Two Americans in England - a wealthy playboy and an actress - join forces to stop international spies.
Sally Eilers ... Thelma Coldwater
Ben Lyon ... Wally Sawyer
Harry Tate ... George
H.F. Maltby ... Herr Doctor
Harold Warrender ... NBG
Andrews Engelmann ... CO
Dennis Hoey ... MNT
Henry Victor ... KPO
Marcelle Rogez ... Girl
Robert Rietty ... Boy
Stewart Granger ... Extra
Henry B. Longhurst ... Police Constable
C. Denier Warren ... Alphonse
Directed by Allan Dwan
Sally Eilers ... Thelma Coldwater
Ben Lyon ... Wally Sawyer
Harry Tate ... George
H.F. Maltby ... Herr Doctor
Harold Warrender ... NBG
Andrews Engelmann ... CO
Dennis Hoey ... MNT
Henry Victor ... KPO
Marcelle Rogez ... Girl
Robert Rietty ... Boy
Stewart Granger ... Extra
Henry B. Longhurst ... Police Constable
C. Denier Warren ... Alphonse
Directed by Allan Dwan
Category
🎥
Short filmTranscript
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00:11:27The Chief is waiting for you.
00:11:29Chief?
00:11:34We have now succeeded in negotiating a loan of 50 million marks,
00:11:41which will be used to keep a standing army in the Republic of Heidelberg.
00:11:47Underline the Republic.
00:11:50After September, we shall be secure from any invasion by the followers of Prince Rudolf.
00:11:58Sign that.
00:11:59Put it in the envelope with the others.
00:12:01Put our official stamp on it.
00:12:03But Herr Doctor, that information is not altogether correct.
00:12:06That is so.
00:12:07But it will serve its important purpose, as you will presently see.
00:12:12In the interest of the Republic,
00:12:14it is very essential that certain persons should have their activities stopped.
00:12:19Hey, let me go, will you?
00:12:20I can't stick around here.
00:12:21I've got to get back to my job.
00:12:22You tell the Chief we have NBG here, will you?
00:12:29KPO, MNT and NBG to see you.
00:12:32Show them in.
00:12:34Come in.
00:12:35Now listen, fun's fun, but this has gone far enough.
00:12:40Hey, you're the big shot around this outfit.
00:12:42Herr Doctor.
00:12:44Herr Doctor?
00:12:46Listen, Chief, I won't stand for this.
00:12:48Shut up!
00:12:49He took the words right out of my mouth.
00:12:52Now look here, Chief.
00:12:53You look like a businessman.
00:12:55I'm over a half hour late now for my job.
00:12:57Silence!
00:12:58I've tried to...
00:12:59Silence, I say!
00:13:01Have you his papers?
00:13:03Yes, Herr Doctor.
00:13:13Stand up.
00:13:15NBG, you have been selected for a most delicate mission.
00:13:20You will need all your tact and diplomacy to carry it through successfully.
00:13:24But I...
00:13:25Shut up!
00:13:28I wish you'd make up your mind.
00:13:30There will be danger.
00:13:32Yesterday, traveling here, I was nearly assassinated.
00:13:37Twice.
00:13:38Once would have been enough.
00:13:40I'm sorry, I thought you were going to say, stand up.
00:13:44You will leave here immediately for Paris.
00:13:47You will go to Waterloo Station and take a first-class return ticket and board the boat train.
00:13:53Do I sit down or stand up?
00:13:55Neither.
00:13:56Every move must be made with caution.
00:14:00You will leave your compartment on the other side and tear your ticket up.
00:14:05Tear up a first-class return ticket?
00:14:07And tear your ticket up.
00:14:09Tear up a first-class return to Paris?
00:14:11Yes.
00:14:12Well, uh, couldn't I buy some naughty poster cards and just say I've been there?
00:14:16You will leave Waterloo Station and go to the underground,
00:14:20where you will take a ticket for Victoria and tear that up also.
00:14:24What, again?
00:14:25So.
00:14:26I'd better take a waste paper basket with me.
00:14:28You will then proceed to Croydon and take the plane to Paris.
00:14:33You will take this envelope with you.
00:14:36And tear it up.
00:14:38You will go to the Hotel Marion and book a suite of apartments.
00:14:42The Countess Olga von Beckfritz is staying there.
00:14:46This letter I have received informs me that you are a lady killer.
00:14:52Is that correct?
00:14:53Sure.
00:14:54Those I don't kill, I cripple, if you know what I mean.
00:14:57It is no joke.
00:14:58You must gain the confidence of the blonde Countess and then...
00:15:02Tear her up.
00:15:03No.
00:15:04Pretend to be drunk.
00:15:05Ah, now you're talking.
00:15:07But why, why pretend?
00:15:09It is most important.
00:15:10A drunken person tells all his secrets.
00:15:13You will tell the Countess that you're working for us and then you will fall asleep.
00:15:18Oh, well, isn't that rather rude?
00:15:20It is most important.
00:15:21NBG, it is your duty to see that the Countess steals this envelope.
00:15:27Ah, now I understand.
00:15:29You want me to take that envelope, go to Paris, get drunk...
00:15:32Pretend to be drunk.
00:15:34I don't have to pretend.
00:15:35You want me to get drunk with a beautiful blonde Countess and see that she steals the envelope.
00:15:39Exactly.
00:15:40Well, it's not a bad sort of a job.
00:15:44How much is there in it for me?
00:15:46I will give you 500 pounds for your immediate expenses.
00:15:50Five hundred pounds?
00:15:52Yes.
00:15:53If you require more, send me a telegram.
00:15:56Okay, Chief.
00:15:57When do I start?
00:15:58Immediately.
00:15:59Have you a passport?
00:16:00For Paris?
