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00:01:30This coca is my home in Mexico.
00:01:58And I am the bishop of this house.
00:02:03He's over there. Look!
00:02:06No! No! It's not real!
00:02:07Yes it is! Yes!
00:02:10I suggest you listen to your wife man!
00:02:13It shouldn't be something that you lose more money than the last time!
00:02:16Hey Chivo, don't talk to me like that.
00:02:19I take care of this damn operation. She's my wife. Don't disrespect me.
00:02:22If we finish this job and go back home alive and you talk to me like that again, I'll kill you, bastard. I'll kill you!
00:02:32There's a door on the back that has a trim catcher and wait for something to happen. Those are the instructions.
00:02:40How much do you think they're holding? The lieutenant says 40 kilos.
00:02:44Do you think they'd be able to afford a better car like a Beamer?
00:02:52What is she doing?
00:03:06Cool down, cool down.
00:03:08Put your hands up, get out of the truck! Get out of the truck!
00:03:13I'm not going to die for this shit. You pay me a lot.
00:03:16Put your fucking hands up!
00:03:19Let's go, let's go!
00:03:21No, no, I'd rather go to jail.
00:03:42How the hell does that truck keep going?
00:03:59400 bucks, steel wheels and DJ.
00:04:01DJ!
00:04:04Turn it around!
00:04:22This is a 10-23, we are on pursuit right now. Hot water, repeat, hot water.
00:04:39Blaster! Blaster!
00:04:42Get out of the car! Get out of the car!
00:04:45Blaster!
00:04:48Get out of the car!
00:05:09I mean, there's a lot of things going on here.
00:05:14But I got to get ready for tonight.
00:05:17Well, you know what, one day...
00:05:20Come on!
00:05:28Here's the bill.
00:05:31When you came here from Italy with the pretty ass of yours and drove up in the 1980s, what's a piece of junk called?
00:05:40But when you pulled up, I saw your swag and I knew you was going to make me some nuggets.
00:05:48Lots of nuggets, you mean. By the way, I stopped flowing, so keep it for yourself.
00:05:55Honey, the moment a broad stops flowing is the moment she loses her home.
00:06:01You know...
00:06:04Shut up.
00:06:06America, as insane as it's got, is still the land of opportunity.
00:06:13I know, Jack. That's why I'm here. I reached my goal and I'm working hard for it.
00:06:21Someday I'm going to be a lawyer.
00:06:23And you're working hard for it.
00:06:25You know, Concetta, when a man profits off another man's war and he doesn't lift a finger, that's wisdom.
00:06:33That's me.
00:06:35I can control everything.
00:06:38There you go.
00:06:44Not bad at all.
00:07:06Merda!
00:07:15Don't you look in the mirror when you back up to a car?
00:07:18I'm sorry, sir. I'm sorry.
00:07:21I mean, sorry's cool, but I mean, me abuela worked for 15 years to get me this car and it's finally paid off.
00:07:28I said I was sorry.
00:07:30I'm going to need your details, your insurance information.
00:07:33You have your license?
00:07:35I really am sorry.
00:07:37Here's my driver's license.
00:07:46Mrs. VanMegen?
00:07:48Mrs. Concetta Mascone is here to see you.
00:07:50Okay, great. Yes, I'm here. Thanks.
00:07:53Please go ahead.
00:07:55Thank you.
00:07:57I want to talk to you about the small accident.
00:08:00Katrina filled me in.
00:08:02You bumped into some pretty boy.
00:08:05Latino, I suspect.
00:08:07You know, if you would have kissed him, he might have let you off.
00:08:12He claims whiplash.
00:08:14I just can't get used to this automatic stuff, you know?
00:08:18In Milan, we drove fast and we drove manual.
00:08:21I'm going to try to get you out of this one, okay?
00:08:23Try?
00:08:25I have faith in you.
00:08:27I hope I could be as good a lawyer as you someday.
00:08:31You're brilliant.
00:08:40Hello, neighbor.
00:08:43I would help you with your boxes.
00:08:46But you sued me.
00:08:48It was only a scratch.
00:08:50I dropped the lawsuit.
00:08:52You what?
00:08:54Look, the guilt was just getting to me.
00:08:58I have a primo of mine fix the car
00:09:00for a six-pack and an ex-girlfriend's photo.
00:09:03So there you have it.
00:09:07Buenas noches, señorita.
00:09:09I don't speak to strangers.
00:09:11And sorry I don't speak Spanish.
00:09:13But I guess thank you for doing that.
00:09:16My grandmother would kill me
00:09:18if I didn't learn to speak perfect English.
00:09:21Or if I didn't say hello to a fellow neighbor.
00:09:24Max Hernandez, great to meet you.
00:09:26I saw this on your insurance card.
00:09:29But Max is not such a Latino name.
00:09:32Mexican, you mean?
00:09:34My mother's German.
00:09:36My father, he's a hard-working Chicano.
00:09:39He's been in the trucker's union forever.
00:09:42He always thought outside the box.
00:09:45Wanted us to, too.
00:09:47Well, nice to meet you, Max Hernandez.
00:09:51I wish you pleasant stay in the duplex.
00:09:54Buena noche.
00:09:56Wait a minute.
00:09:58I speak Spanish, and that sounds an awful lot alike.
00:10:01Italian. I was born in Italy.
00:10:04High school in Switzerland.
00:10:06We moved around a lot.
00:10:08My father was an alcoholic.
00:10:10I wanted to get away to the good old USA.
00:10:13You know, for not speaking to strangers,
00:10:16you sure reveal a lot of information.
00:10:20You look decent.
00:10:22Is that before or after I dropped the lawsuit?
00:10:25Your face looks honest.
00:10:27I got most likely not to succeed in school.
00:10:32You seem to have a decent heart.
00:10:36Thank you.
00:10:41Conchita Mascone.
00:10:44Very nice to meet you, Conchita.
00:10:47Buenas noches.
00:10:49Wait a minute, wait a minute.
00:10:51I mean, you don't speak Spanish,
00:10:54you don't speak to strangers,
00:10:56and you just did both.
00:10:58How am I ever gonna trust you?
00:11:00Anyone can say good night in Spanish.
00:11:03Well, not as sexy as you just did.
00:11:06Good night, neighbor.
00:11:09Buena noche, Conchita Mascone.
00:11:13Conchita Mascone.
00:11:21Detective Montauk, why all the heat in the department?
00:11:24Look, we're seeing an insurgence of these cartels.
00:11:27They're inching their way up through Mexico,
00:11:29on to San Diego, and even in the Los Angeles streets.
00:11:32Now, we just don't have the budget to cover all this.
00:11:36Well, it's just a happy time in the department.
00:11:38Budget cuts and even more crime
00:11:40dealing with the Mexican cartel wars
00:11:42on the streets of Los Angeles.
00:11:43I mean, somebody in the city council,
00:11:45they've got to do something about it,
00:11:47and they've got to do it damn fast.
00:11:49Well, that's an outspoken cop with years of experience.
00:11:53Amor.
00:11:56Te quiero mucho, amor.
00:12:05Amor.
00:12:09Corazón.
00:12:19Yeah, he's handsome.
00:12:22That feels...
00:12:38Thought it never rained in California.
00:12:45Nothing as it seems.
00:12:49Va bien.
00:13:12No!
00:13:13Help!
00:13:14No!
00:13:16Help!
00:13:25No!
00:13:31Just let me go!
00:13:34Let me go! Just let me go!
00:13:42Let me go!
00:13:45Please, no!
00:13:47I beg you, please!
00:13:50No!
00:13:52Please, no!
00:14:09First thing I know, it's all over the news.
00:14:14I'm glad they didn't use your phone name to protect you,
00:14:16but my God, honey, you've got to be more careful.
00:14:25Girl, see, I put on a sari
00:14:27because I got that Latino stud to drop the keys.
00:14:30I thought his conscience got to him.
00:14:33Some people's conscience needs kids studying.
00:14:39I'm just trying to loosen you up, honey.
00:14:42Hey, humor's good after someone experiences this type of trauma.
00:14:47Jesse, it was hell.
00:14:53It was pure hell.
00:14:59I'd never forget it.
00:15:02It was hell, Jesse.
00:15:05Real hell.
00:15:09My son!
00:15:17He is a bastard from hell.
00:15:19Now just relax, okay? You've been through enough already.
00:15:23Thank you, Jesse.
00:15:26I'm so happy to see someone, you know?
00:15:30My father's soul.
00:15:33My mother.
00:15:36So far away in Italy.
00:15:42Well, I know you're my lawyer.
00:15:46Well, contrary to popular belief, some lawyers are human.
00:15:51At least the ones outside Century City.
00:15:55Thank you, Jesse.
00:16:00No lawsuit, Jesse.
00:16:02One less thing to worry about.
00:16:05Thanks, Jesse.
00:16:08It's gonna be all right.
00:16:12It's gonna be okay, girl.
00:16:16You're gonna stay with me tonight.
00:16:30Solano!
00:16:32How you doing, dude?
00:16:35Lieutenant, I need your help.
00:16:39I know you're still pissed off about all that stuff that happened in Santa Monica,
00:16:42but it was ten years ago, dude.
00:16:45You gotta get over it, man.
00:16:47I need one of your CSI guys to help me.
00:16:50All the storage facilities are missing loads of dope.
00:16:54I don't know who's involved. I got no idea.
00:16:58You're talking about a billion dollars here.
00:17:02It's for Los Angeles, and I know you're the best.
00:17:07You're even better than me.
00:17:09Come on, I'm not so good. If you only knew how bad I can be at things.
00:17:13I just work hard.
00:17:15That's very humble of you.
