مسلسل فيولا الحلقة 1 الاولى مدبلج HD
مسلسل فيولا الحلقة 1 الاولى مدبلج HD
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00:00I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:09We see this color when we come to this world, or after we die.
00:16Are we born or die? I came to live in Balerno, but it seems that my life is in danger because of the heat.
00:38I see the world in a white color, and this color is the enemy of the person who sees life in colors.
00:53Tell me, how can I help you?
01:01Excuse me, my name is Viola Vitale, and I'm from Paris.
01:08By the way, the city of Balerno is bigger than it is.
01:11Honestly, I'm looking for the owner of this car, if you don't mind.
01:16Send me your information, and tell me about the employee you're looking for, and we'll contact you later.
01:22Excuse me, the person in the picture is my father, and I have no other picture of him.
01:28My mother told me to take this picture when she was pregnant with me, and I have to find it as soon as possible.
01:36Don't worry, I'll try to help you. But first, fill out the form.
01:46Honestly, I don't feel good at all, and I can't rest until I can find my father.
01:52That's why I'm in Balerno, in this city that makes you dizzy with its sounds, colors, and smells.
02:00Even people's feelings can make you dizzy and upset.
02:16What are you waiting for? Come on!
02:19Come on, Rahman, everyone is waiting for you. Pack your things.
02:27And of course, in this city, anything can happen.
02:30I'll be right back. Don't talk to anyone about this.
02:45And who knows what awaits me in it?
03:15I'll be right back.
03:17FOUR MONTHS LATER
03:24FOUR MONTHS LATER
03:43This man is really crazy, because if he wasn't like this, he wouldn't be driving like this.
03:47You have to get used to it, because everyone in the city is like this.
03:50No, you're different. And there's no one like you in the whole world, Sylvia.
03:54What are you talking about, Danilo? Your wife will get upset and do this to you.
04:06I like people who smile all the time, like you.
04:10My name is Viola.
04:12Sylvia, can I ask you what brought you to Balerno?
04:18To tell you the truth, I had a hard time in Paris.
04:22And I told my husband that I could live comfortably in Balerno.
04:25I'm happy to live in Balerno.
04:27And I opened this cafe.
04:29You'll look here. I assure you.
04:36Fiorella, give her the cappuccino.
04:38What did you do?
04:40It's too hot. I burned you, didn't I?
04:43No. Excuse me.
04:47I'm going to clean the table.
04:49Go now and wash the dishes. I'll be right back.
04:55Here you go.
05:02I'm sorry I dirtied your dishes.
05:04Don't worry. The sun is strong and it will dry immediately.
05:07Thank you. Give it to me.
05:09Go now or I'll call the police.
05:12Listen to me.
05:14What happened 15 years ago didn't happen to you, Sylvia?
05:17We have to protect each other.
05:19That's right. Go now.
05:21And don't let me see you here again.
05:24I'll be right back.
05:28Is there a problem?
05:30It's normal for someone like him to come here and bother us.
05:33What does he want from you?
05:41Hello?
05:47Director! I was about to call you.
05:50Yes, you're right. It's not possible at all.
05:53No. Of course I don't want to lose my job from the first day.
05:57It won't take long.
05:59I'm in front of the office right now.
06:01But unfortunately, I had a little accident.
06:04Hello?
06:11Good morning.
06:33Good morning.
06:35Are you sure you're the new employee they were talking about?
06:38Yes, that's right. I was hired here.
06:41And I can speak Italian because I was born in Milan.
06:44Yes, I know. They told me about it.
06:46And I read it in the CV you gave me.
06:48Really?
06:49And we're lucky to have someone like you working with us.
06:52You're Viola, aren't you?
06:56Viola Vitale.
06:58I've been the queen of Milan for 10 years.
07:00You're Claudia, aren't you?
07:02No, I'm Mr. Claudia.
07:05You have a beautiful red hair.
07:08Yes.
07:09It's like my red hair is too much to look at, isn't it?
07:13This is a workplace.
07:15It's not a place to display beauty.
07:17And it's better without it.
07:23Follow her.
07:38It's written here that you used to work in marketing.
07:41For the role of fashion and well-known brands.
07:44Yes, I studied marketing at university.
07:46Then I became a journalist in charge of fashion and fashion in Milan and then in Paris.
07:51You've never been to the magazine's library, have you?
07:55No, because as I mentioned earlier, I was in charge of fashion and fashion.
08:02It's clear that my experience is not enough.
08:04But all my life I've dreamed of working in your magazine.
08:07Especially in investigations.
08:10I like to discover mysterious things.
08:12And since I'm in Milan now...
08:14First, Viola, tell me.
08:16When you applied for this job, did you learn how to read the police reports?
08:21No, but I learn later.
08:24And you, can you help me?
08:38Or do I read a book about this subject?
