In 19th-century France, teenage Teresa Garan is the daughter of a cabaret-singer single mother. A friend of her mother pays for her to have one year at Ms. Fourneau's boarding school. Soon Teresa learns that the school is also a prison: Ms. Fourneau keeps everything locked up. Her protégée, the wicked student Irene Tupan, keeps watch over the other girls and uses her power to bully and torture them. Ms. Fourneau's teenage son is a peeping Tom and his mother keeps him secluded from the girls, saying they're worthless and he needs to find a girl who's more "like his mother." When students start vanishing, their classmates think they're running away, but they're actually being abducted and murdered by a serial killer. When Irene discovers that Teresa is secretly meeting Luis, she tortures her until Teresa decides to flee in the middle of the night. What will happen to her?
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00You
00:00:30I
00:01:00I
00:01:30I
00:01:53May we go inside?
00:02:00I
00:02:30I
00:03:00I
00:03:14Moliere
00:03:16Was an absolute master
00:03:20Was an absolute master
00:03:25In creating his characters
00:03:30In creating his characters
00:03:36He had
00:03:39an inimitable gift
00:03:43He had an inimitable gift of
00:03:49Portraying life of
00:03:54Portraying life
00:03:57In its most vivid aspects in its most
00:04:12One was a lazy you don't feel like writing this afternoon
00:04:18No, I
00:04:21Don't want to
00:04:27Perhaps you're also bored by the company of so many girls
00:04:31How would you like to live a few days in complete seclusion
00:04:36If I remember correctly you've already had that experience. Would you like to try it again as you wish no as you wish?
00:04:43Mademoiselle is ye. I don't give a damn. I
00:04:47doubt that
00:04:49You can doubt all you please
00:04:51Very well
00:04:53We shall see who's right. Mademoiselle to Pam. Yes, madame
00:04:57Accompany mademoiselle is ye to the seclusion room and then come back at once, please
00:05:02Here's the key
00:05:06Mademoiselle is ye
00:05:09May I take a book with me? No
00:05:12No doubt. I'll see you later. Yes, we'll have a talk
00:05:15In its most vivid aspects in its most
00:05:24There's a gentleman with a girl to see you they're waiting in the library
00:05:30I'm sorry, but I'm not in the mood to talk
00:05:34I'm sorry, but I'm not in the mood to talk
00:05:38I'm sorry, but I'm not in the mood to talk
00:05:40There's a gentleman with a girl to see you they're waiting in the library
00:05:45Girls mademoiselle de pray will continue dictation in my place
00:06:02Mademoiselle well, are you too tired to stand up? Excuse me, please madame for no
00:06:11I
00:06:18Will continue go to hell
00:06:30Monsieur baldy
00:06:32I am madame for no
00:06:34The principal of this college. What can I do for you? Pleasure to meet you madame
00:06:39I'd like to enroll mademoiselle graven as a pupil here
00:06:43Are you a relative?
00:06:44No
00:06:46just a
00:06:47friend of the mother
00:06:49We read your advertisement in the paper and a colleague of mine recommended your establishment
00:06:55But I hope you like it would you care to look around madam?
00:06:58This is the room for painting drawing and modeling three times a week our pupils copy from real life
00:07:05In oil aquarelle and clay some of the paintings you see hanging on the walls of this establishment
00:07:11Are the works of our pupils?
