After a high-class party in Rome, there's an assault. The victim is injured but lives. Andrea, an investigative reporter who drinks too much, is assigned the story. Then, always on Tuesdays, there are a series of murders. At each crime scene, a glove is left with a finger cut off for each victim. After four murders, Andrea thinks he's making progress, but by this time he may himself be a suspect, and someone he loves is in danger.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00I am going to commit murder, I am going to kill another human being, how easy it is to
00:00:15say.
00:00:16Already I feel like a criminal, I've been thinking it over for weeks, but now that I
00:00:25have given voice to my evil intention, I feel comfortably relaxed.
00:00:33Perhaps the deed itself will be an anti-climax, but I think not.
00:00:39Already I can imagine the excitement, the thrill, the pleasure I will experience as
00:00:46I stalk my victim.
00:00:50How much effort is required to strangle, perhaps a knife would be better, no, I want to feel
00:00:59the trembling flesh in my hands as I squeeze the life out of the body, what if there is
00:01:06a struggle and the victim escapes, I must think of a way to avoid that, there must be
00:01:12no mistakes.
00:01:19AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
00:01:49AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
00:02:19AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
00:02:49HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNEE
00:03:19HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNEE
00:03:49HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNEE
00:04:19HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNEE
00:04:39HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNEE
00:05:09HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:05:39HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:06:09HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:06:39HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:07:09HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:07:39HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:08:09HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:08:39HAPPY NEW YEAR, THIS IS ISABELLE, CONGRATULATIONS, GOOD LUCK, THANKS, BONNE ANNE
00:09:09Walter!
00:09:22Walter!
00:09:36Jennifer.
00:09:37I hear it.
00:09:42Why don't you answer it?
00:09:43Because you told me not to, ever.
00:09:48It's the third time they've called.
00:09:51You might have woken me up.
00:09:52I couldn't, you were dead to the world.
00:09:57How long have you been here?
00:09:58All night.
00:10:00I waited for hours, and then when you finally showed up, you were in no condition to do anything.
00:10:07In fact, I even had to undress you.
00:10:12You always liked undressing me.
00:10:14Not when you're drunk.
00:10:16Why don't you make me some coffee?
00:10:17Look, am I your part-time mistress or your maid?
00:10:19You know, one of these days I just might resign.
00:10:22Query, would you find a better position than this?
00:10:24Don't worry, I'll find one.
00:10:29Or maybe you've just had enough of me, hmm?
00:10:31Look, if that's it, just tell me and...
00:10:35Happy New Year.
00:10:36Happy New Year.
00:11:02Here we go again.
00:11:07Is that you, Bill?
00:11:08Where the hell have you been hiding?
00:11:09I've been trying to get you all morning.
00:11:11I had the phone unplugged, what's up?
00:11:13What's up? You're not in the office, that's what's up.
00:11:15Now get your ass down here, and make it quick.
00:11:21Happy New Year, Mr. Bill.
00:11:22Same to you.
00:11:24Take care, love.
00:11:26It's not your day.
00:11:32Late last night, in the tunnel.
00:11:35Now they got him at the hospital, so I sent Fogo.
00:11:39You would have done better to send the night watchman.
00:11:43You said it was found by a young couple, hmm?
00:11:46Yes, now you get down there and see if you can work up a feature.
00:11:49All right.
00:11:51Yeah, and a Happy New Year to you too.
00:11:53Night.
00:11:56Well, it's all there.
00:11:58I was just going to call it in for a late addition.
00:12:01In the early hours of this morning,
00:12:02John Lubbock, young English supply teacher at the group international school,
00:12:05was the victim of a brutal assault.
00:12:07While...
00:12:09A little bit inaccurate, isn't it?
00:12:11Why?
00:12:12In the first place, John Lubbock isn't English.
00:12:15He's Australian.
00:12:17Then the group, like all these international language schools,
00:12:20doesn't have a permanent staff or supply teachers.
00:12:24They're coming and going all the time, from all over the world.
00:12:27It's like a hotel, so long as it's in the office.
00:12:29I've already told you, visitors are absolutely forbidden.
00:12:32And that includes reporters.
00:12:35Just a glass.
00:12:36It's quite impossible, I'm sorry.
00:12:38Can I help you, Mr. Bill?
00:12:41Good morning, Doctor.
00:12:44Nobody can see Mr. Lubbock for the moment.
00:12:46The police were very definite about that.
00:12:49How is he?
00:12:50He has a fracture of the fourth cervical vertebra.
00:12:53And he's suffering from shock.
00:13:00Any news, Inspector?
00:13:02Assault with intent to rob for the moment.
00:13:05Do you think I could have a few words with the couple who saved him?
00:13:09Those two are important witnesses.
00:13:12I won't print a word that would prejudice your investigation.
00:13:16The girl doesn't live far from the tunnel.
00:13:18Her name is Julia Swabie.
00:13:20And the boy?
00:13:23You should know him.
00:13:25He's Walter Auer.
00:13:26He's got a sister called Lou.
00:13:29He's a friend of yours, isn't he?
00:13:32Oh, by the way.
00:13:34We might have to have a few words with you too.
00:13:38I was one of the last people to see Lubbock last night.
00:13:40I understand.
00:13:41I'm at your disposal.
00:13:59I'll be right back.
00:14:30Miss Julia Swabie?
00:14:31I've already told the police all I know about it.
00:14:33So go ask them.
00:14:34Why can't I ask you?
00:14:36You're a lousy reporter.
00:14:38You don't think I could just have a friendly little chat with you?
00:14:40No, and for all I care, you can go to hell.
00:14:44Get out of here or I'll call my father.
00:14:59Lou!
00:15:05Lou!
00:15:20Dear Andrea,
00:15:21I'll be away until Tuesday.
00:15:23I'm sorry.
00:15:25I'm sorry.
00:15:27I'm sorry.
00:15:29I was broke, so I took some money from the usual place.
00:15:32Have fun, Lou.
00:15:34P.S. If you want to get laid, go ahead.
00:15:36You know it doesn't bother me.
00:16:00Who is it?
00:16:01Andrea Bill.
00:16:02Remember him?
00:16:04What do you want?
00:16:05I beg your pardon.
00:16:06I guess it was a mess at the dance.
00:16:09You were.
00:16:10I accept your apology.
00:16:11Have you got the fire going?
00:16:13It's too cold down here.
00:16:14I'm catching pneumonia.
00:16:16I'm working.
00:16:18Just for a moment.
00:16:19I promise you.
00:16:20I won't disturb you.
00:16:22I'm sorry.
00:16:23I'm sorry.
00:16:24I'm sorry.
00:16:25I'm sorry.
00:16:26I'm sorry.
00:16:27I'm sorry.
00:16:28I won't disturb you.
00:16:49Tony's grown a lot.
00:16:59The sofas are new.
00:17:01So is that painting.
00:17:07And I never did like this table.
00:17:18I never liked his face, either.
00:17:21I only want Tony to remember he has a father.
00:17:24And you, a very rich ex-husband.
00:17:28We haven't been through the divorce yet,
00:17:30though I haven't seen him for months.