08:43Listen, we're a serious magazine and we don't have time for that.
08:47And we're working on investigations.
08:49It's not that easy.
08:51Do you know what I've been through to get this job?
08:54And the circumstances I've been through?
08:56Can I imagine?
08:57No, you can't imagine.
08:59Because, of course, one has all this beauty.
09:02Tell me.
09:03Can you reach anything without suffering or having a long experience?
09:08No, what you're saying is not true.
09:10Look at the
09:12It will help you in your first mission.
09:14And try not to make a mistake.
09:16Okay.
09:22Isn't this a jacket?
09:26Does any of you know where to find a jacket?
09:33Can I know what's making you laugh?
09:35Of course not, because you're going to be surprised.
09:41Mario Rizzo.
09:43At your service.
09:45Viola Vitali.
09:46Nice to meet you.
09:47Come with me.
09:49They always make fun of beginners like you.
09:52Like journalists.
09:53You need to get used to it.
09:57This is Tamara.
09:58Tamara.
10:00I'm sure you know now why we call her the
10:06Let's go.
10:19Listen to me.
10:20I'm really sorry I let you down.
10:22But Claudia told me you wanted to help me with my first mission.
10:25But it looks like I'll be running after you.
10:27If you don't mind, can you wait for me?
10:30Of course.
10:31No problem.
10:33And honestly, I'm happy because we're going to work together.
10:36I just moved to Balermo.
10:37First, I don't like to talk too much.
10:39Second, I'm not going to be happy working with you.
10:41Because I hate work.
10:43Third, I don't want anyone to get in my car.
10:47Forget it.
10:48Take the company's car.
10:49It's in the garage.
10:50I hope you find the garage.
10:52Okay.
10:53Sorry to keep you waiting because I don't know Balermo.
10:55What's her mission?
10:56Goodbye.
10:57Huh?
11:26Wow!
11:27What just hit the car?
11:37No way!
11:39Silvia?
11:40Silvia!
11:41Silvia!
11:43Sil...
11:44Help me!
11:45Silvia!
11:46What happened?
11:47Celia, the ambulance!
11:57Hello? I need an ambulance as soon as possible.
12:00I'm waiting for you. Don't take long.
12:02Thank you.
12:27Good morning, Mr. Investigator.
12:28Good morning, Mr. Torey.
12:29Okay. The victim is Sylvia Messina, the owner of the cafeteria here.
12:33She said that her sister went to deliver some orders.
12:41Why?
12:42It's normal. After the coronavirus and the lockdown, there are now cafeterias that deliver orders to people's homes.
12:46I'm the one who submitted the investigation into this incident.
12:50Mr. Boshimi, did you forget?
12:52Especially after what you did when you submitted the investigation into the human trafficking case,
12:55when you completed the investigation on your own,
12:58I was joking with you, Mr. Torey.
13:00Hurry up because I have an important job and I have to finish it.
13:02Okay.
13:03Tell me, who is the driver?
13:05Me?
13:07When I got out of the garage, the sun was shining on me.
13:10Who was the driver?
13:12I'm Viola Vitale.
13:14Investigator Francesco DiMera.
13:19Take her to the department immediately.
13:21Okay. I'm on my way.
13:27I'm sorry.
13:35I'm sorry.
13:38Forgive me, Viola.
13:57We feel lucky that the alcohol analysis turned out to be negative,
14:00but we still have to do the drugs analysis.
14:02But I've never been given drugs in my life.
14:06And if I did, would I be given drugs at a time like this?
14:10But how did you not notice the woman while you were driving?
14:14The sun was shining in my eyes and I wasn't seeing anything.
14:20And most likely, she had fallen to the ground before.
14:22And who told you that?
14:25Because if she was standing, you could have seen her.
14:27Or what do you think?
14:28Could it be that you were working on your lipstick?
14:32What's wrong with the lipstick you put on her?
14:35Nothing.
14:36But it could be that you were fixing the lipstick and you were working on it.
14:39This is the original French lipstick.
14:41And it lasts a long time without being affected.
14:43And I'm used to putting lipstick on without looking at it.
14:46And I'm used to putting lipstick on without looking at it.
14:52I put it on right away.
14:56Without looking at it.
14:58In a second.
15:01So it's impossible for me to miss the road.
15:04Or not even notice it.
15:09Most likely, she was dead before I hit her in the car.
15:13This morning, I saw her fighting with someone in the cafe.
15:16It could be him.
15:17Oh, Anissa.
15:18You killed her.
15:20And as long as no one has seen this man killing her,
15:22he will stay away from the charge.
15:27And what's going to happen?
15:30If your drug testing is negative,
15:32you will be charged with murder by mistake.
15:35And with a light penalty.
15:37With a light penalty.
15:43I'm sorry.
15:46You can leave.