00:16:01I never let it expire.
00:16:02Good.
00:16:03If you hurry, you will catch the 12 o'clock plane.
00:16:05Here is the envelope.
00:16:07Is there anything else?
00:16:08Yes, sir.
00:16:09Five hundred pounds.
00:16:10Oh.
00:16:11And your telegraphic address, just in case.
00:16:13Thank you.
00:16:14We reward our agents handsomely if they succeed.
00:16:17But if they fail...
00:16:19Okay, Chief.
00:16:20Well, N-T-Y.
00:16:22N-T-Y?
00:16:23Yeah.
00:16:24Nuts to you.
00:16:31I don't think I will like this N-B-G.
00:16:33I hope he is the right man for the job.
00:16:39Number four.
00:16:40Paris, first class.
00:16:44Channel Island, sir.
00:16:50There you are.
00:16:51Thanks very much.
00:16:52Now I don't have to go.
00:16:54So, at this time, an imposter is on his way to Paris.
00:16:58N-B-G, it's you I blame.
00:17:00Well, I couldn't help it, Herr Doctor.
00:17:01Why not?
00:17:02Well, I...
00:17:03I had to say good night to a near relation.
00:17:05Do you know this imposter's name?
00:17:07Yes, Herr Doctor.
00:17:11Walter Sawyer.
00:17:13N-B-G, you will meet me at Victoria Station at 345.
00:17:16Yes, Herr Doctor.
00:17:17You two will come with us.
00:17:18We should reach Paris by midnight.
00:17:21In time to wish Mr. Walter Sawyer a very comfortable good night.
00:17:31345.
00:17:43Hello.
00:17:44345.
00:17:49Good evening, sir.
00:17:50Good evening.
00:17:51I want the most expensive sweets you've got.
00:17:53I'm afraid we have only the royal sweetness, sir.
00:17:55Good, I'll take it.
00:17:58By the way, is the Countess Olga von Bockwitz staying here?
00:18:02Yes, sir.
00:18:03You'll probably find her in the American Bar.
00:18:05Good.
00:18:06Sautier, the royal apartment.
00:18:07Yes, sir.
00:18:27Harry?
00:18:28Yes, Countess?
00:18:29May I have my vanity case just for one moment?
00:18:32For a moment?
00:18:33Yes, sir.
00:18:34Excuse me, may I?
00:18:36Just for a moment.
00:18:38Harry, two champagne cocktails.
00:18:40Yes, sir.
00:18:43Parlez-vous français?
00:18:44Oui, monsieur, mais pas aux étrangers.
00:18:46Hmm?
00:18:47Oui, monsieur, mais pas aux étrangers.
00:18:49Well, have someone take him out if you want.
00:18:51Yes, sir.
00:18:52Thank you.
00:18:53Thank you.
00:18:54Thank you.
00:18:55Excuse me.
00:18:56Well, have someone take him out if you want.
00:18:58Pardon me.
00:18:59I said for a moment.
00:19:00Oh, Harry.
00:19:01Alone's alone.
00:19:02When you pay me the 5,000 francs, you can have your vanity case back.
00:19:05Oh, just a minute.
00:19:06Did you say 5,000 francs?
00:19:07Yes, sir.
00:19:08That's very easy.
00:19:09Here you are.
00:19:10Un, deux, trois, vier, five.
00:19:14There you are.
00:19:15Merci, monsieur.
00:19:16Thank you.
00:19:17There you are, Countess.
00:19:18Your case.
00:19:19Thank you.
00:19:20It's perfectly charming of you.
00:19:21Let me explain, Countess.
00:19:22I don't want an explanation.
00:19:25Ah, Countess.
00:19:30Pardon me.
00:19:31Are you the Countess Agavan-Bachwitz?
00:19:33Mais non, monsieur.
00:19:34I'll be seeing you.
00:19:41Boy.
00:19:42Come here.
00:19:55Countess von Bachwitz.
00:19:59Countess von Bachwitz.
00:20:02Countess von Bachwitz.
00:20:05Countess von Bachwitz.
00:20:09Countess von Bachwitz.
00:20:13Countess von Bachwitz.
00:20:16Qu'est-ce que c'est?
00:20:17Ben, Countess, on vous demande du téléphone.
00:20:19Oui, monsieur.
00:20:24Pardon me.
00:20:25Did you drop this?
00:20:26Mais, cela n'a pas bien fait.
00:20:27Pas très santé?
00:20:28Non.
00:20:29Silly of me.
00:20:30My mistake.
00:20:31Wait a minute.
00:20:32Wait a minute.
00:20:33You're not wanted on the telephone.
00:20:34I had you paid.
00:20:35Comment faire une chose pareille?
00:20:36Qui a jeté cette bouteille?
00:20:37Now you are going to get into trouble.
00:20:38I'm going to get into trouble.
00:20:39Oh, no.
00:20:40Oh, no.
00:20:41Oh, no.
00:20:42Oh, no.
00:20:43Oh, no.
00:20:44Oh, no.
00:20:45Oh, no.
00:20:46Oh, no.
00:20:47Oh, no.
00:20:48Oh, no.
00:20:49Oh, no.
00:20:50Oh, no.
00:20:51Oh, no.
00:20:52Oh, no.
00:20:53Now you are going to get into trouble.
00:20:54Je demande qui a jeté cette bouteille?
00:20:55Oh, il a volé ma bouteille.
00:20:56It seems I've started something.
00:20:57Non, non, non.
00:20:58Hello, no, non.
00:20:59Take no notice of him.
00:21:07Pretend you know me.
00:21:12Ah oui.
00:21:14Fancy meeting you in Paris?
00:21:20It is indeed.
00:21:22How's the count and all the little counters?
00:21:24Oh, très bien, merci.
