"Colour Photo" Hyderabad Comedy Movie Hyderabadi Movie
Welcome to **Mint Entertainment**! Our mission is to create a fun, safe, and educational environment for kids to explore and enjoy. We bring you a wide range of vibrant and captivating cartoons that spark imagination, inspire curiosity, and teach important life lessons.
Join us as we embark on magical journeys with our delightful characters, each with their own unique personalities and stories. From the enchanted forests and mystical lands to bustling cities and underwater worlds, every episode is filled with excitement, humor, and valuable lessons.
Our content focuses on:
1. **Friendship and Teamwork**: Watch as our characters navigate the ups and downs of friendships, learning to work together, resolve conflicts, and support each other through thick and thin. These stories highlight the importance of empathy, cooperation, and understanding.
2. **Endangered Animals and Conservation**: Adventure alongside our heroes as they discover the wonders of wildlife and the importance of protecting our planet. Through engaging narratives, we teach children about endangered species, their habitats, and simple actions they can take to make a difference.
3. **Educational Adventures**: Whether it's learning numbers and letters, exploring science and nature, or understanding different cultures and traditions, our educational segments are designed to make learning fun and interactive. Our goal is to foster a love of learning and curiosity about the world.
4. **Moral Values**: Every story is crafted with care to impart valuable life lessons, such as honesty, kindness, perseverance, and respect. These timeless values are seamlessly woven into our engaging plots, making them relatable and memorable for young viewers.
5. **Creative Play and Imagination**: We believe in the power of imagination. Our shows encourage kids to dream big, think creatively, and use their imagination to solve problems and create their own adventures.
At **Mint Entertainment**, we understand the importance of providing content that is not only entertaining but also meaningful. Our team of talented writers, animators, and educators work tirelessly to produce high-quality cartoons that parents can trust and kids will love.
Join us for new episodes every week, packed with fun surprises and exciting new characters. Whether it's a rainy day indoors or a family gathering, **Mint Entertainment** is here to bring joy, laughter, and learning to your home.
Don't forget to subscribe and hit the notification bell so you never miss an adventure! Welcome to our community, where every story is a new beginning and every adventure is a step towards learning and growing.
**Mint Entertainment** - Where Fun Meets Learning!
---
Feel free to adapt the description to better match your channel's style and specific content offerings.
Join us as we embark on magical journeys with our delightful characters, each with their own unique personalities and stories. From the enchanted forests and mystical lands to bustling cities and underwater worlds, every episode is filled with excitement, humor, and valuable lessons.
Our content focuses on:
1. **Friendship and Teamwork**: Watch as our characters navigate the ups and downs of friendships, learning to work together, resolve conflicts, and support each other through thick and thin. These stories highlight the importance of empathy, cooperation, and understanding.
2. **Endangered Animals and Conservation**: Adventure alongside our heroes as they discover the wonders of wildlife and the importance of protecting our planet. Through engaging narratives, we teach children about endangered species, their habitats, and simple actions they can take to make a difference.
3. **Educational Adventures**: Whether it's learning numbers and letters, exploring science and nature, or understanding different cultures and traditions, our educational segments are designed to make learning fun and interactive. Our goal is to foster a love of learning and curiosity about the world.
4. **Moral Values**: Every story is crafted with care to impart valuable life lessons, such as honesty, kindness, perseverance, and respect. These timeless values are seamlessly woven into our engaging plots, making them relatable and memorable for young viewers.
5. **Creative Play and Imagination**: We believe in the power of imagination. Our shows encourage kids to dream big, think creatively, and use their imagination to solve problems and create their own adventures.
At **Mint Entertainment**, we understand the importance of providing content that is not only entertaining but also meaningful. Our team of talented writers, animators, and educators work tirelessly to produce high-quality cartoons that parents can trust and kids will love.
Join us for new episodes every week, packed with fun surprises and exciting new characters. Whether it's a rainy day indoors or a family gathering, **Mint Entertainment** is here to bring joy, laughter, and learning to your home.
Don't forget to subscribe and hit the notification bell so you never miss an adventure! Welcome to our community, where every story is a new beginning and every adventure is a step towards learning and growing.
**Mint Entertainment** - Where Fun Meets Learning!
---
Feel free to adapt the description to better match your channel's style and specific content offerings.
Category
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FunTranscript
00:00:30Cinema is something that has been an important part of our life for centuries.
00:00:41This cinema craze has been going on for centuries.
00:00:44When black and white TV used to be in our homes.
00:00:47Then came color TV and the new era of cinema.
00:00:51Cinema was never a place to stay at home.
00:00:55It was always silent.
00:00:57With the passage of time, cinema kept changing.
00:01:00And so did the audience.
00:01:07It has changed.
00:01:09Some watch films. Some watch films.
00:01:12Some make films.
00:01:14What a joke!
00:01:18Ready, ready, ready.
00:01:20Smile, smile, smile.
00:01:24Here you go, madam.
00:01:25How much is it for?
00:01:27Rs. 500.
00:01:28Rs. 500?
00:01:29Rs. 200 is equal to this.
00:01:31This is a color photo, madam.
00:01:32It's so small.
00:01:33I told you to take it from your mobile.
00:01:35You didn't listen.
00:01:36Let it be, madam.
00:01:37Here you go.
00:01:39It's good to sit here and take a color photo.
00:01:42Come, madam.
00:01:43Life is a picture and so is fate.
00:01:45The only difference is the colors.
00:01:47If you want to make a picture with colors,
00:01:49make it with unknown colors.
00:01:50That's fate.
00:01:51Thank you.
00:01:52Let's go.
00:01:56Let's go.
00:01:59Another chemical is caffeine.
00:02:01It is also found in most of your cool drinks.
00:02:09Who told you to bring mobile in the classroom?
00:02:11It's not mine, teacher.
00:02:12It's Zeeshan's.
00:02:13It's not mine, teacher.
00:02:14It's my dad's.
00:02:17You've been failing in the first year since two years.
00:02:19You made a good kid sit on your arm.
00:02:21You said you'd learn something.
00:02:23You're spoiling him too.
00:02:24Don't you have any shame?
00:02:25What shame?
00:02:27What are you murmuring?
00:02:29Give me the chalk.
00:02:30What is atom?
00:02:32What is atom?
00:02:33What is atom?
00:02:34What is atom?
00:02:35What is atom?
00:02:36I don't know what atom is, teacher.
00:02:37I know what item is.
00:02:38Get out of my class.
00:02:39Go and kneel down outside the class.
00:02:46What's going on here?
00:02:48The tiger is alive in the morning show.
00:02:50The galaxy doesn't work.
00:02:51It's charged.
00:02:52You won't find a friend like you in the world.
00:02:55Look at this.
00:03:02The public is watching us.
00:03:04Let's go.
00:03:09What did you say?
00:03:10300 rupees.
00:03:11How much is it?
00:03:12Balgani.
00:03:13How much is it?
00:03:14Balgani.
00:03:15Give me 20 rupees.
00:03:16No, I won't.
00:03:17He's a daily customer.
00:03:18What are you doing with 20 rupees?
00:03:19What are you doing, sir?
00:03:21Let's go, Balgani.
00:03:43No matter what you say,
00:03:44but the last fight was the last crack.
00:03:46Forget everything.
00:03:47Show me Paresh Rawal's role.
00:03:49I gave you Katrina's song last month.
00:03:51We'll welcome everyone with swag.
00:03:54How will we welcome?
00:03:56Swag.
00:03:59Come here.
00:04:00This time I won't spare you.
00:04:01College?
00:04:02Special class, sir.
00:04:03Special class.
00:04:04Where do you sit?
00:04:05In the college.
00:04:06I'll teach you a lot.
00:04:07I'll teach you a lot.
00:04:08Okay, sir.
00:04:09Fear comes first or gambling?
00:04:10Gambling.
00:04:11Think about it.
00:04:12Do you have to do what you say?
00:04:13No, fear comes first.
00:04:14When did the movie come out?
00:04:15When you were not even born.
00:04:16Tell me quickly.
00:04:17Fear comes first.
00:04:18Google it.
00:04:19Do it.
00:04:24What do you want to do?
00:04:26I want to write a love letter to Nasreen.
00:04:29Are you ready to break the pot?
00:04:31It's necessary.
00:04:35Take this.
00:04:36Give this letter to Nasreen.
00:04:37I won't give it.
00:04:38You give it to him.
00:04:39I won't give it.
00:04:41I'll kill you.
00:04:42I'll give it.
00:04:43Go.
00:04:49Nasreen.
00:04:50What is this?
00:04:51Letter.
00:04:52You wrote it?
00:04:53She wrote it.
00:04:54She called me crazy.
00:04:56Go.
00:05:03Ma'am.
00:05:04Yes.
00:05:05Shahbaz Zeeshan.
00:05:06Again, ma'am.
00:05:09Smile sir.
00:05:10This was the last warning.
00:05:11To your son and his friend, Shahbaz.
00:05:13Shahbaz.
00:05:14No one has come from your house?
00:05:15Everyone is busy, sir.
00:05:16I have to take care of something.
00:05:18Please.
00:05:19Nothing can be done now.
00:05:20They both are spoiling my college's name.
00:05:22I am forced to throw them out of my college.
00:05:24Do whatever you want, sir.
00:05:26Even I am helpless.
00:05:27I have studied pharmacy.
00:05:29But I had to work in my father's tailoring line.
00:05:32I thought I would make him a doctor.
00:05:34But even he wants to be a tailor.
00:05:36I have a doubt.
00:05:38He can't even become a tailor.
00:05:40That's why I have been looking after both of them for the past two years.
00:05:42It is enough if they come to class for ten days in a month.
00:05:45Sometimes I get movie tickets from their pockets.
00:05:48And sometimes I get this when I check their books.
00:05:51Maybe they are destined not to become doctors.
00:05:53But to become actors.
00:05:55All the best.
00:05:58The principal threw us out of the college.
00:06:01We had to throw Chitnis out too.
00:06:02He is a college topper.
00:06:04How can we throw him out?
00:06:08Now.
00:06:10Let's go inside.
00:06:16What happened, sir?
00:06:18What happened?
00:06:19You won't come in between today.
00:06:21Do you see your son's love for you?
00:06:24Nasreen.
00:06:25I die without you.
00:06:27Give birth to me.
00:06:29And I will die for Nasreen.
00:06:32You.
00:06:34Wait.
00:06:35He will get hurt.
00:06:36He will get hurt.
00:06:38Leave that stick.
00:06:39Don't hit him.
00:06:41Listen.
00:06:42You will come with me to the shop from tomorrow.
00:06:44And that friend of yours who looks like Shakti.
00:06:47If I see him with you again.
00:06:49I will see what I do to you.
00:06:51Come on. Take out the food.
00:06:56What is it?
00:06:57Hello aunty. How are you?
00:06:59This is called a toy.
00:07:01Electrical cup.
00:07:02You have to start it like this.
00:07:04And if anything happens to you with this.
00:07:07Then it will go away.
00:07:08If the light is so dim.
00:07:10Then the whole house will start shining with its light.
00:07:12It has a great effect.
00:07:14Do you want it?
00:07:16My name is Shahbaz Khan.
00:07:18And I sell these toys.
00:07:20This toy is not an ordinary toy.
00:07:22This is a great toy.
00:07:24This toy removes the pain, sadness, sadness, pain from a person's life.
00:07:30And brings happiness to his life every day.
00:07:33You take it.
00:07:35Hello.
00:07:36These days I am working as a salesman.
00:07:38And I am selling these toys.
00:07:40Its name is electrical cup.
00:07:42Its a great toy.
00:07:44It will help you get rid of your loneliness.
00:07:46Take it.
00:07:48If you have a life then like a salesman.
00:07:52Come on. Come on.
00:07:54Clap. Clap.
00:07:56What song is that?
00:07:58We will welcome them with taste.
00:08:00This is your place from today.
00:08:02What should I do there?
00:08:04I will sit on the machine.
00:08:06What did you say?
00:08:08You can't even give a swing in your hand for two months.
00:08:10Our Rahim.
00:08:12Give me two matches.
00:08:14Take it.
00:08:16Take this.
00:08:18Learn this for a week.
00:08:20What should I learn from this?
00:08:22This hand should go like this from the ear.
00:08:25Not like this.
00:08:27If it goes like this.
00:08:29Swing will get stuck in people's hair.
00:08:31Understood.
00:08:36Greetings.
00:08:38Greetings.
00:08:40You should have sent the clothes from someone's hand.
00:08:42Oh no.
00:08:44The size has increased.
00:08:46It has really increased.
00:08:48How much should I keep?
00:08:50Keep it tight.
00:08:52I will keep it loose.
00:08:54It will be comfortable to sit and bend.
00:08:56Okay.
00:08:58Who is this kid?
00:09:00He is a new worker.
00:09:02He has come to learn the work.
00:09:04You sit.
00:09:06I will make your bill.
00:09:07I am stuck.
00:09:12What happened? How many clothes did you sell today?
00:09:14Not even one.
00:09:16She gave me a car as soon as I left.
00:09:18How many toys did you sell?
00:09:20I didn't sell toys.
00:09:22But I sold an amazing toy.
00:09:24I am selling toys in the style of Emraan Hashmi.
00:09:26I didn't like the toy.
00:09:28But I liked it.
00:09:30I pulled it inside the zip pole.
00:09:32Then what happened?
00:09:34Don't ask that.
00:09:35How would you have been if you were an actor?
00:09:37I act better than today's actors.
00:09:39Then?
00:09:41Do you remember? I did mimicry in school.
00:09:43How can you forget that?
00:09:45And I did lungi dance.
00:09:47Lungi dance.
00:09:49Lungi dance.
00:09:51Lungi dance.
00:09:53Idiot uncle.
00:09:55I know.
00:09:57I can't catch you.
00:09:59But think.
00:10:01If you ever touch me.
00:10:03What will I do to you?
00:10:05Hit me.
00:10:07Hit me.
00:10:09Get inside.
00:10:20Where are you going?
00:10:22I am going to the shop.
00:10:24To become a tailor.
00:10:26No.
00:10:28Then why are you going?
00:10:30To become an actor.
00:10:32I am giving you two favours.
00:10:33Take that road to school.
00:10:35As you wish.
00:10:39The galaxy guy is making such a sound.