15:48But you can't leave the city until the court decision is made.
16:13I have to go.
16:18You really surprised me.
16:20This is your first day at work.
16:22And you went to the police station charged with murder.
16:25Even though I warned you and told you not to make a mistake.
16:27But it's not what you think.
16:29Go now or I'll never see your face again.
16:42I'm sorry.
17:13I have to go.
17:15Sylvia always closed the cafe at this time.
17:18I'm really sorry.
17:21I didn't mean what happened.
17:23Get out of my face.
17:25I can't.
17:27Impossible.
17:28First, I have to know who the guy who fought with your sister this morning is.
17:31This is very important to me.
17:33You told me you were going to come here again.
17:42Yes.
17:59May I?
18:02Please, sit.
18:07You're writing an article about Sylvia and you want to interview me, right?
18:12Yes.
18:22Are you full?
18:24It's okay. Don't be shy. This is your job.
18:27And I did some research.
18:30I found out that 15 years ago, Sylvia's family was killed in their apartment.
18:35When she and your sister were still young.
18:38Yes.
18:39But unfortunately, the police couldn't catch the criminal at the time.
18:43That means they were definitely afraid of him.
18:47How ugly it would be to live a beautiful life and suddenly find yourself losing everything.
18:53Do you know, Mario?
18:56This feeling is the hardest feeling you can feel.
19:00But whoever sees Sylvia,
19:03he doesn't say he had such an experience.
19:05Why?
19:06Because she was always happy.
19:12Do you know her, Momo?
19:14No, I don't know her.
19:16And I didn't go to their cafe.
19:21But according to what they said,
19:23her sister Fiorella, who works with her at the cafe,
19:27has good friends.
19:30And they work with the mafia.
19:32Could one of them be the one who killed Sylvia?
19:36That explains why I didn't see her, because she was already dead.
19:43Any of them,
19:46when they are in a big trouble,
19:48they try to find explanations.
19:53Don't blame yourself.
19:56You have no fault in her death.
19:57Why are you treating me politely?
20:00Because you are beautiful and I like you.
20:09And I know what you feel.
20:13Because I've been through hard times.
20:18I used to sit alone every day
20:21and think about how I should act and no one would help me.
20:24That's why I advise you, Fiorella.
20:26Don't refuse help at all.
20:32Thank you.
20:34It's my duty.
20:37And if you need anything,
20:39call me right away.
20:41Don't hesitate, okay?
20:45Did you look for a house?
20:47Yes, I did.
20:49And you?
20:51Did you look for a house?
20:53Yes, and I haven't found one yet.
20:55That's why I took a small room in a hotel.
20:57But it's not possible that it would be empty.
20:59That's why I sat here to change the mood.
21:04I'm in a place where everything makes you feel happy.
21:09This cozy place
21:11makes you feel comfortable.
21:12And it makes you feel better.
21:20And most importantly,
21:22I can finally be alone
21:24and away from people.
21:42I can finally be alone
21:44and away from people.
21:47I can finally be alone
21:49and away from people.
21:51I can finally be alone
21:53and away from people.
21:55I can finally be alone
21:57and away from people.
21:59I can finally be alone
22:01and away from people.
22:03I can finally be alone
22:05and away from people.
22:07I can finally be alone
22:09and away from people.
22:11I can finally be alone
22:13and away from people.
22:24The results of the forensic medicine have arrived
22:27regarding the murder of Sylvia Messina.
22:29I'm very excited to see them.
22:31Really?
22:35I'm going to take a nap.
22:37It's obvious that the cause of death
22:40was not a car accident.
22:46Ah.
22:48This is from the fortune of the Queen of Beauty.
23:07The Queen of Beauty
23:32I'm sorry Mario,
23:33I'm bothering you at this time
23:34but do you remember what you said?
23:35What did you say?
23:36I just looked around and saw a picture of Fiorella taking Sylvia.
23:39I went out with a guy, I know him.
23:40He's the guy who had a fight with Sylvia yesterday.
23:42Excellent!
23:49Detective Demir?
23:51We received news concerning the case.
23:53It was stated in the statement that Sylvia died because of a hit on her head and because of a car accident.
23:58So she really died before you hit her.
24:01That's great news!
24:04I mean, it's great that I didn't kill her.
24:08But of course, I'm very upset because she died that way.
24:15And you don't know who the criminal is?
24:33Yes.
24:40Sylvia went to complain.
24:42A customer told her that you were trying to get her to pay you money.
24:46But she didn't accept it.
24:48And the information says that she called the police before she died.
24:51I think she wanted to tell someone.
24:53I think she wanted to tell the criminal.
24:54It's obvious.
24:57At the time, she couldn't complain because one day someone attacked her.
25:00Yes, and what got me into this?
25:02I saw you the day you fought with the victim.
25:04And you threatened her several times.
