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Transcript

00:00♪

00:04Patty!

00:05♪

00:09Patty!

00:10♪

00:18Patty!

00:19I'll whip him dead in the end, he'll drop!

00:22♪

00:47Good afternoon, gentlemen.

00:48First of all, thank you to the members of the Council

00:50for listening to my proposal.

00:51Well, we have all heard of Atlantis,

00:53this continent that the Greeks called Atlantis,

00:55somewhere in the middle of the Atlantic,

00:56which was the cradle of a sophisticated civilization,

00:58possessing a technology far ahead of ours,

01:00and which, according to our friend Plato here,

01:02was suddenly hit by a kind of awful cataclysm

01:04that sank it to the bottom of the sea.

01:06Some may wonder, why Atlantis?

01:08It's just a myth, isn't it?

01:09Pure imagination.

01:10Well, that's where you would make a big mistake.

01:1310,000 years at least before the Egyptians built the pyramids,

01:16Atlantis had electricity, high-tech medicine,

01:18and it even could fly.

01:19Impossible, you say?

01:20Well, no, no, not for them.

01:21Many ancient cultures all around the globe

01:23agree that Atlantis had a kind of energy source,

01:25more powerful than steam, than coal,

01:27more powerful than our modern-day explosive engines.

01:29So, gentlemen, I propose you to find Atlantis,

01:32to discover this powerful energy source

01:34to bring it back to the surface.

01:36So, here is a page of an enlightened manuscript

01:38that describes a book called The Shepherd's Diary,

01:41which would be a personal account of Atlantis

01:43and its exact position.

01:45Well, based on an ancient translation of a Norwegian text,

01:47historians have presumed that the manuscript is in Ireland, but...

01:50After comparing the text to the runes on this Viking book,

01:54I discovered that none of the letters had been translated correctly.

01:58So, let's start with this erroneous letter

02:00and replace it with the correct one.

02:02We see that The Shepherd's Diary, the key to Atlantis,

02:04is not in Ireland, look closely,

02:07but in Iceland.

02:10Pause.

02:12So, now, I'm going to answer your questions.

02:16Excuse me, gentlemen, one moment, please.

02:21Linguistics and cartography, Mario Tatch speaking.

02:24Yes, just a second.

02:32Excuse me, Mr. Aikenbottom.

02:38Is it better now?

02:41No problem.

02:43So, as you can see now on this map,

02:47I mean map, that I drew,

02:50I marked the route that the crew and I will take

02:52to the southern coast of Iceland to recover the diary.

02:55Let's go, Mario.

02:57Here we are.

02:58My stay in the dungeon is over.

03:12I'll be back.

03:31Dear Mr. Tatch,

03:32Please note that we have advanced the time of your presentation

03:34from four and a half hours to three and a half hours.

03:37What?

03:39Dear Mr. Tatch,

03:40The directors have rejected your proposal.

03:41Monday, Mr. Harcourt's office.

03:43That's not true!

03:44They have no right to do that to me!

03:45My word, this young Tatch is more and more disturbed.

03:48If I hear the word Atlantis again,

03:50I swear, I'll throw myself under the bus.

03:52I'll push you!

03:53Mr. Harcourt!

04:01You have to listen to him, sir!

04:07Wait, Mr. Harcourt!

04:09Sir, I have new evidence.

04:11Please, Mr. Harcourt.

04:13Here you are.

04:15The Museum of Finance of Scientific Expeditions

04:17based on facts, not legends or folklore.

04:20Besides, you are useful to us here.

04:22We depend on you.

04:23Really?

04:24Yes, with the winter at our doorstep,

04:26the boiler will demand your little choice.

04:27The boiler?

04:29But there is...

04:30There is a diary.

04:31It's in Iceland.

04:32This time, I'm sure of it.

04:35Sir, I was hoping not to have to solve anything.

04:37But here is...

04:39a letter of resignation.

04:41If you reject my proposal...

04:45I resign!

04:50I'm serious.

04:51If you refuse me the effort for my project...

04:53What will you do?

04:54Will you evacuate your career in the toilets like your grandfather?

04:56You have a lot of potential, Malo.

04:58Do not dilapidate it by hunting chimeras.

05:00But I have proof that Atlantis exists.

05:02You want to make an expedition?

05:03Here!

05:04Take the tramway to Potomac and jump.

05:06The cold will cool your ideas.

05:14Come in.

05:16Minet?

05:17Come, darling.

05:20Milo James Touch?

05:23Who are you?

05:24How did you get in here?

05:25I borrowed the tramway.

05:29Well, my name is Helga Sinclair.

05:30I speak here on behalf of my employer

05:32who would like to make you a fascinating proposal.

05:35Are you interested?

05:36Your employer?

05:38Who is your employer?

05:53This way, please.

05:54And do not slide on the caravan.

05:56And do not hurry, Mr. Whitmore.

05:58It's horrible to make him wait.

06:00You will only call him Mr. Whitmore.

06:02Mr. Whitmore.

06:03Or sir.

06:04You will only sit down if he invites you

06:05and you will make short and straightforward sentences.

06:10Relax.

06:11He does not die too often.

06:20Grandpa?

06:21The best explorer I've ever met.

06:23Preston Whitmore.

06:24The pleasure is mine, Malo.

06:26Do you want to do some yoga?

06:27Oh no, no, thank you.

06:28Have you met my grandpa?

06:30The old talus goes back to George Town.

06:32Class of 66.

06:33We stayed friends until his last day.

06:36He even trained me in one or two of his football expeditions.

06:38That was completely sealed, yes.

06:40He often talked about you.

06:41It's funny, he never talked about you.

06:43Of course not.

06:44He knew how much I loved my private life.

06:46Yes, I'm a discreet man, Mr. Whitmore.

06:48Should I ask myself why I'm here?

06:49Look at the table.

06:53It's for you.

06:54It's...

06:55It comes from my grandfather?

06:56He brought me this package a long time ago.

06:58He said that if anything happened to him,

06:59I had to give it to you when you were ready.

07:01I don't know what he meant by that.

07:03No.

07:04Impossible.

07:05The shepherd's diary, no.

07:07Mr. Whitmore, this diary is the key to the road

07:09to Atlantis, the lost continent.

07:11Ha ha, Atlantis, ha ha ha.

07:13I haven't been to Atlantis.

07:14No, no, look, look, look at this.

07:15Coordinates, clues, everything is there.

07:17Yes, it's charabia for me.

07:18Yes, it's because it was written in a dialect

07:20that has disappeared nowadays.

07:21So it's useless.

07:22No, just difficult.

07:23I've spent my life studying dead languages.

07:25For me, it's not charabia.

07:26Ah, it's probably false.

07:28Mr. Whitmore, my grandfather would have seen it

07:30if it had been false.

07:31I would have seen it.

07:32I would bet everything I have on the world.

07:33I would put my hand on fire.

07:34This is the authentic shepherd's diary.

07:36Very good, very good.

07:37So what are you going to do with it?

07:38Well, I'm going to find funds.

07:39I'm going to get by.

07:40I'm going to the museum.

07:41They'll never believe you.

07:42I'll show them.