00:10:42I am getting excited.
00:10:48Did you give a letter to him?
00:10:50Yes.
00:10:52Isn't it good?
00:10:54So should I ride a cycle with him?
00:10:57What did you say?
00:10:59I will make him sit there one day.
00:11:04Wait. I will dig like this.
00:11:06Since when are we in this line?
00:11:09Since childhood.
00:11:11I want to make a film.
00:11:13What will be the budget?
00:11:16Don't dream big.
00:11:18Watch a movie.
00:11:20Let's go.
00:11:33Let's go.
00:11:43Let's go.
00:11:45I will show you a movie.
00:11:47Let's go.
00:11:49Let's go.
00:11:51What is happening?
00:11:53What will I do to them?
00:11:56What a crazy woman!
00:11:58There is no water in the tank.
00:12:00What will I tell her?
00:12:04Safiya.
00:12:06Safiya.
00:12:08Safiya.
00:12:10Safiya.
00:12:12Where are you? Come out.
00:12:14What happened?
00:12:16Why are you shouting so early in the morning?
00:12:18I had to fill water in the tank.
00:12:20I didn't have enough water.
00:12:22The summer has started.
00:12:24You use more than half the water.
00:12:26Order a tanker from tomorrow.
00:12:28Go and make tea.
00:12:31Come on. Come in.
00:12:33What did you get?
00:12:36What did you get?
00:12:38I was watching a movie with my wife.
00:12:43Safiya.
00:12:45Lower the volume.
00:12:47What are you doing?
00:12:49Nothing.
00:12:51If I worked here, I would have paid you.
00:12:53Do you think I am a fool?
00:12:55What will you do with him?
00:12:57We will send him to Mohit's village.
00:12:59He is right.
00:13:00There is no one to help my father.
00:13:02What will he do there?
00:13:04He will pick up the cow dung.
00:13:06He won't be able to run from there.
00:13:08How is that?
00:13:10My father won't leave him like that.
00:13:12He will tie him up with the cow dung.
00:13:14He will eat, drink and bathe there.
00:13:16That's right.
00:13:18That's right.
00:13:20Take him to your village.
00:13:22Here.
00:13:24Have some tea.
00:13:26Do you know him?
00:13:27I will teach you a lesson.
00:13:29I will teach you a lesson.
00:13:31I will teach you a lesson.
00:13:33I will teach you a lesson.
00:13:35My husband has become black due to debt.
00:13:39And you are enjoying.
00:13:41I will teach you a lesson.
00:13:43Should I stop him?
00:13:45He is getting beaten up.
00:13:47Shut up.
00:13:50Safiya, don't hit him.
00:13:52He will die.
00:13:54Brother, help me.
00:13:55I will be right back.
00:13:57Make a few less blows.
00:13:59Keep your back and neck deep.
00:14:03Where are you coming from?
00:14:05It's Friday today.
00:14:07You must have not gone to pray.
00:14:09You must be praying in the theatre.
00:14:11Wait, I will just come.
00:14:13Which movie did you watch?
00:14:15Mahesh Babu's.
00:14:17Which movie did you watch?
00:14:19Mahesh Babu's.
00:14:20Hit him.
00:14:22Hit him.
00:14:24Lights.
00:14:26Camera.
00:14:28Action.
00:14:50Face the shine.
00:14:52Since you have become mine.
00:14:54Your intoxication is high.
00:14:56As if I have drunk wine.
00:14:58You ran away from somewhere.
00:15:00My loneliness from the heart.
00:15:02Now the whole world seems to be fine.
00:15:05Good. Fantastic.
00:15:07Well done. Good shot.
00:15:09Sir. Sir.
00:15:11There is a big thing.
00:15:13If there is someone after Govinda, it is you.
00:15:15Sir, but my film will be a super hit.
00:15:17Because I have put in a lot of effort.
00:15:19By selling my house and investing in this film.
00:15:21You don't worry.
00:15:23If this film becomes a super hit.
00:15:25Then you will become a superstar overnight.
00:15:27If it doesn't work.
00:15:29Then also don't worry.
00:15:31By working as a spot boy with me.
00:15:33You will earn 500 rupees a day and spend your money.
00:15:35This is the tongue of Khuddus Tube.
00:15:37Sir, tell me one thing.
00:15:39Why is your name Khuddus Tube?
00:15:41Does everyone ask this question?
00:15:43When Sajid can be of Nadiyat.
00:15:45Feroz can be of Jhunjhun.
00:15:47Can be anyone.
00:15:49Go and prepare for the shot.
00:15:51How does he know my history?
00:15:55What happened Khuddus?
00:15:57Wait. I am making it.
00:15:59Don't you have patience?
00:16:01I am a human. Not a machine.
00:16:03Next shot. Ready.
00:16:07Just let a leaf get stuck in a film once.
00:16:10After that don't ask.
00:16:12When will that leaf get stuck?
00:16:14Don't worry.
00:16:15One day it will get stuck.
00:16:17When our film will be in that ticket.
00:16:19And if that doesn't happen.
00:16:21Then I will pick it up.
00:16:23I will tear it.
00:16:25Let it be.
00:16:27How many people will you pick up after eating rice?
00:16:29Come on.
00:16:31Why are you getting angry with me?
00:16:33Five lakh means.
00:16:35Sir.
00:16:37It takes five lakh rupees to put it in five bags.
00:16:39Yes.
00:16:41I will meet you on the site tomorrow.
00:16:43Yes sir.
00:16:45What are you looking at?
00:16:47Nothing. Just looking at Amrish Puri's clip.
00:16:49Remember.
00:16:51There was no villain like Amrish Puri.
00:16:53He didn't come.
00:16:55What are you saying?
00:16:57You are sitting.
00:16:59Why don't you try in the film industry?
00:17:04What did you say?
00:17:06If I talk about films in front of you again.
00:17:09Then remember.
00:17:11And if you say that you work in films.
00:17:13And say that you have to invest money in films.
00:17:15Then I will teach you a lesson.
00:17:33Hello.
00:17:35How is the response of the morning show?
00:17:37Who is speaking?
00:17:39The director of the film that you have released today.
00:17:41I am the one with the tube.
00:17:43Do you have any shame?
00:17:45What film?
00:17:47Are you calling it a film?
00:17:49Are you changing the name of the film industry?
00:17:51Is this your last film?
00:17:53Don't put any film in the theatre again.
00:17:55What is this Khuddus brother?
00:17:57I am ruined.
00:17:59There is not a single person in the morning show.
00:18:01My film flopped.
00:18:03Relax brother. Relax.
00:18:05Sit down.
00:18:07The thing is that people are confused now.
00:18:09The one with the tube has presented a new face.
00:18:11People are thinking whether to see him or not.
00:18:13Have some patience.
00:18:15He has released a new film in the morning show.
00:18:19What happened?
00:18:21Why are you all breathing heavily?
00:18:23Your lover is praising his film.
00:18:25Watch it on YouTube.
00:18:27I am telling you to be patient.
00:18:29You are not listening to me.
00:18:34Hi. Hi. Hi.
00:18:36Hi. This is Mahmood Naeem.
00:18:38Film Critics.
00:18:40Today I will review the film of the one who left after making a promise.
00:18:44His hero and producer is Sahil Khan.
00:18:47And his director is Khuddus Tubewala.
00:18:50I think his name is very bad.
00:18:53I still don't understand why his name is Tubewala.
00:18:56Was he a puncture seller or a tube seller?
00:18:59So let's talk about the film.
00:19:01This is a below average film.
00:19:03I say it is below that.
00:19:06His story, screenplay, direction is so bad.
00:19:10And Khuddus Tubewala presented it in a very bad way.
00:19:15The film came out of the theater in the morning show.
00:19:18There is nothing in this film that you can see.
00:19:21Only the director knows when the hero speaks the dialogue,
00:19:24when he becomes dumb, when he dances.
00:19:28Now as far as the rating of the film is concerned,
00:19:30I can give this film one star with great difficulty.
00:19:34Now give permission to Mahmood Naeem Film Critics
00:19:37and keep watching mine.
00:19:40He is making fun of me.
00:19:42I stayed in the industry for 30 years and did nothing.
00:19:44Now I have opened this new shop.
00:19:51The customer has come.
00:19:54Sir, sir, sir.
00:19:56What bad news have you brought now?
00:19:58I have brought good news, sir.
00:20:00The next customer is ready, sir.
00:20:02Listen, you have a loan of 30 lakhs.
00:20:04From today you are my spot boy.
00:20:06Go out.
00:20:07Sit, sit, sit.
00:20:09Don't be in a hurry.
00:20:11What was I saying?
00:20:13Sir, sir.
00:20:15Is this the office of Khuddus Tubewala?
00:20:17Sir is a little busy. I have to wait.
00:20:19This is the thing that I didn't wait more than 9 months in my mother's womb.
00:20:22I will wait for 9 seconds for you.
00:20:259, 8, 7, 6, 5, 4, 3, 2, 1.
00:20:30Move.
00:20:32The entry of my film's hero with such a camera.
00:20:35Yes, your praise.
00:20:37I have to make a film.
00:20:39Make the film. Who is stopping you?
00:20:41But you are watching. I am explaining the scene here.
00:20:43I am busy. Sit outside for 10 minutes.
00:20:45Dilawar.
00:20:47It would have been an agreement in 10 seconds.
00:20:49For whom were we sitting? For watching this soap.
00:20:51Tell me, do you drink tea or cold?
00:20:53Leave all that. I have come to talk about work.
00:20:55Tell me.
00:20:57I have written the story of the film.
00:20:59I am the producer. I am the hero.
00:21:01The heroine is sitting next to Motu.
00:21:03And the director is in front of me.
00:21:05The rest is your work.
00:21:07I was joking.
00:21:09By the way, seeing your personality,
00:21:11I am thinking of keeping the title of the film.
00:21:13Stars and Returns. How will it be?
00:21:15It is good. You are going right.
00:21:17One more thing.
00:21:19Just like in Telugu movies,
00:21:21Megastar is a power star.
00:21:23Similarly, I also want to be a star.
00:21:25It is done.
00:21:27I will make you a great star.
00:21:29How is it?
00:21:31Great.
00:21:33By the way, what is the budget of the film?
00:21:35One crore.
00:21:37One crore.
00:21:39Sound 2, take 1.
00:22:05Stop.
00:22:07Who taught you to dance?
00:22:09What are you dancing?
00:22:11Who taught you?
00:22:13What is your style?
00:22:15No one taught me anything.
00:22:17Whatever I do, it becomes a style.
00:22:19They call me Liyakath Khureshi.
00:22:21Understood?
00:22:23I am sitting there.
00:22:25Send some cold water to the kid.
00:22:27Hey, remove this baby from here.
00:22:29Baby?
00:22:31If you remove the baby, with whom will I dance?
00:22:33If you call it a baby, it is called a small light.
00:22:35Now go from here. Go.
00:22:37Brother, he is over acting.
00:22:39Till when will he laugh?
00:22:41One crore is invested in this film.
00:22:44Otherwise, I would have killed him.
00:22:48Anyway, you go. Take another shot.
00:22:50Okay.
00:22:52Now it will be fun.
00:22:54Even after 15 years.
00:22:56But you should know.
00:22:58A bird doesn't kill a bird.
00:23:00Sir, please. Give me one chance.
00:23:02Look, son.
00:23:04I don't give shots to bad people.
00:23:05Tell me if you bring a calf, I will give you a shot.
00:23:07Understood?
00:23:09Now go from here.
00:23:11My old mother is dying of hunger.
00:23:13My cripple father is craving for alcohol.
00:23:15My widow sister is craving to dance in the wedding.
00:23:17Hey, Gopro.
00:23:19Where are you?
00:23:21Take him.
00:23:23Listen, sir.
00:23:25Come, I will listen.
00:23:27Sir, listen to me.
00:23:29Till when will he stop?
00:23:31Bring something new in the market.
00:23:33If you can't bring, then bring a calf.
00:23:35I am telling you to change the director.
00:23:37And I am thinking of repeating you.
00:23:39What is the matter, sir?
00:23:42What happened?
00:23:44Will you take the next shot or not?
00:23:46When will you take it?
00:23:48For me, it's a letter.
00:23:50That's what I came to talk about.
00:23:52Actually, for the next shot,
00:23:54I want to order a 40 feet crane.
00:23:56And I want to seat the heroine on that crane.
00:23:58The heroine will come from the crane
00:24:00and fly away like a bird.
00:24:02How will you bring it?
00:24:03I don't know how it will look.
00:24:05But for that, I am paying 5 lakhs extra.
00:24:07Don't worry about the money.
00:24:09You just have to look nice on the screen.
00:24:11Do I have to hit a film by telling others other than you?
00:24:14I mean, do I have to flop a film?
00:24:17Chinna, come here.
00:24:23Order the crane.
00:24:28I had to give some time at night.
00:24:30What?
00:24:31We will have dinner.
00:24:33Yes, sir.
00:24:35Take this 5 lakhs.
00:24:37Put it in my account.
00:24:39And call Anji and ask for the crane worth 1500.
00:24:41Okay, sir.
00:24:43And listen.
00:24:45Ask for a 25 meter crane worth 30 rupees.
00:24:47Today, we will make it fly in the air.
00:24:49My 5 percent, sir.
00:24:51My account name is PSP Prasad, sir.
00:24:53Your father is getting married.
00:24:55Take 2 percent. Go.
00:24:57What's going on? Where is the meeting?
00:24:59Nothing. Location shift.
00:25:02Take this tiffin.
00:25:04Do you have to remind me every day?
00:25:06And listen.
00:25:08Don't take pictures with your friends.
00:25:10You have a lot of antlers.
00:25:12I know. Go.
00:25:13Go.
00:25:30Well done, son.
00:25:32Today, you are running behind your father's back.
00:25:35Tomorrow, you will be running behind your father's back.
00:25:38Maybe, you are going to watch a film.
00:25:40No. I am going to watch a film shoot.
00:25:43I am not going to watch a film.
00:25:45That day, I will give sweets to everyone.
00:25:49What happened, brother-in-law?
00:25:51Why will I die? My enemies are dead.
00:25:53You are responsible for spoiling him more than half.
00:25:56Don't get angry.
00:25:58I am just going to watch a film shoot.
00:26:00Today, you are leaving this job.