00:07:16There is this way, please
00:07:28I
00:07:30Believe in healthy minds and healthy bodies for the girls entrusted in my care
00:07:39This room's for music and dancing
00:07:41solfeggio is obligatory
00:07:43But afterwards the pupils could choose piano violin harp or the violoncello
00:07:49The barn the mirror are for belly exercises. I don't insist on them perfecting this out, but they must practice one hour a day
00:07:57Besides providing them a graceful movements. Don't forget. Most of our pupils are no longer children
00:08:03It also provides them with useful exercises and prevents them from indulging in morbid thoughts
00:08:10You play the piano mademoiselle I learned a little three years ago, but I had to stop
00:08:16But you still remember your solfeggio
00:08:19Yes, I think so
00:08:28So
00:08:32What's the matter
00:08:36No, nothing
00:08:47Of course our pupils are also given cookery lessons as you know culinary art is most important for future housewives
00:08:54There's a very cordial atmosphere between our pupils
00:09:00This is the dining room
00:09:02I could also show you the workroom
00:09:05And the reading room, but I don't want to tire you
00:09:11Would you like to see the dormitories? No, it's not necessary. Thank you madam
00:09:24How old are you mademoiselle 18 and a half have you ever been to boarding school? No, madam
00:09:42Ah marie
00:09:49Please take mademoiselle gravel
00:09:54To the dining room. It's five o'clock. She might like some tea and biscuits. We'll join you there in a few minutes
00:10:05Shall we go into the library certainly after you madam
00:10:13Please sit down. Thank you
00:10:19Name of the parents, please
00:10:21I
00:10:23Want you to know that we are very discreet here particularly what concerns the parents of the students
00:10:29The mother of therese only wishes she could educate the girl all by herself
00:10:34But i'm afraid that at the moment she's not able to
00:10:37Well, she can stay with us until she comes of age
00:10:39All we need to know is the name and address of the person directly responsible for her
00:10:43And the sum of 300 francs per term must always be paid in advance
00:10:48All right
00:10:50Mother's name is violet
00:11:00For two terms in advance
00:11:03Would you like a receipt no, it's not necessary
00:11:08This school specializes in students whose character is um, shall we say, um
00:11:15difficult
00:11:17And there are a few among them who inspire of their youth
00:11:20Have not exactly led exemplary lives
00:11:24In order to bring them back to the right path
00:11:28I must run this establishment with a firm hand
00:11:50So
00:12:20Hmm
00:12:51I'm so would you be looking for something?
00:12:54No, nothing. Thank you. Have you finished your tea yet? Yes
00:13:00Why don't you eat the biscuits? They're very good ones
00:13:03No
00:13:04I'm, not hungry keep them there. You won't get much to eat for supper
00:13:10Danny is the true made his way to the fastness where apollo rules enthroned on high into the vast cavern beyond
00:13:17Which is the awful civil's own secluded place
00:13:21Here the prophetic delian god breathes into her the spirit's visionary might revealing things to come
00:13:28They were already drawing near to diana's wood and the golden temple there
00:13:34Diadolus for this is the story adventured his life in the sky
00:13:40He consecrated his wings to phoebus apollo
00:13:43Before whom he founded a gigantic temple on the temple gate
00:13:47He pictured the death of androgynous and lower down the athenians obeying the ghastly
00:13:53To surrender seven of their stalwart sons his annual repartation
00:13:57And there was the urn from which the loss had just been drawn
00:14:00The island in which cronus stands rising high above the sea balance is seen on the other leaf of the gate
00:14:07There he had depicted the bull's brutal passion and fessius's secret union with him
00:14:13And there in the midst as a warning against wicked love their hybrid
00:14:17offspring child of two breeds the minor
00:14:22Here wore the cretin building in all its elaboration with enough
00:14:37You're excused mademoiselle
00:14:53What's your name?
00:14:54Did you bring much luggage everything? I own i've run out of stockings. Can you let me have a few pairs?
00:15:00Oh, shut up you
00:15:06So
00:15:20Will you please come with me
00:15:33It's all right, she's gone
00:15:37Quiet a moment not so loud. Her name's terese. Yes terese gravin from avignon. Oh, do you know?
00:15:43My name's isabel claire. Cecile and i'm suzanne and my name's margaret
00:15:50Can we look at your luggage? Yes, of course
00:16:06Me
00:16:20Your family's got a lot of money. Oh, no, but these things are such good quality
00:16:25Isabel doesn't it suit me? My mother gave me most of these things. She doesn't need them. And did this belong to your mother?
00:16:33Yes, well
00:16:36I think it's lovely. Will you sell it to me?
00:16:41I'll give it to you. Thank you
00:16:45And does your mother know anything about this school, thanks, I think so
00:16:49Do you think your parents will let you leave here if you want to?
00:16:53Of course
00:16:54Then you won't be staying much longer three have already escaped terese
00:16:58Mademoiselle de prene will be here in a minute get ready quickly. Don't listen to those two
00:17:03You won't find it all that bad here tomorrow when you see catherine
00:17:06That is unless they keep her another day and night in the punishment room. Ask her what she thinks of the place
00:17:11Who is catherine?
00:17:13a very nice girl
00:17:23Well
00:17:25Have you thought about your behavior this afternoon?
00:17:30Yes
00:17:31Are you ready to apologize in front of your friends?
