Once a successful writer, depraved libertine Oliviero can't break out of a persistent creative rut after the death of his adored mother. Nowadays, Oliviero takes great joy in humiliating his beautiful wife Irina and their tolerant maid Brenda in front of his friends. But when someone slits the throat of a young woman, Oliviero becomes the prime suspect, further complicating his already fragile relationship with Irina. And before long, the stealthy killer strikes again. Then, as if murder wasn't enough, Oliviero's seductive niece Floriana enters the equation, and yet another girl meets her end. Who's behind the grisly murders in Oliviero's secluded, blood-spattered villa of vice?
Source: IMDB
Source: IMDB
Category
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Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30She
00:02:33Deserved to be compared with Mary Stewart. No one else ever had two such diverse claims to fame
00:02:42One is a murderous
00:02:45The other is a martyr
00:02:47But she was a lady a
00:02:49real aristocrat I
00:02:51Hear his mother was supposed to be a big-time actress. Oh, yeah
00:03:00To
00:03:02My mother
00:03:05He's doing his nostalgia for mama thing Italians love that bag, you know, I said
00:03:11Good mother
00:03:30You
00:03:50All right scum of the earth, let's all give generously my mistress has a libation to perform
00:04:00You
00:04:02Come on
00:04:08Give me your heartfelt offerings for my wife
00:04:19Then you are of course you'd much rather be drinking from my skull
00:04:26To our joyous matrimony
00:04:30Oh
00:04:32Bottoms up dear wife
00:04:36When customs you have here. Oh, yes, my dear. We have a cultural background straight out of our till of the hun
00:04:43So sorry my mistress
00:04:45The wrong mixture I guess
00:04:48I
00:04:53Do you think you're going
00:04:56This is Brenda
00:04:58Not bad for a maid, huh?
00:05:01In losing our colonies and then gaining a servant like miss Brenda I
00:05:06Think we've made a whale of a deal. Have you a thing for black girls all of you know a common Caucasian disease called a
00:05:12white male's burden
00:05:14Who knows of a night with a Negress isn't everyone's secret dream
00:05:18daughter
00:05:19Lift your head. What color are your eyes?
00:05:26Daughter daughter look ahead. Don't let them tell you lies
00:05:35Be yourself prove yourself
00:05:39Help yourself
00:05:42free yourself
00:05:44Know yourself
00:05:46Show yourself
00:05:48Help yourself
00:05:50Be yourself
00:05:52daughter daughter
00:05:55Please yourself
00:05:58Daughter daughter lift your eyes. What color are your dreams?
00:06:06Daughter daughter
00:06:08Close eyes the tools of the world make it we are all equal
00:06:38Yourself
00:07:09What
00:07:19Very simple for this generation to come on like it's something because when you get right down to it, it's nothing at all
00:07:38I
00:08:08I
00:08:35How dare you do it put that on
00:08:37Why, doesn't it excite you to see me like her?
00:08:42You wanted to give a show like always.
00:08:45It's all the better in costume.
00:08:51Which mother was the real mother for you?
00:08:55Mad Mary?
00:08:57Or Bloody Mary?
00:09:07You're a crummy slut.
00:09:10A stinking whore.
00:09:13No.
00:09:44No.
00:09:59No.
00:10:04Ah, the bottles. Look at all the bottles.
00:10:07I'm not against drinking, mind you, good God.
00:10:10I'm the first to enjoy having a triple now and then, but...
00:10:14But I don't understand.
00:10:16How are these folks livers can take the excess?
00:10:19Well, they're always inviting friends over, Mrs. Molinaz.
00:10:22Ah, them critters that sleep out at that campground.
00:10:25You ask me, they look like they crawled out of the forest.
00:10:28Now, don't believe for a minute that I include you, my dear,
00:10:32but Professor Olivieri's got the strangest ideas.
00:10:35And my God, to think that 40 years ago,
00:10:38I was working in his house with his mother, the countess.
00:10:41Now, there was a heart that brought him into the world.
00:10:43Those were the days. Hello there, Satan.
00:10:46He's the only intelligent figure around, if you ask me.
00:11:00My God, have a little respect for an old lady, why don't you?
00:11:04Road hog.
00:11:08Come on.
00:11:39Now, look here, Darius, since you're so hot with chocolate drop,
00:11:42how about putting in a word for me with the great white mistress?
00:11:45You can put in a good word for me for both of them.
00:11:47I like salt and pepper on my meat.
00:11:49Forget it. That there is way out of your league.
00:11:52The things that go on in Villa Rouvigny will blow your provincial minds.
00:11:57Fighting these international shippers is getting harder every day, Mr. Rouvigny.
00:12:01Sometimes it takes months to get a book from London or Paris.
00:12:04You'll have to be patient.
00:12:07Tonight at the usual place?
00:12:10All right.
00:12:12If I can make it, I may be busy.
00:12:14Listen, you can bag all that shit if you're working all the time.
00:12:18Like you began with me out back at the schoolhouse, professor, so now you pay.
00:12:25Will that be all, sir?
00:12:27Yeah, fine, thank you. Bartolo, put these in my account.
00:12:30Sure, Mr. Rouvigny.
00:12:31You know, it's beyond me why Perinis have never reissued any of your books.
00:12:35It'd be a great pleasure to see them in our windows.
00:12:38I'd find me a new publisher if I were you, Mr. Rouvigny.
00:12:41Good morning.
00:12:42Good morning, Mr. Rouvigny.
00:12:49Get away, scat.
00:12:51I swear to God I want to kill you one of these days.
00:12:53Trying to drive Satan out with a broom, huh?
00:12:55There's a twist in exorcism.
