مسلسل فيولا الحلقة 5 الخامسة مدبلج HD
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00:00This is the truth.
00:04These are the pictures of the suspect we are investigating.
00:08Now we have some assumptions, but of course we need witnesses to prove them.
00:14Take your time, Farah, and try to remember if you see anyone of them.
00:20Yes.
00:22Take your time, Farah, and try to remember if you see anyone of them.
00:41I can't breathe.
00:51Some people think they know the truth.
01:01Every year you are not well, Elia, and a hundred years of suffering.
01:10Calm down, Viola. From this day on, your motto is calm.
01:20Calm down, Viola.
01:37The truth hurts those who have suffered.
01:45How do you feel?
01:48I feel a little better. Thank you.
01:54This is the cathedral. It reminds me of my hometown.
01:58My mother used to bake a cake every Sunday.
02:04Sometimes I feel like I can smell it.
02:07I know you are tired of seeing the pictures,
02:11but this is the only way to find out who brought you here.
02:15Should we try again?
02:20Good morning.
02:23I want to go inside.
02:28How are things going?
02:30It's not that simple.
02:32Of course it's not. I've been through it all.
02:36I don't have time. She doesn't know anything.
02:39They will transfer her to a safe place in 48 hours.
02:43For this reason, I need your help.
02:48I'm ready.
02:50I need Farah to feel safer.
02:53And when you go up to the terrace, calm down a little.
02:56But we have to be alone.
02:59You mean I can't go up to the terrace and sleep?
03:04Just for tonight.
03:07Okay. I have a very important appointment this evening.
03:11Wait for me to get dressed.
03:14This is the first time I'm going out on an appointment since I came to this city.
03:22I told you not to worry.
03:30No one knows what we did.
03:32Truth is, for some people, it's like shelter.
03:35We do everything we can to protect them, even death.
03:42I'm sorry.
03:44I'm sorry.
03:46I'm sorry.
03:48I'm sorry.
03:50I'm sorry.
03:52I'm sorry.
03:54I'm sorry.
03:56I'm sorry.
03:58I'm sorry.
04:00I'm sorry.
04:02I'm sorry.
04:04I'm sorry.
04:06I'm sorry.
04:08I'm sorry.
04:10I'm sorry.
04:40I'm sorry.
04:42I'm sorry.
04:44I'm sorry.
04:46I'm sorry.
04:48I'm sorry.
04:50I'm sorry.
04:52I'm sorry.
04:54I'm sorry.
04:56I'm sorry.
04:58I'm sorry.
05:00I'm sorry.
05:02I'm sorry.
05:04I'm sorry.
05:06I'm sorry.
05:08I'm sorry.
05:39What do you mean?
05:41He was 25 years old.
05:43It's obvious that he's older than that.
05:45His name is Renero. He's the owner of the farm I went to to look for my father.
05:49What do you care how old he is?
05:51I don't care, but I heard you talking about his age by chance.
05:55Is he a suspect in the crime?
05:58I want to talk to the employees to see if I can help you.
06:03Giuliano Solventi's factory has a complicated history.
06:07The owner of the factory has been accused of using sandstone to make tools.
06:12Of course, this is dangerous to people and the environment.
06:15He was sentenced to work at the factory after he was found guilty.
06:18He was imprisoned by the manager of the factory, but then his brother Sabilo.
06:21He will get what his brother Sabilo deserves.
06:24Good morning.
06:26Francisco?
06:28Domenico Parisi.
06:30You have to come with us to the center.
06:32Can I know why?
06:34We have a few questions about Umberto Caruso.
06:49What are you waiting for? Go do your job.
06:53Francisco?
06:55Wait a minute.
06:57Domenico and Umberto Caruso.
06:59He was going to publish an article about the factory in two days.
07:02Of course, the goal is to shut it down completely.
07:05Could he have told you?
07:09What I did is a secret investigation.
07:12I collected detailed data that clearly shows the factory's relationship
07:15to the infection of some employees with cancer.
07:18And I didn't want anything to hinder this investigation.
07:21But the court acquitted Caruso and the owner of the factory.
07:24He proved that he had no knowledge of illegal transactions.
07:27But he couldn't prove that he had nothing to do with the factory's internal security procedures.
07:31And I was sure that this time he would fall.
07:33But you had a problem with Caruso, didn't you?