00:17:33You wear glasses now.
00:17:35Only when I work.
00:17:40A lot of changes in a year.
00:17:47It's bad for you not to make love, you know.
00:17:49When you've been drinking, you're impossible.
00:17:52Now, please, would you tell me what you came for?
00:17:56Tony doesn't approve of the prickles on your face.
00:18:02All right.
00:18:03What can I tell you about your lover?
00:18:07Everything you know.
00:18:08Well, he's Australian.
00:18:10Comes from Sydney.
00:18:12He's a good man.
00:18:14He's a good man.
00:18:15He's a good man.
00:18:16He's a good man.
00:18:17He's a good man.
00:18:18Comes from Sydney.
00:18:19He's 26, like me, teaches at the Groove,
00:18:21but only since October.
00:18:22He's quite good, actually.
00:18:24He's quiet, shy, introverted,
00:18:26goes to concerts quite often.
00:18:27Oh, yes, he's an excellent tennis player,
00:18:29almost fanatical about the game.
00:18:31Shouldn't you be taking notes?
00:18:33I have a memory like an elephant.
00:18:35Any friends?
00:18:37No, just conoscenti, as the Italians say.
00:18:41It's not easy to get close to John.
00:18:45Poor John.
00:18:46He's really started out the new year well.
00:18:48First Isabel, and now this.
00:18:51Isabel Lancia?
00:18:53Yes, in person.
00:18:54I wouldn't want you to quote me, but...
00:18:57I got the impression he's flipped over her.
00:18:59A juvenile crush, nothing more, of course,
00:19:01but he's been living every second of it.
00:19:03And now it looks as though Isabel is going to marry Edouard Valmont,
00:19:06his best friend.
00:19:07He realizes at the party.
00:19:09It was a terrible blow for him.
00:19:11I didn't notice anything.
00:19:12I'm not surprised. You were drunk.
00:19:15As usual.
00:19:16Go on, say it. You won't offend me.
00:19:18The trouble is, John will never let it show.
00:19:20He's too proud to.
00:19:45Yes?
00:19:47Some water.
00:20:15The crutches.
00:20:19Please.
00:20:24Richard, sleep in here.
00:20:27Not tonight. I'm very tired.
00:20:29Oh, please.
00:20:32Please.
00:20:33Tomorrow.
00:20:45No, don't answer it.
00:20:47I have to.
00:20:52Yes?
00:20:55Yes.
00:20:57Where?
00:21:01Very well, I'll come at once.
00:21:06I have to go on a call.
00:21:08I won't be long.
00:21:10I'm sorry.
00:21:12I have to go on a call.
00:21:14I won't be long.
00:21:17Richard!
00:22:12Richard!
00:22:42Come back!
00:22:50Richard?
00:22:53Is that you, Richard?
00:23:01Richard!
00:23:12Richard!
00:23:42Richard!
00:24:12Where is it?
00:24:42Richard?
00:25:13The devil.
00:25:16Where's the devil?
00:25:43Richard!
00:25:47Richard!
00:25:49Richard!
00:26:06Richard!
00:26:12Richard!
00:26:43What was the motive, Inspector?
00:26:45There's a truce. You were sexually assaulted.
00:26:47Did you find a murder weapon?
00:26:49Hey, Inspector, you can either give us a statement
00:26:51or we're going to have to come down to headquarters for it.
00:26:54She was strangled and thrown down the stairs.
00:26:57Having a nice morning, Inspector?
00:26:59You here too, Bill? Come with me.
00:27:01At about 11 o'clock, Dr. Beeney received a telephone call.
00:27:04An urgent silence.
00:27:06I'm afraid it was an emergency.
00:27:08I'm afraid it was an emergency.
00:27:09A telephone call.
00:27:11An urgent summons.
00:27:13Which turned out to be a hoax.
00:27:16A hoax?
00:27:18Whoever telephoned gave an non-existent address.
00:27:22Who discovered her?
00:27:25Dr. Beeney himself when he returned.
00:27:27It was the manservant's night off, so she was alone in the house.
00:27:31Yeah?
00:27:32Call Haller. He should be at home.
00:27:34Get him on the other line. I'll hold on.
00:27:37Mm-hmm.
00:27:40You were one of Dr. Beeney's patients too, if I'm not mistaken.
00:27:45Yeah, that's right.
00:27:48Is it true the front door was never locked at night?
00:27:51Yes. He used to leave prescriptions here for his patients
00:27:54after the clinic was closed.
00:27:56Did you know his wife?
00:27:58Not very well.
00:28:00Oh, I see.
00:28:02Who's the man sitting next to Beeney here?
00:28:05That's Edouard Valmont.
00:28:07He teaches French at the group school.
00:28:10So, according to the statement you gave us,
00:28:14John Lubbock announced that he was going to walk home.
00:28:19Who heard him, or could have heard him, besides yourself?
00:28:23Well, I've been drinking quite a lot that evening.
00:28:27However, if I'm not mistaken...
00:28:29Let me drop you off. It's no trouble, John.
00:28:31No, thanks. Yes, it's all right.
00:28:33Well, I'll see you later.
00:28:35Bye.
00:28:38No, thanks. You're very kind, Helen, but I prefer to walk.
00:28:41All right, Isabelle, can we go?
00:28:43Oh, Helen, keep all those resolutions, eh?
00:28:45Happy New Year.
00:28:47Bye, Andrea.
00:28:49Nobody else?
00:28:51No, I don't think so.
00:28:53Oh, yes, Dr. Beeney was there too.
00:28:56Please understand, this is only a formality,
00:29:00but what did you do after the party?
00:29:03Frankly, I don't remember.
00:29:05I haven't got an alibi, if that's what you want to know.
00:29:08Like I told you before, I had too much to drink.
00:29:11I wonder if our friend Beeney didn't invent the telephone call.
00:29:16That's rather a dangerous theory.
00:29:19Anyway, Dr. Beeney has a sound alibi.
00:29:22At the moment of the crime, he was visiting a friend.
00:29:27May I know the name?
00:29:30Edouard Valmont.
00:29:32Does that young lady, Miss Luauer, live with you?
00:29:35Not always.
00:29:37And yesterday evening, what did you do, Mr. Bild?
00:29:40Stayed home and watched television.
00:29:42And was the young lady with you?
00:29:44No.
00:29:46I have nothing else to tell you.
00:29:48If you'll excuse me, I have to get back to the paper.
00:29:51But don't you want to know any more?
00:29:53So you can write about it?
00:29:56Just like in the Labo case, Inspector.
00:30:00Exactly. It was found with the body of Sophia Beeney.
00:30:05However, there is a slight variation.
00:30:08One finger has been cut off.
00:30:11It might be a way of saying...
00:30:14that there are four more crimes on the books.
00:30:18Hello?
00:30:23Dr. Beeney, please.
00:30:26Don't bother to express your sympathy.
00:30:28Poor Sophia was a living corpse these past two years.
00:30:31It would be sheer hypocrisy on my part...
00:30:33to pretend I was greatly pained by her passing away.
