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00:00I love you, I love you, you are everything to me, you are my woman, don't you realize?
00:31Begoña, it's me. I brought you breakfast.
00:37Come in.
00:44Good morning. Jesus asked me to bring it to you. I'll put it here.
00:51Perfect. Is it her?
00:54No, she's just had breakfast. Do you want me to tell her?
00:57No, no, no.
00:58Are you okay?
01:01Yes, it's just that I just got up and I didn't sleep well.
01:09Do you want me to tell Teresa to come make the bed?
01:12No, tell her to come later.
01:14Are you sure you're okay?
01:16Digna, please, I already told you I'm fine.
01:19I'm sorry if I'm a pain in the ass, but if I'm worried about you, it's because I care.
01:24Forgive me for my tone.
01:27I'm sorry.
01:29It's just that I didn't sleep well, I already told you.
01:33Don't worry.
01:35Begoña, I know you have friends, like Dr. Borrell.
01:39But I want you to know that you can count on me for anything.
01:43Talk, vent, whatever.
01:47I'm sorry if you think I've taken too many chances.
01:51Don't say that, Digna.
01:55I trust you completely.
01:58Well, if you think that of me, why don't you tell me what's going on?
02:04It's normal that you're very sad about your mother's death.
02:08But isn't there something else?
02:11Does Jesus have anything to do with your sadness?
02:19Begoña.
02:21Begoña, tell me whatever it is.
02:25Shared sorrows are less sorrows.
02:33You're right.
02:37The relationship with Jesus is not what it was.
02:42Many things have happened.
02:47Did I interrupt?
02:48No, of course not.
02:50I was trying to convince your wife to eat something.
02:54But I don't think I'll get it.
02:57Listen to Digna, honey.
03:04We're all devastated by Mercedes's death, right?
03:09And we're worried about you.
03:11You have to take care of yourself.
03:16Okay, I'll leave you alone.
03:18See you later.
03:20I'm sure you'll be in a better mood after eating something.
03:25Bye.
03:36Digna, leave, please.
03:38Begoña, can you tell me what's going on?
03:40I'm fine, really. I'm just sad about my mother's death.
03:43Don't worry.
03:45Leave.
03:50Very well.
03:54Bye.
04:14Oh, my God, it's so late.
04:15The sheets got stuck.
04:17Don't worry.
04:18I called my mother and she told me to tell you
04:20that she and Teresa are having breakfast at home.
04:24You can't be nicer.
04:26I'm sure she said that so you and I could spend more time together.
04:32I hadn't slept so well in a long time.
04:35I'm glad.
04:37I missed sleeping with you.
04:41But I've also missed waking up by your side.
04:45Well, I had work here.
04:48I'm sorry.
04:50It's okay.
04:54Gemma,
04:56there are things that are not easy to forget.
05:01That's why nothing happened last night.
05:06It's okay.
05:08Take the time you need.
05:10I'll be waiting for you on the other side of the bed.
05:15Thank you.
05:21What's this?
05:22A map of Toledo.
05:25These are some lands near the city where we want to build
05:30a swimming pool in Guastelmales.
05:33Your father's project?
05:36A swimming pool?
05:38It sounds wonderful.
05:39It looks like a big project.
05:41It's just like he wanted it.
05:45I'm very proud of you.
05:47That you threw yourself into the pool and you did it alone, without anyone's help.
05:51Well, you just gave me the final push.
05:55And now Luis has finally joined the project.
05:58Really?
05:59Yes, he saw that it wasn't such a crazy idea.
06:02That's great.
06:04It's a great opportunity for both of us.
06:07Well, and for us too.
06:13And besides, this business will only be ours.
06:17Merino's.
06:19And I could be, if you let me, of course,
06:22the head of attention to the public.
06:25So I don't get left over, you know.
06:26Wait a minute, Gemma. Stop, please. Stop.
06:29Before you take over, I need to know
06:32who owns the land,
06:34buy it and then build the swimming pool.
06:36I know, I know.
06:37And I like to go seven villages ahead, you know.
06:39Seven, at least.
06:42Before the factory, I'm going to the disaster
06:44to see who owns these lands.
06:46Of course.
06:47You don't have to start the house on the roof.
06:49That's it.
06:51It's better to go step by step.
06:59Well, I'll be in the big house,
07:02in case you need me.
07:05Gemma,
07:07don't say a word about all this, please.
07:10Not even to Maria.
07:13Don't worry.
07:17My lips are sealed.
07:23As you say,
07:25it's better to go step by step.
07:28Right?
07:29That's it.
07:32Thank you for keeping the secret.
07:35Thank you for telling me.
07:39We'll talk later.
07:46Bye.
08:02Let's see, Inigo, what are you telling me?
08:03What are you going to leave me for?
08:05I've been working all night,
08:06I came from the savings account to get money.
08:08Take your 10,000 pesetas.
08:09I'm sorry, Tassio.
08:11It all happened so fast.
08:12My cousin called me to tell me
08:14that if I wanted the lot,
08:15I had to give him the money at lunchtime and...
08:17Then take the money.
08:18Too late.
08:19I've already told you.