25:06And most importantly, you have evidence.
25:08After you fought in the cafeteria, you got angry because she hit you.
25:11So you waited outside and killed her, right?
25:13No, you're wrong.
25:14I'm not the criminal.
25:15And I didn't get close to her.
25:33Hello.
25:34What brings you here?
25:35I heard they're going to arrest Nicolas.
25:39We're supposed to be there at that moment.
25:41So we can get the important information and ask about the clothes.
25:45And of course, the police will help us with that.
25:48I'll catch up with you.
25:49How are you?
25:50Good morning.
25:52King, why did you follow me here?
25:54How about we go out for dinner tonight?
25:56Are you free today?
25:58By the way, this man you saw is having an argument with Sylvia.
26:02What time?
26:03Around 9.30.
26:05Instead of talking about the redhead, you should have told us this information.
26:08I told you.
26:10But it's obvious that you were focused on me, not on my words.
26:16Anyway, he's Fiorella's boyfriend.
26:20If they have pictures together, it doesn't mean they love each other.
26:23Fiorella has a treasure with his shop's name printed on it.
26:26I'm sure she wouldn't wear something like that if she loved him.
26:29Am I wrong?
26:30Hello, Francesco.
26:31Are you ready for the interview?
26:35Excuse me.
26:36Don't get involved in this today.
26:38But my offer is still valid.
26:41Oh, queen.
26:43I have nothing to do with this.
26:45And it's impossible for me to go with you.
26:49Is that you?
26:52Are you the one who told them about Nicolas?
26:55Of course it's not him who killed Sylvia.
26:57Because he doesn't have a weapon.
27:00How do you know?
27:02I told him to help us.
27:06And I paid a bribe.
27:10In the summer, there's a shop in Balermo.
27:12When my mother left, the shop was open.
27:14And that's how the man who killed my parents came in.
27:20And your sister looked like my mother.
27:23I mean, you trust everyone.
27:25To be able to live in this city,
27:27you have to pay to protect you.
27:31When I made an agreement with Nicolas.
27:34But without telling me?
27:36She refused.
27:41And she didn't pay him.
27:47And what does she want to do?
27:50Nothing.
27:52I'm going to sell the sheep until I pay him.
27:54And then I'll go.
28:00If it's not Nicolas,
28:01who do you think is the criminal?
28:03Does Sylvia have enemies?
28:07She doesn't have enemies.
28:09All the time in the cafe.
28:11And she doesn't mix with anyone.
28:15But two days ago, I saw her.
28:18She was looking for files
28:20related to the investigation of the murder of our parents.
28:24And even when she opened articles about the subject,
28:27she never left it.
28:30I asked her what she was looking for.
28:33She didn't answer me.
28:36But it was obvious that she was upset.
28:47Detective, Nicolas is in the cell.
28:50The suspect in the murder.
28:54But you don't look very happy.
28:58Nicolas is not a murderer.
29:00If he was a murderer,
29:01he wouldn't let anyone see where the crime took place.
29:04And he ran away.
29:07That means you're not happy.
29:10It's very clear.
29:20Let's go.
29:27The motorcycle that was outside
29:28was going to kill me.
29:29It's obvious that the driver ran away after he stole someone.
29:31Because the motorcycle he was driving,
29:33no sane person drives it.
29:35Wait a minute.
29:36His friend must have done something
29:37that's why you have to arrest him immediately.
29:39What are you doing? Wait a second.
29:41What did you steal?
29:42This is my motorcycle.
29:43And I didn't kill you.
29:44Your motorcycle?
29:45You hit me last morning
29:46and I fell to the ground
29:47and you didn't stop to help me.
29:48If I had noticed all this beauty,
29:51I would have stopped.
29:52You were standing in the middle of the road
29:54and I was busy and in a hurry.
29:56And most importantly, I didn't hurt you.
29:59Did you really do that, Francesco?
30:02When did this happen?
30:04I'm the manager of Santo Puccini.
30:06Viola Vitali.
30:07He hit me around 9 o'clock.
30:09At 9 o'clock?
30:11You have a personal problem
30:12that you need to solve.
30:16I left because I found
30:17an important evidence
30:18about human trafficking.
30:21Thank God.
30:22Nothing happened now.
30:23And I hope you forget about it.
30:26As for you,
30:27I'll find a way
30:28to prevent you from doing
30:29such stupid things.
30:30I promise you.
30:31Even if I wasn't your direct manager.
30:39Wait a minute.
30:40I want to talk to you.
30:41I think you've told me
30:42enough.
30:43Fiorella told me
30:44that she saw Sylvie
30:45searching for files
30:46related to the crime
30:47that happened in their house.
30:48And this information
30:49could be useful in the investigation.
30:50That's right.
30:51Yes.
30:54Excellent.
30:55What do you think?