00:17:17I'll get Dick to call you.
00:17:19Dick?
00:17:20Yeah. Richard. That's his name.
00:17:23You're joking, right?
00:17:25No. That's his name, Dick.
00:17:28I'll get Dick to call you.
00:17:31You are a funny guy.
00:17:33Not all the time.
00:17:35Yeah, me either.
00:18:00Hey, your cousin did a great job. Looking good.
00:18:04Hey, I heard everything that happened.
00:18:07Are you all right?
00:18:09Heard it at your house?
00:18:11No, no. Last night I was at work.
00:18:14I had the late shift, 7 p.m. to midnight.
00:18:16I parked cars at a little theater, my old neighborhood,
00:18:19just till I finished school.
00:18:21Oh, so you were not here last night?
00:18:23Of course not. If I was here, I would have found that cabrón.
00:18:26I would have beat his head in like a piñata.
00:18:29I miss machismo. Reminds me of my old country.
00:18:33Well, Italy and Mexico, we have a lot in common.
00:18:38More than you know.
00:18:40Oh.
00:18:42There's a man looking for you.
00:18:44Detective...
00:18:46Detective Solano.
00:18:48The cop in that car.
00:18:50Why do you have his card?
00:18:52This place was crawling with cops earlier,
00:18:54and after they grilled everyone,
00:18:56of course they keep the Mexican-looking guy for further questioning
00:18:59until that rat cop over there is done with everything.
00:19:03I'm so sorry.
00:19:05No, don't be sorry, honey. This is L.A., mija.
00:19:08Whenever there's a crime, any Mexican in the vicinity
00:19:11is held for questioning till the end.
00:19:13It's just how it is.
00:19:19Chingao perfecto.
00:19:23I heard that.
00:19:26So you do speak Spanish?
00:19:28Italian. It's almost the same. Perfecto.
00:19:34Sir, the team is having tacos at Frankie's.
00:19:37I'm off. I think we got it all.
00:19:40Also, the lady of the house is here.
00:19:42C.S.I. is leaving the building.
00:19:45Hey, hey, hey! You're no Elvis.
00:19:56Sir, are you the detective for my case?
00:20:00Hey, if you want to report me,
00:20:03here's my badge number.
00:20:06Now, how long...
00:20:11have you owned this house?
00:20:14I don't own. I rent.
00:20:16Oh.
00:20:18Almost forgot.
00:20:20I should tell you that, um,
00:20:22you have the right to have a female officer present while I question you,
00:20:25and you also have the right to have a lawyer present.
00:20:28I don't need a woman, even as rude as you are.
00:20:32I'm sure you know your job and wouldn't risk it at such an age.
00:20:37Oh, jeez.
00:20:41You mind if I sit down?
00:20:44Oh, I want to get one thing straight right off the bat.
00:20:47If you don't answer a question,
00:20:49I assume that's a yes.
00:20:51You know where I learned that?
00:20:53Psych class.
00:21:00I'm sure you learned a lot there.
00:21:03Didn't they teach you
00:21:06that it's not appropriate to leave mustard on your tie?
00:21:11Better than ketchup.
00:21:13This is not starting out so well.
00:21:15No, you're right. It isn't.
00:21:17Are you a prosecutor or a detective?
00:21:20You're very clever. Good question.
00:21:23Yes, I was a prosecutor from 92 to 95.
00:21:26You know, some things are just hard to change.
00:21:29Look, last night I answered all the questions the police had.
00:21:33Yeah, yeah, no, I know.
00:21:35You're from Italy and all that sort of stuff.
00:21:37Your mother was an opera singer until she met your father.
00:21:40You had a drinking problem.
00:21:42How did you find that out?
00:21:44The Internet.
00:21:46You know, it used to be really special to be a detective.
00:21:49Hard to do.
00:21:51Now, anybody can do it.
00:21:54My father has nothing to do with this.
00:21:57No, I'm sure he doesn't.
00:21:59But your mom lost a big fortune
00:22:02due to your father's drinking, right?
00:22:04And you guys ended up living in a very humble home in...
00:22:08in San Remo, Italy.
00:22:10What the hell is this?
00:22:12I'll tell you what this is.
00:22:14A person with an axe breaks through your window in the middle of the night,
00:22:17almost rapes you,
00:22:19holds a very, very sharp axe to your throat.
00:22:23Now, if somebody can be as diabolical to do that to you,
00:22:26he can do it to others.
00:22:28So around me, every pan gets fried.
00:22:30Every stone gets turned.
00:22:32Every stone gets turned.
00:22:34So around me, every pan gets fried.
00:22:36Every stone gets turned.
00:22:39I get your point, Solano.
00:22:41Oh.
00:22:47It's Detective Solano.
00:22:50That's the problem with all you young pretty girls these days.
00:22:53Cross all boundaries.
00:22:55You've lost all respect.
00:22:57Am I dreaming?
00:22:59This can't be real.
00:23:02I think I've seen a few reruns from the 50s.
00:23:06But you jump off the screen.
00:23:09So how long have you been working at the strip club?
00:23:11Slip and slide?
00:23:13Yeah, whatever.
00:23:15It's not a strip club.
00:23:17It's a gentleman's club.
00:23:19Oh.
00:23:21Well, uh, have you had any problems with any of the gentlemen there?
00:23:24Like maybe a rough lap dance or a lousy tip or...
00:23:28What the hell, man?
00:23:30That female cop.
00:23:32Oh. No problem.
00:23:34Officer Dorothy Smith.
00:23:3624-7 like a donut shop.
00:23:39If you want something sweet.
00:23:41You can't be this much of an asshole to our women who go through this.
00:23:46I'm Italian.
00:23:48I don't need anyone here, Detective Solano.
00:23:52I got a real handsome Latino man lives nearby.
00:23:57I'm sure he's not afraid about your bitch.
00:24:00Oh, yeah, about that guy.
00:24:02Has he ever been to your gentleman's club?
00:24:06No.
00:24:08I never met him till yesterday.
00:24:10You know he has a record, right?
00:24:12No.
00:24:14And that's none of my business.
00:24:16Oh, I think a domestic violence case is your business.
00:24:20He grabbed his girlfriend by the hair and he dragged her across the floor...
00:24:24while he was drunk out of his mind.
00:24:27Drinking?
00:24:29Yeah. Now, he claims he's been clean for two years, but...
00:24:32There you have it.
00:24:34Some people make mistakes when they're drunk.
00:24:37Actually, I could swear I smell alcohol on your jacket, Detective Solano.
00:24:43Can I get you a beer?
00:24:46Detective Solano, you don't like me, do you?
00:24:50When I look in your eyes, I see a man who doesn't like women.
00:24:55Now, that's not true. I love my sister.
00:24:59Most people would have said their mother.
00:25:07Well...
00:25:12Well, we were orphans.
00:25:14No wonder. You are angry.
00:25:16Oh, no, I'm not angry. I'm amazed.
00:25:19I tell you that someone has a record and you stand up for him.
00:25:22You remind me of all these Hollywood lefties where no one can do any wrong.
00:25:27I mean, where is the barometer for punishment around here?
00:25:31Detective Solano, when I was 14 years old in Italy...
00:25:36I knew a girl named Rosanna di Romana.
00:25:39She used to go out with my cousin Vincenzo.
00:25:42They went out one night.
00:25:44He told her he didn't love her and that he had a different lover.
00:25:49She was a virgin and thought they would get married.
00:25:53I saw her go to the police.
00:25:55I saw her make a complete lie about my cousin.
00:25:58And just because of her word alone,
00:26:01my cousin spent six months in jail with investigated her claim.
00:26:06Just by her words alone.
00:26:08No evidence whatsoever.
00:26:10It was forever for my cousin.
00:26:14Yeah, I've heard of cases like that.
00:26:17I mean, I tell you about a potential rapist and you stand up for him.
00:26:21But you know, I mean, six months is not that bad, isn't it?
00:26:29My cousin hung himself with some kids in a dirty jail.
00:26:36And if you think L.A. jails are bad, try Italian jails.
00:26:41Try Italian jails.
00:26:45Look, I'm sorry to hear about all this, but my concern right now is here and you.
00:26:53I mean no disrespect.
00:26:58Not taken.
00:27:01Don't worry, I just arrived. I'm in the club now.
00:27:04Of course I have the best stuff with me.
00:27:07And I'll bring two Japanese to your dancing committee.
00:27:10Okay.
00:27:20Here's for her. I'll open the door.
00:27:24Here's for her. How long will it take till the Japanese are here?
00:27:30You have my guarantee that they'll be served with the best stuff and the hottest dancing queen at the club.
00:27:39What about the next show for them?
00:27:43Ah, you're prepared.
00:27:45Why don't you invite me to come around?
00:27:48Come suck us up. We won't get any while she's up with a new drink order.
00:27:52That's for sure, Jack.
00:27:54Keep pouring them deep triples through the doubles. Make them pop, baby.
00:27:57Hush on, hush on.
00:27:58Sir, sir, can I get the lady a triple?
00:28:01Look at Conchita one more time and I'm gonna kick your ass.
00:28:09I'm sorry.
00:28:11I'm sorry.
00:28:13I'm sorry.
00:28:15I'm sorry.
00:28:17I'm sorry.
00:28:25After two entire days, put your hands together for Conchita.
00:28:30Yeah, that's her.
00:28:47Conchita!
00:29:17Conchita!