00:26:02For you, this shop is closed forever.
00:26:05I curse you.
00:26:06Yuck!
00:26:12Sir, which shot is this?
00:26:14Do one thing.
00:26:16Give two mouse to the heroine.
00:26:18Hero, come from a distance and take the mouse from her.
00:26:23How is this?
00:26:25Super, sir. Where do you get such good ideas?
00:26:28I get them from my brain.
00:26:30Go. You go.
00:26:32Shiva, keep the mouse close.
00:26:34Keep it close. Okay?
00:26:36Keep it at the top angle, sir.
00:26:38I think you will have to cut in the next film.
00:26:40Sorry, sir. I will keep it close.
00:26:42Good.
00:26:44Daisy, don't press the mouse.
00:26:46First, it is a low budget film.
00:26:48If you ask for two mouse, you will have to go to the market.
00:26:50It will be costly.
00:26:52Come on, take. Shot ready.
00:26:54Daisy, lift the mouse a little.
00:26:56Yeah, very good.
00:26:58No, no. A little left.
00:27:00One is left. No, no. One is right.
00:27:02Ready. We are going for take.
00:27:04Remove the dog. It is coming in the film.
00:27:07Uncle, is he a hero or a film?
00:27:10What kind of people are you making films with?
00:27:13He is a big shot.
00:27:15Otherwise, he would have done something to the director's face.
00:27:17Anyway, there is one to show and one to sell.
00:27:20What all are you doing with the computer these days?
00:27:22What if I had been in his place?
00:27:24Think.
00:27:26What is there to think?
00:27:28We will go directly and talk to the director.
00:27:30We will say take it in the film.
00:27:31Let's go.
00:27:33Do you want to eat?
00:27:35There is a hotel in the evening.
00:27:37Eat there.
00:27:39Are you watching the drama?
00:27:41Let's go from here.
00:27:43Hurry up.
00:27:45Action.
00:28:01Don't make me mad.
00:28:03Don't trouble me like this and make my heart sad.
00:28:06Don't trouble me like this and make my heart sad.
00:28:10You have been with me for years.
00:28:12Why are you running away today?
00:28:14You have been with me for years.
00:28:16Why are you running away today?
00:28:18What have I done?
00:28:20Why are you angry with me?
00:28:22Oh baby, shake it baby.
00:28:24Try to make it baby.
00:28:26Oh baby, shake it baby.
00:28:28Try to make it baby.
00:28:29Oh baby, shake it baby.
00:28:31Oh baby, shake it baby.
00:28:34Oh!
00:28:36What a shot you have given.
00:28:38Especially the style of filling the air.
00:28:40It's a big thing.
00:28:42For just that one shot, the film will get a repeat audience.
00:28:48That's what I am saying.
00:28:50You haven't seen my style yet.
00:28:52Now watch what I am going to do in the next film.
00:28:55Sir, is this the continuity of Bananas?
00:28:57Is this the continuity of Bananas?
00:28:59This is for my breakfast.
00:29:01Prasad, keep this in my car.
00:29:03Okay, sir.
00:29:05Okay, we will do the next shot.
00:29:07Hey, how are you?
00:29:09What is your problem with the people?
00:29:11If they see us, they will change the area.
00:29:13What is your problem with the people?
00:29:15If they don't hide me in the biscuit shop,
00:29:17then I will not be able to speak.
00:29:19God knows.
00:29:21Hey, what are you doing?
00:29:23What are you doing sir?
00:29:25Tell me.
00:29:27How much money do you have?
00:29:29Sir, I have 100 rupees.
00:29:31Then do one thing.
00:29:33In the evening, take 100 grams of good olive oil.
00:29:36And come to my house.
00:29:38Look at my whole body.
00:29:40If I get fresh by tomorrow morning,
00:29:42then your shot is confirmed.
00:29:44Okay, sir. Thank you, sir.
00:29:46Go.
00:29:50Easy, you made me move today.
00:29:52Thank you, sir.
00:29:55Gabro.
00:29:58Who are these two boys?
00:30:00They are beggars.
00:30:03They don't have any work.
00:30:05They are watching the shooting since morning.
00:30:07What is happening?
00:30:09Why are you standing?
00:30:11Go home.
00:30:13No, sir. I wanted to talk to you.
00:30:15Tell me quickly. I don't have time.
00:30:17Come quickly.
00:30:19Sir, we also want to become actors.
00:30:21Please sir.
00:30:23Give us one chance.
00:30:25The hero who was dancing just now,
00:30:27has invested his own money of 1 crore rupees.
00:30:29In today's date,
00:30:31the hero's son can become a hero,
00:30:33the producer's son can become a hero,
00:30:35or the rich can become a hero.
00:30:37If you also want to work in films,
00:30:39then bring your own money.
00:30:41I will make a good film and give it to you.
00:30:43How much is the money to make a film?
00:30:45Sir, how much is it?
00:30:471 crore rupees.
00:30:491 crore rupees.
00:30:511 crore rupees.
00:30:531 crore rupees.
00:30:551 crore rupees.
00:30:571 crore rupees.
00:30:59By the way, I have a low budget script.
00:31:01I had kept it carefully.
00:31:03I will give it to you.
00:31:05Bring 35 lakhs.
00:31:07I will make a good film and give it to you.
00:31:09Go.
00:31:11Sir, how will the money come back?
00:31:13By the way, the film would have been sold just by my name.
00:31:15If I say that the film was directed by Khuddush Chupwala
00:31:17on an empty poster,
00:31:19the business of 50 lakhs will be closed in 3 days.
00:31:21Gabru, give me my card.
00:31:23Thank you, sir.
00:31:25Thank you, sir.
00:31:27No problem.
00:31:29If these people come in the film,
00:31:31then we will not worry for 5-6 months.
00:31:34But this time I will make the budget.
00:31:36Greetings.
00:31:38From where do you get 35 lakhs?
00:31:40How will I get it?
00:31:42You write one thing.
00:31:44I don't want to be a tailor in my life.
00:31:46Hey, stop.
00:31:50You are asking such a budget
00:31:52to make a film for a director.
00:31:54You are like Lakpati.
00:31:55The crazy bull said 35 lakhs.
00:31:57He didn't say the amount of crores.
00:31:59You have to think of a ticket for 35 rupees.
00:32:01How do you get 35 lakhs?
00:32:03I will sit on the chair and think.
00:32:05How can I get the money?
00:32:07Car?
00:32:09I don't have it.
00:32:11Horse?
00:32:13I stay with kings and kings.
00:32:15I don't have time now.
00:32:17Rich girl?
00:32:19Do you remember what the girl said?
00:32:21Then how will I get the money?
00:32:23Finance.
00:32:25Wow.
00:32:30Good morning, sir.
00:32:32Good morning.
00:32:34Call me if anyone comes.
00:32:36Okay, sir.
00:32:44Mamli.
00:32:49Yes.
00:32:51Is Asif Bhai there?
00:32:53What work do you have?
00:32:55Come in.
00:33:01Yes, tell me.
00:33:03Sir, someone has come to meet you.
00:33:05Send him inside.
00:33:08Good morning, sir.
00:33:10Good morning.
00:33:12Tell me, sir.
00:33:14Finance.
00:33:16For whom?
00:33:18We want to make a film.
00:33:20Look at him.
00:33:22How much do you want?
00:33:25Rs. 35,000.
00:33:27Rs. 1,00,000.
00:33:29Rs. 35,000.
00:33:33Look, this is not a Swiss bank.
00:33:35This is a financing office.
00:33:37I didn't understand, sir.
00:33:39I understood.
00:33:41You mean to say that you finance people like Paan shop, tea shop, shoe shop, utensils shop.
00:33:46Good afternoon, mam.
00:33:48Take this.
00:33:50Where is sir?
00:33:52He is in the meeting.
00:33:53Okay.
00:33:55This is how he is, sir. You must have understood.
00:33:58Safia, did you bring food?
00:34:00Yes, I did. Come, wash your hands.
00:34:02You go, I will come in the meeting.
00:34:04So, you want to finance films?
00:34:06In front of her.
00:34:08What did you say?
00:34:10I didn't say anything.
00:34:12You are talking about films.
00:34:14You want to finance films.
00:34:16Take him out.
00:34:18Safia.
00:34:20Safia, let him go.
00:34:21What are you doing?
00:34:23Do you like films?
00:34:25Remember, I won't let this happen.
00:34:28How did you let them in?
00:34:31Take this.
00:34:33Don't you dare.
00:34:35Chemical reaction.
00:34:37Come, let's have food.
00:34:42How is the response of the film?
00:34:44It's not public. It's a cold film.
00:34:46The theater is empty.
00:34:48See, it's still full.
00:34:49Call the entire audience.
00:34:51Call the entire audience.
00:34:53Call from Zaheerabad, Mahim Nagar, Raichur.
00:34:55Don't worry about money.
00:34:57Call the audience.
00:34:59Call from everywhere.
00:35:13Hi. Hi. Hi.
00:35:15I am Ahmed Naeem, Film Critics.
00:35:16Today, I am going to review
00:35:18Today's release of Tarzan Written.
00:35:20I didn't understand
00:35:22why this stupid guy
00:35:24made such a bad film.
00:35:26Why did he bring that hero
00:35:28in this film?
00:35:30He looks like he can fly.
00:35:32I didn't understand
00:35:34where did he get
00:35:36this cheap film.
00:35:38Tarzan Written
00:35:40is such a great film.
00:35:42After watching this film,
00:35:44you will feel
00:35:46that this is not a 1 crore film
00:35:48but a 10 crore film.
00:35:50If you are washing utensils,
00:35:52leave the utensils.
00:35:54If you are washing clothes,
00:35:56leave the clothes.
00:35:58If you are taking care of kids,
00:36:00leave the kids.
00:36:02If you are with your husband,
00:36:04leave your husband too.
00:36:06But don't leave this film.
00:36:08I give this film
00:36:10not 1, not 2,
00:36:125 stars.
00:36:145 stars.
00:36:16Is Safiya there?
00:36:18No brother.
00:36:20Where are you both coming from?
00:36:22We are coming from the morning show.
00:36:24When was Tarzan Written released?
00:36:26It was released today.
00:36:28Who is the hero?
00:36:30He is not a hero.
00:36:32But he is a house fool.
00:36:34The public is boiling.
00:36:36Sir, he knows how to act.
00:36:38If you were in his place,
00:36:40you would have created a ruckus.
00:36:42Where is his personality
00:36:44and where is yours?
00:36:46Shall I say something honestly?
00:36:48If you were on the screen,
00:36:50you would have created such a ruckus
00:36:53that...
00:36:55that...
00:36:57that...
00:36:59Those two boys came to ask for finance that day.
00:37:01Have you written their number in the visiting form?
00:37:03Look, look, look.
00:37:05Take it fast.
00:37:13Hello.
00:37:14This is Asif speaking.
00:37:16Who Asif?
00:37:18Financer Asif.
00:37:20Real estate matter.
00:37:22Brother, brother.
00:37:24I can hear you clearly.
00:37:26Tell me Asif.
00:37:28You were talking about making a movie.
00:37:30Yes brother.
00:37:32Come to the office.
00:37:34We will make your movie.
00:37:36Stay in the second room.
00:37:38Listen.
00:37:40I have two conditions.
00:37:42I will only finance the movie.
00:37:44That means Mirza Asif bank.
00:37:46Okay brother.
00:37:50What will we do with him?
00:37:52We will sell him.
00:37:54Neither will we keep him for Baba
00:37:56nor will Baba keep him for us.
00:38:01Your house is nearby.
00:38:03Come.
00:38:14Come.
00:38:30So?
00:38:32How was the tour of Bihar?
00:38:34You lost 5-6 kgs.
00:38:36Your father must have taken a lot of milk from him.
00:38:38He took a lot.
00:38:40Come, come Karan, Arjun.
00:38:42I was waiting for you guys.
00:38:44You tell me brother.
00:38:46We will do as you say.
00:38:48Go.
00:38:50Did you bring the papers of Shruti?
00:38:52Yes brother.
00:38:54Give it to me.
00:38:57150 rupees for the house.
00:38:59Come brother.
00:39:01Check properly or else I will check you guys.
00:39:03Don't worry sir.
00:39:05I am also in fourth class.
00:39:07What is the name of your director?
00:39:09I used to give him advance.
00:39:11He is a big director.
00:39:12I had to go to his office to meet him.
00:39:14Is he a bigger person than us?
00:39:16We are spending money.
00:39:18I had to take an appointment to meet him.
00:39:20What is this?
00:39:22He is right.
00:39:24Call him and take an appointment.
00:39:26What is the number?
00:39:28This is his card.
00:39:30If I was the director of this film,
00:39:32I would have taken this shot like this.
00:39:34Hello.
00:39:36Hello, who is this?
00:39:38Why are you calling?
00:39:40You tell me who do you want to talk to?
00:39:42I am busy.
00:39:44Sir is busy.
00:39:46Talk to his assistant.
00:39:48Okay.
00:39:50Hello sir.
00:39:52I am PA to director Kuttu Stevewala.
00:39:54Director Kuttu Stevewala.
00:39:56I want a date to make a film.
00:39:59If you want to make a film,
00:40:01you will have to talk to his manager Prasad Garu.
00:40:04Sir, just one minute.
00:40:06He is talking to him.
00:40:09Hello sir.
00:40:10I want your director's date.
00:40:13I want to make a film.
00:40:15Sir is very busy.
00:40:17If you want to meet him,
00:40:19come to the set for the shooting tomorrow.
00:40:22I will send you the address on WhatsApp.
00:40:25Your director seems to be a very busy man.
00:40:28Will he make a film?
00:40:30Call him for the shooting tomorrow.
00:40:32Okay sir.
00:40:34Leave your papers.
00:40:36Are we going to eat his papers?
00:40:37What do you say?
00:40:39Will you make a film?
00:40:41Will I become a villain?
00:40:43I didn't know you are such good actors.
00:40:45I will make a film with you.
00:40:47For now, prepare for a fake shooting tomorrow.
00:40:50We are ready sir.
00:40:52Sir, think about me too.
00:40:54How did you get my office address?
00:40:56I don't care about my enemies,
00:40:58but I will definitely keep the address of his office.
00:41:01Come on.
00:41:03Come on.
