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00:00What?
00:01I hope it's good news.
00:02Great news, but you'll never guess what it is.
00:03I won't even guess.
00:04Come on, tell me.
00:05All right, all right.
00:06Zvrk is with Luka.
00:07What?
00:08Uh-huh.
00:09Wait, where did that come from?
00:10Well, it's the same in Italy.
00:11They heard each other, and...
00:12Well, that's phenomenal.
00:13I mean, I don't know.
00:14I don't know.
00:15I don't know.
00:16I don't know.
00:17I don't know.
00:18I don't know.
00:19I don't know.
00:20I don't know.
00:21I don't know.
00:22I don't know.
00:23I don't know.
00:24I don't know.
00:25I don't know.
00:26I don't know.
00:27I don't know.
00:28What?
00:29That's phenomenal.
00:31Yeah, it's like she knew exactly when it was going to happen.
00:33Yeah.
00:34Wait, do you think something will happen between them?
00:36I'm really hoping so.
00:38Now that he's all over her, that would be phenomenal.
00:41Yeah.
00:43I'm really loving that.
00:45All right.
00:46Let's hope.
00:47Let's hope.
00:48What's wrong with you?
00:49I don't know.
00:50You should be worried more.
00:52It's early in the morning.
00:54Pff.
00:55I'm joking.
00:56All right, all right.
00:57It's a different story.
01:04Do you wash the dishes in the hotel room?
01:07I wash the dishes because this is my room.
01:09My room.
01:10My room, yes.
01:11My dishes are here, and I wash the dishes.
01:14You should, it's complicated.
01:15Yes.
01:16I'm sorry.
01:17It's okay.
01:18Do you know that you tried two things with us?
01:21What?
01:23What is what?
01:24What did I try?
01:25Tell me what did you try?
01:27I don't know.
01:28You don't know what did you try?
01:30Oh no.
01:32Oh no.
01:33Beat him.
01:35Four and two.
01:37Four and two.
01:44I lived for this.
01:45God, I'm so happy.
01:49Agica.
01:51Ask him.
01:52Your daughter wants to be your mom.
01:54Ask her.
01:55Who do I love the most in the world?
01:57What do you mean?
01:58I love both of them.
01:59You love both of them?
02:00Well, one of them, a little bit more.
02:02A little bit.
02:03Okay, this time I can tell you.
02:08I will.
02:09I will.
02:10It seems that all my dreams are left.
02:12Yes, you made me heal all my wounds.
02:17And that I have again what I need the most.
02:20I have a family.
02:22Are we really going to be a family?
02:25We are already a family.
02:27Look now.
02:29Oops.
02:31I'm sorry, I'm sorry.
02:32I had some obligations and I had to tell you that.
02:35You are completely crazy.
02:36Come on, completely.
02:37Well, that's why you love me completely.
02:39Okay, it's not just that.
02:41Do you have anything else?
02:42I mean, if you don't have anything else, except Agica.
02:46Well, there is.
02:47Because you are a great man.
02:49That's it?
02:51My advanced beauty?
02:53Yes, you know how much I love you?
02:54How much?
02:55This much.
02:56That little?
02:58Did you hear that?
02:59Did you hear that for no reason?
03:00Let's be honest now.
03:02Are you happy that you and your dad are getting married?
03:05Well, yes.
03:06Yes, so there's nothing.
03:08The judge said, he's the boss here, it's time for the wedding.
03:11All I have left is to complete the formalities.
03:16We tried to ...
03:17Well, maybe it just wasn't the right time.
03:21I think that's the main thing now.
03:22It wasn't the right time and that's why we didn't succeed.
03:25Either that or you always looked at me like a friend.
03:28I look at you like a friend?
03:30What the hell are you talking about?
03:31I don't know where I saw you.
03:32Here's how.
03:33How did I look at you?
03:34I looked at you completely like a non-friend.
03:35I looked at you completely differently.
