The Great Indian Kapil Show (2024) |Season 01 Episode 07 | kapil sharma ,manisha koirala , Sonakshi sinha,| full comedy show | Today release the great kapil sharma show | season 01 episode 07 | 2024...
The Great Indian Kapil Show (2024) |Season 01 Episode 07 | kapil sharma ,manisha koirala , Sonakshi sinha,| full comedy show | Today release the great kapil sharma show | season 01 episode 07 | 2024...
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00:00Thank you.
00:27Thank you.
00:28Hello, and welcome to The Great Indian Kapil Show.
00:31Welcome to the show.
00:35Kapil, what is this?
00:36What?
00:36After opening such a grand cafe,
00:39you've opened a water cart full of water?
00:41Huh?
00:43Open a good cafe as much as you want.
00:45Yes.
00:45Men and boys come, but girls don't.
00:47Oh, I see.
00:49Seriously.
00:49Yes, this is the situation in my cafe.
00:51Even fathers are coming to eat their mother's lentils.
00:54So that's why I opened a cart so that girls can come and go.
00:57Oh.
00:59You know, Newton may have invented gravity,
01:02but the water purifier uses it the right way.
01:04What?
01:05The girl who takes two minutes to come down from the second floor,
01:08after hearing the name of the water purifier,
01:09reaches down in 30 seconds.
01:13The water purifier at the Gol Gappas are very mischievous.
01:16Yes.
01:16They make the girls eat very comfortably.
01:17The girl is eating, right?
01:19She's just standing there and watching.
01:20First she'll finish it, then she'll chew it,
01:22and then she'll put the second one down.
01:23The boy comes somewhere, but he doesn't even look at her.
01:25In one plate.
01:27In the boy's mouth.
01:29Sometimes, the poor boy eats so fast,
01:31he puts it in his mouth and it comes out of his nose.
01:32Oh, God!
01:35You must have noticed,
01:37you all must have gone on your first date.
01:39Yes.
01:40On the first date, the girl doesn't open her mouth much.
01:41Oh, I see.
01:42The boy and the girl are sitting, so they don't talk much.
01:44Is there a problem in coming?
01:45No, there's no problem.
01:48Has anyone seen you?
01:49No, no one has seen me.
01:51Was there any traffic?
01:51No, there was no traffic.
01:53The girl who opens her mouth so much,
01:55just like the girl from Panipuri,
01:56she opens her mouth so much.
02:00She lands the golgappa without crashing it.
02:03If she goes inside, she has a sharp tongue.
02:05Yes.
02:05She breaks it like this.
02:07She enjoys it a lot.
02:10Look, the benefits of the panipuri stall are great.
02:12What?
02:13But there's one disadvantage.
02:14The girl who comes, as soon as she comes, she says,
02:15brother, give me one plate.
02:16Brother!
02:18Brother!
02:19That's why I have found a solution to this.
02:21What?
02:21Look at this.
02:22Brother, you won't get Sukhi Papdi if you say it.
02:24You won't get it.
02:28And GST will be different.
02:52What happened?
02:53Are you feeling nauseous?
02:56My mouth is watering.
02:59It's all together.
03:03See, I told you.
03:04As soon as you open the panipuri stall,
03:05even if only half of the girl comes,
03:07even if she comes,
03:11give me one plate.
03:13Here, get lost.
03:18There are new people in this business.
03:20Are you new in this business?
03:22Plate means, in this business,
03:23give me a plate of panipuri.
03:25I can't feed you right now.
03:26My hands are dirty.
03:27Hey, eating panipuri is fun.
03:29It's fun to get dirty.
03:46Oh my God, panipuri!
03:50Oh my God!
03:51Move back.
03:52Move back.
03:54You are in Q-U-E-V-E.
03:56What?
03:58Q-U-E-V-E.
04:02It's written Q-U-E-V-E here.
04:04Q-U-E-V-E.
04:05What do you mean?
04:06Are you illiterate?
04:08Q-U-E-V-E.
04:10So what? Q-U-E-V-E.
04:12There's a line here.
04:14Come in the line.
04:16I will eat first because I came before you.
04:19Yes, but when you left from here...
04:27After that, I came here.
04:33Both of you leave from here.
04:35How can I leave like this?
04:37Give me a plate of panipuri.
04:39If you give me a plate of panipuri,
04:41I will make you travel in a flight for free.
04:43Your flight is traveling on its own.
04:46What are you doing?
04:48All the tires of the plane are different.
04:50One is for legs, one is for bus,
04:52one is for truck.
04:54It's the first flight
04:56that has a turbulence on the ground.
04:58That day, the flight was on the ground.
05:00She said, will you eat something?