07:43I'll force them to believe me.

07:44Hey, like today.

07:45Yes.

07:46Uh, no.

07:47What?

07:48Forget the museum.

07:49Okay, too bad for them.

07:50I'll find Atlantis on my own,

07:51even if I have to rent an old boat.

07:52Congratulations, Malo.

07:53That's exactly what I wanted to hear.

07:56It's not a question of a boat, Tristan.

07:59We're going on a first class trip.

08:03Everything is arranged.

08:04For the Bataclan.

08:05Why?

08:06For years, your grandfather

08:07broke my ears with his old book.

08:09I didn't want to believe it for a minute.

08:10And so I ended up making a bet

08:11with the old cake.

08:12I told him, Tadge,

08:13if you end up discovering

08:14your so-called diary,

08:15not only will I fund the expedition,

08:16but I will also kiss your mouth.

08:17You can imagine my embarrassment

08:18when he found the old diary.

08:20Yes, I know your grandfather is dead, Malo.

08:22God and his soul.

08:23But Preston Whitmore

08:24is a man of his word.

08:25Do you hear me, Tadge?

08:26I will leave the other side

08:27of the conscience

08:28quietly by all the devils.

08:35Your grandfather was a great man.

08:37You probably don't realize

08:38how much

08:39these scoundrels

08:40at the museum

08:41caused his decline.

08:42They made fun of him in general.

08:44He was a broken man

08:45when he died.

08:46If I could bring back

08:47only a shadow of proof,

08:48that would be enough for me, Malo.

08:51Tadge.

08:53What are we doing here?

08:54We have work to do.

08:55But Mr. Whitmore,

08:56if you want to realize

08:57your proposal,

08:58you will need a crew.

08:59Everything is arranged.

09:00You need engineers and geologists.

09:01All of them,

09:02the cream of their profession.

09:03Gaetan Molière,

09:04geology and excavation.

09:05This guy smells the earth.

09:06Vincenzo Santorini, demolition.

09:07I had him evaded

09:08from a Turkish prison.

09:09Audrey Ramirez,

09:10don't be fooled by her age.

09:11She could have forgotten

09:12about the engine

09:13that you and I

09:14will never know about.

09:15It's the same crew

09:16that brought back Jorma.

09:17And where was he?

09:18In Iceland.

09:19Yes, I knew it, I knew it.

09:20All that's missing

09:21is an expert in Sharabia.

09:22You can build on the foundation

09:23that your grandfather left you

09:24or you can go back to your boiler room.

09:28It's not true.

09:29Finally, you realize it.

09:30Very well.

09:31Okay, I'm going to quit my job.

09:32It's done.

09:33Today you will resign.

09:34My bus?

09:35Yes.

09:36I leave nothing to chance.

09:37My apartment.

09:38I must warn in advance

09:39that it has been done.

09:40My clothes?

09:41Packed.

09:42My books?

09:43Stored.

09:44My cat?

09:45It's not true.

09:46Your grandfather always said

09:47that the only memories of our lives

09:48are the gifts

09:49that we make to our children.

09:50This newspaper

09:51the Atlantis is waiting for you.

09:53What do you say?

09:54I'm your man, Mr. Whitmore.

09:55You will congratulate yourself.

09:57I'm so excited

09:58that I can't stop myself.

10:06Carrots.

10:07Why is it always carrots?

10:08I never eat carrots.

10:09Attention.

10:10All crew members

10:11to the launch site.

10:12Akia has erased their hate

10:14on the Salamander and Arachnid team.

10:16Excuse me.

10:17I have to report.

10:19Yes, Mr. Touch.

10:20Who is it?

10:21Oh, it's you.

10:22No, Nilek.

10:23I have an account to settle with.

10:24I'm coming back to you.

10:25Where is the cake?

10:26What's going on again?

10:27You filled my cart

10:28with non-essential products.

10:29Look at this.

10:30Cinnamon, oregano, coriander.

10:32By the way,

10:33what is coriander?

10:35And what is that?

10:36It looks like lettuce.

10:37Lettuce?

10:38Huh?

10:39Lettuce?

10:40From the vegetable group, the cake.

10:41Man must feed

10:42to the four food groups.

10:43I always have

10:44my four food groups.

10:45Beans, bacon, lard and whiskey.

10:46Come on, cowboys.

10:47Pack this and we sail.

10:48Attention,

10:49all crew members

10:50to the launch site.

10:51Boarding has begun.

11:01Hey, young man.

11:02If you want to go for a ride,

11:03it's that way.

11:04Excuse me.

11:05Excuse me.

11:06You've lost your team.

11:07Dynamite?

11:09What else do you have in there?

11:11Oh, uh...

11:12Cannon powder,

11:13nitroglycerin,

11:14note blocks,

11:15detonators,

11:16wicks, glue,

11:17and...

11:18trombone boxes,

11:19giant furnace,

11:20well, just

11:21office supplies.

11:22Manu, where have you been?

11:23This is Commander Rourke.

11:24He led the crew

11:25to bring the shepherd's diary.

11:26Manu,

11:27touch.

11:28Charming to meet

11:29the little son of the old talus.

11:30I see you have a diary.

11:31There are pretty pictures in there,

11:32but I prefer a good restaurant.

11:33It's pretty impressive, huh?

11:34Damn,

11:35when you settle your debts,

11:36you don't go anywhere.

11:37Manu,

11:38the constant quest

11:39for better knowledge

11:40has no price.

11:41Your grandfather always said...

11:42Well, you can believe me,

11:43it's a good market,

11:44all this compared to the value

11:45of what this trip will teach us.

11:47Attention to all personnel,

11:48the launch will begin

11:49in 15 minutes.

11:50Mr. Whitmore,

11:51Rourke,

11:52senor.

11:53Aye, Mr. Whitmore.

11:54On nous gare, mon garçon.

11:55Paré à plonger.

11:56Paré à plonger.

11:57Lieutenant,

11:58en plongée.

11:59Ici plongée,

12:00descendez le vaisseau.

12:01Profondeur 30 mètres.

12:02Profondeur 30 mètres.

12:03En plongée,

12:04en plongée,

12:055 degrés sur la vue.

12:17Diffusé en approche.

12:43Attention.

12:44At this time tonight destination

12:45You have made a mistake, followed by a music program.

12:49Who wrote that?

12:55You have plundered the earth.

12:58Excuse me?

12:59You have plundered the earth!

13:00The earth of everywhere on the globe through the centuries!

13:02Look at me, bag of knots!

13:03England will never see its hydrangea in France!

13:05What are you doing on my hat?

13:06Stop asking questions!

13:07Who are you sending?

13:08No, I don't have a piece!

13:09I'll take it soon enough.

13:10Hey, hey, hey, stop!

13:11The glasses are a little swollen.

13:12Easy.

13:14Here you are.

13:15Tell me your story, my old branch.

13:17Fiber of parchment of the delta of the nile,

13:18four centuries before Jesus Christ,

13:19number two plan mine,

13:20traces of government painting,

13:21you have a cat-person

13:22a little less than two-hundred-thirds of a portrait of seven.

13:24These are the digital fingerprints,

13:25microscopic, cartographic,

13:28and linguistic.