00:29:32I like the look of your pretty smile
00:29:37Cause you're no man of low profile
00:29:43I'll show you I'm the radical one
00:29:48I know your grades more than mechanical ones
00:29:54I can do it nice, nice and reason
00:30:00And you just keep your reason
00:30:04Or I can be fast, fast and reckless
00:30:11Just let me bite off your neck
00:30:16I am so nasty, nasty, nasty
00:30:20When I'm with you
00:30:23I wet the floor
00:30:27So you'll be grassy, grassy, grassy
00:30:31In and out
00:30:36My edible
00:30:50I'll show you how, how I get wild
00:30:56If you care
00:30:59See that?
00:31:01That is good business.
00:31:03That's gold.
00:31:05That is business.
00:31:07That is the power of the pussy.
00:31:09Say it for me.
00:31:10Power of the pussy.
00:31:11Power of the pussy.
00:31:12Alright, say it again.
00:31:13Power of the pussy.
00:31:14Power of the pussy.
00:31:15There we go.
00:31:16Absolutely.
00:31:30Just let me bite off your neck
00:31:34I am so nasty, nasty, nasty
00:31:37When I'm with you
00:31:39I wet the floor
00:31:42So you'll be grassy, grassy, grassy
00:31:47In and out
00:31:50My edible
00:31:53There's nothing wrong
00:32:23Ssssssssssss
00:32:26I clean
00:32:28I wash
00:32:31I feel the dirt
00:32:34The stress
00:32:35Get undressed
00:32:36You'll need to impress
00:32:38Show off your dress
00:32:41I'll kill you for your distress
00:32:45Wow
00:32:48Just right
00:32:51I'm Jay and shall be Mr. B
00:32:54I'm Jay
00:32:57Jay
00:33:21I am so nasty, nasty, nasty
00:33:25When I'm with you
00:33:28I wet the floor
00:33:32So you'll be grassy, grassy, grassy
00:33:36In and out
00:33:41My edible
00:33:45Wow
00:34:07Put your hands together.
00:34:08Nice and loud.
00:34:09Give a nice round of welcome to Lady Ice.
00:34:12Come on.
00:34:16Woo!
00:34:18Woo!
00:34:27In two minutes, please come to the private room.
00:34:30The Jets are paying $5,000 extra
00:34:33just to watch you for some minutes.
00:34:45Woo!
00:35:05Good shit.
00:35:15Woo!
00:35:25Only for you, honey.
00:35:27You said it all.
00:35:28Perfect.
00:35:29Don't you talk to me like the rest.
00:35:30I'll rip your hands to shreds.
00:35:38Honey, Coco, give me a drink.
00:35:42That perfect scooter gets hot as a rock.
00:35:46Cola?
00:35:48It's not cola.
00:35:50It's ice tea.
00:35:52Every day lunch is hot stuff.
00:35:55She's wasting.
00:35:56Come on, Coco.
00:35:58Tomboy!
00:36:04You're out.
00:36:06What did you say?
00:36:08Take a lunch.
00:36:11She's wasted.
00:36:13I ain't ready for shit.
00:36:15Go home, little girl.
00:36:16You remember last time.
00:36:18Fuck you, Michelle.
00:36:21Va bene, baby doll.
00:36:23Buona notte.
00:36:25You're a bitch.
00:36:31She's jealous.
00:36:35I missed you while you was gone.
00:36:38You know my two regulars?
00:36:40They didn't know where you was going.
00:36:43I don't want to really talk about what happened.
00:36:47I'm really sick of it all.
00:36:50It's two weeks ago, and I want my mind rid of it all.
00:36:57These damn cops stay outside my house,
00:37:00and I don't feel right.
00:37:03I mean, that bastard.
00:37:06Whoever it was.
00:37:08It's long gone.
00:37:10He ain't coming back.
00:37:12Probably he left the state.
00:37:15I wouldn't count on that, honey.
00:37:17Look, I make a lot of money, I've got no lying.
00:37:20You know, Jack, he does not lie.
00:37:22I do not play the hypocrite.
00:37:24I think you're safe.
00:37:26So either you keep the cops at your door for a while
00:37:28before you move out, or...
00:37:30Or?
00:37:32You tell the police you want them gone.
00:37:34Maybe you'll be back in the state, thank you.
00:37:36I'll put old school under for a few weeks.
00:37:38You just got to say it quick.
00:37:40He needs a job, not to mention,
00:37:42he owes me one, or two, or two.
00:37:45Old school?
00:37:50Talk to you later.
00:37:52All right. I have to change.
00:37:55Okay.
00:38:04Jack.
00:38:16Jack.
00:38:22Jack, are you sure I'm making the right decision?
00:38:26Turn around.
00:38:28Ah.
00:38:33So do you think...
00:38:37I want my star player running around with a bunch of hogs?
00:38:41A hog? What is a hog?
00:38:44It's worse than a pig.
00:38:48I don't like that new spiky guy
00:38:50dancing around your garden lately, baby.
00:38:52Around a bunch of hogs.
00:38:54I like to spit his head open
00:38:56and catch the refried bean.
00:39:00You're even more jealous than the Italian boys back home.
00:39:03Baby, daddy's hot for you, doll.
00:39:05You should get a good, any minute.
00:39:07It takes a real man to admit he's hot.
00:39:10You should get a good. You're losing a battle.
00:39:12Good, huh?
00:39:14You should get a good.
00:39:16Yeah.
00:39:18Jack.
00:39:20What?
00:39:23Things have changed, Jack.
00:39:28You can make me work for you.
00:39:31You can make me do coke.
00:39:33You can make me fuck you.
00:39:36But you can't make me love you.
00:39:39What is that?
00:39:41Change.
00:39:43You can make me work for you.
00:39:53No!
00:39:55No!
00:40:05That's enough, baby.
00:40:07Suck him.
00:40:09The Japs.
00:40:12The Japs make a hell of a drink.
00:40:16Yeah, baby.
00:40:18Pour it down.
00:40:23Now, pour it down.
00:40:26Yeah.
00:40:28They worship the dragon,
00:40:30and the dragon breathes fire.
00:40:33Oh, baby.
00:40:43No, I don't advise any of this.
00:40:45The law provides 30 days police monitoring
00:40:47or even relocation.
00:40:50But to sign this page,
00:40:52that means you're putting yourself up to danger.
00:40:55Ma'am, I just want my life back.
00:40:58That's all.
00:41:02Oh.
00:41:04My favorite 50s man.
00:41:06Good afternoon to you, too, Miss Moscone.
00:41:08Have you caught the SOB yet?
00:41:11Guys, get in here.
00:41:13I hear you want to, uh,
00:41:15get rid of the police monitor.
00:41:17I hear you already went back to work.
00:41:19And I hear you went on a date
00:41:21with that Max, uh, the fella near your house.
00:41:23Yes, Daddy.
00:41:25But seeing a movie is not a date in my boat.
00:41:28We went only, how you Americans say,
00:41:31second base.
00:41:33Second base with a convicted woman abuser?
00:41:36I could use a little abusing by him.
00:41:39Now, listen here, lady.
00:41:41This is not a goddamn joke.
00:41:43There are 299 murders, 736 rapes,
00:41:468,000 assaults and 7,000 robberies
00:41:48and on and on and on in this town.
00:41:51You understand? It's not a joke.
00:41:53You got your female here, who hears all this,
00:41:56who's gonna protect you from Big Bad Daddy.
00:41:58Well, it's my job to protect you, too.
00:42:00You got it?
00:42:02You're lucky we got a few cents left in the budget
00:42:04that they give us in this godforsaken hellhole.
00:42:07Are any management courses free for detectives?
00:42:11I was just trying to make light.
00:42:14I've gone through hell.
00:42:16I'm still having nightmares every night.
00:42:19I can't think straight half the time.
00:42:22All the time I go outside or to work,
00:42:25I'm just reminded because there's a cop
00:42:28sitting outside at my doorstep or in the cruiser.
00:42:31So please, sir. Please, Detective Solano.
00:42:34I have some friends of friends.
00:42:36There's security in the car.
00:42:38That's a great deal.
00:42:40Less conspicuous.
00:42:42But I'll be protected.
00:42:44They come every night from 9 p.m. to 7 a.m.
00:42:47Please.
00:42:49Do you think a rapist gives a frick about day or night?
00:42:52I'm sure they would rather have the night.
00:42:55I have no idea why you didn't take the relocation program.
00:42:59I moved around my whole life like a gypsy
00:43:02because of unfit parents.
00:43:04I want to stay where I am at.
00:43:06I feel sick.
00:43:08Please understand.
00:43:10And please, just try to find this bastard.
00:43:14Let me live my life.
00:43:16I can't take it anymore.
00:43:33Just when I thought things would get more subtle around here.
00:43:37Miss Mascone, no disrespect,
00:43:39but we have to come and let you know.
00:43:41I know. Jack hired you fellas to watch after me.
00:43:45And I'm very appreciative.
00:43:47But I would rather just kind of live, you know,
00:43:50kind of like I used to.
00:43:52I mean, with that marijuana?
00:43:54Osco takes a hit here and there.
00:43:56He just got off the joint.
00:43:58He drinks a little bit, do some drugs, but not the real drugs.
00:44:01He's well-respected in the neighborhood.
00:44:03But we're here to protect you, Miss Mascone.
00:44:05Somehow, I believe you.
00:44:07Macheta, you okay? What the hell, cholos?
00:44:09Anden pa' la mierda.
00:44:11Please, Max.
00:44:14Órale, Osco.
00:44:19Ey, ya estuvo, ya estuvo, ya estuvo.
00:44:21Anda, güey.
00:44:23Can't you cholos do anything without a gun?
00:44:25I can't, sir.
00:44:27Get him, Osco.
00:44:29All right.
00:44:31I told you.
00:44:33Órale, ese, Osco.
00:44:35I've had enough drama.
00:44:37I don't need this shit.