30:56You go and write
30:57all the information
30:58that you've collected
30:59on a piece of paper
31:00and I'll see them in the evening
31:01when you come to my place.
31:05This is impossible.
31:06Do you know why?
31:08Because a beautiful woman like me
31:09and a smart woman
31:10wouldn't go out
31:11with a crazy man
31:12in the market
31:13and not care about people's lives.
31:15You're right.
31:21What's his problem?
31:22Francesco is a good cop.
31:24But his problem is that
31:25he's a bit crazy.
31:26And he's always in a hurry.
31:27When they brought me
31:28to the department,
31:29I was...
31:30Tori!
31:31He can't talk.
31:37Miss?
31:38Where are you?
31:41I thought you weren't
31:42going to see me at night.
31:43You got away with it, didn't you?
31:45I'm sorry I didn't help you
31:46with the mission.
31:47But this time
31:48try not to kill anyone.
31:49Okay.
32:00Thank you
32:01for letting me ride
32:02your motorcycle.
32:03But could you please
32:04slow down a bit?
32:05What do you think?
32:06Do you want me
32:07to kill someone today?
32:08No.
32:09By the way,
32:10you're going really fast.
32:13Get your hands off me.
32:19Lily,
32:20what's the mission
32:21that we're going to do?
32:22About the cultural initiatives
32:23or are we going to
32:24arrest someone from the mafia?
32:25About the fog.
32:26About the fog?
32:27In Palermo?
32:28The fires are like pistachios.
32:29Come and taste them.
32:30Now, Ansel,
32:31there's a lot of fog in this city.
32:32There's no excuse
32:33for this.
32:34There's someone
32:35grilling meat in the streets.
32:37What do you think
32:38about trying the soda
32:39that we have?
32:40It's fresh and very nice.
32:41Would you like a plate of it?
32:42No, thank you.
32:43Would you like a piece?
32:46No, I'm a vegetarian.
32:47Thank you.
32:49Don't believe her.
32:50She's just kidding.
32:52That's why
32:53I decided to become a journalist.
32:58Why do you
32:59work in photography?
33:02I like to watch people
33:03from afar.
33:05Do you have any other questions?
33:06No.
33:37And Mariam, too?
33:38Yes, he was the first
33:39to be at the opening.
33:42What are you looking for?
33:44If you killed a woman on the street,
33:45what would you do?
33:46I would have surrendered immediately.
33:47After the investigation,
33:48I would never do such a thing.
33:49Sorry,
33:50it was just a joke.
33:52Okay, what do you mean
33:53by that joke?
33:54Because, honestly,
33:55I didn't understand
33:56anything you said.
33:57I found it.
33:59The criminal killed
34:00Sylvia and then ran away.
34:02Tell me,
34:03if you were a shop,
34:04where would you go?
34:05It's an empty street
34:06and there's no one there.
34:07Exactly.
34:08Let's ask the surveillance camera
34:09to record
34:10so we know
34:11who was there that day.
34:12Let's go.
34:35Viola?
34:37Ah!
34:38You're here?
34:39Yes.
34:40I'm going home now.
34:43Good night.
35:05Francesco?
35:15Francesco?
35:22Okay,
35:23can you give me a second?
35:24Because...
35:27Do you want to try?
35:28Yes.
35:29Wait!
35:30I've been tired for two days
35:31and I stopped training.
35:32Thank you.
35:34It's good that you know
35:35how to train, Tori.
35:37Yes.
35:38I brought the recordings
35:39for the surveillance camera.
35:46Okay.
36:04Hello.
36:05Hello.
36:06Please come in, Mario.
36:07Thank you.
36:09You know,
36:10I chose this hotel
36:11because it's isolated
36:12from the rest of the world.
36:14So one can focus
36:15and discover a lot of things.
36:17Like working
36:18with a criminal.
36:20I'm sorry,
36:21but I have to go.
36:22Okay.
36:23Bye.
36:24Bye.
36:25Bye.
36:26Bye.
36:27Bye.
36:28Bye.
36:29Bye.
36:30Bye.
36:31Bye.
36:33What do you mean?
36:43You told me
36:44you didn't know Sylvia.
36:46But you went to meet her
36:47and went to the cafe.
36:49Yes,
36:50that's right.
36:52But believe me,
36:53I forgot.
36:55And I noticed
36:57that you're very interested
36:58in the death of her family.
36:59Hmm?
37:01Because it's my job.
37:02But the fear was obvious to you.
37:04At first,
37:05you thought you were afraid of me
37:06because you were accused of killing her.
37:08What you're saying is not true.
37:10I have to go.
37:12The garden we stayed in
37:13is the garden
37:14you stayed in
37:15before you started working.
37:17And the location
37:18of Aziza's funeral.
37:20And Fiorella's family
37:21and Sylvia's family
37:22were in this area.