07:36Just like he had a problem with you at the same time.
07:40Make it clearer.
07:45Show me my message.
07:47Stop the investigation or your wife in the future will find out about your relationship with the infertile woman.
07:54But Mr. Caruso sent you this message before he died that day.
07:57And as you can see, I didn't reply because I won't allow anyone to insult me.
08:01Mr. Parisi, can you tell me who this woman is who told us about Caruso in his message?
08:06I think this is not part of the investigation.
08:09And I don't have to reveal her identity.
08:12Okay, but you will have to reveal something.
08:15Where were you last night?
08:17At home.
08:19Alone.
08:20That's why, unfortunately, I won't be able to prove this to you.
08:33I'm sorry, I can't tell you what happened, because Parisi is your colleague.
08:37I mean, there is a personal side.
08:39Parisi is my colleague, that's right.
08:41That's why you might need me for something.
08:43And as long as I left him, I didn't find any evidence against him.
08:47I asked him a question about Caruso.
08:49But I have some doubts about his behavior.
08:52I feel like he's protecting someone.
08:54Who?
08:55That woman he promised with Palermo.
08:58I don't want to reveal her identity.
09:02Tell me who she is, and we'll talk about it.
09:07We'll talk about it.
09:09Let's go.
09:15Come in.
09:16Did you lose something, Claudia?
09:18I lost my ring.
09:20Do you know what happened to it?
09:22He was suspicious that he had something to do with Caruso's death,
09:26because he was investigating the factory until he got an order to arrest him.
09:30And it seems that he has a strong relationship with someone who doesn't want to reveal her identity to the police.
09:35Do you have any idea about it?
09:37No, why?
09:38They've been working together for a long time.
09:40We'll work together, but I don't want to interfere in his private life.
09:55Are you okay?
09:56Of course not.
09:58First, I'll arrest Rizzo, and now I'll arrest Domenico.
10:01When the investors find out about this, we'll be in trouble.
10:05But if we can prove that he's innocent of this accusation,
10:08and that he was investigating a journalist who doesn't have the right to do this,
10:12this will be in our best interest.
10:15And we won't lose anyone.
10:19By the way, the truth has more than one side.
10:24Claudia stopped him from doing his job.
10:26She asked him to stay in the house for a few days.
10:29And do you really think he has anything to do with Caruso's death?
10:32I don't believe that.
10:34I'm sure you're talking about Domenico.
10:36You know him well, don't you?
10:38We've worked together for a few years.
10:40And I know that he's ready to do anything to become a journalist.
10:43Why are you talking about him like that?
10:45His name is Hassad.
10:46Because Domenico is a professional journalist.
10:49On the contrary, some people we see their names on the headlines.
11:00Who is it?
11:01Hello, I'm Viola.
11:05If you're here to know something,
11:07I told the police everything.
11:09Go and ask them.
11:10Don't lie, Domenico.
11:11You didn't tell them everything.
11:13Can you tell me why?
11:18You still don't know me, Domenico.
11:20I can't stop you.
11:23If I didn't tell you now,
11:24they would consider you a partner in the crime and judge you.
11:27Who are you hiding from?
11:29I'm not hiding from anyone.
11:31Not even that woman you're dating?
11:33You didn't reveal her identity during the investigation.
11:36Because she's involved in this crime and you don't want them to arrest her.
11:39Viola, there's no need to repeat myself.
11:41I told you, I have nothing to say.
11:45Excuse me, I have work to do.
11:53Excuse me, don't take me.
11:56Excuse me, don't take me.
12:05Isn't this episode for Claudia?
12:10You're dating her, aren't you?
12:12Claudia has nothing to do with this.
12:15Leave her alone.
12:16So you weren't together yesterday?
12:18No.
12:19Who were you with?
12:22Domenico, don't forget that I'm a journalist.
12:25Tell me the truth or I'll have to write it from my point of view.
12:31I was with an informant yesterday.
12:33I didn't tell the police so I wouldn't reveal his identity.
12:37And I don't want anyone to know until I'm done.
12:40Why don't you want anyone to know?
12:43Madame Fricano,
12:4412 years ago you worked as a secretary for Mr. Caruso, right?
12:47Yes, that's right.
12:49Did he talk to you for a few days?
12:52No, I haven't talked to him in a long time.
12:54That's strange.
