Marjorie Barretto at Mylene Dizon, ano ang sikreto sa pagiging kontrabida? | SiS (Stream Together)
Samahan ang mga kontrabida ng 2000s na sina Mylene Dizon, Marjorie Barretto, Ana Capri, Julia Clarete, at Czarina de Leon dahil pag-uusapan nila ang halaga ng isang kontrabida sa mga pelikula!
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00:00We walk hand-in-hand, we dream together We giggle and laugh like kids forever
00:12We're two different people, but we're having fun
00:15We talk about anything under the sun We are sisters, we are friends
00:22We've got magic that never ends
00:26I got you sis, you got me
00:30The best of friends we'll always, always be
00:38We always have fun being together
00:42You know me the best, we're friends forever
00:46Through good times and bad, I'm here for you sis
00:50Right by your side, hit or miss
00:53We are sisters, we are friends
00:57We've got magic that never ends
01:01I got you sis, you got me
01:05The best of friends, the best of friends
01:09The best of friends we'll always, always be
01:13We are sisters, we are sisters
01:18Good morning mga sis!
01:20Welcome to another episode of Patalbugan, Pasiklaban at Tarayan!
01:26Yes, I agree sis.
01:28You know in a movie or a TV show,
01:31there are different roles that we portray to the actors.
01:36But the casting is incomplete without these characters.
01:41You're right, you're right.
01:43And that's what we're going to talk about today
01:45because we're going to be joined by new, annoying, annoying,
01:49annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying
02:19annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying
02:49They put a good structure, their characterization, their character as a villain
02:55It's not just there that it's annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying
03:25annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying, annoying
03:56Let's start.
03:59Hey, you guys, you're making me awkward.
04:01So now, get ready, correct?
04:03Yes!
04:05Okay, there are some characteristics of the contributors that when you look at them,
04:10they already look like this.
04:12They already look like an aboriginal.
04:14Their eyebrows, their makeup, their clothes.
04:18They're already annoying, they're already scary.
04:21But I don't think it's like that with you.
04:23Right?
04:24For example, your faces are annoying.
04:27Correct.
04:28Especially, look at Zarina.
04:30Look, she looks like a commercial model.
04:33Angels.
04:34Yes.
04:35But don't.
04:37They look the same.
04:39They're bad, bad.
04:40Wow.
04:41What are you going to say?
04:43Is it our fault if we need to be beautiful?
04:45Yes, that's right.
04:46That's it.
04:47That's it.
04:48Wow.
04:49They're small.
04:50See?
04:51This is the only job they want us to do.
04:54If we make them look bad, they won't be able to do anything.
04:59That's not how it works.
05:00That's how the dog comes out.
05:04Your faces are annoying.
05:05Why did you bring the contributors?
05:07That's why.
05:08Because before, the contributors' makeup was too dark, right?
05:11Yes.
05:12So now, the contributor can be sexy, the outfit can be plunging, right?
05:17It can be like that.
05:18But in my case, we make my eye makeup a bit thicker.
05:23Because...
05:24It's braver.
05:25To help.
05:26Because my eyes are a bit...
05:27Your eyes are...
05:28Soft.
05:29Soft.
05:30Our eyes.
05:31Our eyes.
05:32That's it.
05:33So sometimes, they really need to be brave to help because it's hard.
05:38You need to use a lot of muscles to do that.
05:41To do that.
05:42To be brave.
05:43Yes.
05:44Exactly.
05:45That's how it is.
05:46Don't do that.
05:47We'll lose our jobs.
05:48Okay, fine.
05:49Don't do that.
05:50Is it better to be a contributor in terms of acting?
05:52Because, of course, it's more challenging.
05:54Because when you're kind, it's like, nothing.
05:56It's exciting to be a contributor.
05:58Yes.
05:59I think that when you're a contributor, you're like a judge.
06:02You're like a judge.
06:03It's like everything is legal.
06:04You can do everything.
06:05You have a license to do everything.
06:06When you're a contributor, you also have a license to do everything.
06:08Almost anything.
06:10It's like...
06:11That's why there's more freedom.
06:13So I think it's more exciting.
06:15I usually pay more attention to the contributor.
06:17For me.
06:18Of course.
06:19That's why people get mad.
06:20Yes.
06:21It's like...
06:22It's like the story.
06:23It's like you're always the one planning.
06:25It's like you're in charge.
06:26Yes.
06:27The contributor can do everything, right?
06:30Everything is planned by the contributor.
06:31He can't do anything.
06:32He can't do anything.
06:33But of course, right?
06:34There's no contributor if there's no contributor.
06:35That's how it is.
06:36Yes.
06:37It just co-exists.
06:38It's like you're the one who feeds the contributor.
06:40You're the one who feeds what happens to him.
06:45You're the instigator.
06:47Yes, you're the instigator.
06:49You have the power.
06:50Yes.
06:51That's how it is, right?