00:12:57I just wish your cat would leave my coop alone.
00:13:00You eating out tonight?
00:13:02If I feel like it.
00:13:05Good night.
00:13:35Good night.
00:14:05Good night.
00:14:35Help!
00:15:00Help!
00:15:03Help!
00:15:05Help!
00:15:11Help!
00:15:35Help!
00:16:05Help!
00:16:19Oliviero.
00:16:20Oliviero.
00:16:22What do you want?
00:16:23Somebody just drove in.
00:16:24Well, so what?
00:16:25So it's the police.
00:16:26What do you think they're here for, anyhow?
00:16:29You must have gotten in late last night. I didn't hear you.
00:16:32Brenda's not here. You'll have to answer the door.
00:16:34Come on, get dressed.
00:16:44Real heavy sleepers, Inspector.
00:16:49Morning.
00:16:50Mr. Rouvigny?
00:16:51What do you want?
00:16:52I'm sorry to, uh, to wake you up at this unusual hour.
00:16:56I'm Inspector Farla.
00:16:58It's annoying, I know, but I'm afraid there are some questions I'd like to ask you.
00:17:02Concerning?
00:17:03Well, let's say they're...
00:17:05personal.
00:17:07I'm Oliviero Rouvigny.
00:17:08Oh, I know you very well, Mr. Rouvigny.
00:17:10At least, by name, that is.
00:17:12Odd though it may sound, even inspectors do a little reading now and then.
00:17:16I'm no fanatic, but I do recall one or two of your books having passed through my hands.
00:17:21Don't you feel that...
00:17:23that we'd better go inside, Rouvigny?
00:17:27Yeah, sure.
00:17:28Sure, Commander.
00:17:34This may be rather unpleasant for Mrs. Rouvigny to have to listen to.
00:17:39I prefer our talk were held in private.
00:17:41Why?
00:17:42There's no secrets between us.
00:17:44Oh, so much the better.
00:17:46That should expedite matters for us.
00:17:49Last night, you had...
00:17:51you had an appointment with, uh, a young woman who worked at the Bartolo bookstore.
00:17:56Am I right?
00:17:59Fausta? Yeah.
00:18:01I used to see quite a bit of her, Inspector, but not last night.
00:18:05The fact is, I taught humanities for a short while at the local high school...
00:18:10and Fausta took some of my courses.
00:18:13And people talk about kids' indifference...
00:18:15to see a friendship lasting between pupil and professor eight years after school's out.
00:18:21It's quite touching.
00:18:22Don't you think so, Mrs. Rouvigny?
00:18:25Very.
00:18:27The truth is, all of Oliviero's female students had a weak spot for him.
00:18:32I imagine it was never more than a passionate crush.
00:18:35One sugar or two.
00:18:36Without sugar is fine, thank you.
00:18:40So I presume, then, that...
00:18:41that Fausta has turned me in for allegedly standing her up.
00:18:45I didn't.
00:18:46Unfortunately, I don't believe she had time for that.
00:18:50We rather doubt she died of a broken heart, Mr. Rouvigny.
00:18:55Good God.
00:18:58But, I mean, who could...
00:18:59Commit such a vicious murder?
00:19:01That's just what we're trying to find out.
00:19:04At the moment, all we know for sure is that...
00:19:06her throat was cut with a sharp, curved blade.
00:19:10A sickle, quite possibly, Mr. Rouvigny.
00:19:14I'd like you to tell us just exactly where it is you were last night...
00:19:19between 8 and 10.
00:19:21I was here at the villa.
00:19:23My wife can confirm that.
00:19:27Ah, I see.
00:19:29Is there anyone else who can confirm it?
00:19:31Some household servant, for example?
00:19:34As you probably know, we've got a Negro girl.
00:19:37Yesterday was her day off, though.
00:19:39And she often stays out all night.
00:19:41Anyone else spend the night at the villa?
00:19:43What do you mean?
00:19:44I mean any one of the inhabitants of that mountaintop madhouse...
00:19:47they call the World Wide Campgrounds.
00:19:49You know, it's amazing the network townspeople have for spreading gossip.
00:19:53No.
00:19:54Last night, no one.
00:19:56I'm sorry to have to put you through this.
00:20:00And it may happen again.
00:20:01You see, murder has a habit of involving all sorts of people for no reason.
00:20:06So, you don't have a trip lined up, do you, Mr. Rouvigny?
00:20:10I see.
00:20:11Oh.
00:20:12No, no trip's lined up.
00:20:13Oh, that's what I thought.
00:20:15A writer's mind does all his wandering.
00:20:17Well, whatever.
00:20:18Don't stray too far.
00:20:20You've made your point, Inspector.
00:20:22And that goes for you, too, Mrs. Rouvigny.
00:20:24Sure.
00:20:29I don't know.
00:20:30Bartolo probably overheard our conversation.
00:20:32The girl was persecuting me.
00:20:34It had been going on for years.
00:20:36She was impossible.
00:20:38She simply refused to accept the fact it was all over and done with.
00:20:43Anyway, thanks.
00:20:46You could have undone me, gotten me locked up for nothing.
00:20:49I was late because of an accident.
00:20:52A tire blew out on me.
00:20:54There's no need to say anything.
00:20:57Yeah.
00:20:59It might spoil your new image of me, running around carving up women's throats.
00:21:04Completely impotent as a novelist, but what a sadistic killer.
00:21:09Who knows? Someday I might even try it.
00:21:14Maybe this throat will be my very first one.
00:21:38Let's go.
00:22:01There's no need to say anything.
00:22:02Let me go.
00:22:03A tire blew out on me, so I got it repaired. Is that clear?