37:23And this garden
37:24was a place for criminals.
37:26You're the criminal.
37:27Sylvia exposed you
37:28and that's why
37:29you started looking
37:30through the case files
37:31immediately.
37:34We were in debt.
37:39And that's why
37:40I decided to go
37:41to steal my money.
37:47But there was a dog
37:48and it didn't stop barking.
37:50That's why we decided
37:51to go to the apartment
37:52next to her.
37:53Sylvia's apartment.
37:54Her parents saw me
37:55at that time
37:57and they started screaming.
38:00And I lost my temper.
38:08And the girls saw everything.
38:11Then I ran away quickly.
38:16And I was expecting
38:17the police to catch me
38:18at any moment.
38:20But they didn't.
38:21The police caught me.
38:24I was nervous.
38:26But no one came to sleep.
38:29And I decided
38:30to go back to my life.
38:32So I looked for a job
38:33and a house for my family.
38:35And then I saw Sylvia.
38:40When I went to the opening,
38:43she started looking
38:44into my eyes.
38:47And she was able
38:48to recognize me immediately.
38:50And then I saw her again
38:52and I heard what she was saying.
38:54Good morning.
38:55I'm Sylvia Messina.
38:57If you'll excuse me,
38:58I'd like to file a complaint
38:59against someone.
39:00Yes, I'll stay on the line.
39:13I was expecting
39:14to be exposed at any time.
39:16After I got a job in the newspaper,
39:17I realized
39:18that it was impossible
39:20to be exposed at all.
39:25And no matter how hard
39:28the criminal tries,
39:29his end will be bad.
39:32At the time,
39:33she wasn't filing a complaint
39:34against you.
39:35She was filing a complaint
39:36against Nicolas.
39:38She called to inform him
39:39because he was in trouble
39:40and was asking for a bribe.
39:43You have to tell the truth
39:44or I'll expose you.
39:45No.
39:47No.
39:49I'm sorry.
39:52I told you a while ago
39:55that the criminal
39:57always has a bad end.
40:02Put the knife down!
40:04Put the knife down, Mario!
40:06Mario!
40:08I don't want to hurt you.
40:10Put it down so I can see.
40:16Mario,
40:17you're under arrest
40:18for the murder of
40:19Sylvia Messina.
40:22And for the murder of his family.
40:31How did you know
40:32that I was in trouble?
40:35I asked one of my assistants
40:36to keep an eye on you.
40:39And I found out that Mario
40:40was the criminal
40:41from the camera recordings.
40:43An employee
40:44kept an eye on me
40:45and you're telling him
40:46everything?
40:47You should thank me.
40:48I saved your life.
40:49No, no, no.
40:50Now you're going to tell me
40:51why he kept an eye on me.
40:52I felt you were confused
40:53and you were going to act
40:54on your own.
40:55And now you're telling me
40:56how you found out
40:57that Mario was the criminal?
40:58What do you care?
41:03You're annoyed
41:04because I ignored you, right?
41:06But I'm ready now, listen.
41:08Tell me.
41:15I see people's emotions.
41:17I have a sensitive
41:18sympathetic disorder.
41:20And I'm trying to heal it.
41:24What do you mean?
41:26Every emotion
41:27that a person feels
41:28I see it in color.
41:31You can say
41:32that I know the feeling
41:33that any human being feels.
41:35Always?
41:37I'm trying to control
41:38the subject right now.
41:40And in normal circumstances
41:41I don't see any emotion.
41:42Except when I'm angry
41:43or nervous.
41:46And Mario.
41:48What's his color?
41:50His color was light yellow.
41:52Because he was ashamed of himself.
41:54And when I confronted him
41:55with what he did
41:56his color turned to green.
41:58Those who feel nervous
41:59that's what their color becomes.
42:04That's nice.
42:05It's hard for me.
42:08I'm going to tell you
42:09what I saw.
42:10Trust me.
42:13When you see
42:14people's emotions
42:15you will feel
42:16their emotions.
42:18You will be happy
42:19and nervous with them.
42:21This is not
42:22easy at all.
42:24You're right.
42:27I'm not like you at all.
42:29And I don't feel anything.
42:32There are things that changed me.
42:36You mean
42:37about the human trade
42:38that I achieved
42:39in Palermo?
42:44When I talked to the manager
42:45about the case
42:46I immediately looked into it.
42:49And I found out
42:50that you were involved
42:51in the investigation.
42:59Six months ago
43:01about 300 people
43:02were sold in Palermo.
43:04And they were all from this area.
43:07And there were women
43:08and children.
43:12Then we found
43:13eyewitnesses
43:14and letters
43:16and a little baby bear.
43:19When I saw this baby bear
43:20I was very upset.
43:21I mean
43:22this baby bear
43:23is a victim.
43:24And on top of that
43:25they tortured him.
