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00:00What?
00:01I hope it's good news.
00:02Great news, but you'll never guess what it is.
00:03I won't even guess.
00:04Come on, tell me.
00:05All right, all right.
00:06Zvrk is with Luka.
00:07What?
00:08Uh-huh.
00:09Wait, where did that come from?
00:10Well, it's the same in Italy.
00:11They heard each other, and...
00:12Well, that's phenomenal.
00:13I mean, I don't know.
00:14I don't know.
00:15I don't know.
00:16I don't know.
00:17I don't know.
00:18I don't know.
00:19I don't know.
00:20I don't know.
00:21I don't know.
00:22I don't know.
00:23I don't know.
00:24I don't know.
00:25I don't know.
00:26I don't know.
00:27I don't know.
00:28I don't know.
00:29I don't know.
00:30I don't know.
00:31I don't know.
00:32I don't know.
00:33I don't know.
00:34I don't know.
00:35I don't know.
00:36What's wrong, man?
00:37I don't know.
00:38I don't know.
00:39I don't know.
00:40I don't know.
00:41That's great news.
00:42That's phenomenal.
00:43It's like she knew the exact moment she was going to come.
00:44Yes, and do you think something's going to happen between her two?
00:45I sincerely hope so.
00:46Well, now, since the chaos is coming, it would be phenomenal.
00:47Yes.
00:48God, I hope so too.
00:49Nothing, let's hope.
00:50Let's hope.
00:51What's the matter with you?
00:52I don't know.
00:53What are you talking about?
00:56Just kidding.
01:01It's a different story.
01:05Can you wash the dishes in the hotel room?
01:08I wash the dishes because this is my room.
01:10My room.
01:11My room, yes.
01:12And then there are my dishes, and then I wash the dishes.
01:15You should, I agree.
01:16Yes.
01:17I'm sorry.
01:18It's okay.
01:19Do you know that there are two flies around us?
01:22What?
01:24What is what?
01:25What did I try?
01:26Tell me, what did I try?
01:28I don't know.
01:29You don't know what I tried?
01:31Oh no!
01:33Oh no!
01:34Beat him!
01:364-2!
01:384-2!
01:44I lived for this.
01:46God, I'm so happy.
01:50Akica!
01:51Ask her.
01:52She wants to be your mom.
01:54Ask her.
01:55Who do I love the most in the world?
01:57What do you mean?
01:58Pamela Razdvojic.
01:59Huh?
02:00Razdvojic.
02:01Okay, one more.
02:02Please.
02:04Okay, this time I can tell you.
02:09I will.
02:10I will.
02:11It seems that all my dreams remain.
02:13Yes, you made me heal all my wounds.
02:18And that I have again what I need the most.
02:21I have a family.
02:23Are we really going to be a family?
02:26We are already a family.
02:28Look now.
02:30Oops!
02:32I'm sorry, please.
02:33I had some obligations and I had to tell you that.
02:36You are completely crazy.
02:37Come on, completely.
02:38Well, that's why you love me completely.
02:40Okay, it's not just because of that.
02:42Do you have anything else?
02:43I mean, if you don't have anything else, except Akica.
02:47Well, there is.
02:48Because you are a great man.
02:50That's all.
02:52My advanced beauty.
02:54You know how much he has?
02:55How much?
02:56This much.
02:57He has so little.
02:58Did you hear that?
02:59Did you hear that for no reason?
03:01Let's be honest now.
03:03Are you happy that you and your dad are getting married?
03:06Well, yes.
03:07Yes, so there's nothing.
03:09The judge said, he's the boss here.
03:10It's time for the wedding.
03:12All I have left to do is complete the formalities.
03:16We tried to ...
03:17Well, maybe it just wasn't the right time.
03:22I think that's the main thing.
03:23It wasn't the right time, and that's why we didn't succeed.
03:26Either that, or you always looked at me like a friend.
03:29I look at you like a friend?
03:31What the hell are you talking about?
03:32I don't know where I saw you.
03:33Here's how.
03:34How did I look at you?
03:35I looked at you completely like a non-friend.
03:36I looked at you completely differently.
03:37No, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, I agree.
03:42Well, you know what?
03:43It's rare for a girl to be able to boast
03:45that she's been in love with the same guy twice in her life,
03:48and she's never been in love with him.
03:53Are you sorry?
03:54No.
03:56I mean,
03:58who knows why it's so good.