00:22:06Yeah, and you watch your mouth from now on.
00:22:08Be careful.
00:22:37Hello.
00:22:38Hello.
00:22:42Very nice.
00:22:51The kids from the campground are here. Should I let them in, sir?
00:22:54Tell them to go away.
00:22:56I have enough whores in this house as it is.
00:22:58Get out.
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00:30:25There, keep it down, boy.
00:30:47You can put the groceries there.
00:30:55How come Brenda's not here, Mrs. Rouvigny?
00:30:57We let her go.
00:30:59You fired her?
00:31:00And she just took off?
00:31:01Mm.
00:31:02Oh, don't be damned.
00:31:03Is anything wrong?
00:31:04No, nothing, nothing.
00:31:05It's just that I got along pretty well with Snow White.
00:31:10That was my nickname for her.
00:31:11Ah, wait a second.
00:31:12Here, I brought some mail for you.
00:31:15I was down at the post office and old Man Maroney slapped it on me.
00:31:17He thought since it was a wire, it might be urgent.
00:31:20Telegram for us?
00:31:22Yep.
00:31:23Good news, I hope.
00:31:24Oh.
00:31:25Look at that, my little ball-breaker.
00:31:33Dumbass visiting relative is all we needed.
00:31:36Didn't she come to our wedding?
00:31:37I think so.
00:31:38Yeah, it was 58 that my sister moved to Paris.
00:31:39You know the loud-mouthed little ball-breaker isn't little any longer.
00:32:07Yeah, I know.
00:32:15Ah!
00:32:16Hey!
00:32:17Huh?
00:32:18What's the matter, honey?
00:32:19He touched me right on the ass, right here.
00:32:22He couldn't help it.
00:32:23It's his camouflage training.
00:32:24It looked too good to be real.
00:32:26Brutes.
00:32:28Giovanna!
00:32:30Welcome home.
00:32:32Welcome home, my dear.
00:32:35Ignore the loudmouth, Giovanna, dear.
00:32:37Soldiers behave better in the old days, back in the great war.
00:32:42She's not here.
00:32:44Well, let's go home again.
00:32:50Well, how do you like that?
00:32:51First the ball-breaker invites herself,
00:32:53then makes us come here for nothing.
00:32:56A little better this way.
00:32:58Hi, Oliviero.
00:33:00Thanks a lot.
00:33:01Anytime.
00:33:05Thanks.
00:33:06Jack, it's a lot cheaper than hitchhiking,
00:33:08and you meet the grooviest people.
00:33:10He was going to balloon you,
00:33:11and he came all the way out here just for me.
00:33:14What's the matter?
00:33:15You sick, Oliviero?
00:33:16I don't believe it.
00:33:17You couldn't be Floriana.
00:33:18That awful little child?
00:33:19Yep.
00:33:20And don't gawk so hard.
00:33:21Any moment you'll swallow a fly.
00:33:23How are you, Ramey?
00:33:24Fine, thanks.
00:33:25There's no need to ask about you, though.
00:33:27You look marvelous.
00:33:28Well, let's get moving.
00:33:30The sooner we get back to the villa,
00:33:31the quicker we can celebrate her.
00:33:34Here, let me take that.
00:33:35Thanks.
00:33:49How many rooms do you have here, anyway?
00:33:51Too many.
00:33:52We've emptied out quite a few of them, though.
00:33:54They're a hazard.
00:33:56The whole roof is going to fall in on us
00:33:58one of these days.
00:33:59Well, I've never had to cope with that feeling.
00:34:02I've never had a roof of my own.
00:34:11He doesn't earn much, your genius, does he?
00:34:13Oliviero claims that the novel is dead.
00:34:18What's really dead is Oliviero.
00:34:21He hasn't been able to write a single line for three years.
00:34:25The only thing he sells nowadays is the household furniture.
00:34:30It's only a cat.
00:34:32And a pretty one, too.
00:34:35Are you afraid of cats?
00:34:37I just don't like him.
00:34:39His name's Satan.
00:34:40He belonged to Oliviero's mother.
00:34:42Ah, and Esther's famous companion.
00:34:44Yes.
00:34:46What's this?
00:34:48Don't tell me.
00:34:51A pair of black silk stockings, no less.
00:34:55Hey, Rainey, have you some kind of fetish going on or something?
00:34:59Hmm?
00:35:00Give it here.
00:35:03They must belong to the girl that used to work for me.
00:35:06I had to let her go.
00:35:07She was completely hopeless as a maid.
00:35:10Come on, let's finish your room.
00:35:15So you went to live in this commune.
00:35:16How long were you there?
00:35:18Six months.
00:35:20What did you do in the commune?
00:35:22Oh, everything, pretty much.
00:35:25You hear that, Rainey?
00:35:27A couple of months or so in there would do you wonders.
00:35:30Where the women belong to everyone.
00:35:33Where the men belong to everyone.
00:35:35His sex is old hat, and he's scared to death of impotence.
00:35:38Literarily speaking, of course.
00:35:40Sex is a very demanding occupation.
00:35:43The basic requirement is imagination.
00:35:46Something Irina is totally devoid of.
00:35:49Isn't the tired, illustrious author being a little naive?
00:35:52What else is there?
00:35:53All the imagination in the world wouldn't do you any good.
00:35:56If you couldn't get a heart on.
00:36:05Well, go see who it is.
00:36:17Mrs. Rooney?
00:36:18Yes.
00:36:19Sorry to bother you.
00:36:20I was asked to deliver this.
00:36:24Thanks very much. Good night.
00:36:26Good night.
00:36:37What the hell is it?
00:36:38I don't know.
