It follows a wealthy American socialite who finds herself preyed upon by two nefarious young siblings who indulge her in get alcohol and sexz while she vacations at an Italian villa.
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Short filmTranscript
00:00:00You
00:00:13All over the area
00:00:21That's like
00:00:30A
00:00:37How are you
00:00:45Through your husband let you 200 million dollars
00:00:47This is all three four hundred now
00:00:57The stage was set the night we met for fate had planned it so
00:01:06And just one look was all it took to set my heart
00:01:14low oh
00:01:16How did we
00:01:18with all of me
00:01:20I proved how it should be
00:01:24And the days we share
00:01:27When you still care
00:01:29Was that sweet ecstasy?
00:01:33But then but then I don't know
00:01:46And so hopelessly, I hid the pride, and hid inside, when you'd soon be gone
00:01:59But hoping yet you'd not forget, that I'd still wait for you
00:02:07On and on, on and on
00:02:16Welcome, Signora West.
00:02:25This is Teresa, your guardian angel.
00:02:28Depend on her to take care of all your wants and pleasures.
00:02:30She's efficient as an IBM.
00:02:32How do you do, Teresa?
00:02:34Grazie, Signora. Please call me Terry.
00:02:36I stay some months in London, so I know some English.
00:02:38Are you thirsty?
00:02:40Make us a cold drink, Teresa.
00:02:42Look, silence and harmony.
00:02:44The village is only a few kilometers.
00:02:46The marina is just 20 minutes, if you like boating.
00:02:49Oh, I'm afraid I won't feel up to the sea.
00:02:53All right.
00:02:56Well, here we are.
00:02:58No one will bother you here.
00:03:00Oh, it's lovely.
00:03:02Really lovely.
00:03:08Brian, you've been perfect.
00:03:10Wait before saying so.
00:03:12Oh, the house is beautiful.
00:03:16Oh, Brian.
00:03:19Now you can turn out pictures by Catherine Somerset.
00:03:22Just the way you did when you were a promising young artist in New York.
00:03:26Too much time has passed since then.
00:03:30I'm afraid I've lost my spirit.
00:03:32Don't worry.
00:03:34Be grateful that the future will hold whatever your heart desires.
00:03:37There's been so much pain.
00:03:40The sorrow will diminish.
00:03:42The future will lessen the misery you're now enduring.
00:03:45Remember, you can take courage from the memory of Robert.
00:03:49And now that he's dead, how do I pick up the pieces?
00:03:58Oh, no.
00:04:00Isn't there anything stronger to drink in this house?
00:04:02Of course. I'm sorry.
00:04:06Oh, try to understand, Brian.
00:04:09I'm so low, I need something to pick me up once in a while.
00:04:14I know that I can pull myself together in time.
00:04:17But I need a little freedom after what I've been through.
00:04:20I think I ought to remind you that this kind of freedom isn't very good for your nervous system.
00:04:24I'm worried that things could be messy due to a problem turning up in the formal procedure in New York.
00:04:29I don't ever want to go back to New York.
00:04:33So, have you liquidated the estate?
00:04:36My dear girl, I've told you ten times.
00:04:38Two petroleum companies, four television stations, a chain of department stores.
00:04:42They're not items you can unload as you would a truck.
00:04:44It's a big job, and I need time.
00:04:47All right, Brian. I'll rely on you.
00:04:50The only thing that might cause a grievance is the family mansion on Lake Michigan.
00:04:55I'm sure you'll find a way.
00:04:58The only thing that might cause a grievance is the family mansion on Lake Michigan.
00:05:02I've just heard from relatives of Robert.
00:05:05Oh, a horrible, cold old barn.
00:05:09I could never stand being there.
00:05:11The letter was from Robert's two old aunts.
00:05:14They're dead set against selling it.
00:05:16Why don't they buy it?
00:05:17Because they consider it property of the family.
00:05:22Oh, it's not important to me.
00:05:24I'll give it to them.
00:05:25This you could do.
00:05:26Of course, on the other hand, it might be best to get the two old ladies out of here promptly.
00:05:30I'd recommend you take it easy, and don't worry so much.
00:05:34I'll telephone from New York and assign our best attorneys to settle the probate.
00:05:38Oh, thank you, Brian.
00:05:40You're a treasure.
00:05:52Teresa.
00:05:53Senora.
00:05:54Take that thing away.
00:05:55I don't want it in here.
00:05:57It's messy in the cellar.
00:05:59I don't care where you put it, as long as I never have to see it or hear it.
00:06:13Here are the pills, Senora West.
00:06:18A journalist has telephoned to see you.
00:06:22Oh, questions, questions.
00:06:24I'm sick of them.
00:06:26They can go to hell.
00:06:28Oh, I've got such a headache.
00:06:30Better try resting.
00:06:48This is Senora West's villa.
00:06:49What is it you want?
00:06:50Please, any tools and a telephone.
00:06:52But you know that I'm cordially penitent, Senora.
00:06:54You see here a daring poor pilgrim and a miserable guy.
00:06:57I'm sorry, but it's impossible to help.
00:06:59Please, Countess, be nice.
00:07:01I tell you, I can fix the motor alone.
00:07:02My passion is automobiles.
00:07:05Teresa.
00:07:06Si, Senora West.
00:07:11Give the young man what he needs, and then send him away.
00:07:15Bravo, Senora West.
00:07:18Offer to me?
00:07:20Get her that rose.
00:07:26Pick it and take it to Mrs. West.
00:07:28My name is Peter Donovan.