06:52Sometimes, when you're fighting,
06:53there's a scene where you're fighting,
06:54and you're soaking it in soap.
06:56You know?
06:57It's easier when it's a guy who's fighting,
07:00because he has a medal.
07:01It's like you're soaking it in soap.
07:02Yes.
07:03That's why it's hard.
07:04That's true.
07:05That's what I'm confused about.
07:06Why does it have to be a guy?
07:08They can jump,
07:09but when they hit a girl,
07:10they have to hit her.
07:12Right?
07:13They have to jerk her.
07:14They can jerk her,
07:15but why do they have to hit her?
07:17It has to have a sound effect.
07:18Because it has to have...
07:19A slap.
07:20Why does it have to be a punch?
07:21It can be like this.
07:22It has to have a sound effect.
07:23And the soap,
07:24it hurts.
07:25I mean it.
07:26That's why it's hard.
07:27There's a lot of contraband.
07:28There are wigs.
07:29Wigs.
07:30Wigs.
07:31You put your hair there.
07:34Quaff.
07:35Quaff.
07:36That's why when it's in the soap,
07:37it's really...
07:38Boom, boom.
07:40It helps.
07:41Yes.
07:42When I tried that,
07:43I had hairpins.
07:44I was like,
07:45it really hurts.
07:46I was like, wait.
07:51You should work with your co-star.
07:55The lead.
07:56When there's a scene like that,
07:57how will you do it?
07:58Like before,
07:59me and Claudine,
08:00I have fake nails.
08:01She has a wig.
08:03So you have to make it look real
08:05without having to really hurt the person.
08:07Exactly.
08:08But it's hard.
08:09Because when you're angry,
08:10when you actually,
08:11you'll get emotional first, right?
08:12When you're really angry,
08:13when you're in love,
08:14it can't be calculated.
08:17That's where the acting comes in.
08:19That's where it comes in.
08:20Either you go overboard
08:22and it really hurts you,
08:24or it's like you're not...
08:26It's like...
08:27It hurts.
08:28The date hurts.
08:29It's sad.
08:30It's supposed to be well-rehearsed.
08:32Has this ever happened to you?
08:33That it really hurts you?
08:35Oh, yeah.
08:36You?
08:37Yeah, me and Judy Anders.
08:38What happened?
08:39We had like two scenes
08:40where we were going to slap each other.
08:42The first one was in my house.
08:44So we talked about it.
08:47Was it okay?
08:49Was I really going to hit him?
08:51It was okay.
08:52So it was okay.
08:53Maybe there was a scene
08:54where we both hit each other.
08:56And it hurts.
08:58But it was okay
08:59because we were talking about it.
09:01I'll hit you here,
09:02I'll hit you here,
09:04and I'll also slap you.
09:06Semi-choreographed.
09:07So you can expect it also.
09:10Maybe it's your fault.
09:12You didn't hit me,
09:13but maybe it's your fault.
09:15You're so bad.
09:16It's like you're perfecting yourself.
09:18That's wrong.
09:19Wrong.
09:20So you don't have a story
09:21where it really hurts you?
09:23No.
09:24For me,
09:25Sunshine and I,
09:27but for us,
09:28like Mayling said,
09:29we choreographed it.
09:30I'm not ashamed to admit
09:31that I have a hairpin.
09:34Sunshine did a good job.
09:36Sunshine,
09:37she really said,
09:39Ate Ana,
09:40it's okay with me.
09:42She's like a Filipino.
09:43So Sunshine is a Filipino.
09:45Ate Ana,
09:46it's okay with me.
09:47I saw Marjorie.
09:48You saw Marjorie?
09:49It hurts?
09:51So why did she call me?
09:52I don't know.
09:53It was funny to that kid.
09:55That kid, right?
09:56Yes.
09:57So Sunshine,
09:58when the scene was about to end,
10:00she cried.
10:01Thank you, Ate Ana.
10:03We watched it on the monitor.
10:05There are actors
10:06who want to hurt someone.
10:07It really helps.
10:08For example,
10:09in my scene with Ena,
10:11the little kid,
10:13you want to scare her,
10:14you want to hurt her
10:15so that she can reach
10:17that emotion
10:18that she should reach.
10:19There are some people,
10:20like Gloria Romero,
10:21when we were in the scene,
10:22I accidentally hurt Tita Glow.
10:25She was supposed to hit him once,
10:27but she hit him four times.
10:29The third time,
10:30I said,
10:31Wait!
10:32We were bone to bone.
10:33I hurt Tita Glow.
10:34I hurt Tita Glow.
10:35I mean,
10:36little accidents
10:37that you can't avoid.
10:38You can't avoid it.
10:39You can't avoid it.
10:40You can't avoid it.
10:41You can't avoid it.
10:42Tita Glow is serious.
10:43She's very professional.
10:44That is really...
10:45Okay.
10:46In your opinion,
10:47what is the strength
10:49of every actor or actress
10:52that you can say,
10:54Hey!
10:55She's really good at acting.