00:41:05Sir, please.
00:41:08Hey, the car is coming.
00:41:10Sir, the car is coming. Start acting.
00:41:12Action.
00:41:14When will you change?
00:41:16When will you come to meet my father?
00:41:18Go Meena, go and tell your father that my style is very unique.
00:41:21And my guru has said that my time has come to change.
00:41:24Hey, cut.
00:41:26Hey, all this has become old.
00:41:28It used to run in old films.
00:41:30What will people say?
00:41:32The last film gave such a super hit
00:41:34and made such a useless film.
00:41:35Do something new.
00:41:37Next shot.
00:41:39Sir, sir, sir.
00:41:41I think the work is going on.
00:41:43Hey, Gafru.
00:41:45Hey, Gafru, come.
00:41:47You people do one thing.
00:41:49You people wait here.
00:41:51I will go and do the meeting.
00:41:53Come inside.
00:41:55What would father have said?
00:41:57He must have spent a lot of money.
00:41:59Our film must be made.
00:42:01One thing is right.
00:42:02My father is very stubborn.
00:42:04Let's see what happens.
00:42:06Take 2. Action.
00:42:08When will you change?
00:42:10When will you come to meet my father?
00:42:12Go Meena, go and tell your father that my style is very unique.
00:42:14Cut, cut, cut.
00:42:16No Arunakha, do one thing.
00:42:18We will talk after lunch.
00:42:20You people go and do the rehearsal.
00:42:22All this is going to run in my film.
00:42:24Go and do the rehearsal.
00:42:26Go, go.
00:42:28Gafru, do one thing.
00:42:29Tell him to go and do the meeting.
00:42:31Sir is very busy.
00:42:33He can't meet.
00:42:35He is working.
00:42:37If you are in such a hurry, come to the office and meet him tomorrow.
00:42:39Are you talking to Rekha?
00:42:41Tell him that brother Asif has come.
00:42:43Tell him to go and do the meeting.
00:42:45Wait, I will tell him.
00:42:47Sir, the producer has come.
00:42:49Do you think I am a fool to come and sit here?
00:42:51Hey.
00:42:53I am not going to compromise.
00:42:55Hello, director sir.
00:42:56Who is he?
00:42:58Sir, he is the producer.
00:43:00Those two kids had come to give us a chance.
00:43:02They are on the set.
00:43:04We didn't talk on the telephone yesterday.
00:43:06You only told me to call them here.
00:43:08Sir, the distributor is on the other side.
00:43:10I didn't call him.
00:43:12Hello.
00:43:14Brother, I told you earlier.
00:43:16I told you earlier that I am not selling any rat until the film is complete.
00:43:18I am not giving it to any state.
00:43:20I will call you after the film is complete.
00:43:22Okay.
00:43:24Thank you.
00:43:27Look.
00:43:29Learn from the teacher.
00:43:31How to present yourself in front of people.
00:43:33Understood?
00:43:35Our manager sir,
00:43:37did he call from Mumbai or Begum Bazar?
00:43:39Does he ever come from Mumbai?
00:43:40What?
00:43:55Brother, there is a long queue.
00:43:57It looks like there is a long queue from Pune to Halakshar.
00:43:59Look at this.
00:44:04Hello, brother.
00:44:06Has director sir started a food stall inside?
00:44:08Why such a long queue?
00:44:10He has been standing in the queue since morning.
00:44:12When will he get the number?
00:44:14So you mean to say that all these people have come here to make a film?
00:44:17Then what? Have they come to buy ration?
00:44:19Come on, you also stand in the queue.
00:44:21Look, we are those who have never stood in the queue in our life.
00:44:23They don't know that we have only learned to break the queue.
00:44:25Come on.
00:44:27Sir, this is your number.
00:44:29You come in the queue, sir.
00:44:31Kudu sir is very busy.
00:44:33I think sir, your number will come by 9.
00:44:35But if director sir takes a break,
00:44:37then you can't speak, sir.
00:44:38Hey, look here.
00:44:40I want this frame.
00:44:42Come on, uncle.
00:44:44Come here to talk to me.
00:44:46What is this way?
00:44:48Can't you see the queue outside?
00:44:50When I was small and was in school,
00:44:52the teacher used to tell me to come in the queue.
00:44:55So I used to hit him with the dialogue of Deewar movie at that time.
00:44:58Shall I tell you something new?
00:45:01Which school do you belong to?
00:45:03Raghav Ratna High School.
00:45:05That's what I am saying.
00:45:06Hey, you are my schoolmate.
00:45:09You were in 7th and I was in 10th.
00:45:11He used to ask for 20.
00:45:13He is a smart kid.
00:45:15Hey, Asif.
00:45:17You didn't recognize me?
00:45:19Tell me, what can I do for you?
00:45:21We will see what you can do.
00:45:23First, remove all the crazy people who are standing in the queue.
00:45:25I will make them run away in 2 seconds.
00:45:27Go away.
00:45:33What is your name, baby?
00:45:34Come on, write your payment later.
00:45:36Come on, let's go.
00:45:38Hey, come here.
00:45:40You are not coming to school.
00:45:42You are acting?
00:45:44Director telling.
00:45:46Yes, Asif.
00:45:48Sit, sit, sit.
00:45:50Tell me, Asif.
00:45:52What kind of film should I make for you?
00:45:54You can make any film.
00:45:56But make these two boys a hero.
00:45:58And make me a villain.
00:46:00We have to think of a script like Karan Arjun.
00:46:02Yes, think.
00:46:04What kind of film should I make?
00:46:06I will make such a film.
00:46:08I will make such a film.
00:46:10That such a film will not be made in the history of India.
00:46:12What action will it have?
00:46:14Unparalleled romance, passion, emotion.
00:46:17Yeah, wow, fantastic, fabulous.
00:46:19Produced by Asif Big.
00:46:21And directed by Khuddustu Bala.
00:46:24And the name of the film?
00:46:26I will tell you after the interval.
00:46:34I will tell you after the interval.
00:46:43The film that I am going to make.
00:46:45This is my dream project.
00:46:47It is your fate that you are getting this script.
00:46:51If I had told this script to any big actor of Bollywood.
00:46:54Khan, Kapoor.
00:46:56Then they would have agreed to make this film in two minutes.
00:46:58Sir, the big stars of Bollywood.
00:47:00Shahrukh Khan, Salman Khan, Hrithik Roshan.
00:47:01They were also new in their first film, sir.
00:47:04There is a point, sir. There is a point.
00:47:06You both have come here to act.
00:47:08I have come to catch you.
00:47:10I had told you this in scene number 23.
00:47:12If the son of a big hero will not become a hero.
00:47:14Then will he become a circus joker?
00:47:16Mr. Khuddustu, don't forget this.
00:47:18Their fathers were also in the 8th grade.
00:47:21I am talking about the producer of this film.
00:47:24After this film becomes a super hit.
00:47:26Your and these two boys are going to have a life.
00:47:28If you take this script.
00:47:29I would have seen it.
00:47:31Director, you people don't disturb.
00:47:33Listen to the story.
00:47:35Gabru, Shiva.
00:47:37Prasad.
00:47:39Anand.
00:47:41He is the first hero of this film.
00:47:43Sir, thank you, sir.
00:47:45Sir, I am very thankful to you.
00:47:47I have been watching you for 5 years, sir.
00:47:49And I always used to think in my life, sir.
00:47:51That only you will become a hero.
00:47:53Then I will become something.
00:47:55Sir, you have given me 6 months time.
00:47:56Sir, I will exercise.
00:47:58I will fill my body with raw vegetables.
00:48:01Sir, I will make 6 packs.
00:48:03I will stand ready in front of you like Salman Khan.
00:48:05By the way, sir, my screen name is Gafoor Rahim Khan.
00:48:09Be a bull.
00:48:11But don't be a bull's bull.
00:48:13I am making you a dummy hero to make them understand.
00:48:15Do you understand?
00:48:17You were my assistant.
00:48:19You are and you will be.
00:48:21Now listen to the story.
00:48:23You both have been rascals since childhood.
00:48:24We used to bathe together.
00:48:26We used to go to the same college.
00:48:28And we used to love the same girl.
00:48:30And your villain was also the same.
00:48:32The hardcore villain.
00:48:34Raka.
00:48:36Uncle, this is our original story.
00:48:38Keep quiet and listen.
00:48:40If you touch the running machine, you will have to wash your hands.
00:48:43Do you understand? Roll cut.
00:48:45Hey boy, what are you saying?
00:48:47Director, listen to me.
00:48:49Very good.
00:48:51This is called dedication.
00:48:52So listen.
00:48:54In your childhood, there was a flood in your village.
00:48:57And you both come to a village in the flood.
00:49:01And there you meet the heroine Reshma.
00:49:06You both fall in love with Reshma.
00:49:09And the villain Raka also falls in love with Reshma.
00:49:12After that, the heroine Reshma also falls in love with both of you.
00:49:17How will both of them fall in love?
00:49:19In the film, Raka's sister is also raped.
00:49:23Yes.
00:49:25And after that, Raka can also go into a coma.
00:49:28But I changed the story.
00:49:30Yes.
00:49:32In the film, it will be shown how two heroes, Changu and Mangu..
00:49:35..take revenge from Raka to get their love.
00:49:39Fantastic.
00:49:41Tell me one thing.
00:49:43Who will be her heroine and when will the shooting take place?
00:49:45By the way, there was only one heroine in every film of mine.
00:49:47Daisy.
00:49:49But for this film, I have called five heroines.
00:49:50For the audition.
00:49:52There is an audition tomorrow.
00:49:54As soon as the heroine is selected, our shooting starts.
00:49:56But what did you think of the name of the film?
00:50:02The title of the film is Holi Bane Sholi.
00:50:05Walls of Fire.
00:50:11I am saying that after this film, we will also move our story forward.
00:50:14Tell sir that you are getting very free.
00:50:17You don't have to marry sir.
00:50:18Look, I am telling you.
00:50:20You are healthy and I am healthy.
00:50:22The children will also be healthy.
00:50:24You are healthy.
00:50:26You are fat.
00:50:28Is everything okay?
00:50:30Send the girls who have come for the audition one by one.
00:50:33Send them quickly. I don't have time.
00:50:35And listen. After this, everyone has to give an advance.
00:50:37And don't forget to take out 50 percent from every advance.
00:50:40And the producer should not know about this.
00:50:42What are you saying?
00:50:44Sir, I have already explained.
00:50:46What sir? It's not my first time.
00:50:48Come.
00:50:53Hasn't Mucchad come?
00:50:55He doesn't have time, sir.
00:50:57Before he comes, finish the audition quickly.
00:50:59What should I do?
00:51:01What director sir?
00:51:03Do you make a film without a producer?
00:51:05I am not making a film now.
00:51:07I am taking the heroine's audition.
00:51:09That's what I am saying.
00:51:11Let any work remain. Inform me.
00:51:13Involve me in every work.
00:51:15Tell me who all will see.
00:51:16If you deceive me, I will drink your blood.
00:51:20I will kill you. I won't leave you alive.
00:51:23Madam, first he is not blood but blood.
00:51:26And he is not alive but alive.
00:51:29And I am very ashamed of you.
00:51:31Next.
00:51:46Hi, my name is Payal.
00:51:48And I am 23 years old.
00:51:50And I have done modelling.
00:51:52I have also done two Hindi serials.
00:51:54One was Saas Bani Time and Bahubali Chudel.
00:51:57Okay, okay. Say the dialogue.
00:51:59Yes.
00:52:02If you deceive me, I will drink your blood.
00:52:08I will kill you. I won't leave you alive.
00:52:12I won't leave you alive.
00:52:15She can do something.
00:52:17Wow. Congratulations.
00:52:19You are selected heroine.
00:52:21Thank you so much.
00:52:23Hello, brother.
00:52:25The director is sitting here.
00:52:27Let him do his work.
00:52:29Why are you interfering?
00:52:31There are many girls sitting outside.
00:52:33Send them to their homes.
00:52:35I also have some knowledge.
00:52:37This girl is selected.
00:52:39Congratulations.
00:52:40You have become a heroine.
00:52:42Take her.
00:52:44I will give you an advance.
00:52:46Come with me.
00:52:48Mr. Anand.
00:52:50Looks like you have given us a headache.
00:52:52This is Agard.
00:52:54Look ahead and see what happens.
00:52:56Write the like one.
00:52:58Give him 5000.
00:53:00Hey, cameraman.
00:53:02Hey, Shiva.
00:53:04Don't you come on time?
00:53:06Write 10,000.
00:53:08Keep it here.
00:53:11Give 20,000 for food.
00:53:13Yes, 20,000 for food.
00:53:15Give them food too.
00:53:17Tell them not to bring tiffin from home.
00:53:19I didn't think about this.
00:53:21Why should I give?
00:53:23Give work and food too.
00:53:25What happened? Who are you distributing to?
00:53:27Give food too.
00:53:29Sir, since it is your production,
00:53:31you will have to give food too.
00:53:33Give food.
00:53:35And give check to madam.
00:53:37Write her name.
00:53:39Payal sir.
00:53:41Sir, give me your signature.
00:53:43Give it to me.
00:53:45Manager.
00:53:47Yes, sir.
00:53:49Write a cheque of 5 lakhs.
00:53:515 lakhs for what?
00:53:53Director's fees.
00:53:55If I give you 5 lakhs,
00:53:57what will I give to others?
00:53:59Don't give.
00:54:01Do one thing.
00:54:03When you will earn crores,
00:54:05take 50% from it.
00:54:07Take it, sir.
00:54:09What is your name?
00:54:11Uddo Stupala.
00:54:13Take it, sir.
00:54:16Come on.
00:54:18Where are you taking her?
00:54:20I am taking her to make her understand the scene of the film.
00:54:22Come on.
00:54:24Hey, Payal sir.
00:54:26For what, sir?
00:54:28Hey, commission sir.
00:54:30Sir, I am running out of blood at home.
00:54:32I wanted to ask you.
00:54:34Hey, give it here.
00:54:36Sir, the hard work is mine.
00:54:385%.
00:54:40You gave a good title.
00:54:42Hard work is mine.
00:54:44Child is yours.
00:54:46Keep it.
00:54:48After the release of the rest of the films.
00:54:57Safiya.
00:54:59Safiya.