05:02I said, let me stand first.
05:06Give me something to eat.
05:08Give me something to eat.
05:10Give me something to eat.
05:16Get lost!
05:18Get lost!
05:20It's good that you came.
05:22I was thinking what to show them
05:24that will spoil their mood.
05:26But you came.
05:30I am not eating for free.
05:32Whenever I get a customer,
05:34I will send him here.
05:36And I will make an announcement for free.
05:38No need.
05:40No one can make a better announcement than me.
05:42Look at this.
05:44Come here.
05:46I slapped you.
05:48You are standing under the bridge.
05:50This is the airport.
05:525-star, 7-star airport.
05:54English style.
06:00Come here.
06:02You have such a good accent.
06:04Why don't you beg in London?
06:08Listen.
06:10I will make the announcement.
06:13Give me the mic.
06:17I will call the customer.
06:19Will you help me call the customer?
06:29What do you want?
06:31Do you want to eat golgappas?
06:35Eat properly.
06:39Not on pizza.
06:43Not on pasta.
06:45Not on pastry.
06:51The sale is on pani puri.
06:53Not on pizza.
06:55Not on pasta.
06:57Not on pastry.
06:59The sale is on pani puri.
07:03Everybody.
07:05Not on pizza.
07:07Not on pastry.
07:09Not on pasta.
07:11What is this?
07:13What is this?
07:15Why are you stopping the artist?
07:16Because I was holding it to step.
07:18Oh!
07:20Did you make an announcement?
07:22I'll tell you how announcements are made.
07:25How are they made?
07:27Yatrigan, please focus.
07:32Pani Puri stall.
07:35Pani Puri?
07:37Pani Puri stall.
07:38We have reached the gate number 20 of the airport.
07:45Please come here and take your bowls.
08:01Yeah! The dream has come true!
08:09Brother, please get us some pani puri.
08:12Pani puri is over.
08:13What do you mean?
08:15There is so much left.
08:16What brother says is over for him.
08:20Kapil! Kapil!
08:22Pani puri.
08:23Yeah! Yeah! Why not?
08:24Please take your plate.
08:28What brother says is worth Rs. 10 lakhs.
08:31Rs. 10 lakhs?
08:32Yes. Baby says it's worth Rs. 20.
08:34Janu says it's worth Rs. 10.
08:39Thank you.
08:41Okay, pack it for me.
08:42How much do you want to pack, madam?
08:43Zero!
08:47Okay, feed madam some golgappas.
08:57Actually, you won't give it to me, Mr. Archana?
09:00Actually, you won't give it to me?
09:02Actually.
09:04I've been calling him brother for so many years.
09:06What do I do now?
09:09He's a hard worker.
09:10He doesn't give it just like that.
09:11Girls ask him first.
09:16Please, Janu.
09:17Just give me the spicy one.
09:23Okay, fine.
09:24Kapil, give it to me too.
09:27Give it to madam first.
09:29I can't see.
09:30Kapil is saying it.
09:31I can't see.
09:32Kapil is saying it.
09:35Cheers!
09:36Cheers!
09:37Cheers!
09:41Now I have it in my hand.
09:42Thank you, brother.
09:55Raju.
09:56Our game is ruined.
09:57Tell me something.
09:58Tell me something.
09:59Okay, I was thinking.
10:00The heroine is low.
10:01She's very careful.
10:02Where will she eat?
10:03She's not moving.
10:08You guys eat.
10:09We'll be right back.
10:11Tell me more, madam.
10:12Should I order something for you?
10:20Done?
10:21Let's sit down.
10:23Okay, beautiful girls are found only in two places.
10:26One, at the Panipuri stall.
10:27The other one is in Sanjay Lehman Sali's films.
10:35Sanjeeta, you've come to our show for the first time.
10:37Absolutely.
10:38What did you think?
10:39That Sanjeeta can't make people laugh?
10:40Why do you think so?
10:41Then keep coming.
10:42You've come for the first time.
10:43You've never called me with so much love.
10:44I didn't know you'd come when I called you.
10:51Sanjeeta is so lovely.
10:52She's done a great job this year.
10:54Before Hira Mandi, she did a film with Hrithik Roshan, Fighter.
10:57Now she's working in Hira Mandi.
10:59And today she did something that even Sanjay Lehman Sali couldn't do.
11:02She came straight to my show.
11:06Achievement.
11:07A great achievement.
11:09Congratulations to all of you for Hira Mandi.
11:12You all look so beautiful.
11:15What do I tell you?
11:16He says this to everyone.
11:17I know.
11:20He gets so happy when he sees girls.
11:23Aren't you happy when you see an old monk?
11:30Everyone has their own nature.