04:00I ...
04:03I'm satisfied with my life.
04:06That's nice.
04:07That's nice, I'm glad to hear that.
04:13Well,
04:16how are you after everything that happened with that ...
04:19I'm okay.
04:21I mean, I'm great, really.
04:23Like you said, who knows why it's so good.
04:26Yes.
04:28And Haki?
04:33She's fine.
04:35She's growing.
04:37Is she missing you?
04:38Yes.
04:43A lot.
04:46But okay, you know what?
04:47I mean,
04:49we have to get this over with,
04:50why we came here,
04:51why we're here.
04:53It's all because of him.
04:55It's all because of him.
04:57This could change his life.
04:58I want to go back,
04:59I don't want to go back
05:00and make him think my boyfriend is a loser.
05:02I want to go back
05:03and make him think he has a boyfriend
05:04who's a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me? I was ...
05:13I was waiting for you to come, actually.
05:15I'm speechless.
05:16Yes, this is one of my favorite countries,
05:20and it's really beautiful here.
05:22Beautiful.
05:24Who would have thought we'd meet here?
05:27Yes.
05:30Somehow it turned out
05:33as if you were closer to me here.
05:36Yes.
05:56What can I say?
06:03Where did you all come from?
06:06I know I'm here.
06:08I know I'm in Belgrade,
06:10if you really want to know.
06:11You know, huh?
06:12I know.
06:13That's why you stayed without Bayadere's message.
06:15Because it's all locked up there.
06:17You can't take anything.
06:36I know.
06:49Hey, Laura.
07:06What's this?
07:07An emergency meeting, Milena?
07:13I've decided to stop working for you.
07:16I think it's best
07:18if you stop coming to my sessions.
07:37Here, take this.
07:38Thank you.
07:39Thank you very much.
07:40Miki,
07:41we'll see each other again.
07:42We'll see each other again.
07:43I'm glad we met.
07:44Me too.
07:45Come on, Mido, let's go.
07:46Okay, nice, but slowly.
07:47Come on, I'm not in a rush.
07:49We'll make it.
07:51Where did this Mido come from?
07:53Like every sheep
07:55that came to Shishanj.
07:57He came from a village
07:58in a small town.
08:00Ah.
08:03I see.
08:04Let's go.
08:11Do you have company?
08:13Yes, I do.
08:15This is Laura.
08:16I mentioned her to you.
08:17Laura, this is
08:19this is Zrko.
08:20She's my...
08:21She's a friend from Belgrade.
08:22A friend from Belgrade.
08:23From Belgrade?
08:24Yes.
08:25That's nice.
08:26Where are you from?
08:27I'm in Verona at the moment.
08:28Are you here for work or...
08:29I'm working, yes.
08:30In a program for children and refugees.
08:32That's a kind of humanitarian work, isn't it?
08:35That's nice.
08:36I guess that's why you like solidarity
08:38and holding hands.
08:42I'll be downstairs in my room
08:43if you need me.
08:44See you later.
08:45Okay.
08:46See you.
08:58God,
08:59this is
09:02more dangerous than
09:03the photos from the portal.
09:05It's not always like this.
09:06This just happened.
09:07Otherwise, it's not...
09:08I don't believe you.
09:09I don't believe you.
09:10Yes.
09:11But, um,
09:12I still wouldn't
09:13I wouldn't like
09:14to make you
09:15a problem.
09:16What problem?
09:18I mean, in what sense?
09:19I don't know what kind of problem.
09:20I mean, because I'm here.
09:21Because
09:22she found us here.
09:24Luka, I mean,
09:25it was obvious she wasn't right.
09:26What are you talking about?
09:27What do you mean?
09:28Did we do something wrong?
09:29No.
09:30That's it.
09:32Okay.
09:33So...
09:34I have to go.
09:35It's late.
09:36Because it's late.
09:37I'm begging you.
09:38It's late, yes.
09:39And now you have to go
09:40to where?
09:41To Verona?
09:42At 11 o'clock.
09:43Literally at 11 o'clock.
09:44I'll take you to your room.
09:45If you want, I'll take you to your room.
09:46A great room.
09:47Luka, I literally have
09:48a night train.
09:50And
09:51you
09:52have to go back
09:53to your life.
09:55Okay.
09:57Okay, yes.
10:00I would like to see you again.
10:03Me too.