00:55:01Safiya.
00:55:03Get up.
00:55:05Where are you going so early in the morning?
00:55:07Iron my red kurta.
00:55:09I have to go early.
00:55:11Where are you going so early in the morning?
00:55:13Don't ask questions to Ahmed Patel.
00:55:15Iron my red kurta.
00:55:17I will take a bath.
00:55:19Come on, get the kurta.
00:55:23Come on, it's done.
00:55:25Have breakfast and go.
00:55:27I will do all that there.
00:55:30What business is he doing so early in the morning?
00:55:32Don't ask questions to Ahmed Patel.
00:55:42Can I ask you something?
00:55:44Go ahead.
00:55:46You ask me to come at 7 o'clock and he comes at 12 o'clock.
00:55:48When will you start?
00:55:55What happened?
00:55:57Why haven't you started shooting yet?
00:55:59Where is the director?
00:56:00It's your record.
00:56:02He hasn't come on time till now.
00:56:04He must be coming by 10 or 11.
00:56:06You should also take some rest.
00:56:08I have been called at 7 o'clock.
00:56:10Call the director.
00:56:12Sir, his phone is switched off.
00:56:14It's the role of the industry.
00:56:167 a.m. call sheet.
00:56:18But no one comes, sir.
00:56:20Wow.
00:56:22Even the heroes are late.
00:56:24Where were you both?
00:56:26We fell asleep, sir.
00:56:28What time did you say the program?
00:56:30We should have called the director and cut the scene.
00:56:33We will sit there, sir.
00:56:35Let's go.
00:56:37Sir, get the make-up ready.
00:56:39Make-up.
00:56:41Hurry up.
00:56:44Cameraman.
00:56:46What's your name?
00:56:48Shiv Kumar, sir.
00:56:50Shiv Kumar, I am also the producer of this movie.
00:56:53I am also acting in the movie.
00:56:55Take good shots of me.
00:56:57I have made some body.
00:56:58What to do? The heroine is about to come.
00:57:01Do you understand?
00:57:03Take good shots.
00:57:05Sir, there is no problem.
00:57:07I don't have a single lens.
00:57:09I have only one zoom.
00:57:11I have asked for four babies.
00:57:13They gave me only one baby.
00:57:15I don't know how much adjustment I am doing.
00:57:17I don't have a single light bulb.
00:57:19What are you saying?
00:57:21I don't even have a battery.
00:57:23I am struggling to get a battery.
00:57:25Listen to me.
00:57:26You do your work.
00:57:28I will tell you.
00:57:30Adjust in whatever it is.
00:57:32I am coming.
00:57:34Where is the director?
00:57:36I don't know anything about him.
00:57:38It's the first day.
00:57:40I have invested money for you.
00:57:42If you say, I will call him.
00:57:44Call him.
00:57:49I am telling you.
00:57:54What is the colour?
00:57:57What is the time?
00:57:59It's 11 o'clock.
00:58:08Okay.
00:58:10Sir, the producer is looking very hot.
00:58:12The sun is very bright.
00:58:14He is coming with the heroine.
00:58:16I will teach him a lesson.
00:58:18What time are you coming?
00:58:23What happened?
00:58:24When did you bring the make-up?
00:58:26Is this your first film?
00:58:28You are wasting your time.
00:58:30It's not a small thing.
00:58:32You are wasting your money for a film.
00:58:34Camera man, come here.
00:58:36He is very hot.
00:58:38He is very strong.
00:58:40I think he is the director.
00:58:42I can't see his posing.
00:58:44What is my staff doing?
00:58:46Everyone's payment is Rs. 5000.
00:58:48But the work is not even Rs. 500.
00:58:50What is this, Anand?
00:58:52You are a senior.
00:58:54Come early tomorrow.
00:58:56Shut up.
00:58:58Sir, good afternoon.
00:59:00Leave it.
00:59:02Payal, come here.
00:59:04Listen.
00:59:06Two heroes.
00:59:08One heroine.
00:59:10Close shot.
00:59:12Sir, not close shot.
00:59:14Three shots.
00:59:16Will you tell me how to take the shot?
00:59:18Do as I say.
00:59:20Payal, come.
00:59:22I will explain you the scene.
00:59:24Your dialogue is...
00:59:26We have come to this village.
00:59:28We will dance to death on Raka.
00:59:30Your dialogue is...
00:59:32My dialogue is so small.
00:59:34Say what is in the script.
00:59:36Write an extra story.
00:59:38Are you ready?
00:59:40Ready, sir.
00:59:42Scene 1 by 1, take 1.
00:59:44Action.
00:59:46We have come to this village.
00:59:48We will dance to death on Raka.
00:59:50We will dance to death.
00:59:52I knew it.
00:59:54Cut.
00:59:56Fantastic.
00:59:58That's what I wanted.
01:00:00Sir, the camera is ours.
01:00:02What happened now?
01:00:04Sir, you forgot to switch on the camera.
01:00:06Will you teach me?
01:00:08It's been 8 days since you came.
01:00:10You didn't clap properly.
01:00:12Again.
01:00:14Action.
01:00:16We have come to this village.
01:00:18We will dance to death on Raka.
01:00:20Cut.
01:00:22Lunch break.
01:00:24Lunch break.
01:00:33Eat.
01:00:35You are eating tandoori chicken with the heroine.
01:00:38And you are feeding me rice.
01:00:40Who eats production food?
01:00:42Thin lentils, thick rice.
01:00:44And soda mixed in rice.
01:00:46That's why I asked the manager to order our food online.
01:00:49Wow.
01:00:51Sir, eat quietly.
01:00:52If you don't eat, the entire unit will have to order chicken.
01:00:55Do you understand?
01:00:57Don't stare.
01:00:59Take this leg.
01:01:01Or else I will throw it on your stomach.
01:01:03Eat.
01:01:09What are you doing?
01:01:11Sir, greetings.
01:01:13You are very bad.
01:01:15Eat. I will deal with you later.
01:01:22Let's do an action scene.
01:01:24Yes, sir. Let's do it.
01:01:26Look, this is a risky scene.
01:01:29The heroine falls into a pit.
01:01:32And you have to hold her hand and save her.
01:01:36Yes, sir. Let's do it.
01:01:38If you let go of her hand by mistake..
01:01:41..then no one can save the producer.
01:01:43Be careful.
01:01:45Shiva, shot ready.
01:01:47Why are you taking shots of them?
01:01:49What are you doing?
01:01:51You have been wearing make-up since 7 in the morning.
01:01:54I wanted to hold her hand.
01:01:56Shiva.
01:01:58Camera.
01:02:01Sir, I will sit on the chair.
01:02:03Action.
01:02:05Save me.
01:02:07Save me.
01:02:09Save me.
01:02:11Cut. Fantastic.
01:02:13You don't have any problem with kissing scenes, right?
01:02:15No, sir.
01:02:16Father talks.
01:02:18Does father sit at home and look at others?
01:02:20I don't have any problem, sir.
01:02:22I am ready.
01:02:24Well done. Artists should be always ready.
01:02:26Do one thing.
01:02:28Get ready with mouth freshener.
01:02:30Shiva.
01:02:32Nalu.
01:02:34We will get this shot.
01:02:36Okay, sir.
01:02:38Will you do the rehearsal?
01:02:40If you walk like this, you will be left aside.
01:02:43Do something.
01:02:44Otherwise, it will take 20 years to make this film like Mughal-e-Azam.
01:02:48And you will be left behind.
01:02:50Tell me.
01:02:52I will teach him a lesson.
01:02:54No, sir. Boundary, sir.
01:02:56Why do you say whatever I say?
01:02:58Do one thing. You direct. I will handle the camera.
01:03:00Sorry, sir.
01:03:02Hello, director.
01:03:04When is the camera shot?
01:03:06I will call you.
01:03:08Why did you call me at 7?
01:03:10This is your first film.
01:03:12Take some experience.
01:03:14You are the producer of the film.
01:03:16See how the film is made.
01:03:18When I came to become an actor,
01:03:20the director used to call me at 5 in the morning.
01:03:22And I didn't get the shot till 5 in the evening.
01:03:24And I used to come back home with the same make-up.
01:03:26Go. I will call you at any cost.
01:03:30Listen.
01:03:32Zoom this much.
01:03:36What did the director say?
01:03:38He said that I have a special shot.
01:03:40I told him to take it from the technique.
01:03:42I told him to wait. I will do it.
01:03:44Pack up.
01:03:46Pack up.
01:03:50What sir? Pack up?
01:03:52We will settle the bill.
01:03:54The bill is very big.
01:03:56Our director sir. Come here.
01:03:58What is this?
01:04:00What happened?
01:04:02Is it 7 or 11 tomorrow?
01:04:04Tell me clearly.
01:04:06I am telling you.
01:04:08Tomorrow morning at 7,
01:04:10I want freshness.
01:04:12I don't want that now.
01:04:14Sleep well tonight.
01:04:16The first shot will be yours tomorrow.
01:04:18He won't take my shot tomorrow.
01:04:20Then I will take his shot.
01:04:22Let's go.
01:04:24In today's date,
01:04:26no one can escape from Raka.
01:04:28What are you saying?
01:04:30In today's date,
01:04:32no one can escape from Raka.
01:04:35In today's date,
01:04:37no one can escape from Raka.
01:04:38In today's date,
01:04:40no one can escape from Raka.
01:04:43In today's date,
01:04:45no one can escape from Raka.
01:04:48Director sir, ready.
01:04:50Sir, you remember the dialogues, right?
01:04:52You go and do your work.
01:04:54I said good dialogues.
01:04:56I used to have programs in Nagar.
01:04:58Producer sir, villain sir.
01:05:00Are you ready?
01:05:02Clap in.
01:05:04Camera roll.
01:05:06Action.
01:05:08Cut.
01:05:10Sorry.
01:05:13I made a mistake.
01:05:15It happens often.
01:05:17One more take.
01:05:19Action.
01:05:21Cut.
01:05:23Makeup.
01:05:25Touch up sir.
01:05:27Ready.
01:05:29Clap in.
01:05:31Camera roll.
01:05:33Action.
01:05:35It's raining today.
01:05:36Get me some water.
01:05:38Drink water.
01:05:40Do everything in 10-15 hours.
01:05:42Camera roll.
01:05:44Take 18.
01:05:46Action.
01:05:48Take 37.
01:05:50Action.
01:05:52What are you doing?
01:05:54Hey.
01:05:56Who are you?
01:05:58Are you making fun of me?
01:06:00Do I work here?
01:06:02Or do I talk?
01:06:04If you don't want to laugh,
01:06:07look Mr. Asif.
01:06:09No one can escape from Asif in today's date.
01:06:11No one can escape from Asif in today's date.
01:06:14It's simple.
01:06:16Take out Asif and put Raka here.
01:06:18Look.
01:06:20This is what you call a director.
01:06:22No problem. It happens.
01:06:24Take 50.
01:06:26No one can escape from Asif in today's date.
01:06:28It was Raka.
01:06:31Reduce his dialogues.
01:06:33Or your hair will turn grey by the time this film is complete.
01:06:36Okay, sir.
01:06:38Lunch break.
01:06:44Payal.
01:06:46Yes.
01:06:48Come and have lunch with us.
01:06:50Sure.
01:06:52Why are you sitting here?
01:06:54Let's have lunch there.
01:06:56I have ordered a cooler.
01:06:58You are doing the same thing here.
01:07:00Go and have lunch.
01:07:02I was saying,
01:07:04my dialogue is a little...
01:07:07Mr. Asif, are you ready?
01:07:09I will say it now.
01:07:11I had a good lunch.
01:07:13I am saying the same thing.
01:07:15Why aren't you saying the dialogue?
01:07:17Now it will happen.
01:07:19Action.
01:07:22What is my name in the film?
01:07:24What are you doing?
01:07:27Action.
01:07:29Why are you clapping so loudly?
01:07:31My mind is getting distracted.
01:07:33Action.
01:07:35Reshma's Raka.
01:07:37The writer didn't write the line properly.
01:07:39Take 92.
01:07:41Action.
01:07:43I am Raka.
01:07:45Cut.
01:07:47Cut.
01:07:49Take 100.
01:07:51No one can escape from Asif in today's date.
01:07:54Cut.
01:07:56Fantastic.
01:07:58I am telling the truth.
01:08:00We have called him Asif instead of Raka.
01:08:01We will call him Raka.
01:08:04Production, water.
01:08:06Well done.
01:08:08Mr. Asif.
01:08:10After this film,
01:08:12every mother will tell her son to sleep.
01:08:15If he doesn't sleep, Raka will come.
01:08:18Get the second shot ready.
01:08:20Go.
01:08:24Where are you going so early in the morning?
01:08:26I am going to work.
01:08:28Don't you open your eyes till 12?
01:08:29Why are you opening your eyes at 7 in the morning?
01:08:31I have some work.
01:08:33I have to leave at dawn.
01:08:35I have some work.
01:08:37I have to leave home at midnight.
01:08:39Do I have to give you everyone's account?
01:08:41I am coming early in the evening.
01:08:43Keep your ears open.
01:08:59My face is shining.
01:09:01Since you have become mine.
01:09:03Your intoxication is high.
01:09:05As if I have drunk wine.
01:09:07My loneliness ran away from my heart.
01:09:10Now this whole world seems to be fine.
01:09:14My face is shining.
01:09:16Since you have become mine.
01:09:18Your intoxication is high.
01:09:20As if I have drunk wine.
01:09:22Cut. Fantastic.
01:09:24Thank you, sir.
01:09:26Let's go.
01:09:27I think I will get justice with this song.
01:09:30The public recognises you.
01:09:33Who knows London?
01:09:35I have run out of money.
01:09:37Will I get gold in the market now?
01:09:46What are you saying?
01:09:48I want a reshoot of this song.
01:09:50Reshoot? Why?
01:09:52The kids will dance well.
01:09:54The expenses would have increased.
01:09:55I don't know, but I am going to do well in this show.
01:09:58You will do well?
01:10:00You are not a villain in the film.
01:10:02If you dance like this, your name will be ruined in the market.
01:10:04Whether the name will be ruined or increased,
01:10:06we will see. You do the shot.
01:10:08Come here.
01:10:25Come here.
01:10:53I am going to shoot.
01:10:55Safiya, when did you come?