00:07:36Screwdriver.
00:07:42Pliers.
00:07:48It's a matter of speaking the same language.
00:07:57Well, that does it.
00:07:59You mean you finished so fast?
00:08:02Not on your life.
00:08:03It's inexorably broken.
00:08:05I have to get a new part.
00:08:06Oh.
00:08:08For your wonderful eyes.
00:08:10By the way, why don't you let me see them?
00:08:12Is it necessary?
00:08:13Not at all.
00:08:14I'll take you on your word.
00:08:32No.
00:08:33A word didn't last long enough.
00:08:40Okay.
00:08:41All right.
00:08:42How far is it to town?
00:08:47I don't know.
00:08:48Two or three miles.
00:08:50Maybe four.
00:08:51Marvelous.
00:08:52I was afraid it was 50.
00:08:54I'm sorry about having to leave the car here,
00:08:56but I'll be back tomorrow morning with the mechanic.
00:08:58It's all right.
00:08:59Would you like me to have Teresa drive you in?
00:09:02No, no, no.
00:09:03I prefer walking on my hands.
00:09:05Well, so long.
00:09:12Bye.
00:09:13Bye.
00:09:14Bye.
00:09:15Bye.
00:09:16Bye.
00:09:17Bye.
00:09:18Bye.
00:09:19Bye.
00:09:20Bye.
00:09:21Bye.
00:09:22Bye.
00:09:23Bye.
00:09:24Bye.
00:09:25Bye.
00:09:26Bye.
00:09:27Bye.
00:09:28Bye.
00:09:29Bye.
00:09:30Bye.
00:09:31Bye.
00:09:32Bye.
00:09:33Bye.
00:09:34Bye.
00:09:35Bye.
00:09:36Bye.
00:09:37Bye.
00:09:38Bye.
00:09:39Bye.
00:09:40Bye.
00:09:41Bye.
00:09:42Bye.
00:09:43Bye.
00:09:44Bye.
00:09:45Bye.
00:09:46Bye.
00:09:47Bye.
00:09:55What are you doing here?
00:10:00Trying to sleep, and then I just happened to bump into the horn.
00:10:03Sorry.
00:10:04But I don't understand.
00:10:05Didn't you go into town?
00:10:06You bet.
00:10:08a new part and if the mechanic could come it would have taken 12 I just had seven
00:10:12I see in other words you didn't have the money for a hotel room it happens at
00:10:17least once in your life just a moment yes hello it's you Brian I was afraid you
00:10:31wouldn't call Saturday perfect let's see today is Wednesday yes that's that's
00:10:45right Wednesday all right dear I'll see you then right
00:10:50goodbye haven't you been taught that it's rude to enter a house without being
00:10:56invited I was just looking after all masterpieces are to be looked at
00:11:00otherwise why bother painting them well I paint for myself besides I'm not a
00:11:07professional it's perfect you used a mirror right you've got a rather unusual
00:11:14belly button just like the Botticelli Venus oh stop it besides what do you
00:11:20know about painting you're not an art critic are you why not what do you know
00:11:32about me you're right in fact I'm not a critic not even an intellectual but I've
00:11:40forgotten all my manners I'm hungry as a wolf
00:11:45and also not apologize good I miss West oh wait a minute all right stay here but
00:11:56don't touch anything
00:12:04that's all I could find but it should be enough for a wolf I didn't feel I should
00:12:10wake the housekeeper you needn't have gone to the trouble here's a drink if
00:12:16you feel like it thank you
00:12:25there you can settle down here I hope you'll forgive me if I don't have a pair
00:12:32of pajamas your size I always sleep naked and I like the women I sleep with
00:12:36sleep naked too I see well good night
00:13:06I don't want that old witch to catch on to anything well I do you're a free woman
00:13:29what's more you pay her why are you afraid of her one has to be afraid of
00:13:35everything these days especially when one's happy besides things are not easy
00:13:43for me now but you are a widow aren't you as of seven weeks I suppose you
00:13:51loved your husband very much didn't you he died suddenly in a car crash very
00:13:57wisely otherwise we wouldn't be here poor Robert he was a good man but
00:14:04closed all he ever thought about was money and you married him for money no I
00:14:10needed affection I thought an older man could give it to me but all he knew how
00:14:18to give was money you want some advice to save your soul give away all the
00:14:25money you've got but not to the poor to somebody richer than you we need not
00:14:31create rich people any more than there already are she's coming back later
00:14:40well mrs. West have a nice trip and give London a smile thank you if you're ever
00:14:50in the neighborhood do stop in goodbye clear everything away Teresa that's all
00:15:29Peter is that you Peter
00:15:44Oh no are you afraid of getting dirty
00:15:50hello Brian no I prefer to drive wait for me there oh yes don't worry I'll
00:16:13wear the soberest dress I have right bye you've got to leave right away okay
00:16:25but what's your trouble I'm in a terrible rush if you say I'll never get
00:16:28to London look please don't be offended Peter but I would like you to be in a
00:16:34position of independence until I get back here take it well you're used to
00:16:40being paid before you're married the rich man oh forgive me it's just my
00:16:45maternal instinct please go now quietly okay my would-be mother when I get back
00:16:55from London will we see each other again it's up to you if you want me just call
00:16:59Piazza Navona 19 top floor there's no phone but the mailman comes
00:17:10we've reached an accord that's perfectly rational the result is that the family
00:17:30mansion becomes your property in exchange are you disposed to renounce
00:17:33all legal demands on the estate of your nephew Robert I think so no no that's
00:17:38not so I'm not going to renounce the legacy we expected I would absolutely
00:17:41contest any attempt to oppose the will of the family mr. Osborne could we buy
00:17:45the house legally yes but you'll have to meet the police then it's simpler to do
00:17:49as I say on the contrary the West mansion is worth more than mere money
00:17:53but Catherine was his wife it had the honor of having Lincoln as a guest one
00:17:57night after all it is the West family's oldest possession we cannot forget the
00:18:02sentimental by we cannot equate sentimentality with economics let's hear
00:18:06what Catherine has to say oh my dear aunties the only thing I know is that
00:18:12my poor Robert would have wanted me to give you the family house oh no
00:18:18irregardless we best don't want any charity legal or personal but Janet don't
00:18:22be too offended it was just in generous of our precious I have no pieces our poor
00:18:26dear Robert is gone she's only the widow of my nephew
00:18:29Robert he never lived to enjoy his life a young woman and an older man it
00:18:33is a telegram this is from the brokers
00:19:03for Delta Petroleum for the Pasadena residents I can hope for the best even
00:19:10better than New York these are the Brazilian oil is for the council to
00:19:15administer during litigation etc you can rest assured that you'll be even richer
00:19:19oh you must be mad oh where's my angel come on princess you're invited to
00:19:24dinner by whom a lonely man who's fascinated by you but who feels he's not
00:19:29worthy of your attention
00:19:32hello telegram destination please Rome Piazza Navona 19 urgent
00:20:02I'm sorry I've changed my mind
00:20:33who's there
00:20:54Teresa is that you?
