Karceno talks about Drake's weird fascination with Aaliyah and attaching his name to her timeless songs without the estate's consent, plus Barry who masterminded the attempt to make a posthumous duet album https://www.youtube.com/watch?v=AtStRt6uwjw
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00:00Yes, a lot of people are connected to this parasitic human being named Drake
00:04and his weird obsession for Aliyah
00:08and how Kendrick Lamar has come through and all of that and highlighted it
00:12it made Dane Dash happy because Dane Dash wasn't in a position to really say anything about it but he was very upset
00:16with Drake's behavior. And even DMX had brought up issues and took issues
00:20to what was going on with it. Now Drake brought up the fact that, okay, I see where this is going. I see what Homeboy
00:24wants to do and what he's trying to do, but I'm not going to let him get away with it. See what Drake was thinking is, okay, I see
00:28this is the game you want to play. Drake wanted to go down this road, but Dane Dash is like, I want to choke him
00:32and wring his neck. Drake does this thing where he attaches himself to artists
00:36when it comes to a form of obsession, but he chooses top black talent
00:40like Michael Jackson, Aliyah,
00:44some of his fans, and oh I love them so much, and this and that. He wants to ingratiate himself
00:48but to use that fanbase or whatever was there, what's up Felicia, and take everything
00:52that's there and make it his own. And he wants that fanbase to accept him
00:56and Kendrick wants to call him out for this behavior, that he's not a colleague,
01:00he's a colonizer. And Dane Dash looks at him and says
01:04the same thing you just said about him being a Jewish guy, saying this about Aliyah.
01:08It's rubbing him the wrong way. It's not coming out as a, oh I'm just doing this because I'm a big fan.
01:12Let's look at the first weird domino, which isn't the first weird domino, but it's just a
01:16domino to look at. Look at this by Drake. He wrote a
01:20letter to Aliyah who's dead. Dear Dana, I've never lost a parent, a friend, or a lover, but I will
01:24never forget this day for the rest of my life. I remember getting the news that you had passed and it connected with my heart like a
01:28clean shot from a hominid. I was crushed. Not only was I one of your biggest fans, but I was truly
01:32in love with you. What? I loved the way you carried yourself, the way you dressed, the confidence with which
01:36you addressed passion and relationships in your music. I said to myself that even if we never meet,
01:40never met, I want a woman in my life just like you. I am pained
01:44that we will never get to connect now that music ended up being my career path. But you should know
01:48we all listen to you every day and we remain inspired and moved by all that you have given the world.
01:52I hope I make the right life choices so I can end up in heaven where I know you rest your head.
01:56I'll continue to make music in your honor until the day we finally meet. Dinner's on me.
02:00Love you always and forever. Drake." What kind of weirdo shit is this?
02:04So, I would
02:08imagine Dang Dash would want to slap him in the face because he's been doing this over and over.
02:12This type of behavior has been going on with him. It's an obsession. Dinner's on me.
02:16So they're eating food in heaven. That's what they're doing
02:20out there. They're sipping on wine, eating food. They're not physical.
02:24It's a spiritual form. So what would they need to eat for?
02:28Every time he has an artist
02:32he likes, it's an obsession with the artist. It's not something that's normal. It's always
02:36some connected obsession. Sade, like you mentioned. Sade. Obsession.
02:40And why is he doing these things? Because
02:44it's clear he wants to get their music, he wants to control it, and put it out as his own.
02:48Like he did with Michael Jackson. He pretended to be this big Michael Jackson fan. Now he's
02:52sly-dissing him on Family Matters.
02:56Then you would stand next to him and play the single because you were afraid it was going to hurt your image after you used him to try to sell Scorpion.
03:00And I told you, I didn't agree with that. These two lying ass dudes came out talking about,
03:04yeah, we lied to the female court. No, he really didn't hurt us. Trying to get some money somewhere.
03:08And then you overcome with this thing and you get scared. I don't want to perform that song.
03:12Trying to use us in our artistry. Michael Jackson would have never given you his music.
03:16Ever. Aaliyah wouldn't have done anything with you. She wouldn't have worked with you.
03:20No, no. You got her tatted on your body. Everything, dog.
03:24You're doing way too much. And he's been doing it for years.
03:28A lyrical play. Yeah, they didn't want to deal with any of it. And I don't really blame them.
03:32It was triggering to hear someone that Jewish saying, you know what I'm saying?
03:36And Tai Pote was a very strategic, eloquent, lyrical play.
03:40If there was one person I would have wanted to meet and get to know, it would have been her. The words in her music.
03:44The ways that she uses. We have a lot of things in common. The way that she thinks. The way that she views
03:48love and relationships in her music.
03:52Drake's obsession with the late R&B icon Aaliyah is making headlines again amid allegations
03:56about Drake being a PDF file. Yeah, and Dame is like, this is my girl.