10:05If the opportunity arises.
10:25So,
10:27you want to
10:28break up
10:29with me
10:30in psychotherapy?
10:33This is not psychotherapy anymore.
10:36Then what is it?
10:38It's turning into
10:39a private meeting,
10:40isn't it?
10:43But
10:45you're helping me
10:46and I'm helping you.
10:48I'm helping you
10:49and you're helping me.
10:50I'm helping you
10:51and you're helping me.
10:52I'm helping you
10:53and you're helping me.
10:55Yes.
10:56That's my job.
10:58But
10:59what about that
11:00non-business part?
11:03Okay.
11:04Like this.
11:05I can apologize
11:07for everything that happened.
11:09To take
11:10all the responsibility
11:11on myself.
11:13And
11:14to say
11:15that
11:16that kiss
11:17came somehow
11:18spontaneously,
11:19didn't it?
11:21That's just a phrase.
11:22What does
11:23spontaneous mean?
11:26Let's
11:27call things
11:28by their name.
11:30It didn't
11:31happen.
11:33We already
11:34fell in love.
11:36But
11:37you didn't realize it.
11:38Didn't you?
11:40And
11:41then
11:42an instinct
11:43appeared in me
11:45to help you
11:46and
11:47little by little,
11:48little by little
11:49and
11:50I realized
11:51that
11:52I'm sorry
11:54for not realizing it.
11:56You don't have to apologize to me.
11:57What's wrong with you?
11:59But I do think
12:00that therapy
12:01has no purpose anymore.
12:03That's my
12:04professional opinion.
12:06Because of one kiss?
12:09Because
12:10of many things.
12:12I'm sorry
12:13and
12:14I have to go.
12:21I don't know.
12:37You see,
12:43those are the rules
12:45of life
12:46and competition.
12:48They come
12:50to Belgrade
12:51to brag
12:52that they're rich.
12:54But it doesn't work like that.
12:55No.
12:57They have to share something
12:58with us
12:59homeless people.
13:00Right?
13:02Yes.
13:03Well, yes.
13:04Yes.
13:05Did Mido pay
13:06everything he had for you?
13:07Yes, he did.
13:08He left a nice
13:09wallet.
13:10Okay, let him.
13:11It's good
13:12when he pays.
13:13He pays.
13:14Listen to me now.
13:17If this woman
13:18who was with Mido
13:19shows up again,
13:21according to her,
13:23maximum
13:24love
13:25and obedience.
13:27Is that clear?
13:28I understand, boss.
13:30She's his
13:33upper half.
13:40Let's go.
13:47Yes.
14:05Who is it?
14:06It's me.
14:18Did you follow
14:20your friend?
14:21Yes.
14:22What's the problem?
14:23Who is she to you?
14:24Why are you acting like that?
14:26How am I acting?
14:27I'm asking you nicely.
14:28Who is she to you?
14:29She's my friend,
14:30as they say.
14:31A beast.
14:32She's very dear to me.
14:33I have
14:35some
14:36moments together
14:37in the past.
14:40That's it.
14:41Can I know
14:42which ones?
14:43As you need.
14:44It's the past,
14:45so I don't know
14:46what's important.
14:48How could you
14:49come up with that?
14:50What's the problem
14:51if it's the past,
14:52as you say?
14:54I didn't know
14:55you were alive.
14:56I didn't know
14:57she was coming.
14:58So I don't know.
15:00So she came
15:01unannounced.
15:03It doesn't seem
15:04naive to me.
15:05What do you mean?
15:06I don't understand.
15:07What do you mean?
15:08Why didn't you
15:09introduce me
15:10as your girlfriend?
15:11How do you know
15:12I didn't introduce you?
15:13I came with her
15:14and we talked
15:15about everything.
15:16We ate,
15:17slept,
15:18talked,
15:19hung out.
15:20We hid.
15:21Come on.
15:22What?
15:23I can't believe
15:24what you're doing to me.
15:26God,
15:27this is not good.
15:28What's wrong?
15:30I think we should
15:31repeat this
15:32anxious attack.
15:35What's wrong?
15:36Do you feel sick?
15:37No.
15:41Are you okay?
15:43Do you feel sick?
15:45I could be.
16:06When is your next therapy
16:07with Mila?
16:09I won't go to her anymore.
16:13Why?
16:14I mean,
16:16why?
16:17Because she's unconscious?