00:17:39Mademoiselle easy i'm talking to you answer me
00:17:45Get up
00:17:48Get up
00:17:52You're a very bad influence not only on your friends
00:17:56But on the other girls as well
00:17:58I will not stand for your insolence any longer
00:18:02Why don't you throw me out? Nothing? I would like better
00:18:05But your people insist that you must stay
00:18:09This is not the first time that I must punish you remember now for the last time
00:18:17Will you come down with me now and apologize in front of everybody
00:18:26All right take off your clothes
00:18:32This is an order take off your clothes this time you will have to do it
00:18:40As you wish go on
00:18:46Get out of me
00:18:48Let go get off me you bitches
00:18:59Hurry up mademoiselle it's late
00:19:06In the name of the father the son and the holy ghost
00:19:18As we shall
00:19:48Which may be formed and we pray for thine eternal presence
00:20:12Enough
00:20:18Good night. Good night
00:20:23Good night say your prayers
00:20:34You made me do this again
00:20:39Don't you realize that I can't allow anybody to define me
00:20:44Not even you
00:20:47You know this don't you
00:20:53Try to understand my position, please
00:21:01I'm sorry catrine
00:21:03Get some sleep I know I won't
00:21:34You
00:21:41Why did you watch the new girl and follow her around all day
00:21:48It's not true
00:21:50I saw you
00:21:52Why do you always watch the girls and follow them around?
00:21:58I know you're not a child anymore, but you're not old enough to think about girls
00:22:03not yet
00:22:05I forbid you to spy on them again
00:22:08Do you hear?
00:22:09I can't afford to have a girl come to me complaining of my own son
00:22:13Or have her parents come to see me
00:22:16And with good reason you understand
00:22:18Yes, mother. Then why do you keep on doing it?
00:22:21I'm tired of saying the same thing over and over again
00:22:24But mother if I sometimes leave don't you understand that none of these girls are any good?
00:22:29By the time they bring them to me. They're already marked
00:22:32If they're not
00:22:35Well, you know what I mean
00:22:38They've stolen
00:22:40Or done worse things
00:22:42And then they hand them over to me for correction
00:22:46impossible
00:22:49In time louis in time
00:22:52You'll find the right girl
00:22:55And you'll marry her
00:22:57And you'll have your own home
00:23:00These girls are poison
00:23:03You need a woman like me who'll love you take care of you protect you
00:23:12We'll find her
00:23:14We'll see
00:23:29Good morning
00:23:34Good morning, mademoiselle. Good morning
00:23:38Good morning, madame
00:23:40She's not married. She's still an old spinster
00:23:45Today
00:23:46The bed will be made by suzanne. Noelle and catherine leslie, but you know catherine's not here today
00:23:52I said today the bed should be made by suzanne. Noelle and catherine leslie
00:23:56But as catherine is not here
00:23:59Then you can take her place
00:24:03Me yes you
00:24:07Suzanne will tell you what has to be done
00:24:10We're ready mademoiselle, right mademoiselle come to breakfast now
00:24:20Not much to do
00:24:22Just make the beds and open the windows. No sweeping. No, all the rest of the cleaning dusting is done by lucy
00:24:28She's a maid who works in the kitchen as well
00:24:32Don't worry we'll finish this in no time
00:24:38You got a boyfriend no
00:24:41You mean
00:24:44You've never been out with a boy alone no
00:24:47Really? Yes, really. I'm glad for your sake
00:24:51It's better for you. You won't mind being locked up here without boys
00:24:54As for me I can't stand it the rest of the bad things aren't important but to go months and months, you know
00:25:00Without seeing any boys
00:25:02Why most of the girls here on the verge of a nervous breakdown?
00:25:07Every three weeks a young man comes to visit here here. That's right here
00:25:11His name's henry. He delivers wood from the village
00:25:14not much to look at but
00:25:16Anyway, he comes to suck up the woodshed outside
00:25:20Each time one of us has a chance to meet him there
00:25:23Next time it'll be my turn
00:25:25How do you mean your turn? Yes, we all draw lots to see who's going to meet him each time
00:25:31But you'd understand better why we don't if you'd had a boyfriend before
00:25:34Oh
00:25:35I understand when mademoiselle dupré is in charge of class. You can always slip away
00:25:52So
00:26:23You
00:26:28Will continue tomorrow
00:26:52Foreign
00:27:23Foreign
00:27:26Hello hello, were you waiting long?
