Raayan மூலமா Dhanush வன்முறையை தூண்டுறார் - Journalist Kodanki | A.R.Rahman | Filmibeat Tamil
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00:00There is no story at all.
00:02The line that they have taken is a story that we have already seen a lot in Tamil cinema.
00:08As soon as the second half of the film started, they started giving comments to the audience.
00:13What kind of family is this? What kind of story is this?
00:17All of them are the best characters.
00:19We can't say anything less about any of them.
00:21But in the place where all the characters work properly,
00:25A.K. Kunwar has left a mark.
00:27This is the story of this film.
00:31In all the places, only Rayan should be visible to us.
00:34He should be in full screen.
00:36They are killing each other.
00:38And Dhanush is killing each other with a stick.
00:41The police are not coming at all.
00:44There are people like Arun Maheswaran and Captain Miller.
00:48Dhanush's friendship with them has increased a lot now.
00:51So, we don't know what they think.
00:54He started doing it.
00:55When you look at the audience, the quality of the film is on another level.
01:00The first audience are the young people.
01:03They are also the fans.
01:04Even if you throw garbage in their eyes,
01:06they will say that it is made of copper or glass.
01:12A.R. Rahman was the one who took a lot of effort to make this film.
01:19He has worked very hard to make this film successful.
01:30Sir, Vanakkam.
01:31Vanakkam.
01:32Dhanush's 50th film, Rayan, has been released.
01:35You must have seen the film.
01:37What did you like about the film?
01:39Dhanush's hard work.
01:41He has stood as an actor till the 50th film.
01:47He is a director.
01:49He has already proved that he is an actor.
01:51He proved it through Power Pandi.
01:53So, this film is a big anticipation.
01:55He would have done well.
01:57Most of the famous actors in those years
02:01don't give much importance to films like 25th, 50th, 100th, 75th.
02:07Some actors do.
02:09Most of them are actors.
02:11For some, the film will be a hit.
02:13Vijay Sethupathi's 50th film, Maharashtra, is on another level.
02:17It is still in the collection.
02:19For some, it is like that.
02:21Most of them don't go.
02:23We expected this film to be like that.
02:25There is a lot of violence in the film.
02:27There is a lot of A content.
02:29We didn't have the initial information
02:31about why he should go into violence.
02:33It happened in the shooting spot.
02:35We had told him a lot.
02:37I saw the film.
02:39A person who has a very bad image
02:41in the film, in my opinion,
02:43is A. R. Rahman.
02:45His background music,
02:47his background music is more important than the song.
02:49He has a very bad image.
02:51He has worked hard to make this film a hit.
02:53He has worked hard to make this film a hit.
02:55He has worked hard to make this film a hit.
02:57But, the things he worked on
02:59are for the audience,
03:01for the family audience,
03:03for the neutral audience.
03:05I don't count the youngsters.
03:07They will go to watch the film.
03:09Only if there is a repeat audience,
03:11a family audience, the film will be a hit.
03:13The people on their side
03:15will come into this film.
03:17There is a lot of blood.
03:19In terms of characterization,
03:21everyone is the best character.
03:23We can't say anything bad about anyone.
03:25But, for all the characters,
03:27the one who works the hardest
03:29is E. K. Kunwar.
03:31Dhanush in the film.
03:33He is E. K. Kunwar.
03:35He is a very good actor.
03:37In all the places,
03:39only Ryan should be visible.
03:41He should be in the screen.
03:43He should be everywhere.
03:45Even if there is a fog,
03:47Ryan should be visible.
03:49Everyone should be hidden.
03:51They have done a lot of films
03:53in the dark.
03:55They have done a lot of films
03:57in the night.
03:59There is a great actor,
04:01S.J. Surya.
04:03Abrana Balamurli.
04:05Dushara.
04:07Saravanan.
04:09Selvaraghavan.
04:11Selvaraghavan is a good actor.
04:13But, he didn't use him well.
04:15I don't know if he used him
04:17in a new way or not.
04:19All the characterizations
04:21like Sandeep's character,
04:23Kalidas' character,
04:25all of them used
04:27the weightage of their characters
04:29correctly.
04:31They reduced the weightage of
04:33Ryan and gave them scope.
04:35Varalakshmi's character.
04:37They have a good scope.