03:37No, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, I agree.
03:41Okay, you know what?
03:42It's rare for a girl to be able to boast
03:44that she's been in love with the same guy twice in her life
03:48and never married him.
03:52Are you sorry?
03:53No.
03:56I mean, who knows why that's good.
03:59I ...
04:02I'm satisfied with my life.
04:05That's nice.
04:06That's nice, I'm glad to hear that.
04:12And ...
04:15How are you after everything that happened with that ...
04:18I'm okay.
04:20I mean, I'm good.
04:21I'm great, really.
04:22Like you said, who knows why that's good.
04:25Yes.
04:27And Aki?
04:32She's good.
04:34She's growing.
04:36Is she missing you?
04:37Yes.
04:42A lot.
04:45But okay, you know what?
04:46I mean ...
04:48We have to push through this,
04:49which is why we came here.
04:50We're here for a reason.
04:52This is all because of him.
04:54It's all because of him.
04:56This could change his life.
04:57I want to go back.
04:58I don't want him to think that my boyfriend is a loser.
05:01I want to go back
05:02and that he has a boyfriend
05:03who is a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me?
05:13I was waiting for you to come, actually.
05:15I'm speechless.
05:16Yes, this is one of my favorite countries.
05:19And it's really beautiful here.
05:22Beautiful.
05:24Who would have thought we'd meet here?
05:27Yes.
05:30Somehow it turned out
05:32as if you were closer to me here.
05:35Yes.
05:56What can I say?
05:58Let's go.
06:02Where are you all from Kosmaj, huh?
06:05Well, I know I'm here.
06:08I know I'm in Belgrade,
06:09if you really want to know.
06:11You know, huh?
06:12I know.
06:13Well, that's why you stayed
06:14without Bayadere's recommendation.
06:15Because everything is closed there.
06:16You can't take anything.
06:27No.
06:47Hey, Lauro.
06:58What's up with this
06:59out-of-the-ordinary meeting, Milena?
07:06I've decided to stop working for you.
07:09I think it's best
07:11that you stop coming to my sessions.
07:16Why?
07:18I don't know.
07:20I don't know why.
07:22I don't know why.
07:24I don't know why.
07:26I don't know why.
07:39Here you go.
07:40Thank you very much.
07:41Thank you very much.
07:42Miki.
07:43We'll see each other again.
07:44We'll see each other again.
07:45I'm glad we met.
07:46Me too.
07:47Come on, Mido.
07:48Hurry up.
07:49All right.
07:50Take it easy.
07:51Come on.
07:52I'm not in a rush.
07:53We'll make it.
07:54Mido is here.
07:56Just like every sheep that came to the shed.
07:59He came from the village to the city.
08:10Do you have company?
08:11Yes, I do.
08:12This is...
08:14Laura, I mentioned her to you.
08:15Laura, this is...
08:17This is Zrko.
08:18She's my...
08:19Friend from Belgrade.
08:20Friend from Belgrade.
08:21From Belgrade?
08:22Yes.
08:23Nice to meet you.
08:24Where are you from?
08:25I'm in Verona at the moment.
08:26Are you here for work or...
08:28I'm working on a program for children and refugees.
08:31That's a kind of humanitarian work, isn't it?
08:34Nice to meet you.
08:35I guess that's why you like solidarity and holding hands.
08:41I'll be downstairs in my room if you need me.
08:44See you later.
08:45All right.
08:46See you.
08:53What's up?
08:58My God.
09:01It's more dangerous than on the photos from the portal.
09:04It's not always like this.
09:05This just happened.
09:06Otherwise, it's not...
09:07I don't believe you.
09:08I don't think so.
09:09Yes.
09:10But...
09:11Anyway, I wouldn't like to cause you any trouble.
09:15What trouble?
09:17I mean, in what sense?
09:18I don't know what trouble...
09:19I mean, because I'm here, because...
09:21She got stuck here.