10:58When she's really desperate,
11:00you know,
11:01when you're affected
11:02and the show is over,
11:03you're still mad.
11:04You're still mad.
11:05You're still mad.
11:06Just like Sally.
11:07Right?
11:08You know,
11:09when you're angry,
11:11it stays with you.
11:12It's like your kids
11:13don't want to talk to you anymore.
11:15Yes.
11:16That's how it is.
11:17And when it comes to kids,
11:18they're really afraid of that person.
11:20You're really affected.
11:22So,
11:23did something happen to you
11:24that really
11:25made you cry
11:27when you got home?
11:29Me, my mom.
11:30Hey!
11:31My mom.
11:32My mom.
11:33My mom's in the States, right?
11:34She called me.
11:35Sometimes,
11:36when she watches a show,
11:37she suddenly says,
11:38Oh, this is really Sally.
11:39It's so bad.
11:40Oh,
11:41this is really my daughter.
11:42Oh,
11:43this is really my daughter.
11:44It's so bad.
11:45Now,
11:46she forgets about it.
11:47Oh,
11:48this is really my daughter.
11:49Then, she worries
11:50because there are people
11:51outside,
11:52in the malls.
11:53They really want to attack me.
11:54That's how it is.
11:55Luckily,
11:56I have someone with me
11:57who's a block.
11:58Just like Amie Perez,
11:59she's a block.
12:00She's a block.
12:01That's it.
12:02How about you?
12:03Me, too.
12:04You don't do anything,
12:05but you have a plan.
12:06You go to this place,
12:07then, after that,
12:08you know,
12:09we should support you.
12:10Things like that.
12:11We should support you
12:12until you're kind.
12:15It's good
12:16that it doesn't continue.
12:18For me,
12:19what happened to me,
12:21because there was a time
12:22in March
12:23when Clarissa's character
12:25in Ikaw Lang Mamahala,
12:26she became bad, right?
12:27Yes.
12:28She became bad now.
12:29So, when I was gone,
12:30there was a time
12:31when I was gone for a month,
12:33I saw people in the mall.
12:35For example,
12:36there were young fans
12:37who told me,
12:39can I be the contraband
12:41of Sunshine?
12:42That's what they said.
12:43But she's a housewife.
12:44Can't you just kill her?
12:46So,
12:47I'm like their feeling.
12:48Because they're conniving with you.
12:50They're conniving with me.
12:52I'm like, wait,
12:53this is new.
12:54They're ordering me.
12:55I'm just a housewife.
12:57They're ordering you.
12:58Of course,
12:59there are bad days.
13:02There are times
13:03when you're not in the mood.
13:04Then,
13:05oh,
13:06she's really a contraband.
13:08She really has a bad temper.
13:10I'm like that.
13:11I go grocery shopping.
13:12It's like you're in a hurry.
13:13I really go grocery shopping alone.
13:15You have a big head.
13:16You know,
13:17it's not right
13:18to go grocery shopping in every row.
13:19Hi, hi.
13:20You see?
13:21Sometimes,
13:22there are people who say,
13:23why are you saying hi?
13:24I'm feeling too much.
13:25So, you know,
13:26I'm doing my own business.
13:27The person didn't say hi to me.
13:28So, of course,
13:29I'll pass by.
13:30Oh,
13:31I'll impress his friends.
13:32He's really a contraband.
13:34I went straight to him.
13:35Then,
13:36it's like I didn't get over it.
13:38I went back.
13:39What did you say?
13:40Huh?
13:41What did you say?
13:42I said,
13:43Oh,
13:44you're kind.
13:45He said,
13:46no,
13:47I'm not kind personally.
13:50Oh,
13:51I'll leave.
13:52I'll go home.
13:53You're kind,
13:54but your entrance,
13:55what did you say?
13:56What can you say now
13:57that the contraband
13:58is really the one
13:59who brings the story?
14:02Not really.
14:03Just like what I said earlier,
14:04the two of you coexist.
14:06If there's no lead,
14:07there's no contraband.
14:08So, if there's no lead,
14:09there's no contraband.
14:10Yes.
14:11Seriously,
14:12if there's no lead,
14:13there's no contraband.
14:14You know,
14:15the Filipino viewers,
14:16they really like
14:17the story
14:18that's being led.
14:19Yes.
14:20So, there really can't be
14:21no contraband.
14:22The rating is high
14:23when there's a lead.
14:24Then,
14:25when the lead comes out
14:26as a victory,
14:27that's the most...
14:30Wow!
14:31And they really cry.
14:32Wow!
14:33They cry
14:34because they're so happy.
14:35But they're waiting
14:36for the time
14:37to be beautiful.
14:38The only bad thing
14:39about contraband
14:40is that they always die
14:41ugly deaths.
14:42Because they're evil.
14:43Yes,
14:44ugly.
14:45The death scene
14:46is really hard.
14:47Contraband,
14:48if something bad
14:49happens to you,
14:50because you're making
14:51other people suffer,
14:52that's it.