00:30:36However, I am a man of my word.
00:30:39I am a man of my word.
00:30:41I am a man of my word.
00:30:43I am a man of my word.
00:30:45However, I am glad you wanted to see me.
00:30:48I'd like to be certain you haven't been misinformed.
00:30:52I know the kind of cheap stories you reporters print.
00:30:56To tell the truth, I received orders not to interview you.
00:30:59Look, let's not beat about the bush. What do you want to know?
00:31:03One simple detail.
00:31:05That voice on the telephone.
00:31:07Was it a man or a woman?
00:31:11It was extremely muffled.
00:31:13Rather flat and toneless.
00:31:15Affected by laryngitis, I should say.
00:31:18So? He couldn't tell whether it was a man or a woman.
00:31:22Whoever it was, it's quite clear the murderer knew how to get into my house.
00:31:26After all, it's very easy. The front door's never locked.
00:31:31Do you suspect anyone?
00:31:33No.
00:31:34Nothing missing from the house?
00:31:35Not a thing.
00:31:37It's always possible, of course, it was a madman.
00:31:39What do you think?
00:31:40No murderer is completely sane.
00:31:42Now, if you'll excuse me, I have to go.
00:31:45One last question.
00:31:46What was the address you were told on the phone?
00:31:48Via Bruxelles.
00:31:49Number?
00:31:50Eleven. It doesn't exist.
00:31:52I suppose you thought you'd taken it down wrong.
00:31:54Exactly, but there was no way of checking.
00:31:56So you decided to visit a friend.
00:31:58The Dwarf Armand lives quite close to Via Bruxelles, doesn't he?
00:32:01I see you're well informed.
00:32:03Goodbye, Mr. Veld.
00:32:42THE END
00:33:13THE END
00:33:17THE END
00:33:41Well, well.
00:33:42Surprise.
00:33:43I thought you'd found another position.
00:33:46No.
00:33:47Here I am.
00:33:49Back at the same old stand.
00:33:51Are you sure you haven't come to get your severance pay?
00:33:55I was dying to see you. It happens sometimes.
00:34:00Where have you been all this while?
00:34:03Ask me no questions and I'll tell you no lies.
00:34:06I was at home studying.
00:34:07I have this history exam on Thursday.
00:34:09Didn't I tell you?
00:34:17Yeah.
00:34:23What's wrong?
00:34:27I telephoned your house and your mother said she hasn't seen you in over a month.
00:34:30You're a lying little whore.
00:34:38What kind of dump do you come from?
00:34:40Your mother doesn't take care of you.
00:34:42Your father's got a remote estate home for the aged.
00:34:45And you play Trump in one sports car after another.
00:34:48Was it a red sports car?
00:34:50A Triumph.
00:34:51Well, that car just happens to belong to my brother Walter, you idiot.
00:34:55You know, ever since you've been playing detective, you just can't get anything right.
00:34:59You really had me a laugh.
00:35:02You're pathetic.
00:35:10What does your brother do?
00:35:13He races.
00:35:15He's a racing driver, didn't you know?
00:35:20Where are you going?
00:35:35Lou.
00:35:38Lou.
00:35:43Lou.
00:35:47Lou.
00:35:52You're playing games on me, huh?
00:35:58Come here, you sneaky little...
00:36:12Oh, shut up.
00:36:15Come here, you bitch.
00:36:23Come here, you coward.
00:36:27Come here, you bitch.
00:36:42Come here.
00:37:13Come here.
00:37:18Are you on the sports desk of your paper?
00:37:23I just want to talk to you, if you've got a moment to spare.
00:37:27Why?
00:37:31What do you do all day when you're not engaged in a race?
00:37:36Is that important?
00:37:39Everything's important for a reporter.
00:37:42For example, what did you do all day last Tuesday?
00:37:47There was a formula race at Brel.
00:37:49I came in second, and there was the usual...
00:37:52usual party afterwards.
00:37:54Why do you ask?
00:37:58Were you very late coming back?
00:38:04About ten the next morning.
00:38:06Stayed with friends, if that's what you want to know.
00:38:08Even if I don't understand why.
00:38:13That'll do for me. Thank you very much, and good luck.
00:38:36I'd like to speak to Dr. Beeney.
00:38:39I'd like to speak to Dr. Beeney.
00:38:45Yes.
00:38:48Is that you, Richard?
00:38:50This is Walter.
00:39:01Come in.
00:39:04I knew you'd get around to looking me up sooner or later.
00:39:11I read your latest article.
00:39:13Sometimes you reporters are much more perceptive than the police.
00:39:17Now, there is one point on which I don't quite...
00:39:20Excuse me.
00:39:22This place makes me nervous.
00:39:24Do you mind if we go outside?
00:39:26What were you going to say?
00:39:28Oh, yes.
00:39:30Like the police, you also seem to be convinced...
00:39:32that my attacker merely intended to rob me.
00:39:35I don't agree, Andrea.
00:39:37He intended to kill me, like he did Sophia Beeney.
00:39:40You knew her quite well, didn't you?
00:39:42Not really, but I felt sorry for her...
00:39:44even if she wasn't a particularly pleasant woman.
00:39:46I only hope that whoever it is...
00:39:48is satisfied with having reduced me to this condition.
00:39:51After all, he could always turn up again...
00:39:53to give me the coot of bloody grass.
00:39:55It sounds morbid, I know, but...
00:39:57I've got somebody playing games with me on the phone now.
00:39:59It rings at the most unlikely times...
00:40:01usually in the middle of the night.
00:40:03When I answer the damn thing, there's nobody there.
00:40:05Have you informed the police?
00:40:07What's the point?
00:40:09I've tried to get the number changed, but that takes time.
00:40:11The best defense, I suppose, is to unplug it.
00:40:15Here we are. This is where I live.
00:40:17Can I offer you a drink?
00:40:26Hello?
00:40:28Is that you, Mr. Beld?
00:40:31Yes, we're speaking.
00:40:35Let's just say a friend...
00:40:38someone who wants to keep you out of trouble.
00:40:43If I were you, I'd stop asking all those questions.
00:40:48If you don't, you're going to be very sorry, Mr. Beld.
00:40:59Tuesday, March 29th.
00:41:02Now that I've had time to savor...
00:41:05the memory of my first success...
00:41:08I find that it has lived up to all expectations.
00:41:13Even if, I must admit...
00:41:16I had hoped for greater appreciation.
00:41:20There's been a conspiracy of silence...
00:41:23on the part of the press and the police.
00:41:27Sick transit Gloria Mundi.
00:41:30People must be made to realize...
00:41:33that I am someone to be reckoned with.
00:41:37I will strike again.
00:41:40There is something profound, even divine...
00:41:45in being able in one second...
00:41:48to transform a member of the human race...
00:41:51into inanimate matter forever.
00:41:56Andrea! Darling!
00:42:04Well, are you going to tell me what my horoscope says?
00:42:07It says that the boss is looking for you...
00:42:09and that your future is not so bright.
00:42:11Want me to ask the stars what to do?
00:42:13I think it's too late.