01:10:58What are you doing here?
01:11:00I am asking you the same thing.
01:11:02Where are you going early in the morning?
01:11:04I am here.
01:11:06What are you saying?
01:11:08Come home.
01:11:10Where are you going?
01:11:12Madam, the song is complete.
01:11:14I won't tell you anything.
01:11:16Stop your drama. Pack up.
01:11:18Pack up.
01:11:20Where are you going?
01:11:22Come home.
01:11:23Record the scene.
01:11:25Superb, sir.
01:11:27This is the first time you are doing something right.
01:11:29Ask him.
01:11:31We will tell him when he flies.
01:11:33Play the music.
01:11:43Safiya, listen to me.
01:11:45Don't do this.
01:11:47Listen to me.
01:11:49You hit me so hard in front of everyone.
01:11:53I didn't break your face.
01:11:55Don't shout here.
01:11:57I am going.
01:11:59Listen to me.
01:12:01I won't listen to anything.
01:12:03Sit here.
01:12:05If you still doubt me,
01:12:07come to my shoot from tomorrow.
01:12:09I am holding the hands of so many girls.
01:12:11I am holding the room of so many actresses.
01:12:13If I do something wrong,
01:12:15I will be punished.
01:12:17Will you come?
01:12:19Come on, smile.
01:12:23Before Asif comes,
01:12:25I am going to shoot his bedroom scene.
01:12:27You said your family won't do it.
01:12:29You sit quietly.
01:12:31I saw the involvement of his kissing scene.
01:12:34I was lost too.
01:12:36I forgot to cut it.
01:12:38One of the longest kissing scene of the Hindi film industry was recorded.
01:12:41Good.
01:12:43I will present him as the main hero in the next film.
01:12:46Ask him what will be the title of the film.
01:12:48What will it be, sir?
01:12:50After that film,
01:12:51wherever you go,
01:12:53people will say,
01:12:55look, Asif is going.
01:13:10I understood your work earlier.
01:13:12You are very fond of shooting.
01:13:14Do you have to sit quietly after doing so much drama?
01:13:17It is my honor.
01:13:19Our producer
01:13:21One minute.
01:13:24If you do anything wrong with the heroine,
01:13:27even if you touch her,
01:13:29I will call you here from Aurangabad.
01:13:31You talk too much.
01:13:33Do you want to see?
01:13:35Yes, I want to see.
01:13:37Tell me, sir. I am ready.
01:13:39Did you get the permission?
01:13:41I got everything.
01:13:43Do it.
01:13:45What was this?
01:13:47Today is the fight scene.
01:13:49I am telling you as a director.
01:13:51No drama, no duplicates.
01:13:53Understood?
01:13:55How can you agree to such a small scene so soon?
01:13:57With a lot of frustration.
01:13:59YC, convince him too.
01:14:01Do it realistically.
01:14:03I will also do it realistically.
01:14:05Have you gone mad?
01:14:07If I had not hit him, I would have hit you.
01:14:09Would you have hit me?
01:14:11Would you have hit the boss?
01:14:13What kind of progress will you make?
01:14:15A boss is a director.
01:14:17Big superstars touch the director's feet and shoot.
01:14:19Anyway, leave it.
01:14:21Let's fight.
01:14:23And these two will hit you with kicks and punches.
01:14:28And you just have to get beaten up.
01:14:30Are you drunk early in the morning?
01:14:32These boys will hit me?
01:14:34Listen, we are all innocent till date.
01:14:36There is no one to hit us.
01:14:38My brother, you are the villain of the film.
01:14:41Who will hit you?
01:14:43What will people say after watching the film?
01:14:45What is this, sir?
01:14:47Two boys hit you and left.
01:14:49I have respect in the colony.
01:14:51Look, you guys stay here.
01:14:53I will take them further.
01:14:55Look, what is your name?
01:14:57Asif.
01:14:59What is your name in the film?
01:15:01Raka.
01:15:03I am Raka Khara, not Asif Khara.
01:15:05If someone asks you in the colony,
01:15:07tell them that I am Raka Khara, not Asif Khara.
01:15:09Simple logic.
01:15:11The shot is ready.
01:15:13You are right.
01:15:15I am Raka Khara, not Asif Khara.
01:15:17Get ready.
01:15:19You are doing too much.
01:15:21Keep it for a couple of days.
01:15:23If I am happy, I will increase each scene.
01:15:26This is what I wanted.
01:15:52This film is going to flop.
01:15:54Cut.
01:15:56Come fast.
01:15:58Sit here.
01:16:00Reshma, forgive me.
01:16:03They will kill me.
01:16:06Think.
01:16:08When you hit my mother, did you think?
01:16:10No.
01:16:12When you burnt the village, did you think about the villagers?
01:16:15No.
01:16:17When you slapped me in the market, did you think?
01:16:19No.
01:16:21Even I won't think today.
01:16:23Changu Mangu, hit him.
01:16:28I love you truly.
01:16:32Stop.
01:16:34He loves me truly, Changu Mangu.
01:16:36I forgive him.
01:16:38Raka.
01:16:40Raka.
01:16:42Cut.
01:16:44Oh shit.
01:16:46Who said cut?
01:16:47Why did you say cut?
01:16:49Why did you say cut?
01:16:51Move.
01:16:53What happened?
01:16:55Why are you doing like this?
01:16:57What did you show me?
01:16:59You came with me.
01:17:01I am going to Aurangabad.
01:17:03Go.
01:17:05I am going.
01:17:07I am going.
01:17:09I have told you 50 times, I am not going anywhere.
01:17:11What are you doing?
01:17:12I have got this feeling.
01:17:14And these villains will come on the set.
01:17:16I don't want to tolerate this.
01:17:18You can tolerate later.
01:17:20Now what will you do?
01:17:22Pack up.
01:17:24I have been beaten up for talking about movies.
01:17:26You know how badly I hit you.
01:17:28Excuse me, Mr. Asif.
01:17:30Mr. Asif.
01:17:32It was so much fun to do the climax with you yesterday.
01:17:35You are a very good actor.
01:17:37But you were a little nervous yesterday.
01:17:39Thank you, Mr. Payal.
01:17:40Don't call me Mr. Payal.
01:17:44Sometimes Mrs. gets a little crazy.
01:17:47But I have full freedom.
01:17:49I can do anything.
01:17:51Can I say something?
01:17:53You dance very well.
01:17:55Will we meet on the set tomorrow?
01:17:57Why not?
01:17:59I want to see your face again tomorrow.
01:18:01Bye.
01:18:03Sir, now their work is done.
01:18:05Now they can enter the bedroom.
01:18:07Are you mad?
01:18:08He is not mad.
01:18:10He has become mad.
01:18:12And we have to get married again.
01:18:14Take out the car.
01:18:16Now we are going to do the intro of this song.
01:18:18And we have to finish this intro before Asif comes.
01:18:21Greetings.
01:18:23Greetings.
01:18:25Is the work going on?
01:18:27He is asking which scene is going on.
01:18:29After all, we are the producers of the movie.
01:18:31We have invested money.
01:18:33We also know what is going on and what is not.
01:18:35The scene is not going on.
01:18:36Two heroes are going to jump in the swimming pool with the heroine.
01:18:39Is it?
01:18:41I will sit there. Call me when you are ready.
01:19:07My life is in your hands.
01:19:11My face is shining.
01:19:13Since you have become mine.
01:19:15Your intoxication is so strong.
01:19:17As if I have drunk wine.
01:19:18Hey! Hey!
01:19:20Hey! Hey!
01:19:22Hey! Hey!
01:19:24Hey! Hey!
01:19:26Hey! Hey!
01:19:28Hey! Hey!
01:19:30Hey! Hey!
01:19:32Hey! Hey!
01:19:34Good. Fantastic.
01:19:36Brother. Sir.
01:19:38I understood what you want to say.
01:19:40This song is also ours. Right?
01:19:42Right. I will be back.
01:19:44Everything is fantastic.
01:19:46Why are you hiding these good songs from me?
01:19:48I will be picturized on the heroine.
01:19:50Now go and say action. Go.
01:19:52One minute. Yes.
01:19:54I am also thinking the same.
01:19:56This song looks better on her than these people.
01:19:58Are you ready?
01:20:00Yes. Absolutely.
01:20:02You should have taken permission.
01:20:04From whom?
01:20:06From your wife.
01:20:08Hi you.
01:20:10How are you?
01:20:12I am saying the same thing.
01:20:14This is also our business.
01:20:15What are you doing here?
01:20:17Should I send tea?
01:20:19Go.
01:20:21Okay.
01:20:23I called his wife.
01:20:25He will trouble me again.
01:20:27I told you.
01:20:29This woman has never been to Sikandarabad station.
01:20:31How will she go to Aurangabad?
01:20:33Hello. Are you listening?
01:20:35What is it?
01:20:37What is the child doing?
01:20:39Do you have any news?
01:20:41Let her go anywhere.
01:20:43I will kill her.
01:20:46What is it?
01:20:48Have you seen the heroine?
01:20:50No.
01:20:52I am reading the script.
01:20:54Okay. Read it.
01:20:56Brother.
01:20:58The director was taking the heroine to a corner.
01:21:00What? Corner?
01:21:02Yes.
01:21:05Make a good film.
01:21:07It is like chewing iron.
01:21:09Sir. I understood.
01:21:11Did you understand?
01:21:13But you didn't understand completely.
01:21:15The heroine's tuning is more important than the hero.
01:21:18Yes.
01:21:20Am I right, sir?
01:21:22You are absolutely right.
01:21:24Payal.
01:21:26If you cooperate with me,
01:21:28I will make you the lead heroine in my next film.
01:21:30I have also thought of the title of the film.
01:21:32Gharat Ka Gala.
01:21:34Wow.
01:21:36Here. 10 film director.
01:21:38My last film was a super hit.
01:21:40I made the film with coal.
01:21:42It became a hit like a diamond.
01:21:43Wow.
01:21:45Sir, you are great.
01:21:47Can I hug you?
01:21:49Sure. I was waiting for this.
01:21:51Come. I will pack you up.
01:21:54Boys.
01:21:56Tell me. How many scenes are left?
01:21:58How many?
01:22:00We have a lot of scenes left.
01:22:02We have two more scenes left.
01:22:04Then?
01:22:06We have to shoot something in that too.
01:22:08Mungus. Do you want me to slap you?
01:22:10Are you talking to me?
01:22:11I have to take the papers to the house.
01:22:13I tell you.
01:22:15Remember one thing. I am only the financier in this film.
01:22:18I have to get 35 lakhs.
01:22:20Otherwise, I will send you home.
01:22:22I will convince him.
01:22:24Motu, tell me how many scenes are left.
01:22:26Whose? Yours?
01:22:28The whole film.
01:22:30The film is still remaining.
01:22:32Yes, my friend.
01:22:34Finish the film as soon as possible.
01:22:36I am done with this drama.
01:22:38You said 35 lakhs budget.
01:22:39My budget has come to 35 lakhs.
01:22:41I want the film to be over in two days.
01:22:43Not two days.
01:22:45Now the film will be completed in just one day.
01:22:48Action.
01:22:50Rolling. Take 1.
01:22:52Reshma.
01:22:54Stay away from the heroine.
01:22:56Don't look at my anger.
01:22:58Look at the love in my heart.
01:23:0050 by 2. Take 1.
01:23:02I am not able to take this decision.
01:23:04Should I love you? You? Or Raka?
01:23:07Rolling. Action.
01:23:09I won't leave you alive.
01:23:11Action.
01:23:13Take 3.
01:23:15No. This is not possible.
01:23:17What kind of a director are you?
01:23:19It could have been better.
01:23:21He is talking about killing Raka.
01:23:26Holi Bani Shodi.
01:23:28Balls of Fire.
01:23:30Shooting completed.
01:23:33Which shot? Where should I put it?
01:23:36Do one thing.
01:23:37Set it according to you.
01:23:39There is a producer's dubbing in the studio.
01:23:41I will go and come.
01:23:43Sorry for the late.
01:23:45Ready?
01:23:47It was Cheshno from National Office.
01:23:49He takes a lot of time. Remember that.
01:23:51Mr. Asif.
01:23:53Are you ready?
01:23:55Yes sir. Ready.
01:23:57Turn off the mobile.
01:23:59Put it on vibration.
01:24:01Not on vibration.
01:24:03Turn off the switch.
01:24:05This is a recording studio.
01:24:07We will do one thing.
01:24:09Look at the scene in the monitor.
01:24:11Why did you light a fire in the village?
01:24:13It was the anger of my mind.
01:24:15One.
01:24:17Eshma.
01:24:19This is the anger of my mind.
01:24:22Look at him.
01:24:24He spoke so well in the scene.
01:24:26What kind of an expression is this?
01:24:28I feel the same here.
01:24:30This is the anger of my mind.
01:24:33Look at the lip first.
01:24:35I am the lip.
01:24:37This is the anger of my mind.
01:24:39Anger.
01:24:41Your studio is vacant for 4 days.
01:24:43His dubbing is not going to end before 4 days.
01:24:46Hi.
01:24:48I was saying that we will get the dubbing done from others.
01:24:50I will explain you. Come here for a minute.
01:24:52What happened?
01:24:54Your dubbing was good.
01:24:56You sit. Sit here.
01:24:58Look, dubbing is not your cup of tea.
01:25:00We will get the dubbing done from the dubbing artist.
01:25:02The studio rent is 1200 rupees for an hour.
01:25:04Let it be 12. Let it be 15.
01:25:05Sir, the poster is ready.
01:25:07This is the first poster of your first film.
01:25:10Tell me, how should I design it?
01:25:14Did you make this?
01:25:16Not me. Sir asked me to make it.
01:25:18Do you think I am a kid?
01:25:20Do you put such photos of mine here?
01:25:23This is your first film.
01:25:25Don't think that I am a kid.
01:25:27I am the producer. I have respect in the market.
01:25:29And you are making fun of me.
01:25:31Hey, brother.
01:25:33Are you listening?
01:25:35This is my brother's respect.
01:25:37He has put it on the poster.
01:25:39It looks like he has put a lizard on an elephant's side.
01:25:41What is this?
01:25:43You are going to contest in the elections next month.
01:25:46Who recognizes these two?
01:25:48Keep your brother's photo on the poster.