14:53Because when you die,
14:54you're really beautiful.
14:56You're really beautiful.
14:57Calm down.
14:58So,
14:59when we go back,
15:00we'll know
15:01what these contraband
15:02are doing.
15:07I love Mark.
15:08I shouldn't listen
15:09to what you're saying.
15:11There are a lot of actors
15:12that are being played
15:13by the actors
15:14that we admire
15:15in the movies.
15:16But only a few
15:17are really
15:18standing out
15:19in our minds.
15:20So,
15:21tell us
15:22if you didn't like
15:23these lines.
15:49So,
15:50we'll know
15:51if these contraband
15:52are also contraband
15:53in real life.
15:54How close
15:55your contraband
15:56is to your
15:57real personality.
15:58Is that true?
15:59Is there something
16:00like that?
16:01That you really have
16:02a bad attitude
16:03in real life?
16:04Okay,
16:05you can speak.
16:06You want to admit it?
16:07Okay,
16:08hurry up.
16:09I don't know
16:10how to get angry.
16:11You don't know
16:12how to get angry?
16:13I don't know
16:14how to get angry
16:15at the maid.
16:16I don't know
16:17how to get angry
16:18at the driver.
16:19What do you do
16:20when you visit?
16:21It's not as often
16:22as most people.
16:24I laugh
16:25when I get angry.
16:26It's like a thing.
16:27Oh,
16:28that's different.
16:29I get angry
16:30first.
16:31I get really angry.
16:32I get really angry.
16:33But I laugh
16:34at myself
16:35because I get really angry.
16:36I don't know
16:37how to get fully mad.
16:38Really?
16:39How do you
16:40act that?
16:41That's where
16:42work comes in.
16:43That's it.
16:44That's it.
16:45Anna,
16:46when she comes home
16:47from work
16:48and she's really tired,
16:49of course,
16:50she gets angry
16:51because she's
16:52contradicting herself.
16:53No,
16:54but sometimes,
16:55I'm like,
16:56you're just tired,
16:57but I'm trying
16:58to avoid it.
16:59Of course,
17:00I'm like,
17:01there's no pay,
17:02this is my house,
17:03I'm going to get angry.
17:04I don't want
17:05my temper to be bad.
17:06But in reality,
17:07I'm not really
17:08nice.
17:09I'm helping
17:10people.
17:11I'm helping
17:12in my own little ways
17:13to make people
17:14happy.
17:15So,
17:16I can't say
17:17I'm contradicting myself.
17:18If you call it
17:19being nice,
17:20I don't know
17:21what the difference is.
17:22She's nice because
17:23I'm paying for the food.
17:24She bought a long line
17:25for us.
17:26Really?
17:27While I was eating,
17:28there was a line there.
17:29Let's admit it,
17:30all of us have
17:31contradictions.
17:32Yes, of course.
17:33We're all like that.
17:34Serena said
17:35that she's really
17:36nice.
17:37You're really nice.
17:38Not really.
17:39No,
17:40it's because
17:41Naida,
17:42she's a mistress.
17:43She's crazy.
17:44She's crazy.
17:45She kills people.
17:46I'm not like that.
17:47Maybe.
17:48No,
17:49I'm not like that.
17:50What did you say?
17:51I'm not like that.
17:52No,
17:53Naida is like that.
17:54She's like a gun.
17:55Yes.
17:56She's a murderer.
17:57Julia?
17:58As a Shilla,
17:59I'm just
18:00a brat.
18:01I'm a bad person.
18:02I'm a spoiled brat.
18:03I'm just a brat
18:04all the way.
18:05I'm not
18:06a bad person.
18:07I had to work
18:08for everything
18:09I wanted.
18:10I'm not like that.
18:11I'm a bad person.
18:12You can't be that.
18:13You're human.
18:14I'm a bad person.
18:15I'm not a bad person.
18:16I'm a bad person.
18:17That's not true.
18:18That's Marjorie.
18:19Marjorie.
18:20Is Dennis
18:21contradicting that?
18:22No,
18:23it's Tyler.
18:24Tyler is bad.
18:25No.
18:26You know what?
18:27Because
18:28my role
18:29in the show
18:30is poor,
18:31but I'm not like that
18:32because I can
18:33mess with
18:34all kinds of people.
18:35Yes.
18:36I'm just contradicting
18:37when I'm
18:38exhausted
18:39and
18:40extremely
18:41tired
18:42and
18:43I don't get enough sleep
18:44then
18:45I'm very tense
18:46You're always on the outside.
18:48You're always leaving things behind.
18:50When you're hungry, right?
18:52When you're hungry, when you have something.
18:54For me,
18:56it's like
18:58when you're eating
19:00all day long
19:02like a bird
19:04and your energy is so high
19:06when you get home, you're still a bird.
19:08And you haven't released it yet.
19:10You're like, I don't want to do this anymore.
19:12The character is so internalized.
19:14And when I'm really angry,
19:16I just cry.