00:42:15I'm sorry, Andrea. I have no choice.
00:42:18I have to go.
00:42:20But I don't understand.
00:42:21Haller called me.
00:42:23He pointed out that you were...
00:42:24He told you I was on the list of suspects.
00:42:26Not exactly.
00:42:28Yes?
00:42:30Everything's ready, sir. They're waiting for you.
00:42:33Thank you.
00:42:35Then I don't see any reason why I should step aside...
00:42:37in such a big thing as this.
00:42:39I'm going to tell you what to do.
00:42:41I'm going to tell you what to do.
00:42:44I'm going to tell you what to do.
00:42:47I'm going to tell you what to do.
00:42:49What is this? If I'm not mistaken...
00:42:51And if I'm not mistaken, I'm the one who decides things around here.
00:42:55So let me repeat.
00:42:57You've been pulled off the story.
00:43:09Did you know I was off the story?
00:43:11Ah, Bill.
00:43:13I was going to send you over to cover the bankers' convention.
00:43:16You make me puke. A lot of you.
00:43:19Vogel may take your crap, but not me.
00:43:21You think I don't know that Dr. Binney...
00:43:23is a big shareholder in this wreck?
00:43:25And then he came in to about a quarter of a million...
00:43:27when his wife died.
00:43:28All right, so what? Don't shout.
00:43:31You always were stupid.
00:43:34Haven't you realized yet that your crazy, unconformist ideas...
00:43:38don't go around here?
00:43:40You're not the man you were, Bill.
00:43:42I thought there was some good in you, boy.
00:43:44And then you hit the bottom.
00:43:45And all you're good for now is dragging your ass...
00:43:47in this cesspool of a newspaper.
00:43:51Is that so?
00:43:55Well, you listen to me.
00:43:56I may have become a piece of shit...
00:43:58but you are what you were when you started.
00:44:00That bastard who sold his soul.
00:44:03I warn you, you'll pay for this.
00:44:14You're home late, Tom.
00:44:15I'm sorry I'm late.
00:44:17I'm sorry I'm late.
00:44:19I'm sorry I'm late.
00:44:21I'm sorry I'm late.
00:44:23I'm sorry I'm late.
00:44:25I'm sorry I'm late.
00:44:27I'm sorry I'm late.
00:44:29I'm sorry I'm late.
00:44:31I'm sorry I'm late.
00:44:33I'm sorry I'm late.
00:44:35I'm sorry I'm late.
00:44:37I'm sorry I'm late.
00:44:39I'm sorry I'm late.
00:44:41I'm sorry I'm late.
00:44:43You're home late tonight.
00:44:45There was a meeting at the school.
00:44:47What's the matter?
00:44:48Anything wrong?
00:44:50I felt I wanted to talk to somebody.
00:44:54Goodbye.
00:44:58I'm in bad shape.
00:45:00Don't you give a damn?
00:45:06Let's sit in my car.
00:45:09You've been arguing again with Traversi, I suppose.
00:45:12I could kill him.
00:45:14Is it that bad?
00:45:16Have you asked yourself why?
00:45:20Maybe because he reminds me of my father.
00:45:22He's a cheap, slimy worm.
00:45:26And you're afraid you're going to end up just like him?
00:45:33You really can't stand me, can you?
00:45:37Why don't you leave the paper?
00:45:39You told me once you wanted to freelance.
00:45:41See the world.
00:45:45And you said you'd come along.
00:45:48Tony must be awake. I have to go.
00:46:09I'll call you.
00:46:39Come on.
00:47:09Come on.
00:47:39Come on.
00:48:09Come on.
00:48:39Traversi.
00:49:09Traversi.
00:49:39Traversi.
00:50:09To thy hand, O Lord, we beseech thee.
00:50:12Thy mercy, that she who prayed that thy will might be done
00:50:16may not receive punishment for her misdeeds,
00:50:19but that even as here below the true faith united her to the ranks of the faithful,
00:50:23so in heaven, by thy mercy,
00:50:25she may have fellowship with the choirs of angels.
00:50:28Eternal rest grant unto her, O Lord,
00:50:31and let perpetual light shine upon her.
00:50:34May she rest in peace.
00:50:36May her soul and the souls of all the faithful departed,
00:50:39through the mercy of God, rest in peace.
00:50:41Amen.
00:50:59I must talk to you. Please ring me.
00:51:01Isabel.
00:51:03Isabel.
00:51:06I'd believe the autopsy, but we found a glove beside the body.
00:51:09Two fingers are missing this time.
00:51:11Where were you yesterday evening?
00:51:13I went to see Mrs. Volta.
00:51:16What time was that?
00:51:18About 10 or 10.30, I think.
00:51:22How long were you together?
00:51:24About half an hour.
00:51:26Then I went home to bed.
00:51:28Miss Auer was not there this time either.
00:51:31If that's what you want to know.
00:51:36We have an attempted murder and two murders.
00:51:39In all three instances,
00:51:41you are one of the few people who knew all the victims.
00:51:46Funny coincidence, isn't it?
00:51:48Especially since you have no alibi in any of these three cases.
00:51:52I know.
00:51:54Still, we haven't decided to formulate charges against you.
00:51:57For the moment.
00:51:59You're very kind.
00:52:01Could I just inquire how you knew that I'd fight with Traversi?
00:52:05We received an anonymous telephone call this morning.
00:52:08And was it a man or a woman?
00:52:13A man.
00:52:15What are you thinking?
00:52:18I've been mulling over your theory
00:52:20that someone could take advantage of a situation like this
00:52:23and could quite happily bump off someone else,
00:52:25leave a glove at the scene of the crime
00:52:27and use our murderer as a scapegoat.
00:52:30And my theory could be applied to the Traversi case, right?
00:52:33Why not?
00:52:35Who'd have wanted to get rid of Traversi?
00:52:38Well, you had a good motive.
00:52:40Now Portaversi's gone, who'll be the next editor? You?
00:52:44That'll be the day.
00:52:46I've crazy, nonconformist ideas, and I'm a drunk, remember?
00:52:49No, Traversi's murderer made those calls to me and the police.
00:52:53It's somebody who knew about my troubles in the office.
00:52:56He was trying to frame me.
00:52:58Well, who did know about your troubles in the office?
00:53:00The whole building. I was there.
00:53:02The whole building. I was very loud that day.
00:53:05Look who's there, Tony. Look over there.
00:53:07Mama, I'm there.
00:53:09Tony!
00:53:32Tony!
00:54:02Tony!
00:54:32Tony!
00:55:02Tony!
00:55:32Tony!
00:56:02To earth as mine, to thee
00:56:07My heart will swing
00:56:13To earth as sweet as thine
00:56:18What thrill is this
00:56:22In my being
00:56:29To my, my
00:56:33Twin dear
00:56:36You that my dear
00:56:40Tears met wild
00:56:44And yet to spare you
00:56:48My
00:56:52Soiree too sweetly
00:56:56Touch me, touch me
00:57:00My
00:57:03Too sweetly
00:57:10Sweetly
00:57:13My darling
00:57:18Too sweetly
00:57:25Sweetly
00:57:28To be
00:57:31My
00:57:37Here
00:57:44Twice
00:57:48My
00:57:51Touch me, touch me
00:57:54My
00:57:57Tears and water
00:58:02On my knee
00:58:09To our tongue
00:58:11To thee
00:58:14On my knees
00:58:16Sweetly
00:58:22I've been watching those two outside.