00:21:02I don't know
00:21:32I don't know
00:22:02I don't know
00:22:12Let me out!
00:22:14Let me out!
00:22:16Let me out!
00:22:20Teresa!
00:22:22Teresa help!
00:22:26Senora West
00:22:28Who's there?
00:22:30Oh Teresa
00:22:32What caused you to scream?
00:22:34There's someone in the house Teresa
00:22:36Come along
00:22:38Teresa there's someone in the house
00:22:40Come on come on
00:22:48But I tell you I can't have been dreaming the shower was on the window was
00:22:52open but look there the painting was always there somebody must have taken it
00:22:56upstairs you're not well tonight you're feeling terribly anxious but it's only
00:23:00temporary don't drive yourself crazy the lights were on and then they went off in
00:23:06other words you don't believe me how can I when you depend so much on pills to
00:23:11help you escape from reality you need rest Senora West go to your room you'll
00:23:17feel better soon
00:23:26I
00:23:56I
00:24:10Hello
00:24:12Hello
00:24:14Hello
00:24:26Hello
00:24:56Hello
00:25:08Hello
00:25:10Hello
00:25:12Hello
00:25:18And the mountain came to my hammers
00:25:20And the mountain came to my hammers
00:25:22It was cut off two months ago.
00:25:29No, I'm angry with you.
00:25:37No, not here.
00:25:40Yes, here. I didn't make any fuss about your damn rich house.
00:25:44I live here. I bring my women here on this bed.
00:25:47Women like that?
00:25:52You're worse than she is.
00:25:55Much worse.
00:26:00Yes, that's right. I'm worse than she is.
00:26:04I'm worse than all of them.
00:26:07Oh, yes. Yes, yes, yes.
00:26:15Thanks, dear lady. I'm sorry about this.
00:26:23Flowers, sir?
00:26:26Put it on the bill.
00:26:29Hey!
00:26:32Are you trying to lose me after depriving me of a room?
00:26:35I don't find it funny. Why don't you behave decently and apologize?
00:26:39Well, I didn't ask you to come. Play the role.
00:26:42Oh, stop it, Peter. I find the whole thing very distasteful.
00:26:45You're right. I'm sorry. Take it.
00:26:53Boo!
00:27:00Teresa, prepare the guest rooms.
00:27:03Mr. Donovan is spending a week with us.
00:27:23Eva!
00:27:26Ciao!
00:27:29Come on!
00:27:32I'd like you to meet my sister.
00:27:53Oh!
00:28:16Oh, I'm sorry. Please, try to be more careful when you dance.
00:28:19Ah, Teresa, don't bother.
00:28:22Go to bed and get some sleep.
00:28:29In my day, I was fabulous.
00:28:36In my day, I was famous for rock and roll.
00:28:39This is your day, Catherine. Ours is yet to come.
00:28:42Peter's right.
00:28:45I'd give half my life to resemble you during the other half.
00:28:51If you only knew the admiration,
00:28:54the enormous attraction I feel for you,
00:28:57the melting sensation I get looking at you.
00:29:00So feminine, so beautiful.
00:29:10There. Touching you to be sure you're real.
00:29:13That's a thrill.
00:29:16Oh, Eva, you have so much inside.
00:29:19If you can even give it away to someone like me,
00:29:22rich with no purpose in life,
00:29:25who doesn't deserve it.
00:29:31Well, then.
00:29:34If that's the way it's to be,
00:29:37teach me how to be young.
00:29:44Good for you. Come on.
00:29:48On and on, on and on.
00:29:55But then, but then, I don't know
00:29:58when you turn on me
00:30:03And you lie to me
00:30:07And so hold me
00:30:10It's wonderful to be young.
00:30:13I hate the pride and love inside
00:30:17And well, you'd say you're gone
00:30:21But holding you
00:30:23Hold it.
00:30:25Oh, no, you monster. Don't use the flash.