43:28It's a good thing
43:29I didn't work for the police.
43:31Yes.
43:32It's easier for you.
43:33Look
43:37Oh Queen of Beauty
43:43Call me Viola.
43:44Viola.
43:55Hello, good morning.
43:57Tell me, what happened to you?
43:59Did you get to Abyssinia?
44:01I apologize.
44:03I looked for you
44:04but unfortunately
44:05there's no car
44:06like yours
44:07and it's broken.
44:08Oh.
44:10Can you call me back?
44:12It's impossible
44:13to know the name
44:14of the car owner
44:15in my opinion.
44:16Forget it.
44:19Thank you.
44:33Thank you.
44:56Hello.
44:58Can you send me a car?
44:59It's broken
45:00and I can't move.
45:02Yes.
45:03Quickly.
45:31I can't move.
45:32I can't move.
45:33I can't move.
45:34I can't move.
45:35I can't move.
45:36I can't move.
45:37I can't move.
45:38I can't move.
45:39I can't move.
45:40I can't move.
45:41I can't move.
45:42I can't move.
45:43I can't move.
45:44I can't move.
45:45I can't move.
45:46I can't move.
45:47I can't move.
45:48I can't move.
45:49I can't move.
45:50I can't move.
45:51I can't move.
45:52I can't move.
45:53I can't move.
45:54I can't move.
45:55I can't move.
45:56I can't move.
45:57I can't move.
45:58I can't move.
45:59I can't move.
46:00I can't move.
46:01I can't move.
46:02I can't move.
46:03I can't move.
46:04I can't move.
46:05I can't move.
46:06I can't move.
46:07I can't move.
46:08I can't move.
46:09I can't move.
46:10I can't move.
46:11I can't move.
46:12I can't move.
46:13I can't move.
46:14I can't move.
46:15I can't move.
46:16I can't move.
46:17I can't move.
46:18I can't move.
46:19I can't move.
46:20I can't move.
46:21I can't move.
46:22I can't move.
46:23I can't move.
46:24I can't move.
46:25I can't move.
46:26I can't move.
46:27I can't move.
46:28I can't move.
46:29I can't move.
46:30I can't move.
46:31I can't move.
46:32I can't move.
46:33I can't move.
46:34I can't move.
46:35I can't move.
46:36I can't move.
46:37I can't move.
46:38I can't move.
46:39I can't move.
46:40I can't move.
46:41I can't move.
46:42I can't move.
46:43I can't move.
46:44I can't move.
46:45I can't move.
46:46I can't move.
46:47I can't move.
46:48I can't move.
46:49I can't move.
46:50I can't move.
46:51I can't move.
46:52I can't move.
46:53I can't move.
46:54I can't move.
46:55I can't move.
46:56I can't move.
46:57I can't move.
46:58I can't move.
46:59I can't move.
47:00I can't move.
47:01I can't move.
47:02I can't move.
47:03I can't move.
47:04I can't move.
47:05I can't move.
47:06I can't move.
47:07I can't move.
47:08I can't move.
47:09I can't move.
47:10I can't move.
47:11I can't move.
47:12I can't move.
47:13I can't move.
47:14I can't move.
47:15I can't move.
47:16I can't move.
47:17I can't move.
47:18I can't move.
47:19I can't move.
47:20I can't move.
47:21I can't move.
47:22I can't move.
47:23I can't move.
47:24I can't move.
47:25I can't move.
47:26I can't move.
47:27I can't move.
47:28I can't move.
47:29I can't move.
47:30I can't move.
47:31I can't move.
47:32I can't move.
47:33I can't move.
47:34I can't move.
47:35I can't move.
47:36I can't move.
47:37I can't move.
47:38I can't move.
47:39I can't move.
47:40I can't move.
47:41I can't move.
47:42I can't move.
47:43I can't move.
47:44I can't move.
47:45I can't move.
47:46I can't move.
47:47I can't move.
47:48I can't move.
47:49I can't move.
47:50I can't move.
47:51I can't move.
47:52I can't move.
47:53I can't move.
47:54I can't move.
47:55I can't move.
47:56I can't move.
47:57I can't move.
47:58I can't move.
47:59I can't move.
48:00I can't move.
48:01I can't move.
48:02I can't move.
48:03I can't move.
48:04I can't move.
48:05I can't move.
48:06I can't move.
48:07I can't move.
48:08I can't move.
48:09I can't move.
48:10I can't move.
48:11I can't move.
48:12I can't move.
48:13I can't move.
48:14I can't move.
48:15I can't move.
48:16I can't move.
48:17I can't move.
48:18I can't move.
48:19I can't move.
48:20I can't move.
48:21I can't move.
48:22I can't move.
48:23I can't move.
48:24I can't move.
48:25I can't move.
48:26I can't move.
48:27I can't move.