00:58:26You can tell the police are a mile away.
00:58:30They're my guardian angels.
00:58:32I know.
00:58:34They kept me at the dum-dum station all morning.
00:58:37They wanted to know how long I know you, when I see you, if I knew Traversi.
00:58:42God, they're such boors.
00:58:45How do you make out?
00:58:48Had a little fun, let him up the garden path.
00:58:51God, I hate cops.
00:58:59Well, why don't you ask me why I'm back?
00:59:01Why should I? It's nothing new.
00:59:05I'm not coming here again.
00:59:07I've heard that before.
00:59:10Oh, Andrea, you're hopeless, but this time I mean it.
00:59:14Mm-hmm.
00:59:16Mm-hmm.
00:59:22I've got some news. I'm getting married.
00:59:25Who's the lucky man?
00:59:30Oh, you don't know him.
00:59:33His name is Frank Ray.
00:59:40What would Frank say if he knew about us?
00:59:43Nothing.
00:59:45Do you remember him?
00:59:47He's always known.
00:59:49But it'll be different when we're married. We both want children.
00:59:52We're both crazy about children.
00:59:55I won't be seeing you again, Andrea.
01:00:03And you're not even angry.
01:00:05Why should I be angry?
01:00:08Well, I do see you're not wasting any time.
01:00:11A while ago, somebody called Isabel Lancia telephoned.
01:00:17What did she say?
01:00:19She wanted to see you urgently.
01:00:21She's expecting you at 9 at the Grand Hotel.
01:00:23I wrote down her room number over there.
01:00:26Is your car out back?
01:00:28Yes.
01:00:36Give me your keys and leave these lights on.
01:00:38I'll take you. I'm going anyway.
01:00:42Then we leave now, through the courtyard.
01:00:53Wait for me. I won't be long.
01:01:08I'll be right back.
01:01:39Miss Lancia?
01:01:46Miss Lancia?
01:02:09That didn't take very long.
01:02:14Stay with me tonight.
01:02:18For the last time.
01:02:20The minister announced that the topics of discussion at the meetings...
01:02:23would be the balance of payments and the current monetary crisis.
01:02:26Police were called to a well-known hotel in the capital late this evening...
01:02:30when Isabel Lancia, daughter of Carl Lancia, the well-known shipbuilder...
01:02:33was found dead in the bathroom of her suite.
01:02:36According to a police spokesman, Miss Lancia's body was discovered...
01:02:39by Edouard Varmont, fiancé of the victim.
01:02:42The couple were to have married later in the year.
01:02:44The same spokesman added that the case was being treated as murder...
01:02:47but would make no comment when asked if there was any connection...
01:02:50between Miss Lancia's death...
01:02:52What time did you come home last night?
01:02:57Why don't you ask those two idiots you've got hanging around my door?
01:03:01And the young lady?
01:03:03And the young lady?
01:03:05Was she with you?
01:03:11Yes, from 7 o'clock yesterday evening, Inspector.
01:03:21You did me a great favor. Why?
01:03:24I wanted to give you a farewell present.
01:03:28Aren't you going to ask me if it was I who killed her?
01:03:34That's your business.
01:03:42What are you going to do?
01:03:43Pack my bags.
01:03:45This business is beginning to make me nervous.
01:03:48I've given in my notice at the school.
01:03:50I'm going back to Sydney.
01:03:54Whoever sent you this seems quite sure that you know who he is.
01:03:57Nevertheless, he still goes to the trouble of sending me an anonymous letter.
01:04:01Instead of coming straight to the point, as he did with the others.
01:04:06Funny, isn't it?
01:04:11You can keep it, print it, give it to the police, whatever you like.
01:04:15And you know, in case it may help you with your investigation...
01:04:18there is one detail that might interest you.
01:04:22There was no stamp on the envelope.
01:04:25It was put directly into the school mailbox.
01:04:32When are you going to leave?
01:04:34Sometime this week.
01:04:38Now that Isabelle is dead...
01:04:40there's no reason for me to stay here any longer.
01:04:46I understand.
01:04:49Nothing matters to me anymore.
01:04:52Absolutely nothing.
01:04:56Goodbye.
01:05:02Where's Julia?
01:05:03Oh, it's too early for her, but I'm here and I know the same drinks.
01:05:07Another time. Thanks.
01:05:08Get lost.
01:05:31Anyone in?
01:06:01Is anyone there?
01:06:31Oh, my God.
01:07:01Oh, my God.
01:07:31Oh, my God.
01:08:01Oh, my God.
01:08:31Oh, my God.
01:09:01Oh, my God.
01:09:31Oh, my God.
01:10:02What the hell do you want?
01:10:04I'll call the police.
01:10:06We'll see who calls the police.
01:10:08I'll run you in for corruption and exploitation of minors...
01:10:11and anything else I can find on the way.
01:10:13I want to know everything, especially who's the lieutenant of police.
01:10:16I don't know anything.
01:10:22Maybe this will help you to remember.
01:10:24Yes, it will.
01:10:26I don't know anything.
01:10:29Maybe this will help you to remember.
01:10:31You'll pay for this.
01:10:33Who was it to attack Joe Lubbock in the tunnel?
01:10:36You saw him. I know you did.
01:10:38I don't know. I don't know!
01:10:44I swear, I'll kill you.
01:10:46Who was it? Who?
01:10:48Julia's father.
01:10:50Old Suave.
01:10:52Don't try to be smart. You know that I can check.
01:10:56It's the truth. Julia said she'd leave me if I told the police.
01:11:01And, of course, you preferred to keep the girl.
01:11:04It was like having men in the bank, right?
01:11:07And Dr. Binney, who was the only paying you for your performances?
01:11:11Ask of me!
01:11:13No, not just for that.
01:11:16Julia's father. It was his idea.
01:11:18You were blackmailing him.
01:11:20Yes, and Valmont, too.
01:11:23But Suave has nothing to do with any of those murders.
01:11:25I know he's a dirty old man, but he's not a murderer.
01:11:28Why are you so sure of it?
01:11:30Because he works for Hofford Transport every Tuesday.
01:11:33He takes a truck up north and he doesn't come back until late Wednesday night.
01:11:37What does that prove?
01:11:39Dr. Binney's wife and Isabel Lancia were both murdered on a Tuesday.
01:11:43And it was early on Wednesday that Suave himself was arrested.
01:11:47How does that fit in with this trucking business you're telling me about?
01:11:51Last Tuesday there was a strike at Hofford Transport.
01:11:54He didn't leave, but he didn't kill Julia either, even though he was spying on her.
01:12:06Well, what is it you want?
01:12:08To tell you frankly that I'm prepared to publish everything I know and everything I've seen in another paper.