00:30:28You'll burn everything out on me and we'll turn out looking dreadful.
00:30:31It has a special film that takes photos in this light.
00:30:37Now, you can do whatever you want.
00:30:40Does it have an automatic shutter?
00:30:43Come on.
00:30:46All together, a family group.
00:30:52So, Ava, how do you like the house?
00:30:55It's lovely here.
00:30:58Silent, enchanting.
00:31:01It reminds me of our grandparents' house in Beverly Hills.
00:31:04It's an old, dreary house full of old folks and dogs.
00:31:07Oh.
00:31:10He's lying. I bet he's longing to go back.
00:31:13He's always doing that.
00:31:16When he loves something, he says he hates it.
00:31:19Mmm, at last.
00:31:24Not for me, thank you.
00:31:27I am no teetotaler,
00:31:30but when I drink on an empty stomach,
00:31:33I don't trust myself to drive.
00:31:36But where do you have to go?
00:31:39Well, back to Rome, I suppose.
00:31:42Oh, not at all. I've already arranged dinner here.
00:31:45Unless you have something more important to do.
00:31:48I don't think there is anyone more important than you, Catherine.
00:31:51At least for the moment.
00:31:54Oh, well, then, come on, have a drink.
00:31:57You won't be driving anywhere tonight.
00:32:00You need some love, just tell me
00:32:03Oh, yeah
00:32:06Anytime
00:32:09You're feeling down, just tell me
00:32:12Yeah, anytime
00:32:15I'll come around, just tell me
00:32:18Don't worry
00:32:21Baby, cause I'm the one
00:32:24I'll be there
00:32:27Turn your sadness into fun
00:32:30Late at night
00:32:33When it's dark and so cold
00:32:36You're all promised
00:32:39You're the warmest hand to hold
00:32:42So anytime
00:32:45You need some love, just tell me
00:32:48Yeah, anytime
00:32:51You're feeling alone, just tell me
00:32:54Don't worry
00:32:57Baby, cause I'm the one
00:33:00I'll be there
00:33:03Turn your sadness into fun
00:33:06Late at night
00:33:09When it's dark and so cold
00:33:12You're all promised
00:33:15You're the warmest hand to hold
00:33:18So anytime
00:33:21You need some love, just tell me
00:33:24Yeah, anytime
00:33:27Yeah, anytime
00:33:30You're feeling alone, just tell me
00:33:33Don't worry
00:33:36Baby, cause I'm the one
00:33:39I'll be there
00:33:42Turn your sadness into fun
00:33:45Come on and tell me
00:33:48Come on and tell me
00:33:51Why don't you come tell me, baby
00:33:55Come on and tell me
00:33:58Why don't you come tell me, baby
00:34:01Why don't you tell me
00:34:04Come on and tell me, baby
00:34:07Come on and tell me
00:34:10Why don't you tell me, baby
00:34:13Come on and tell me
00:34:16Why don't you come tell me, baby
00:34:19Come on and tell me
00:34:22Why don't you tell me, baby
00:34:25Come on and tell me
00:34:33Oh, I wish I didn't feel so tired.
00:34:37It's a pity to break up a night like tonight.
00:34:41Look, I've got some pills that make you stop feeling tired.
00:34:44I took one in the nightclub.
00:34:47It should be taken with four fingers of whiskey.
00:34:52I'll be right back.
00:35:11Eva, I'd like to give her a kiss, may I?
00:35:14You must.
00:35:17Oh, not now, darling.
00:35:21Why should you hide when you make love?
00:35:24There's so many ridiculous and repulsive things.
00:35:27And love is the most beautiful in the world.
00:35:30Quite right, sis.
00:35:33Just think, there's people who count their money in public.
00:35:36People who slug each other in the ring.
00:35:39People who make war.
00:35:42Why don't you tell me
00:35:45Why don't you tell me
00:35:49How long is it since you've made love, sis?
00:35:52I never remember the last time.
00:35:55I only think of the next.
00:35:58What you've done in the past seems like nothing
00:36:01Compared to what you'd like to do.
00:36:04Now I order you to go to bed.
00:36:07I will take your word for it.
00:36:10Come on, Catherine.
00:36:19Catherine, wake up, darling.
00:36:22It's four in the afternoon.
00:36:25Oh, let me sleep.
00:36:28Please.
00:36:31Come on, you've got to wake up.
00:36:34Oh, let me sleep.
00:36:37Oh, let me sleep.
00:36:40Oh, let me sleep.
00:36:43Oh, let me sleep.
00:36:47Oh.
00:36:50Oh, I can't.
00:36:53You'll end up harming yourself.
00:36:58Take this.
00:37:01You'll feel better in a moment.
00:37:16Oh.
00:37:27Your move, Catherine.
00:37:39Yes? Yes, here she is.
00:37:42Hello? Hello, Brian. How are you?
00:37:49No, don't worry. There are two kids from Boston.
00:37:54Yes, the children of a friend of mine.
00:37:56Tomorrow evening? Perfect.
00:38:00Till tomorrow night then.
00:38:02No, I'll come there.
00:38:04Right. Bye.
00:38:06Brian, leave us and I'll bump you off.
00:38:09Stop that, you moron.
00:38:13But Peter, it was only a joke.
00:38:15I don't tolerate jokes with guns.
00:38:17And I don't tolerate brutality.
00:38:20You prefer she'd shot you, you idiot?
00:38:22How dare you speak to me like that?
00:38:24And you keep your voice down or the Brooklyn comes out on you.
00:38:39Brooklyn.