04:39It was disappointing for me
04:41to use them correctly.
04:43But, only if there is a story,
04:45they will have a lot of courage.
04:47There is no story.
04:49There is no line.
04:51The line they have taken
04:53is a story which
04:55Tamil cinema has already seen.
04:57It is a story which has been
04:59seen for a long time.
05:01It is a story which has been
05:03seen for a long time.
05:05It is a story which has been
05:07seen for a long time.
05:09Actually, when I was watching
05:11the first half of the movie,
05:13I didn't watch it in a media show.
05:15I watched it with a theatre audience
05:17to know their pulse.
05:19I watched the movie
05:21to know their pulse.
05:23There were no comments
05:25till the first half of the movie.
05:27They were enjoying the movie.
05:29As soon as the second half
05:31of the movie started,
05:33they started giving comments
05:35to the audience.
05:37What kind of a family is this?
05:39Will they be together?
05:41Will they go against the villain?
05:43Many such comments
05:45were coming from the audience.
05:47None of that happened.
05:49They got tired when the movie
05:51was going to end.
05:53It is running at this level.
05:55But, the dialogues
05:57and the lines
05:59are full of mistakes.
06:01I don't know why this dialogue is there.
06:03They always take a lead
06:05in a story.
06:07There should be an end
06:09to the lead character.
06:11There should be an end to the starting point.
06:13The parents
06:15go out in the evening
06:17in a black and white culture.
06:19They take them out
06:21like a flashback.
06:23But, the parents don't come back.
06:25Then, he brings the kids
06:27to Chennai.
06:29Then, he grows up with his brother.
06:31He becomes like Rayanna.
06:33He becomes a don
06:35and gives you fried rice.
06:37Many such things
06:39are seen in English movies.
06:41It is like a frame by frame.
06:43What happened to the parents?
06:45Did they die in an accident?
06:47Did someone kill them?
06:49If the parents don't come back,
06:51will the kids take the train
06:53or bus to Chennai?
06:55Won't they go to the police?
06:57Such questions arise.
06:59Even if you don't
07:01look at the logic of cinema,
07:03you will get a question
07:05whether it is justified or not.
07:07What is worse than this is that,
07:09they kill them one by one.
07:11Dhanush kills them with a stick
07:13like a needle.
07:15He stabs them with a stick
07:17like a needle.
07:19He stabs them with a rubber
07:21stick like a post office.
07:23The police never come back.
07:25But, the police say
07:27that they are suspicious of him
07:29and that they should follow him.
07:31In the climax,
07:33they give him a pistol.
07:35It is like giving him an assignment.
07:37You kill him and I will save you.
07:39He returns to get money
07:41and he is waiting to shoot him.
07:43As usual, he comes with a kid
07:45and leaves with a kid.
07:49Before marriage itself,
07:51when we are in love,
07:53we do all the work.
07:55In Tamil cinema,
07:57there are some actors
07:59who have already shown in many films
08:01that you can be with a girl
08:03even before marriage.
08:05In that context,
08:07the character of Sandeep
08:09happens even before marriage.
08:11After that,
08:13a girl returns the kid
08:15saying that she doesn't need
08:17the blood child.
08:19How can we allow that?
08:21Cinema doesn't need any justice.
08:23There are so many holes
08:25in this story.
08:27Even after so many years,
08:29the quality of the audience
08:31is at another level.
08:33The international level is tough.
08:35The question is
08:37what you are going to say
08:39to the society today.
08:41It is a big production company.
08:43They don't have the quality.
08:45They can't give a technical sound
08:47even if you ask them to.
08:49They have spent a lot.
08:51It is a huge set.
08:53It is a complete set.
08:55There is a song in the climax.
08:57Thousands of people are dancing
08:59to that song.
09:01Everything is correct.
09:03But the characters,
09:05the hero, the actor,
09:07the millions of fans
09:09who follow him,
09:11let's not underestimate them.
09:13There are so many people
09:15who follow him.
09:17What do you say to them?
09:19You poke them with a needle
09:21and ask them to fry rice
09:23for you.
09:25Your brothers and sisters
09:27will turn against you.
09:29Kill him by stabbing him
09:31in the heart.
09:33What else can you say?
09:35Even if the sister is affectionate,
09:37at least the sister should
09:39show a strong bonding
09:41in the story.