01:12:12What was your relationship with Julia Suave?
01:12:14Who is Julia Suave?
01:12:15The girl who was killed last night. You know that as well as I do.
01:12:17Why should I know her? I never met her in my life.
01:12:19Not even at your little private parties?
01:12:21What on earth are you talking about? You must be mad.
01:12:26All right. I'll be frank too.
01:12:29If you insist on continuing this inquiry of yours, fine. Go ahead.
01:12:34Perhaps I'll show you once and for all that I have nothing at all to fear, either from you or the police.
01:12:38And now please go. I have patients to see.
01:12:44Mr. Belmont, please.
01:12:46Is that you, Edouard?
01:12:48I've got to talk to you. There's not a moment to lose.
01:12:53Are you really going to publish this?
01:12:55Yes. It's coming out tomorrow.
01:12:57I thought Dr. Binning was a rather nice little man. You think he's the murderer, don't you?
01:13:01I don't know yet.
01:13:03Will your husband be there?
01:13:05No. I'm going to see my lawyer. There's no point in talking to Charles. We only argue.
01:13:09Over Tony, I suppose.
01:13:10Over the terms of the divorce. You know, until everything's settled, I can't begin to live my own life.
01:13:14You're not listening, are you?
01:13:16You know, there is something similar about these murders, but I can't put my finger on it.
01:13:25Well, in my humble opinion, I think Belmont's the fly in the ointment.
01:13:30See you tonight.
01:13:31When will you be back?
01:13:32At nine. At least I hope to be, but it's Tuesday, so I might be late.
01:13:36Your horoscope lady said it's not my day.
01:13:47I would have preferred the black Mariah. It would have made the scene more complete.
01:13:51What do you want this time? Another alibi? Well, I haven't got one.
01:13:53I know, Bill.
01:14:03Look, Inspector, you've had men following me for a long time,
01:14:06so you know damn well I didn't kill anybody.
01:14:08And if you lock me up now, I'll have a perfect alibi.
01:14:11If you give me time to get my facts straight, I'm pretty sure I can find your murderer for you.
01:14:22What have you got to lose?
01:14:25Nothing.
01:14:27Nothing?
01:14:29I'll show you.
01:14:31I'll show you.
01:14:33I'll show you.
01:14:35I'll show you.
01:14:39What have you got to lose?
01:14:42You've got four murders on your hands and your investigation isn't getting anywhere.
01:14:47Why don't you tell what you know and let us follow through?
01:14:51It's quicker if I work alone.
01:14:56I see.
01:14:58Does your scoop mean so much to you?
01:15:02Doesn't yours, Inspector.
01:15:04You have to build a career in the police too, I believe.
01:15:09I've got to keep my nose out of it.
01:15:20Dr. Beany's wife and Isabelle Lanchop
01:15:22were both murdered on a Tuesday.
01:15:24At least I hope to be but it's Tuesday, so I might be late.
01:15:27Your horoscope lady said it's not my day.
01:15:28Monday, January 1st, John Lubbock, born March 23rd, brutally attacked.
01:15:45Mrs. Sophia Beeney, wife of Dr. Richard Beeney, found strangled Tuesday, February 13th.
01:15:57The editor of the National Daily found dead in park of a heart attack Tuesday, March 29th.
01:16:09Murder at the Grand Hotel, Isabelle Lunch, a daughter of well-known shipbuilder, was found strangled today, Tuesday, April 12th.
01:16:19Julia Suave, a young prostitute, was found today with her throat cut, Tuesday, May 7th.
01:16:49Tuesday is sacred to Mars, the god of violence and war.
01:16:54It is the most favorable day for those born under the sign of Aries.
01:17:02Aries.
01:19:02Hello?
01:19:25Tony?
01:19:26Yes, Mama.
01:19:27What are you and Elsa doing?
01:19:29I was in bed.
01:19:31When are you coming home?
01:19:33I got held up. I'm coming on the next plane.
01:19:37Did you have supper?
01:19:39Yes, I watched television too, then I went to bed.
01:19:43Now you go back to bed, darling, and let me speak to Elsa.
01:19:47Elsa's not here. She went to the airport to meet you like they said in the telephone call.
01:19:53Who telephoned?
01:19:54I don't know. Somebody.
01:19:57Elsa said the dentist called too, for tomorrow.
01:20:02Tony?
01:20:03Yes, Mama.
01:20:04Now listen to me. Go and lock all the doors and windows, the ones to the garden too, and don't open up for anyone.
01:20:13You understand? Not for anyone.
01:20:16Why?
01:20:18Just do as you're told. Please, darling.
01:20:21Wait.
01:21:21Mama, don't forget the book about the man in black.
01:21:49Darling, the man in black isn't real, you know. It's only a story.
01:21:54She doesn't really exist.
01:21:56Hello?
01:21:58Did you do what I told you?
01:22:00Yes, Mama.
01:22:01Now go back to bed, and I'll bring you a nice surprise.
01:22:05Mama!
01:22:06Tony!
01:22:07The lights went out. I'm scared.
01:22:10Aren't you there anymore, Mama?
01:22:12Tony!
01:22:20Is that you, Elsa?
01:22:24Is that you, Elsa?
01:22:54Is that you, Elsa?
01:22:55Is that you, Elsa?
01:22:56Is that you, Elsa?
01:22:57Is that you, Elsa?
01:22:58Is that you, Elsa?
01:22:59Is that you, Elsa?
01:23:00Is that you, Elsa?
01:23:01Is that you, Elsa?
01:23:02Is that you, Elsa?
01:23:03Is that you, Elsa?
01:23:04Is that you, Elsa?
01:23:05Is that you, Elsa?
01:23:06Is that you, Elsa?
01:23:07Is that you, Elsa?
01:23:08Is that you, Elsa?
01:23:09Is that you, Elsa?
01:23:10Is that you, Elsa?
01:23:11Is that you, Elsa?
01:23:12Is that you, Elsa?
01:23:13Is that you, Elsa?
01:23:14Is that you, Elsa?
01:23:15Is that you, Elsa?
01:23:16Is that you, Elsa?
01:23:17Is that you, Elsa?
01:23:18Is that you, Elsa?
01:23:19Is that you, Elsa?
01:23:20Is that you, Elsa?
01:23:21Is that you, Elsa?
01:23:22Is that you, Elsa?
01:23:23Is that you, Elsa?
01:23:24Is that you, Elsa?
01:23:25Is that you, Elsa?
01:23:26Is that you, Elsa?
01:23:27Is that you, Elsa?
01:23:28Is that you, Elsa?
01:23:29Is that you, Elsa?
01:23:30Is that you, Elsa?
01:23:31Is that you, Elsa?
01:23:32Is that you, Elsa?
01:23:33Is that you, Elsa?
01:23:34Is that you, Elsa?
01:23:35Is that you, Elsa?
01:23:36Is that you, Elsa?
01:23:37Is that you, Elsa?
01:23:38Is that you, Elsa?
01:23:39Is that you, Elsa?
01:23:40Is that you, Elsa?
01:23:41Is that you, Elsa?