12:56Because your number is in his cell phone.
13:00I spoke to him a few days before he was killed.
13:04And you were also in contact with Domenico Parisi, the journalist.
13:09Can you explain that to us?
13:13I'm helping him investigate the journalists who are working on the factory.
13:17Yes, and you were together yesterday?
13:19Yes.
13:21I got there at 11 p.m. and left at 3 a.m.
13:25And I didn't tell you because I didn't want anyone to know that I was helping him.
13:29And I didn't want him to get me in trouble.
13:31Why? What did he do to get you in trouble?
13:33I was the secretary of Mr. Caruso and I was in charge of human resources.
13:37At the time, there were a lot of cases of sudden arrests.
13:40And I dealt with the matter in a normal way.
13:44Until Domenico came and explained to me the reason.
13:47These people were diagnosed with cancer and he gave them money and other things.
13:53And that's why I decided to help Domenico.
13:55And what did you do?
13:56I went back to Palermo and contacted Humberto to find any information or any small evidence of this.
14:03And of course, I can ask Parisi questions he can't ask.
14:07And did Humberto know about your cooperation?
14:09No, he thought our meetings were just a coincidence.
14:13Well, tell me what you talked about at the end of the call.
14:21I don't remember, Benob. Don't take me.
14:27You can go. If we want to talk, we can ask you.
14:37What did you think of his words?
14:39It's obvious that he's trying to hide something from us.
14:41And we have to find out as soon as possible.
14:57Unbelievable.
14:59Excuse me. I'm so sorry.
15:01But I'm stuck with my hair and I don't know how to untie it, Benob.
15:04Let me help you.
15:06Come.
15:07Yes. Thank you.
15:08Thank you.
15:11You're late for work.
15:12Yes, because I was chasing a former employee at Caruso's.
15:15It's obvious that she's hiding something, but I couldn't find out.
15:19What happened to the red dress?
15:23I'm more comfortable in these clothes.
15:28But wouldn't I be much closer to you if you knocked on my door in my room?
15:35Tell me, what's so special about me?
15:37What's special about you is that I can't love you day by day.
15:41Because he's still young, isn't he?
15:43He's still young, but he's right.
15:46He's a big problem for my age.
15:49But I'm afraid that you love me.
15:52Who said that?
15:54You don't have any of the qualities of a dream girl.
15:57For example, your love is something important and secondary.
16:01But my weakness is that when I love someone, I love him from my heart.
16:08Anyway, Farah isn't just a witness.
16:12It means that this girl was tortured and suffered.
16:15I know that you care about the investigation's success.
16:18But keep an eye on her, please.
16:37Thank you.
16:56When you wrote to me that we'd meet at your house, I didn't expect it to be this nice.
16:59I'm very happy that you like it.
17:02It's true that there's no sushi or cafe near this place.
17:05But it's impossible to replace the fresh air with anything else in the world.
17:09When I was a kid, my mother used to take me to my grandfather's house.
17:12They lived in the countryside near Palermo.
17:15There's the same smell here.
17:16The cold?
17:17Yes, that's right.
17:18There's no such smell in the city.
17:21You know...
17:25You're very beautiful.
17:27And you're beautiful.
17:29Would you like to hug me?
17:32Yes?
17:33Yes.
17:35Thank you.
17:41Okay, let's get down to business.
17:43Did you get any useful information?
17:46You can say that.
17:47I talked to my father, but he didn't recognize the man in the picture.
17:50We're trying to get in touch with the guard who worked here 25 years ago.
17:53He might be able to remind us of something important.
17:5525?
17:56Yes, not you.
17:57Of course.
17:58Okay, I'm 25 years old.
18:00Can you help me?
18:01Here you go.
18:05Yes, and I was trapped in the jungle with the cow.
18:07And the worst thing is that she was going to give birth to another baby,
18:09and I was going to lose it.
18:12I really lost it.
18:13If they hadn't found me, it would have been a disaster.
18:17And also...
18:18One moment.
18:19I'll be right back.
18:23Hello?
18:25Babi?
18:27Babi?
18:28Babi?
18:30Babi?
18:34Wow!
18:35You speak French well.
18:36I learned French when I studied in Belgium.
18:40I also had a French friend, but...
18:43He just got here.
18:47Do you have children?
18:49No, no, I mean the children who visited the farm.