19:18It's not like that.
19:20It's just frustration.
19:22I'm really like that.
19:24I get really mad.
19:26When you're acting,
19:28you're like, I'm so beautiful.
19:30Is there a lyric like that?
19:32Yes.
19:34There was a time
19:36when John was with me
19:38when he was my brother.
19:40He was like,
19:42wait,
19:44that's me.
19:50When you're acting,
19:52your last line
19:54is always like that.
19:56It's so long.
19:58The reaction shot is so long.
20:00Sometimes, when we have an argument
20:02with Dennis,
20:04it's so long.
20:06It's so long.
20:08You're waiting for a cut.
20:10Cut.
20:12It's so long.
20:14Most of the time.
20:16I told you, Dennis is the one
20:18who knows.
20:20He's the only one who knows.
20:22Dennis is the biggest star.
20:26He's not just a comedian, he's a star.
20:28How do you handle
20:30the misconception of people
20:32that you're really mean?
20:34You're really mean.
20:36That's how people look at you.
20:38Especially,
20:40if the show that you're part of
20:42is so popular.
20:44It's like,
20:46sorry, but that's how people look at you.
20:48I enjoy
20:50what I'm doing.
20:52Because they enjoy it.
20:54People enjoy it.
20:56It's not like
20:58they're really mad at you.
21:00To them,
21:02it's more of a novelty.
21:04So, when they see you
21:06trying to be funny,
21:08they call me on the street,
21:10and I'm like,
21:12that girl.
21:14They're like,
21:16they know you're there.
21:18Why not?
21:20I always smile.
21:22With people I don't know,
21:24for example, I'm walking in a mall
21:26or in a public place,
21:28I make it a point
21:30to smile.
21:32It's like you're tired.
21:34I don't go to public places,
21:36but when I meet people,
21:38for example, Julia, I saw you in this and that,
21:40you're so funny.
21:42So?
21:44It depends on the mood.
21:46If you're really in a bad mood,
21:48don't go out.
21:50Even if you're not in a bad mood,
21:52there are times when you're not in a good mood.
21:54There are times when you're in a bad mood.
21:56It's better if you're in a good mood
21:58because it's more wholesome.
22:00When they're trying to be funny,
22:02it's more fun for me in real life.
22:04Ana,
22:06did you ever see a kid
22:08who said to you,
22:10don't touch me?
22:12No, because I'm walking,
22:14and her mom
22:16is watching this and that.
22:18She said to me,
22:20let's take a family picture.
22:22The kids are like,
22:24come on little boy.
22:26She said to me,
22:28don't touch me.
22:30Come on little boy.
22:32Don't touch my son.
22:36She thought I was going to touch her.
22:42Serena, I heard you're going to slap her.
22:44What? Are you going to slap her?
22:46Yes, I'm going to slap her.
22:48It's like,
22:50there's this kid,
22:52and when it's over,
22:54they're like,
22:56I'm sorry, but I should've slapped you earlier.
22:58I'm not going to do it again.
23:00Julia,
23:02I didn't sell myself
23:04in Manila Zoo.
23:06In Manila Zoo?
23:08You're an elephant.
23:10You can't sell yourself.
23:12I didn't sell myself as a frog.
23:14We were taping for this show.
23:16It's not like that.
23:18You like soft drinks,
23:20that's why you like water.
23:22I wanted to buy food.
23:26I didn't want to,
23:28because you're fighting with Pacho.
23:30I mean,
23:32you're fighting with Julian.
23:34I didn't want to.
23:36At first, I thought you were just joking.
23:38I really didn't want to.
23:40Seriously, I didn't want to.
23:42She's a fan of Julian.
23:44I'm sure.
23:46Marlene is going to slap Payong.
23:48Why not?
23:50What happened?
23:52I was buying
23:54a bathing suit
23:56in Cebu.
23:58I was paying for it,
24:00and this lady was looking at me.
24:02I thought she was a fan.
24:06She was looking at me
24:08and she was mad at me.
24:10She attacked me.
24:12I was with B-Boy.
24:14The manager was like,
24:16wait a minute.
24:18Oh, my God.
24:20Oh, my God.
24:22She's going to slap you.
24:24That's your realization.
24:26Oh, my God.
24:28She's really mad at me.
24:30That was just the beginning.
24:32I thought she was going to be mad at you.
24:34I thought she was going to be mad at me.
24:36She was going to slap me.
24:38You know, usually,
24:40those who are affected by that,
24:42are the elders.
24:44What about Marge?
24:46Do you know the corny
24:48mothers who force their
24:50babies to take pictures of you?
24:52You're an idol.
24:54But your baby is only 5 months old.
24:56Is that right?
24:58I'm an idol now.
25:00Or when you're eating.
25:02No one is mad at me.
25:04When you're in a restaurant,
25:06you're craving for food.
25:08You're like, let's go home.
25:10I'm still eating.
25:12That's how it is.
25:14It's an advantage
25:16to be a contraband.