00:44:39It's cool, homies. It's all good, okay?
00:44:41It's good?
00:44:43Are you crazy?
00:44:45After what just happened, it's all good?
00:44:47I take back what I said
00:44:49about Italians and Mexicans being similar.
00:44:55Yes, we're not.
00:44:57Well, that's modern.
00:44:59We have to cut our losses.
00:45:01And if these guys are here to protect you,
00:45:03they have my blessing.
00:45:05Miss Mascone, here's my business card.
00:45:07We work in a local swap meet.
00:45:09We got permits for our guns.
00:45:11We'll take care of you.
00:45:13I promise.
00:45:15We'll be watching you.
00:45:17Thanks, Max, for stepping up for me.
00:45:21It's good.
00:45:23Too bad it was my only day off in the past month
00:45:25to go to the beach.
00:45:27If I would have known
00:45:29about this place before
00:45:31I would have been here sooner.
00:45:35My father used to bring me and my sisters down here.
00:45:39I had a father that loved me.
00:45:41My mother, on the other hand...
00:45:45She was a different story.
00:45:47At least you had a loving father.
00:45:49Mine you can't forget.
00:45:53He was always drunk.
00:45:57But I do care a lot about my mom.
00:46:01Oh, my God, look.
00:46:03It's a couple of dolphins and I think a whale.
00:46:07I love this place.
00:46:13Chingao.
00:46:15I'm so sorry.
00:46:17That old school has a hell of a right hook.
00:46:19Ah!
00:46:21I'm starting to bleed again.
00:46:23Chingao fucking bloodbath.
00:46:27Hi.
00:46:29You are always welcome in here.
00:46:31Don't get too crazy.
00:46:33I just brought you some warm tea.
00:46:35Chamomile.
00:46:37It's good for you.
00:46:39It calms you.
00:46:41Oh, mi abuela, my grandmother used to make it.
00:46:43It's manzanilla for us.
00:46:47I know its effects.
00:46:49It's like a little piece of heaven.
00:46:53This all happened because of me.
00:46:55I'm very sorry.
00:46:57You know,
00:46:59I feel very at peace in your bathroom.
00:47:03There's something very calming.
00:47:05People have said that about me.
00:47:07It's a great compliment.
00:47:09Thank you.
00:47:11You really know how to take care of a man.
00:47:13I should have gone to Italy a long time ago.
00:47:17Astonishing things happen if you really care.
00:47:19Relax, big guy.
00:47:21I'm not ready for all that.
00:47:23Not yet.
00:47:25Good things come to those who wait.
00:47:31You need some pain meds.
00:47:33Aspirin.
00:47:35And I'm all out.
00:47:37I go to the store later.
00:47:39Maybe you'll lend me your keys
00:47:41so the mafia boys won't spot me
00:47:43and I get out of here.
00:47:45Maybe you'll lend me your keys
00:47:47so the mafia boys won't spot me
00:47:49and I get 15 minutes of freedom.
00:47:51Are you gonna be okay, Mia?
00:47:53Yeah.
00:47:57Because you've been such a good patient,
00:47:59I give you a helping hand.
00:48:01Lay back. Relax.
00:48:15Hey, where are you going?
00:48:17You gotta sign in.
00:48:19I don't sign in.
00:48:21Everyone signs in.
00:48:23Detective.
00:48:25Detective Fodor.
00:48:27Are you not out of your jurisdiction?
00:48:29Yeah, sugar tits, I am.
00:48:31My father ran this DA holding joint
00:48:33for 19 years
00:48:35before he was gunned down in cold blood
00:48:37by some punk rising up the ranks.
00:48:39Yes, I know, sir.
00:48:41His throat was found cut
00:48:43and his body
00:48:45found in four different pieces
00:48:47at an Italian deli in North Hollywood.
00:48:49Everyone knows the story, sir.
00:48:51So move the fuck out of my way.
00:48:53Sex is best.
00:48:55You're right. Maybe I am.
00:48:57But when my father ran this place,
00:48:59this DA holding joint,
00:49:03not one ounce of blow was gone.
00:49:05Not one ounce of coke was missing.
00:49:07And there wasn't one cop
00:49:09corrupt enough to have two houses
00:49:11in Culver City.
00:49:13I'm trying to straighten this joint out.
00:49:15You got it?
00:49:17So, uh,
00:49:19where are you from? Armenia?
00:49:21How long you been here?
00:49:23Since I was 10 years old, sir.
00:49:25Why?
00:49:27Do you love this country?
00:49:29I mean, really, do you love it?
00:49:31So what happened to the truck, Donnie?
00:49:33It was full yesterday with H.
00:49:35Now it's empty.
00:49:37Yeah, it's empty, huh?
00:49:39Somebody took it, right?
00:49:41Yeah, sure did.
00:49:43I'm gonna stick C.S.I.
00:49:45up all your asses!
00:49:47All of you!
00:49:49I wanna know what happened to this shit!
00:49:51I'm done with this shit!
00:49:53I'm done with this shit!
00:49:55I'm done with this shit!
00:49:57I'm done with this shit!
00:49:59I'm done with this shit!
00:50:01I want you to account for everything here.
00:50:03I want you to find it. Find it!
00:50:0548 hours
00:50:07or you're all fucked!
00:50:09All of you!
00:50:11A hundred dollars a day,
00:50:13it ain't bad to be watching this guayruca, huh?
00:50:15Hey, Max Mercedes
00:50:17is gone.
00:50:19I think that chick slipped out on us, man.
00:50:29I don't know.
00:50:35Peter,
00:50:37do you have some aspirin?
00:50:39Of course we do, ma'am.
00:50:59Can't I ever be alone?
00:51:17Oh, my God!
00:51:19Get off me!
00:51:23Bastard!
00:51:29No!
00:51:33No! Get off me!
00:51:35No!
00:51:59Help!
00:52:01No!
00:52:03No!
00:52:05You're trying to kill me!
00:52:07Freeze!
00:52:09No!
00:52:11That's the man in the trees!
00:52:13That's the man in the trees!
00:52:15Please, run!
00:52:17Go, go, go, go, go!
00:52:19Go, go!
00:52:29Here you go.
00:52:31Would you like anything to drink?
00:52:33Coffee?
00:52:35No, thank you. I'll have some juice.
00:52:37Okay.
00:52:39If you're up to it,
00:52:41Miss Moscone, Detective Solano
00:52:43would like to see you.
00:52:45I don't think I'm ready for anything
00:52:47except my bed.
00:52:49I suppose my house is full of
00:52:51LAPD spies.
00:52:53Well, it seems so. Everything's upside down.
00:52:55I mean, everything except...
00:52:57Except your boyfriend.
00:52:59He's not my boyfriend.
00:53:01We've only dated.
00:53:03Well, I guess you call him a boy toy.
00:53:05How's he allowed to get away
00:53:07with all that?
00:53:09Well, he does push the cart, doesn't he?
00:53:11Miss Moscone, he wasn't there when we arrived,
00:53:13as you suspected.
00:53:15Now, I suspect
00:53:17he's a suspect.
00:53:19No way. I only met.
00:53:21So you don't think he has a motive?
00:53:23Rapists, they don't have a motive.
00:53:25They have a drive, an overt sexual drive.
00:53:27And a sadistic rapist,
00:53:29he's addicted to anger.
00:53:31And the feeling of danger.
00:53:33The fact that he could get caught.
00:53:35That's what he's thinking about, getting caught.
00:53:37Or getting shot in the head.
00:53:39Or getting smashed or squashed up against the wall.
00:53:41Like I said,
00:53:43anger management.
00:53:45Where do you suspect he might be?
00:53:47I mean, we said he has a job, so where does he work?
00:53:49He works at a car park.
00:53:51And I know he goes to school.
00:53:53And you know this?
00:53:55He told me he did.
00:53:57Okay, Los Angeles?
00:53:59You cut 50% of what people say.
00:54:01You take 10% of that,
00:54:03and it might be good.
00:54:05If you're lucky.
00:54:07Detective Solano.
00:54:09I'm sure it wasn't him.
00:54:11He's taller than the guy
00:54:13that tried to rape me.
00:54:15Okay, okay, good. So you're sure of this?
00:54:17Well,
00:54:19it seems so.
00:54:21Maybe it's the same.
00:54:23Sorry.
00:54:25I don't feel too well.
00:54:27Okay, that's all right.
00:54:29If you don't feel well,
00:54:31we can do this tomorrow.
00:54:33He's human.
00:54:35Oh, that's a matter of public opinion.
00:54:37I mean, after 15 years of marriage,
00:54:39I think I'm a little biased.
00:54:41Now you know
00:54:43our personal lives, we don't bring it into this stuff.
00:54:45I didn't.
00:54:47And you're the one that kissed me.
00:54:49You are married? Oh my God.
00:54:51But her name is Smith.
00:54:53Well, yeah.
00:54:55She's a feminist.
00:54:57Because of that.
00:54:59But I won't go into that right now.
00:55:01Well, somehow it makes me feel better.
00:55:03You should see us at home.
00:55:05We both have to hide each other's gums.
00:55:07Oh, it's nice to see you
00:55:09smile after everything that you've been through.
00:55:11Thank you, Officer Smith.
00:55:13Thank you.
00:55:15Dorothy.
00:55:17Dorothy is fine.
00:55:19Dorothy, thank you for comforting me.
00:55:21Well,
00:55:23he gets a little shy in front of me,
00:55:25so I'll leave you both to your business.
00:55:27Sir, I'll be outside
00:55:29if you need anything.
00:55:31Oh, you can let those two Latinos out of Holden.