00:36:46You had it dry clean, you bloody fool.
00:36:48No, I thought you did.
00:36:50Sure.
00:36:52You're going upstairs. Come on.
00:37:11No!
00:37:13Olivia, help me!
00:37:15No!
00:37:30Irene?
00:37:37Irene!
00:37:41Oliveira?
00:37:45What's going on around here?
00:37:47Nothing is going on around here.
00:37:49Irina doesn't feel well.
00:37:51It's been a hard day.
00:37:53Is there something I can do to help?
00:37:55No, not now.
00:37:56She's just tired.
00:37:57It's not easy keeping this house up without servants.
00:38:01I also feel tired.
00:38:03It's a strenuous trip coming from Paris to here.
00:38:06See you tomorrow.
00:38:09I'm sorry.
00:38:10It's a strenuous trip coming from Paris to here.
00:38:13See you tomorrow.
00:38:30Who is it?
00:38:34Excuse me.
00:38:35I just wanted to get some notes out of this closet.
00:38:41You need some stationery?
00:38:43No, I'm just writing down addresses.
00:38:53Now, would she or wouldn't she?
00:38:55However sad the world of Oliveira Rouveni,
00:38:58However unimaginative,
00:39:00His niece Floriana stands poised to help her helpless uncle enjoy life again.
00:39:10What...
00:39:12What made you decide to visit us?
00:39:15Hearing the news about Anastasia kicking the bucket.
00:39:17Just didn't get it together till now.
00:39:21What have you heard about me?
00:39:23Nothing.
00:39:24Just the usual.
00:39:26That since you got married, your lustrous brain has gone sterile.
00:39:29That you're a brute, an alcoholic, and a drug addict.
00:39:32Et cetera, et cetera.
00:39:34Et cetera, et cetera.
00:39:41Incidentally, is it true you slept with your mother, Oliveira?
00:39:46When you were already grown up, I mean.
00:39:51Is it true about you being a two-bit whore?
00:39:54Well, they might be considered two bits well spent.
00:40:11No!
00:40:12No!
00:40:13No!
00:40:15No!
00:40:16No!
00:40:17No!
00:40:40No!
00:41:10No!
00:41:38Irene!
00:41:41What the devil did he lock you up in here for?
00:41:43You told me you weren't feeling well.
00:41:45Think you can make it to your room?
00:41:47Yes.
00:41:48Where is he?
00:41:49I just heard him go out the front door.
00:41:50For God's sake, why didn't you call for help?
00:41:52He's a damn sadist.
00:41:54You don't know.
00:41:56You don't know how sick Oliveira is.
00:41:58He frightens me.
00:41:59You mean he's crazy?
00:42:00Well, sometimes.
00:42:02He doesn't realize what he's doing.
00:42:04Come on up to my room.
00:42:05I know Oliveira belonged to a family of nuts,
00:42:07but when it comes to this,
00:42:08I think you ought to get him to a doctor.
00:42:10No.
00:42:11No.
00:42:13He's sick, but doctors, no.
00:42:15No outsiders.
00:42:16I want to help you, Irene, if you trust in me.
00:42:20What is going on?
00:42:25Last week, we had a visit
00:42:28from the police.
00:42:31They found this woman with her throat cut.
00:42:48Now you know it all.
00:42:50But you can't go on living with someone you think is a killer.
00:42:55Don't say anything, though, please.
00:42:57Don't repeat a word of what I've said to Oliveira.
00:43:00Because, oh, my God, I'd be dead if he knew.
00:43:04Not as long as I'm around.
00:43:09You've got a fever.
00:43:11You're really boiling.
00:43:17Now, don't you worry.
00:43:20I won't say a word to the monster.
00:43:24Naturally, I'm on your side.
00:43:26All the way, Irene.
00:43:30You're very sweet.
00:43:34But now...
00:43:35Yes, go on, say it.
00:43:38Now that you know,
00:43:41you want to leave.
00:43:44And rightfully so.
00:43:46It never entered my head.
00:43:49We're going to be allies, the two of us.
00:43:52United.
00:43:55Why are you doing it?
00:43:59Why?
00:44:29Why?
00:44:59Why?
00:45:30Hello.
00:45:32Good evening, Your Honor.
00:45:35Giovanna just got in from Florence this morning.
00:45:38Giovanna!
00:45:40You remember the one with the funny little scar?
00:45:43Certainly.
00:45:45Tomorrow?
00:45:47Oh, tonight, well, I...
00:45:49Well, she's very tired, poor girl.
00:45:51She's had an awfully rough day.
00:45:54Years and laughters.
00:45:56Till tomorrow, then, Your Honor.
00:45:58And get plenty of rest now, Your Honor.
00:46:00Good night, Your Honor.
00:46:02I really am kind of tired, Aunt Millie.
00:46:04Think I'll turn in, okay?
00:46:06It's nothing like it was, Giovanna, my dear.
00:46:08Now all my customers have money.
00:46:10And the prices are going up daily around here.
00:46:13Sleep well, darling.
00:46:15Tomorrow's going to be a big day.
00:46:26Good night.
00:46:56Good night.
00:47:27Aunt Millie?
00:47:29Is that you?
00:47:56Aunt Millie?
00:48:26Mother?
00:48:56Oh.
00:49:26Oh.
00:49:56No!
00:50:08Hey, hot potato, got any cream in that tricycle?
00:50:11Hot potato?
00:50:13Well, mash me, mash me.
00:50:15I'll need some cream.
00:50:17The best in the county, coming right up.
00:50:19The best because it's the purest, the freshest,
00:50:21and because it's the only kind I've got.
00:50:23How provincial.
00:50:25How are you?