25:18You can do that.
25:20Janice can't do that.
25:22Janice.
25:24Wait, let me smile.
25:26I remember
25:28in Flor de Luna, the contraband
25:30would go to a jeep.
25:32To fight the contraband.
25:34Wow.
25:36They really get involved.
25:38Because it becomes a part
25:40of their life.
25:42Which shows
25:44that the biggest quality of the Filipino audience
25:46is empathy.
25:48But they don't empathize
25:50with the contraband.
25:52We're sorry.
25:54But later,
25:56we're going to do a gimmick.
25:58What kind of gimmick are we going to do?
26:00But
26:02it won't hurt.
26:04It won't hurt.
26:06We'll be back.
26:08Of course,
26:10they're still with us.
26:12Now, we know
26:14that they have idols
26:16who are also contraband.
26:18We know
26:20what they do,
26:22what their idols do.
26:24Cherie.
26:26Ultimate.
26:28The beautiful.
26:30Beautiful, glamorous.
26:32Classy.
26:34But when she's not in the scene, she's beautiful.
26:36She's kind.
26:38She's pleasant.
26:40She doesn't know how to slap.
26:42We have a scene before
26:44where she slaps me.
26:46She's really into it.
26:48Wow.
26:50Aren't you
26:52Lavinia?
26:54She's really into it.
26:56Wow.
26:58That's me.
27:00That's me.
27:02That's Ana.
27:04That's Rita Gomez.
27:06Oh, Rita Gomez.
27:08Yes.
27:10Yossi Kilay.
27:12I've never seen her before.
27:14She's the best in Dedication.
27:16What did she write?
27:18I forgot.
27:20She's the sexy and
27:22beautiful.
27:24All of them.
27:26She's not.
27:28Rita Gomez.
27:30That's me.
27:32That's Zarina.
27:34That's me.
27:36Miss Yalia Rodriguez.
27:38That's me.
27:40Scarf.
27:42Scarf.
27:44That's Taray.
27:46That's Julia.
27:48She's so smart.
27:50She's really into it.
27:52That's Bery Davis.
27:54That's me.
27:56That's Bery Davis.
27:58That's Tita Mids.
28:00That's Tita Mids.
28:02Tita Mids is classic.
28:04One side of her that I saw
28:06that people don't see,
28:08she has a sense of humor.
28:10She's really funny.
28:12She's really funny off-cam.
28:14But on-cam,
28:16she's intimidating.
28:18That's the word.
28:20That's Armida.
28:22Aside from Cheryl,
28:24she's also glamorous.
28:26Tita Armida is
28:28really intimidating.
28:30Among the actresses,
28:32who's the type
28:34that you want to
28:36marry?
28:38Don't say that.
28:40Why?
28:42Sharon Conietta.
28:44Sharon?
28:46When I was a kid,
28:48I grew up watching Sharon Conietta.
28:50It's Cheryl's movie.
28:52You can feel sorry for her,
28:54but you don't.
28:56I don't want to marry her.
28:58I want to marry a controversial person.
29:00Who?
29:02Bella Flores.
29:04I can't do that.
29:08I want a confrontation series.
29:10That's really hard.
29:12You'll break the pages.
29:14You'll contradict each other.
29:16I don't want to marry a controversial person.
29:18I feel sorry for her.
29:20She's already married so many times.
29:22Do you want to marry her?
29:24I'm happy.
29:26Let's have a match.
29:28Let me explain.
29:30In this game,
29:32we have 5 numbers.
29:34They'll choose a number.
29:36If they choose a number,
29:38we'll give them a scenario.
29:42From 1 to 5.
29:44Are you ready, girls?
29:46Let's start.
29:48Choose 1 to 5.
29:504.
29:52The rich owns the land
29:54that gives freedom to the poor.
29:58They're the poor.
30:00Choose one.
30:02I'll choose the rich.
30:04Choose one.
30:06I'll choose the poor.
30:10I'll choose the poor.
30:12I'll choose the poor.
30:16I'll choose the poor.
30:18I'll choose the poor.
30:20That's why it's smelly here.
30:22You're here.
30:24You smell like soil.
30:26Why can't you leave my land?
30:28Leave now.
30:30It's smelly.
30:32There's soil here.
30:34You feel sorry for us.
30:36We won't give you anything.
30:42Please, mom.
30:44She's already married.
30:46Look at her.
30:48I don't want anything.
30:50You don't have anything to eat.
30:52Leave now.
30:54It's smelly here.
30:56It's my fault.
30:58It's smelly here.
31:02I won't take it.
31:04Leave now.
31:06I don't want to.
31:10You don't have the right.
31:14The poor owns the land.
31:18Who's next?
31:20Julia.
31:22Me.
31:24Five.
31:26A veteran singer-performer
31:28whose ears are pierced
31:30by famous new performers.
31:32Is she Lavinia?
31:36Choose one.
31:38Who's Doreena?
31:40You choose.
31:42Fight.