09:22Luka, I mean, it was obvious that she wasn't right.
09:25What are you talking about?
09:26What do you mean, stuck?
09:27What?
09:28Did we do something wrong?
09:29No.
09:30That's it, that's it.
09:31All right.
09:32Where are you going?
09:33I have to go.
09:34It's already late.
09:35Wait a minute.
09:36Just because it's late.
09:37I'm begging you.
09:38It's late, yes.
09:39And now you have to go where?
09:40To Verona.
09:41At 11 o'clock.
09:42Literally at 11 o'clock.
09:43Call me.
09:44I'll take the room here.
09:45If you want, I'll take the room.
09:46Super room.
09:47Luka, I literally have a night train.
09:50And you need to get back to your life.
09:57Okay, yes.
10:00I would like to see you again.
10:03Me too.
10:05If the opportunity arises.
10:20I'm sorry.
10:33So, you want to stop psychotherapy with me?
10:41This is no longer psychotherapy.
10:44But what is it?
10:46It turns into a private meeting, doesn't it?
10:51But it helps me.
10:54Yes.
10:56That's my job.
10:58But what about that non-business part?
11:02Okay.
11:03Like this.
11:05I can apologize for everything that happened.
11:09To take full responsibility for myself.
11:13And to say that that kiss came somehow spontaneously, didn't it?
11:20That's just a phrase.
11:21What does spontaneous mean?
11:25Let's call things by their name.
11:29It didn't happen.
11:32We already fell in love.
11:35But you didn't realize it, did you?
11:38That's right.
11:40And then I had an instinct to help you.
11:46And little by little, little by little, it happened.
11:52I'm sorry I didn't realize it.
11:56You don't have to apologize to me.
11:59But I think that therapy has no purpose anymore.
12:03That's my professional opinion.
12:06Because of one kiss?
12:08Because of many things.
12:11I'm sorry and I have to go.
12:14Excuse me.
12:37You see...
12:39These are the rules of life and competition.
12:46They come to Belgrade to get rich, to get rich.
12:52But it doesn't work like that.
12:55They have to share something with us.
12:58Homebodies, right?
13:00Yes.
13:03Did he pay me for everything he did for you?
13:05Did he pay me for everything he did for you?
13:08Yes, he did and he left a nice deposit.
13:11It's good when he pays.
13:13He pays, he pays.
13:15Listen to me now.
13:17If this woman who was with Mido appears again...
13:21According to her...
13:23Maximum love and obedience.
13:27Is that clear?
13:29I understand, boss.
13:30What is her...
13:33Top half?
13:39Let's go.
14:01Who is it?
14:03It's me.
14:17Did you follow your friend?
14:20Yes, what's the problem?
14:22Who is she to you?
14:24Why are you acting like that?
14:26How am I acting? I'm asking you who she is.
14:27She's a friend of mine.
14:29She's a beast.
14:31She's very dear to me.
14:33We had some moments together in the past.
14:38That's it.
14:40Can I know what moments?
14:42It's the past.
14:44Why is that important?
14:46How is it that you're here?
14:48How did you get into trouble if it's the past?
14:52I didn't know you were alive.
14:54I didn't know she was coming.
14:55I didn't know she was coming.
14:57So, I don't know.
14:59So, she came unannounced.
15:01It doesn't seem naive to me.
15:04What do you mean?
15:07Why didn't you introduce me as your girlfriend?
15:10How do you know I didn't introduce you?
15:12I came with her.
15:14We talked about everything.
15:16We ate, slept, talked, hung out.
15:18We covered each other.
15:20Come on.
15:22I can't believe what you're doing.
15:23It's not good.
15:25It's not good at all.
15:27What's wrong?
15:29I think I'm having another anxiety attack.
15:33Is that it?
15:35No.
15:39Are you okay?
15:42Do you feel better?
15:45I could be.
15:47Let's go.
15:54THE NEXT DAY
16:06When is your next therapy session with Milena?