18:51I mean, I started a teacher's farm for students.
18:54Really?
18:57And now...
18:59I'm ready to have fun.
19:03Look, this is the second reason why I never leave this place.
19:07This place is heaven.
19:08This is the only way to the farm.
19:13I usually sit here alone, but this time...
19:16You're here with me.
19:19Come on.
19:20The last one to get into the water will have dinner next time.
19:29Come on.
19:34Come on, swimmer. Don't stop.
19:41Come on, come on.
19:42One moment.
19:45What?
19:49I can swim, but you were going to scream if a rock fell on your leg.
19:53Maybe it's time to break it for you.
19:59Yes, I'm here.
20:02Thank you for the ride, Raneiro.
20:04You're welcome.
20:08I just wanted to make sure you got home safely.
20:18Bye.
20:29Bye.
21:00Phone rings.
21:25When did you invite me to your kitchen when the lights went out?
21:28Ever since you asked me not to bother a mouse in your house at night.
21:32Would you like some coffee?
21:34Coffee?
21:35You really call that coffee?
21:36With a lemon?
21:38Yes, here you go.
21:42No, this is too old.
21:45No, it's because it's much more valuable.
21:48I wish my son, who spent the night with me, knew about these things.
21:52I mean, the walls of the building are very thin, Viola.
21:57Anyway, do you know who Dominico's girlfriend is?
22:01Who?
22:02Claudia, the president of Tahrir.
22:04No one knows about this, and they weren't together that night.
22:07I know.
22:09Because Dominico was with the former employee at Caruso that night.
22:13I told you about him.
22:14Gloria Fricano, and she's the source of his information.
22:17In your opinion, could she be involved in the crime?
22:19I don't deny that.
22:20Because there were feelings between them when she worked for him, but not now.
22:23She's in a relationship with someone else.
22:25It's possible that Caruso knew about this, and there was a problem between them.
22:29But we need someone to be able to reveal the whole truth to us.
22:34What do you think?
22:35Should I write your name?
22:36I memorized it.
22:37Gloria Fricano, easy.
22:38But in this case, did Dominico turn out to be an innocent person?
22:41No, we can't reveal the whole truth yet.
22:43But in this case, did Dominico turn out to be an innocent person?
22:46No, we can't reveal the whole truth yet.
22:50So, there's a possibility that he's a fraud.
22:54Fraud?
22:55Humberto Caruso.
22:56He threatened to tell his future wife about his lover.
22:59Why? Is he going to get married?
23:00He's going to marry a very beautiful British girl.
23:03They live together in London. Didn't you know?
23:06That's why I don't trust men.
23:08You're right about men.
23:10But...
23:12Your boyfriend doesn't want to have breakfast.
23:15He's busy. He can't make it.
23:17But he left without saying goodbye.
23:21Excuse me.
23:22Since you don't trust men, you're using your sensitivity with Raniero.
23:27So that you don't surprise his son.
23:29No, there's no need for that.
23:31I mean, our relationship isn't serious.
23:34You know how people feel.
23:36We don't get along very well.
23:38Okay.
24:08Hello?
24:09Hello, this is Viola.
24:10Hello, Viola.
24:11The network is weak here and I'm working.
24:13Can you call me back?
24:14I'm busy.
24:15Okay.
24:16I'll call you back.
24:17Okay.
24:18I'll call you back.
24:19Okay.
24:20I'll call you back.
24:21Okay.
24:22Bye.
24:23Bye.
24:24Bye.
24:25Bye.
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35:14Bye.
35:15Get me out of here.
35:17The men who took you and your sister,
35:19their pictures are among these pictures.
35:21They are still free.
35:22That's why we have to stop them.
35:23And I need your help to stop them.
35:41Honey, I didn't want to bother you at all.
35:43But I think I forgot my bag here.
35:49Honey, I didn't want to bother you at all.
35:51But I want to take my jacket from you.
35:53How can I touch my jacket?
35:55Honey, I didn't want to bother you at all.
35:59Goodbye.
36:00You are a liar.
36:14Goodbye.
36:21Viola, what are you doing here?
36:23First of all, Raniro, I want to take my jacket from you.
36:25What do you want with the jacket now?
36:27Who said the jacket?
36:28I was saying that I came to take my bag.
36:30I think I forgot it here.
