21:46What is this disaster?
01:21:47What does this woman mean to us?
01:21:49What does this woman mean to us?
01:21:51I don't know what this woman means to us at home.
01:21:54But we have a search warrant
01:21:56and more.
01:21:57We have a search warrant in front of you.
01:21:59I don't have a search warrant.
01:22:00You opened this door for us again.
01:22:03Can they come here again?
01:22:04Of course.
01:22:05I told you that they would come here again.
01:22:07I told you that they would come here again.
01:22:09This is a disaster, God.
01:22:10A disaster.
01:22:19A disaster.
01:22:38Good evening.
01:22:39Good evening.
01:22:40What is this disaster?
01:22:42A disaster.
01:22:43A disaster.
01:22:50I don't know.
01:22:51Don't surprise me.
01:22:52You don't have a hand.
01:22:53Do you have a hand?
01:22:54Where is the man who was wearing this scarf?
01:22:56Where is he?
01:22:59Why do you ask?
01:23:00Maybe he is the same man who was wearing the scarf that came to the house.
01:23:05I'm afraid of the same people.
01:23:07The factory was hit.
01:23:08It must have hit someone else.
01:23:12Do you hear the news, sir?
01:23:13These are your people.
01:23:15Good evening.
01:23:19Good evening.
01:23:49THE BEGINNING
01:23:57Someone is walking behind the tree tonight.
01:24:09He is near the well.
01:24:10Look closely.
01:24:15This hair is not hairy.
01:24:16It's not like the other soil we've seen.
01:24:21It's a different kind of soil.
01:24:23If it's like this, then it's a new type of soil.
01:24:27It's not like the soil we've seen.
01:24:29No doubt.
01:24:36Come on, sir. You'll find your land here.
01:24:38Do you want me to dig here?
01:24:40Let's go.
01:24:46Let's go.
01:24:56We found a hole in this tree.
01:24:59And a hole in the other tree.
01:25:02Why did you dig there?
01:25:05You knew we were coming to search the house.
01:25:08You turned the house upside down and put it in a hole.
01:25:12I can't.
01:25:13You're infected with the Corombo virus.
01:25:17You're using our research to earn your living.
01:25:20Why not?
01:25:22In your opinion,
01:25:24where can we find the grave of this man?
01:25:28This big hole could be the grave of this tree.
01:25:32Don't worry, Rassi.
01:25:34Tell me where it is.
01:25:41I don't know where it is.
01:25:45I don't know where it is, either.
01:26:04We found the grave of this tree.
01:26:07We found the grave of this tree.
01:26:11We found the grave of this tree.
01:26:18What is this place?
01:26:20Where did you find it?
01:26:22It's buried in the middle of the grave.
01:26:24It's about a meter deep.
01:26:29I like it.
01:26:30Where did you find it? It was here.
01:26:33I didn't think it was buried in the middle of the grave.
01:26:36I didn't think it was buried in the middle of the grave.
01:26:39It's about a meter deep.
01:26:42Maybe it's buried underground or above the ground.
01:26:46Excuse me, officer.
01:26:48This grave is very important to us.
01:26:51What can we do with it?
01:26:53We'll take care of it.
01:26:55We'll take care of it.
01:26:58Okay.
01:26:59Let's go.
01:27:00We'll take care of it.
01:27:10On that gloomy night,
01:27:13we were together in the hall,
01:27:15lit by a dim light.
01:27:19The sentimental poet,
01:27:21who was no longer my wife,
01:27:24was lying between the media.
01:27:28And I was in front of her in the same situation.
01:27:33And in the meantime,
01:27:36the doorbell rang,
01:27:38where Awatif was reciting her poem to me.
01:27:44The night is passing in a time that is not my time.
01:27:51So you lie on my chest, and your eyes are closed.
01:27:56Oh, God.
01:27:58Time is passing by my family, not my family.
01:28:02And I am a seeker and a wanderer.
01:28:05I am obsessed with you.
01:28:07And I am walking on your chest like a wanderer.
01:28:11Oh, God.
01:28:13How many times have I kissed you?
01:28:15Excuse me.
01:28:18What were you saying to me that night?
01:28:22Oh, I remembered.
01:28:23This is my best friend, a journalist.
01:28:25He's an Arab.
01:28:27His name is Miskeen from Azerbaijan.
01:28:29He's a journalist.
01:28:30We shouldn't leave him out.
01:28:32Excuse me.
01:28:33I don't want to bother you.
01:28:34Leave me alone.
01:28:35I don't want to bother you.
01:28:36Excuse me.
01:28:37I don't want to bother you.
01:29:03Excuse me.
01:29:13Come in, come in.
01:29:23Come in, come in.
01:29:25Come in.
01:29:29Excuse me, sir.
01:29:30Don't bother me.
01:29:31I am a journalist.
01:29:34What does a journalist do for you?
01:29:36Nothing.
01:29:37I couldn't find a suitable job.
01:29:40I wanted to go to Azerbaijan, but I couldn't find a taxi.
01:29:44I called the Arab and he told me that Siri is at the office.