00:50:27I'm a hybrid.
00:50:29Ah, so you're the latest victim of their slave trade.
00:50:31Before you, they had this colored chick,
00:50:33made the poor girl do every dirty job in the book.
00:50:35Maybe that's why she hightailed it.
00:50:37Do you know her very well?
00:50:39Oh, what a piece of... She was a very nice girl.
00:50:41She shafted you then, huh?
00:50:43Well, not exactly.
00:50:45I mean, one bright morning, and whoosh, she was gone.
00:50:47I only hope she didn't end up like poor Giovanna.
00:50:49How's that?
00:50:51Morning, Mr. Rouvigny.
00:50:54Sundays, I race trail bikes.
00:50:56If you want to go along,
00:50:58I'll show you a real hot potato.
00:51:00Yeah?
00:51:04Oh, one potato, two potato, three potato, four.
00:51:10It's kind of pleasant, this integration of Europe,
00:51:12don't you find?
00:51:14Sorry, I'm afraid I'm a bit behind the times.
00:51:17One of the pitfalls of a writer.
00:51:19I've got to go.
00:51:21One of the pitfalls of a writer.
00:51:23Integration in what way?
00:51:25Oh, here we are, in a piazza in the north of Italy,
00:51:27with German ale and Scotch whiskey.
00:51:31It's all poison, no matter where it comes from.
00:51:34Ah, that's the trouble with you intellectuals,
00:51:36your cynical pessimism.
00:51:38Come on, you're not going to tell me
00:51:40that the Homicide Squad is a hotbed of humor, Inspector.
00:51:44No, it's not.
00:51:46We do whatever we can with whatever is available.
00:51:49And to think that our laboratory
00:51:51has even got a magnifying glass somewhere or other.
00:51:55Joke's apart, though.
00:51:57I'm very sorry.
00:51:59You're sorry? Why?
00:52:01Well, the killer turned out to be the bookstore manager.
00:52:03Ah. You mean Bartolo.
00:52:05His real name was Liquori.
00:52:07And seven years ago,
00:52:09he escaped from the Albuzano Institute
00:52:11for the Criminally Insane.
00:52:13Killing women gave him sexual gratification.
00:52:16Well, you shouldn't have any more problems then.
00:52:19No, not with this particular case.
00:52:22But who knows what the next will bring.
00:52:24So you see, dispatching my ex-student
00:52:26to that great high school in the sky wasn't my doing.
00:52:29And you'd like to believe it,
00:52:31only there's this tiny voice that can't stop saying,
00:52:33Oliviero's a killer.
00:52:35Does it arouse you to think
00:52:37that you're sleeping beside a killer?
00:52:39Let go of me. You're drunk.
00:52:41Yes, yes, I'm drunk as a lard.
00:52:43As drunk as I was that night.
00:52:45As drunk as I was. I did not kill our black Cinderella.
00:52:48It wasn't me. It wasn't. I didn't do it.
00:52:50Do you understand, wife? I didn't do it!
00:52:52All right, husband, why don't you go and tell the police that?
00:52:56No!
00:52:58You're mad. You're crazy.
00:53:00Let me go.
00:53:02Let me...
00:53:04You're joking.
00:53:15You're joking.
00:53:34Dario Luisetti, number seven,
00:53:36has taken the lead on this fifth lap.
00:53:38And it looks like he's trying to set a very fast pace.
00:53:40Armando Cartesian, number three, has dropped back to second.
00:53:43And Lucio Camaroglio is still holding on to third.
00:53:46Fourth, the Spaniard, Luis Moreno.
00:53:55Give it the gas, Dario!
00:53:57Put it on!
00:54:13Come on!
00:54:43Come on!
00:55:09Hang on, everyone.
00:55:11The Spaniard has just stopped at Gopher Tail Corner.
00:55:13It looks like he's got mechanical trouble, and he may be out of the race.
00:55:16Camaroglio has taken over the lead,
00:55:18and four seconds behind is Luis Moreno,
00:55:20with Cartesian third and closing fast.
00:55:23What? Say, where's the Gopher Tail Corner?
00:55:26Down at the base of the hill.
00:55:34Thanks.
00:55:37Stupid bitch of a rotten mother of a lousy, no-good cyclist.
00:55:41I'm winning three laps to the finish, and you conk out on me.
00:55:45Hail, son of the centaurs!
00:55:49Three whole months I've been working for this goddamn race.
00:55:52This mother has to go and get its valves all clogged up just when I was winning.
00:55:55What are the valves, anyhow?
00:55:57I'll go to hell, will you?
00:55:59Oh, I'm sorry for you.
00:56:01It's just that this race was everything to me.
00:56:04Everything.
00:56:06Was it, really?
00:56:15Little bitch, there they go on the last lap.
00:56:20Come on, Liz.
00:56:35Well, here we are.
00:56:37Here we are where?
00:56:39Here we are where we want to be.
00:56:41Well, here we are.
00:56:50The Eskimo two-place insulated bag is highly recommended
00:56:53for when climbing in the Himalayas.
00:56:55And here's the bridal suite.
00:56:57You don't really mean we're going to make love up here, do you?
00:57:00Why not? What do you want, a grand hotel?
00:57:02It's more romantic here, isn't it?
00:57:04Watch your head.
00:57:06There we go. The instant bed.
00:57:10Did you make love to the color check here, too?
00:57:12Mmm, such nasty thoughts.
00:57:14You're not prejudiced, are you?
00:57:16Come on, get undressed. It's not cold.
00:57:19Don't just stand there fidgeting. Come on.
00:57:22You women and your preparations.
00:57:25Good grief, you're slow. Come on.