04:00And this dude was playing around with my girl. This fool is talking about my love.
04:04You never met Aaliyah. She don't know you. You talking about you love her music.
04:08You want to steal her music. That's what you want to do. You ain't got this tattoo.
04:12Look at this tattoo on her back. You went in there. Someone, she's going to be OVO forever. That's what he said.
04:16Then he tried to take her album.
04:20While she's gone, he's going to try to do a release album.
04:24What do you think about the new Aaliyah album now?
04:40See, X is telling you. X is like, look, beat him up.
04:44How are you going to make an Aaliyah album and put out a Aaliyah tribute album with her music
04:48against her family's blessing and don't contact Missy Elliott or Timbaland?
04:52But you can do the album.
04:56This is what we talk about. Colonizing music. You're not a colleague.
05:00You a colonizer.
05:04You trying to use her and her music. That's an obsession
05:08to use people.
05:12Yeah, Dame was sick of it. Dame had enough of this.
05:16This has been going on for years. Years. And he was sick of it.
05:20I'm glad Kendrick said something.
05:24It's been going on for too long.
05:28Kendrick said it.
05:32Yeah, Kendrick said it. And that's what made the difference.
05:36Kendrick put it in the air. So Dame felt good. Like, yes, finally. Somebody has said it.
05:40This dude has been disrespecting my girl for years. Over 10 years, going.
05:44Continuously disrespecting my girl.
05:48Yeah.
05:52Yeah, that's the stalker letter.
05:56Bruh, you lusting after a girl? I can see if you said, when I was a kid,
06:00when I was young, I used to love Aaliyah. And blah, blah. No, he ain't doing that. He's talking like,
06:04she's still there with him.
06:08Like, she was with him. He loves her. Like, this is my inspiration. Like, she's here with me.
06:12Baby tried to sneak and put an album out.
06:16She deserves the credit now on how I'm living.
06:20Crazy. Rest in peace, baby girl.
06:24Let me know the next move. I should make love to you. You see how weird this dude is?
06:28First of all, why you and Chell got y'all shirts off?
06:32Y'all shirts and skins?
06:36Got Aaliyah's tattoo on his chest. Oh, my God. A birthday? It's like, what is wrong with these people?
06:40Talking about, she would have been OVO. This is just crazy, man.
06:44That's what I'm saying. If you ever run into Dane Dash, Dane Dash will whoop you, boy. Dane Dash will whoop you.
06:48Dane Dash will whoop you, dog. You're doing too much.
06:52And it's unnecessary.
06:56I mean, people in Toronto, they know. There's people, they think Drake speaks for all Toronto.
07:00And this is the furthest thing from the truth. He does not speak for all Toronto. Toronto moves differently.
07:04They don't move with this type of a thot that Drake is on. They don't. He make them look bad.
07:08This behavior he's been doing is not how he moves.
07:12Drake was like 13 years old
07:16when Aaliyah was putting out her hit records and all that stuff.
07:20I was like, are you serious? You're like 13, dog.
07:24You're like in eighth grade.
07:32Oh, I spoke about the boxing at the Olympics.
07:36We did that early this morning.
07:40Drake's a warlock? Maybe so. We don't know.
07:44Uh-oh, outlaw from the man. We got another outlaw here. Immortal outlaw.
07:48I remember it was two outlaws. I was like, what happened?
07:52The other outlaw here. We got the immortal outlaw here, dog.
08:00Yeah, so if you're going by his status,
08:04and this text stanza that he tries to promote of this is me, I'm real,
08:08I'm Drizzy Drake. It's like, come on, man. Your own father knows you're living a lie.
08:12And he tried to explain it to you. He was just like, why are you lying?
08:16Your own daddy bust you out.
08:20We already know what's going on in your case, in your situation.
08:24Your family, your people, they come around, they make the rules, they say what's what.
08:28I get it. I understand. You ain't your own man. You got to do what you got to do to get paid.
08:32But your father is confused because you don't come from that. Your daddy come from Memphis.
08:36So if he's on that time and that wave, man, he don't understand what you're trying to say about anything.
08:40You don't get it.
08:54It's not just disrespectful, but actually sick and twisted.
08:58And we'll talk about this Drake R. Kelly connection in a second.
09:02But first, let's discuss how Drake had the nerve to disrespect Aaliyah's legacy
09:06when he tried to release a posthumous album without her family's permission.
09:10So back in early 2012, Drake stirred up quite a controversy and angered Aaliyah's fans and colleagues
09:14when he announced he was going to release a posthumous Aaliyah album with his long-time producer, 40.
09:18And Aaliyah is very special. You know her earpiece. Yeah, definitely.