00:39:02I don't want you two to quarrel because of me.
00:39:05Oh, it's not because of you.
00:39:07It's because of me. Come on, let's drop it.
00:39:09Oh, that's too easy.
00:39:11Is that what you did as a little boy?
00:39:12Always.
00:39:14But he means it when he says he's sorry.
00:39:17Well, there's nothing really to be sorry about anyway.
00:39:21Come on.
00:39:22Oh, stop it, Peter.
00:39:25Good night.
00:39:27Good loving.
00:39:39Perhaps, dear Catherine, worry comes from caring.
00:39:42That's very sweet of you, Brian.
00:39:45But there's really no need to worry.
00:39:47I'm not worried.
00:39:50That's very sweet of you, Brian.
00:39:52But there's really no need to worry.
00:39:54I feel much better now.
00:39:56You know, these two youngsters have been marvelous for me.
00:40:00They've given me a new perspective on life, on youth.
00:40:04That's so.
00:40:06To be young requires the company of the young.
00:40:08Excuse me, I didn't mean to sound like such an old man.
00:40:10Oh, that's not true.
00:40:13But I must tell you frankly, Brian,
00:40:16I have no intention of getting married again.
00:40:19I'm not asking you to marry me.
00:40:21No, but you were about to when I stopped you.
00:40:25Anyway, you'll always be the closest person to me.
00:40:29I'll never let you go.
00:40:31I have always felt the same way about you.
00:40:34What's that?
00:40:36Oh, it's just something for the digestion.
00:40:39I've had a problem with my liver lately.
00:40:42That's why I would like to go home early if possible.
00:41:12Welcome back, you tramp.
00:42:13Oh, no, no, no!
00:42:16Oh, no!
00:42:19Oh, no!
00:42:36Can you talk, Senora Weston?
00:42:40Can you talk, Senora Weston?
00:42:42Can you say anything?
00:42:44What happened?
00:42:48Are you all right, Senora Weston?
00:42:51Do you feel any better?
00:42:53This is Teresa.
00:42:55Please, say something.
00:42:57Do you want me to make you a cup of hot tea?
00:43:04Ah, good. Here, drink.
00:43:10Can you say anything?
00:43:12You may have a concussion.
00:43:25I just tripped, Teresa.
00:43:27It's nothing. I'll be all right.
00:43:32Go back to bed. We'll look after her.
00:43:35Come on.
00:43:39Come on.
00:43:49We didn't lie to you before.
00:43:51My father and Ava's father were good friends.
00:43:54Our mothers, too.
00:43:56To the point that they divorced and married each other.
00:43:59So we grew up together.
00:44:01School together, vacations together, bed together.
00:44:04Ever since we were children.
00:44:06It's disgusting.
00:44:08You deceived me so.
00:44:10You've helped us yourself.
00:44:13Why?
00:44:15Are you jealous of something?
00:44:17I'm the one who should be.
00:44:19But jealousy does not exist.
00:44:22Especially in the particular situation we're in.
00:44:27Why did you come here, Ava?
00:44:30I wanted to see who was stealing Peter from me.
00:44:34And when I saw you...
00:44:36I realized he was right.
00:44:39And you made me fall in love, too.
00:44:43I made you fall in love.
00:44:46There are all kinds of love.
00:44:49And all sorts of pleasures.
00:44:51When you came, we were thinking about you as if you were here with us.
00:44:55I was here with you.
00:45:06I was here with you.
00:45:36I don't know when.
00:45:38I don't know when.
00:45:40I don't know when.
00:45:42I don't know when.
00:45:44I don't know when.
00:45:46I don't know when.
00:45:48I don't know when.
00:45:50I don't know when.
00:45:52I don't know when.
00:45:54I don't know when.
00:45:56I don't know when.
00:45:58I don't know when.
00:46:00I don't know when.
00:46:02I don't know when.
00:46:04I don't know when.
00:46:06I don't know when.
00:46:12I don't know when.
00:46:14I don't know when.
00:46:16I don't know when.
00:46:18I don't know when.
00:46:20Just some sleep.
00:46:34Only the free man doesn't need anyone to wait on him.
00:46:37We can get along perfectly well by ourselves.
00:46:40Without that old bag spying on everything we say and do.
00:46:43Oh, but that's out of the question.
00:46:45Why? You're going off on a cruise and you're closing down the house.
00:46:49And you mean we stay here alone?
00:46:51No, Martino stays on.
00:46:53He lives with his flowers and besides, he's deaf.
00:47:00Tell me, Catherine.
00:47:02Before making up your mind,
00:47:04did you like it?
00:47:32Hey, turn it up!
00:47:46It's her.
00:47:58No!
00:48:00No!
00:48:02No!
00:48:04No!
00:48:06No!
00:48:08No!
00:48:10No!
00:48:12No!
00:48:26So, to the third question.
00:48:29What do you think of yourself?
00:48:32Well, what do I think of myself?
00:48:37When I think of myself, I want to vomit.
00:48:42But I'm happy because I realize it.
00:48:46You see, you two don't realize how nauseating you are.
00:48:52There. I've told the truth.
00:49:00That makes us both more nauseating.
00:49:05Why did you do that?
00:49:07Get out of the way. Let's drink.
00:49:09Come on. It's all over, Catherine.
00:49:12It's only a game.
00:49:14Yes, a game. Game of truth.
00:49:16And I told the truth.
00:49:18You won't screw me anymore with your drugs,
00:49:22you slimy little bastards.
00:49:24You won't have my neck.
