Thats My Baby Full Movie
Category
🎥
Short filmTranscript
00:00:30Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:01:30Hiya Tim. Tim, we're getting something great, something with a real switcheroo. Yeah, we
00:01:44got a real bubble on it. All right, make me bubble. Make him bubble. Well, you know the
00:01:49story. Yeah, I know the story. We'll pick it up where the black wasp has grabbed the
00:01:54girl. She's a pretty smart kiddo. She knows what's coming and she struggles. Wait a minute,
00:02:01Joe. What's the matter? Before she struggles, the wasp gives her the business. Yeah? About
00:02:06the plans, remember? Yeah. He asked her for the plans of Twilight's new rocket ship and
00:02:10she turns him down. That's right. He's about to give her the sting of his breath. Sting
00:02:14of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:15Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:16Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:17Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:18Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:19Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:20Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:21Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:22Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:23Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:24Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:25Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:26Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:27Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:28Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:29Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:30Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:31Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:32Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. St
00:03:02breath? Sting of death. Sting of death. Why you...oh!
00:03:16Tim, what do you say? Is that a great twist or not?
00:03:20Oh, it's great, fellas. I'll buy it,
00:03:22and you can have it.
00:03:29Am I crazy?
00:03:30Certainly!
00:03:31What if...
00:03:31Wait a minute!
00:03:32You got to be crazy in this business to make any money!
00:03:35Then Mr. Moody's crazy!
00:03:36Oh, certainly he's crazy!
00:03:38Everybody's crazy!
00:03:39We're all crazy!
00:03:40Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha!
00:03:42Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha!
00:03:44So what else have you got?
00:03:45Only your character for next month's magazine!
00:03:48I couldn't sleep a wink thinking about it!
00:03:50Next time you can't sleep, try counting sheep!
00:03:53I will!
00:03:54Hmm...
00:03:55My suggestion is to throw this in the wastebasket.
00:03:57In that case, we'll take the basket up to Moody.
00:03:59He might fool you and like it.
00:04:01Just a minute, Jones.
00:04:02I'm still general manager of the plant.
00:04:04Hilton Payne, remember?
00:04:05Oh, brother, how could I ever forget it?
00:04:07And Mr. Moody can't approve something he doesn't see.
00:04:10No.
00:04:11And furthermore, I don't approve of anyone
00:04:13who steps on my toes.
00:04:15You wouldn't.
00:04:16Looks like a spot for a pinch hitter.
00:04:17What's the score?
00:04:18Hello, Betty.
00:04:19It's tied.
00:04:20He says no, I say yes.
00:04:21What you boys need is a referee.
00:04:23Now, honey, don't you bother your pretty little head
00:04:25about details.
00:04:26Jones and I will settle this between us.
00:04:29Maybe I could decide.
00:04:30I think I know father's likes and dislikes as well as you do.
00:04:35And I've decided it's tops.
00:04:37Thanks.
00:04:38Well, Betty, I guess your decision just
00:04:41about covers everything.
00:04:46You know, it's funny what jealousy can
00:04:48do to a guy's judgment, isn't it?
00:04:50I can understand that.
00:04:51Father thinks I'm going to marry him.
00:04:54You know, you have the most beautiful eyes.
00:04:57Tim, father isn't a well man.
00:05:01And the most beautiful hair.
00:05:03He, well, he depends on me.
00:05:05And the most beautiful mind.
00:05:07Tim, stop.
00:05:08I'm serious.
00:05:09Yes, I know.
00:05:10And, well, I think that we should do something about it.
00:05:14Yes, yes, we will.
00:05:15But you still have the most beautiful hair.
00:05:17Yes, yes, we will.
00:05:18But you still have the most beautiful hair.
00:05:20And the most beautiful mind.
00:05:22And I've decided to.
00:05:23And the most beautiful mind.
00:05:24I've decided that I'm going to get a doctor.
00:05:26Yes.
00:05:27OK, OK.
00:05:40Miss Wilson, where's Mr. Austin?
00:05:42Good morning, Mr. Moody.
00:05:44Yes, yes.
00:05:45Where's Mr. Austin?
00:05:46He should be here any moment, Mr. Moody.
00:05:48Send him in the minute he comes.
00:05:49Yes, Mr. Moody.
00:05:53Good morning, Miss Wilson.
00:05:54Go right in, Mr. Austin.
00:05:55Mr. Moody's waiting for you.
00:05:56Good.
00:06:05Good morning, Annie.
00:06:06Good morning, Hoppy.
00:06:07Glad to see you.
00:06:09Hi, Tilly.
00:06:10Start toiling.
00:06:11Here's the morning news, right on the dot.
00:06:13What happened to Kicklepuss?