16:09I'm not going to see her again.
16:12Why?
16:14I mean, why?
16:16Is it because she's unconscious?
16:18No.
16:20It's simple.
16:21She's not going.
16:24Okay, what did she say?
16:26That you gave up?
16:28Nothing. She just agreed.
16:31That's all?
16:33I mean, I'm sorry, but I don't...
16:35I don't know which psychotherapist would accept
16:38that a patient stops going to therapy overnight.
16:42She's not going.
16:44What's so strange about that?
16:46Because I told you before
16:48that I'm not for that psychotherapy.
16:51Look, she's one of the best.
16:53I mean, she would find a way
16:55to come to you and give you a chance.
16:57Well, she didn't.
16:59What can you do?
17:03Actually, you know what?
17:07I'm relieved that you're not going to therapy with her anymore.
17:11Really?
17:13Yes, yes.
17:15I mean, look, she can be the best in the world.
17:17It's not normal that you and I go to the same therapist.
17:19And I don't think it's professional
17:21that she agreed to cure a married couple.
17:25Well, okay.
17:27I like the way you think
17:29and the way you support me.
17:31Well, to be honest, I wouldn't force you.
17:34But it means
17:36that you still want to try.
17:38And that's enough for me.
17:40Have you thought about who you're going to see now?
17:43No.
17:45I haven't thought about that yet.
17:46You're not going to give up completely, are you?
17:50Listen,
17:52I've had enough of those affairs with psychotherapists.
17:55I'm going to take a break
17:57and then I'll think about it.
17:59I'll see what I'm going to do.
18:11Cheers.
18:12Eat that, baby.
18:43Good morning.
18:45Good morning.
18:47How are you?
18:49Did you get over the attack?
18:51I'm better.
18:53Thank God.
18:58Wait, wait.
19:00We have to go to work.
19:02What time is it?
19:04We have to go to work.
19:06What?
19:08We have to go to work.
19:10Listen,
19:12we can't go to work right now.
19:14It's not like we're not here anymore.
19:16No, we can't.
19:18We'll be back in two days.
19:20We have to go to work.
19:22They can wait,
19:24but I can't.
19:42God.
19:44This is terrible.
19:46This doesn't make sense.
19:48I'm a man of manners.
19:50I'm not some kid from a teenage club.
19:54Horrible.
19:56Horrible.
19:58God forbid.
20:00Give me some water.
20:02If these journalists
20:04keep camping in front of the building...
20:07I'm more worried about your health.
20:09I'm more worried about your health.
20:11You sound like you've had a stroke.
20:13And when you let me go,
20:15I was shivering like a brain.
20:17My throat isn't shivering,
20:19it's too fine.
20:21Yes, yes.
20:23And that Andrija,
20:25I don't know what he is,
20:27but he's been bothering the journalists
20:29so much that there's been so much chaos.
20:31Thank you.
20:33Please.
20:35We always support the boss of the company
20:37we work for and don't put our heads up.
20:39I didn't mean to say anything bad,
20:41but the fact is that the entrance is blocked.
20:43No one can come in or out.
20:45And what do we do now?
20:47Well, the last exit is free.
20:49It's up to me to use it.
20:51Okay, thank you.
20:53See you.
20:55God, what a crazy woman.
20:57Hello?
20:59Tabloid Glas?
21:02Please give me the manager,
21:04Kostu Zeljkovic.
21:06Tell him that Andrija Bošnjović
21:07is talking to him.
21:11Andrija Bošnjak?
21:13Where are you from?
21:15Yes, it's me.
21:17I just want to tell you
21:19that I will file a complaint
21:21if you don't dismantle the stupidity
21:23that you have published.
21:25I'm really sorry,
21:27but the golden rule of tabloid journalism
21:29is not to stifle affairs,
21:31but to stir them up.
21:33And what did you stir up?
21:34Our sources say so.
21:36What sources?
21:38I was provoked
21:40by your journalist.