13:30It's a real scandal!

13:31I don't care if it jumps!

13:32Delius, Delius, Delius!

13:34Oh, oh, you're sitting on the ground, you.

13:35My link, I didn't tell you to be kind to other children.

13:38Not a step.

13:39I have soap, and I will not hesitate to use it.

13:41Infected creature,

13:42return to the pit where you came out.

13:44Uh, Ledoux, my name.

13:45Joshua Ledoux, doctor on the side.

13:46Uh, Milo Tach.

13:47Milo Tach, my three-hour patient.

13:49Well, let's go, Milo.

13:50Oh, my God.

13:51Nice tool, huh?

13:52The catalog says that this little jewel

13:53will make you mute in twenty-eight seconds.

13:54I bet I'll take twice as long.

13:55So, pull the tongue and say, ah.

13:57No, I mean, it's going to...

13:58And where are you from?

13:59Oh, yes, I have family over there.

14:00Magnificent region, isn't it?

14:01Are you going fishing?

14:03Me, I have fishing.

14:04I have the fish, I have the taste.

14:05It's full of fish and it smells bad.

14:06Here, you're going to fill me this thing.

14:08With what?

14:09Milo Tach, please bring me back.

14:11Ah, thank you.

14:12Well, charming to know you.

14:14Ha ha, all the pleasure is mine.

14:20So, I told him,

14:21but what does he have, my meatloaf?

14:22And there, you know what he said?

14:23Oh, wait a second, Margie.

14:24I have another call.

14:25Sir, we are approaching coordinates.

14:27Hello, Margie.

14:28Yes, I'll talk to you later.

14:29Very good.

14:30Let's make the observation tower.

14:31At your orders.

14:32The capo two, four, zero.

14:33Fifteen degrees negative on the deflectors of Pooh.

14:34Capo two, four, zero.

14:35Capo two, four, zero.

14:36Welcome aboard, Mr. Tach.

14:37Attention, everyone.

14:38I want you to listen, Mr. Tach,

14:39with the utmost attention.

14:41Uh, hello.

14:42Does everyone hear me?

14:46Okay.

14:47I have a small projection.

14:48The first image represents a creature.

14:50A creature so frightening

14:51that it was said to drive the poor sailors crazy

14:53who laid their eyes on it.

14:57Sorry, that's ...

14:58It's not that.

14:59I swear, when I saw guys like that,

15:00I taxed them at school.

15:01Anyway.

15:02Here's a ...

15:03Okay.

15:04Here's an illustration of the leviathan,

15:05the creature that guards the entrance to Atlantis.

15:07With that, I would drink

15:08a good white wine,

15:09very cold, very dry.

15:10It's a mythical sea snake.

15:11The Bible speaks of it in Job.

15:12The Bible says

15:13there are lamps that burn in his mouth,

15:14sparking sparks.

15:15But in my opinion,

15:16it's an engraving or a sculpture

15:17to frighten the superstitious.

15:18So we find this wonder,

15:19let's say,

15:20and we dig.

15:21In fact, we will not have to dig.

15:22You see, according to the newspaper,

15:23the path to Atlantis

15:24passes through a tunnel at the bottom of the ocean

15:25that will curve up

15:26to lead us to an air pocket

15:27right here,

15:28where we will find

15:29the entrance to Atlantis.

15:30It's a bit like the siphon of a ship.

15:31Cartographer.

15:32Linguist.

15:33Plumber.

15:34Still single.

15:35It's amazing.

15:36You said we would dig.

15:37Go to hell.

15:38Captain, you can go up and watch.

15:39Okay, class is over.

15:40Turn on the projectors.

15:41What is that?

15:42What happened here?

15:43Look at this.

15:44There are wrecks of all times.

15:45Stop it.

15:46What's wrong?

15:47Something is wrong with him.

15:48Stop looking around.

15:49Do you really think

15:50you're thinking about

15:51what has happened to you?

15:52Of course, I am.

15:53I got the key.

15:54I can remember.

15:55Why are you asking me questions?

15:56I have an answer.

15:57But I don't understand.

15:58I've been walking around

15:59for over two hours

16:00and I don't know where you are.

16:01Tell me.

16:02Why do you want to go.

16:03I want to find the right place.

16:04Right here,

16:05right now.

16:06All right.

16:07Come on.

16:08Go.

16:09And tell me who you are.

16:10What are you looking for?

16:11Tell me.

16:12You're the friends of the ship that took the life

16:13of the criminal,

16:14Commander, I think you should listen to this.

16:17Predestem, Log, Tenug, Nag.

16:20Enter the Leviathan's mark.

16:22There you will find the passage leading to the voice.

16:25Yes, Mrs. Packard, what is it?

16:27I do not know, but there is a noise in the hydrophone. You should listen.

16:29Give me that.

16:38Ballet troupe?

16:40No, it sounds metallic. It may be our blow to Europe.

16:43Do you want to do my job? After you.

16:45Is it me or the sound amplifies?

16:51Well, we do not hear it anymore. Whatever.

16:53Timonier, turn around. Tighten our frame.

16:59Let me go.

17:07Tell the ballet to make a backbend and get me out of the dressing room.

17:09I want to walk again a hot life in front of my feet.

17:11I want to walk again a hot life in front of my feet.

17:15Calm down, guys. Do not panic.

17:22Timonier, stop. It's a machine.

17:30Launch the Subaqua.

17:41Subaqua is free. Forward all.

17:47Launch torpedoes.

17:59Give me the passerelle.

18:01Sir, the room of machines on the map.

18:03We got a bad blow down here. We have a gigantic voyage.

18:05I'd rather not be there than know how to touch the boiler.

18:07How long will it take?

18:10No, not even five minutes.

18:12I heard the lady. Let's go.

18:14Parker, ring the alarm.

18:16With his suitcase, Margie. He will not come back now.

18:18Parker!

18:19I remind you. No, no. I remind you.

18:23General of the ship.

18:25Yes, sir. It will be done in two days.

18:27Hurry up. Find me a seat and buckle your seatbelts.

18:30Lieutenant, get us out of here.

18:34Lieutenant!

18:35Yes, I know.

18:40Hold on.

18:50Where are we going, Mr. Tatch?

18:52We're looking for a kind of fault in the rock.

18:54There, straight ahead.

18:56All Subaqua, slope at minus 20 degrees.

18:58Not your kind of slope at minus 20 degrees.

19:00We're right behind you.

19:02It's a bad idea.

19:04We'll get killed down here.

19:10Come on.

19:15Watch out!

19:19It's just like the Siphon of Elyiae.

19:21It's just like the Siphon of Elyiae!

19:39Oh, my God.

20:09Seven hours ago, we launched this expedition with 200 of the best men and women I've ever known.

20:15We survived it alone.

20:17I won't waste my words, gentlemen. We are in a state of crisis.

20:20But we have already been in this kind of mess, and we got out of it against all odds.

20:24I see no reason to change policy in this situation.

20:27From now on, everyone has to double their efforts.

20:30Everyone works and pushes at the wheel.

20:32I believe that our only chance of survival lies in your hands, Mr. Tatch.