00:55:33That's the most ridiculously racist thing
00:55:35I've ever heard.
00:55:37I don't appreciate that comment.
00:55:39Okay, what should I say?
00:55:41Let those two suspects, who are obviously innocent,
00:55:43out of the slums so they can get on with their lives.
00:55:45Okay, okay.
00:55:47I'm not going to go up against
00:55:49two women alone without backup.
00:55:53Sir, Detective Solano,
00:55:55I want them
00:55:57to drive me home.
00:55:59I feel very comfortable with them.
00:56:01They make me feel very safe.
00:56:03The LAPD doesn't?
00:56:05That's the strangest request
00:56:07I've heard in my entire career.
00:56:09Trust me, I've had a long one.
00:56:11All right, let those two
00:56:13jumping beans out.
00:56:15Yes, sir. I'm on it.
00:56:17Can I call you Conchetta?
00:56:19You may.
00:56:23So, Conchetta, CSI came back
00:56:25with a report of that rubber sample
00:56:27you tore from that freak,
00:56:29and it's strange, I'll tell you.
00:56:31It comes from a particular
00:56:33sex shop
00:56:35that makes this brand, and that shop
00:56:37is only in Japan.
00:56:39That's a freak, as you would say, right?
00:56:41You know anybody from Japan?
00:56:43Maybe a customer?
00:56:45Oh.
00:56:47Not that I remember.
00:56:49And the axe?
00:56:51That was, uh, came from Pasadena.
00:56:53Know anybody from Pasadena?
00:56:55Pasadena?
00:56:57That's in the valley, correct?
00:56:59Yeah.
00:57:01Like you know any Armenians?
00:57:03What?
00:57:05I'm sorry. That's an inside joke.
00:57:07Not a funny one.
00:57:09Okay, look.
00:57:11I was Italian, my mother was German.
00:57:13I think I'm entitled to a sense of humor.
00:57:15Sir, I don't know what people's races
00:57:17have to do with any of this.
00:57:19All right, I'm just trying to get to the end
00:57:21of this nightmare.
00:57:23I mean, the axe is made in Pasadena.
00:57:25The rubber sample's from Japan.
00:57:27It just is a very strange combination.
00:57:29Anything else they find?
00:57:31No.
00:57:33You know, I don't feel good
00:57:35about you staying at your house.
00:57:37Can you stay with friends or maybe family?
00:57:39Now, I mean,
00:57:41this is going to be fine.
00:57:43As long as Bogart and Oskar are near me,
00:57:45I won't ever trick them again
00:57:47and I will let them
00:57:49stay closer to my house.
00:57:51Say what?
00:57:53Those are the two Mexican-American men
00:57:55you have in a holding cell
00:57:57that your wife is letting out.
00:57:59Those are my friends, and I really trust them.
00:58:09We're going to get you out of this, all right?
00:58:11I promise. We're in East L.A.
00:58:13We're going to get you out.
00:58:15Yeah, you're right.
00:58:17I'm not going to let this kill me.
00:58:19This is interesting.
00:58:21Can we stop?
00:58:23I love that music.
00:58:25Somehow it reminds me of home.
00:58:27Latin. Latin concerto.
00:58:29Oh, I mean Miss Moscone.
00:58:31Sorry.
00:58:33Honey,
00:58:35I'm a stripper for good.
00:58:37I'm a stripper for goodness sakes.
00:58:39Concerto's fine.
00:58:41My pops used to bring me here every Saturday.
00:58:43They got the best sopa de pollo
00:58:45on the spot.
00:58:47Similar to Italian soup?
00:58:49Oh, I bet it's lovely.
00:58:51No, it's sopa de pollo.
00:58:53The best in town.
00:58:55You see, Oskar's like a celebrity in here.
00:58:57He don't speak much lately.
00:58:59Ah, you know, Oskar,
00:59:01he sometimes gets like the little tiger.
00:59:03Tiger in my hand.
00:59:05All right.
00:59:07Let's go.
00:59:17No, Mia.
00:59:19I can't. I can't.
00:59:23Mia?
00:59:25Mia's kind of like my daughter,
00:59:27or something like that.
00:59:29I guess in Italian it's different.
00:59:31I love the sushi.
00:59:33I'm an amore.
00:59:35Amore, right?
00:59:37Yes.
00:59:39Now that's simpler.
00:59:41Yeah, but Mexican,
00:59:43we like it slower.
00:59:45And our rhythm,
00:59:47our rhythm more smooth.
00:59:51Okay.
00:59:53Oh, I got the text.
00:59:55I got it. Everything's handled.
00:59:57He's going to stay at my mom's house.
00:59:59Oskar can stay in the couch.
01:00:01Are you sure? I mean,
01:00:03I don't want to put anyone out.
01:00:05Hey, it's the best thing.
01:00:07Whoever this motherfucker is,
01:00:09he wants to slice you and dice you.
01:00:11He ain't coming to this part of town.
01:00:13East LA's off limits for freaks like that.
01:00:15Break his cap.
01:00:17LA style.
01:00:19Somehow I feel so secure here.
01:00:21I love the food,
01:00:23and I love the people.
01:00:25They are so warm and nice.
01:00:27Like Italy.
01:00:29What's the address, please?
01:00:31Detective Solano made me promise.
01:00:33I think it's Los Angeles Street.
01:00:39Care to dance, senor?
01:00:41No, thanks. I got your back.
01:00:43I don't play games
01:00:45when I'm watching people die.
01:00:47I can imagine.
01:00:49Volga?
01:00:51Of course, señorita.
01:00:59My pleasure.
01:01:29♪
01:01:31♪
01:01:57Detective Solano?
01:01:59It's all perfect.
01:02:01Trust me.
01:02:03No disrespect, sir,
01:02:05but no cop
01:02:07could make me feel this secure.
01:02:09I don't want to feel like
01:02:11in a cage.
01:02:13These are wonderful people,
01:02:15and I really appreciate it.
01:02:17I'll probably take a week off work.
01:02:21Yes.
01:02:25Thank you, detective.
01:02:29♪
01:02:37Max.
01:02:39Conchita.
01:02:41It's so nice to hear your voice.
01:02:43Honey, are you all right?
01:02:45Well, after the Inquisition,
01:02:47I feel a little bit jaded,
01:02:49yet I'm fine.
01:02:51My nose is still
01:02:53a little in pain, but, uh,
01:02:55everything's good.
01:02:57I, uh,
01:02:59really miss your voice.
01:03:01Oh, baby,
01:03:03you got my text, right?
01:03:05Yes, where you're staying, it's right next to my tía's.
01:03:07What?
01:03:09My aunt. She lives right around
01:03:11to where you are. Conchita.
01:03:13Yes, honey?
01:03:15You know it's not me, right?
01:03:17Baby never even came
01:03:19across my mind.
01:03:21I miss you.
01:03:23Te amo.
01:03:25Hey, if you're there long enough,
01:03:27I might lose you to a hot Latino.
01:03:29You are a hot Latino.
01:03:33Oh, shit, that hurts.
01:03:35Max.
01:03:39Buenas noches.
01:03:41Okay, baby. See you soon.
01:03:45I don't need a man, do you know that?
01:03:47I don't need a man.
01:03:49I don't need a man.
01:03:51♪
01:03:53Tango.
01:03:55Chad, I got you a speakerphone.
01:03:57Hey, what the fuck?
01:03:59Ay, muchachita.
01:04:01Pero que re guapa.
01:04:03Ese cuerpo.
01:04:05Así, así.
01:04:07Mmm.
01:04:09Cómo me gusta.
01:04:11Bien, bien.
01:04:13Hey, homie.
01:04:15My mom's making something at home.
01:04:17Why don't you just sit down and have some
01:04:19cuerpo?
01:04:23Are you there, town boy?
01:04:25I said, are you there, town boy?
01:04:27What the fuck?
01:04:29I can't hear you.
01:04:31Maniac put me through so hard with the goddamn phone.
01:04:35Don't need this no more.
01:04:37What's going on?
01:04:39Old school.
01:04:41Look at me.
01:04:43Mama said no guns and no business in this house.
01:04:45And you know to listen to her.
01:04:47Ma'am, sit down.
01:04:49Everything's okay.
01:04:51Everything's okay. Sit down, sit down.
01:04:53Everything's okay. It's a good business.
01:04:55It's a good paying job.
01:04:57I'm gonna give mom that old car she's been wanting.
01:04:59But everything is okay.
01:05:01Chale.
01:05:03This alien ride.
01:05:05When she gets back from church,
01:05:07don't think I'm letting her know.
01:05:09Do you hear this?
01:05:11This bullshit we have to put up with?
01:05:13Oh, spaghetti.
01:05:15Buon appetito.
01:05:17What the fuck kind of music is that?
01:05:19Some Mexicana-Mexican bullshit.
01:05:21Jack, you should have come yourself.
01:05:23Missing my famous spaghetti al dente.
01:05:25You said town boy here.
01:05:27I must be special.
01:05:29Town boy's here for business.
01:05:31I guess that means
01:05:33you passed on my spaghetti.
01:05:35Yeah, that's cool.
01:05:37Hey, my mom don't want anyone
01:05:39to be trapping her home.
01:05:41I don't care.
01:05:43I don't care.
01:05:45No one is trapping her home.
01:05:47I want you out.
01:05:49Mia, Mia, Mia, sit down.
01:05:51Everything's gonna be alright.
01:05:53Mia, you're under control.
01:05:55Here's for your mother
01:05:57and for you
01:05:59and for all your troubles.
01:06:01It's not gonna be long now.
01:06:03I feel like a piece of property.
01:06:05Nothing personal, Conchita.
01:06:07Puro negocio.