00:27:32I came after lunch, but you've been here more than three hours then. Oh, it doesn't matter
00:27:42Did anyone see you come in? No, I don't think so
00:27:46You
00:27:51I'm terribly worried in case they find out about you worried for your sake. I mean
00:27:58And i'm worried for your sake
00:28:06Is that for me yes for you, thank you
00:28:16So
00:28:35One day
00:28:37Very soon
00:28:39the two of us
00:28:41We'll leave this place and your mother i've told you again and again it doesn't matter
00:28:49I can't
00:28:51I can't nor want to go on like this having to hide so that we can meet all the time
00:28:58Frightened that at any moment they might catch us and that
00:29:11So
00:29:34Who's out there
00:29:37I
00:29:39Don't know
00:29:44Right well plot the seeds here later on they start shooting we put them into flower pots and what do I do?
00:29:50Oh, it's very easy like this a hole another one another one all at equal distances
00:29:55Then when you finish the whole box you start planting here at the seeds
00:29:59Put them in the holes and you cover them up with earth and then cover it all with this stuff. It's fertilizer fertilizer
00:30:04Yes, you know what I mean? Oh, I think you know, it's for growing it turns them into plants. What seeds are they?
00:30:11Azaleas, you know the poisonous plant. Well, they say the seeds are as well. So be careful
00:30:16Don't believe it therese if those seeds were poisonous madam. Fennel wouldn't be alive today
00:30:22I'm sure we've all put a lot of those seeds in her supper
00:30:25Any news of katherine? Nobody knows. When do the seeds become plants then? Oh months during this time
00:30:31You'll have to tend them and plant them and transplant them and water them and water them and fertilize them a bit
00:30:36And then in the end they flower they flower we cut them. Then of course they fade and die
00:30:42And all this stupid waste of time is what they call the art of gardening. The art of gardening is the poetry of nature
00:31:01So
00:31:13Teresa come and see madame. Fennel. I haven't finished yet. Doesn't matter
00:31:19All right, where can I wash do it later she's waiting for you
00:31:32What she want don't know
00:31:39But where's madame for now
00:31:42I called you come in. I'm making some tea. Would you like some?
00:31:50This morning I left you alone with suzanne on purpose
00:31:54She talks a lot
00:31:55And I imagine by now that you know how the school is run
00:31:59No
00:32:00Didn't she talk about me? No
00:32:03Are you sure? Yes, of course I am
00:32:07Didn't she tell you about henry and about what goes on in the shed every three weeks?
00:32:12Yes
00:32:13She told me that so she did tell you
00:32:17I don't understand
00:32:19I'm the one who organizes everything around here
00:32:22Amongst others the visits to the shed on the day that henry comes
00:32:26And many other things which you'll find out soon
00:32:29Madame for no doesn't like anyone lacking in discipline and it's up to me whether she finds out or not
00:32:41Have some tea
00:32:45What have you been doing I was gardening wash your hands
00:32:59And
00:33:01It depends on you whether your life here in school will be nice or not
00:33:05I can see to it that you eat well
00:33:08And that you don't have to work too hard
00:33:15I can even let you meet henry
00:33:20All you have to do is obey me
00:33:24Obey me and everything I tell you
00:33:29So
00:33:51This is the third night they've kept catherine not she's used to it
00:33:54Don't go out dressed like that. Why any men around it's freezing put something on
00:34:24Me
00:34:40There's still no toilet paper
00:34:54So
00:35:24Good night
00:35:31Good night, mademoiselle
00:35:54So
00:36:24So
00:36:54So
00:37:24So
00:37:54So
00:38:11Louis
00:38:18Louis
00:38:24So
00:38:39Louis
00:38:54So
00:39:09How am I going to run this establishment if I have to look after you I don't even know which girl it is
00:39:15But i'll find out
00:39:18I asked you for the last time
00:39:20If any one of you see isabel de lorme leave here last night
00:39:24It is better for you to tell me all that. You know now
00:39:28I must warn you the gate of the punishment that anyone covering up for her
00:39:33Will be punished in exactly the same way as the one who escaped
00:39:38This morning when mademoiselle de pray came to wake you this door was open
00:39:44Therefore isabel de lorme left this way
00:39:47She must have used a key or something and the key makes a noise
00:39:50Well, I sleep by the door, but I heard nothing
00:39:52That's very strange mademoiselle
00:39:56Especially
00:39:58Since you're the only one with the key to the dormitory the keys that you gave me were with me all the time
00:40:03It would be impossible to take them without waking me
00:40:08Well
00:40:09If any one of you thinks of following in the footsteps
00:40:13of mademoiselle de lorme
00:40:14I advise her to do it very well and very secretly
00:40:20Don't let me catch you at it for if I find another girl trying to escape
00:40:28Well, you know me by now
00:40:32Don't you
00:40:38Have the locks changed at the dormitory and at the door how many keys shall I get
00:40:44Three one for me one for you and one for tupac. You don't think iran japan helped isabel to escape
00:40:50You're in
00:40:52No
00:40:53Get a carpenter have every window on the ground floor nail down. They want to escape they will
00:40:59This is a boarding school. Not a prison
00:41:02If it isn't one we'll make it one
00:41:05Go to the village, please and see if there's any news of isabel. Yes, madam
00:41:09But it's tuesday today the girls take their showers who will be there?