08:21I spoke last night with the guy from the savings account
08:23and we reached an agreement.
08:25Fuck it.
08:26Do you know how hard it was for me to decide on this?
08:28This works like this.
08:30I've already told you.
08:31Besides, I don't think you can enter the business now,
08:34because the conditions have changed.
08:36What do you mean the conditions have changed?
08:38It seems that the lot was bigger than it seemed
08:41and you have to put more money.
08:43That's why I closed the deal last night.
08:45Well, if I have to wait for you to decide,
08:47I'm sure I have two candles left.
08:48Damn my luck, really.
08:50How much money are you going to put in?
08:5320,000 from Lala.
08:56So you're going to get a profit of 30 or 40,000 pesetas,
08:58at least.
09:00Stop making up accounts that you're going to get in a bad way.
09:02No, no, I'm already in a bad way, Inigo.
09:05Do you really have to go to work?
09:07You're not in the army anymore,
09:08they're not going to judge you for a deserter.
09:10Don't underestimate my brother.
09:12If in 20 minutes I'm not at the factory,
09:14you're capable of calling the Civil Guard.
09:17It will be less.
09:19Take me to the theater.
09:21Then we can go to dinner to that restaurant
09:23next to the retirement home.
09:25That's what I need now, Andres.
09:26To think as little as possible.
09:28I also really want to,
09:30but it's better to wait for you to recover from everything.
09:33Take a few more days off
09:34and I promise I'll make it up to you for waiting.
09:42You have an appetite, don't you?
09:47Let's see, has that man given you the money yet?
09:49No, but we have a Toledo left for him to bring it to me.
09:52Well, that's it.
09:53Here, you have a part.
09:55And I'll give you the rest this very morning.
09:58Come on, Tassio, don't get obsessed.
09:59There will be more loads coming.
10:02Here, listen to me.
10:04You're going to have your money today at noon at most.
10:07I give you my word.
10:08Is that worth it or not?
10:09Are you sure you can get the 20,000 pesetas?
10:11Because there's a part here,
10:12but I don't see you being able to get what's missing.
10:14I say yes, I give you my word.
10:16You're stubborn, aren't you?
10:21I hope I don't have to regret it.
10:23Don't worry.
10:25You tell me what to sell.
10:27In a couple of days, we'll make gold out of you and me.
10:34Excuse me, can I pick it up now?
10:36Yes, go ahead, of course.
10:38Yes, we were leaving.
10:39Maria will rest, and I'll go to the factory.
10:41I'm going to my room to rest like an old lady.
10:44But I'll book this one.
10:46Next week, you're going to make me dance every night.
10:49Come on, get in.
10:50And don't make too many efforts.
10:52Can I have a kiss?
10:54Of course.
10:57Have a good day.
10:59You too.
11:04It seems that so much rest has bored her.
11:07I know, but it's better to sin of being cautious than daring.
11:10No, of course, of course.
11:11You can't play with health.
11:13But Dr. Berenguer said she was fine, right?
11:15Yes, but don't worry, I have a relapse.
11:18I see.
11:19And don't worry that the poor woman
11:21spends the hours locked in her room
11:23thinking about her tragedy.
11:25Yes, that's not very healthy either, really.
11:28Let's see, physically she's fine,
11:29but I think it's from here that she has to recover.
11:34Do you think so?
11:35She hasn't seen her.
11:36She needs to go out.
11:37She needs to do things that make her happy during the day.
11:39And that doesn't mean that she has to go out to dance every night, of course.
11:43You're right.
11:44You've given me an idea.
11:46Really?
11:47Yes, but it has to be a surprise.
11:49And for that, you have to help me.
11:51And you have to be very secretive, of course.
11:53Of course, count on it.
11:54What do you want me to do?
11:57I always come here.
11:59It's to be with the staff.
12:01I don't care about that.
12:02I bathe with my old transistor.
12:04I see.
12:05I understand, Father.
12:07But they only broadcast four shows a day on TV.
12:11Look, Gaspar.
12:12Give me time to get more material.
12:14You're going to be the most innovative, I'm telling you.
12:16Everyone wants to come here.
12:17What do I say, everyone?
12:18I tolerate everything.
12:19Hey, hey.
12:20Sometimes I would stop by here
12:22to see Luis Mariano and Conchita Piqué in one of their performances.
12:26Like him, there will be a million more, Gaspar.
12:28No, no, no, no.
12:29Don't read me, man.
12:30I'm not the Bank of Spain, Leñe.
12:32Leñe?
12:33Let's see, Felicio.
12:34Shh.
12:35How much would a radio wave cost me?
12:37Father, please.
12:38She already has a transistor.
12:39Don't worry about information.
12:40Come on, how much?
12:41Well, look, Isidro.
12:42On the street, for less than 2,000, you can't find it.
12:44But I'll leave you one for 1,500.
12:46Take it off, take it off, take it off.
12:47It's too expensive.
12:48I have another one for 1,000.
12:49It's a little smaller, but of the same sound quality.
12:51The only thing is that they take it off my hands.
12:53No, no, leave it.
12:54No, I'm still with my old transistor.