01:25:50We are campaigning here.
01:25:52And you are lowering their value in the market.
01:25:54Look, my brother.
01:25:56This is not an election poster.
01:25:58This is a film poster.
01:26:00I will tell you how a film poster looks.
01:26:02Hey, Fahim.
01:26:04There used to be films in the past.
01:26:06A man of the road.
01:26:08A sportsman.
01:26:10There used to be a solo hero on the poster.
01:26:12Similarly, I will make a solo hero film with him.
01:26:14And he will be alone on the poster.
01:26:16What will be the name of the film?
01:26:18Baal Baigan Ka.
01:26:20Yes, director.
01:26:22Here is the hard disk of your film.
01:26:24And here is the censor copy.
01:26:26Now my work is over.
01:26:28Now you can make a cube or UFO.
01:26:29Do whatever you want.
01:26:31How can you ask me to release it?
01:26:33I don't know how to release it.
01:26:35This is the job of the director.
01:26:37The director's job is to make the producer's film.
01:26:39I have made your film.
01:26:41Do one thing.
01:26:43Go to Anil Tendulkar.
01:26:45He is a great film director.
01:26:47He will make your film on the table.
01:26:49That's it.
01:26:51Don't worry.
01:26:53I will leave now.
01:26:55Sir, the name of our film is Ole Bane Shole Ball of Fire.
01:26:57There are three fights in action.
01:26:59There are three songs in the song, sir.
01:27:01And we have added romance, comedy, everything in this film.
01:27:04We have made the film very colourful, sir.
01:27:06The actors are new.
01:27:08The director is also new.
01:27:10And you are producing for the first time.
01:27:12The director is not new, sir.
01:27:14He has made many films.
01:27:16His last film is Tarzan Return.
01:27:18His hero was also new, sir.
01:27:20And that film was also good.
01:27:22Kundan, when did this film come?
01:27:24It came on the flop, Anil.
01:27:26Yes, tell me, Mr. Torani.
01:27:28Where are the films going, sir?
01:27:30It's not the same as before.
01:27:32Two films have gone in the last.
01:27:34Sonu's Tutu's Sweety.
01:27:36And the other two.
01:27:38We will stop the whole system for you, sir.
01:27:40Okay.
01:27:42Yes, tell me, sir.
01:27:44Not me, sir.
01:27:46You say the offer.
01:27:48Offer? What offer?
01:27:50Of the film.
01:27:52We have made a film worth one crore.
01:27:53Even a big hero's film is not sold on the table.
01:27:56But our director said that the film will be sold on his name.
01:27:59Do one thing.
01:28:01First do the screening.
01:28:03Then we will see the film and talk.
01:28:05Go.
01:28:11They have mercy also.
01:28:13They are making a film worth lakhs of rupees.
01:28:23Now we have come to this village.
01:28:25We will dance on Raka like death.
01:28:27Now there will be fun.
01:28:29I knew that you both will come.
01:28:31I was walking till now.
01:28:33My breath was like a metro.
01:28:35You came in my heart like a metro.
01:28:38Save me.
01:28:40Save me.
01:28:42Save me.
01:28:44Save me.
01:28:46Save me.
01:28:48Save me.
01:28:50Save me.
01:28:51Save me.
01:28:53Save me.
01:28:55No one can escape from Raka.
01:28:58I am not able to take this decision.
01:29:00Should I love you?
01:29:02Or Raka?
01:29:04I will not leave you alive.
01:29:11I love you truly.
01:29:15Raka.
01:29:17What a film you have made.
01:29:20You are wasting our time.
01:29:22Anil sir, we have spent a lot of money to make this film.
01:29:26Now we have to release it.
01:29:28The film doesn't run.
01:29:30We have to pay the rent of the theatres.
01:29:33Let's go.
01:29:35The film would have been made by your 35th.
01:29:37There is no tension about it.
01:29:39But ask your son to go to the gym.
01:29:41Ask him to work out.
01:29:43Leave the dialogues.
01:29:44We can ask the directors to do the dialogues.
01:29:47It's our job.
01:29:49Wow.
01:29:51The film will be sold by my name.
01:29:54Falana and Dhimka.
01:29:56The distributor is abusing me.
01:29:58Sir, our film is not good.
01:30:00The film is not good.
01:30:02There is no postage in the film.
01:30:04The people are also involved in the film.
01:30:07Wait, we have to make your film.
01:30:10Let's go.
01:30:11He is a coward.
01:30:13Talk to me.
01:30:15I have understood one thing.
01:30:17He doesn't know how to make a film.
01:30:20He makes colour photos of people.
01:30:23He is right.
01:30:25Are you mad?
01:30:27He is a director.
01:30:29He made Tarzan Return with Chilgoji in the last film.
01:30:32Super duper hit.
01:30:34We know everything.
01:30:35He made Tarzan return with Chilgoji in the last film.
01:30:41That film was worse than this.
01:30:43He himself said that this film is better than that.
01:30:46How much business will this film do?
01:30:50Don't teach me business.
01:30:52Tell me how to recover.
01:30:54Sit down.
01:30:57Double roti is always hot.
01:31:00Similarly, our film is also hot.
01:31:02Pay attention to the publicity.
01:31:05Stick posters on walls, walls, roads, toilets, garbage cans.
01:31:11Do full publicity.
01:31:13I have a friend named Mirajbhai.
01:31:15He has a theatre in Manlapalli.
01:31:17We will release the film in one theatre.
01:31:19The film will be hospitable.
01:31:21And the collection will also come soon.
01:31:23The big thing is that the collection will come in three days.
01:31:26What if the film is a flop?
01:31:28We are here.
01:31:30We won't let you down.
01:31:32Mirajbhai is speaking.
01:31:35Come on.
01:31:58Look, we have put up our poster.
01:32:00But why can't we see the public?
01:32:02They must be inside.
01:32:03We are late.
01:32:05Let's go.
01:32:07Come on, parking.
01:32:09What parking?
01:32:11We are the producers of the film.
01:32:13Will you take money from us?
01:32:15Whoever you are, give 30 rupees for parking.
01:32:17You are disrespecting us.
01:32:19For 30 rupees?
01:32:23As soon as the car takes the parking ticket,
01:32:25take five tickets from us.
01:32:27Go.
01:32:29Five balconies.
01:32:31Take all the tickets.
01:32:34What is the public saying?
01:32:36The house is full.
01:32:39Now it will be fun.
01:32:43Now we have come to this village.
01:32:45We should kill Raka.
01:32:49I knew it.
01:32:51I knew you two would come.
01:32:54No one can escape from Raka.
01:33:00We are ruined.
01:33:02I won't spare Khuddus today.
01:33:05I will deal with you later.
01:33:13Hello, who are you?
01:33:15Who am I?
01:33:17I am the owner of the office.
01:33:19Who are you?
01:33:21Where is Khuddus Tubewala?
01:33:23Where is Khuddus Tubewala?
01:33:25I am looking for him.
01:33:26Where is Khuddus Tubewala?
01:33:28He left in the morning.
01:33:30Who is troubling me every day?
01:33:32If you find him, bring him to me.
01:33:34I will teach him a lesson.
01:33:36He has left.
01:33:38Sir, sir, sir.
01:33:40Khuddus sir has vacated the office.
01:33:42You are a big producer, sir.
01:33:44Give me a chance, sir.
01:33:46Look at my photo with Bachchan.
01:33:48And with Salman.
01:33:50And with Akshay.
01:33:52Take this album.
01:33:54Put it inside.
01:33:56I don't think so.
01:33:58I don't think so.
01:34:00Hi, I am Haman Naeem.
01:34:02Film credits.
01:34:04Today I will talk about Ole Bane Sholay.
01:34:06The most special thing about Ole Bane Sholay is that
01:34:09no one came to watch this film except me.
01:34:13Tubewala has launched two new boys in this film.
01:34:17The heroine has been called from Bombay.
01:34:18And producer Asif has played the role of villain Raka.
01:34:22Asif has a lot of acting skills.
01:34:25Unfortunately, he doesn't have much acting.
01:34:27This Ole Bane Sholay made by Tubewala
01:34:30has made all of us crazy.
01:34:32I give it zero stars.
01:34:34Zero stars.
01:34:36How many times have I told you not to go behind the scenes?
01:34:38Where did you listen to me?
01:34:40You were very fond of dancing with the heroine.
01:34:42Are you done now?
01:34:44You have spent 32 lakhs.
01:34:45You have spent 32 lakhs.
01:34:47Till now you were saying that you will go to Ambi's house.
01:34:50But now you are going to Ambi's house forever.
01:34:52Don't shout, woman.
01:34:54Will the money come back if you shout?
01:34:56Let me think.
01:34:58Isha, you sit here and think. I am going.
01:35:00Don't you trust me?
01:35:02He will even sell his house tomorrow.
01:35:04Why are you carrying this empty bag?
01:35:06What is inside it?
01:35:08You only said that he is Tubewala.
01:35:10I have to show him the empty bag.
01:35:12His...
01:35:14His...
01:35:22I had left a good cigarette.
01:35:27You guys have given me so much pain.
01:35:29Look, I have stitched it again.
01:35:34You guys do whatever you want.
01:35:37Do whatever you want.
01:35:40But I want my money back.
01:35:43I have your papers.
01:35:47And if I get less money,
01:35:49you...
01:35:51I will stab you in the back with this knife.
01:35:53I will take out your kidney and sell it.
01:35:56It was good that everyone was sitting here.
01:35:59They came here for this.
01:36:02They will make a movie.
01:36:04The movie is ready.
01:36:09Go.
01:36:11Go.
01:36:14It won't be fun, sir.
01:36:17Nawaz has done such roles before.
01:36:20And how will the public see him in the same role again and again?
01:36:24For the sake of change,
01:36:26I really want to go for a different movie, sir.
01:36:28I want to make a film that is a little different.
01:36:30Get this thing out of your mind completely.
01:36:33If you put a hot scene in an art film,
01:36:35that art cinema will work.
01:36:37I will talk to Irrfan, sir.
01:36:38I will talk to Irrfan, sir.
01:36:41Sir, whether you want to take Irrfan or Nawaz,
01:36:44they can decide later.
01:36:46Look, I am going to Hyderabad right now.
01:36:48I am writing a small film.
01:36:50I will come back after three months.
01:36:52Block my dates.
01:36:54Have you ever eaten popcorn?
01:36:56Do you know how it is made?
01:36:58If you put it in a hot pan
01:37:00and roast the corn kernels in the sand,
01:37:02it makes a lot of noise.
01:37:04Do you know why?
01:37:06Because it explodes.
01:37:08That's why I gave you a DVD.
01:37:10Why did you bring this film?
01:37:12I will tell the other distributors
01:37:14in Sikandarabad.
01:37:16Who will watch this film?
01:37:18Give it to me.
01:37:20Hey, you!
01:37:22Let's go.
01:37:24Where are you taking me?
01:37:26We will go anywhere. Let's go from here.
01:37:34Welcome, sir.
01:37:36Okay, sir.
01:37:39Is this yours?
01:37:41No, sir. It's not mine.
01:37:43No?
01:37:45Then it's mine.
01:37:47Okay, sir.
01:37:49I have kept the luggage, sir.
01:37:51To bring egg noodles.
01:38:03Sholay Bani Sholay?
01:38:08Now that we have come to this village,
01:38:10we will dance to Raka's song.
01:38:13Now there will be fun.
01:38:15I knew it.
01:38:17I knew you two would come.
01:38:19Help! Help!
01:38:21Help! Help!
01:38:27Then why did you set fire to the village?
01:38:29It was the anger of my mind, Reshma.
01:38:31The anger of my mind.
01:38:39I love you truly.
01:38:42Raka!
01:38:45Fantastic!
01:38:50Script.
01:38:52Script, script, script, script.
01:38:55Script?
01:38:57Remove the script.
01:38:59This is a ready-made product.
01:39:03This is a ready-made product.
01:39:05This is a ready-made product.
01:39:06This is a ready-made product.
01:39:08What, soldier?
01:39:10Will you make a movie?
01:39:12Do you want to remember me?
01:39:14I am also a good actor.
01:39:16After all, I am also an artist.
01:39:18It's okay if you don't take me.
01:39:22Look, the movie is ready.
01:39:25What, soldier?
01:39:27Will you make a movie?
01:39:29What movie?
01:39:31You should have told me.
01:39:33I used to watch movies with my friends.
01:39:34I used to enjoy a lot.
01:39:37Hey, sir.
01:39:39What is this?
01:39:41You were making a movie.
01:39:43Day before yesterday, your father was taking a lot of money.
01:39:45Go to the shop and help your father.
01:39:47Don't sit in this mess.
01:39:49What is this?
01:39:51Do you know how to make a movie?
01:39:53I don't know anything.
01:40:02What's up, heroes?
01:40:04Is everything fine?
01:40:07I saw your movie.
01:40:09You act so well.
01:40:11You rock.
01:40:13Where did you see it?
01:40:15Which theater?
01:40:17On TV.
01:40:19Stop it, sir.
01:40:21I think he is also here to make a movie.
01:40:23Have you heard of Anurag Ketchup?
01:40:25No.
01:40:27I am hearing it for the first time.
01:40:29He is a big director of Mumbai.
01:40:31I make typical movies.
01:40:33Yes, do it.
01:40:35Do it.
01:40:37He is looking for it.
01:40:40Sir.
01:40:42Sir.
01:40:44I understood when I saw your sad faces.
01:40:47Someone has taken your color photo.
01:40:50And that too, in a strong way.
01:40:52There was a thief director.
01:40:54He said that he is a thief.
01:40:56He made a movie.
01:40:58Sir, I have kept my house papers with the producer.
01:41:00I have invested money in the movie.
01:41:02Yes.
01:41:04Do as I say.
01:41:07What is the name of Asif producer and director?
01:41:11Yes. I want both of them here.
01:41:13The producer is after us like a dog.
01:41:16But the director is missing.
01:41:19Missing?
01:41:21But why?
01:41:24So, I will arrange to bring him here.
01:41:28Okay?
01:41:30Call Asif producer.
01:41:33Hello, Asif.
01:41:35I have bought this car specially for you.
01:41:39I am not picking up new numbers.
01:41:42But I can see Mumbai's number.
01:41:44Shall I pick it up?