31:44Don't fight.
31:46You're nothing
31:48but a trying heart.
31:50You're nothing
31:52but a trying heart.
31:56I don't have anything to eat.
32:02Let's open it.
32:04It's hard to open.
32:08I'm a proud singer.
32:10You're an up-and-coming star.
32:12You're an up-and-coming star.
32:14Who am I?
32:16You're the manager.
32:20You're the manager.
32:22You're J. Ilagan
32:24or Chanda Romero.
32:26I'm Diva.
32:28Who's Tonton?
32:30Leave now.
32:34You.
32:36You and you.
32:38You guys get out of here
32:40because you're irritating me.
32:42You're irritating me so please get out of here.
32:44And you.
32:46What are you doing here?
32:48Are you a singer?
32:50He's my manager.
32:52He's your manager.
32:54Buddy.
32:56I know you.
32:58You're this chick
33:00singing this stupid song somewhere.
33:02You know what you are?
33:04You are nothing
33:06but a second rate
33:08trying hard
33:10copy dog.
33:18I can't do this anymore.
33:20You're so annoying Julia.
33:22You're so annoying.
33:24You're so annoying.
33:26What's your number?
33:28Two.
33:30One boyfriend
33:32is stealing
33:34what his friends
33:36is stealing his boyfriend.
33:38What's that?
33:40I don't understand.
33:42In other words,
33:44he's a thief.
33:46You're a thief.
33:48You're so annoying.
33:50You're so annoying.
33:52Wait.
33:54You're making us proud.
33:58That's a part.
34:00That's a character.
34:02Me again?
34:04You're so annoying.
34:06I can't do this anymore.
34:14It's not worth it.
34:16I look better than you.
34:18What about you?
34:22You're so annoying.
34:24We're not in the States.
34:26You know what?
34:28Whatever you do,
34:30I look better than you.
34:32That's why
34:34I don't know why you call me a thief.
34:36You're not a thief.
34:38You're mine.
34:44Marge.
34:46Before we leave,
34:48you don't have any personality.
34:50This is just a guesting for fun.
34:52Mylene,
34:54what about you?
34:56You're the only one left.
34:58Three.
35:00Quiet.
35:04A grown-up
35:06real child
35:08who will leave behind
35:10his parents.
35:12In short,
35:14Gladys Reyes Mara Clara.
35:16Oh my God.
35:18I'm still a kid.
35:20Mylene is so annoying.
35:22Okay.
35:24Who will leave
35:26her parents.
35:28This is the real child.
35:30What are you doing here?
35:32Get out.
35:34You're a good kid.
35:36Get out.
35:42Get out.
35:44I don't want to.
35:46Don't leave me.
35:48Get out.
35:52Get out.
35:54You.
35:56Don't leave me.
35:58Get out.
36:00Get out.
36:02Get out.
36:04Get out.
36:06Marge.
36:10Marge.
36:12Marge.
36:14Marge.
36:16Marge.
36:18Marge.
36:20Listen.
36:22A teacher
36:24gave birth to his wife.
36:26What?
36:28Wait.
36:30He prepared you for the family
36:32and got you married.
36:34You just gave birth to your wife's child.
36:36Those four?
36:38Yes.
36:40When you tell them,
36:42I'm the wife,
36:44I'm the new Reina.
36:46Mommy.
36:48Don't tease them.
36:50Game.
36:52Hey.
36:54You four.
36:56If I gave birth to you
36:58and now we're married,
37:00I won't allow it.
37:02From now on,
37:04I'll be the one to take care of this house.
37:06Your mom is gone.
37:08I'll be the one
37:10to replace your mom.
37:12How?
37:14I'll make sure that
37:16no matter what happens,
37:18you won't get anything.
37:20Everything will go to me.
37:22Do you understand?
37:24Everything will go to me.
37:26No.
37:28Oh, is that so?
37:30I'll come back, sis.
37:32If that's the case,
37:34I don't need a store.
37:36A lot of contraband roles
37:38were chosen by countless artists.
37:40Here at SIS, we chose
37:42the top seven contrabanders of all time
37:44who are known not only
37:46for their talent in acting,
37:48but also for being a contraband.
37:52We know that they're really contraband.
37:54But what I want to know is,
37:56do they really want to be contraband
37:58in their career?
38:00No.
38:02Because before,
38:04when I started,
38:06I was kind.
38:08Sometimes, I had roles
38:10where I became a monster.
38:12Monster?
38:14Yes.
38:16So,
38:18I want to play
38:20different characters.
38:22At the moment, it's just that.
38:24At the moment, I have a bad temper.
38:26But next time,
38:28next month, next year,
38:30we'll never know.
38:32Why do you say that?
38:34Is it really tiring to be a contraband?
38:36It's really tiring.
38:38First, it's the eyes.
38:40Your jaw will stiffen.
38:42Also, being a contraband
38:44I'm always angry.
38:46Because you're a contraband?
38:48Yes.
38:50I scream and shout.