00:57:33Mmm, I swear.
00:57:36If I ever get the national trail racing championship,
00:57:38I'm going to hire me a maid just like you.
00:57:40Come on.
00:57:42See, you can't change your mind once you're zipped in.
00:57:47Here we go, beautiful.
00:57:56Come on.
00:58:02Mmm.
00:58:18You're good.
00:58:20Maybe we could even do it again sometime.
00:58:23But no complications, understood?
00:58:32Come on.
00:59:02Mmm.
00:59:32Mmm.
00:59:43Meow.
00:59:55Meow.
00:59:57Meow.
00:59:59Meow.
01:00:01Meow.
01:00:04Meow.
01:00:06Meow.
01:00:10What do you want?
01:00:12Just old bottles and newspapers and junk.
01:00:15Get out of here.
01:00:17Get out of here!
01:00:32Oh.
01:00:41Ah.
01:00:43Well, when are we going to have another go?
01:00:45Who knows?
01:00:47But didn't you like it?
01:00:49Tremendously.
01:00:52Then can't you tell me, like, when you think you're going to be free?
01:00:55I'm always free. Ciao.
01:00:57Ciao.
01:01:02Hey!
01:01:06You almost gave me a heart attack.
01:01:08What are you doing here in the dark?
01:01:10What is it?
01:01:12Are you all right, Irene?
01:01:14An awful thing just happened, Flo.
01:01:17With that beastly cat.
01:01:20And now I'm so afraid.
01:01:23So terribly afraid.
01:01:25And you are?
01:01:28So terribly afraid.
01:01:30And you are the only one who can help me.
01:01:33Hey, take it easy.
01:01:35Calm down.
01:01:37Come on, tell me.
01:01:39Tell me what happened.
01:01:41Well, it's about Satan.
01:01:45That little monster is diabolical.
01:01:58Ah!
01:02:08Ah!
01:02:10Irene!
01:02:16My wife's dead.
01:02:18Oh, cut it out.
01:02:20What did you buy that awful stuff for, anyway?
01:02:22Awful stuff? It was a question of taste.
01:02:25Satan's favorite meal is sheep eyes and cream.
01:02:28Irene. Irene, come on, it's nothing.
01:02:31Why don't you get some brandy?
01:02:33Or at least a glass of water, for God's sake.
01:02:35I guess Satan's in love, too, at the moment.
01:02:38I haven't seen him since yesterday.
01:02:46You know, if life had only granted me someone like you before,
01:02:49it all would have been so different.
01:02:52You're so beautifully fresh.
01:02:56Go away! Away!
01:02:58Calm down, it's all over.
01:03:00You just had a little shock, that's all.
01:03:02Here, drink this. That's it.
01:03:16Now, don't be scared.
01:03:18He's still totally unaware.
01:03:22And luckily, the cat's disappeared.
01:03:53Is this how the colored girl looked when you murdered her?
01:03:57All right, I don't look like Mary Stuart.
01:04:01But then, you're no Earl of Leicester, either.
01:04:04I've done some research on the subject.
01:04:07It's quite a story, two queens struggling against each other.
01:04:10Extremely enlightening.
01:04:15And what's Irene's story?
01:04:19That she's stuck here with a drunken, homicidal maniac?
01:04:23No, nothing like that.
01:04:25It's just that, with all that's gone on here lately,
01:04:28she's frightened out of her wits.
01:04:32And you?
01:04:34You say a lot more when you're willing to look.
01:04:37Yesterday, when you were spying on us in that loft,
01:04:40of course I saw you, it had to be you.
01:04:42I kept thinking of how it would have been to have had you in that bag there.
01:04:46And you?
01:04:48I see you're the cheap piece of tail I thought you were.
01:04:51And do you really have the imagination you claim?
01:04:55Take this dress off right now.
01:04:58You rip it off my shoulders.
01:05:01Strip me down.
01:05:46Strip me down.
01:06:16No.
01:06:23It's all right.
01:06:28Irene!
01:06:35Irene.
01:06:38Where did these come from?
01:06:41Do you mind answering me, Irene?
01:06:46I lost the other one, so...
01:06:49It's like a new pair.
01:06:51It's odd.
01:06:53Why?
01:06:55The cat's been gone now for two days.
01:06:57He hasn't come around at all, not even to eat.
01:06:59Don't you find that rather odd?
01:07:03What have you done to him? Have you hurt him?
01:07:06Are you crazy? Why should I hurt the cat?
01:07:09Because you would have loved to have hurt him.
01:07:13And I know why.
01:07:15Because you hate poor Satan. Because he belonged to my mother.
01:07:18And because now he belongs to me like you never did.
01:07:20Because he's a part of me like you can never be.
01:07:22Because you're a stinking, rotten, lousy slut!
01:07:26Please, Oliviero.
01:07:28Please stop it.
01:07:30I can't take this torture anymore.
01:07:32It wouldn't take much of a push. One small push.
01:07:35You're hurting me.
01:07:37You're hurting me.
01:08:07No.
01:08:22Captain, can I ask you a question?
01:08:24Well, I'm not a... Ah, good morning, Mrs. Molinaz.
01:08:27Good morning. Can you help me? I'd like to speak to the police general.
01:08:30Yeah, well, you'll find him over at the station. You see that sign there?
01:08:34Oh, thanks. Good morning to you.
01:08:36Good morning, ma'am.
01:08:59You wish he were dead, don't you?
01:09:02I know life is hell for you. I've seen it. Why do you stay?
01:09:05He'd never let me go. Never.
01:09:09You could be wrong.
01:09:11He told me last night he wants to kill you.
01:09:14No. Destroy his plaything, his victim.