09:43When he was a kid,
09:45he was roaming around with a milk carton.
09:47There is no bonding between them.
09:49They don't even talk to each other.
09:51There is a kind of affection
09:53between them.
09:57I will not underestimate
09:59the audience.
10:01The first audience
10:03are the young people.
10:05They are the fans.
10:07Even if you throw garbage in their eyes,
10:09they will say that it is garbage.
10:11We can't underestimate that.
10:13After the first day,
10:15the second day,
10:17the repeat audience,
10:19the family audience
10:21will get their
10:23original review.
10:25They are the ones who decide
10:27rather than us.
10:29They are the ones who judge
10:31rather than us.
10:33They will decide whether
10:35to watch the movie or not.
10:37Why are we again
10:39in this opinion?
10:41Especially in Tamil Nadu,
10:43the culture of one-way
10:45has increased everywhere.
10:47There is no security
10:49for the party leaders.
10:51Recently,
10:53there was an incident.
10:55In Tamil Nadu,
10:57the culture of gang war
10:59has increased.
11:01The culture of one-way
11:03and rowdyism has increased.
11:05In this situation,
11:07many things
11:09can be easily
11:11reached to the people
11:13through films.
11:15What do you say to
11:17lakhs and crores of people?
11:19What is Dhanush going to say?
11:21This is the question.
11:23The entire responsibility lies
11:25with the EC.
11:27If Dhanush is saying this,
11:29we have to say it.
11:31I won't blame him alone.
11:33The production company
11:35which took this money
11:37is in the government and
11:39in politics.
11:41They are spending more
11:43on the media.
11:45They are supporting this.
11:47It's okay.
11:49Let it be.
11:51The CEO of the company
11:53has seen this film
11:55once or twice
11:57and said it's okay.
11:59We can change it later
12:01when we change the satellite.
12:03So,
12:05there is no continuity
12:07in this.
12:09If we take one thing,
12:11it has to end.
12:13The lead has to end.
12:15All the characters
12:17are disappearing.
12:19We don't know
12:21what will happen
12:23to S.A. Surya's character
12:25who is kidnapped.
12:27We don't know what will happen
12:29to Varalakshmi's character.
12:31We don't know what will happen
12:33to the missing parents.
12:35What will happen to this city
12:37if he gets into a lorry?
12:39Many things have happened.
12:41Suddenly,
12:43Prakash Raj comes as a police officer.
12:45Then, he suddenly disappears.
12:47He suddenly disappears.
12:49Where is he?
12:51He is not even a police.
12:53He is not even a medicine.
12:55Someone in the village
12:57will say this.
12:59When they take rice and water
13:01to the fast food shop,
13:03they say,
13:05they killed Durai.
13:07We know that.
13:09We inform them.
13:11Only then, the police will go in.
13:13We can't even plant flowers.
13:15We can't even plant flowers.
13:19Do you think
13:21Ekunara Dhanush has improved?
13:23As far as I'm concerned,
13:25I think he should learn
13:27more than he has improved.
13:29If he wants to become
13:31a successful director,
13:33it will only lead him
13:35to a bad path.
13:37But he wants to achieve
13:39something good in cinema.
13:41He should have everything.
13:43He should have love,
13:45lust, comedy,
13:47action.
13:49He could be like Urga.
13:51We can't even make him
13:53look like food.
13:55In that context,
13:57I have a doubt
13:59if Ekunara Dhanush
14:01made a film called Power Pandi.
14:03How could he
14:05make a film
14:07so easily?
14:09If you look closely,
14:11you will know that
14:13if they make a film in the dark,
14:15it means they are afraid.
14:17A person who doesn't have
14:19confidence in his story,
14:21will make a film in the dark.
14:23You can compare it
14:25with the successful Ekunaras.
14:27For example,
14:29Maniratnam,
14:31he will make a film in the dark.
14:33He won't go wide.
14:35He will be in control.
14:37You can only see his face in 70mm.
14:39He won't go wide.
14:41He doesn't know how to make a film in wide.
14:43Don't think that I am talking about Maniratnam.
14:45If you look closely,
14:47you will know that
14:49he will turn many things
14:51into small dialogues.
14:53That is why
14:55Maniratnam is a successful Ekunara.