38:52It's really like that.
38:54Hysterical contraband.
38:56Mine is easy.
38:58I just shout.
39:00That's the attack that I want.
39:02I just shout.
39:04I just laugh.
39:06That's different.
39:08I don't want to be like that.
39:10It's tiring.
39:12It's always tiring.
39:14If you're given a chance
39:16to play a major role
39:18in a movie or television,
39:20what would you choose?
39:22Let's say,
39:24Mylene or Ana,
39:26I'll make you the lead.
39:28You can choose.
39:30What would you choose?
39:32It depends on the script.
39:34For me, who's more exciting.
39:36Who will do it better.
39:38Sometimes, it doesn't necessarily mean
39:40that the role is longer.
39:42For me, it's more important
39:44who I'm enjoying.
39:46Exactly.
39:48If there's a character.
39:50Contraband,
39:52it's like a spice.
39:54It's important.
39:56It's fun to choose.
39:58You can do it for a long time.
40:00Yes, it messes up the lead's life.
40:02It removes you from the movie.
40:04It's fun to be in the movie,
40:06Ana.
40:08I know that
40:10Julia Roberts is her type.
40:12She wants to be like Julia Roberts.
40:14I think it's too far.
40:16I haven't done it yet.
40:18My first ones were naive.
40:20But there's a sexy one.
40:22Is that naive?
40:24No, it's not.
40:26It's different.
40:28It's different, right?
40:30Maybe that's why I thought
40:32that I might be in the movie.
40:34My character is
40:36sexy and naive.
40:40Julia Roberts
40:42makes me feel good.
40:54What do you think is the biggest
40:56contribution of a contraband
40:58in the story?
41:00It's the story itself.
41:02Because there's no contraband.
41:04There's no conflict.
41:06There's no crying.
41:08One of the goals of an artist
41:10is to be in the spotlight.
41:12Do you think that portraying a contraband
41:14will be the way
41:16for you to be award-winning?
41:18Why not?
41:20It's easy to cry
41:22in front of other artists.
41:24But there's no contraband.
41:26It's emotions.
41:28It's mixed.
41:30There's a lot to think about.
41:32Contraband is just one look.
41:34It's very real.
41:36There's no expression.
41:38Contraband is a play on everything.
41:40Everything.
41:42I don't know where to get your anger.
41:44In your stomach, in your heart.
41:46You don't know.
41:48It's just delicious.
41:52It's very therapeutic.
41:54Yes, it is.
41:56See?
41:58What did you say?
42:00Sometimes, it helps to express
42:02your angst.
42:04Yes.
42:06It's hard
42:08when a contraband
42:10has a bad temper.
42:12Just save up.
42:14Try it.
42:16I'll try it.
42:18Okay.
42:20It's not life-inside-you.
42:22It's not life-inside-you.
42:24It's self-love.
42:26It's beautiful.
42:28That's right.
42:30I didn't know that.
42:32Anyway, thank you so much.
42:34Thank you.
42:36I just want to say that
42:38they're not real contraband.
42:40Don't be mad at us.
42:42It's just a job.
42:44Thank you.
42:46Thank you very much.
42:48Let's give a round of applause for Sis.
42:50It's delicious.
42:52I'm enjoying it.
42:54I'm trying it on our guests.
42:56I'm so happy.
42:58It's hard to be a contraband.
43:00No.
43:02When you go out,
43:04people look at you differently.
43:06It's tiring.
43:08Marjorie said that.
43:10It's tiring to work.
43:12Yes.
43:14It takes more muscles
43:16to frown than to smile.
43:18Exactly.
43:20Smile all the time.
43:22Don't be a contraband.
43:24Don't think that
43:26they're real contraband.
43:28It's just a job.
43:30It's just a role.
43:32Thank you for joining us today.
43:34We also want to thank
43:36the stars in our lives.
43:38FNH for my clothes.
43:40Youman for my clothes.
43:42Bambi Fuentes for our beauty.
43:44Of course,
43:46Wade Schuh for Glorietta.
43:48Third floor.
43:50Chloe for eyewear.
43:52Optical Works.
43:54And
43:56Medical Plaza.
43:58Dr. La Canienta.
44:00Anapolis Green Hills.
44:02Who else?
44:04Salon Di Manila.
44:06Thank you.
44:08Thank you.
44:10We'll be back next time.
44:12Bye.
44:14Who's the real contraband in your life?
44:16Sis would like to thank
44:18Bambi Fuentes for our hair
44:20and makeup.
44:22FNH Folded and Hung.
44:24Wayless Center.
44:26Adidas.
44:28Chloe for our eyewear.
44:30Optical Works.
44:32BR Chua Enterprises.
44:34680 Home Appliances.
44:36Jurastar.
44:38La Germania.
44:40Youman for my clothes.
44:42Salon Di Manila.
44:44Janeline Shoes.
44:46Under the Sea Pet Shop.
44:48Play and Display.
44:50And Union Square.
45:18Huh.