00:41:15I will
00:41:20So
00:41:25Madam everything is ready for you now. Thank you
00:41:32Hurry up girls hurry up hurry up
00:41:50So
00:42:20So
00:42:50Foreign
00:43:15Hurry up
00:43:17Hurry up
00:43:47So
00:44:18So
00:44:38What do you think you're doing
00:44:40Taking this off
00:44:41I want to really wash my back for a change
00:44:44I think you know why
00:44:46Does it bother you
00:44:50No
00:45:17Foreign
00:45:23Mademoiselle you can come out
00:45:46Foreign
00:46:03Yes, madam
00:46:16Foreign
00:46:20Mademoiselle
00:46:22Mademoiselle, please
00:46:27I'm here
00:46:30I'm locked in the passage for the boiler room
00:46:33Mademoiselle help me
00:46:36Help me
00:46:38What are you doing theresa
00:46:40What do you do in the boiler room almost every afternoon?
00:46:43We've seen you go in there several times
00:46:46But you've seen me there one of the things that madame for no resents most is any one of us talking to her son
00:46:52Didn't you know?
00:46:54All three of us can swear that lewis and you have locked yourselves in there alone quite a few times
00:47:01We want to talk to you later
00:47:03after the music class
00:47:05We'll expect you in the dining room
00:47:08And if you're not there
00:47:10We'll have to talk to madame for no
00:47:16Foreign
00:47:27The woodman's just arrived
00:47:39Give him a hand
00:47:40No, I can manage when i'm finished unloading i'll give you a shout and you can lock up the shed
00:47:45Very well, right
00:47:50Needlework can be very beautiful
00:47:53Especially when you learn how to mix the colors
00:47:56It's almost like painting
00:47:58Excuse me madame for no
00:48:01But an hour ago in our cookery class we used up some apples to make a stew
00:48:05We left it on the stove
00:48:07So I wonder could one of us possibly go and check it
00:48:10Yes, of course you can go
00:48:12Well, if you don't mind i'd rather finish this
00:48:14Could I send
00:48:17Suzanne
00:48:22All right, you can go mademoiselle well, yes madam
00:48:36Well, how's it going oh, it's all right, but it's not ready
00:48:41Have they put you in charge? I'm in charge of everything today
00:48:44Cooking and the gardening and the greenhouse as well
00:48:48Keep an eye on this a moment. Would you I must go over and check the greenhouse?
00:48:52All right, but don't overdo it. Thank you
00:48:55We're not supposed to help you girls with your cooking, you know, yes. Yes. Thank you
00:49:06What are you looking at mademoiselle chausson, uh, nothing at all madame just taking a rest from sewing
00:49:14So
00:49:44Me again, do you mind
00:50:14Oh
00:50:45Hi
00:51:01Um
00:51:14Mademoiselle
00:51:19Mademoiselle finished for today
00:51:44So
00:52:15So
00:52:39Louis yes mother. What were you doing in the garden?
00:52:44I needed some fresh air
00:52:47Well as the girls were having their music lesson I thought it would be all right now
00:52:52It's much too damp for you. Come inside
00:52:56You know, you have to be careful, but I am careful. No, you're not
00:53:00You read until all hours
00:53:02You don't sleep enough. You don't eat enough. But mother i'm not
00:53:05How am I going to run this establishment if I have to look after you all the time?