01:09:17He wouldn't think of it.
01:09:20It's just his way of bragging.
01:09:22What he really wants is to go to bed with you.
01:09:24He already has.
01:09:27Jealousy. You're jealous, Irene.
01:09:29No, not the way you think.
01:09:33He's a failure, not only as a writer, and he knows it.
01:09:37And refuses to acknowledge it.
01:09:40Perhaps that's the cause of the whole thing.
01:09:43Have you ever, like, thought of ending the whole thing once and for all?
01:09:46It would really be quite simple.
01:09:49Quite simple?
01:09:51You just have to choose the method, that's all.
01:09:54Like, for instance, a picnic with a tragic ending.
01:09:58The husband slipping and going over the precipice.
01:10:00The inconsolable widow.
01:10:02Doesn't it sound romantic?
01:10:31Mmm.
01:10:40Now that I've found you, I can't take her anymore.
01:10:43Between her hysteria and your sex fixations, I can't take either of you anymore.
01:10:47You keep this up, I'm leaving.
01:10:52Now, I think you'd better go.
01:10:55Any moment she could walk in on us.
01:10:57And I have the least desire to watch another one of your spectacles.
01:11:01You're not going to see another spectacle.
01:11:05Because I'm getting rid of her this time.
01:11:08But please don't leave me.
01:11:10I've reopened the wall in the cellar, there's plenty of room for her in there.
01:11:13I swear, this time I'm serious.
01:11:16You're drunk. Get out of here.
01:11:27Meow.
01:11:34Meow.
01:11:41Meow.
01:11:49Meow.
01:11:57Meow.
01:11:58Meow.
01:11:59Meow.
01:12:25You were spying on me, weren't you?
01:12:27That's it, I'm going to break your bloody neck.
01:12:34You watch it. Just watch it.
01:12:57Oh.
01:13:27You watch it.
01:13:43What do you want?
01:13:44Come on down.
01:13:45I can't. What do you want?
01:13:46I'm racing tomorrow. I've got to leave early in the morning.
01:13:48But so what?
01:13:49So why don't you come along?
01:13:50It's over at Chesnotico.
01:13:52If I win this one, I'll be up for a contract to race for a manufacturer.
01:13:55I'll meet you down at the bridge at 8.
01:13:57Come on. We'll have a ball.
01:13:59Get out of here, or you'll wake everyone.
01:14:01Not till you tell me you'll be there.
01:14:03All right, I'll be there. Now go.
01:14:06Ciao.
01:14:55♪
01:15:15♪
01:15:44♪
01:15:54♪
01:16:14♪
01:16:24♪
01:16:52Such a simple stuff, wasn't it?
01:16:55I was beginning to wonder if you'd ever take it.
01:16:58No, I didn't know what I was...
01:17:01Look at this. Look what it says.
01:17:04I mean, he was gonna kill me for real.
01:17:06He already opened up the wall in the cellar right next to the colored girl.
01:17:11You can tell your side till you're blue in the face.
01:17:14You're still going to spend the rest of your life in prison.
01:17:18Yes. You know, judges are almost always married.
01:17:23And they're not about to absolve a wife who has...
01:17:27It's a matter of...
01:17:30Defending a privilege.
01:17:36My mother once told me that Auntie Esther had a valuable set of jewels.
01:17:44Where are they?
01:17:45They're no use to you now, and I'll inherit them anyway.
01:17:49No, please, Flo, don't. Please don't talk like that.
01:17:52She would take the jewels with my blessing. I don't...
01:17:54I mean, my God, I couldn't care less.
01:17:57But don't run out on me.
01:18:00Partners, huh? All right.
01:18:03Let's get rid of the body.
01:18:05Okay.
01:18:36Here. This is all there is.
01:18:39I've no idea what they're worth, and I don't want to know.
01:18:44Her taste was awful.
01:18:46But then value is what I'm interested in.
01:18:49Auntie Esther's lovers gave her these, and they were all rich men.
01:18:57Take them. They're all yours.
01:19:06Well, I think I'd better be on my way.
01:19:09No, not yet.
01:19:11Please, I'm afraid.
01:19:13Yes, I believe you are. It's your problem now.
01:19:16So start facing up to it.
01:19:19What are you going to say about Oliviero?
01:19:21That he went to...
01:19:24He's gone on a cruise, and in a month I'll...
01:19:29I don't know. I'll just leave, I guess.
01:19:32Well, it was some little vacation.
01:19:35Ciao.
01:19:36Please stay, Floriana. Just for tonight, would you?
01:19:40Please, Floriana, don't go.
01:19:43Tonight, but tomorrow I go.
01:19:45Tonight, but tomorrow I go.
01:20:01No.
01:20:05Don't you think that my way of making you feel sleepy is far nicer?
01:20:15No.
01:20:45I love you.
01:21:15I love you.
01:21:45I love you.
01:21:58Floriana?
01:22:10Floriana?
01:22:15Floriana?
01:22:21Floriana?
01:22:45Floriana?
01:23:16Who is that there? Why did you ask me to stay?
01:23:19Were you planning to kill me?
01:23:22Oh, no.
01:23:45Pete.
01:24:16Floriana, what are you going to do?
01:24:22Floriana!
01:24:31Floriana!
01:24:45Floriana!
01:25:01She's sure to be at the bridge at eight now.
01:25:04She has no other choice.
01:25:06Yes.
01:25:08It'll be the end and the start of everything.
01:25:16No.
01:25:20You came to the end you deserved.
01:25:24I'm only sorry you suffered so little.
01:25:33I only pray that there is some kind of life after death.