16:18No.
16:19It's simple.
16:21She won't go.
16:24Okay,
16:25what did she tell you
16:26when you left her?
16:29Nothing.
16:30She just agreed.
16:32That's all?
16:34I mean,
16:35I'm sorry,
16:36but I don't know
16:37which psychotherapist
16:38would accept
16:39that a patient
16:40stops going
16:42to therapy.
16:43She's not going.
16:44What's so strange about that?
16:46I told you before
16:48that I'm not
16:49for that psychotherapy.
16:51But, look,
16:52she's one of the best.
16:54I mean,
16:55she would find a way
16:56to come to you
16:57and give you a chance.
16:58Well, she didn't.
16:59What can you do?
17:00It happens.
17:04You know what?
17:08I'm relieved
17:09you're not going
17:10to therapy.
17:12Really?
17:13Yes, yes.
17:14I mean,
17:15look,
17:16she can be the best
17:17in the whole world.
17:18It's not normal
17:19for you and me
17:20to go to the same therapist.
17:21And I don't think
17:22it's professional
17:23that she agreed
17:24to treat
17:25a marital couple.
17:27Okay,
17:28I like the way
17:29you think
17:30and the way
17:31you support me.
17:32Well,
17:33I honestly
17:34wouldn't force you.
17:35But it means
17:37that you still
17:38wanted to try
17:39and that's enough for me.
17:41Have you thought about
17:42who you're going to eat with now?
17:44No.
17:45I haven't thought about that yet.
17:47Well, I guess
17:48you won't give up completely.
17:51Listen,
17:52I've had enough
17:53of those affairs
17:54with psychotherapists.
17:55I'm going to take a break
17:57and then
17:58I'll think about it.
17:59I'll see.
18:00I'll see what I'll do.
18:10Cheers.
18:15To you too.
18:39Good morning.
18:40Good morning.
18:42How are you?
18:43Did you get through
18:44the attack?
18:45I'm better.
18:46Thank God.
18:51Wait, wait.
18:52We have to go to work.
18:53What time is it?
18:54We have to go to work.
18:55What do you mean?
18:56We have to go to work.
18:57We have to go to work.
18:58I can't.
18:59I can't.
19:00I can't.
19:01I can't.
19:02I can't.
19:03I can't.
19:04I can't.
19:05I can't.
19:06I can't.
19:07I can't.
19:08We have to go to work.
19:09Listen,
19:10do you know what we're going to do
19:12if we don't go to work right away?
19:14Nothing,
19:15because we're not here anymore.
19:16Nothing.
19:17We'll give these two
19:18the box at the door.
19:20We have to go to work.
19:22They can wait,
19:23but I can't.
19:39Yesterday
19:50God,
19:52this is awful.
19:53This doesn't make sense.
19:54No.
19:55I'm a man with manners.
19:57I'm not an expert at a teenage club.
20:00Horrible!
20:01Horrible.
20:02It can happen,
20:03God forbid,
20:04without a contract.
20:05Give me water.
20:06If you journalists keep camping in front of the building...
20:12I'm more worried about your throat.
20:14You sound like you've been through a lot.
20:16And when you were whistling, when you let me go,
20:18I was whistling like a madwoman.
20:20My throat wasn't whistling, it was whistling too much.
20:24Yes, yes.
20:25And that Andrija, I don't know,
20:27what is it with that man?
20:28He's been whistling at the journalists so much,
20:30that's why all this chaos.
20:31Dala!
20:32Please.
20:33We always support the boss of the company we work for
20:36I support him, Bobo, Bobo, I support him.
20:38We know that.
20:39Listen, Bobo, I didn't want to say anything bad,
20:41but the fact is that the entrance is blocked,
20:44no one can come in or out.
20:46And what do we do now?
20:47Well, the last exit is free.
20:50It's up to me to use it.
20:52Well, thank you. See you later.
20:54Bye.
20:58Hello?
21:00Tabloid Voice?
21:01Yes.
21:03Please give me the editor Kostu Zeljković,
21:06tell him that Andrija Bošnjak wants to talk to him.
21:12Andrija Bošnjak?
21:13Who are you?
21:14Yes, it's me.
21:16I just want to tell you that I will file a complaint
21:19if you don't dismantle the nonsense you've published.
21:22I'm really sorry,
21:23but the golden rule of tabloid journalism
21:25is not to drown out affairs,
21:27but to dismantle them.