11:33But all of you are so loving and gentle.
11:37Isn't this our Dinesh on the guitar?
11:40He thought you were calling him.
11:41He bumped into the TV twice.
11:46Then he googled.
11:47He said, where is Hira Mandi?
11:48Then he said, you find Sabji Mandi.
11:54Welcome. Please have a seat.
12:01In Bansali's films, the sets are grand.
12:05The cast is so big and beautiful.
12:08That's when I saw that Bansali keeps shooting year after year.
12:13And if he has a pack-up at 6,
12:15he doesn't say anything at 8.
12:18He says, I want to go home and see my wife.
12:20I want to stand here.
12:21I feel so good.
12:24Everyone is so happy today.
12:26Look at our cameraman.
12:28But everyone is a little sad.
12:30Why?
12:31Except for this cameraman.
12:33Because he will come closer to take the shot.
12:35The rest are sitting in their seats.
12:38Today this cameraman is so happy.
12:40He climbed on my mother's feet twice.
12:45Seeing so much beauty in bulk,
12:47everyone's dryness has reduced.
12:53First of all, I would like to start with Manisha ji.
12:55When Sanjay Leela Bansali made his debut in Khamoshi,
12:58Manisha ji worked in his debut.
13:00Now he has made his debut on OTT.
13:02Even then he is Manisha ji.
13:04Manisha ji, have you ever asked him,
13:06am I not your debut Ratna?
13:12About 28 years ago, I read the script of Khamoshi.
13:17It's been 28 years?
13:18Yes.
13:19Wow.
13:20It looks like it's been 28 years.
13:23Wow.
13:24It was a wonderful script.
13:26And after that when I got a call,
13:28I was in Nepal.
13:29And at that time he called me for Hira Mandi.
13:32And when I read the script,
13:34and when I spoke to Sanjay,
13:35I was so thrilled.
13:41You all know,
13:42Mr. Bansali, who is Manisha's favorite,
13:45whenever he buys land,
13:49does he call you there too?
13:51No.
13:55Sonakshi has played a very different role in this series.
13:59Her aim is to get the throne of Hira Mandi.
14:02So Sonakshi, what has Sanjay sir seen in you,
14:05that has given you the role of Archana ji?
14:10He is an expert in getting the throne.
14:13Why do you listen to all this?
14:15What are you doing?
14:16He has made two bungalows listening to all this.
14:22You all know Sharmeen.
14:25I want to tell you something.
14:27Sanjay Le Bansali is her uncle.
14:30She has assisted him before.
14:32Today she is the heroine in his series.
14:34Did he take your audition,
14:36or did you really make him an uncle?
14:40I auditioned for a year,
14:43so technically I made him an uncle for a year.
14:45But...
14:46You had to audition too?
14:47For a year.
14:4816 times.
14:5016 times.
14:51Wow!
14:54This is what happens.
14:55You were in a relationship, but still you auditioned.
14:57Not like you, come back after threatening.
15:02Aditi, how are you?
15:03You are looking very pretty.
15:04You are glowing.
15:05Thank you.
15:09Aditi has such sharp features,
15:11that the water purifier was making a hole in it.
15:14She herself wanted...
15:18Aditi, you glow so much.
15:19Do you drink a lot of water?
15:20Anyway, you are happy to meet me today.
15:22Oh God!
15:25Richa, I want to congratulate you for Hira Mandi.
15:28Thank you.
15:29One more thing.
15:31She is going to continue her family series.
15:36When we saw on social media,
15:37that you are planning a family,
15:39we were very happy.
15:40It wasn't planning.
15:45It's God's will.
15:46Absolutely.
15:48Some of it was your brother's will.
15:57How many more episodes are you planning?
15:59I think, looking at the population of India,
16:04a limited edition mini-series will be fine.
16:07I asked about Hira Mandi's episode.
16:09Oh, I don't know.
16:10I don't know.
16:15Sonakshi, I want to ask you something.
16:18Like, Alia got married.
16:19Kiara got married.
16:21So, in Hira Mandi,
16:22is your character negative or positive?
16:26I am scared again.
16:27What if I get caught?
16:28I have changed the question.
16:29Anyway.
16:31You are just adding salt to the wound.
16:33No.
16:34No, no.
16:35He got married.
16:36He wants everyone to get married.
16:40That's what I am saying.
16:41He knows how badly I want to get married.
16:48Even Hira Mandi got over.
16:49I didn't get married.
16:51It's just been four minutes.
16:54And Richa.
16:55I think she got married and now she is pregnant.
16:58The shoot got over.
16:59I had a good practice.
17:01My costume was 30 kilos.