00:21:26Pardon, madame.
00:21:27Monsieur, avez-vous jeté cette bouteille?
00:21:29Shall we celebrate the meeting with a quick one?
00:21:31A quick what?
00:21:32Let's start with a drink.
00:21:33Monsieur, avez-vous jeté cette bouteille?
00:21:35What'll you have?
00:21:37I'll have the same.
00:21:38The same what?
00:21:39The same as you.
00:21:40Oh.
00:21:41Harry, a dry martini for the counters and two for me.
00:21:43One on top of each other.
00:21:45Bien, monsieur.
00:21:46Monsieur, vous m'offensez.
00:21:47On ne jette pas une bouteille à la tête d'un homme.
00:21:48Ça ne se fait pas tout de même.
00:21:49Radio Paris calling.
00:21:50I'll get another station.
00:21:52Pardon, madame.
00:21:53Je te le demande encore une fois.
00:21:54You don't do that in a public area, sir.
00:21:56You don't do that!
00:21:57Bellevue!
00:21:58What?
00:21:59What?
00:22:00You are very amusing, you make me laugh.
00:22:25Oh, do I?
00:22:26Well, how about a little dinner with me tonight?
00:22:29Oh, c'est une bonne idée.
00:22:30Where?
00:22:31Oh, I live in the Royal Suite.
00:22:32Oh, how very nice.
00:22:33Well, let's say about eight o'clock.
00:22:34I will see you then.
00:22:35Au revoir.
00:22:36Au revoir.
00:22:37Au revoir.
00:23:03And the girl said to the man,
00:23:06And then. That was
00:23:11a good one. No not aware but I thought it was funny.
00:23:20Go on tell me another one I know you tell me one and I let me see there was
00:23:24a young lady from Gloucester who I can't tell you that when I don't know you well
00:23:28enough. Are we.
00:23:31Yeah. Well.
00:23:38Here's the whole friend.
00:24:01Tell us have you ever heard of the political police of Hesselberg No I am not
00:24:06interested in politics I am not an artist or do you think
00:24:11you know I am. Why don't you scratch yourself.
00:24:18You know I'm
00:24:18a bit of an artist myself. I think about it every day.
00:24:28Would you be surprised if I told you I was
00:24:30a member of the political police. No. No. No I have it that's fine.
00:24:43Tell me. I'm despised as
00:24:46a guy I mean disguised as a spy. Oh you'll be surprised if you know how
00:24:53important I really am my work requires tact and great diplomacy. I'm in danger
00:24:59danger I only yesterday I was almost vaccinated I mean. Assassinated twice.
00:25:09You see this envelope. You know what's in it.
00:25:15Secret papers and nobody knows I've got it and why are you telling me because
00:25:19a drunken man tells all these secrets.
00:25:29I'm.
00:25:44Going to cover quickly oh yes for five stores I'm right back on my feet again. You
00:25:49know I shouldn't carry this around with me it's very valuable I don't feel quite
00:25:52a movie yes that's why I never let it out of my sight.
00:25:59It's. Well.
00:26:05That's
00:26:06a lot of time for him over the body day. And I'm not. Thinking.
00:26:13Ginger.
00:26:14You.
00:26:26Got.
00:26:29Not.
00:26:36Not.
00:26:37Sure.
00:26:42Yeah.
00:26:44We don't have to leave the top of your life.
00:27:01I think I've made
00:27:02a friend. What was that I thought I heard someone in my bedroom
00:27:10I don't hear anything perhaps I better have
00:27:13a look what do you excuse me don't anymore.
00:27:41What's going on over there. Thank you. What are you going
00:27:48well I have to get my coffee week I get up very early in the morning but how about
00:27:52having lunch with me tomorrow. I'll call you twelve.
00:27:56Well.
00:28:09Can you keep
00:28:09a secret Oh we must you I keep a little one in a flat in the old black bed.
00:28:16Blonde or brunette. Dark secret.
00:28:26The phone was then I cut your throat hurry up. I'll tell you in twenty minutes
00:28:32and was out all right get me
00:28:33a dress. And
00:28:41after me when I sat down to protect the story I knew would come in handy some day.
00:28:47Come on to be to be.
00:28:48A. Everything ready.
00:29:02I think.
00:29:19Well here's the secret. Blonde.
00:29:26Entree.
00:29:27I think.
00:29:43I don't want to go on and I'm not going to.
00:29:46Go but you have to go but you've got to.
00:29:48Go.
00:29:57I don't know.
00:30:01I don't want to get this week. But you got to get.
00:30:11Out of the old. Where did you go to.
00:30:18Well listen get me
00:30:21a cab right away with you put me
00:30:23a first class ticket I had to break get my bill and tear it up.
00:30:31I'm
00:30:31a Mr Walter Sawyer stay here yet but I'm not sure how he's expecting me but he's
00:30:37number one fifty one.
00:30:47A.
00:30:58My bill.
00:31:02What do they look like. Well where'd they go to your feet you wish to see the good
00:31:08Lord no keep the change.
00:31:11To be.
00:31:14Mr Walter Sawyer where is he he left here a moment ago I don't know if you.
00:31:23Got
00:31:23a line I got to be on.
00:31:31The show you. Just let me hear you have got to catch
00:31:35a train to have to back to book.
00:31:41This.
00:31:43Truck to get your truck.
00:31:46On this.
00:31:49When you look at it.
00:31:54Are you want to stop.
00:32:04This.
00:32:06To see.
00:32:10Do you have your ticket?
00:32:12Good, that's very good.
00:32:14The compartment number 12, please.
00:32:16It's reserved, number 12.
00:32:18Ah, yes, yes, madam.
00:32:20Wait a minute, please.
00:32:27No, but no, let's see.