01:25:38Because then your mother will be there to tell you just how long my vengeance has taken.
01:25:43Since I started by killing her.
01:25:47And I saw to it that you could lie together with your little black slave for eternity.
01:25:53You hear me, Oliviero?
01:25:55Yes.
01:25:56Yes.
01:25:57It was I who had your darkie killed.
01:25:59Simply for the delight of watching you begin to think you might actually have done it yourself.
01:26:06It was so easy.
01:26:08So easy with your memory drowned in alcohol for me to slash away until your last scrap of self-confidence was ripped to shreds.
01:26:21Oh, I destroyed you, yes.
01:26:24Little by little.
01:26:26Hour by hour.
01:26:30And I was going to go on destroying you and see you burst with madness.
01:26:35Until I found out you wanted to get rid of me as well.
01:26:39But I hope somewhere, some part of you is still alive.
01:26:44So that you can go on suffering forever.
01:29:04I love you.
01:29:34I love you.
01:29:57It went off slick as oil.
01:29:59It was Charles' play.
01:30:01Even simpler than that colored girl.
01:30:04And the jewelry? Did you get it all back?
01:30:07All of it.
01:30:09She put it in a plastic bag, of all things.
01:30:11The bitch.
01:30:13Convinced she was the smartest thing around.
01:30:16The problem now is the two bodies.
01:30:19Why? It's a typical highway accident.
01:30:22I meant the two corpses in the cellar.
01:30:25They might be found.
01:30:28Come here, Walter. I want to show you something.
01:30:30How about bringing them up here in the middle of the night?
01:30:34What do you think?
01:30:40Far enough down for you?
01:30:49What can I say?
01:30:51It's a great idea.
01:31:00Ow!
01:31:31Hello, Mrs. Rouvigny.
01:31:35We're just about to give up and leave.
01:31:37No one answered the door.
01:31:40Good morning.
01:31:41Mrs. Rouvigny?
01:31:42Back again?
01:31:43I mean, we thought it was all settled.
01:31:45Because where you see my husband, my husband's away and...
01:31:48No, no, it's you we're here for.
01:31:50You're accused of a gross crime, Mrs. Rouvigny.
01:31:53A crime?
01:31:54Yes. Torturing a cat.
01:31:56A cat?
01:31:57Yeah, it sounds silly, but it's just one of those things we have to look into.
01:32:02Mrs. Molina, the old gentleman,
01:32:04I understand that she worked for your husband's mother,
01:32:06Countess Esther Rouvigny, at one time.
01:32:08Yes, I know her.
01:32:09Well, she filed a formal complaint, so...
01:32:12The truth is, you see, raising white doves is a hobby of mine
01:32:15and that beast was always doing his best to make a meal of them, so I...
01:32:18It's the law of nature.
01:32:20I'm sorry.
01:32:21I understand.
01:32:22I just thought I'd talk to you first before calming down the old lady.
01:32:25I'm sure she only did it out of the goodness of her heart.
01:32:28If you'll write out a statement for us.
01:32:31Do you want to come in?
01:32:32Yes, thanks.
01:32:33I hope you'll accept a drink.
01:32:35Well, I shouldn't.
01:32:36But for some reason, I can't get the feeling I'm on duty investigating a cat.
01:32:44Thanks.
01:32:47I'm sorry.
01:32:49Thanks.
01:32:53Here you are.
01:32:54Thank you.
01:32:55You're welcome.
01:32:56To your health, Mrs. Rouvigny.
01:33:00And to the cat's, too.
01:33:03That's him in the picture, isn't it?
01:33:05Yes.
01:33:07Did you hear that?
01:33:09The cat seems to know that we've come on his account.
01:33:14Black infernal beast, I...
01:33:17He frightens me, Inspector.
01:33:19There's something about him, I...
01:33:27I...
01:33:29I...
01:33:31I...
01:33:33I...
01:33:35I...
01:33:36No, no, don't worry about it. It...
01:33:47Sounds like it's coming from that door down there.
01:33:50It leads to the cellar, but that door's always shut.
01:33:53Well, it's open now.
01:33:55If we find him, we'll get rid of him for you.
01:33:57No, no.
01:33:58My husband's very attached to him, and...
01:34:01And he'd be awfully mad if the cat weren't here when he came home again.
01:34:07From his meowing, it sounds like he's hurt.
01:34:09I think we'd better have a look.
01:34:10But...
01:34:11I...
01:34:30I don't see him.
01:34:31Some great ventures here.
01:34:33Barolo.
01:34:34Catinara, 51.
01:34:36Cabernet.
01:34:38Brunello, 56.
01:34:40Funny, I swear this is where the meowing was coming from.
01:34:44This one here is worth a fortune.
01:34:46I'm afraid I wouldn't know.
01:34:51Well?
01:34:52I don't know. It seems he isn't down here.
01:34:54Since you enjoy wines, here, take one if you like.
01:34:57You're being much too generous.
01:34:59And I'm not sure your husband would...
01:35:00Oliviero would insist. Please take it.
01:35:02How can I refuse?
01:35:04Thanks very much.
01:35:05You're welcome.
01:35:10Come on.
01:35:29Now, there's a hole in the wall.
01:35:31Looks like it's been dug out from inside.
01:35:34And the plaster all around it is fresh.
01:35:40He's there.
01:35:42He's in there.
01:35:44The little monster is in there.
01:35:46That's a souvenir.
01:35:48Calm down.
01:35:50Take it easy. There's nothing to be afraid of.
01:35:53He wants me to die, to be destroyed.
01:35:56He's a monster.
01:35:57He's Satan.
01:36:01He's Satan.
01:36:10He's Satan.
01:36:40You