00:53:10You know, you're not like ordinary boys. You've always been sick. Remember you asked me
00:53:14nor your chest
00:53:16I know it's hard for you to be always indoors, but it's absolutely necessary. Doctor said so it's either that or the hospital
00:53:24Yes, mother. Oh, I would love to send you to college to be with boys of your own age
00:53:28But at the time it's absolutely impossible
00:53:32I know mother I know
00:53:35More than anything in the world louis
00:53:37I would love you to lead a normal life
00:53:41But you must help me
00:53:42and above all
00:53:44I would like to trust you
00:53:47But why do you say that mother I always do whatever you ask me to really
00:53:54I know you meet one of the girls nearly every afternoon
00:53:59It's not true you've been seen
00:54:04By whom never mind by whom I don't even know which girl it is
00:54:08But I'll find out
00:54:11Oh, I should really send you away, you know, but there isn't a school that would accept you in your present state of health
00:54:16So I have to keep you here
00:54:18Louis i've told you a hundred times
00:54:21None of these girls is any good to you
00:54:25You need a woman like me who loves you and takes care of you
00:54:32now promise
00:54:34You'll never see that girl again ever
00:54:38I promise
00:54:42Thank you, thank you louis
00:54:47You see
00:54:49The day will come
00:54:51Not so long now
00:54:53When you meet the right girl
00:54:57And you will fall in love with her
00:55:00The kind of girl I used to be can you see
00:55:04strong
00:55:05capable
00:55:07And she'll live for you the way I live for you and she'll love you the way I love
00:55:38So
00:55:55Right
00:56:08You
00:56:10Are we going to the kitchen? No. Well, where then you'll see where you'll see
00:56:25Why lock it
00:56:38You
00:56:40Who's in there
00:56:54Come in
00:57:01Go on then was she late. No, she came to the dining room as soon as the lesson finished
00:57:08So
00:57:10That's good to raise
00:57:12I like order and punctuality
00:57:16Come in
00:57:18This afternoon after needlework I spoke to madame forner
00:57:22And I told her that her son often goes to the boiler room
00:57:26to meet someone
00:57:28Don't worry therese
00:57:30I didn't say it was you
00:57:33I just said it was one of the girls, but I hadn't found out yet. Which one?
00:57:38It will depend on you whether I do tell her or not
00:57:42Come in therese dear come in
00:57:44You should have seen madame's reaction. She said she's going to expel the girl after writing to the father
00:57:50By the way therese you haven't a father have you
00:57:56Therese dear I asked you a question have you or not?
00:58:03No
00:58:05My father's dead
00:58:07Are you sure?
00:58:09Yes, you're lying
00:58:12My my mother's the photograph it's a very old one, but that could be anybody's you've got your mother's name, haven't you?
00:58:22Well have you or not
00:58:28Yes
00:58:29In madame's office. There's a register of all the girls
00:58:32And as I'm in charge of the correspondence, I get to know a lot of things
00:58:36So don't try and deceive me therese dear
00:58:40Make us some tea
00:58:50What does your mother do
00:58:56Therese we want to get to know you and get to know all about your family. Do you understand?
00:59:02Yes, your mother works
00:59:06Yes, what has
00:59:09Um, well she sings. Oh a singer
00:59:14Yes opera
00:59:18No, where does she sing therese?
00:59:22Um
00:59:24Uh in avignon. Oh, how interesting bring us a tea
00:59:31So
00:59:36So your mother works in avignon, but that's a town in which theater or concert hall does she sing
00:59:46I said in which theater
00:59:50In
00:59:52in the tivoli the tivoli
00:59:55But that's a music hall or something worse
00:59:59What is the tivoli to raise dear?
01:00:02What is the tivoli to raise her
01:00:05It's a cabaret
01:00:07a cabaret
01:00:10But those places are only for prostitutes
01:00:15Is your mother one
01:00:17Teresa
01:00:19I'm asking if your mother is a prostitute. No. No, no, she is. I think she is. No, she's a singer
01:00:24That's all your mother's a prostitute like all the women who go to those kind of places. Don't you know it?
01:00:29No, she is she is I think she is don't tell me lies your mother is a prostitute
01:00:33Don't talk nonsense because I know very well
01:00:36Your mother was still as an honest lady
01:00:38All she does is sing sing for the gentlemen who come to see her and to sing she wears these sort of clothes, right?