36:32What were you doing?
36:33Why are you standing here, Raniro?
36:35Nothing, I'm working.
36:43Right.
36:45Like anyone else.
36:46Like who?
36:47I mean, like you.
37:04Smoking hurts you.
37:07I know.
37:08But it makes me calm.
37:10So I don't do bad things.
37:12Can I take one?
37:15I'm kidding.
37:20I saw Raniro again.
37:23When I asked him, he told me he was working.
37:26And I used my sense of humor.
37:29And he turned out to be a liar.
37:32That's why I decided not to use it on people who care about me.
37:36And I fell into the trap again.
37:38A worthless person made fun of me easily.
37:40Why can't you guys be honest?
37:43If you want to have fun with me, tell me right away.
37:45There's no need to lie to me.
37:47What does it have to do with me?
37:49I'm always honest.
37:54You didn't tell me why you wanted to calm down.
37:57Now I'm a little depressed.
38:00Like when six months ago, I caught my feelings and did something wrong without thinking.
38:06We went back to where we started.
38:11These were Gloria's adoption papers, weren't they?
38:13Yes.
38:14The parents are living somewhere near Bergamo.
38:17But we couldn't get in touch with them.
38:19Did you talk to Jessica, Gloria's social worker?
38:22I just met her.
38:23But her son said he's not home right now.
38:26His son?
38:28Gloria told me she can't have children.
38:31Are you sure?
38:32Yes.
38:33Do you remember this well?
38:41Tell me, what happened to Uri?
38:43I got a message from the parents.
38:45But we have a problem, Mr. Detective.
38:47They didn't apply for adoption, did they?
38:50How did you know?
38:52The adoption story is a lie.
38:54Jessica left Uri's son with him.
38:56Hello, can you hear me?
38:57Maybe Umberto Caruso is looking for his son and discovered the truth.
39:01And Jessica couldn't let him take him.
39:10Umberto?
39:41Mom, where are we going tonight?
39:43Why do we have to leave at the end of the night?
39:49Tell me, Mom, what's going on?
39:56I went with Gloria to all her appointments.
40:00I held her hand while she was giving birth.
40:03I didn't know what to do.
40:05I didn't know what to do.
40:07I didn't know what to do.
40:09And it was taking so long for her to give birth.
40:12Paolo became like a son to her, and much more cruel.
40:16But after Gloria decided to leave him,
40:19I thought that he could become my son.
40:22And because of this, you forged his adoption papers?
40:27Didn't Gloria have any doubts about this?
40:30She switched to Al Camo and then the relationship stopped.
40:33And after 12 years, I thought that no one would take my love, Paola, away from me.
40:40But then...
40:42Umberto showed up.
40:44Yes, you're right. And he came to my house.
40:47And he started asking about his son. He knew about adoption and knew everything.
40:52He didn't want to listen to me at all.
40:57Tell us what happened to her today.
40:59I went to his house.
41:01I tried to convince him to stop looking for him because he was too strong.
41:06I did that for his son's sake, but he said that Paola was his last concern.
41:10He needed them for a surgery in his kidney.
41:19A surgery in his kidney?
41:21Yes, he was sick.
41:23Sick with kidney cancer.
41:25That's why he was looking for his son.
41:29He threatened to kill me if I didn't tell him where he was.
41:33Then I ran away.
41:36But he was able to catch me.
41:42Where are you going? Are you running away?
41:46Where is he? Tell me where he is!
41:53Where is he?
41:59I'm sorry.
42:04What's going to happen to me now?
42:06The judge will decide.
42:09And of course, the judge will judge you on the charges of forgery of Paola's adoption papers.
42:23Excuse me, what happened to Jessica?
42:26Excuse me, what happened to Jessica Morelli? Why did they bring her here?
42:30I'll see you in a minute.
42:46The truth hurts a lot.
42:50And sometimes, we have to burn the dead grass,
42:53so that green grass grows instead.
43:02The examination says that Humberto had cancer and was exposed to gasoline.
43:07It's a toxic chemical.
43:09So what Domenico said was true.
43:13Caruso hid his illness so that it wouldn't become a big scandal.
43:20Are you okay?
43:23No.
43:28I thought he was looking for his son because he loves him.
43:33And to get back the years he spent away from him.
43:38But it turns out he doesn't care at all.