00:49:26Go find somebody else for your degenerate games.
00:49:30And get out of my house.
00:49:32I never want to see you again.
00:49:34You filth.
00:49:36I loathe you.
00:49:57THE END
00:50:08Martino, do you hear me?
00:50:11Take this away.
00:50:21Don't forget. Open the gate at five sharp.
00:50:25At four and after that, don't open it for anyone.
00:50:32Five o'clock?
00:50:34Five.
00:50:55What's the meaning of this?
00:50:57Leave at once.
00:51:26All right. How much do you want?
00:51:29She asks how much we want.
00:51:31How much does she think she's worth?
00:51:33I knew it was blackmail.
00:51:35I haven't got time to lose. I'm expecting guests.
00:51:38Say what you want and get out.
00:51:40We don't want your money.
00:51:42We want you.
00:51:45THE END
00:51:53It was certainly fortunate for Catherine
00:51:55that when Teresa suddenly walked out on her,
00:51:57she discovered you too.
00:51:59No doubt it's very peaceful in this desert.
00:52:02Desert? Miss West, what do you mean?
00:52:05This is an earthly paradise.
00:52:08I'm majoring in botany.
00:52:10I've never seen any place as rich in fungi of all kinds.
00:52:13Oh, really? What are you interested in?
00:52:16Well, music. Photography, too.
00:52:19But actually, I'm sort of...
00:52:21well, an old-fashioned girl.
00:52:23And I think I'm too young to take a serious interest in anything.
00:52:27I feel much pleasure
00:52:29whenever I hear such words from the younger generation.
00:52:32No, no, not at all, young lady.
00:52:34Continue on with those principles
00:52:36and you'll wind up like us, taking care of alcoholics
00:52:39without ever having had the pleasure of getting drunk.
00:52:42Are you feeling better, dear?
00:52:44Oh, much better, thank you.
00:52:46In fact, I jotted down the notes you asked for.
00:52:48What papers?
00:52:50About the oil company.
00:52:52If you start losing your memory, Brian,
00:52:54I'll be forced to hire another attorney.
00:52:56Oh, yes, I forgot. I'm sorry.
00:52:59Good. Then it's possible to proceed.
00:53:02Now, these are the details concerning the sale of the villa.
00:53:06Now, your approval is necessary to complete the matter.
00:53:10Please sign here.
00:53:12We expect to see you in London, Kathy, dear.
00:53:14Bye.
00:53:15Bye. See you in Michigan.
00:53:17Maybe this springtime.
00:53:19Goodbye.
00:53:20Goodbye.
00:53:21Goodbye.
00:53:22Goodbye.
00:53:23Goodbye.
00:53:24Goodbye.
00:53:25Goodbye.
00:53:26Maybe this springtime.
00:53:28And also, I'm very grateful for the concern you've shown for Katherine.
00:53:32For us, it's a pleasure, Mr. Sanders.
00:53:34Katherine is so sweet and unhappy.
00:53:36I'll telephone tomorrow from the airport.
00:53:38Don't forget. Please call.
00:53:40Ciao.
00:53:51Come back alone as soon as you can.
00:53:54I'm in danger.
00:54:02Shut the gate.
00:54:08Here, give this to her.
00:54:11Magnificent. It will even give a kick to the rotting Mr. West.
00:54:16You'd give all your stinking millions to have a taste of this, wouldn't you, Katherine?
00:54:21We don't want them.
00:54:23We like you.
00:54:25Sweet and agreeable as you were long, long ago.
00:54:30That's all over now.
00:54:32And I don't feel like drinking.
00:54:35You're a liar, Mrs. West.
00:54:37You do feel like it.
00:54:39Except you're also afraid.
00:54:41This is the most exciting moment of your life.
00:54:45Why don't you surprise me and ask to have a drink?
00:54:48Stop it.
00:54:49What do you promise me if I let you drink?
00:54:54Stop it.
00:54:56You hear that? She wants to stop before we've even started.
00:55:03Hello? Brian!
00:55:06Hello, Brian. Can you hear me now?
00:55:10Oh, no, no, no. Please. Please.
00:55:16Oh, no, no, no. Don't hang up, Brian. Stay on the line.
00:55:19Oh, no, no, no. Don't hang up, Brian. Stay on the line.
00:55:26What?
00:55:31Hello, Brian.
00:55:34Oh, the letter.
00:55:36Oh, it's nothing important. I just wanted to hear about the dividends.
00:55:43Oh, well, it was nothing important. I just wanted to know about the dividends.
00:55:48Yes, I'm... I'm fine. Bye.
00:55:55Oh, no. Turn it down, please.
00:55:58Having a little trouble, huh? Come on. Go to bed. Go on to bed.
00:56:04We want to be alone.
00:56:06Come on. Move it.
00:56:18You're a love promise, you're a warmest hand to hold
00:56:24So anytime you need some love, just tell me
00:56:48Oh, no.
00:56:58Oh, no.
00:57:17Oh, no.
00:57:48Anytime you need some love, just tell me
00:57:54And anytime you feel alone, just say
00:57:59Stop it! Stop it! Let me out of here!
00:58:02Stop it! Let me out of here!
00:58:04Tell me you want me
00:58:06Stop it! Stop it! Let me out of here!
00:58:08I'll be there to turn your sadness into joy
00:58:12Stop it! Let me out! Let me out of here!
00:58:14Tell me, baby
00:58:16Come on, tell me
00:58:19Why don't you tell me, baby
00:58:23Come on, tell me
00:58:25Oh, no, no, no!