01:00:43Yes, I think this is your mother's isn't it? Of course it is. I find it in your trunk
01:00:46It's just like the one you gave helene. Those were really a theatrical consumers now put it on put it on
01:00:52Put it on
01:00:54You wouldn't like my dad to find out it's you who sees her son in the afternoon
01:00:58And all the girls who know what kind of work your mother does now put it on
01:01:02You will put it on
01:01:15We've never been to a cabaret
01:01:17And we'd love to know what goes on in there
01:01:19That's why you're going to sing a song from your mother's repertoire. Do you know any?
01:01:23No, and your mother never rehearsed her songs
01:01:27And your mother never sang any of them at home
01:01:31Come sing a little and then we'll leave
01:01:36Sing theresa sing sing
01:01:44This is the moment I'll know louder theresa louder
01:01:49This is the moment I'll know we still can't hear you louder and smile
01:01:55Theresa smile theresa and come on sing louder
01:02:00Now come on theresa sing sing theresa sing theresa that isn't singing
01:02:07It's coming theresa well done now smile more smile
01:02:11Come on, smile smile more smile and sing louder. Come on louder
01:02:19I can't I can't hear you
01:02:21Louder
01:02:47We'd better be going
01:02:52All right, Theresa get dressed tomorrow we'll go on all right
01:03:10So they gave away piece by piece everything they owned to the people
01:03:15hearing about this
01:03:17Lucia's betrothed was furious
01:03:20And complained to the consul pascasio
01:03:24saying
01:03:26That lucia was a christian and was not obeying the imperial law
01:03:33Pascasio
01:03:36Having sent for the young girl to appear
01:03:40Reproached her for having wasted away her anything wrong
01:03:45And demanded that she should offer sacrifices to the gods
01:03:49So
01:04:19So
01:04:49So
01:05:19So
01:05:49So
01:06:19So
01:06:49So
01:07:20So
01:07:41What's the matter
01:07:43I'm leaving
01:07:44I must get away from here
01:07:46I came to say goodbye
01:07:48Come in
01:07:50You're going where to?
01:07:52Any place I can think of
01:07:54Anywhere, but here
01:07:58It's not important did my mother do something no, but she knows we see each other
01:08:03She knows I see one of the girls but not which one
01:08:06She'll know soon enough, but that's not the only reason i'm running away
01:08:10Well, why then?
01:08:12because today
01:08:15It's nothing
01:08:17I don't want you to leave
01:08:20You're the only friend I ever had
01:08:22You know that
01:08:24I shall miss you
01:08:28I'll miss you
01:08:44So
01:09:00Here it isn't much but you may need it
01:09:03Thank you. I promise i'll return it
01:09:07It's going to be very difficult for me to get out of here
01:09:10Yes, as several girls have already escaped mother ordered all the doors to be double locked
01:09:15Yes, I know that but if I can get into the garden through one of the dining room windows
01:09:19Then perhaps I can climb the wall. You won't be able to it's very high and the gardener cut down all the creepers on purpose
01:09:27Try to climb the iron gate
01:09:30Yes, all right
01:09:32Goodbye lewis and thank you
01:09:40So
01:10:10So
01:10:40So
01:11:10So
01:11:40So
01:12:10So
01:12:40So
01:13:10Ah
01:13:40So
01:14:10So
01:14:40So
01:15:10So
01:15:40So
01:15:57So
01:16:10So
01:16:34What are you doing here
01:16:37To climb the wall without a ladder, it's impossible
01:16:42Well, perhaps there's some loose bricks or some
01:16:45Cracks in the wall she might have used no madame over the main gate
01:16:50That's the only way out. She did not leave by the gate
01:16:54Very well
01:16:56Thank you
01:17:01Nail down every window in the dining room
01:17:05Yes, all right madame
01:17:12Teresa never left this house
01:17:14Don't be absurd. Last night. I was constantly by the gate. I was watching the house all the time
01:17:20Teresa never left it
01:17:22Perhaps she uh, she left before you even reached the gate. I don't think so
01:17:28Everything seems very strange madame
01:17:34What do you mean by strange
01:17:36I'm thinking of the broken window
01:17:39And the light I saw in the dining room and the wet patch on the floor
01:17:44Five girls have disappeared in less than four months
01:17:47To raise is the fifth
01:17:50In every reformatory or boarding school girls are always running away
01:17:56Yes
01:17:57But in time one hears from them their parents write or bring them back
01:18:01But i'm in charge of the correspondence here we've never heard from any of these girls again
01:18:07Well, perhaps they got home and
01:18:09their parents
01:18:11Never bothered to write. Well, then why didn't you write to them to let them know what has happened?