14:57He is deceiving us all.
14:59If you look closely,
15:01you will see that it is dark
15:03even though there is a lot of light.
15:05So, you will be able to guess
15:07who is who.
15:09Rayan, Dhanush will stand alone.
15:11Even if he is stabbed,
15:13he will be able to stand.
15:15Another atrocity is that
15:17he gives a knife to the heroine
15:19and asks her to cut his leg.
15:21Dushara is cutting a tree.
15:23Why is she doing that?
15:25At the end, a person cuts his leg.
15:27She is trying to cut his leg.
15:29She is trying to cut his leg.
15:31Even if we say it as a joke,
15:33it is a very sad thing.
15:35Dhanush didn't expect this.
15:37Dhanush didn't expect this character.
15:39Dhanush didn't expect this story.
15:41I feel that he should have
15:43done better than this.
15:45I don't know why he did this.
15:47If this film
15:49is successful
15:51for him,
15:53if he is satisfied,
15:55the next stage of Tamil cinema
15:57will be a one-time culture.
15:59We cannot travel
16:01in a bloodbath.
16:03We cannot move
16:05to the next stage.
16:07Power Pandya is a beautiful love story.
16:09If he had done such a film,
16:11Dhanush wouldn't have been
16:13in such a bloodbath.
16:15There is an old saying,
16:17Kooda Nattu Theedai Mudiyum.
16:19In Kooda Nattu,
16:21there are people
16:23who kill people
16:25by stabbing them,
16:27tying them to a pillar and
16:29killing them with a bomb.
16:31Are you talking about Vettrimaran?
16:33I haven't finished yet.
16:35We can accept Vettrimaran.
16:37He will mix everything
16:39that happens in art.
16:41In the climax of the film,
16:43he will say,
16:45whatever you have,
16:47they will take it.
16:49If you have education,
16:51they will send you.
16:53Beyond that,
16:55there are people like Arun Maheswaran
16:57and Captain Miller.
16:59Dhanush has become
17:01very close to them.
17:03So,
17:05we don't know what they think.
17:07He started doing it.
17:09There is a film called Captain Miller.
17:11He made a film before that.
17:13What else has he done
17:15other than Vanmuri?
17:17There is no other story
17:19other than Vanmuri.
17:21Saravanan's character
17:23was shuttled.
17:25Even I am better than him.
17:27This character will travel
17:29in a different way till the end.
17:31In the first half,
17:33they finish the character.
17:35When S. A. Surya comes,
17:37that character will be bigger.
17:39If you look at the history of
17:41most of the successful films,
17:43the villain's action
17:45will be bigger
17:47than the hero.
17:49At the end,
17:51the hero will use a twist
17:53to kill the villain.
17:55In this film,
17:57Dhanush is neither a villain
17:59nor a hero.
18:01He is immersed in everything.
18:03That's why this film
18:05gets into this category.
18:07S. A. Surya is a great actor.
18:09Do you think he is a comedian
18:11or a villain?
18:13He is a comedy piece.
18:15He is a comedy piece.
18:17He is a comedy piece.
18:19Even if he is a comedy piece,
18:21he is worse than a comedy piece.
18:23He is shuttled.
18:25He gets up as a villain.
18:27S. A. Surya,
18:29I didn't expect this from you.
18:31He is shuttled.
18:33Another thing is,
18:35the people who raised him
18:37like their own children
18:39turn against him.
18:41It is a painful thing.
18:43What has happened here
18:45that they have to take revenge?
18:47It should have been done in a bigger way.
18:49He has thought about it in the story.
18:51Our brothers...
18:53It was said in the story
18:55that our brothers turn against us.
18:57We need a more depressing scene for it.
18:59The sister is hitting the brother
19:01to tell him how he hit him.
19:03What was the bonding
19:05that you had before?
19:07They were making small mistakes.
19:09They were raising a big brother
19:11and he was getting beaten up.
19:13He was getting beaten up
19:15from the beginning.
19:17He was saying that he was not worth it.
19:19When he asked for a job,
19:21this is a typical cinema template.
19:23If he doesn't get a job,
19:25he will join the villain.
19:27This is a template in Tamil cinema.
19:29There is a character called Kalidas.
19:31He is the last brother.
19:33Why is he suddenly hitting Dhanush?