20:35You and this little book.

20:37We'll all die.

20:38Okay, everyone. Let's go.

20:39Lieutenant, I want to see this convoy moving for five minutes.

20:42Molière, to the vanguard.

20:43No, Vinnie. Audrey, stay calm.

20:45I know the rules. I want you 50 meters behind at all times.

20:47Packard, stop your truck.

20:55Are you sure you're trained in this class of vehicles?

20:58Do you know how to drive a truck?

21:01Yes, I know how to drive a truck.

21:02Of course, there's the steering wheel here.

21:04There's also the accelerator and the brake.

21:06And the handle?

21:07Oh, I mean, the lever.

21:10Okay, it was a Cognac self-braking car, but it's the same basic principle.

21:20Oh, no, I'm sorry.

21:36Oh, no.

22:07You're not coming to drink that, are you?

22:09Bad news. It's nitroglycerin.

22:11No, don't move and don't breathe.

22:13Don't do anything.

22:14Except maybe pee.

22:37Yeah!

22:50Oh, my God, look at the size of this mine.

22:52It must be at least 800 meters high.

22:54It must have taken hundreds, no, thousands of years to build this thing.

23:01Hey, look, I built a bridge.

23:03And it took me, what, ten seconds?

23:05Eleven, tops.

23:22It looks like we have a little plug on the road.

23:24Vinnie, what do you think?

23:25I could unplug that for you if I had, let's say, 200 things like that.

23:28The problem is that I only have ten.

23:30Ten.

23:31Plus, well, five of my manufacturing,

23:33and a few high-powered firecrackers,

23:35a road sign.

23:36Hey, too bad we don't have a little nitroglycerin, huh, Milo?

23:40I think we're going to have to dig.

23:43That's going to make me really happy.

23:46I don't understand anything in there.

23:48What's wrong with the instruments?

23:50It looks like they're stuck.

23:52Be careful not to step on one of the trucks.

23:54Excuse me.

23:55No toques nada.

23:56I'll be back in a minute.

24:16Hey, what did you do?

24:18Well, the bouilloire in this little jewel is a Humac model P-54-13,

24:21and we have the P-14.

24:23Oh, museum.

24:24The heart of Chauffe, above all, the Humacs, has always been a little, well,

24:27capricious, like that, and sometimes you have to,

24:29boom, pierce it a little, you know?

24:31Yes, yes, thank you very much.

24:34Two shots to have receded.

24:42It's here.

24:43We're sure of it.

24:44All right, let's set up camp here.

24:46Why is it shining?

24:48It's naturally phosphorescent.

24:50This thing will keep me from closing my eyes.

24:52I'm sure of it.

24:53Dinner is ready.

24:55So, how do you like it?

24:56The Caesar salad,

24:57the snails,

24:58and the spring rolls.

25:00I wanted the snails.

25:02Carry the belly.

25:03Here, it's your turn, Milo.

25:05You need muscles, you know.

25:06Thank you, the salad looks fatter than usual.

25:09But it's to your liking.

25:10Take a little more.

25:11It's so fluid that if you turned sideways while pulling the tongue,

25:13you'd look like a ferret.

25:15I think we were harsh with the young man.

25:16If we let him breathe a little.

25:17Yes, that's true.

25:18Hey, Milo, come sit down with us.

25:20Oh, yeah?

25:21I don't mind.

25:22No, but you here.

25:23It's great, really.

25:25It's an honor to be part of your...

25:30The cup!

25:31Ha, ha, my apologies.

25:33It was stronger than me.

25:35Hey, Milo, can you read these books?

25:37Yes, I don't know, you must have read it at least a thousand times.

25:38I know, but it's...

25:39It looks like it doesn't make any sense.

25:41You see, in this passage here,

25:42the shepherd seems to bring us to something he calls the heart of Atlantis.

25:45It could be the source of energy the legend speaks of,

25:47but here he leaves us on our thirst.

25:49It's as if there was a page missing.

25:51The young man, relax.

25:52We're not paid after hours.

25:53I know, I know, I know.

25:54I let myself be played sometimes.

25:56But that's what it's all about, after all.

25:57No, we came for the discovery, the teamwork, the adventure.

26:01Except if some of you came for the money.

26:05For the money?

26:06For the money.

26:07For the money.

26:08For the money.

26:09Bad question.

26:10I don't think I stole it.

26:12Do you have neck problems?

26:13Oh, yes.

26:14I must have hurt myself earlier.

26:16Pass.

26:17Oh, yes.

26:18Hey, where did you get that?

26:20From a healer in Rapao.

26:21Stop it.

26:22I grew up with them.

26:23My father was a military doctor.

26:24He settled in Kansas when he met my mother.

26:26Really?

26:27Yeah.

26:28I have an award from Howard U.

26:29And feathers from the old iron cloud.

26:31On my way to my medicine, I was recruited.

26:32One day, I'm leaning on the anatomy table.

26:34The next day, here I am,

26:36on the hill of San Juan.

26:37The main dish.

26:38No, no, no.

26:39I'm not hungry.

26:40Don't worry.

26:41It's kept very well.

26:42Very well.

26:43For days and days.

26:44Thank God.

26:45It's been years since I've had the sense of taste.

26:51What are you waiting for to set up your tent?

26:53Um, it's done.

26:55I'm still a little rusty, I think.

26:56It's true.

26:57I haven't camped in a while.

26:58It was when my grandfather took me.

26:59Your grandfather?

27:00I never had the chance to meet him.

27:01How was he?

27:02There's so much to tell.

27:03He was like a father to me, actually.

27:05My parents died when I was very young,

27:07and he's the one who raised me.

27:10What?

27:11No, I...

27:12I remember one day,

27:13I was barely eight years old.

27:14We were taking a walk along the stream, him and me.

27:16And there, I saw something shine in the stream.

27:18It was a real arrowhead.

27:20They would have sworn that I had discovered an ancient civilization

27:22when I heard my grandfather talk about it all excited.

27:24It was years later that I realized that this arrowhead

27:26was nothing more than a little schist

27:27mixed with the pyrite of Zang

27:28that had fractured in a dry trilateral.

27:30It's so cute.

27:32Tell me, André,

27:33without offending you,

27:34but how can a teenager become a chief mechanic

27:36of a huge expedition?

27:37I took this job when my father retired.

27:39But the funny thing is,

27:40he always wanted two boys, you see.

27:42One to take over the workshop after him,

27:43the other to be world champion in average weight.

27:45But he had my sister and me in his place.

27:47Really?

27:48And what does your sister do?

27:49She's 24 years old

27:50and has a match for the title in five months.

27:52Anyway, I'm leaving

27:53because my father and I want to open another workshop.

27:55Did you forget your pajamas, Mrs. Packard?

27:57I love your outfit.

27:58You'd better put this on.

27:59She's on a roll.

28:01As far as I'm concerned,

28:02I love to blow things up.

28:04Come on, don't tell me stories.

28:07My family had a flower shop.

28:09We sold oranges,

28:11eggs,

28:12roses,

28:13everything.

28:14One day,

28:15I was preparing three dozen bouquets

28:16for a ball of finishers,

28:18you know, the people who wear on the wrist.