00:32:28Under the bridge, there's enough room.
00:32:30It's over here, on the right.
00:32:41Let's go, let's go, let's go.
00:32:44Please, you can't leave, my wife is late.
00:32:52Hurry up, you're going to miss it.
00:33:02Hurry up, please.
00:33:07He left a long time ago, sir.
00:33:08The bridge must get the heights up there.
00:33:10That was a close one.
00:33:11Is Cardiff Airport on this train?
00:33:15Yes, sir.
00:33:17Thank you.
00:33:18Take care of my baggage, will you?
00:33:21What do we do now?
00:33:23I've got an idea.
00:33:24What?
00:33:25The train stops at Corndorf, why not get there first?
00:33:26Idiot, that is not possible.
00:33:27Why isn't it?
00:33:28What about an aeroplane?
00:33:29Where are we to get an aeroplane?
00:33:32I have an idea.
00:33:33We go to Corndorf by aeroplane.
00:33:35A very good suggestion.
00:33:36Only a doctor could think of that.
00:33:37Yes, but that's what I...
00:33:38Telephone Le Bourget.
00:33:39Tell him to have the fastest aeroplane waiting.
00:33:41But I thought of it...
00:33:42Oh, go telephone.
00:33:43Oh, go to hellophone.
00:34:06I hope I didn't get him into trouble by taking this.
00:34:28He was kind of cute.
00:34:37André.
00:34:38Say, you big lug, is this your idea of a practical joke?
00:34:49Monsieur, how dare you make jokes with me?
00:34:52I think it's like you heard, mademoiselle.
00:34:54Well, we shall see.
00:34:55Come in the pocket.
00:35:07He's out like a light.
00:35:13Oh, boy, what an egg.
00:35:15Give me that towel.
00:35:19Poor dildoc.
00:35:20Sure got an awful sock.
00:35:22One of Prince Rudolph's agents, perhaps, mademoiselle.
00:35:26Give me that.
00:35:27I guess I'll get you a waiter.
00:35:30Come on, monsieur.
00:35:32Come on, sit down.
00:35:33Come on, sit down.
00:35:39Oh, pardon me for dropping in on you like this.
00:35:42Oh, do not apologize, monsieur.
00:35:44All the gentlemen fall for me.
00:35:46Oh, boy, what a wallop you pack.
00:35:49Pardon, monsieur?
00:35:50Why did you hit me?
00:35:52Oh, no, monsieur.
00:35:53I did not hit you.
00:35:54No?
00:35:55There must have been a couple of other fellas.
00:35:57Are you all right?
00:35:58My head is.
00:35:59It might have been serious if you had any brains.
00:36:01Hey, I didn't come here to be insulted.
00:36:05Give me some brandy.
00:36:06We have no brandy, mademoiselle.
00:36:08Beer will do.
00:36:09Monsieur.
00:36:10Get up.
00:36:12Someday you're going to lose that head of yours.
00:36:14Oh, no.
00:36:15I'll have it all arranged with my neck, never to let it go.
00:36:18It's my heart I'm afraid of losing.
00:36:20Aren't you afraid of losing yours?
00:36:21No, monsieur.
00:36:22I have it all arranged with my ribs, never to let it out.
00:36:26Say, your name's Olga, isn't it?
00:36:28No, Olga.
00:36:30Oh, Ma Olga.
00:36:32No, just plain Olga.
00:36:34All right, just plain Olga.
00:36:36My name's Wally.
00:36:37Wally?
00:36:38That is a very nice name.
00:36:39I knew a man once named Wally.
00:36:41He looked just like you.
00:36:43Except he had a bald head and a long, white beard.
00:36:45Yeah?
00:36:46Entrez.
00:36:47Shall I arrange the bed now?
00:36:49Yes.
00:36:50Oui.
00:36:51Arranger le lit.
00:36:56He must drop in again sometime.
00:36:58Oh, I'm so sorry.
00:37:00Uh, what are you doing for breakfast?
00:37:02Eating.
00:37:03With me?
00:37:04Well, that would be very nice.
00:37:06Oh, that's fine.
00:37:08I, uh...
00:37:10We...
00:37:12There was something I had to say to you.
00:37:14Now, what was it?
00:37:16I know.
00:37:17Good night.
00:37:18That's it.
00:37:19Bonsoir.
00:37:20Bonsoir.
00:37:21Pardon, monsieur.
00:37:24So my job was to get the countess to steal the envelope.
00:37:26Uh-huh.
00:37:27If it's not an impertinent question here, doctor,
00:37:29what was inside it?
00:37:30A certain paper,
00:37:31which I found in the countess's possession
00:37:33while she's traveling through Heitzelberg.
00:37:35You mean they make it pretty hard for her?
00:37:37She would be shot, my friend.
00:37:39I see.
00:37:40I don't think that's cricket.
00:37:41It's not cricket, Enrique.
00:37:42It's war.
00:37:43Heitzelberg has declared war
00:37:45against all followers of Prince Rudolf.
00:37:47Heitzelberg has declared war
00:37:49against all followers of Prince Rudolf.
00:38:18Tell the stationmaster the train does not proceed
00:38:20until we've found Sawyer.
00:38:22Yeah, I hear, doctor.
00:38:29I got an awful kick out of meeting you.
00:38:31You're the only countess I've ever known.
00:38:33That's sweet of you, Wally.
00:38:35Sugar?
00:38:36Are you calling me sugar?
00:38:37No, for your coffee.
00:38:39Oh.
00:38:40Six lumps.
00:38:48You know, there's...
00:38:49There's something been worrying me, Olga.
00:38:51Something on my mind.
00:38:52What?
00:38:53I've got a confession to make.
00:38:55Confession?
00:38:56Yeah, see this envelope?