12:57Are you sure?
12:58Look, this has no interference or anything.
13:00Don't regret it.
13:01I'm very sure.
13:02Come on, I'm leaving.
13:03I don't want to be complained about.
13:05Father, I'll see you later.
13:06I have to take the medication.
13:07The dispensary has called me.
13:08The new medicine has arrived.
13:10I'll pay for this, daughter.
13:12Come on, see you later.
13:13Bye, Isidro.
13:18Good morning, Isabel.
13:19Good morning, Mrs. Marta.
13:21When you can, bring me the mail.
13:23Right now.
13:28This is the detail I bought in Cánovas.
13:32How do I sit?
13:34Great.
13:35It's very elegant.
13:37Like you.
13:38Thank you.
13:39You've been so quiet that for a moment I thought
13:41maybe you didn't favor me.
13:42No, no, none of that.
13:43It's just that yesterday I happened to see
13:45that in the fine store
13:47there was one nailed to yours.
13:49Isidro saw it at home
13:50and I wonder where he had bought it.
13:53Man, what a clumsy.
13:54He has bought the same model.
13:57What a detail.
13:58Because it must cost an eye of the face.
14:00But Isidro loves it.
14:02And with everything that has happened to them lately
14:04they have reasons to celebrate.
14:06Of course.
14:09I'm going to get his mail.
14:18Here it is.
14:22Sorry for the mess.
14:23Although yesterday I finished the payroll
14:26I ended up late collecting the paperwork.
14:30Seville, Cádiz ...
14:32What are you up to?
14:33I'm analyzing the volume of orders for provinces.
14:36Did my brother ask you?
14:37No, it's been my thing.
14:39I wanted to know what kind of products
14:40have more output in each part of Spain.
14:42Very good.
14:44Any other secretary
14:45if I had been dedicated to settling
14:47to wait for a call and write a letter
14:49or claim an invoice.
14:51I like to know the soul of the companies
14:53I work for.
14:54If I don't understand the dynamics
14:56and everything that happens in it
14:58I don't feel comfortable.
15:01Keep it up.
15:02We are very happy with you.
15:03And me with you.
15:05If you have any questions
15:06about the soul of the company
15:07please consult me.
15:09Thank you for your trust.
15:11In fact, if you want
15:12we could have a coffee
15:14and I'll tell you a little
15:15what we're up to right now
15:17in the company.
15:18Now?
15:19Why not?
15:20Any problem?
15:21No, no, I would love to.
15:23But I would prefer not to leave the office
15:25if it's not my break time.
15:27Some other manager
15:28could need me
15:29and I should be available
15:31to attend to them.
15:33We'll have coffee
15:34some other day.
15:35Of course.
15:36Thank you for your understanding.
15:38To you for your professionalism.
15:47See you later.
15:58See you later.
16:14Is that you?
16:15Yes.
16:18I went this morning
16:19at the first hour
16:20to the disaster to find out.
16:22Good.
16:23So what?
16:24Do you know if the land is for sale?
16:25Because if it's not for sale
16:26we can forget about the project.
16:27I know.
16:28That's why I went.
16:29I couldn't wait any longer.
16:30So do you know who it is?
16:31Do we know him?
16:32At least not me.
16:36They're from a guy
16:37called Ricardo Peralta.
16:39Does that ring a bell?
16:40Peralta?
16:41Peralta, no.
16:42No.
16:43No idea who he is.
16:44I've been investigating
16:45and he lives in Madrid
16:46but he owns
16:47several properties
16:48all over Spain
16:49and various companies.
16:50A cemetery,
16:51a construction company,
16:53several restaurants,
16:54a fishing boat,
16:55several places,
16:56all over Madrid.
16:57He's a magnate.
16:59That's good news, isn't it?
17:02Looking at the abandoned land
17:03I'm sure he doesn't even remember
17:04what he owns.
17:05That's why.
17:06But the point here
17:07is that those lands
17:08are not isolated.
17:10Peralta's property
17:11is much more extensive.
17:14Almost 20 hectares.
17:16Even better.
17:17I'm sure he doesn't mind
17:18getting rid of a small part.
17:20Yes, yes, yes.
17:21For him it's probably
17:22worthless.
17:23He won't know
17:24that there are hot springs
17:25down there.
17:26That's what I thought, yes.
17:27That's it.
17:28Hello.
17:29Hi, Andrés.
17:30Hi.
17:31Am I bothering you?
17:32No, no.
17:33Please, you never bother me.
17:34I was leaving.
17:35I have to do some things
17:36around here.
17:38How's your wife?
17:40Good, good.
17:41She's much better.
17:42I'm glad.
17:43And, hey,
17:44I'm sorry about...
17:45I know, cousin.
17:46Thanks.
17:48I'll leave you.
17:54You don't want to buy me anything,
17:55but at least we'll invite
17:56another coffee, my son.
17:57I do.
17:58Good morning, Cecilia.
17:59Have you decided already
18:00or did I tell you
18:01I'd get you a washing machine
18:02at half price?
18:03Are you serious, Tassio?
18:04Really.
18:05You give me the dough
18:06and you have it the next day.