09:22Some great Aaliyah moves. Some special things. Some more tapes.
09:26Just gave you that. Because I say I'm a Westwood, so I can't map.
09:30I mean, just incredible.
09:34Because I think more than anything, Aaliyah always made music that it was never uncomfortable for me to listen to.
09:38Because at the end of the day, you're a man, you know what I mean?
09:40And she always kept it so G with the writing and the melody that it just made it something to ride to.
09:44Drake first dropped a track called Enough Said, which featured Aaliyah's voice.
09:48And he claimed Aaliyah's loved ones gave him their blessing to do an entire project as a tribute to Aaliyah.
09:50It's all off the Aaliyah project that me and 40 are commanding.
09:52And 40's just doing some incredible music right now.
09:56So to get 13, 14 Aaliyah songs, everybody should be excited.
09:58People around her, everybody from her family to her old management label were just like, if there's anybody else that can do it right now,
10:02it's me and 40 and I was honored.
10:04We're going to pull in some classic people.
10:06Anybody who used to work with Aaliyah, that was essentially her career.
10:08We definitely hope to have them involved.
10:10It's great to get a new Aaliyah album this year on top of everything.
10:12But see, even back then, Drake was already showing signs of being a master manipulator and a habitual liar.
10:14Because it turned out he never got the blessing from Aaliyah's family to do a posthumous album.
10:16Just days after Drake announced the project, Aaliyah's family and estate publicly distanced themselves from it.
10:18Aaliyah's brother, Rashad Houghton, released a statement saying,
10:20there is no official album being released and supported by the Houghton family.
10:22And then Aaliyah's longtime collaborators, Timbaland and Missy Elliott,
10:24also made it clear they would have no part in the album's production.
10:26Timbaland and Missy revealed Drake never personally reached out about the project
10:28and instead he just sent 40 to talk to Timbaland.
10:30And then Missy said she would have never done anything without the approval of Aaliyah's family anyway,
10:32because it's morally wrong.
10:34We really removed ourselves from that.
10:36I didn't want to hear nothing about it until 40 actually asked me to say yo to him.
10:38I'm like, what happened? What's really going on?
10:40I just was asked to do a song and I'm like,
10:42I don't even know if it's an album.
10:44I don't think that's even in the works.
10:46I haven't spoken to Drake.
10:48No call has been made to me.
10:50Well, my response would be a little different
10:52because I have to respect her family.
10:54She has a mother, she has a brother, she has a father
10:56that she's very close with.
10:58And until they come and say we're ready to do an Aaliyah album,
11:00then I don't really want to, you know,
11:02step over it and try to get into that
11:04because it's very sensitive.
11:06So there's no time limit on their warning.
11:08And until they come and say we're ready to, you know, do an Aaliyah album,
11:10I just feel like, you know,
11:12more realistically and respect-wise, I just...
11:14Now,
11:16as you see that,
11:18so the dude was already pop figure.
11:20He was already pop figure.
11:24Right?
11:26Messing with the legacy of Aaliyah
11:28all so it could be a money grab.
11:30Oh, I love you so much. Oh, I love her.
11:32Just so you could steal from them.
11:34Black folks know it all too well.
11:36So we proud upon things like that.
11:38But you, as an outsider, was invited to be in this.
11:40We accepted you.
11:42So it wasn't like, oh, nobody accepted Drake.
11:44Get out of here. When you came in,
11:46you let certain people in your house.
11:48But just like what happened when you let certain people in your house,
11:50they start to think they live there.
11:52They start to think it's their house.
11:54Later came now Eminem.
11:56He was happy to be accepted.
11:58Everybody let him in the house.
12:00Years later, he thinks it's his house.
12:02I'm talking. MC of all time. I'm the greatest.
12:04Wow. You are?
12:06You see?
12:08You let the wrong people in the door.
12:10Sometimes it goes to their head,
12:12and they start thinking they're bigger and more important
12:14than Drake.
12:16They've been used, manipulated,
12:18forced into situations, compromised.
12:20I thought it was, yo, that would never be me.
12:22Oh, it's you. It's you.
12:24Oh, buddy, it's you.
12:28So Kendrick's words spoke volumes
12:30because once Kendrick says it,
12:32like Dang Dad says, it's over now.
12:34He can't do that. So that Aletha album never came out
12:36because the family made sure they went up against Drake,
12:38and they were not going to bless that album.
12:40And you went and hid behind 40 and tried to make it look like it was 40's fault.
12:42Yep.
12:4440 was like, look, man, we just did a song.
12:46They asked us to do a song.
12:48Then that went to a whole project.
12:50And then DMX,
12:52who didn't like you, X had to come out.
12:54I was like, bro,
12:56you didn't even know this was me.
12:58You didn't even know that you were in middle school.
13:00And you know what?