01:41:46Pick it up, sir.
01:41:48Hello.
01:41:50Who are you?
01:41:52Sir, I am from Bombay.
01:41:54Tell me. I am Khuddush Chupala.
01:41:56Sir, actually, I want to make a movie with you.
01:41:58I am your fan, sir.
01:42:00I have seen all your movies.
01:42:02Stars and Returns.
01:42:04And your movie, Kasam Pedha Karke Chhodne Wale Ki, is close to my heart.
01:42:08He is my last fan.
01:42:10He wants to make a movie with me.
01:42:12He must have recognized your talent, sir.
01:42:14What is the budget?
01:42:1650 lakhs, sir.
01:42:18Are you in Hyderabad or Bombay?
01:42:20Sir, I live in Bombay.
01:42:22But I have come to Hyderabad to take your appointment.
01:42:24Okay.
01:42:26I have a lot of meetings till evening.
01:42:28Let me take out time from you and meet you.
01:42:30Do one thing.
01:42:33If you want to talk to me,
01:42:36then what is my fault?
01:42:39Shall I tell you one thing?
01:42:41Who is the biggest actor in your movie?
01:42:43Who is it, sir?
01:42:45Your director.
01:42:47Khuddush Chupala.
01:42:50It is good that you called him here.
01:42:53Let him come. I will see.
01:42:55I will see how he escapes from me.
01:42:57Hey, keep your 50 grams of anger cool.
01:42:59Keep it cool.
01:43:01Otherwise, that 35 lakhs of investment will go in.
01:43:03And on top of that, the coming profit will also go in.
01:43:05Understood?
01:43:07Come in.
01:43:10Anurag Ketchup.
01:43:12What a pleasant surprise.
01:43:15Really, only a big director knows the value of another big director.
01:43:19Tell me, sir. How can I help you?
01:43:22Greetings.
01:43:25Game.
01:43:27Greetings.
01:43:29Double game.
01:43:31Why double game?
01:43:33You played the game with us.
01:43:35You snatched all our money.
01:43:37This man took 40 lakhs from me.
01:43:39He ruined my movie.
01:43:41I won't spare him.
01:43:43Do you want to recover your movie or not?
01:43:45What is your scheme, Mr. Ketchup?
01:43:47As soon as you took down their color photos,
01:43:50now I am going to take down yours.
01:43:52I didn't understand.
01:43:54That means, your movie is Ole Bane Sholay.
01:43:57That is now mine.
01:43:59Directed by Anurag Ketchup.
01:44:02What was he doing with the movie?
01:44:04She went in the box.
01:44:06She went from your side.
01:44:08You ruined my entire career.
01:44:10You stole the papers of my house.
01:44:12What all did you do for the movie?
01:44:14Why do you say like this?
01:44:16I was making your movie well.
01:44:18But your producer had such a bad habit of acting.
01:44:20He is getting into singing and fighting.
01:44:22The limit is that I am having a separate lunch with the heroine.
01:44:24He reached there also.
01:44:26Stop it.
01:44:27I want two days. Two days.
01:44:29What will you do in two days?
01:44:31Do one thing. Give me my 35 lakhs and 40 lakhs.
01:44:33And take this movie with you.
01:44:35A small man will say a small thing.
01:44:37Look at this.
01:44:39A cheque of 50 lakhs.
01:44:41Take this. Put it in your mouth.
01:44:44You are giving me a cheque after three months.
01:44:46Do you think I am a fool?
01:44:48Because first is work and then price.
01:44:50But your scheme is getting into my head.
01:44:53Color photo.
01:44:55The name of the movie is color photo.
01:44:58How many lies are you talking?
01:45:00You stupid.
01:45:02The movie will be sold by my name.
01:45:04I have a theatre. I have a distributor.
01:45:06I have this and that.
01:45:08How many people have you fooled?
01:45:10How many people's color photos have you taken?
01:45:13And your team.
01:45:15What did he write?
01:45:17And who is he?
01:45:19I came in your trouble.
01:45:21And who is that cameraman?
01:45:23Hello.
01:45:25My acting is not good.
01:45:27I will learn acting.
01:45:29And this fatso.
01:45:31He is clapping like this.
01:45:33He is slapping me.
01:45:35Good morning boys.
01:45:37Come on everyone. Wake up.
01:45:39I need everyone in action.
01:45:41What is this? Why is there silence?
01:45:43I need energy in the set.
01:45:45Come on everyone.
01:45:47What is this?
01:45:49Camera.
01:45:516K. 4K. 8K.
01:45:53Look.
01:45:55He didn't come here.
01:45:57He is standing behind the camera.
01:45:59I came here to become an actor.
01:46:01I became a director out of helplessness.
01:46:03Mr. Asif.
01:46:05You hold your gun.
01:46:07There are two new heroes behind you.
01:46:09Stand behind them.
01:46:11I am the main villain of the movie.
01:46:13And you are telling me to stand behind them.
01:46:15From old Mumbai to new Mumbai.
01:46:18I scared everyone.
01:46:21I even made a film.
01:46:23Now will you cut in the edit or in the scene?
01:46:25Listen. Or else forget the office.
01:46:27I came to your house and wasted two months of my life.
01:46:30Sir. Just two months.
01:46:32Can you do it for two more days?
01:46:34Yes.
01:46:36Action.
01:46:58Fantastic.
01:47:00And this is the backup.
01:47:02Our film is complete here.
01:47:04And now watch.
01:47:06This film will go to all the festivals in the world.
01:47:09France.
01:47:11Cannes.
01:47:13Italy.
01:47:15Japan.
01:47:17Dubai.
01:47:19And especially Oscar.
01:47:21Filmy insect is a very dangerous insect.
01:47:23After smartphone came, this insect started biting everyone.
01:47:25Not only in Mumbai.
01:47:27Even in Hyderabad.
01:47:29If someone wants to act in a film.
01:47:31Then make a film for someone.
01:47:33This film is based on the craziness of this film.
01:47:36Film making is like chewing iron.
01:47:39And only the director can make a good film.
01:47:42Who knows how to chew iron.
01:47:44Let's go.
01:47:46My name is Mirza Asif Bait.
01:47:48My father gave me a good business.
01:47:51I was doing that.
01:47:52My father's real estate business was also doing well.
01:47:56How did he make a film with such a person?
01:47:59And that was a big hit.
01:48:01Then I thought that my business and my money will come.
01:48:03And my interest will also be fulfilled.
01:48:05So I invested my money in this film.
01:48:16So my wife is a little hot.
01:48:18She is a little hot-tempered.
01:48:19I used to put a tiffin on her bicycle.
01:48:21And used to go to her father's tailor's shop.
01:48:23So I used to take it from the middle.
01:48:25And used to take it straight to the film road.
01:48:27Whether Raka should be killed or left.
01:48:30First let's catch him.
01:48:32I made a film by making a hero like a car.
01:48:36Everyone said that the film is gone.
01:48:38But the film is super duper black buster.
01:48:47Take three.
01:48:49No, this is not possible.
01:48:51First he brought a weak one.
01:48:53He brought a fat one and a black one.
01:48:56But I don't care who he brought.
01:48:58My interest is with the money.
01:49:00Later he brought an Asif sir.
01:49:03Let's make him a wrestler.
01:49:05He gave a hundred retakes to a single shot.
01:49:08I have seen a lot of films.
01:49:10I used to go to the theater and watch the intros.
01:49:12I used to watch the movie Aathana.
01:49:14I used to feel good when I saw Amrish Puri.
01:49:16I used to feel good when I saw Nana Patekar sir.
01:49:17I used to feel good when I saw Amrish Puri.
01:49:19He used to give a scene to the people here.
01:49:21And he used to take out a lion from himself.
01:49:23I consider myself a big artist.
01:49:25Sir the film was very good.
01:49:27The song in the film was emotional.
01:49:30I used to cry when it was emotional.
01:49:32I used to hit him and he used to get hurt.
01:49:37I went to the camera to pay rent to the car owner.
01:49:40The car owner came and said to me.
01:49:42He asked me what I was doing.
01:49:44I said I was doing a video for the wedding.
01:49:45He asked me what I was doing.
01:49:47I said I was doing a video for the wedding.
01:49:49Bollywood Date Show.
01:49:51South 15.
01:49:53I have done two serials before this.
01:49:56Saas Bani Dayan and Bahu Bani Chudayal.
01:49:58And this is my first film.
01:50:03I used to take part in the acting programs at the school.
01:50:09After that I started working in the tailor shop.
01:50:12I used to leave my work and go to the movies.
01:50:15I used to leave my work and go to the movies.
01:50:17I used to leave my work and go to the movies.
01:50:19I used to leave my work and go to the movies.
01:50:22A producer called me at a seven star hotel.
01:50:26He called me and said don't worry much about the budget.
01:50:29You should make a good film.
01:50:32He asked me who is the actress.
01:50:35I said sir, I am a director not a broker.
01:50:37I'm not a broker.
01:50:43He named it Ole Bane Sole.
01:50:46I didn't like the title.
01:50:47He named it Wild Love Fire.
01:50:49Do you know who did this?
01:50:51The director.
01:51:01Sir, can I get your name?
01:51:03Ling Chang Fung. Thank you so much.
01:51:05I'm Vilajat.
01:51:06Swami. Enjoyed?
01:51:07Thank you, Mr. Prabhakar.
01:51:08Look at this.
01:51:10Do you see any star value in any of these films?
01:51:14Sir, Nawazuddin Siddiqui.
01:51:15Hey!
01:51:17He's the father of Gangs of Wasseypur.
01:51:20By the way, for any film's success,
01:51:23it's not necessary to be a star.
01:51:25It's not necessary to be glamorous either.
01:51:29But...
01:51:30But...
01:51:32It's very important to know the audience's pulse.
01:51:34Anurag sir.
01:51:35Oh! Mr. Ravi Rahman.
01:51:37Greetings.
01:51:38Hi, sir. Hi, sir.
01:51:38You made a great film.
01:51:39Thank you, sir.
01:51:40Anurag.
01:51:41Yes.
01:51:42Close the film in 20 K.
01:51:44Catch him.
01:51:45What happened?
01:51:46Deal.
01:51:52Anurag Ketchup's eight films have been collected.
01:51:55He has won two international awards in a row.
01:52:05Samia.
01:52:06What happened?
01:52:07Come.
01:52:08Wait. Wait. Wait.
01:52:10Look at this. Look at this.
01:52:11Ketchup's latest movie, Color Photo,
01:52:13is in the news for its natural flavor
01:52:15in the line of art cinema.
01:52:16After bagging two international awards,
01:52:19the film is set for release in theaters on August 24th.
01:52:22The film Color Photo is only my experiment.
01:52:25Made with a very low budget.
01:52:27I see.
01:52:28So, you have taken down my Color Photo.
01:52:31By the way, no one looks at my life.
01:52:33I make reviews with my pocket money.
01:52:36The film I am going to review today,
01:52:38I want everyone to watch it.
01:52:41The name of the film is Color Photo.
01:52:43Directed by Anurag Ketchup.
01:52:46All right, ladies and gentlemen. Thank you so very much.
01:52:50The film that flopped yesterday,
01:52:52Ketchup used that film to his advantage
01:52:56and made it a super hit.
01:52:59I salute Ketchup and Color Photo.
01:53:02I give them five stars for their rating.
01:53:04Did you hear that?
01:53:05Till now, he only used to watch movies.
01:53:08Now, he is even working in movies.
01:53:10Let him do what he wants to do.
01:53:12I can't do all this.
01:53:14What is this?
01:53:17Where are you coming from?
01:53:18I came to get my Xerox done, Jemma.
01:53:19What are you doing?
01:53:20Nothing.
01:53:23What happened?
01:53:24Your Color Photo flopped, didn't it?
01:53:26Congratulations.
01:53:27Thank you.
01:53:29What is the matter?
01:53:30Mr. Ketchup, I don't understand how to thank you.
01:53:34Please.
01:53:35You did a great job.
01:53:36I had invested money in my wife's film.
01:53:40If he hadn't come, I would have..
01:53:43Why are you tensed?
01:53:44You have got 50, right?
01:53:45He came because of this.
01:53:46Otherwise, you would have got my Color Photo.
01:53:49Hey, why are you fighting among yourselves?
01:53:52Look.
01:53:53A senior director has said..
01:53:55I mean, a senior director has told me..
01:53:58..that a movie is not made with money.
01:54:00A movie is made with heart.
01:54:02With heart.
01:54:03But for that, it is very important to have a little brain.
01:54:06Correct.
01:54:07Look, if a man comes to the theatre with 100 rupees in his pocket..
01:54:11..then do you know how many tensions he leaves behind?
01:54:14Yes.
01:54:14Someone is tensed about his family, someone is tensed about his business..
01:54:17..someone is tensed about the school fees at home..
01:54:19..someone is tensed about the bank loan..
01:54:21..someone is tensed about the school fees at home..
01:54:23..someone is tensed about the banking loan..
01:54:25..and he leaves all these tensions and comes to the theatre..
01:54:28..watches a movie..
01:54:29..then what is his duty?
01:54:31To give him 100 percent entertainment.
01:54:34You are right.
01:54:35So remember, henceforth, no one should take a Color Photo.
01:54:39No.
01:54:41I am sorry to say this.
01:54:42Now, my next film will be a Colorful film.
01:54:45Mera face kare shine jab se hogayi tu mine..
01:54:52..chada tera nasha aisa jaise pili maine vine..
01:54:56Mera face kare shine jab se hogayi tu mine..
01:55:00..chada tera nasha aisa jaise pili maine vine..
01:55:04..bhabhi kahin nikal ke dil se mere tanhain..
01:55:07..ab toh ye saar aalam lagai laga hai fine..
01:55:11Mera face kare shine jabe se hogayi tu mine..
01:55:14Your intoxication is so strong, I feel like drinking wine
01:55:25When you were walking, my breath was retro
01:55:29You came to my heart like a metro
01:55:34Let your mom and dad do my intro
01:55:38I will take you in a plane, my friend
01:55:43My whole life has changed
01:55:47Since the time you have gone, my heart has got a sign
01:55:51My face is shining, since you have become mine
01:55:54Your intoxication is so strong, I feel like drinking wine
01:56:05I have a connection with you now
01:56:09By rejecting everyone, I have made your selection