18:07I'll make it for you myself.
18:10It's better if it's good.
18:11More than good.
18:12Trust me.
18:13I'll let you know when I get there.
18:15Good afternoon.
18:23So, Tassio,
18:25the radio you were talking about
18:26before,
18:27is it as good as
18:28Gaspar's?
18:29Well, it's just smaller
18:30but more modern.
18:31It's just as German as his.
18:32Blonde with blue eyes.
18:34Do you want me to book you one?
18:35Your father
18:36used to do it
18:37when he was a kid.
18:38I've heard of it.
18:40It was 900, right?
18:41Good try, Maja.
18:42It's 1000.
18:43Come on, Tassio,
18:44tell me the price
18:45because your wife and I
18:46are close.
18:47Well,
18:48neither for you nor for me.
18:49950.
18:50But on one condition.
18:51Don't you dare
18:52say anything to Carmen.
18:54Why?
18:55Well, because
18:56she doesn't give me
18:57a hard time as a salesman
18:58and I've decided
18:59to surprise her this Sunday
19:00and tell her everything
19:01I've sold this week.
19:02What a thriller
19:03you've made.
19:05Come on,
19:06how much do I have to pay
19:07and sign?
19:08400.
19:09Or maybe 500
19:10if we get well.
19:11Come on,
19:12it's getting late.
19:13I have to go home
19:14to get the savings.
19:15Why can't you go now?
19:16Well, Tassio,
19:17I have to go back to the store.
19:19Well,
19:20see you later then.
19:21Yes, that's it.
19:24Come in, Inigo, come in.
19:25Good morning.
19:26Good morning.
19:30How's it going, mate?
19:32Did you get the money today?
19:33Well,
19:34I only have
19:354,000 or 5,000 left.
19:36Only?
19:37Yes.
19:38What do you mean, only?
19:39I told you,
19:40it's 20 or nothing.
19:41Well, give me a moment.
19:42I still have to go through
19:43the savings and I'm sure
19:44I'll get something.
19:45What a mess you've put me in.
19:46I don't even know
19:47why I'm listening to you.
19:49Thank goodness
19:50I saw him coming
19:51and he was there
19:52when he left.
19:53But, Inigo,
19:54what are you saying?
19:55How are you going to leave me
19:56now?
19:57Let me spend my last
19:58cartridge, whatever it is.
19:59I can't, Tassio,
20:00really.
20:01I've waited a long time.
20:02No, give me just one hour,
20:03one hour.
20:04I've sold you everything,
20:05my son.
20:06If I don't get it,
20:07I won't bother you anymore.
20:08Okay,
20:09I'll give you time
20:10If you get the money,
20:11call me at the bar.
20:12If not,
20:13I'll close the deal
20:14with the other partner.
20:15Is that clear?
20:16Yes, yes,
20:17the bar, yes.
20:27This is for you.
20:29The report
20:30of the last meeting
20:31and address.
20:32Ah, thank you very much.
20:33I was just going to stop by
20:34this afternoon,
20:35so you saved me the ride.
20:36You're welcome.
20:37It was the perfect excuse
20:38to come see you
20:40Well, here I am,
20:41busy as always.
20:43You and your perfumes.
20:46And well,
20:47what are you up to now?
20:48Well, look,
20:49I'm just working
20:50on a new
20:51shaving lotion.
20:52But no,
20:53I haven't done well
20:54in the tests,
20:55so I'm going to have to
20:56repeat the whole process
20:57from the beginning.
20:58Come on,
20:59the bread of every day.
21:00I hope you bring
21:01something from the band.
21:02It seems that the harvest
21:03of this year in Olite
21:04is going to be spectacular.
21:05Oh yeah?
21:06Well, we'll see.
21:08Cousin,
21:09excuse me,
21:10if you don't mind,
21:11we can talk
21:12some other time.
21:13Yes,
21:14of course,
21:15whenever you want.
21:16Anyway,
21:17I have to go.
21:18I can see
21:19that Eugenio is creating.
21:21See you later.
21:22See you later.
21:26See you later, Andres.
21:27See you later.
21:33Oh my God,
21:34almost.
21:35Well, luckily
21:36nothing has happened.
21:37Besides,
21:38it's Andres.
21:39He's trustworthy.
21:40Yeah,
21:41but he's one of the queen.
21:42Don't forget that.
21:43It's almost like
21:44he's a brother, Joaquín.
21:45I don't care what it is.
21:46You can't go
21:47with that folder
21:48under your arm
21:49as if it were a tarter.
21:50Agree?
21:51Yes, I know,
21:52I know.
21:53Another slip like this
21:54can cost us a lot.
21:55I know, Joaquín,
21:56you don't have to
21:57repeat it every five minutes.
21:58It's clear to me.
21:59I'm going to repeat it
22:00as many times as I need to.
22:01Agree?
22:02Come on,
22:03see you later for lunch
22:04and we'll talk there
22:05about this Peralta.
22:22Hi, Mateo.
22:23I wanted to talk to you
22:24about what I told you yesterday.