43:44I'm thinking about your father, Mohamed.
43:50You're right. Caruso was a scoundrel.
43:54If I hadn't told him the truth, Gloria wouldn't have thought of looking for Paolo.
43:58And she wouldn't have been able to find her son.
44:03The truth is scary.
44:06But without it, we can't move forward.
44:09PHONE RINGS
44:39I saw them one by one.
44:42But they were all like each other.
44:45I mean, they were all pictures of people who threatened us and tried to kill us.
44:49But they weren't any of them.
44:54Don't come with me.
45:02Our parents left us when we were little girls.
45:06He didn't have anyone else to take care of him at the time.
45:10He promised that his life would be better.
45:15But until now, his screams and pain
45:19don't leave my mind for a moment.
45:22It's my fault.
45:25I couldn't do anything to him.
45:29Please, don't let me see those pictures.
45:32I don't want to.
45:34It's okay. It's okay.
45:36Don't worry about the pictures.
45:38It's okay. It's okay.
45:40Go.
45:42It's okay.
45:44We have to be able to understand ourselves without judging them.
45:47Or be afraid of them.
45:49Come in.
45:53I was going to call you.
45:55I read your article about the investigation.
45:57I liked it. It's very nice.
45:59We're going to publish it tomorrow.
46:02But I didn't come for this reason.
46:09I found this at Domenico's.
46:14I know I have nothing to do with you.
46:17But there's something you need to know now.
46:20He's going to get married.
46:22And his girlfriend lives in London.
46:25Her name is Beth.
46:27She writes for children.
46:29Do you know what you're saying?
46:32You're right.
46:34But you don't know anything about me.
46:36And you don't know anything about my life.
46:38This job is not just a choice.
46:40I like to tell the truth.
46:43And this is enough for me.
46:45I don't need love.
46:59The truth can be difficult.
47:02The truth is over.
47:04And I'm going to travel.
47:06Goodbye.
47:08I love you.
47:15Hello, Viola.
47:16Hello.
47:17The job was excellent.
47:19I finished my article about Jessica's fraud.
47:21And we're going to publish it.
47:23But we're going to publish it with the article of the Caruso factory.
47:25You can't publish a child's story.
47:28You don't need to investigate.
47:30We're journalists.
47:32And we have to tell the truth.
47:35But when you tell the truth, you attract attention.
47:44Do you see why Maad is surprised?
47:47If he thinks of something, no one will stop him.
47:50Neither his family, nor his colleagues, nor his friends.
47:58Okay, I'm going.
48:00Goodbye.
48:18The truth can hurt you.
48:20Is there a problem?
48:22It's obvious that Dominic is a successful man.
48:24And he's also in love.
48:26And he stole your article.
48:28You're boring.
48:30And you're a failure.
48:32But we're going at the same time.
48:44But the truth can hurt you.
48:46Is there a problem?
48:48Yes, of course.
48:50I'm going.
48:56I was going to tell you, but...
48:58No, I have something to tell you.
49:00I showed you that I'm a light-hearted, cheerful, and fun person.
49:03But I'm not like that at all.
49:05I want to live a real love.
49:07I want someone to tell me the truth.
49:09I want a man to love him and build my future with him.
49:11I didn't mean to impress you, but this is what happened.
49:13I was very upset and upset when you left me yesterday.
49:15And when you lied to me and didn't tell me about that girl,
49:17you told me that you were working.
49:19It's very normal.
49:21It's important to deceive ourselves and lie to each other all the time.
49:24I'm 32 years old.
49:27I really like you.
49:29Believe me.
49:31And I wanted to tell you about the girl I saw with me that night.
49:34This is Vito's daughter, the old guard of ours.
49:37I mean, the same one who was working in the warehouse with us a few years ago.
49:41We were able to contact him at his house.
49:44Vito knows a little about your mother and is willing to tell her.
49:48And what's wrong with you being 32 years old?
49:56Is this what you hid from me, Raniero?
50:00There's something else.
50:05I'm 22, not 25.
50:09That's all.
50:10Okay, there was no need to know.
50:13No.
50:39No, we can't live without telling the truth.
50:43No.
50:51Hello.
50:52I did what I told you.
50:55No, no, we don't doubt anything and there are no problems.
50:59Okay.
51:00We'll talk.
51:07Until the truth ruins your life.
51:13Listen.