17:03After that, when I wore my wedding outfits,
17:06I thought, nothing.
17:07No weight.
17:08Jump slowly.
17:09Sing.
17:10Play.
17:11I didn't feel anything.
17:12You didn't feel anything, right?
17:13Ask your husband.
17:14He must be knowing.
17:21Sanjeeda, you have done so much work on TV.
17:23You have worked with such directors
17:26who work in great detail.
17:28Sometimes we have to compromise on TV
17:30for some things
17:31because there is a telecast issue
17:32and the episode has to go.
17:33What did you find the difference
17:34between these two things,
17:35working with Sanjay sir?
17:36The opportunity to work with Sanjay sir
17:39is a lifetime experience for me.
17:41But the difference is that
17:44I have evolved as an actor.
17:46And I hope people will like
17:50whatever I have done.
17:52I think I am confident.
17:53People will like it.
17:54Very good.
17:59Ma'am, it's the first day on set.
18:01In any film,
18:02especially Sanjay sir's film,
18:04there is a lot of gringer.
18:05A lot of sets.
18:06A lot of stories.
18:07On the first day,
18:08there is always some nervousness.
18:10I think good actors are more nervous.
18:12Because they have more expectations.
18:14Absolutely.
18:15Did you have that nervousness?
18:16Absolutely.
18:17Before every scene.
18:18On the first day of the shoot,
18:20I started with Mujre.
18:22The first day of the shoot was of dance.
18:26How many rehearsals were there for dance?
18:28Because usually there are a lot of rehearsals.
18:30And Sanjay's...
18:31They don't make us rehearse.
18:32They don't make us rehearse.
18:34Whatever is there,
18:35they change it on the set.
18:37Everything is on the set.
18:38They change it.
18:39In fact, the song we shot,
18:41we rehearsed for it.
18:43And that was added later.
18:44Okay.
18:45So we rehearsed.
18:46And I learned all the steps.
18:49We went on set.
18:50And from 12 to 3,
18:51we shot what we rehearsed.
18:54At 3 o'clock, sir said,
18:56this is not working for me.
18:57Let's change it.
18:59And then he went and made a piece.
19:03And he decided on the set
19:05that I will shoot this song in one take.
19:08So start to finish,
19:09we shot that song in one take.
19:11And I think history has been created
19:13on a Sanjay Leela Bhansali set.
19:15That song ended in 4 minutes.
19:17Wow.
19:29Wow.
19:31Wow.
19:33Wow.
19:44Wow.
19:49Wow.
19:52Wow.
19:54Wow.
20:00To plant a tree, girl.
20:02To plant a tree.
20:05To plant a tree.
20:08Wherever there is space,
20:10to plant a tree, girl.
20:14And to water it from time to time.
20:19That's why I put a bale in it, girl.
20:23To plant a bale.
20:25Anyway.
20:30Girl.
20:32To Mr. Chunni.
20:36To Hira Mandi's team.
20:39Wow.
20:42Salute.
20:44Hira Mandi's team is here.
20:46No.
20:48Kapil, I have a big problem.
20:50What?
20:51Whenever I see a beautiful girl,
20:54I say I love you, girl.
21:00That's why
21:02I will say it after watching the entire episode.
21:18If I see you there,
21:20I love you, I love you, girl.
21:24Wow.
21:26I love you.
21:27I said I love you, girl.
21:30Anyway, girl.
21:32Grandpa, your dhoti is open from behind.
21:38Love you.
21:44Didn't you get a lead in the series?
21:46Grandpa, all the leads are there.
21:48The main zoomer is there in Mr. Bansali's films.
21:51Yes.
21:54The zoomer comes first.
21:58Then the hero and heroine come after him.
22:05A big round of applause for Manisha.
22:07I love you, Manisha.
22:12What an actor.
22:13What an actor, girl.
22:15What an actor.
22:16Thank you.
22:17Manisha.
22:19You played Ranbir's mother in Sanju.
22:22Yes.
22:23Then you played Kartik's mother in Shehzada.
22:26Yes.
22:27You played Tiger's mother in a film.
22:29Why?
22:30Because I played his father in that film.
22:43Congratulations.
22:45You are going to be a mother.
22:46God bless you.
22:47Thank you.
22:48As a senior, I want to tell you something.
22:52Please.
22:53When kids grow up, we give them chocolates.
22:58Don't tell them to go out and eat chocolates.
23:02Don't do that.
23:08Don't do that.
23:09Times have changed.
23:11Kids have become very smart.
23:13Okay.
23:15That day Kapil was sitting with his friend.
23:18Yes.
23:19He told me to go out and eat chocolates.
23:28Please come, Dada.
23:29Why not? I am here.