01:23:42Is that you, Elsa?
01:23:43Is that you, Elsa?
01:23:44Is that you, Elsa?
01:23:45Is that you, Elsa?
01:23:46Is that you, Elsa?
01:23:47Is that you, Elsa?
01:23:48Is that you, Elsa?
01:23:49Is that you, Elsa?
01:23:50Is that you, Elsa?
01:23:51Is that you, Elsa?
01:23:52Is that you, Elsa?
01:23:53Is that you, Elsa?
01:23:54Is that you, Elsa?
01:23:55Is that you, Elsa?
01:23:56Is that you, Elsa?
01:23:57Is that you, Elsa?
01:23:58Is that you, Elsa?
01:23:59Is that you, Elsa?
01:24:00Is that you, Elsa?
01:24:01Is that you, Elsa?
01:24:02Is that you, Elsa?
01:24:03Is that you, Elsa?
01:24:04Is that you, Elsa?
01:24:05Is that you, Elsa?
01:24:06Is that you, Elsa?
01:24:07Is that you, Elsa?
01:24:08Is that you, Elsa?
01:24:09Is that you, Elsa?
01:24:10Is that you, Elsa?
01:24:11Is that you, Elsa?
01:24:12Is that you, Elsa?
01:24:13Is that you, Elsa?
01:24:14Is that you, Elsa?
01:24:15Is that you, Elsa?
01:24:16Is that you, Elsa?
01:24:17Is that you, Elsa?
01:24:18Is that you, Elsa?
01:24:19Is that you, Elsa?
01:24:20Is that you, Elsa?
01:24:21Is that you, Elsa?
01:24:22Is that you, Elsa?
01:24:23Is that you, Elsa?
01:24:24Is that you, Elsa?
01:24:25Is that you, Elsa?
01:24:26Is that you, Elsa?
01:24:27Is that you, Elsa?
01:24:28Is that you, Elsa?
01:24:29Is that you, Elsa?
01:24:30Is that you, Elsa?
01:24:31Is that you, Elsa?
01:24:32Is that you, Elsa?
01:24:33Is that you, Elsa?
01:24:34Is that you, Elsa?
01:24:35Is that you, Elsa?
01:24:36Is that you, Elsa?
01:24:37Is that you, Elsa?
01:24:38Is that you, Elsa?
01:24:39Is that you, Elsa?
01:24:40Is that you, Elsa?
01:24:41Is that you, Elsa?
01:24:42Is that you, Elsa?
01:24:43Is that you, Elsa?
01:24:44Is that you, Elsa?
01:24:45Is that you, Elsa?
01:24:46Is that you, Elsa?
01:24:47Is that you, Elsa?
01:24:48Is that you, Elsa?
01:24:49Is that you, Elsa?
01:24:50Is that you, Elsa?
01:24:51Is that you, Elsa?
01:24:52Is that you, Elsa?
01:24:53Is that you, Elsa?
01:24:54Is that you, Elsa?
01:24:55Is that you, Elsa?
01:24:56Is that you, Elsa?
01:24:57Is that you, Elsa?
01:24:58Is that you, Elsa?
01:24:59Is that you, Elsa?
01:25:00Is that you, Elsa?
01:25:01Is that you, Elsa?
01:25:02Is that you, Elsa?
01:25:03Is that you, Elsa?
01:25:04Is that you, Elsa?
01:25:05Is that you, Elsa?
01:25:06Is that you, Elsa?
01:25:07Is that you, Elsa?
01:25:08Is that you, Elsa?
01:25:09Look out!
01:25:10The throne!
01:25:40Look out!
01:25:41The throne!
01:25:42The throne!
01:25:43The throne!
01:25:44The throne!
01:25:45The throne!
01:25:46The throne!
01:25:47The throne!
01:25:48The throne!
01:25:49The throne!
01:25:50The throne!
01:25:51The throne!
01:25:52The throne!
01:25:53The throne!
01:25:54The throne!
01:25:55The throne!
01:25:56The throne!
01:25:57The throne!
01:25:58The throne!
01:25:59The throne!
01:26:00The throne!
01:26:01The throne!
01:26:02The throne!
01:26:03The throne!
01:26:04The throne!
01:26:05The throne!
01:26:06The throne!
01:26:07The throne!
01:26:08The throne!
01:26:09The throne!
01:26:10The throne!
01:26:11The throne!
01:26:12The throne!
01:26:13The throne!
01:26:14The throne!
01:26:15The throne!
01:26:16The throne!
01:26:17The throne!
01:26:18The throne!
01:26:19The throne!
01:26:20The throne!
01:26:21The throne!
01:26:22The throne!
01:26:23The throne!
01:26:24The throne!
01:26:25The throne!
01:26:26The throne!
01:26:27The throne!
01:26:28The throne!
01:26:29The throne!
01:26:30The throne!
01:26:31The throne!
01:26:32The throne!
01:26:33The throne!
01:26:34The throne!
01:26:35The throne!
01:26:36The throne!
01:26:37The throne!
01:26:38The throne!
01:26:39The throne!
01:26:40The throne!
01:26:41The throne!
01:26:42The throne!
01:26:43The throne!
01:26:44The throne!
01:26:45The throne!
01:26:46The throne!
01:26:47The throne!
01:26:48The throne!
01:26:49The throne!
01:26:50The throne!
01:26:51The throne!
01:26:52The throne!
01:26:53The throne!
01:26:54The throne!
01:26:55The throne!
01:26:56The throne!
01:26:57The throne!
01:26:58The throne!
01:26:59The throne!
01:27:00The throne!
01:27:01The throne!
01:27:02The throne!
01:27:03The throne!
01:27:04The throne!
01:27:05The throne!
01:27:06The throne!
01:27:07The throne!
01:27:08The throne!
01:27:09The throne!
01:27:10The throne!
01:27:11The throne!
01:27:12The throne!
01:27:13The throne!
01:27:14The throne!
01:27:15The throne!
01:27:16The throne!
01:27:17The throne!
01:27:18The throne!
01:27:19The throne!
01:27:20The throne!
01:27:21The throne!
01:27:22The throne!
01:27:23The throne!
01:27:24The throne!
01:27:25The throne!
01:27:26The throne!
01:27:27The throne!
01:27:28The throne!
01:27:29The throne!
01:27:30The throne!
01:27:31The throne!
01:27:32The throne!
01:27:33The throne!
01:27:34The throne!
01:27:35The throne!
01:27:36The throne!
01:27:37The throne!
01:27:38The throne!
01:27:39The throne!
01:27:40The throne!
01:27:41The throne!
01:27:42The throne!
01:27:43The throne!
01:27:44The throne!
01:27:45The throne!
01:27:46The throne!
01:27:47The throne!
01:27:48The throne!
01:27:49The throne!
01:27:50The throne!
01:27:51The throne!
01:27:52The throne!
01:27:53The throne!
01:27:54The throne!
01:27:55The throne!
01:27:56The throne!
01:27:57The throne!
01:27:58The throne!
01:27:59The throne!
01:28:00The throne!
01:28:01The throne!