21:42Who exactly?
21:44I was on my way,
21:46so I don't know who you called.
21:48You don't know who he is,
21:50but you published the news.
21:52The news was not to be thrown.
21:54And we are used to judging.
21:56But how exactly did our journalist present himself?
21:58I can't remember.
22:00Palikuć, something like that.
22:02I'm not sure.
22:04Maybe that man doesn't even work for us.
22:06How did you publish it
22:08when you don't even know
22:10where the affair comes from?
22:12It's simple.
22:14Such affairs are not determined by any newspaper.
22:16But don't worry.
22:18You will easily dismantle everything.
22:20We will give you plenty of room.
22:22I can't remember
22:24to stir up tabloids.
22:26But the news is here
22:28in the middle of a tabloid scandal.
22:30And it looks like a victim
22:32of a sly deception.
22:34Who is it?
22:36I can try to find out the origin of the news.
22:39I would be grateful to you.
22:44Palikuć,
22:46you're bluffing,
22:48aren't you?
22:50I'm such a fool.
23:02I'm telling you,
23:04the guys have occupied the company.
23:06They're rushing for an interview with Andrija.
23:08When we're at Andrija's,
23:10I have something to tell you.
23:12What?
23:14He won't come to my therapy anymore.
23:16I knew he would give up.
23:19He didn't give up,
23:21but I've already rejected him.
23:24Why?
23:27Well...
23:31He kissed me during the session.
23:34I beg your pardon?
23:36How did that happen?
23:39It happened.
23:41I mean, at one point,
23:43I was collaborating.
23:45Okay, so you were aware of it.
23:47You told me.
23:49Yes.
23:51And then he helped me.
23:54He kissed you.
23:56There was no other way to help you.
23:58I'm telling you the way it was.
24:01Okay,
24:02and who initiated that kiss?
24:04You or him?
24:06I'm telling you, him.
24:08Are you sure?
24:11I'm sure, Bobo.
24:13What's wrong with you?
24:15Come on, please.
24:17You found yourself
24:19confessing to him during the session.
24:33Why are you so quiet today?
24:38I'm thinking.
24:40About what?
24:42I'm thinking about that monkey Luki.
24:46Oh, he's lost it again.
24:49And all for his own loss.
24:54I don't know how to help her.
24:57You don't know?
24:59You don't know because you don't know the main thing.
25:02What happened in Milan?
25:04I don't know.
25:06In Milan, Luki was visited by who?
25:09I don't know.
25:11A monster!
25:13A monster went to Milan to visit Luki.
25:15Okay, she was always a good girl.
25:17She was always with him.
25:19She's not a good girl.
25:21No, she's not.
25:23Okay, okay.
25:25You know what?
25:27It all turned out so strange with that girl.
25:29What?
25:30She was sick.
25:32Yes.
25:34I'm sorry.
25:36I don't know if she's drowsy.
25:38Should we activate her in society?
25:40What do you think?
25:42Yes, yes.
25:44You and Kaye.
25:46No.
25:48No, Pančić, because I can't find a wife for myself
25:51because of the inheritance,
25:53and where else should I find one?
25:55Don't worry.
25:57What's going on with that?
25:58Until she gets married.
26:00What does Kaye say about it?
26:02I mean, how does she see things?
26:04Well, Kaye is sober, smart,
26:07but she understands,
26:11and the circus understands,
26:13and she understands that I need money.
26:15Well, where did she go wrong?
26:17She won't go wrong
26:19because she's not given
26:21dignity, she's not given.
26:23Dignity.
26:26Yes, Kaye is
26:28very dignified.
26:30Yes.
26:32She's a good girl,
26:34but you don't give her money.
26:36Money is money, Mila.
26:38It's stupid to waste it.
26:40Look what people do for money.
26:42Here's Alex and Luke.
26:44They went to Milan for money.
26:46What are they going to do in Milan?