22:26Look,
22:27I don't want to tell you
22:28how I feel about you,
22:29Mateo,
22:30and I think I'm better
22:31sharing it with you.
22:32We shouldn't, Claudia.
22:33I'm a priest.
22:34You're much more than that,
22:35Mateo.
22:36You're someone I admire
22:37and with whom I feel
22:38more comfortable,
22:39really.
22:40Claudia, I...
22:41Mateo, please, leave me alone.
22:42I already know
22:43you're a man of God
22:44and that between us
22:45there are only
22:46spiritual feelings.
22:48Claudia, please,
22:49all this is crazy.
22:50Look,
22:52stop fooling yourself.
22:54I don't feel anything
22:55like what you feel.
22:57Is that clear?
22:59But, Mateo...
23:00No, but nothing, Claudia.
23:02If you really want
23:03us to stay friends,
23:04forget about all this
23:05like I'm forgetting about it.
23:17Claudia...
23:19Sweetheart.
23:23Well,
23:24I'm glad to see you.
23:25I haven't seen you
23:26in a long time.
23:27As you can see.
23:28I came to get the soaps
23:29for the big house.
23:30Are they ready?
23:31Yes, yes, yes.
23:32They're ready.
23:33I went out for a message
23:34and I'll be right back.
23:35Dina, could you tell my father
23:36that this afternoon
23:37I'll be taking his medication
23:38for the new treatment?
23:39Of course, dear.
23:40Of course.
23:41Just a moment.
23:44Do you know
23:45when he's getting married?
23:46He has to tell me in time
23:47because I have to find
23:48a suitable dress and I think...
23:49Maria.
23:50Dina, stop.
23:53What happened?
23:54What?
23:55There won't be a wedding.
23:57I told Damián not to.
23:58But, Dina,
23:59look,
24:00they're two adults
24:01and they're free.
24:02I don't see
24:03any complications.
24:05I already told you
24:06how complicated
24:07our families were
24:09and I think
24:10what I've done
24:11is the best.
24:12Besides,
24:13we're not old enough
24:14for these things.
24:15Not old enough for what?
24:16To be happy?
24:18Dina,
24:19when two people love each other
24:20and get along
24:21with each other,
24:22no one should
24:23get in the way.
24:24Enough, Dina.
24:25Enough.
24:26The important thing
24:27is that I'm fine
24:28and that I think
24:29I've done
24:30what I had to do.
24:31That's it.
24:32I'm sorry.
24:33No, no.
24:34I didn't mean to bother you.
24:35No, no.
24:36You didn't bother me.
24:37But I'd like
24:38to move on
24:39from this page.
24:40I'll continue
24:41with my life
24:42as I've always done.
24:43As always.
24:46I'm sorry, Dina.
24:48Don't worry.
24:50Everything's fine.
24:59I'm sorry.
25:10Come here.
25:14What are you doing?
25:15It's all over.
25:18You're my wife
25:20and you're going to start
25:21behaving like this.
25:22Jesus.
25:24Stop.
25:26I don't feel like it.
25:27My love.
25:30One moment.
25:36Come in.
25:39Mr. Jesus,
25:40do you have a minute?
25:41If it's just a minute.
25:45I've been analyzing
25:46the orders for provinces
25:47for the last five years
25:49and I want to tell you
25:50an idea.
25:52You've done that?
25:53Without neglecting
25:54the rest of my tasks, of course.
25:56I think I've found
25:57a pillar
25:58that could bring
25:59great benefits
26:00to the company.
26:02Well, if that's the case,
26:03what pillar is it?
26:07Look.
26:08Look at Cadiz's data.
26:14Excellent,
26:15like all of Andalusia.
26:17Yes, if I may say so,
26:18more than excellent,
26:20they're extraordinary.
26:22And after making some calls
26:23to the local businesses,
26:25now I know why.
26:27Are you going to tell me
26:28or do I have to guess?
26:31The key is in the Rota Naval Base.
26:33The American military base?
26:35That's right.
26:40It's been there since 1953.
26:43Guess how many years
26:44the sales in the area
26:45haven't stopped increasing exponentially.
26:49And you know what's most curious?
26:51That the nearest store
26:52that sells our products
26:54is miles from the base.
26:57Which means
26:59that those military men
27:00are capable of going
27:01a long way
27:02to get our shaving cream.
27:05And not just them,
27:06their wives,
27:07their children,
27:09entire families
27:10live at the base.
27:12Imagine what would happen
27:13if we put
27:14a store at their door.
27:16Or even inside
27:17the same base.
27:19It would be an unbeatable
27:20gateway
27:21to the North American market.
27:24Military men
27:25and Americans
27:27travel,
27:28have money,
27:29consume
27:30like no one else.
27:33What better ambassadors
27:34for our products.
27:35That's what I thought.
27:37You were right.
27:38He's a real snitch.
27:39Congratulations, Isabel.
27:40Thank you.
27:41I just had to look at the data.
27:43Anyone who had spent
27:44some time
27:45on sales figures
27:47would have reached
27:48the same conclusion.
27:51I see.
27:53Sales is in my sister's hands.
27:54But you know that, don't you?
27:57Tell me something.