23:31I am very happy.
23:39Dada.
23:40I am very happy today.
23:42Chunni, what are you doing here?
23:44I have a complaint.
23:46With whom?
23:47I am very angry with Mr. Bansali.
23:49Why?
23:50I didn't do anything for Mr. Bansali.
23:53I just want to tell you, Sharmin.
23:55I remember.
23:56As soon as we were shooting Shahrukh's shot, the chandelier broke.
23:59I will make such a chandelier.
24:08He has gone too far.
24:12I pretended to be a chandelier for four hours.
24:16But he didn't cast me in Hira Mandi.
24:20Dada, you know that only girls play that role.
24:23You know that it takes me two minutes to become a girl.
24:32Let me tell you.
24:34After Mr. Dev left, I had a fight with Chandramukhi.
24:42For many years, we kept writing letters to each other.
24:45Then?
24:46And today, after many years, we are meeting.
24:49She must be coming.
24:50Really?
25:13Higher.
25:16Wow.
25:17So pretty.
25:36Wow.
25:39Wow.
25:43Hello.
25:44Hello.
25:45Hello.
25:46Hello.
25:54Chandramukhi.
26:01Greetings, aunty.
26:13Aunty, you danced so well.
26:16Oh, God.
26:19Where is Chandramukhi?
26:22Mr. Chaisuchunni.
26:24I am your Chandramukhi.
26:29Oh, God.
26:32You are not Chandramukhi.
26:34You are Bandramukhi.
26:43He is joking.
26:44To tell you the truth, I don't know what he used to write in the letters.
26:47He says, if you are a poet, I will be your guide.
26:51Oh, God.
26:52Become my shireen, I will be your Farhad.
26:54Wow.
26:58Listen.
27:00If you are Lucknow, I will be Muradabad.
27:05And if Sonakshi is Chandramukhi, I will be ruined.
27:12Wow.
27:15Wow.
27:16What are you saying, Mr. Chaisuchunni?
27:18Do you remember?
27:19I used to write letters to you all night.
27:30What did you write?
27:31What did you write?
27:32I used to write letters.
27:38You were the second fail.
27:39It took you the whole night to write one letter.
27:43I really can't believe that Mr. Chaisuchunni is saying this to me.
27:47Mr. Chaisuchunni, I did so many things for you.
27:49I sold my gold anklets and sent money for your daughter-in-law.
27:54Whenever he used to say to me, Bidu, plough, plough.
27:58I ploughed.
28:00Now there are so many ploughs around my house.
28:02I can't see my house.
28:04I am ready to do anything for you.
28:07Really?
28:08Yes.
28:09Tell me.
28:10What colour sandals have you worn?
28:15Tell me.
28:28Don't cry. Don't cry.
28:32Ismila.
28:34It's not your fault.
28:40It's not your fault.
28:45It's Sajni Leela Bhansali's fault.
28:48What?
28:49Sajni Leela Bhansali.
28:50It's Sajni Leela Bhansali's fault.
28:54Why?
28:56I sent Mr. Dev so far away.
28:58I sent him so far away.
29:00Then what could I have done?
29:01I did what a heartbroken girl would do.
29:04I ate.
29:06I ate all the food.
29:13And I am in this condition.
29:16What can I do?
29:19Sonakshi.
29:20You have such a great style.
29:22Teach me some of your style.
29:24So that I can impress Chunni Babu.
29:35First look down.
29:36Down.
29:37And then look up slowly.
29:39Wow.
29:40This is the style.
29:43This is the style.
29:49Look down.
29:50Then look up.
29:51Do it without moving your eyebrows.
29:53What are you doing?
29:54She is Heera Mandi's wife.
29:57And he is vegetable market's brinjal.
30:06Hey.
30:08Correct.
30:09This is the style.
30:10Which fool are you?
30:18Chunni Babu.
30:20Chunni Babu.
30:21What Chunni Babu?
30:23He is the vegetable market's brinjal.
30:26He is fake.
30:30I will beat you up.
30:35I will beat you up.
30:43Bidu.
30:44Bidu.
30:45What Bidu?
30:48I was saying.
30:50What were you saying?
30:52What were you saying?
30:55I was saying.
30:57Will you eat egg curry?
31:03Will you eat?
31:04One minute.
31:05You guys play here.
31:10I will give them some chocolate.
31:13Come on.
31:14Come on.
31:15Come on.
31:16Come on.
31:17Come on.
31:18Come on.
31:19Come on.
31:20Come on.
31:21Super.
31:22You all know that it is the age of social media.
31:25Everyone is fond of taking a selfie and posting it on social media.
31:31This is the first look of all our actresses.