01:29:46He told me that he would call you.
01:29:49Wow.
01:29:50In fact, you should call him.
01:29:51You should really call him.
01:29:55I have a friend with me.
01:29:58Come in, come in.
01:30:00Come in, come in.
01:30:15Come in, come in.
01:30:17What is this disgusting thing on the floor?
01:30:20Didn't they tell us to go to the floor?
01:30:23Come in, come in.
01:30:24Come in.
01:30:29This is the actress, Janja.
01:30:33She is the one I told you about.
01:30:36And this is the poet, Awatif.
01:30:44Did something happen?
01:30:45Nothing happened.
01:30:54Janja was going to Azerbaijan.
01:30:58She couldn't find a taxi.
01:31:01A friend of mine, a journalist,
01:31:04asked me to drop her off at Lillaut.
01:31:08Hello.
01:31:14Go on, go on.
01:31:15Go on with your reading.
01:31:19Okay.
01:31:20I will listen to the interview.
01:31:23You put me in a forgotten context,
01:31:26and I sleep in your eyes.
01:31:33I see sadness in your eyes,
01:31:35and sadness has been there for a long time.
01:31:39So why the tears, when you know
01:31:43that I only dance in the dark?
01:31:47And why the tears for my beloved,
01:31:49who has no place?
01:31:53I see sadness in your eyes,
01:31:55and sadness has been there for a long time.
01:31:59Why the tears for my beloved,
01:32:01who has no place?
01:32:05And why the tears for my beloved,
01:32:08who has no place?
01:32:14Why the tears for my beloved,
01:32:17who has no place?
01:32:22Why are you doing this?
01:32:24l'm not a creature. l'm nothing to you.
01:32:28You're not even worth a dime.
01:32:31l'm a great artist, and the world is proud of me.
01:32:34Get out of here, you crazy woman!
01:32:38What's the matter with you?
01:32:46What's the matter with you?
01:32:47What are you doing?
01:33:03What's wrong with you?
01:33:05I killed her!
01:33:07No, you didn't!
01:33:09I killed her!
01:33:17No!
01:33:39What did you read today?
01:33:41It's a poem by the Tunisian poet Aboul Qasim.
01:33:43The Tunisian poet?
01:33:45I haven't heard anything from him.
01:33:47Really?
01:33:49You are a torture like my childhood,
01:33:51like the new morning,
01:33:53like the smiling sky,
01:33:55like the moonlit night,
01:33:57like the rose,
01:33:59like my father's smile.
01:34:01like the rose,
01:34:03like my father's smile.
01:34:13I was doubtful
01:34:15that the girl
01:34:17was his wife,
01:34:19until she confirmed
01:34:21that she was my wife.
01:34:25After our return from the party,
01:34:27I didn't give her a chance
01:34:29to justify her actions.
01:34:33Because a woman is a woman,
01:34:35even if she is a poet.
01:34:41I was sure
01:34:43that the police
01:34:45would search my house.
01:34:49I took Rufat Janjah
01:34:51out of the garden
01:34:53and buried him
01:34:55in the garden
01:34:57next to the door.
01:35:03I am leaving.
01:35:05Why should I cry
01:35:07for a lover
01:35:09who has no place for me?
01:35:11I am the magician.
01:35:13My state of healing
01:35:15is precious
01:35:17for every enemy
01:35:19who takes revenge on me.
01:35:21And my words
01:35:23are like thunder
01:35:25for every human being.
01:35:27I am the magician.
01:35:29Because of a woman,
01:35:31you should not
01:35:33trust the love
01:35:35of a woman.
01:35:37Because her love
01:35:39is clear,
01:35:41leaving
01:35:43like time.
01:35:45Your Honor!
01:35:55Your Honor!
01:36:05Mr. Zamrani,
01:36:07do you have anything to add
01:36:09before the trial?
01:36:11I have two innocents
01:36:13of Fatima's blood,
01:36:15Janjah.
01:36:17Her death
01:36:19was an accident.
01:36:21I had no intention
01:36:23to kill her,
01:36:25Your Honor.
01:36:27However,
01:36:29fate wanted
01:36:31her to die in my house.
01:36:37And I wrote
01:36:41these things
01:36:43when I buried her
01:36:45in the garden of my house.
01:36:47I...
01:36:49I do not expect
01:36:51humanity's justice.
01:36:53I expect
01:36:55history's justice.
01:36:57Because
01:36:59it is able to justify itself.
01:37:21The Court of Arbitration
01:37:31The Court of Arbitration
01:37:33has passed
01:37:35the minimum sentence
01:37:37and sentenced the writer
01:37:39and his wife
01:37:41to five years in prison,
01:37:43and two years
01:37:45in prison.
01:37:47The writer wrote
01:37:49his great novel,
01:37:51Janjah,
01:37:53which achieved
01:37:55great success
01:37:57and was translated
01:37:59into many languages.
01:38:19The Court of Arbitration
01:38:21The Court of Arbitration
01:38:23The Court of Arbitration
01:38:25The Court of Arbitration