00:58:29Tell me
00:58:31Come on, tell me, baby
00:58:34Come on, tell me
00:58:37Why don't you tell me
00:58:41Tell me
00:58:44Come on, tell me, baby
00:58:49What's happening?
00:58:50He shut himself in!
00:58:52Catherine, what have you done?
00:58:53What have you done? What are you doing?
00:58:55Keys! Keys! Keys!
00:58:56Move back the car! Move back the car!
00:58:58You've gone out of your mind!
00:59:00Signor, how you get locked in?
00:59:02I want to leave! I want to get out of here!
00:59:03Where are the keys?
00:59:04You're sick, Catherine.
00:59:05The keys!
00:59:06Come on. Let's go home. Come with me.
00:59:08I don't want to. I want the keys.
00:59:10Where are the keys to my car?
00:59:12I'll give you the keys. Come with me.
00:59:23They weren't there before.
00:59:26You're suffering from hallucinations, Catherine.
00:59:29You can't go away.
00:59:31Not in this state.
00:59:33Come on, be good.
00:59:43Catherine!
00:59:56Peter! Peter, look!
00:59:57My God, he might fall!
00:59:59Please, Peter, go get him, please!
01:00:01Where?
01:00:02Up there! Up there!
01:00:05Ah, the same old story.
01:00:07I'll try from up above. Wait.
01:00:13Where are you going?
01:00:15No, wait! Wait!
01:00:18Stop!
01:00:42Wait!
01:00:58Wait a minute!
01:01:04Oh, thank you.
01:01:05Is it yours?
01:01:06Yes, it's been missing since this morning.
01:01:09I'm living down the way.
01:01:13Where are you going? Go back to bed.
01:01:15No, let me go!
01:01:18No!
01:01:19Let me go!
01:01:20No!
01:01:21Let me go!
01:01:22Go!
01:01:23You!
01:01:24Bitch! Damn you!
01:01:26You!
01:01:27Stop it!
01:01:30Bitch!
01:01:31Damn you!
01:01:33Me!
01:01:34Stop it!
01:01:37Stop it!
01:01:38I'm leaving now. See you later.
01:01:40Thanks again.
01:01:43Who's that?
01:01:44Oh, no, no, senor.
01:01:46Oh, it's a dummy person by here.
01:01:48We talk away.
01:01:49Here, go into town and get some cigarettes.
01:01:51Go on.
01:02:13Oh, no.
01:02:14Don't beat me, no.
01:02:17Oh, no.
01:02:19No.
01:02:20No, please.
01:02:22Oh, please.
01:02:23Oh, no, please, no!
01:02:27Oh, no!
01:02:42Oh, no!
01:03:06Martino!
01:03:08No, don't go away!
01:03:10Don't leave me!
01:03:11Martino!
01:03:13Wait!
01:03:15Martino!
01:03:19Don't go away!
01:03:21Don't leave me!
01:03:24Martino!
01:03:26Grazie.
01:03:27Grazie, senora.
01:03:29Thank you very much.
01:03:33Bye.
01:03:41Bye.
01:04:03There's not a drop left in the house.
01:04:05Have you forgotten all our wonderful evening?
01:04:12Where's the telephone?
01:04:15We're against technological progress,
01:04:17and we don't want to be disturbed.
01:04:19Oh, put the telephone back at once.
01:04:22I want to order some whiskey.
01:04:24Eva's gone in to lay in a supply,
01:04:27but if you're really thirsty,
01:04:29I'll see what I can do.
01:04:42And I warn you, there's a padlock on the gate.
01:05:00Here we are.
01:05:02But if you want a drink, you've got to be nice.
01:05:04No, no, don't come any closer.
01:05:07Well, I was just trying to be nice.
01:05:09The fact is that
01:05:11we really don't have any more fun with you
01:05:13because you're a poor, demented drunk.
01:05:39I'm sorry.
01:05:41I'm sorry.
01:05:43I'm sorry.
01:05:45I'm sorry.
01:05:47I'm sorry.
01:06:09I'm sorry.
01:06:31Hey, bring me a glass now.
01:06:34Yes.
01:06:40Actually, you're a pretty nice girl.
01:06:44Get up.
01:06:49Stand up.
01:06:57Give me the keys to the gate,
01:06:59and I'll get you out of here.
01:07:01I'll get you out of here.
01:07:03I'll get you out of here.
01:07:05I'll get you out of here.
01:07:07I'll get you out of here.
01:07:08The keys to the gate and the keys to the car.
01:07:10Don't do anything silly, Catherine.
01:07:20Stop there.
01:07:23Throw me the keys,
01:07:25and then lock yourself inside.
01:07:38Don't do it.
01:08:08Don't do it.
01:08:38Don't do it.
01:09:09No.
01:09:19Damn the day I ever got the idea of using red dye.
01:09:22You can thank me for having thought of putting in those blanks.
01:09:26How is she?
01:09:28She's just waking up.
01:09:29The sedative was weak.
01:09:33Be careful, huh?
01:09:35This isn't the moment.
01:09:36Don't worry.
01:09:38It's pure science.
01:09:55Hello?
01:09:57Yes?
01:09:59West residence.
01:10:00Good evening, Mr. Sanders.
01:10:03She's gone to Rome with my sister.
01:10:06She's gone to do some shopping.
01:10:10I see.
01:10:13Well, I hope she'll be...
01:10:14that she'll be back by that time.
01:10:15Okay?
01:10:16Be seeing you soon.