19:35What has happened now?
19:37He is standing in the election.
19:39He is saying that they don't need him
19:41in the college.
19:43They will kill him.
19:45Dhanush is talking about philosophy there.
19:47He is doing a job
19:49to make his brother look good.
19:53The character who said that
19:55is the one I like.
19:57They are making a dialogue
19:59about respect like a father.
20:01This is there, isn't it?
20:03Why did you make all this?
20:05What is the final solution
20:07to this problem?
20:09Will they kill a person
20:11who looks like a father?
20:13No matter what positive things
20:15you get,
20:17you have a responsibility
20:19to explain why the movie
20:21has been made like this.
20:23You are the best actor in the world.
20:25You are a great actor.
20:27You have a name and respect.
20:29Dhanush is the one they expect from you.
20:31Why are you going like this?
20:33This is a matter that
20:35has to be done by responsible people.
20:37Why do you want to make a movie
20:39like this?
20:41This is a job that
20:43has to be done by responsible people.
20:45Why do you want to do this job?
20:47You could have been an actor.
20:49You could have made a movie
20:51with someone else.
20:53You could have just acted.
20:55In your 50th movie,
20:57in a movie that should have
20:59an identity,
21:01do you need a blood donation?
21:03How do you feel about this?
21:05In my opinion,
21:07Rayan has definitely
21:09failed because he wanted
21:11to show his love.
21:13If the parents are gone,
21:15the children will run to
21:17the elders of the village.
21:19If you don't know the details,
21:21you will end up in the police station.
21:23This is art.
21:25When you make a movie,
21:27do they leave you there?
21:29Cinema is illogical.
21:31Even if you get a train, bus,
21:33lorry or a car,
21:35they will leave you there.
21:37After two days,
21:39what will the parents do?
21:41They will leave you there.
21:43I am coming back to
21:45the starting point.
21:47If you ask me whether Rayan is
21:49a good or bad person,
21:51since there are many doubts
21:53in this question,
21:55let the audience decide
21:57whether he is a good or bad person.
21:59This one-way culture is
22:01increasing day by day.
22:03How can we accept this
22:05if you come together
22:07to express your opinion?
22:11Another thing I felt
22:13is that a person who
22:15talks a lot in the cinema,
22:17always talks a lot,
22:19but now he is
22:21quietly working.
22:25He will not talk
22:27at all.
22:29He is our Dhanush.
22:31He talked a lot in the audio lunch.
22:33The person who does not talk
22:35is Simbu.
22:37He will not talk unnecessarily.
22:39Now he does not talk at all.
22:41He will not talk at all.
22:43He is our Dhanush.
22:45In the audio lunch,
22:47he talked a lot.
22:49At that time,
22:51everyone had a doubt.
22:53Why does he talk unnecessarily?
22:55When he was making the film,
22:57he was vibrating a lot.
23:01His bravery did not come out
23:03in the film.
23:05It was obvious that
23:07he talked a lot.
23:09Now I can understand
23:11why he talked a lot.
23:13I can understand now
23:15why he talked a lot.
23:17We cannot pass this easily.
23:19Tamil cinema needs
23:21more people to learn.
23:23We need more people
23:25to guide us.
23:27Definitely,
23:29this is a request to all.
23:31Please reduce the number of
23:33insults.
23:35But please tell it to a minimum.
23:37People are following you.
23:39Do you know who is following you?
23:41It started on the 100th day.
23:43In Auto Shankar,
23:45how did you do it?
23:47How did you enter the South?
23:49Sir, I saw the film on the 100th day.
23:51There is a witness
23:53who said that he would not get caught
23:55if he did it.
23:57Recently, there is a film called
23:59Haran. In that film,
24:01many things happen
24:03wearing Swiggy's costume.
24:05In Armstrong's murder,
24:07people wear Swiggy's costume.
24:09So, everyone started
24:11seeing cinema as a force.
24:13There are people who accept
24:15good things.
24:17But 90% of them
24:19don't accept good things.
24:21There is a film called Sadaranga Vettai.
24:23It is not wrong to
24:25point out many mistakes.
24:27But we should not follow it.
24:29That is what we are afraid of.
24:31Thank you very much for
24:33sharing your thoughts on Rayan.
24:35Thank you.