01:06:09You know, old school?
01:06:11Dude.
01:06:13I've heard that a lot.
01:06:15When you went aside, I put ducats
01:06:17in your prison fund every weekend
01:06:19for ten motherfucking years.
01:06:21I made sure your kids were cool, right?
01:06:23I say you're straight.
01:06:25Yeah, Jack.
01:06:27You helped us out a lot.
01:06:29That's why I'm doing this gig.
01:06:31I'm a loyal man.
01:06:33It's all cool.
01:06:35Well, out in East City,
01:06:37Shane works more.
01:06:39And everyone knows he said it was prime.
01:06:41When I lose prime, I don't get any dime.
01:06:43That ain't cool.
01:06:45So jump in, Conchita.
01:06:47And Jack,
01:06:49you can come back.
01:06:51Jack, what she's been through,
01:06:53she's pretty bent up
01:06:55from last night, homie.
01:06:57I ain't your fucking homie.
01:06:59I'm a Republican.
01:07:01It's all about motherfucking finance, pal, now.
01:07:03I pay you guys good.
01:07:05I want her back to work.
01:07:07Hey, I have some say in this.
01:07:09I mean, Jack,
01:07:11are you crazy?
01:07:13Hold on.
01:07:15You better
01:07:17fucking shoot me, punk.
01:07:19We'll burp blast your bullseye
01:07:21gas all over the wall.
01:07:23I'm coming in for your scalp.
01:07:25For a burp, right?
01:07:27Tom, what the fuck? Did you just pull a gun?
01:07:29Did I say anything about pulling
01:07:31a gun? Did I?
01:07:33No. Sorry, Jack.
01:07:35The bitch was being disrespectful.
01:07:37Put it down.
01:07:39Put it down.
01:07:41Now.
01:07:43I'm over here trying to tend to my shiny new car
01:07:45and you motherfuckers are running on my
01:07:47motherfucking parade.
01:07:49Let me tell you something.
01:07:51You want to walk like a man,
01:07:53talk like a man,
01:07:55I'll kick your ass like a man.
01:07:57I'll gender-bender your fucking head.
01:07:59It's cool, it's cool.
01:08:01Look, Conchita, it's fine.
01:08:03Look, I'm losing a lot of money
01:08:05working. Conchita,
01:08:07you know you're my number one. We talked about this.
01:08:09No pressure.
01:08:11Listen, I want you.
01:08:13Okay? I bet he's got
01:08:15lots of dougats. And I ain't no pimp.
01:08:17I told you that.
01:08:19I treat my bitches good. Don't I, Tom boy?
01:08:21Yeah, you do,
01:08:23Jack. Everybody
01:08:25knows that. Conchita,
01:08:27baby, listen to me.
01:08:29I care for you as a person.
01:08:31I picked you up from that
01:08:33shelter where you couldn't even eat when you got here
01:08:35from Italy. And your parents
01:08:37couldn't even send me 200 bucks. Remember that?
01:08:39Yes, Jack. I owe
01:08:41you. And I respect you.
01:08:43You know that. You've been good
01:08:45to me. But
01:08:47don't forget what I've done
01:08:49for you. Your club is
01:08:51now number one in town.
01:08:53You made a lot of dougats with me.
01:08:55So I'm a good investment.
01:08:57You're a good businessman.
01:08:59I don't like listening to you back to my
01:09:01friends. I just need my
01:09:03benjis, ladies and gentlemen. I understand,
01:09:05Jack. But if you could see
01:09:07my face, past the
01:09:09tears is one week.
01:09:11As Tom boy,
01:09:13it's a little screwed up.
01:09:15I gotta take a break.
01:09:17She ain't lying. I'm okay, Jack.
01:09:19I'll be alright.
01:09:21One week and I'll be back on the pole.
01:09:23If it wasn't for you,
01:09:25I wouldn't be able to get my degree.
01:09:27I owe you in high regards,
01:09:29Jack. You're uncivil.
01:09:41It's Max.
01:09:43I just got some pilota.
01:09:45Coming to my town.
01:09:47Okay, guys. See you
01:09:49Monday. Weekends are free.
01:09:51And so am I.
01:09:53I'll be a punk to you then.
01:09:55Yeah,
01:09:57Jack, it's him. He's here.
01:09:59What the hell?
01:10:01That's the fucking
01:10:03cookie she likes to lick on.
01:10:05That's fucked. You can go out,
01:10:07but you can't work. Jack,
01:10:09I'm going to
01:10:11Tijuana for the first time in my
01:10:13life. You should be happy for
01:10:15me. A girl that's gone through
01:10:17what I have needs a break.
01:10:19One week and I'll get
01:10:21away. I'll be back Monday
01:10:23and we will make all kinds of
01:10:25nuggets for you next week.
01:10:33You boys scoot down.
01:10:35I'm having some fun.
01:10:37To TJ?
01:10:39Bye.
01:10:43Got it, Jack. We on it.
01:10:55I love Mexico!
01:11:25Donde quiera
01:11:27en mi
01:11:29corazón
01:11:31anda
01:11:37Donde quiera
01:11:39en mi corazón
01:11:41vuela
01:11:43todo
01:11:45es tuyo
01:11:47todo es tuyo
01:11:57Mi amor
01:11:59en ti la tierra
01:12:01canta
01:12:03Mi amor
01:12:05en ti los rios cantan
01:12:07Como el viento
01:12:09Como el viento
01:12:11ante el verano
01:12:17Oh
01:12:19Thank you,
01:12:21honey. I feel
01:12:23alive again.
01:12:25Long way from home
01:12:27and away from all that
01:12:29insanity.
01:12:31I was so
01:12:33distraught.
01:12:35Thank you for bringing me
01:12:37here.
01:12:41Damn it! You gotta be
01:12:43kidding me! Baby,
01:12:45it's not my
01:12:47fault.
01:12:59Hermanos,
01:13:01we've already
01:13:03established that you're the resident
01:13:05badasses, but can we get a little
01:13:07privacy, please?
01:13:09You wanna go another round?
01:13:11It's a shame that I ain't letting you ruin
01:13:13some meditation.
01:13:15Come on, guys. Are you kidding me?
01:13:17You've been on us all day.
01:13:23We've been on you the whole fucking day,
01:13:25pendejo.
01:13:27What the fuck, guys?
01:13:29I came to America for
01:13:31freedom. I want my freedom.
01:13:33Mia, don't worry.
01:13:35Do what you gotta do.
01:13:37Consider us
01:13:39your new big daddy.
01:13:41Get to the room, and I'm staying
01:13:43till they catch that freak.
01:13:45I'm done with this crap.
01:13:47I'm an independent woman. I love
01:13:49you guys, but I want freedom.
01:13:51I'm losing my mind.
01:13:53Don't worry, Mia.
01:13:55Old school? I want my freedom.
01:13:57Guys, look.
01:13:59This crazy ruca is losing her mind.
01:14:01She just needs a little time away
01:14:03from everyone. Including you?
01:14:05Including me.
01:14:07Look, this ruca,
01:14:09she isn't such an easy ride.
01:14:11Fuck off. We know what we're doing.
01:14:13Check this out.
01:14:15We ain't calling up the torpedoes
01:14:17until Jack says. So keep true chat,
01:14:19little gabachito, or latino,
01:14:21whatever you are. Let's go.
01:14:23Let's go.
01:14:35Are you alright?
01:14:39Is it time now?
01:14:41Yes, honey.
01:14:43Timing is right.
01:14:47Yes.
01:14:49Are you alright?
01:14:51Yes, baby.
01:15:09Yes.
01:15:33That's what you need.
01:15:39Yes.
01:15:53I want to steal your heart.
01:15:55I want to own your body.
01:16:09Let me go.
01:16:11Let me go.
01:16:13Let me go.
01:16:15Let me go.
01:16:17Let me go.
01:16:19Let me go.
01:16:21What?
01:16:23Yes, love.
01:16:25That's what you need.
01:16:27I could have waited
01:16:29just a little longer.
01:16:31But you've shattered my spirit.
01:16:33Damn it. Really?
01:16:35I mean...
01:16:39How could you let me get so
01:16:41close to the fire?
01:16:43Let me tie you up.
01:16:45And then nothing.
01:16:49I wanted to trust
01:16:51you, Max.
01:16:53It was my heart.
01:16:55It was my soul.
01:16:57It was my body.
01:17:01Where are you going?
01:17:03School.
01:17:06It could have been worth skipping.
01:17:09I'm so sorry.
01:17:11Max.
01:17:13It's not right.
01:17:25Hey, guys. What's up?
01:17:27I love my Serino.
01:17:29But you know what? This father wants to go to the donut shop.
01:17:31And I ain't leaving you.
01:17:33Hey, I got some
01:17:35blood sugar problems, Conchera.
01:17:37Can I just go grab a donut or something?
01:17:39Si, capisco.
01:17:41Hey, I heard that in a movie.
01:17:43Doesn't it mean I understand?
01:17:45Comprendo.
01:17:47Okay, well, look.
01:17:49He's gonna stay here, and I'll be back in 30 minutes.
01:17:51Is that okay?
01:17:53Hey, you guys need both to leave.
01:17:55You know, whoever that was
01:17:57that did it to me is not
01:17:59around here. There's no
01:18:01damn chance in hell they know
01:18:03I'm here. So go and take
01:18:05a damn break. You both need it.
01:18:07I love you boys.
01:18:23What are you officers here for?
01:18:25Post me for a blunt?
01:18:27For a little joint?
01:18:29I'm an officer, Old School.
01:18:31It's one of the highest decorated detectives
01:18:33in L.A. County, motherfucker!