00:38:57Oui.
00:38:58I was supposed to plant it on you.
00:39:00Get you to pinch it.
00:39:01Oh, je te fais pas peur.
00:39:02Yeah, you pinched it all right
00:39:03and sent it right back.
00:39:04That was swell of you.
00:39:05Oh, no.
00:39:06I know why you sent it back.
00:39:07You didn't want to get me in a jam.
00:39:09You were too regular,
00:39:10too...
00:39:11too honest to take advantage of a cockeyed sap.
00:39:14To think of the dirty trick I tried to play on you.
00:39:16I'm ashamed of myself.
00:39:17Well, as long as we're confessing.
00:39:19Pardon.
00:39:20Messieurs et mesdames.
00:39:21Préparez vos passeports, s'il vous plaît.
00:39:26You want to get out and stretch your legs?
00:39:28No, I would rather stay here.
00:39:30I have an idea.
00:39:32Wait a minute.
00:39:33I want to tell...
00:39:43Pardon.
00:39:44In which compartment is Walter Sawyer?
00:39:45Sawyer, Sawyer.
00:39:46Number four.
00:39:47This corridor, monsieur.
00:39:48Right.
00:40:15Thank you.
00:40:16Thank you.
00:40:17Thank you.
00:40:18Thank you.
00:40:19Thank you.
00:40:20Thank you.
00:40:21Thank you.
00:40:22Thank you.
00:40:23Thank you.
00:40:24Thank you.
00:40:25Thank you.
00:40:26Thank you.
00:40:27Thank you.
00:40:28Thank you.
00:40:29Thank you.
00:40:30Thank you.
00:40:31Thank you.
00:40:32Thank you.
00:40:33Thank you.
00:40:34Thank you.
00:40:35Thank you.
00:40:36Thank you.
00:40:37Thank you.
00:40:38Thank you.
00:40:39Thank you.
00:40:40Thank you.
00:40:41Thank you.
00:40:42Thank you.
00:40:43Thank you.
00:40:45What is our man?
00:40:46The train may proceed.
00:40:52Well, this is a pleasant surprise.
00:40:55Hello, Docky.
00:40:56How are you, Chief?
00:40:57Nervorn Knox, too, huh?
00:40:59Allow me to introduce him, Mr. Walter Sawyer.
00:41:02This is the real NBG.
00:41:04Oh, then that makes two of us.
00:41:06How are you?
00:41:08How are all the folks?
00:41:10Fine and dandy, I take it.
00:41:12NBG is the man you are impersonating, Mr. Walter Sawyer.
00:41:15Oh, then you're the guy that has the swell little joint down at 12 Bellsmere Gardens, Chelsea.
00:41:18Say, that's a beautiful little apartment.
00:41:20You know, I've got one just like it in New York.
00:41:22Oh, and before I forget it, I must return that hat and coat I borrowed from you.
00:41:25There was a nice one you left.
00:41:26Oh, did you like it?
00:41:27Mm, who's your tailor?
00:41:28The Betterman Company, New York.
00:41:29Easy.
00:41:30Say, there's nothing like those New York tailors.
00:41:31Now, take, for instance, your London tailors.
00:41:32Take this coat.
00:41:33Look at this seam.
00:41:34See that buttonhole?
00:41:35Mm-hmm.
00:41:36See this buttonhole?
00:41:37Now, there's a buttonhole.
00:41:39Mm, it's a whole lot better than mine.
00:41:42Oh, and look at poor Doccy's little buttonhole.
00:41:49Well, boys, I guess I'll be seeing you.
00:41:51You will not go on that train.
00:41:52Oh, yes, I am.
00:41:53Oh, yes, you're not.
00:41:54Take him to the waiting room.
00:42:05Monsieur, where does he hide that man?
00:42:07Probably a most dangerous enemy of the Republic.
00:42:09Oh, my God.
00:42:10Oh.
00:42:18Let no one come in.
00:42:20Sit down.
00:42:23Sit down.
00:42:27You had better tell me the truth.
00:42:29But I am telling you the truth.
00:42:31Countess Olga was on that train.
00:42:33Countess Olga?
00:42:34Yes.
00:42:35And if you think I'm going to play a dirty trick on a lovely girl like that, you're nuts.
00:42:38Now, here's your envelope, and you know what you can do with it.
00:42:41So.
00:42:50So.
00:42:59So you try to do the double cross, eh?
00:43:02What do you mean?
00:43:03What is it?
00:43:04Invisible ink?
00:43:05Did you take the paper from here, or did she?
00:43:08She must have made the shift when she...
00:43:10And she did take it?
00:43:11Oh, no, she didn't.
00:43:13Do you know what will happen to you if you are lying to me?
00:43:16Don't bother.
00:43:17I haven't been sleeping so well lately.
00:43:24Do you know what this is?
00:43:26Ah, an Easter egg.
00:43:28No, it is a bomb.
00:43:30A bomb?
00:43:31When this little pin is removed, in two minutes, it go off.
00:43:36Oh, just like my alarm clock.
00:43:38A joke, eh?
00:43:41Now I tell you a joke.
00:43:43Once there was a man who lied to me.
00:43:45He was tied to a tree.
00:43:47One of these was placed in his pocket.
00:43:49The pin was removed and...
00:43:50I know, I know, I know.
00:43:51And now he's a jigsaw puzzle.
00:43:53We will soon find out if you are lying to me, Mr. Walter Sawyer.
00:43:57I'm going to speak to the commissioner.
00:44:00I'm going to speak to the commander of the boom camp.
00:44:02The countess will be detained.
00:44:04Then, if you have told me the truth, the rest will be easy.
00:44:08What do you mean, the rest will be easy?
00:44:11That paper which the countess has stolen from you contains sufficient evidence to have her arrested as a spy.