28:20And then everyone comes.

28:21Where is he?

28:22When is it?

28:23Is he okay with my dress?

28:24And everything.

28:25It's a nightmare.

28:26But anyway,

28:27I think there was a leak

28:28right next to the gas,

28:29or I don't know.

28:30Boom!

28:31The Chinese drunkard is no longer there.

28:32I went through the front window.

28:34It was as if God was sending a message.

28:36This boom revealed to me.

28:42And the mole, what's his story?

28:43Trust me,

28:44you'd better not know.

28:45Audrey, you don't say anything.

28:46You shouldn't have told me,

28:47but you did.

28:48And now I'm telling you,

28:49you'd better not know.

29:00I'll call you.

29:01I'll call you.

29:02I'll call you.

29:16All right.

29:17Let's go.

29:18I'm afraid of the refugees.

29:19Oh

29:49Oh

30:19Oh

30:21Oh

30:48Okay

30:51Oh

31:21So he did only by a

31:23Volcano

31:25He parked before she left so he can't exactly

31:27Must probably have a clash of courage

31:29At the day

31:31Oh

31:33No

31:35No

31:37No

31:39No

31:41No

31:43No

31:45No

31:47No

31:49Oh

31:51Don't worry you have a

31:53Two seconds

31:55One

31:57Two seconds

31:59One

32:01Oh

32:03Oh

32:05Oh

32:07Oh

32:09Oh

32:11Oh

32:13Oh

32:15Oh

32:17Oh

32:19Oh

32:21Oh

32:23Oh

32:25Oh

32:27Oh

32:29Oh

32:31Oh

32:33Oh

32:35Oh

32:37Oh

32:39Oh

32:41Oh

32:43Oh

32:45Oh

32:47Oh

32:49Oh

32:51Oh

32:53Oh

32:55Oh

32:57Oh

32:59Oh

33:01Oh

33:03Oh

33:05Oh

33:07Oh

33:09Oh

33:11Oh

33:13Oh

33:15Oh

33:17Oh

33:19Oh

33:21Oh

33:23Oh

33:25Oh

33:27Oh

33:29Oh

33:31Oh

33:33Oh

33:35Oh

33:37Oh

33:39Oh

33:41Oh

33:43Oh

33:45Oh

33:47Oh

33:49No

33:51No

33:53Can you give it

33:55Could

33:57Come

33:59Came

34:01Came

34:03Came

34:05Came

34:07Voulez-vous...

34:09Oh, je l'aime bien.

34:11Bon coup de poing, pas trop tôt, mais dommage que c'est pas été moi.

34:16Et d'où ils connaissent toutes ces langues?

34:18La langue qu'ils parlent part peut-être d'un tronc dialectal.

34:20C'est genre la tour de Babel.

34:21En tout cas, on dirait qu'ils nous comprennent.

34:23Nous sommes des explorateurs venus de la surface.

34:26Nous sommes pacifiques.

34:28Je vous souhaite la bienvenue dans la cité de l'Atlantide.

34:31Venez, vous devez parler à mon père maintenant.

34:33Escouade B, retournez à la cheminée du volcan, sauvez ce que vous pouvez.

34:36Rendez-vous dans 24 heures.

34:40Passage au voile, alors.

34:52Ce qu'il y a d'extraordinaire, c'est que si on déconstruit le latin,

34:54qu'on le parsème d'un peu de sumérien, qu'on ajoute une touche de tessalonien,

34:56on se rapproche sensiblement de leur structure grammaticale.

34:58On est presque dans la même branche.

34:59Ça fait plaisir, un tel enthousiasme.

35:01Un enfant noël, notre prof.

35:03Commandant, il ne devait pas y avoir d'habitants, en principe, ici.

35:06Ça change toute l'histoire.

35:07Ça ne change rien du tout.

35:09Tu dors les dents, M. Harcourt.

35:34Il faut que je vous aide.

35:36Je ne peux pas, M. Harcourt.

35:38Je ne peux pas, M. Harcourt.

35:40Je suis en train de...

35:42de partir.

35:44M. Harcourt, je ne peux pas.

35:46Je ne peux pas partir sans vous.

35:48Je ne peux pas partir sans vous.

35:50Je ne peux pas partir sans vous.

35:52M. Harcourt...

35:54Si vous le voulez, je peux vous aider.

35:56Je ne peux pas partir sans vous.

35:59Votre Majesté, au nom de mon équipage,

36:01puis-je dire que c'est un honneur d'être bienvenue dans votre ville.

36:04Excusez-moi, Commandant.

36:05Vous présumez beaucoup de croire que vous êtes les bienvenus.

36:08Si, nous avons fait un long voyage...

36:10Je sais ce que vous cherchez.

36:12Et vous ne le trouverez pas ici.

36:14Vous aurez voyagé pour rien.

36:16Nous sommes de pacifiques explorateurs, des hommes de science.

36:20Pourtant, vous apportez des armes.

36:22Elles nous permettent de nous débarrasser des obstacles que nous pourrions rencontrer.

36:26Il y a bien des obstacles dont on ne peut se débarrasser par un étalage de force.

36:30Retournez vers votre peuple.

36:32Vous devez quitter l'Atlantique.

36:34Sur le champ.

36:35Votre Majesté, mais soyez raisonnable.

36:37Tout à l'heure, fiston.

36:38Attendez, fiez-vous à moi là-dessus, on ferait mieux de l'écouter.

36:42Puis-je respectueusement demander votre asile pour une nuit, sire.

36:45Nous pourrions nous reposer, nous rééquiper et nous préparer à repartir au matin.

36:50Très bien.

36:51Une nuit.

36:53Une seule.

36:54Merci mille fois, Votre Majesté.

37:01Ton cœur s'est affaibli, Kida.

37:04Je les aurais éliminés sur le champ il y a mille ans.

37:07Il y a mille ans, nos rues étaient éclairées.

37:09Et notre peuple ne fouillait pas les poubelles pour manger dans les rues d'une ville en ruines.

37:13Le peuple est satisfait.

37:14Il ne connaît rien mieux, c'est tout.

37:16Nous étions un grand peuple et nous vivons sur des ruines aujourd'hui.

37:18Nos rois anciens pleuraient s'ils pouvaient voir jusqu'où nous sommes descendus.

37:22Kida.

37:23Si ces étrangers arrivent à résoudre le secret de notre passé,

37:26peut-être pourront nous sauver notre avenir.

37:28Ce qu'ils auraient à nous enseigner, nous l'avons appris déjà.

37:32Notre ancien mode de vie agonise.

37:34Notre mode de vie est préservé.

37:37Kida, quand tu monteras sur le trône, tu comprendras.

37:44Comment ça a été ?

37:45Ben, le roi et sa fille ont des points de vue assez différents.

37:47Elles nous aiment bien, je crois même.

37:49Le roi, on dirait qu'il cache quelque chose.

37:51Bien, s'il cache quelque chose, moi, je tiens à savoir ce que c'est.

37:54Et le tien devrait aller parler à sa fille.

37:55Moi, je vais y aller !

37:56Quelqu'un d'habile avec les gens, il faudrait dire.