01:18:35I'm impressed.
01:18:37Can I have his autograph?
01:18:39Hey, hey, hey, he didn't do shit, man.
01:18:41Relax. I know who you are, Old School.
01:18:43I've known you a long time.
01:18:45I know what happened to you long ago, and I know
01:18:47who you used to work for.
01:18:49I know your uncle got his hand cut off.
01:18:51I think maybe I should
01:18:53put a bullet in your ear.
01:18:55Can you imagine if I put a bullet in your ear?
01:18:57You're gonna live, but the rest of your life
01:18:59you're gonna hear, ring, ring, ring, ring, ring, ring.
01:19:01Is that what you want?
01:19:03So tell me what happened
01:19:05to all the pallets at the DEA
01:19:07joint. I know the band
01:19:09was involved. We know it.
01:19:11Hey, wait. This ain't even
01:19:13my right. This is a loan out.
01:19:15Tell this punk to stop
01:19:17talking to me like a rookie.
01:19:19Hey, fuck you, Chorizo. Come on.
01:19:21I do more than fuck up my hearing.
01:19:23Yeah, you're a fucking badass, right? Look at him.
01:19:25How about I just shoot your fucking dick off?
01:19:27Come on. Take it easy on him, man.
01:19:29You know them eight years he was down, he was innocent.
01:19:31You know the DEA has something to do with that.
01:19:33That was eight years ago,
01:19:35and back then we didn't have all the CSI,
01:19:37BSI, PSI, all this bullshit.
01:19:39We didn't have all those little pings.
01:19:41But now we do.
01:19:43And we know that this van was
01:19:45traced to the DEA facility
01:19:47near it, and we know it.
01:19:49So tell me what the fuck happened
01:19:51or I'm gonna blow your face off!
01:19:53He doesn't know anything, man.
01:19:55Zero.
01:19:57They're clean. Let's go.
01:19:59Come here.
01:20:05Max?
01:20:07Conchita.
01:20:09Hello?
01:20:11Oh, yeah, I'm just, uh...
01:20:13I'm calling to check in on you, honey.
01:20:15Detective Solano?
01:20:17That's my name. Saving damsels in distress.
01:20:19It's my game.
01:20:21I'm in Sebastian's house.
01:20:23Well, listen, Conchita,
01:20:25I have some very, very serious
01:20:27information about Max
01:20:29and it is urgent that we speak.
01:20:31So can you call me back
01:20:33when you get out of the bathroom?
01:20:35Okay, yes.
01:20:37Okay.
01:20:41God.
01:20:51What?
01:20:55Smoke?
01:20:57Old school?
01:21:01Old school?
01:21:03Are you smoking
01:21:05out there?
01:21:09Old school?
01:21:11Are you out there?
01:21:13Help!
01:21:15Help!
01:21:17Help!
01:21:19Help!
01:21:21Help!
01:21:23Help!
01:21:25I'm home, baby!
01:21:27Max?
01:21:29Max?
01:21:31Get the hell
01:21:33out of me.
01:21:35Max?
01:21:39Are you okay?
01:21:41I lost my
01:21:43job the other day.
01:21:45I've been spending
01:21:47too much time on my social life.
01:21:49Max,
01:21:51you're only entitled to one personality
01:21:53in your life.
01:21:55I mean, usually.
01:21:57I've been spending too much time
01:21:59trying to get that pussy.
01:22:01What?
01:22:03Do you know what it's like
01:22:05to see that fine little ass
01:22:07and to not be
01:22:09able to hit it?
01:22:11Hit it?
01:22:15You're
01:22:17completely drunk, Max.
01:22:19I've opened up
01:22:21myself to you.
01:22:23I told you how I hated
01:22:25my agonizing father.
01:22:27How could you be
01:22:29like this to me now?
01:22:31How could you do this?
01:22:33You understand
01:22:35hit it?
01:22:37You understand slang?
01:22:39Don't fucking walk!
01:22:41Ha!
01:22:43I'm gonna fucking own that pussy tonight!
01:22:49Don't make me fucking hurt you!
01:22:51Don't fucking speak!
01:22:55Hey, sugar, I can't believe it.
01:22:57Here, here.
01:22:59We brought you donuts and also
01:23:01for you and Mama.
01:23:03She's very angry. She told me to don't bring
01:23:05Miss Billie anymore to the house.
01:23:07Why now?
01:23:09She left all the mess with the spaghetti.
01:23:11And you know what?
01:23:13They stole Mama's car.
01:23:15What?
01:23:17Yes.
01:23:19Hey, well, you know what?
01:23:21We gotta call that, what is that,
01:23:23fucking detective.
01:23:25Maybe he knows somebody around that area
01:23:27to see who took the car.
01:23:29Don't worry, we'll find Mom's car, okay?
01:23:31Yeah, don't worry.
01:23:33In the meantime, what?
01:23:35Let me walk you to the party.
01:23:37Come on, let's go.
01:23:39They were crying, they were pleading.
01:23:41Come on.
01:23:43Don't fucking scream!
01:23:45I'll fucking hurt you!
01:23:47I love you!
01:23:49I love you!
01:23:51I love you!
01:23:53I love you!
01:23:55I love you!
01:23:57I love you!
01:23:59I love you!
01:24:01I love you!
01:24:03You like those cholos, right?
01:24:05I'll be a cholo for you tonight, baby.
01:24:07Come here.
01:24:09I'll be a cholo tonight, baby.
01:24:11Yeah.
01:24:13I love you!
01:24:15I love you!
01:24:17I love you!
01:24:19I love you!
01:24:21I love you!
01:24:23I love you!
01:24:25I love you!
01:24:27I love you!
01:24:29I love you!
01:24:31I love you!
01:24:33I love you!
01:24:35I love you!
01:24:37I love you!
01:24:39I love you!
01:24:41I love you!
01:24:43I love you!
01:24:49Your ass is mine.
01:24:51Come on, don't fuck me.
01:24:53Come on, don't fuck me.
01:24:55Oh, yeah.
01:24:57It's time.
01:24:59Oh, your asses are mine!
01:25:04No!
01:25:05Your asses are mine!
01:25:07Open it!
01:25:08You bitch!
01:25:09You don't want to fucking get me killed!
01:25:15Get her out! Get her out!
01:25:17Get her out! Get her out!
01:25:22You dumb shit.
01:25:30No, basta!
01:25:32It's Sunday morning.
01:25:34What the hell?
01:25:37Don't these Americans ever sleep?
01:25:46May I help you, detective?
01:25:49You get out of here.
01:25:51You get out of here.
01:25:53You get out of here.
01:25:55You get out of here.
01:25:58You've got to see this.
01:26:08Jack?
01:26:13I can't believe it.
01:26:15Lots of corruption, man.
01:26:17From Mexico to Los Angeles.
01:26:20Lots of dirty bastards.
01:26:23I guess you lost your war, Jack.
01:26:26Excuse me.
01:26:28Oh.
01:26:29It's really just something between me and Jack.
01:26:33I just wanted to let you know,
01:26:35Detective Montauk and I are always here for you if you need us.
01:26:39Thank you, Detective Davidson.
01:26:42Goodbye.
01:26:44Arrivederci.
01:26:47I'm gonna miss you crazy enough.
01:26:57Sir.
01:26:58Officer Michaels.
01:27:00Is it possible we can do this for Detective Solano?
01:27:02What is it?
01:27:03It's pretty important, sir.
01:27:05We got a tip from some people in the hood who knew Max before he...
01:27:08Took an exit?
01:27:09Yeah, before he exited the stage and left.
01:27:11Cut the crap, Batos. I got a report to write. What is it?
01:27:14Sir, you see this DVD?
01:27:16It is a DVD of the night that Max worked.
01:27:18We have footage of Concepta.
01:27:21I mean, Miss Peconi.
01:27:23Officer, it's the first time.
01:27:26In other words, it was impossible that Max did the crime.
01:27:29He was working. We got proof of it on DVD.
01:27:32Why didn't you call Detective Solano?
01:27:34Why didn't he answer?
01:27:36We went by Concepta's house to check on her.
01:27:38We went to her house, went to the living room.
01:27:40There's flowers all over the living room.
01:27:42All right, I'll get an APB on her.
01:27:44Open Detective Solano's door, put it on his desk, and shut it.
01:27:48Okay, officer.
01:27:54You guys see if you can locate her on the street somewhere.
01:27:57Okay.
01:27:58Check the Slip and Slide Club.
01:28:00We got the streets covered.
01:28:02You were right, Tío. You were right about Max.
01:28:05He's nothing but a drunken crab.
01:28:07He's not the rapist.
01:28:09I'm always right, Salgado.
01:28:11All right, Tío. We gotta find this chick.
01:28:13She's got a big corazón, Tío.
01:28:15We gotta find this cop. That's the least we can do, Tío.
01:28:19We gotta find this cop. That's the least we can do, Tío.
01:28:22Ain't nothing that she know can't do.
01:28:24I know a guy that killed her husband.
01:28:26He's got an address, Charlie, to detect us.
01:28:29In case he has to put one down.
01:28:31Man, Tío, you're always coming through, homie.
01:28:33Damn, always on point.
01:28:41You're gonna act like a good little girl.
01:28:43If you do, I'm gonna take off your hat.
01:28:49Help!
01:29:00Please, I beg you.
01:29:03Help!
01:29:05Just let me go, please.
01:29:09I don't know who you are or what you want.
01:29:14Just let me go, please.
01:29:16I have $10,000 in the bank.
01:29:19It's all yours. All of it.
01:29:22I save it. It's all yours.
01:29:26Help, please.
01:29:28Hey, hey, hey. You're such a big smart.