01:10:23I'm sorry, darling,
01:10:24but I had to stop you from saying anything funny.
01:10:27You've done too many funny things already.
01:10:31Now, Mr. Sanders is on his way,
01:10:33and you've got to get rid of him.
01:10:35Brian's coming here?
01:10:39Quite right.
01:10:41You have to behave,
01:10:42and if you say one thing, we spill the beans.
01:10:45But no.
01:10:46Our little Kathy will be perfect.
01:10:49Now get up and get yourself into shape.
01:10:52God save you if you let yourself be seen in this condition.
01:10:55No later.
01:10:59Now you've got to get up and get dressed.
01:11:04Come on.
01:11:35I'm terribly sorry,
01:11:36but I absolutely must be in New York tomorrow morning.
01:11:40I don't know what to say, Mr. Sanders.
01:11:43Every time they go to Rome,
01:11:44they get lost in the shops,
01:11:46go to the movies,
01:11:47stop by in some restaurant.
01:11:48Quite frankly, I'm pretty fed up
01:11:50with trying to keep up with those live wires.
01:11:55Maybe it's better that way.
01:11:56Katharine needs a little distraction.
01:11:57How is she now?
01:11:58Well, I don't know really what to say.
01:12:00Sometimes she seems perfectly well.
01:12:03And then she gets sudden fits of depression.
01:12:06Forgive me, Mr. Sanders.
01:12:07Perhaps I shouldn't...
01:12:08No, no.
01:12:09Tell me the truth, I beg you.
01:12:11Well, when she gets sad, she drinks a lot.
01:12:14And when she drinks a lot,
01:12:15she says she wants to die.
01:12:18Then...
01:12:19Then?
01:12:20Then she takes sleeping pills
01:12:22and she sleeps for 24 hours a day.
01:12:25Yes, we really must convince her to take a cure.
01:12:28I'm very worried
01:12:29and I'd be very grateful, Mr. Donovan,
01:12:31if you'd always keep me informed.
01:12:33In any case,
01:12:34I'll be back in a week at the most.
01:12:39What about the power of attorney?
01:12:44And tell Katharine to sign this
01:12:45and dispatch it immediately
01:12:46to the office of Carlini,
01:12:47who's my correspondent in Rome.
01:12:51And should Signora West
01:12:52have need of clarification,
01:12:53this is my number to telephone.
01:12:56Mr. Donovan,
01:12:57you've been of considerable help.
01:12:58Now, what Katharine wanted to know
01:13:00is what the total dividends come to.
01:13:02Tell her these papers concern
01:13:03$120 million in the Italian branch.
01:13:06I see.
01:13:07$120 million...
01:13:12What was that?
01:13:14Ah, the cat's up to his old trick.
01:13:17I'm afraid it was a cat.
01:13:19Ah, the cat's up to his old trick
01:13:21of trying to steal a bottle of milk.
01:13:24Oh, well, tell Katharine, uh,
01:13:26Mrs. West, to phone me.
01:13:28Goodbye.
01:13:29Goodbye, gentlemen.
01:13:30See you, Mr. Sanders.
01:13:39Keep your millions, you filthy...
01:13:42Hatch!
01:13:50Telegramma!
01:13:55Too bad you're so crazy.
01:13:57You are so beautiful.
01:13:59I could have loved you and made you happy.
01:14:02All the fault of whiskey.
01:14:07Would you like to make love one last time?
01:14:19Only you and me.
01:14:49Katharine?
01:14:51Your supper's ready.
01:15:06Let me out!
01:15:08I'm going mad!
01:15:09Let me out!
01:15:10Let me out!
01:15:11Let me out!
01:15:12Let me out!
01:15:13Let me out!
01:15:14Let me out!
01:15:15Let me out!
01:15:16Let me out!
01:15:17Let me out!
01:15:18I'm going mad!
01:15:19I'm going mad!
01:15:34Twenty pills.
01:15:35It'll be a painless suicide.
01:15:48Twenty pills.
01:15:49It'll be a painless suicide.
01:16:18It is our sad duty to inform you of the death of your legal representative, Brian Sanders.
01:16:34Oh, no.
01:16:36In a plane crash returning home office.
01:16:41Oh, God!
01:16:44Oh, God, no!
01:16:49Oh, God, no!
01:16:50Oh, God, no!
01:16:51Oh, God, no!
01:16:52Oh, God, no!
01:17:07This is it.
01:17:08Let's wait at least ten minutes.
01:17:11Okay.
01:17:18♪
01:17:28♪
01:17:48♪
01:17:58♪
01:18:08♪
01:18:18♪
01:18:28♪
01:18:38♪
01:18:48♪
01:18:58♪
01:19:08♪
01:19:18♪
01:19:28♪
01:19:38♪
01:19:48♪
01:19:58♪
01:20:08♪
01:20:18♪
01:20:28♪
01:20:38♪
01:20:48♪
01:20:58♪
01:21:08♪
01:21:18Sir?
01:21:19Excuse me, Mr. Saunders.
01:21:20You're wanted at Scotland Yard.
01:21:22♪
01:21:34We're running out of gas.
01:21:36What do you care?
01:21:37We got 3,000 oil wells out in Texas.
01:21:40We can double the price of oil
01:21:42and be less traffic on the road.
01:21:44♪
01:21:47♪
01:21:49Listen to this.
01:21:50Catherine saved it too.
01:21:52♪
01:22:02♪
01:22:12♪
01:22:17♪
01:22:22♪
01:22:27♪