27:59Why did you come
28:00to tell me?
28:04Can I be honest with you?
28:05Of course.
28:08Because
28:09I see you capable
28:10of making this idea
28:11come true.
28:17Do me a favor.
28:18Organize a meeting
28:19of the board
28:20for this afternoon.
28:22At five o'clock,
28:23is that okay?
28:24Great.
28:26Could you arrange
28:27a dozen red roses
28:28for my wife?
28:29Of course.
28:30What do I put on the card?
28:31Do they celebrate something special?
28:32I'll give you an envelope now.
28:34Don't worry.
28:35Thank you, Isabel.
28:56Tell me, Isabel.
28:58I'm sorry.
28:59Your secretary wasn't here
29:00and I didn't know
29:01if you were busy.
29:03I am.
29:05I'm always busy.
29:07I just wanted to ask you
29:08about Begoña.
29:10I've tried to talk to her
29:11a couple of times,
29:12but she's never available.
29:14She's lost her mother.
29:15She's sad.
29:17She's not with anyone.
29:19But don't worry.
29:21I'll find her.
29:22No, I know
29:23you're a very busy man,
29:24but, ma'am,
29:25you can't give me a meeting
29:26for the next four months.
29:28If I get a job,
29:29I'll always be in the same place.
29:31The only time I'm going to be
29:32in the same place
29:33is if I get a job.
29:34I'll be here,
29:35waiting for you.
29:36You can't be here all the time.
29:37You're always at work.
29:38I'm not here.
29:39I'm here to work.
29:40I'm not here to work.
29:41I'm here to work.
29:42I'm not here to work.
29:44I'm working.
29:45I'm not here to work.
29:47I'm working.
29:48I'm working.
29:49I'm working.
29:50I'm working.
29:51Look, listen to me, the offer we want to make you is very profitable for your interests.
29:58Agree?
29:59No, but I don't want to tell you over the phone.
30:02I would like to see Mr. Peralta in person.
30:04Really.
30:05Look, let's do one thing.
30:07You, you tell me when and I adapt my agenda.
30:11What do you think? It will only be five minutes.
30:13Listen.
30:15Listen!
30:17It was the very one who hung me up.
30:21Who hung you up? Who were you talking to?
30:24Well, it looks like a dog from prison, doesn't it?
30:28I have called the owner of the lands of the future spa, but his secretary has dispatched me very quickly.
30:35And why did you tell him that? Why did you want to see him?
30:37No, I told him that we had a very interesting offer to make him.
30:41But from what I can see, his secretary doesn't want his boss to get richer yet.
30:45Maybe it has to do with Mr. Peralta already getting the money out of his ears, right?
30:50One moment, are you talking about Mr. Ricardo Peralta, the lieutenant?
30:53Yes.
30:54Yes.
30:55What's up? Do you know him?
30:56Of course, he's Sonsi Peralta's uncle.
30:58Sonsi Peralta?
31:00A friend from Madrid.
31:02I saw his uncle a couple of times.
31:04I didn't talk to him, but I have to admit that man impressed me a lot.
31:07He looked like a fat dog.
31:08Yes, then he looks like what he is.
31:11Well, I can try to talk to his niece so she can tell us how to get to him.
31:15Of course, Gemma. That would be great, wouldn't it?
31:18No, don't get anyone involved. We'll take care of it ourselves.
31:22But let's see, Joaquín, what's wrong with Gemma spying on that girl?
31:26Right now it's the only option we have.
31:28Well, we'll find another one.
31:29I don't feel like doing business with a magnate through his niece,
31:32who surely all she does in life is go from party to party and from flower to flower.
31:37I'm just going to get an idea.
31:39I'm going to make dinner.
31:45What happened here?
31:47Can you explain?
31:52I hope he likes it and enjoys it a lot.
31:57Thank you very much.
31:59Edi, what's wrong with you? You've been like this all day.
32:03I'm sorry, Carmen.
32:05No, I'm the one who's sorry. I'm burning the whole clientele.
32:08I see.
32:10Carmen, would you mind taking care of the clients?
32:13I'm going to get in trouble for sure.
32:15I'm in charge of repairing the warehouse today.
32:17If you don't mind, please.
32:19No, of course not. I don't mind.
32:21But tell me, what's wrong with you?
32:23It's because of Mateo.
32:25Claudia, we already talked about that.
32:27We said you were going to keep your distance.
32:30Yes, yes.
32:31What happens is that, of course, we've done the trip to Algodón and, of course, so...
32:38So what?
32:42No.
32:44No.
32:46No.
32:48No.
32:50No.
32:52No.
32:53No, no, no, Claudia, no. What have you done, for God's sake?
32:55No, no, no, nothing's happened, Carmen.
32:57What happens is that, of course, so many trips, back and forth, and...
33:01And I, well, in the end...
33:05Well, I told him I liked him.
33:07You told him?
33:09Oh, my God, but you're crazy, Claudia.
33:11I ran away, Carmen.
33:12You ran away? He's a priest, Claudia, a priest.
33:15Yes.
33:16Well, what did he tell you?
33:18That it was very strange, Carmen, very strange.