31:34When the official teaser came out.
31:36Before that they didn't let us post a photo for a year.
31:39You look so beautiful after getting ready every day.
31:42How did you stop yourself?
31:43Did you take any allopathy medicine?
31:46Or did you take Ayurveda's help?
31:48How did you stop yourself?
31:49Whenever we thought that we will post a photo.
31:52Sanjay sir's face used to come in front of us.
31:55Posting a photo is a different thing.
31:58I have not clicked a single picture.
32:00Even I don't have a few pictures.
32:01I have lots.
32:02Some actually.
32:03I have.
32:04I have lots.
32:05Normal life ma'am.
32:06The clothes you are wearing today.
32:09You have to carry them.
32:11But those costumes.
32:13They are so heavy.
32:15Very heavy.
32:16Heavy jewellery.
32:17Did you ever face any problem because of that?
32:19I think definitely it was very heavy.
32:23But we enjoyed it.
32:24We enjoyed every part of wearing the outfit.
32:28The jewellery.
32:29Everything is picked up by Sanjay.
32:31And approved by him.
32:33And then we carry on.
32:36For each of us it's specifically picked.
32:39Depending on the character.
32:41And once you wear it.
32:43You feel so good.
32:45You forget all the discomfort.
32:47Like we saw in the series.
32:48Manisha ma'am had four girls holding her lehenga.
32:51That scene.
32:52Yes.
32:53We used to go on the set.
32:54Really?
32:55Ready.
32:56Four of us.
32:57When I used to walk from Muzdar.
32:58All the fountains were on.
32:59And all the water was filled.
33:00I used to take a turn.
33:01And I almost fell.
33:02Sanjay sir said.
33:03You are too small.
33:04Move back.
33:05You will fall.
33:06But Aditi.
33:07How heavy was your lehenga?
33:08The one you wore.
33:09I think it was heavier than me.
33:11For sure.
33:12What do you think?
33:13We are sure.
33:14Like four girls were walking holding your lehenga.
33:17When Archana ma'am used to go out in the party.
33:19Oh God.
33:20Four men used to put her in the car.
33:22They used to put her in the car.
33:28Bansali sir has a big casting.
33:30Look at his staff.
33:31It's so big.
33:32There was a shooting in the film city.
33:34A make-up man was running.
33:35So I said.
33:36All the heroines are standing there.
33:37Where is he going?
33:38He said.
33:39He is the hair stylist of a horse.
33:41Yes.
33:42Seriously.
33:46So I said.
33:47What does he do?
33:48He says.
33:49After every shot.
33:50He straightens the horse's tail with a straightener.
33:53When we guide everyone.
33:55They say.
33:56You don't have to do much.
33:58The 20 kg lehenga that you are wearing.
34:01You will hit this point after 8 rounds.
34:04Stop there.
34:05Look like this.
34:06And drop a tear from your left eye.
34:08Oh wow.
34:11And you are like.
34:12Okay.
34:13Sure.
34:14That's it.
34:15That's it.
34:16You must have seen in the poster.
34:17I have a flower on my head.
34:21So many times that rose has changed.
34:23The rose used to be like this in the first shot.
34:25Then slowly it changed like this.
34:26Yes.
34:27He did it like this.
34:30This rose has gone crazy.
34:31Remove it.
34:36One day he saw a thread.
34:38Thread?
34:39Oh no.
34:40He saw a thread in the close-up.
34:42Then?
34:43Cut.
34:44Retake.
34:45Sometimes the background is erased.
34:47For that.
34:48Retake.
34:49If the crease of the curtain is not falling properly.
34:51Then retake for that.
34:52If the fall of the cloth is not right.
34:54Then retake for that.
34:55The chair is also working.
34:57It has character.
34:58So whatever props are there on the set.
35:00If there is a curtain behind.
35:01Then the curtain will also have to work.
35:02We will make him act too.
35:03But when there are 200 people on the set.
35:06And there is so much detailing.
35:08That's the only way you get what you get.
35:10Yeah.
35:11And that larger than life.
35:12His vision.
35:14This is the way.
35:15No seriously.
35:16I mean Sanjay sir.
35:17We all know like this.
35:18We all have seen his work.
35:19And what he sees.
35:21I don't think anyone else can see.
35:23You had asked me earlier.
35:25What did he see in you?
35:26That you were cast in this role.
35:28What no one else saw.
35:29He saw that.
35:30So whatever he does.
35:33He is forgiven.
35:35Wow.
35:39All of you are great artists.
35:40Great actresses.
35:41Many people used to ask.
35:42When Hira Mandi is cast.
35:43So ask them.
35:44What was their best day on the set?
35:47And what was their worst day?