37:58Moi, je vais y aller !

37:59Quelqu'un qui ne la fera pas sans son fils.

38:00Moi, je vais y aller !

38:01Quelqu'un qui sait un peu parler leur langue.

38:02Pour le bien de la mission, je suis volontaire.

38:04C'est bien ça, Tatch. Merci d'être volontaire.

38:09À l'assaut, puissant tigre.

38:15Ok, Milo, ne te laisse pas dire non.

38:17Bon, je veux des réponses de votre part et je ne partirai pas de cette ville avant de les avoir eues.

38:20Voilà, ça c'est bien, ça c'est très bien.

38:27Je veux des réponses de votre part et vous ne partirez pas de cette ville avant que je les ai eues.

38:30Mais je...

38:31Ok.

38:32Suivez-moi.

38:39Oh, il y a tellement de questions à poser sur votre monde.

38:42Vous êtes un intellectuel, non ?

38:44Juste à refugier par votre maigre physique et votre grand front, vous ne seriez bon à rien d'autre.

38:48Quelle est votre contrée d'origine ? Quand les eaux de l'inondation se sont-elles retirées ?

38:51Comment avez-vous...

38:52Non, une minute, j'ai des questions à vous poser aussi.

38:53Alors, on va faire ça, ok ? Vous en posez une, ensuite moi, ensuite vous et moi et enfin, vous voyez.

38:57Parfait, bien. Quelle est votre première question ?

38:59Bien, ok. Qu'est-ce que vous faites ici ? Je ne veux dire pas vous, personne, non, mais votre culture.

39:03Enfin, comment est-ce que tout ça est tombé ici ?

39:05Il paraît que les dieux ont éprouvé de la jalousie envers l'Atlantide.

39:08Ils ont envoyé un grand cataclysme et bannis les Atlantissi.

39:11Tout ce dont je peux me souvenir, c'est le ciel tout noir et tout le monde qui criait et qui courait.

39:16Une lumière étincelante comme une étoile qui flottait au-dessus de la ville.

39:21Mon père a dit qu'il a attiré ma mère vers elle. Jamais je ne l'ai revue.

39:25Ça me fait de la peine. Si c'est une consolation, je sais ce que vous ressentez, parce que j'ai aussi perdu...

39:29Non, une minute, une minute, non, on remonte un peu.

39:31Mais, mais, qu'est-ce que vous voulez me dire ? Que vous vous rappelez parce que vous étiez là ?

39:34Non, c'est impossible, parce que... Non, parce qu'à ce moment-là, vous auriez 85, 80... 88 siècles ?

39:40Oui.

39:42Ah, ben... Vous êtes informe.

39:46Vous avez une autre question pour moi ?

39:48Oui. Comment est-ce que vous, vous avez trouvé le chemin ?

39:50À vrai dire, c'était pas facile. Si ça n'avait pas été de ce bouquin, on n'aurait pas réussi.

39:54Ok, seconde question. La légende dit que votre peuple possédait une espèce de source d'énergie, je sais pas trop, qui leur permettait...

39:58Je ne comprends pas ce qui est écrit dans ce livre.

40:00Oui, c'est parce que je suis linguiste, je fais ça comme travail. Bien, d'accord. Alors, pour ma question...

40:03Ça, juste ici, ça, vous pouvez le lire.

40:05Oui, oui, je sais lire l'Atlante, je veux dire comme vous.

40:09Vous ne savez pas.

40:11Personne ne sait. Ce savoir a disparu chez nous depuis l'époque du Mabermoth.

40:14Ah, le grand flot.

40:16Montrez-moi.

40:17Ok.

40:20Vous suivrez les trois passages sur encore une lueur. Là, vous trouverez le cinquième jalon.

40:24Oui, oui, c'est ça. Mais comment est mon accent ?

40:27Un peu grossier, provincial, et vous parlez dans votre nez.

40:29Oui, il faut que j'améliore ça.

40:31Venez, je vous montre quelque chose à mon tour.

40:36Tiens, on dirait une sorte de véhicule.

40:38Oui, mais j'ai beau tout essayer, il refuse de répondre. Vous pourriez peut-être...

40:42Oui, ça va, oui. Ok, voyons un peu ce que c'est.

40:45Ok, placez le cristal dans la fente.

40:48Oui, oui, j'ai fait ça.

40:49Ensuite, apposez la main sur le diagramme explicatif.

40:51Oui.

40:52Ok, vous avez tourné le cristal un quart de tour et ramené ?

40:53Oui, oui.

40:54Avec votre main sur le diagramme ?

40:55Oui. Non.

40:57Ah, ben, vous voyez, c'est ça votre problème. C'est tout, c'est assez facile à manquer.

41:00C'était quand même très bien de vous être rendu aussi loin.

41:03Ok, vous voulez essayer ?

41:11Il y a de la cogne.

41:13Vous pouvez le dire, oui.

41:14Ah, c'est génial. Avec ce truc, je verrai toute la ville en un temps record. Je me demande si ça va vite.

41:27Bon, si on allait manger ?

41:30Au fait, on ne s'est pas présenté pour vrai. Moi, je m'appelle Milo.

41:33Mon nom à moi, c'est Kida Agakash.

41:35Kiki, Kida Mashnaga. Vous avez un surnom simple.

41:39Kida.

41:40Ok, Kida. Ça, je peux m'en souvenir.

42:02Quoi, ça ne va pas ?

42:03Oh, c'est rien. J'avais juste un truc qui me rentrait dans l'oeil.

42:06Oui, mon grand-père m'a toujours parlé de ce pays chimérique d'aussi loin que je me souviens.

42:11J'aurais tellement aimé qu'il soit ici avec moi.

42:28Dis-moi un peu plus sur tes compagnons. Votre médecin, son nom, c'est La Galette ?

42:31Non, c'est Ledoux.

42:32Qui est Ledoux ?

42:33Le médecin, c'est le docteur Ledoux.

42:34Ah, il est gentil.

42:35Non, non, non, c'est son nom.

42:36Quoi, il s'appelle gentil ?

42:37Non, Ledoux. Non, il est gentil aussi.

42:39Donc, tous vos médecins sont doux et gentils.

42:42Non, je pense qu'il y en a plusieurs. Le nôtre l'est, mais ce n'est pas une obligation. Ce n'est pas de ça qu'on parle.

42:47Je ne comprends pas ce que tu me dis.

42:48Waouh, regardez tous ces patouages.

42:51Waouh, c'est rien du tout, ça. Regarde le mien, là. Tous les 38 Etats-Unis.

42:55Regarde-moi faire danser le Rhode Island. Vas-y, mais danse, danse. Voilà, très beau.

43:05Les galettes sont douces, mais pas la vôtre. Ledoux est gentil, mais ce n'est pas son nom.

43:09Par contre, Audrey est douce, mais elle n'est pas votre docteur.

43:13Et celui d'Icruz, le petit animal que vous appelez Latour, c'est votre petit chien ?

43:17Dans le genre, c'est vrai.

43:20Oh, il faut manger la tête. Je ne peux plus nourrir son sang.