33:21Hello, Mateo, Don Mateo.
33:24I'm sorry, I don't even know what to call you anymore.
33:27Carmen, I'll take care of it.
33:28No, you were unwilling.
33:30Well, Carmen, but I feel much better now.
33:33Come on, bring me the soaps I asked you for inside.
33:37I'm coming.
33:43That girl, Sonsi Peralta, is one of his secret friends from Madrid.
33:49Let's finish.
33:51I understand.
33:53Well, but this is already an overstatement, isn't it?
33:55Well, look, I just realized I don't.
33:59Because my liver is telling me that for the project of our life,
34:02we have to get rid of the contacts that Gema made in Madrid while she was with another man.
34:11Don't do it, Joaquín.
34:14Don't do what?
34:15Mix your personal problems with business.
34:18And even more so when those problems have already disappeared.
34:20It wouldn't be smart.
34:22Oh, sure.
34:24Because you're ready, right?
34:26No, don't take it that way.
34:28You said it, this is the project of our lives.
34:30We won't have it easy and we can't miss any opportunity.
34:35Now more than ever, brother, we have to be up to it.
34:46Look, Mateo, listen to me.
34:49No, listen to me.
34:51I wanted to apologize for what happened before.
34:54I was so nervous and confused that I couldn't do anything but run away like a coward.
35:00I don't think you're a coward, Mateo.
35:03Oh, Claudia.
35:05I have a mess in my head that I don't know how to manage.
35:07I'm sorry, I just didn't want to cause you that mess, Mateo.
35:11I know.
35:12And I also know that you're much braver than me.
35:17It's true that you don't know how calm I am to hear you say that.
35:20Because I thought you weren't going to be my friend anymore.
35:23Claudia, I don't want to distance myself from you.
35:26But I think we should make a pact.
35:28A pact?
35:31Look, I've been thinking about what you told me.
35:36And I don't doubt the purity of your feelings.
35:42But I don't think we should lie to you.
35:45Of course, of course.
35:47We can't feed those impulses, no matter how honest they are.
35:53Because everything is fine now.
35:54But if we give our feelings free rein, it would be a disaster.
36:01You understand, right?
36:02Yes, yes, of course.
36:03From now on, we treat each other like a father and a daughter.
36:07Well, let's see, we can also treat each other like brothers.
36:13Yes, yes, of course.
36:14Well, thank you too for being so honest and expressing your feelings.
36:22I think these things are better...
36:25It's better to clarify them.
36:27Of course, clarify them.
36:28Yes, yes.
36:29And well, it also helps me to put things in their place.
36:35You know?
36:36Yes, and we have also managed to remain friends.
36:40Of course.
36:42Yes.
36:43Yes, of course.
36:44Amen.
36:47Well, I'm leaving.
36:52Okay.
36:53See you later, right?
36:55Yes.
36:56That's it.
36:57Bye.
36:58Bye.
37:00Goodbye.
37:01Goodbye.
37:13What's up?
37:14Mr. Damian, do you have a moment?
37:16I was just going to eat at home.
37:18Well, I'm not going to steal it for a long time, I promise.
37:20Well, don't worry. Tell me. Did something happen?
37:23No, no, no.
37:24Look, it's about the conversation we had yesterday in the office with Jesus.
37:28Yes.
37:29About the business I have in my hands, you know.
37:31Yes, my son Jesus was a bit...
37:33No, no, no.
37:34He was fine.
37:35Don't worry.
37:36The case is closed.
37:37It's closed?
37:38Yes.
37:39No, no, no.
37:40He was fine.
37:41Don't worry.
37:42The fact is that when I heard him say that if you don't take a risk when you should, you stay where you are,
37:47the truth is that I'm rethinking it, Mr. Damian.
37:50Betting on that business?
37:53Really, no, no.
37:54You don't have to listen to Jesus.
37:56But he's right.
37:58Look, Jesus is a successful man, just like you.
38:00Well, you risked a lot more than you had to risk and you did well.
38:04Always asking for the risks.
38:06Yeah, I get it.
38:07The point is that you educated Jesus to be a man capable of taking risks and not to fall into the trap.
38:12With forgiveness.
38:14But you did the opposite with me.
38:17I don't know.
38:18You told me to stay where I am.
38:21Not all people are the same.
38:23And we don't have the same opportunities, Mr. Damian.
38:27I don't know.
38:28Maybe you think that because I'm who I am, I'm worth less than the others, but you're wrong about that.
38:33No, no.
38:34Maybe I misinterpreted myself.
38:36What I wanted to tell you is that not everyone is happy with the same things.
38:43And the most important thing is that you don't have to prove anything to anyone.
38:48Not even to me.
38:50But to myself, Mr. Damian.
38:52I would like to prosper in this life.
38:54Feel proud of myself.
38:55Think that I give my best to my wife.
38:57But the truth is that right now I lack the means to start and to take risks.
39:01When you talk about means, you mean money.
39:07Let's see, Mr. Damian.
39:08To start with this business, I need to raise an amount of money that I don't have.
39:12And if I go to a bank like you did in your day, they're going to laugh at me.