35:49I would like to say one thing.
35:51I never felt that I am very tired today.
35:55I mean I am tired.
35:56But there is always a sense of.
35:58Achievement.
35:59Fulfillment.
36:00There is a sense of.
36:01Good work has been done.
36:03So without that.
36:05I don't think I have ever returned home.
36:07Without the.
36:09Feeling good about the work.
36:11My best day.
36:12Was also my worst day.
36:14Why?
36:15Because earlier it was worse.
36:16Okay.
36:18What's your highest number of retakes?
36:21I think my score is the highest.
36:23What is it?
36:24For in the dance sequence?
36:25Yeah.
36:2699.
36:27What?
36:2899 retakes?
36:29I was the highest.
36:3099.
36:31No.
36:32What?
36:33What were you doing?
36:34So everyone tell the score.
36:35One by one.
36:36I also want to know.
36:3799.
36:38I don't think I went over 12.
36:39What?
36:40Mine is about 12-13.
36:41And even then my tears were here.
36:43But in dance especially.
36:4412-13 is easy.
36:46In dance yes.
36:47For sure.
36:48I have stopped after hitting a century.
36:52And it's not easy.
36:53People think it's easy.
36:55But you are dancing.
36:56200-300 extra are watching you.
36:59And you are not able to do it.
37:01But when you overcome that.
37:03Then it's a really.
37:04Wow.
37:05I didn't know I could do this.
37:06Yeah.
37:07That's a great feeling.
37:08Thank you.
37:12We have heard that he uses a lot of methods.
37:15Like in Bajirao Mastani.
37:17He didn't let Deepika and Priyanka meet.
37:19There was tension between them.
37:21Did he use any methods with you all?
37:23No.
37:24Not at all.
37:25We got along very well.
37:26With all of us.
37:27But they say that when there are a lot of female actors.
37:31Then something or the other is done.
37:33Not at all.
37:34Not at all.
37:35And their make-up room should be kept separate.
37:38So how was that?
37:39I am sure that this rumour was spread by a man.
37:42It was not spread by a man.
37:43Absolutely.
37:44A big round of applause.
37:45Absolutely.
37:50There is so much drama in our script.
37:52That there is no scope of drama in real life.
37:54You all have worked with each other for the first time.
37:57Yes.
37:58What was your impression of each other?
38:00I think everyone individually is a very different type of actor.
38:04Individually we are a very strong couple.
38:06But when we come together.
38:08Then we become stronger.
38:10Then it's magic.
38:11Then it's magic.
38:12Nice one.
38:13Let me tell you that our show is trending in 192 countries.
38:18But the Heera Mandi series is also trending all over the world.
38:22Yeah.
38:24Wow.
38:35Wow.
38:50Did you understand?
38:53This man's scooter doesn't stop everyday.
38:56How did it stop today, engineer?
38:58I think it's a male scooter.
39:01What?
39:27Okay.
39:30You are the king of the scooters.
39:35I am not a king.
39:36You called me a king.
39:37I am not a king.
39:39Actually I am a runway engineer.
39:42Runway engineer Chumbak Mittal.
39:44What do you do?
39:45Runway engineer.
39:46I am a bird's pilot.
39:48Bird's pilot.
39:49Bird's pilot.
39:50Say it straight.
39:52I fly kites on the runway.
39:54They fly them.
40:00If you see, the ones who fly airplanes on the runway are called pilots.
40:05And the ones who fly birds are called bird pilots.
40:09Who says that?
40:11I mean, they can say that.
40:13But why can they say that?
40:15I mean...
40:17They should say that.
40:20Agree to it. What's wrong with that? Look here.
40:23Okay, he's a bird pilot.
40:25What's wrong with that?
40:29By the way, why did you give us mangoes?
40:31I was passing by a shop and the shopkeeper said that I'll have to buy it.
40:35What did he say?
40:35He said, I'm giving it at a very low price. Take it.
40:40He said something else.
40:41What?
40:42He said that...
40:44Sister-in-law likes it a lot.
40:48Actually, I'm single.
40:50Okay.
40:51I'm still unmarried.
40:52But when the shopkeeper told me...
40:55...that sister-in-law will like it, I thought he was manifesting on my behalf.
41:02And I really like manifesting.
41:04You know...
41:08I really like manifesting.
41:15And I've been manifesting for a long time.
41:21Now I know your...
41:25...manifestation.
41:27I believe in manifesting so much that you won't believe...
41:30...that I keep ladies' sandals at the entrance of a house.
41:34I dry ladies' nighties on the balcony.
41:39And I sleep like this. You know, I sleep like this.
41:42How sweet.
41:42Why? Why like this?