43:24C'est Guida. On espérait trouver peut-être quelques bâtiments plutôt décrépits, des morceaux de poterie.

43:28Et on découvre une collectivité vivante et fleurante,

43:31avec de beaux-heures, les matemoires, et bien sûr, le monde.

43:35La vie est un monde.

43:37Il y a des gens qui viennent de partout, des gens de tous les endroits,

43:40et les gens qui viennent de tous les endroits,

43:42et les gens qui viennent de tous les endroits,

43:44et les gens qui viennent de tous les endroits,

43:47et les gens qui viennent de tous les endroits,

43:49et la vie est un monde.

43:51And we discover a living and flourishing community and everything.

43:55They are quite cute, well, when they don't do the burning death squad.

43:58We are not flourishing.

44:00Yes, our people are alive, but our culture is dying.

44:03We are a rock that the ocean hammers.

44:05With each passing season, it is a little more of us that leaves.

44:08I would like to be able to do something.

44:10I brought you to this precise place because I would like you to help me.

44:13There is a mural here with things written around the paintings.

44:16Yes, well, you found the guy you needed.

44:18Okay, let's see, we're going to start with this column here.

44:23Kina.

44:26What are you doing?

44:27I hope you know how to swim, Milo.

44:29Oh, I swim pretty nice, pretty good.

44:31I swim pretty good, pretty good, I swim pretty good.

44:33Good.

44:34It's a good distance from where we are going.

44:37This address here to the champion of the flat belly of the Perlamont camp.

44:42Come on, we're wasting time.

44:45Come on, go ahead because I have no idea where we're going.

45:06Are you okay?

45:07Well, I managed to swim.

45:09Okay, come with me.

45:14It's amazing.

45:15It's the sum of the history of the Atlantic.

45:17That's exactly what Plato said.

45:19Yes, except for one or two states.

45:21The light I saw, that star just above the city.

45:24What does the inscription say about that?

45:26I don't know yet, but we'll see.

45:28Let's dive.

45:45I can't believe it.

46:11The heart of the Atlantic.

46:13Atlantis! That's what the shepherd was talking about all along.

46:15It wasn't a star at all, but a kind of crystal.

46:17Like this one. You understand, Kida?

46:19The famous energy source I was looking for

46:21and the flashing light in your memory, it's the same thing.

46:23It's impossible.

46:24Yes, that's what holds all these things together.

46:26And you all. All of Atlantis is alive.

46:28So where could it be today?

46:29I don't know. The newspaper must have been talking about something as big as this one.

46:32Unless...

46:33I'm afraid of the page.

46:39So, was the water good?

46:42Hi, you guys.

46:43What's going on? What is this?

46:45Why are there weapons?

46:47Friends?

46:50Oh, what an idiot!

46:52It was just a treasure hunt for you. It's the crystal you want.

46:54Oh, you mean that?

46:56The heart of Atlantis.

46:58Yes, exactly. That.

47:00I would have told you earlier, but it was reserved for those who needed to know.

47:03But now that you know, I had to make sure you were one of us.

47:06Welcome to the Fistron Club.

47:08I'm not a mercenary.

47:12Whoa!

47:20Mercenary?

47:21I prefer the term capitalist adventurer.

47:24Besides, you're the one who led us here. You brought us to the treasure chest.

47:27You don't know what you're playing with, Rourke.

47:29What's there to know? It's brilliant, it's big, and it will bring us all the riches.

47:32You thought it was a kind of diamond. I thought it was a kind of battery.

47:34But we're both wrong.

47:35It's their vital force.

47:36The crystal is the only thing that keeps the people alive.

47:38They're going to die if you miss it.

47:40That's right. That's what changes things.

47:42Elgar, what do you think?

47:43By the look of it, I'll double the price.

47:45I would have said triple.

47:46Rourke.

47:47No, don't do that.

47:48But Diplomé, you never want to get your hands dirty.

47:51Here, look, think about it.

47:53If you put the craft objects stolen by the museum back together,

47:55you'd end up in an empty building.

47:57All we do is provide a necessary service to all the archaeologists in the world.

48:01Not interested.

48:03I admit you disappoint me, kid.

48:05You're as idealistic as your grandfather was.

48:07Get back to work, Milo. Don't be such an idiot.

48:09For once, get rid of your gray matter.

48:13I really hate it when negotiations fail.

48:19Let's try again.

48:25Tak, tak.

48:26Clear the room.

48:27Drop your weapons now.

48:29Tell them.

48:30Oh, what horror.

48:32Scatter. They're looking for us everywhere.

48:35Don't get carried away, kid. There's some missing information.

48:37No, there's nothing.

48:38All it says is that the heart of Atlantis rests in the eyes of its master.

48:41Well, maybe that old rascal will be able to fill us in.

48:44Isn't that right, Chief?

48:45Where's the crystal room, old man?

48:46You're going to cause your destruction.

48:48I may not have been clear enough.

48:52Morrigwen Angloneg.

48:53Rourke, that wasn't part of the plan.

48:55The plan has changed, Doc.

48:56I suggest you put a bandage on your bleeding heart.

48:59It's not good for a mercenary.

49:00As is always the case, diplomacy didn't work.

49:03So now I'm going to count to ten and you're going to tell me where the crystal is.

49:06One.

49:08Two.

49:10Nine.

49:18The heart of Atlantis rests in the eyes of its king.

49:21It's here. We're here.

49:23For the last time, please listen to me.

49:25You have no idea what this powerful energy is capable of doing.

49:27Fair enough.

49:28But I know a few countries that would be willing to pay dearly to take it.

49:34Hurry, Vixen!

49:52Don't mean that.

49:54I'm sorry.

50:03The kings of our past.

50:08Tell him to hurry up. We have a meeting to attend.

50:17Kida.

50:19Excuse me.

50:25Hurry up while we're at it. I don't like this atmosphere.

50:28Very well, Tatch. And now?

50:30Okay, there's a giant crystal floating 50 meters above our heads

50:33and a pool of water without a bottom.

50:34There's nothing to be surprised about.

50:36The only thing that's surprising is that you're still talking

50:38and that you're moving like you're still on the truck.

50:40Now let's move.

50:41I don't know how to move it.

50:42I don't even know what's holding it back up there.

50:49Talk!

50:51Talk!

50:52Talk!

50:53Talk to me, Tatch. What's going on?

50:55Listen, all it says here is that the crystal is alive.

50:58I don't know how. I can't find any explanation.

51:00It's their deity. It's their source of energy.

51:02Speak clearly, Professor.

51:03They're a part of him. He's a part of them.

51:05I'm doing the best I can in this story.

51:07That's not it.

51:08Yes, I know. You should translate and I'll take the rifle.

51:17What's Tatch saying?

51:19I don't know. I misheard.

51:23I don't know.

51:53I don't know.

52:23I don't know.

52:24I don't know.

52:25I don't know.

52:26I don't know.

52:27I don't know.

52:28I don't know.

52:29I don't know.

52:30I don't know.

52:31I don't know.

52:32I don't know.

52:33I don't know.

52:34I don't know.

52:35I don't know.

52:36I don't know.

52:37I don't know.

52:38I don't know.

52:39I don't know.