01:28:02The throne!
01:28:03The throne!
01:28:04The throne!
01:28:05The throne!
01:28:06The throne!
01:28:07The throne!
01:28:08The throne!
01:28:09The throne!
01:28:10The throne!
01:28:11The throne!
01:28:12The throne!
01:28:13The throne!
01:28:14The throne!
01:28:15The throne!
01:28:16The throne!
01:28:17The throne!
01:28:18The throne!
01:28:19The throne!
01:28:20The throne!
01:28:21The throne!
01:28:22The throne!
01:28:23The throne!
01:28:24The throne!
01:28:25The throne!
01:28:26The throne!
01:28:27The throne!
01:28:28The throne!
01:28:29The throne!
01:28:30The throne!
01:28:31The throne!
01:28:32The throne!
01:28:33The throne!
01:28:34The throne!
01:28:35The throne!
01:28:36The throne!
01:28:37The throne!
01:28:38The throne!
01:28:39The throne!
01:28:40The throne!
01:28:41The throne!
01:28:42The throne!
01:28:43The throne!
01:28:44The throne!
01:28:45The throne!
01:28:46The throne!
01:28:47The throne!
01:28:48The throne!
01:28:49The throne!
01:28:50The throne!
01:28:51The throne!
01:28:52The throne!
01:28:53The throne!
01:28:54The throne!
01:28:55The throne!
01:28:56The throne!
01:28:57The throne!
01:28:58The throne!
01:28:59The throne!
01:29:00The throne!
01:29:01The throne!
01:29:02The throne!
01:29:03The throne!
01:29:04The throne!
01:29:05The throne!
01:29:06The throne!
01:29:07The throne!
01:29:08The throne!
01:29:09The throne!
01:29:10The throne!
01:29:11The throne!
01:29:12The throne!
01:29:13The throne!
01:29:14The throne!
01:29:15The throne!
01:29:16The throne!
01:29:17The throne!
01:29:18The throne!
01:29:19The throne!
01:29:20The throne!
01:29:21The throne!
01:29:22The throne!
01:29:23The throne!
01:29:24The throne!
01:29:25The throne!
01:29:26The throne!
01:29:27The throne!
01:29:28The throne!
01:29:29The throne!
01:29:30The throne!
01:29:31The throne!
01:29:32The throne!
01:29:33The throne!
01:29:34The throne!
01:29:35The throne!
01:29:36The throne!
01:29:37The throne!
01:29:38The throne!
01:29:39The throne!
01:29:40The throne!
01:29:41The throne!
01:29:42The throne!
01:29:43The throne!
01:29:44The throne!
01:29:45The throne!
01:29:46The throne!
01:29:47The throne!
01:29:48The throne!
01:29:49The throne!
01:29:50The throne!
01:29:51The throne!
01:29:52The throne!
01:29:53The throne!
01:29:54The throne!
01:29:55The throne!
01:29:56The throne!
01:29:57The throne!
01:29:58The throne!
01:29:59The throne!
01:30:00The throne!
01:30:01The throne!
01:30:02The throne!
01:30:03The throne!
01:30:04The throne!
01:30:05The throne!
01:30:06The throne!
01:30:07The throne!
01:30:08The throne!
01:30:09The throne!
01:30:10The throne!
01:30:11The throne!
01:30:12The throne!
01:30:13The throne!
01:30:14The throne!
01:30:15The throne!
01:30:16The throne!
01:30:17The throne!
01:30:18The throne!
01:30:19The throne!
01:30:20The throne!
01:30:21The throne!
01:30:22The throne!
01:30:23The throne!
01:30:24The throne!
01:30:25The throne!
01:30:26The throne!
01:30:27The throne!
01:30:28The throne!
01:30:29The throne!
01:30:30The throne!
01:30:31The throne!
01:30:32The throne!
01:30:33The throne!
01:30:34The throne!
01:30:35The throne!
01:30:36The throne!
01:30:37The throne!
01:30:38The throne!
01:30:39The throne!
01:30:40The throne!
01:30:41The throne!
01:30:42The throne!
01:30:43The throne!
01:30:44The throne!
01:30:45The throne!
01:30:46The throne!
01:30:47The throne!
01:30:48The throne!
01:30:49The throne!
01:30:50The throne!
01:30:51The throne!
01:30:52The throne!
01:30:53The throne!
01:30:54The throne!
01:30:55The throne!
01:30:56The throne!
01:30:57The throne!
01:30:58The throne!
01:30:59The throne!
01:31:00The throne!
01:31:01The throne!
01:31:02The throne!
01:31:03The throne!
01:31:04The throne!
01:31:05The throne!
01:31:06The throne!
01:31:07The throne!
01:31:08The throne!
01:31:09The throne!
01:31:10The throne!
01:31:11The throne!
01:31:12The throne!
01:31:13The throne!
01:31:14The throne!
01:31:15The throne!
01:31:16The throne!
01:31:17The throne!
01:31:18The throne!
01:31:19The throne!
01:31:20The throne!
01:31:21The throne!
01:31:22The throne!
01:31:23The throne!
01:31:24The throne!
01:31:25The throne!
01:31:26The throne!
01:31:27The throne!
01:31:28The throne!
01:31:29The throne!
01:31:30The throne!
01:31:31The throne!
01:31:32The throne!
01:31:33The throne!
01:31:34The throne!
01:31:35The throne!
01:31:36The throne!
01:31:37The throne!
01:31:38The throne!
01:31:39The throne!
01:31:40The throne!
01:31:41The throne!
01:31:42The throne!
01:31:43The throne!
01:31:44The throne!
01:31:45The throne!
01:31:46The throne!
01:31:47The throne!
01:31:48The throne!
01:31:49The throne!
01:31:50The throne!
01:31:51The throne!
01:31:52The throne!
01:31:53The throne!
01:31:54The throne!
01:31:55The throne!
01:31:56The throne!
01:31:57The throne!
01:31:58The throne!
01:31:59The throne!
01:32:00The throne!
01:32:01The throne!
01:32:02The throne!
01:32:03The throne!
01:32:04The throne!
01:32:05The throne!
01:32:06The throne!
01:32:07The throne!
01:32:08The throne!
01:32:09The throne!
01:32:10The throne!
01:32:11The throne!
01:32:12The throne!
01:32:13The throne!
01:32:14The throne!
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01:32:24The throne!
01:32:25The throne!
01:32:26The throne!
01:32:27The throne!
01:32:28The throne!
01:32:29The throne!
01:32:30The throne!
01:32:31The throne!
01:32:32The throne!
01:32:33The throne!
01:32:34The throne!
01:32:35The throne!
01:32:36The throne!
01:32:37The throne!
01:32:38The throne!
01:32:39The throne!
01:32:40The throne!
01:32:41The throne!
01:32:42The throne!
01:32:43The throne!
01:32:44The throne!
01:32:45The throne!
01:32:46The throne!
01:32:47The throne!
01:32:48The throne!
01:32:49The throne!
01:32:50The throne!
01:32:51The throne!
01:32:52The throne!
01:32:53The throne!