00:44:16She will be tried at once and shot.
00:44:19Oh, good heavens, you can't mean that.
00:44:21Why, it's murder.
00:44:23You're joking, aren't you?
00:44:25No, I am not joking.
00:44:29Where's the telephone?
00:44:30In there.
00:44:31Keep your eye on him until I come back.
00:44:33I'll watch him.
00:44:34Oh, now, look, doc, you look like a pretty regular fellow.
00:44:36Why...
00:44:37I'll attend to you later.
00:44:38There is just one little thing...
00:44:40Tell me when you come back, doc.
00:44:41You've got to hurry.
00:44:47There is one thing...
00:44:48Oh, you forgot your papers in your bag.
00:44:49Wait a minute.
00:44:51There you are, doc.
00:44:52There is no hurry.
00:44:53Oh, take it from me, there is.
00:44:54Why?
00:44:55Well, you know how it is about those long-distance telephone calls.
00:44:57You put a call in and anything's liable to happen.
00:44:59Well, one time one of my dearest friends put a long-distance call in
00:45:01and died while he was waiting for it and didn't leave a will.
00:45:03What was the result?
00:45:04Now a lot of his friends and relatives are fighting
00:45:06to see which one gets a call when it comes through.
00:45:08Oh, come on now, doc, be a regular.
00:45:09Go on about your telephoning.
00:45:10Hurry, will you?
00:45:17Why are you so anxious that I should telephone?
00:45:19Me?
00:45:20Anxious?
00:45:21There's something behind all this.
00:45:23Sit down.
00:45:24And we'll have a nice little chat.
00:45:28Where have you gone?
00:45:29I've got to go out.
00:45:30I'll only be a moment.
00:45:31You'll not go out.
00:45:34Oh, doc.
00:45:35Doc, the bomb's in your pocket.
00:45:37Throw it away quick.
00:45:38The pin's out.
00:45:39It'll go off in a second.
00:45:40Huh?
00:45:41Oh.
00:45:42No, the other pocket.
00:45:43Oh, the bomb.
00:45:44Oh, yes.
00:45:47Yes.
00:45:50Oh, it is not a real bomb.
00:45:52It is only a sample.
00:45:54Oh, doctor.
00:45:58So you would assassinate me?
00:46:01Assassinate you?
00:46:02Oh, doc, whoever put that idea into your head.
00:46:04You would kill me in cold blood?
00:46:06Well, two can play that game.
00:46:08Well, I...
00:46:13Doc, I just thought of a good one.
00:46:16What's a joke?
00:46:17If you knew this, you'd die.
00:46:18Ah.
00:46:19Well, you must hear this.
00:46:20It's something the countess told me.
00:46:22The countess?
00:46:23Yes.
00:46:24It's about the countess and that favorite boyfriend of hers.
00:46:25You know, Prince, uh...
00:46:26Oh, no.
00:46:27That's the guy.
00:46:28Oh, boy, wait until you hear this.
00:46:29Tell me.
00:46:30Tell me.
00:46:31Well, doc, all right.
00:46:32Yeah.
00:46:33She told you that?
00:46:34That's nothing.
00:46:35Wait until you hear the rest of it.
00:46:36Go on.
00:46:37Tell me.
00:46:38Oh, doc, I can't tell you here in front of the whole world.
00:46:39Have them go outside.
00:46:40You can wait outside.
00:46:45Oh.
00:46:46Oh.
00:46:47Oh.
00:46:48Oh.
00:46:49Oh.
00:46:50Oh.
00:46:51Oh.
00:46:52Oh.
00:46:53Oh.
00:46:54Oh.
00:46:55That's better.
00:46:56Listen, doc.
00:46:57Uh-huh.
00:46:58Uh-huh.
00:46:59Uh-huh.
00:47:00Ha-ha.
00:47:01Ha-ha-ha.
00:47:02Ha-ha-ha.
00:47:03Aw, come on, doc.
00:47:04Sit down.
00:47:05Put it over there on the chair.
00:47:06I don't like it.
00:47:07He wants to be alone.
00:47:08Call the boys in and tell them what a swell guy I am.
00:47:11Come in.
00:47:12Come in, all of you.
00:47:14NBG.
00:47:15All right, everybody.
00:47:19Well, come in, boys.
00:47:20Sit down.
00:47:21Make yourselves quite comfortable.
00:47:22The Doc has something to tell you about me, haven't you, Doc?
00:47:25Yeah.
00:47:26The Doc wants to tell you that he made a mistake, don't you?
00:47:30I made a mistake.
00:47:33Oh, Doc, now that's not the way you said it to me.
00:47:35Well, you smile quite prettily and look quite cute.
00:47:38Go on, Doc, look cute.
00:47:43Well, that's fine.
00:47:45Now tell him I'm your favorite boyfriend.
00:47:48Here, Sawyer, he's my very good friend.
00:47:52Well, now, it's nothing to be ashamed of.
00:47:54If you're real fond of a guy, why not admit it?
00:47:56The Doc has hiccups.
00:47:58Excuse me.
00:47:59Well, boys, I guess that's about all.
00:48:01You can all go to lunch now.
00:48:02Go on, Doc, tell them they can go to lunch.
00:48:04You can go to lunch.
00:48:06Drop that gun.
00:48:08Now get around there, all of you.
00:48:10You, too.
00:48:12One move out of here and it'll just be too bad.
00:48:18Hello, Bill.
00:48:19Hello, Wally.
00:48:21Stick him up.
00:48:22I got you covered.
00:48:23Get back there.
00:48:25Hey, Bill, hold this for me, will you?
00:48:28Sure, anything for my pal Wally.
00:48:31My pal Two-Gun Bill's got you covered and in a dead shot.