13:02He didn't crack out.
13:04I was like, I don't like this at all.
13:06I was like, you piece of shit.
13:08You're right.
13:10I mean,
13:12a lot of the other ones
13:14did not include the people that she always worked with.
13:16Not include the rest of the people.
13:18Like I said, I made KFC.
13:20I'm not using KFC.
13:22That ain't KFC.
13:24That ain't your KFC.
13:26That's some bullshit.
13:28That ain't the same shit.
13:30Okay, I just need you to complete the top five.
13:32Rakim, Starface.
13:34That's some bullshit.
13:36What?
13:38No, no, no.
13:40That's wrong.
13:42That's not what she did.
13:44You have no right to make a choice.
13:46If you're going to allow someone
13:48to do it in a manner that honors what she did,
13:50that's all you can do.
13:52Respectfully, rightfully.
13:54Who the fuck are you?
13:56Who the fuck are you to change?
13:58I'll tell you what, I'll tell you what.
14:00That didn't matter to me at all.
14:02He was just totally effective.
14:04He always thought about her interviews.
14:08Right, and he's in it right.
14:12X was right.
14:14X was 100% on the money.
14:16That's why he didn't deal with Drake.
14:22He saw Drake.
14:24Rest in peace to X.
14:26You didn't deal with Drake.
14:32And it was masterful.
14:46X knew.
14:48X knew.
14:54They would have never given a lesson
14:56to some Drake.
14:58Are you kidding me?
15:00Because that's not how you honor somebody.
15:06Hit the like button, y'all.
15:08What he chose to do was a scumbag move.
15:10See, when you're a scumbag,
15:12you start to move like one.
15:18Now, I'm going to go behind in the Patreon.
15:20I'm going to give you the real
15:22and let you know who really put this whole thing together
15:24and tried to get this deal done.
15:26And we'll go into that progress of it.
15:28But putting R. Kelly back in there,
15:30working with Aaliyah's project with Drake would have been insane.
15:32Dang, that would have flipped out.
15:34And you see these situations now
15:36where it gets so out of control, it don't even make sense.
15:42When Aaliyah died, I was with Barry.
15:44When Aaliyah died.
15:46He got paid $90 million for her death.
15:48Am I supposed to say that on TV?
15:50I was with him on the negotiations.
15:52You know what I'm saying?
15:54He had Timberland,
15:56Ginuwine,
15:58Missy Elliott.
16:00And Aaliyah is his niece.
16:02So he got to settle it for $90 million for her death.
16:04Was that just for his rights?
16:06What she would have been able to make
16:08if she hadn't died.
16:10So Drake wants to make music with her.
16:12So they're almost stepping on what I'm going to talk about
16:14on the Patreon, but I'm going to give you a little bit of it now
16:16as why Drake is doing this move.
16:18He's trying to connect himself to Aaliyah and her fan base
16:20because her music was timeless.
16:22Now if he averts that music by putting himself on there and producing it
16:24and putting it out on some OVO with Drake,
16:26that's part of connecting to her legacy, which goes on forever.
16:28See, now you do a remix with that.
16:30That's like somebody doing Whitney Houston's new album.
16:32And they put, like, oh, it's me and Whitney produced by us.
16:34That's connected to that Whitney Houston legacy.
16:36So now every time she's on it, that stuff is going to start trending
16:38and generating money.
16:40Now you're siphoning money to yourself from somebody who's dead.
16:42Because the dead are the ones that you're talking to about.
16:44And I'm not talking to you.
16:46I'm talking to you.
16:48And, you know, I'm not talking to the people
16:50who are listening to this.
16:52I'm talking to the people who are listening to this.
16:54And so, you know, it's like,
16:56I'm not the only one.
16:58You know, it's like,
17:00you know, how to microphone
17:02and microphone myself.
17:04I'm not talking to the people that I'm talking to.
17:06And that's where you have to get involved.
17:08That's the analogy you guys have.
17:10Jimmy Henson was attacked to that place by
17:20Haitian brothers were connected to that place.
17:24So when you go down these strokes start to figure this thing out, put together for yourself.
17:43Most understand.
17:44You don't care.
17:45Straight ladies.
17:52Thanks for the super chat.
18:08Drake sickness.
18:09It goes on for miles and miles.
18:12So it's highlighted.
18:14And now you see why Dane Dash is pro Kendrick.
18:17Love Kendrick.
18:18Love what Kendrick did.
18:23Oh, of course, because you want to always try to make sure you make money.
18:41I'm not mad at Drake making money.
18:42you don't do it that way. Black folks know, we got moral, morally we know, you can't do that.
18:46Like you said, 10 years ago, somebody would whoop Drake, they'd pull him over and give
18:49somebody a workout. You did something like that back in the day, it worked you out.