21:28And what did you dismantle?
21:31Nothing from what you published is correct.
21:34Our sources say it is.
21:37What sources?
21:39I was provoked by your journalist's nonsense.
21:43How true?
21:44I was on my way, so I don't know who you called.
21:47You don't know?
21:48And what news did you publish?
21:50The news was not to be thrown.
21:52And we're used to judging.
21:54But how exactly did our journalist present himself?
21:57I can't remember.
21:59Palikuć, something like that.
22:01I'm not sure.
22:03I don't know that surname.
22:05Maybe that man doesn't even work for us.
22:07And how did you publish when...
22:10You don't even know where the affair comes from.
22:14It's simple.
22:15Such affairs are not determined by any newspaper.
22:17But don't worry.
22:18You will easily dismantle everything.
22:20We will give you ample space.
22:23It doesn't occur to me
22:25to look through tabloids.
22:28But the news is in the middle of a tabloid scandal.
22:31And it looks like a victim of a sly deception.
22:34Unfortunately.
22:35Whose?
22:37I can try to find out the source of the news.
22:40I would be grateful to you.
22:45Palikuć...
22:47Mutikaš...
22:48Something like that.
22:50I'm such a fool.
22:55I'm sorry.
23:03I'm telling you, it's total chaos.
23:05The journalists have occupied the company.
23:07They are rushing for an interview with Andrija.
23:10When we are at Andrija's, I have something to tell you.
23:12What?
23:14He won't come to my therapy anymore.
23:17I knew he would give up.
23:20He didn't give up.
23:22I refused him.
23:25Why?
23:28Well...
23:32He kissed me during the session.
23:35Excuse me?
23:36How did that happen?
23:40It happened.
23:41I mean, at one point I...
23:44collaborated.
23:45Okay.
23:46You didn't realize, I know.
23:47You told me.
23:48Yes.
23:49And...
23:52Then he helped me.
23:55He kissed you.
23:56There was no other way for him to help you.
23:59I'm telling you the truth.
24:02Okay.
24:03Who initiated that kiss?
24:05You or him?
24:07I'm telling you.
24:08Him.
24:09Are you sure?
24:12I'm sure, Bobo.
24:13What's wrong with you?
24:15Come on, please.
24:16You found yourself confessing to him during the session.
24:25I'm sorry.
24:34Why are you so quiet today?
24:39I'm thinking.
24:40About what?
24:43I'm thinking about that monkey Luki.
24:47How he confused the water again.
24:50And all for his own loss.
24:52All.
24:55I don't know how to help her.
24:57You don't know, honey?
24:59You don't know because you don't know the main thing.
25:02You don't know what happened in Milan.
25:04I don't know.
25:06In Milan, Luki was visited by...
25:09Who?
25:10I don't know.
25:11A monster.
25:12A monster went to Milan to visit Luki.
25:14Okay, she was always a good girl.
25:16She was always with him.
25:18She's not a good girl.
25:19No.
25:20What do you mean?
25:21Okay, okay.
25:23You know what?
25:24It all turned out so weird with that girl.
25:28What?
25:29Yes.
25:31She was sick.
25:32Yes.
25:33I'm sorry.
25:34I don't know if she's alone.
25:37Should we activate her in the society?
25:39What do you think?
25:40Okay, okay.
25:41You and Kaye.
25:42No.
25:43Why?
25:44No, honey, because I'm incapable.
25:47And I can't find a wife for myself because of the inheritance.
25:51Don't worry.
25:52Milo, what's going on with her?
25:55Nothing's going on with her.
25:57Nothing?
25:58Until she gets married.
26:00What does Kaye say about that?
26:02I mean, how does she see things?
26:05Well, Kaye is sober, smart, but...
26:09She understands.
26:11She understands.
26:12She understands the circus, and she understands that I need money.
26:16Well, where is she?
26:17What if she doesn't give in?
26:18She won't give in because she doesn't give in.
26:21She doesn't give in to dignity.
26:24Dignity.
26:26Yes.
26:27Kaye is just like that.
26:29Dignity.
26:30Yes.
26:31She's a good girl.
26:32Yes.
26:33But you don't give her money.
26:34Money is money, honey.
26:36It's stupid to waste it.
26:38Look what people do for money.
26:41Here's Alex and Luke.
26:43They went to Milan for money.
26:45Why did they go to Milan?