00:48:36I'll be seeing you.
00:48:38Oh, hold this, will you?
00:48:40Here, Sidney.
00:48:41And don't let go.
00:48:51How long have I got to hold this thing?
00:48:53Son of a bitch!
00:48:55Hey, which way are you going?
00:48:57To Fort Evesfield.
00:48:58I want to go to boom camp.
00:48:59Can you take me there?
00:49:00I don't worry about gold.
00:49:02I've got plenty of that.
00:49:03Here's 50.
00:49:25I must telegraph to boom camp at once.
00:49:33Telegram help, ma'am.
00:49:38Telegram help, ma'am.
00:49:44Telegram help, ma'am.
00:49:48Telegram help, ma'am.
00:49:49Telegram help, ma'am.
00:49:54Telegram help, ma'am.
00:50:03I'm here for rest.
00:50:10Trumpeter!
00:50:11My pal Three-Gun!
00:50:19Get a life!
00:50:24I don't know what to do with my life, I don't know what to do with my life, I don't know
00:50:54what to do with my life, I don't know what to do with my life, I don't know what to do
00:51:25Hurry! Faster! Or we will be too late for the execution of the Countess.
00:51:30It isn't Brooklyn's you know.
00:51:32Stop at the next village, and I will send a telegram to delay the execution.
00:51:54Charlotte, Erna, Catherine, Fritzi, Edith, Victoria, Countess Olga von Bachwitz.
00:52:11Is all that your name?
00:52:13It is only the alphabet.
00:52:15I thought he was calling off the roll.
00:52:17Your possession of this paper shows you to be a dangerous menace to the peace of the Republic.
00:52:22Oui, Monsieur. I am a very dangerous woman.
00:52:28The sentence of this court is that you be taken from here and immediately shot.
00:52:34Hey, you can't get away with this.
00:52:36Silence!
00:52:38I have been in communication with her doctor on the telephone.
00:52:41He has your sworn evidence that the Countess stole this paper from you in Paris.
00:52:46That's a lie. I planted it in her bag myself. It was all part of this dirty frame-up.
00:52:51Her doctor also informed me of your attempt to assassinate him, and of masquerading as one of our agents.
00:52:57For these and other offenses, you will also be shot.
00:53:02Oh, Wally.
00:53:03Oh, don't let that big diaper wound scare you.
00:53:06I'm not the Countess von Bachwitz. My name is Molly Malone.
00:53:09They only hired me for this job so the real Countess could go to England.
00:53:12Look at my passport in that bag. You can see that it isn't me.
00:53:22You are a very clever woman, Countess.
00:53:26It's a pity your career must now end.
00:53:28Well, I'm not the Countess. I'm an actress. I don't care what the critics say.
00:53:34You will see that the executions are carried out at once.
00:53:38One firing squad will serve for both.
00:53:42Counsel!
00:53:43Hey, you can't get away with this.
00:53:44You start messing around with us, you're going to have a nice war on your hands.
00:53:47Hey, you can't get away with this. You can bet your life on that.
00:53:50You can bet your own life.
00:53:51Oh, don't worry. They're just going to shoot a scare into us.
00:53:53Sure they're not going to shoot lead into us?
00:53:55Come here. Over.
00:53:59Over. Out.
00:54:03I'm sorry I got you into this mess. It was all my fault.
00:54:05No, it wasn't. It's all my fault.
00:54:08You shouldn't have stolen that letter.
00:54:10Well, you shouldn't have tried to make me do it.
00:54:12I'm sorry.
00:54:13It's all my fault.
00:54:14You shouldn't have stolen that letter.
00:54:16Well, you shouldn't have tried to make me take it.
00:54:18I might have known you weren't a real Countess.
00:54:20What do you mean? I did it very well.
00:54:23Well, you certainly fooled me.
00:54:25I fooled a lot of people. That's why we're here.
00:54:28How about that French accent? Are you still acting?
00:54:31No, my own. Good old Kokomo, Indiana.
00:54:37Kokomo?
00:54:38That's right.
00:54:39Are you from Kokomo?
00:54:40Yes, what of it?
00:54:42Well, I'm from Kokomo.
00:54:44What part?
00:54:45Pear Street.
00:54:46I'm from Song.
00:54:48Well, that's just around the corner from...
00:54:50That's right.
00:54:52Mother!
00:54:55I thought I knew everyone in Kokomo.
00:54:57I don't remember any Malone.
00:54:59That's just my stage name.
00:55:01My real name is Thelma Caldwell.
00:55:04Any relation to J.B. Caldwell, the lumber man?
00:55:07My father.
00:55:08No.
00:55:09Yes.
00:55:10You remember Sawyer's Dry Goods Store?
00:55:13Yes.
00:55:14That's my father.
00:55:15No.
00:55:17Yes.
00:55:19I know your sister Vera. We went to school together.
00:55:22She's married to Eddie Tomlinson.
00:55:24That's right.
00:55:25You've heard about Vera, haven't you?
00:55:27No.
00:55:31What again?
00:55:32That makes her seventh.
00:55:34Counting the twins.
00:55:35You know Pauline Mason?
00:55:37Sure I know her.
00:55:38She's going to have her second.
00:55:40Gee.
00:55:41Kokomo is quite a busy place.
00:55:43Yes.
00:55:44I wish I were there right now.
00:55:46You and me both.
00:55:56Molly Malone.
00:55:57Gee, that's a funny name for you to pick.
00:55:59Don't you like it?
00:56:00Well, there's one I like much better.
00:56:03What?
00:56:05Mrs. Wally Sawyer.
00:56:08I've heard worse.
00:56:10You pick a swell time to spring it.
00:56:14I can't help it.
00:56:16Up.
00:56:17Up.