52:40I don't know.

52:41I don't know.

52:42I don't know.

52:43I don't know.

52:44I don't know.

52:45I don't know.

52:46I don't know.

52:47I don't know.

52:48I don't know.

52:49I don't know.

52:50I don't know.

52:51I don't know.

52:52I don't know.

52:53I don't know.

52:54I don't know.

52:55I don't know.

52:56I don't know.

52:57I don't know.

52:58I don't know.

52:59I don't know.

53:00I don't know.

53:01I don't know.

53:02I don't know.

53:03I don't know.

53:04I don't know.

53:05I don't know.

53:06I don't know.

53:07I don't know.

53:08I don't know.

53:09I don't know.

53:10I don't know.

53:11I don't know.

53:12I don't know.

53:13I don't know.

53:14I don't know.

53:15I don't know.

53:16I don't know.

53:17I don't know.

53:18I don't know.

53:19I don't know.

53:20I don't know.

53:21I don't know.

53:22I don't know.

53:23I don't know.

53:24I don't know.

53:25I don't know.

53:26I don't know.

53:27I don't know.

53:28I don't know.

53:29I don't know.

53:30I don't know.

53:31I don't know.

53:32I don't know.

53:33I don't know.

53:34I don't know.

53:35I don't know.

53:36I don't know.

53:37I don't know.

53:38I don't know.

53:39I don't know.

53:40I don't know.

53:41I don't know.

53:42I don't know.

53:43I don't know.

53:44I don't know.

53:45I don't know.

53:46I don't know.

53:47I don't know.

53:48I don't know.

53:49I don't know.

53:50I don't know.

53:51I don't know.

53:52I don't know.

53:53I don't know.

53:54I don't know.

53:55I don't know.

53:56I don't know.

53:57I don't know.

53:58I don't know.

53:59I don't know.

54:00I don't know.

54:01I don't know.

54:02I don't know.

54:03I don't know.

54:04I don't know.

54:05I don't know.

54:06I don't know.

54:07I don't know.

54:08I don't know.

54:09I don't know.

54:10I don't know.

54:11I don't know.

54:12I don't know.

54:13I don't know.

54:14I don't know.

54:15I don't know.

54:16I don't know.

54:17I don't know.

54:18I don't know.

54:19I don't know.

54:20I don't know.

54:21I don't know.

54:22I don't know.

54:23I don't know.

54:24I don't know.

54:25I don't know.

54:26I don't know.

54:27I don't know.

54:28I don't know.

54:29I don't know.

54:30I don't know.

54:31I don't know.

54:32I don't know.

54:33I don't know.

54:34I don't know.

54:35I don't know.

54:36I don't know.

54:37I don't know.

54:38I don't know.

54:39I don't know.

54:40I don't know.

54:41I don't know.

54:42I don't know.

54:43I don't know.

54:44I don't know.

54:45I don't know.

54:46I don't know.

54:47I don't know.

54:48I don't know.

54:49I don't know.

54:50I don't know.

54:51I don't know.

54:52I don't know.

54:53I don't know.

54:54I don't know.

54:55I don't know.

54:56I don't know.

54:57I don't know.

54:58I don't know.

54:59I don't know.

55:00I don't know.

55:01I don't know.

55:02I don't know.

55:03I don't know.

55:04I don't know.

55:05I don't know.

55:06I don't know.

55:07I don't know.

55:08I don't know.

55:09I don't know.

55:10I don't know.

55:11I don't know.

55:12I don't know.

55:13I don't know.

55:14I don't know.

55:15I don't know.

55:16I don't know.

55:17I don't know.

55:18I don't know.

55:19I don't know.

55:20I don't know.

55:21I don't know.

55:22I don't know.

55:23I don't know.

55:24I don't know.

55:25I don't know.

55:26I don't know.

55:27I don't know.

55:28I don't know.

55:29I don't know.

55:30I don't know.

55:31I don't know.

55:32I don't know.

55:33I don't know.

55:34I don't know.

55:35I don't know.

55:36I don't know.

55:37I don't know.

55:38I don't know.

55:39I don't know.

55:40I don't know.

55:41I don't know.

55:42I don't know.

55:43I don't know.

55:44I don't know.

55:45I don't know.

55:46I don't know.

55:47I don't know.

55:48I don't know.

55:49I don't know.

55:50I don't know.

55:51I don't know.

55:52I don't know.

55:53I don't know.

55:54I don't know.

55:55I don't know.

55:56I don't know.

55:57I don't know.

55:58I don't know.

55:59I don't know.

56:00I don't know.

56:01I don't know.

56:02I don't know.

56:03I don't know.

56:04I don't know.

56:05I don't know.

56:06I don't know.

56:07I don't know.

56:08I don't know.

56:09I don't know.

56:10I don't know.

56:11I don't know.

56:12I don't know.

56:13I don't know.

56:14I don't know.

56:15I don't know.

56:16I don't know.

56:17I don't know.

56:18I don't know.

56:19I don't know.

56:20I don't know.

56:21I don't know.

56:22I don't know.

56:23I don't know.

56:24I don't know.

56:25I don't know.

56:26I don't know.

56:27I don't know.

56:28I don't know.

56:29I don't know.

56:30I don't know.

56:31I don't know.

56:32I don't know.

56:33I don't know.

56:34I don't know.

56:35I don't know.

56:36I don't know.

56:37I don't know.

56:38I don't know.

56:39I don't know.

56:40I don't know.

56:41I don't know.

56:42I don't know.

56:43I don't know.

56:45He's not right.

56:46He has hemorrhages.

56:47There is nothing I could do.

56:49What a nightmare!

56:50But it's my fault...

56:51Ah, don't be hard on yourself!

56:53I've always bustled with Cristal in Iceland!

56:56Cristal, Venice Cavalier

56:58Cristal has a kind of healing power!

57:01I saw...

57:02No, where is my daughter?

57:05Well, she...

57:08She was chosen, like her mother before her.

57:11What?

57:12In the face of danger, the Crystal chose another, of royal blood, to shelter himself and protect his people.

57:19He refused any other person.

57:20Wait, wait a minute.

57:21He chose himself?

57:22So this thing is alive?

57:24In a way.

57:26The Crystal resorts to even the collective emotions of all those who preceded us.

57:31In return, he produces power, longevity, protection.

57:36As he grew, he developed a conscience of his own.

57:42In my arrogance, I sought to make it a weapon of war.

57:46But his great power turned out to be uncontrollable.

57:50He dominated us and caused our destruction.

57:54That's why you buried him in the city?

57:56To prevent the same story from happening again?

57:58And to prevent Kida from suffering the same fate as my beloved wife.

58:03What does that mean? What's going to happen to Kida?

58:05If she remains melted in the Crystal, she will obliterate herself in him.

58:10Forever.

58:12The death of my beloved daughter is all I have left.

58:15My burden would have fallen back on my Kida when the moment would have come.

58:19Now, he fails you.

58:22Me?

58:24Bring back the Crystal.

58:26Save Atlantis.

58:28Save my daughter.

Dessin Animé Complet en Francais 2015 Nouveauté - La Boutique de Compilation pou

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