26:48It's not the same, Pančić,
26:50because they went
26:52for the memory of the late
26:54Aduka Načkina,
26:56not just for money.
26:58It's chaos.
27:00Yes, it's chaos.
27:02What do you mean?
27:04Do I have to explain it to you?
27:06Oh, my people.
27:08You talk, you know.
27:10Wait, how does it stand here?
27:12Hey.
27:14Hi.
27:16Hi, people.
27:18How are you?
27:20Pretty,
27:22and a beast.
27:24What?
27:28What?
27:41Bobo,
27:43I need you urgently.
27:45Sorry, just ten minutes to calm down.
27:48What's wrong?
27:50Nothing, I'm just worried.
27:52Why are you crying?
27:54Nothing, I just need ten minutes to calm down.
27:57Do you want to tell me what's wrong?
28:00Okay, if you don't want to tell me what's wrong,
28:02then you don't have those ten minutes.
28:04Okay?
28:06Find another place to settle down,
28:08at work.
28:10Okay, you're right.
28:12Are you okay now?
28:14I am.
28:16Okay.
28:18Call that number
28:20from your phone.
28:22What should I say?
28:23You should say that you had a missed call
28:26from that number
28:28and ask that person to introduce himself.
28:30Okay.
28:33Do we understand each other?
28:35It's very important to me
28:37to get that person's name.
28:39Okay?
28:41Okay.
28:49Hello?
28:51Good afternoon.
28:53I had a missed call from this number.
28:57Your number seems familiar to me.
29:00I thought maybe my brother
29:02changed the number of his phone,
29:04so it was very important to me.
29:06Can I know who I'm talking to?
29:10Thank you.
29:14Vito Mirtutic.
29:23I'm sorry.
29:30Mile,
29:32you have a few days to prove your love to me.
29:35Nothing from my arrival and money.
29:37Goodbye.
29:39First time.
29:53I didn't come here to hurt you.
29:56I understand you.
29:58You know,
30:00there's a time when
30:02when someone comes to a little more money,
30:04everyone tries to rob him.
30:06You're right.
30:08Listen, we'll do it this way.
30:10We'll come to Belgrade tomorrow,
30:12we'll have a nice walk
30:14and try all the spaces.
30:16Okay.
30:18See you then.
30:20Bye.
30:23Bye.
30:36I'm asking you
30:38to be more careful in the future,
30:41because next time
30:43it won't be so easy.
30:45Let's say goodbye now.
30:47Cheers.
30:49Cheers.
30:51Okay, it's okay.
30:53Hey,
30:55help me.
30:57It's okay.
30:59The owner of the club
31:01accused Milan Fashion Week.
31:16I was at Milan's.
31:20She told me
31:21she stopped therapy because of you.
31:26How do you know
31:28I was at therapy?
31:30Milan told me.
31:32You know we're friends.
31:46Are you okay?
31:48Yes, I'm okay.
31:49Are you sure?
31:51Yes, I'm okay.
31:53Just let me go.
31:55Let's just solve this.
31:57Let's take a break.
31:59Let's go to the room.
32:01I'll take this.
32:03Okay.
32:05Can you do it yourself?
32:07Yes.
32:09Hold on.
32:20You tried to seduce me,
32:22not to say you're cheating,
32:24but my brain is still working.
32:26How can we seduce you?
32:28No.
32:30I want to ask
32:32why don't you dress up
32:34and come to Belgrade?
32:36Belgrade?
32:38To fly over half the world?
32:40Yes.
32:49Why are you crying?
32:51I don't get it.
32:53I didn't fall in love with you,
32:55but with Milan.
32:57Exactly.
33:19Yes, it's me.
33:21Go ahead.
33:24I just received a call for a trial.
33:27Yes, it's me.
33:29Go ahead.
33:32I just received a call for a trial.
33:49Andrija, all those women,
33:51all those other women got from you
33:53everything they wanted,
33:54everything.
33:56That's enough.