48:28I can't move.
48:29I can't move.
48:30I can't move.
48:31I can't move.
48:32I can't move.
48:33I can't move.
48:34I can't move.
48:35I can't move.
48:36I can't move.
48:37I can't move.
48:38I can't move.
48:39I can't move.
48:40I can't move.
48:41I can't move.
48:42I can't move.
48:43I can't move.
48:44I can't move.
48:45I can't move.
48:46I can't move.
48:47I can't move.
48:48I can't move.
48:49I can't move.
48:50I can't move.
48:51I can't move.
48:52I can't move.
48:53I can't move.
48:54I can't move.
48:55I can't move.
48:56I can't move.
48:57I can't move.
48:58I can't move.
48:59I can't move.
49:00I can't move.
49:01I can't move.
49:02I can't move.
49:03I can't move.
49:04I can't move.
49:05I can't move.
49:06I can't move.
49:07I can't move.
49:08I can't move.
49:09I can't move.
49:10I can't move.
49:11I can't move.
49:12I can't move.
49:13I can't move.
49:14I can't move.
49:15I can't move.
49:16I can't move.
49:17I can't move.
49:18I can't move.
49:19I can't move.
49:20I can't move.
49:21I can't move.
49:22I can't move.
49:23I can't move.
49:24I can't move.
49:25I can't move.
49:26I can't move.
49:27I can't move.
49:28I can't move.
49:29I can't move.
49:30I can't move.
49:31I can't move.
49:32I can't move.
49:33I can't move.
49:34I can't move.
49:35I can't move.
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49:37I can't move.
49:38I can't move.
49:39I can't move.
49:40I can't move.
49:41I can't move.
49:42I can't move.
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49:44I can't move.
49:45I can't move.
49:46I can't move.
49:47I can't move.
49:48I can't move.
49:49I can't move.
49:50I can't move.
49:51I can't move.
49:52I can't move.
49:53I can't move.
49:54I can't move.
49:55I can't move.
49:56I can't move.
49:57I can't move.
49:58I can't move.
49:59I can't move.
50:00I can't move.
50:01I can't move.
50:02I can't move.
50:03I can't move.
50:04I can't move.
50:05I can't move.
50:06I can't move.
50:07I can't move.
50:08I can't move.
50:09I can't move.
50:10I can't move.
50:11I can't move.
50:12I can't move.
50:13I can't move.
50:14I can't move.
50:15I can't move.
50:16I can't move.
50:17I can't move.
50:18I can't move.
50:19I can't move.
50:20I can't move.
50:21I can't move.
50:22I can't move.
50:23I can't move.
50:24I can't move.
50:25I can't move.
50:26I can't move.
50:27I can't move.
50:28I can't move.
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50:30I can't move.
50:31I can't move.
50:32I can't move.
50:33I can't move.
50:34I can't move.
50:35I can't move.
50:36I can't move.
50:37I can't move.
50:38I can't move.
50:39I can't move.
50:40I can't move.
50:41I can't move.
50:42I can't move.
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50:45I can't move.
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50:47I can't move.
50:48I can't move.
50:49I can't move.
50:50I can't move.
50:51I can't move.
50:52I can't move.
50:53I can't move.
50:54I can't move.
50:55I can't move.
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51:00I can't move.
51:01I can't move.
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54:33I can't move.
54:34I can't move.
54:35I can't move.
54:36I can't move.
54:37I can't move.
54:38I can't move.
54:39I can't move.
54:40I can't move.
54:41I can't move.
54:42Can you hear me?
54:45Can you hear me?
54:48Can you hear me?
54:51Can you hear me?
55:03Papa, you are the only man in the world who knows what color he is.
55:12You're so unkind to me, ma'am.
55:15You said no medicine to talk with my little baby.
55:19What's your color?
55:21I don't have a baby.
55:25I'm the color of a psychopath, dad.
55:28And this person is...
55:31hiding a lot inside him,
55:33and he doesn't say anything.
55:35You're so unkind to me, ma'am.
55:38You're so unkind to me, ma'am.
55:41You're so unkind to me, ma'am.
55:44You're so unkind to me, ma'am.
55:47You're so unkind to me, ma'am.
55:50You're so unkind to me, ma'am.
55:53You're so unkind to me, ma'am.
55:56You're so unkind to me, ma'am.
55:59You're so unkind to me, ma'am.
56:02You're so unkind to me, ma'am.
56:05You're so unkind to me, ma'am.
56:08You're so unkind to me, ma'am.
56:11You're so unkind to me, ma'am.
56:14You're so unkind to me, ma'am.
56:17You're so unkind to me, ma'am.
56:20You're so unkind to me, ma'am.
56:23You're so unkind to me, ma'am.
56:26You're so unkind to me, ma'am.
56:29You're so unkind to me, ma'am.