26:46Well, it's not the same, honey.
26:48Because they went for the memories of the late Ada Kanacki.
26:53Not just for the money.
26:55What are you talking about, honey?
26:57And the glass is in the house.
26:59Yes, it's in the house.
27:00What do you mean, yes?
27:01Do I have to take care of it?
27:03Yes.
27:04Oh, my people.
27:06You know how to talk.
27:08Wait.
27:09How does it stand here?
27:11Hey.
27:12Hey.
27:13Hi.
27:14Where are you?
27:15Where are you, people?
27:16What's up?
27:17How are you?
27:19Pretty.
27:21And a beast.
27:23What?
27:42Grandma.
27:44I need you urgently.
27:46Excuse me, just ten minutes to calm down.
27:49What about you?
27:50Nothing, nothing.
27:51I was worried about something.
27:52What are you crying about?
27:54Nothing.
27:55I just need ten minutes to calm down.
27:58Do you want to tell me what's wrong with you?
28:01Okay, if you don't want to tell me what's wrong with you,
28:03then you don't have those ten minutes.
28:05All right?
28:06Find another place to settle down.
28:08At work.
28:10Okay, you're right.
28:12Are you okay now?
28:13I am.
28:14Well, okay.
28:16Here.
28:17Call that number from your phone.
28:21What should I say?
28:23Well, you should say that you had a missed call from that number
28:27and to try to introduce yourself to that man.
28:31Okay.
28:34Do we understand each other?
28:35So, it's very important to me to get the name of that man.
28:39Okay?
28:40Okay.
28:43Okay.
28:49Hello?
28:50Good afternoon.
28:52I apologize.
28:53I had a missed call from this number.
28:57Well, your number seems familiar to me.
29:00I thought maybe my brother changed the phone number,
29:03so it was very important to me.
29:06Can I know who I'm talking to?
29:10Thank you.
29:11Nice to meet you.
29:14Vito Mirtutic.
29:29Milo, you have a couple of days to prove your love to me.
29:33By the way, none of my income and money.
29:35That's it.
29:36Goodbye now.
29:37Wait a minute.
29:44VITO MIRTUTIC
29:54I didn't come here to hurt you.
29:56I understand you.
29:58You know how it is now.
30:00The time has come that when someone comes to a little more money,
30:03everyone tries to rob him.
30:05Do you understand?
30:06You're right.
30:07Listen, this is how we'll do it.
30:08Tomorrow we'll come to Belgrade,
30:10so we'll have a nice walk and try all the spaces.
30:14Okay.
30:15Okay.
30:17See you.
30:18Bye.
30:19VITO MIRTUTIC
30:37I'm asking you to be more careful in the future,
30:41because next time it won't be so easy.
30:45Okay, let's say goodbye now.
30:47Cheers.
30:48Cheers.
30:49Cheers.
30:50Okay, it's okay.
30:54You.
30:57It's okay.
30:59The owner of the club accused the management of Milano Fashion Week.
31:03VITO MIRTUTIC
31:16I was at Milena's.
31:20She told me she stopped the therapy.
31:27How do you know I was at the therapy?
31:30Milena told me.
31:31You know we're friends.
31:47Are you okay?
31:48Yes, I'm okay.
31:49Are you sure?
31:50I'm fine, I'm fine.
31:51Don't worry about me.
31:53Let's just sort this out.
31:56Come on.
31:58Take a break.
31:59Let's go to your room.
32:02I'll take this.
32:03Come on.
32:04Can you do it yourself?
32:05Yes, yes.
32:08Hold on.
32:10VITO MIRTUTIC
32:24You tried to cheat on me,
32:26not to say you're cheating,
32:28but my brain is still working.
32:30How can we cheat on you?
32:33No.
32:34I just want to ask,
32:36why don't you dress up nicely
32:38and come here to Belgrade?
32:41To Belgrade?
32:42To cross half the world?
32:44Yes.
32:57Why are you crying?
33:00I don't get it.
33:02I didn't kiss you, I kissed Milena.
33:05Exactly.
33:09VITO MIRTUTIC
33:28Yes, it's me.
33:32I just got a call for a trial.
33:38VITO MIRTUTIC
33:49Andrija, all those women,
33:51all those other women got from you
33:53everything they wanted.
33:54And I...
33:55Hey!
33:56Enough!
34:08VITO MIRTUTIC