00:56:18I can't help it.
00:56:19Up.
00:56:20Oh, Wally.
00:56:21I'm just kidding.
00:56:22Oh, don't.
00:56:23Don't be frightened.
00:56:24They can't get away with this.
00:56:26What are you going to do?
00:56:27Write the president a letter?
00:56:28Fire.
00:56:30Get down there.
00:56:31Up.
00:56:35Hey, you can't get away with this.
00:56:36Up.
00:56:37Confound you.
00:56:38Whenever we shoot a woman, you always miss the first time.
00:56:41Now, we'll try again.
00:56:43And if you miss this time, and don't you dodge.
00:56:47Until another, Holtman.
00:57:01Aha.
00:57:02Herr Sawyer and Countess Olga von Wattens.
00:57:05Your execution will be delayed until the arrival of Herr Doctor.
00:57:10Oh, Wally.
00:57:32Mr. Herr Commandant's compliments.
00:57:34And he wishes you a hearty appetite.
00:57:36Yeah, well, my compliments to Herr Commandant.
00:57:38And I hope he chokes.
00:57:39Herr Commandant wishes to know if there is any delicacy you would like for your last meal.
00:57:45Well, how about pheasant?
00:57:48Pheasant is out of season for six months.
00:57:51We'll wait.
00:57:57The banquet's served, milady.
00:58:00Coffee?
00:58:01No, thank you.
00:58:03Oh, come on now, cheer up.
00:58:04You've got me to die with.
00:58:06I'm all right.
00:58:07Didn't lead me to cave in like that, wasn't it?
00:58:11We may get out of this yet.
00:58:12I'll talk to the old doc when he gets here.
00:58:15It'll take more than talk to get us out of this jam.
00:58:17Yeah, you've never heard me sell zippers, have you?
00:58:19It's my real job, you know.
00:58:21My sales talk is irresiprable.
00:58:24At least I fell for it.
00:58:32Herr Commandant's compliments, and he would wish to see the Countess in his office.
00:58:36Yeah, well, if he wants to see the Countess, tell him to come in here.
00:58:39I'll go, Wally.
00:58:40There's something I want to say to him.
00:58:42I'll go with you.
00:58:43Nein, the Countess is to go alone.
00:58:45Don't worry, Wally.
00:58:46If that big goat gets fresh with me, I'll bring you back his beard.
00:58:57Come in.
00:59:01Thank you.
00:59:10Won't you sit down?
00:59:17A cigarette?
00:59:18Yes, please.
00:59:22Countess, I have been thinking things over.
00:59:27It's a pity that one so young and beautiful should die.
00:59:30You take my breath away.
00:59:32That's just what I don't want to do.
01:00:01You play checkers, don't you?
01:00:03Sit down!
01:00:31Madame la Countess.
01:00:33You are a beautiful woman, and you have brain.
01:00:38I have decided to offer you the most exalted position.
01:00:41A position that any woman in the world should be proud to occupy.
01:00:46Countess, you shall be my...
01:00:49My what is this you say in America?
01:00:51My honey bunny boo.
01:00:54Your what?
01:00:56My cutie.
01:00:57That's the word.
01:00:58You shall have beautiful dresses, jewels, and an expensive automobile.
01:01:04And when you're driving it, people will point at you and say,
01:01:08look, that's the cutie of her commandant.
01:01:12I can hardly wait.
01:01:28I'll give you a little something.
01:01:59Well?
01:02:01Well, if I accept this magnificent offer of yours,
01:02:05will you let Mr. Sawyer go?
01:02:07This dog is to be shot.
01:02:10Then you'll have to get yourself another honey bunny boo.
01:02:13You refuse?
01:02:15I certainly do.
01:02:16Absurd!
01:02:17If you do not accept the security of my arms, you will die with the firing squad.
01:02:21If I do, I'll die laughing.
01:02:23Come on. Come on and kiss me.
01:02:26Hey, what's this?
01:02:28Nothing.
01:02:30It's all right, Molly. The Marines are here.
01:02:35Come on.
01:02:53Aren't you coming?
01:02:54No, thank you, doctor. I have no desire to see a woman shot.
01:02:56Fuck!
01:02:58Come on.
01:03:07Why, beauty in distress. Can I be of any assistance?
01:03:09What do you mean?
01:03:10Madam, when I first saw you,
01:03:11a brief but most enchanting encounter at the window of a railway carriage,
01:03:13I longed for an opportunity such as this.
01:03:15Come on, get in the car.
01:03:18Come on, get in.
01:03:20Hey, well, how about me?
01:03:22What, do you want to come too?
01:03:23Do I want to come?
01:03:24Come on, go on, get in there.
01:03:25Look here, you two better get down out of sight.
01:03:34Hey!
01:03:41Border patrol.
01:03:45Yeah?
01:03:49What is it?
01:03:51Border patrol.
01:03:52Yeah, copy to me.
01:03:53Border patrol, hello.
01:03:55Stop all cars.
01:03:56Arrest Walter Sawyer.
01:03:58Countess Auger von Wachwitz.
01:04:00Yeah.
01:04:01Carol!
01:04:02Spare us, please.
01:04:06I want Carol out.
01:04:09Hey, hey.
01:04:16Come on.
01:04:23Come on.
01:04:28That, ladies and gentlemen, was the border.
01:04:30You are now safe in Slugojavlje.
01:04:37All right, you can come up rear now.
01:04:40Well...
01:04:44Say, mastermind,
01:04:45how did you get us out of that last place?
01:04:47Oh, just one of my little bright ideas.
01:04:49See this?
01:04:51An egg.
01:04:52A bomb full of pepper.
01:04:54I just took and tossed it like...
01:05:23Have you got any more bright ideas?
01:05:26Yes.