39:15Speak clearly, Tassio.
39:17I need a loan as soon as possible.
39:19For today, actually.
39:20I swear to God that I will return all the money during the week with the corresponding interests.
39:25How much are we talking about?
39:26It's a little money for you, or so I think.
39:30Six thousand pesetas.
39:32Well, it's not a lot of money.
39:33Well, it's not a lot of money depending on where it is invested.
39:36Tell me details about that business.
39:39Before, I wanted to know if you allow me.
39:42If when you decided to jump into the pool and start with the perfumery business,
39:46did your father tell you too?
39:49Yes.
39:50And he told me everything except words of encouragement.
39:54Well, let's continue with the tradition.
39:56It's better if I don't tell you anything.
39:57Mr. Damian, trust me.
39:58The business is round.
40:01How will Tassio understand?
40:02Tassio releases money like that for good reasons.
40:11I understand that it is a legal business.
40:13Of course. It is just as legal as selling perfumes.
40:23I shouldn't do this.
40:26But...
40:27Because it's about you.
40:32I'll lend you the six thousand pesetas.
40:33If you help me with this.
40:34Yes, of course.
40:39Give it to me.
40:44Are you sure you're not going to regret it, Mr. Damian?
40:53I hope you don't either.
40:57Thank you.
41:02Thank you.
41:18Hello.
41:19Bar Comendador?
41:21Is Íñigo Prieto there?
41:23Tell him that Tassio García is on the set.
41:26Íñigo, your new partner is on the line.
41:29Yes, I have all the money to give you.
41:31Everything, everything, everything.
41:33That's it.
41:34Well, stop doing business with your cousin's friend, okay?
41:38Well, I'm going to give it to you right now.
41:40Yes, don't worry. I'm going.
41:41See you later, partner.
41:56Teresa, you can put the table down now.
41:59Teresa!
42:01Another one who is also here today.
42:04Dina, where is Gemma?
42:06She's upstairs.
42:07Removing some curtains.
42:09What do you need?
42:10I wanted to ask you to bring some flowers from the garden to put in the distributor,
42:13because they have already been a bit rotten.
42:15Very good.
42:16I'll tell her now.
42:18By the way, have you noticed how the field of Bonito has been lately?
42:22Yesterday, walking through the field, there were some flowers.
42:25I don't know if they were mimosas, I think.
42:27Beautiful.
42:28We could go together one day and you can explain to me ...
42:30Why are you talking to me like that?
42:31Like what?
42:32As if nothing had happened.
42:34And everything was the same as before between us.
42:37Well, don't you think it's time for us to return to normality?
42:43This is normality.
42:44You in your place and me in mine.
42:46We will never go back to that mirage we had.
42:49And the truth is, your insistence bothers me.
42:51Although, if I am frank with you, what bothers me more is that you shut up than what you say.
42:55Good afternoon.
42:59Good afternoon, Isidro.
43:01Don't forget to tell Gemma about the flowers.
43:04Very well.
43:08Have you seen Fina?
43:09No, no, no.
43:10I went to get corn and flowers to put in the garden pots and I just got there now.
43:14She is looking for you to give you the medication.
43:16Yes, I'm going to look for her.
43:18Hey, Dina.
43:20What happened with Damiano? He looked very good to you.
43:23Isidro, not now.
43:24We'll talk later.
43:25Okay, I'll leave you alone.
43:27Dina.
43:29You know you can count on me for whatever you need, right?
43:46I love you.
44:02How are you?
44:07I hate to see you like this.
44:08I would like to help you, but I don't know how to do it.
44:12Don't worry.
44:13Don't worry.
44:14You can't or you shouldn't.
44:21Losing a mother is one of the worst experiences you can have in life.
44:26But the pain will go away.
44:29And over time it will only become melancholy, you'll see.
44:33I know.
44:35I already suffered it when my father died.
44:38The worst is everything else.
44:40Everything else?
44:43Excuse me.
44:44I'll put them in your room.
44:46Are they for me?
44:47They just arrived.
44:52By the way, I was preparing what you asked me before and I have it all ready.
44:57Thank you, Gemma.
44:58I'll bring it now.
44:59Gemma.
45:02Take them.
45:03Put them wherever you want.
45:10Are you okay?
45:12Whose are they?
45:14They're Jesus'
45:17Begoña, what has he done to you now?
45:20Because it seems like he's apologizing for something.
45:25He has no limits.
45:26Yes, please. What has that bastard done to you?
45:30Hello.
45:31What are you doing here?
45:33I saw you at the factory.
45:35Did you come to eat?
45:37Yes.
45:38Yes and no.
45:39What happened?
45:40I'll tell you.
45:44Here's what he asked me for.
45:45I put two bottles of wine in case the afternoon is long.
45:50You know, the picnic he's preparing for his wife.
45:55Are we going on a picnic?
45:56Yes, we are.
45:58I'm so excited!
46:00I advise you that I have many things to do.
46:02Enjoy.
46:03Thank you.
46:06And thank you for the surprise.
46:10I don't know, I've arranged it.
46:14Let's go.
46:15Let's go.
46:36What?