41:44I manifest that my wife is lying here in my house.
41:50Yesterday morning, I was manifesting...
41:52...when I woke up that my wife is making tea for me in the kitchen.
41:55Then?
41:56I manifested for two and a half hours.
42:00Then?
42:01Then I realised that my wife is sleeping here.
42:03How will she make tea?
42:09Hey, you eat these mangoes.
42:11I brought them.
42:12How do I eat?
42:13I'll get them chopped.
42:15Pakya.
42:22Pakya.
42:26Don't pay attention to what he says, ma'am.
42:28Like there are big horses on Mr. Bansali's set.
42:31There are donkeys on our set as well.
42:32Yes.
42:35I've never seen donkeys.
42:37They don't look like that.
42:38When they talk, you can tell that they're here.
42:45Are you comfortable?
42:46Yes.
42:47You?
42:48Can I do it?
42:49Yes, of course.
42:53Yes.
43:05I'm not in a hurry to get married.
43:07Of course.
43:08I'm not getting old to get married.
43:10Yes, you're getting old.
43:16Actually, I have a reason to get married.
43:19What?
43:19I'm in a problem.
43:21Okay.
43:21There's a couple in front of my house.
43:24And that lady has an eye on me.
43:26Oh.
43:29She came to my house that day.
43:31She rang the doorbell.
43:32I opened the door.
43:33She said,
43:34Chumbak.
43:35I said, yes.
43:36She said,
43:37there's no one at my house. Come.
43:42I went to her house.
43:43She was wearing a purple sari.
43:45She locked the door.
43:47She said, what will you have?
43:48I said, tea.
43:50She said, you drink tea every day.
43:51I'll make you drink something different today.
43:55So...
44:01As soon as I went inside to get a drink,
44:03she rang the doorbell.
44:04She said, my husband is here.
44:07I said, what is this?
44:08She said, do one thing.
44:11There's a grinder.
44:12Pick up the wheat and start grinding it.
44:14And don't look up.
44:15I said, okay.
44:16I started grinding the wheat in the grinder.
44:20I grinded 30-35 kgs of wheat that day.
44:27After that, she said, go.
44:34After a few days, she came again.
44:36She was wearing a purple sari again.
44:39She said, there's no one at my house. Come.
44:44I went to her house.
44:45As soon as she went to get a drink,
44:48she said, my husband is here.
44:50She said, do one thing.
44:52There's a wall here.
44:53Start painting it.
44:55There's a brush here. I painted it.
44:58After that, she made me clean the floor the next time.
45:04After a few days, her husband came to my house.
45:07He said, Chumbak.
45:08I said, yes.
45:09He said, my wife is not at home.
45:11And our shower is broken.
45:13Will you come and fix it?
45:14I'll wear a purple sari.
45:20Chumbak.
45:25Look.
45:26The king of fruits has arrived.
45:31Here.
45:31You eat it like this.
45:33It's not fun to eat it like this.
45:35Then?
45:36It's fun to eat.
45:43Will you prefer it like this?
45:44Not at all.
45:45Yes!
45:49Of course!
45:57Well, you went overboard this time.
45:59You are drunk.
46:01You can leave now.
46:02Not like that.
46:03Why?
46:04It's my request.
46:06I want to go back to my village.
46:08If the celebrities from here come here..
46:11..I wish to take someone's photo.
46:13If I send someone, who among you will take a photo of me?
46:16I would still feel like Ping leaving.
46:17Wow!
46:18Bring it on, man.
46:23Oh, lovely.
46:25Okay.
46:26Come, come.
46:32Photo? What kind of photo?
46:33He's taking a photo, sir.
46:34Look at the photo.
46:35He's taking a photo?
46:36Yes, he's taking a photo.
46:37Okay.
46:48Oh, my God.
46:55Sorry.
46:57Is it done?
46:58It's done.
46:59Thank you. Thank you very much.
47:11Attention, please.
47:12This is the last call for the flight from Mumbai to Hiramandi.
47:16Boarding doors will be closed in the next five minutes.
47:20Thank you.
47:21Okay, aunty.
47:23Okay.
47:24Before the boarding gate closes,
47:26play our song, Sakalban.
47:34Sakalban
47:40Sakalban
47:42Sakalban
47:48Sakalban
47:54Sakalban
48:00Sakalban
48:05Sakalban
48:08Sakalban
48:18A big round of applause for our beautiful cast.
48:24Thank you, girls. Thank you.
48:25Thank you.
48:26Love you.
48:28Thank you, guys.
48:29Good night.
48:30See you next Saturday on Netflix.
48:32Thank you.
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49:01Londa means sexy dude.
49:03So, Londa from Konda.
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