01:18:16Are you telling me what i'm supposed to do?
01:18:20I am telling you that strange things happen here
01:18:23You and I know about them. It was you who taught me
01:18:26You taught me but there are other things that I cannot and shall not tolerate. What are you talking about?
01:18:35I don't know madame. I really don't know
01:18:41All I can say is that i'm leaving you're staying mademoiselle to burn
01:18:46How will you stop me you'll find out
01:18:49I don't think it's wise for you to force me to stay here
01:18:52Remember that I know many things about you and your methods of teaching
01:18:56Whatever I do here is no different from what is done in any other school
01:19:02Are you sure madame
01:19:18Your keys
01:19:26So
01:19:41Virgil shows an exquisite sensitivity
01:19:46Virgil shows an exquisite sensitivity
01:19:52In portraying his characters
01:19:54In portraying his characters
01:19:59Who are profoundly human
01:20:05Mademoiselle is he yes
01:20:20Nothing
01:20:25Nothing continue
01:20:32Profoundly
01:20:36The the romans considered
01:20:41the romans
01:20:42considered
01:20:44the any
01:20:48Is
01:20:50The romans considered pies and cakes need lots of strength and patience just like children
01:20:58I remember my mother used to say
01:21:00The harder you beat the pastry before you put the pie in the oven the softer it would be in the end
01:21:06Let's see. You'll have a lot more work to do yet. How about yours? Very good. You can go upstairs. Keep on going
01:21:20So
01:21:26Knead the pastry gently but firmly to get the best results
01:21:30Once the pie is in the oven, it's very important to keep the heat inside at a constant temperature
01:21:36Otherwise the pastry will be heavy the baking time can only be learned by experience because we can't see what's going on in the oven
01:21:45If we could see life would be much easier
01:21:48It's all packed what should I do with the drawings burn them how about the kitchen window it's easy to open
01:21:58Do you remember if this door has a key no, I think it's lost and the kitchen no never good
01:22:04Are you going to escape today if I can?
01:22:18You
01:22:27Come in
01:22:29They're all in bed now madam, is there anything more good did you lock all the doors? Yes, madam
01:22:38Well, then you can go to bed now
01:22:40Sophie
01:22:42Sophie madam
01:22:45I would like to talk to toupee
01:22:47Is she already asleep? I don't think so. I've just put the lights out
01:22:54Please
01:22:57Tell her to come and talk to me and
01:23:06You can go to bed now, yes, madam
01:23:10You can put out the lights, please. Yes, madam sleep. Well, madam. Good night
01:23:32My myself to pan
01:23:35What's the matter go downstairs for a moment
01:23:39Madame for no wants to talk to you
01:23:48Why are you dressing mademoiselle i'm feeling cold
01:23:54You've got your keys
01:23:56Yes, of course
01:23:58right
01:23:59Until tomorrow then
01:24:01Good night
01:24:08So
01:24:38So
01:25:08So
01:25:20Mademoiselle to pan
01:25:39So
01:25:56Jacqueline
01:26:04Andre
01:26:08Andre
01:26:14Audrey, please
01:26:38So
01:27:08So
01:27:38So
01:28:08So
01:28:38So
01:28:47You're in
01:29:08So
01:29:23So
01:29:25So
01:29:35Iran
01:29:37What happened your end child
01:29:42What happened to you
01:29:47Oh my god
01:29:49So
01:29:53Ah
01:30:19So
01:30:49So
01:31:09Mama i'm so glad you've come come in. I was just going to call you
01:31:17Look there she is
01:31:19Look
01:31:21Only the hands were missing
01:31:25Iran had the same hands as yours
01:31:27slim
01:31:29but strong
01:31:30look
01:31:31I took the dress some time ago
01:31:33When I decided to make a girl
01:31:36like you
01:31:39A girl for me
01:31:42Now she's got everything
01:31:47Blonde hair like yours
01:31:50The same eyes isabel had almost the same eyes as yours
01:31:56You always said i'd have her have a girl like you when you were young
01:32:01And now i've got her
01:32:09Do you see
01:32:16Now you must teach her to take care of me the way you do
01:32:20And love me as you've always loved me
01:32:25Louis
01:32:28Louis
01:32:31Talk to her mother
01:32:34Talk to her
01:32:39Talk to her
01:32:49Talk to her
01:33:19So
01:33:49So
01:34:19Foreign