01:29:32Look at you.
01:29:34You make me want to burn my bra, baby.
01:29:39Let you go? I don't think so, sweetheart.
01:29:43I'd rather die than have a standing slut on the floor.
01:29:48Go ahead, baby. Go ahead and take off your robe.
01:29:51Nasty, nasty, nasty.
01:29:53Taking off her little robe.
01:29:55What do we have here?
01:30:03Hey!
01:30:07Oh, goodness.
01:30:09What do we have here?
01:30:13Oh!
01:30:15Peek-a-boo!
01:30:30Conchetta, remember what I told you, huh?
01:30:34About 300 murders, 3,000 rapes and tortures?
01:30:38Do you know how many of those I've been involved with?
01:30:41I've had to investigate. I've had to endure.
01:30:44You know what that does to a cop's mind?
01:30:46It's in my mind.
01:30:48Makes me want it. Makes me fantasize about it.
01:30:51Makes me dream about it.
01:30:53And you know what, you little bitch?
01:30:55You cost me millions.
01:30:58$2 million, to be exact.
01:31:01And that was my cut.
01:31:03You had your goody-two-shoes Montauk and Davidson
01:31:07snipping up my ass.
01:31:09And your boy got busted.
01:31:11You cost me $2 million.
01:31:13That was my cut, you fucking bitch!
01:31:17All we had to do was get that to the Japs in Long Island
01:31:21and you fucked it up!
01:31:23Well, we're gonna make up for that.
01:31:25You're gonna pay me back.
01:31:27We're gonna make 200 grand off of you with a snuff film.
01:31:31Snuff film?
01:31:32No, let me tell you what a snuff film is.
01:31:34That's where I fuck you and I kill you on camera.
01:31:39And then we sell it to the Japs.
01:31:41Yes!
01:31:42Them little Japs are gonna be looking at you,
01:31:44jerking off their little spring rolls, drinking sake.
01:31:56I used to get so angry when I was younger.
01:31:59You used to have to visit the strip clubs.
01:32:02I'd get so angry, I'd be so jealous.
01:32:06I used to be such a good girl.
01:32:08But you know, after a while, I couldn't climax without more and more and more.
01:32:13Oh, I remember when he used to visit you in the strip club.
01:32:16You probably don't remember.
01:32:18He was incognito in a big hat and a big beard.
01:32:21He'd bring pics of you home.
01:32:24He'd bring pics of you home.
01:32:27They both got off on you.
01:32:31You ruined my marriage, Miss Blondie.
01:32:34You pay.
01:32:35You bitch!
01:32:36You're fucking awesome.
01:32:38Your boss, he won't go in jail forever.
01:32:42This is insane.
01:32:44Your police, they will go hollow.
01:32:49No, baby. No, baby, they won't.
01:32:51You're all wrong.
01:32:52You don't seem to understand.
01:32:54The judges, the lawyers, the cops, all the black robes.
01:32:58We're all together.
01:33:00We're all deep in the dark side.
01:33:04And authorities take care of authorities.
01:33:08You can torture me.
01:33:10You can kill me.
01:33:11You can rape me.
01:33:13But you will never get away from Zolano.
01:33:16You bastard!
01:33:21Hello.
01:33:22Wilbur.
01:33:23Yeah, what's up?
01:33:24Officer Michaels.
01:33:26Man, I'm telling you, Detective Michaels, I know Detective Zolano's involved, man.
01:33:29If you're scared, I'm not.
01:33:31He wasn't at his home and Conchita's not with nowhere to be found.
01:33:34I need your help.
01:33:35If I'm wrong, you'll have a bad week.
01:33:37But if I'm right and you don't do nothing fast, your whole department is screwed.
01:33:42But just tell me where he goes, anywhere.
01:33:44Hotels, bars, anywhere.
01:33:45I just need to know where he's at.
01:33:47Anywhere.
01:33:48Listen here.
01:33:49You didn't get this from me.
01:33:50You got it?
01:33:51Come on, of course, man.
01:33:52I know.
01:33:56That's it right there.
01:33:57That's it?
01:33:58That place looks freaky, that's it?
01:34:00I ain't going in there without a piece.
01:34:02I got a couple donuts back there for you.
01:34:04Alright.
01:34:09Oh God, you're okay?
01:34:11Yeah, everything's off-limits, homie.
01:34:12Hey, man, what's up with that light, man?
01:34:14Hey, man, I'm sorry.
01:34:15We just ran out of gas.
01:34:16Do you know if there's a gas station around here?
01:34:18You know what?
01:34:19If you go down that ramp, there's like one right there on the right side.
01:34:21Oh, shit!
01:34:28Get out!
01:34:30Where are your balls now?
01:34:32Jackie ain't here to save you.
01:34:34Listen, listen.
01:34:36That's Detective Solano's house.
01:34:38Conchetta's in there.
01:34:39Help her.
01:34:40Conchetta?
01:34:41She played me bad.
01:34:43Just like men bullshitting their way out of a beating.
01:34:58Tomboy, let my nephew go.
01:35:02Tío, don't worry about it.
01:35:04If I have to go, I have to go.
01:35:06I won't pull a desmadre.
01:35:08Look at you macho pigs die so manly.
01:35:12Look at you idiots.
01:35:14You're both going to bleed all over each other's macho-eaten, war-torn asses.
01:35:21You ain't no woman.
01:35:24No woman?
01:35:26You're the fucking devil.
01:35:30Tío!
01:35:31Freeze, bitch!
01:35:38Davidson!
01:35:43Tío.
01:35:44I'm sorry.
01:35:45It's my fault.
01:35:47I got old school.
01:35:50Tío.
01:35:52I'm sorry.
01:35:54I'm sorry.
01:35:55How did you know we were here?
01:35:57They had CSI gadgets on.
01:35:59Six months we've been following this psycho.
01:36:01Tío.
01:36:02I'm sorry about your uncle, man.
01:36:04I know him a long time.
01:36:05Tío.
01:36:06I knew your father a long time.
01:36:08Listen to me.
01:36:09Don't say a fucking word about this.
01:36:11You hear me?
01:36:12Take the gun.
01:36:13Finish her off.
01:36:15Okay.
01:36:20Bitch.
01:36:23Listen.
01:36:25That house on the right over there with the light on, they've got Conchero.
01:36:29They're going to kill her.
01:36:30She's there.
01:36:31Okay, you stay here.
01:36:32You stay here.
01:36:33I got backup.
01:36:34Come on.
01:36:35Davidson, I got backup.
01:36:36Stay here.
01:36:37Tío!
01:36:38Tío!
01:36:39Tío!
01:36:40Tío!
01:36:41Tío!
01:36:42Tío!
01:36:43Freeze!
01:36:50Tío!
01:37:12You got one bullet left.
01:37:14You too, asshole.
01:37:16When Mexicans stand up, Mexicans always win.
01:37:20I'm sure that old school will have the last laugh.
01:37:23Everybody knows you're a lousy shot.
01:37:25You couldn't hit the ass of an elephant.
01:37:27Come on out, bossy.
01:37:29All right.
01:37:30Fuck you, dawg.
01:37:33Come on out, bossy.
01:37:39Solano, let me talk to this sicko.
01:37:41Let me sit with him.
01:37:43Nah, you're not talking to him, man.
01:37:45I'm going to fucking kill you.
01:37:46And I'm going to jump in.
01:37:47I'm going to fucking kill you.
01:37:49I can get you out of there.
01:37:50I'm going to jump in.
01:37:51Get out of here, you asshole.
01:38:15Get out of here.
01:38:45Get out of here.
01:39:15Dico
01:39:17Vola in alto nel cielo infinito
01:39:21Sei solo
01:39:23E mi dispiace
01:39:25Davvero
01:39:29Dico
01:39:31Vola in alto nel cielo infinito
01:39:36Sei solo
01:39:37E mi dispiace
01:39:41Davvero
01:39:51Angelo mio
01:39:54Vola in alto
01:39:57Si
01:39:59Vola
01:40:01Vola
01:40:04Vola
01:40:05Non
01:40:07Dico
01:40:10Che ti amo
01:40:15Eri mio
01:40:19Ero tua
01:40:24Non
01:40:26Dico
01:40:29Che ti voglio
01:40:33Eri mio
01:40:36Ero
01:40:38Tua
01:40:44Mi chiedo che importanza
01:40:46Hanno i sogni
01:40:48Mi chiedo che importanza
01:40:51Ha l'amore
01:40:53Non sentire la voce
01:40:55Degli altri
01:40:58Ma senti solo la voce
01:41:00Nel tuo cuore
01:41:02Angelo mio
01:41:04Vola in alto
01:41:07E io ricomincerò
01:41:09A inseguire il ritmo del mio cuore
01:41:13Si amore
01:41:15Ti troverò
01:41:17Nel cielo infinito
01:41:19E morirò via con te
01:41:22Mi chiedo
01:41:25Che importanza
01:41:27Hanno i sogni
01:41:31Mi chiedo
01:41:34Che importanza
01:41:36Ha l'amore
01:41:41Non
01:41:43Sentire
01:41:45La voce
01:41:47Degli altri
01:41:50Ma senti solo
01:41:55La voce
01:41:58Nel tuo cuore
01:42:01Mi chiedo che importanza
01:42:03Hanno le lacrime
01:42:05Mi chiedo che importanza
01:42:07Hai tu per me
01:42:10Non sentire la voce
01:42:12Delle persone
01:42:15Ma senti solo la voce
01:42:17Del tuo cuore
01:42:24Si amore
01:42:26Senti solo la voce
01:42:28Del tuo cuore
01:42:31Si
01:42:32Cuore