00:06:14Did he go out of that jam he was in yesterday?
00:06:16Yeah, he made it all right.
00:06:17Just the cops were closing in on him.
00:06:18Don't tell me.
00:06:19I want to read it later.
00:06:22Say, how come his nibs are so scared of the comics?
00:06:24If I could make a million bucks with him like he did,
00:06:26I'd die laughing.
00:06:28Why don't you send one in and see what happens?
00:06:30A very funny idea.
00:06:32The girl that worked before me forgot just once.
00:06:34The comics went inside, and boom, she was outside.
00:06:37Yeah, well, that makes a difference.
00:06:42That's why I like you, Henry.
00:06:44You're honest.
00:06:45Don't try to impress me like everyone else.
00:06:47Hilton, for instance.
00:06:49He's just waiting for me to retire.
00:06:51Oh, I thought you approved of him,
00:06:53that he was going to marry Betty.
00:06:55He's the man Betty thinks she wants to marry.
00:06:57I'm not going to interfere.
00:06:58I made a mistake in my own marriage.
00:07:01Who am I to tell her what to do?
00:07:03I like Betty.
00:07:04I hope she'll be happy and never want for anything.
00:07:06She won't, at least financially.
00:07:09Oh, then you're going to give Hilton the business.
00:07:11Yes, but not the way he expects.
00:07:15He's a lucky young man.
00:07:16I hope he appreciates it.
00:07:18Henry, the art of appreciation is lost
00:07:20in this world of dog-eat-dog.
00:07:22Everybody is out for something.
00:07:24I know.
00:07:26A bunch of cutthroats.
00:07:33Good morning, Marjorie.
00:07:34Good morning.
00:07:35I'll take this in.
00:07:37Good morning, Miss Moody.
00:07:38Good morning, Henry.
00:07:39How's Dad?
00:07:40Wonderful.
00:07:41He brightens up my whole day.
00:07:45Dr. Calloway, it's good to see you.
00:07:47It's a pleasure, Miss Moody.
00:07:48This is Dr. Swatsky of Prague.
00:07:50Swatsky with a V, Calloway.
00:07:52Oh, sorry, with a W.
00:07:53How do you do?
00:07:54How do you do?
00:07:55If you gentlemen will wait here a minute,
00:07:56I'll go in and prepare Dad.
00:08:07That glint in your eyes can mean only one thing.
00:08:10You've got an idea.
00:08:11I have, and it's a good one.
00:08:13I was afraid of that.
00:08:14Well, what is it?
00:08:15Did you take your medicine?
00:08:16No.
00:08:17Why not?
00:08:18Because my medicine does you more good than it does me.
00:08:27Now, open.
00:08:31Now, open.
00:08:41Now, do you feel better?
00:08:43Very much better.
00:08:45Hello, Dr. Calloway.
00:08:47I hope you have better luck this time.
00:08:49Well, I'm sure we will.
00:08:50I'm fortunate in having Dr. Swatsky with me on the case.
00:08:53Dr. Swatsky?
00:08:54Swatsky, yes, Swatsky.
00:08:56This is very, very interesting.
00:08:59Calloway, my dear colleague,
00:09:00I haven't seen one like this recently.
00:09:02Wait a minute.
00:09:03There's nothing wrong with me.
00:09:04Mr. Moody's the man you want.
00:09:06Moody, yes, Mr. Moody.
00:09:08This is a very intriguing example of the paranoid type.
00:09:12Yes.
00:09:14Consolidated up four points.
00:09:15Associated up five.
00:09:17Go ahead and order that mink coat.
00:09:21But Hilton told me to sell both of them yesterday.
00:09:24Hilton, Hilton, Hilton.
00:09:26Were you calling me RP?
00:09:28No, I'm not calling you.
00:09:29I'd like to forget you.
00:09:36Now, Daddy, don't get upset.
00:09:38What would Dr. Calloway think if he saw you this way?
00:09:41Dr. Calloway?
00:09:42Yes, and we're very lucky.
00:09:44He's brought a famous specialist from Prague.
00:09:46Specialist medicines?
00:09:47What good do they do?
00:09:48Betty, I know you're trying to help me, but it just won't work.
00:09:51All your doctors, specialist medicines, none of them do any good.
00:09:54Please, Dad, try it just once more.
00:09:57This time you'll win.
00:09:59I'll bet on it.
00:10:01All right, but if you lose, this will be the last time.
00:10:04It's a bet.
00:10:12Dr. Calloway, Father will see you now.
00:10:15Oh, Dr. Spotsky?
00:10:16Yes?
00:10:17Oh, thank you very much, thank you.
00:10:21Thank you, thank you very much.
00:10:24Hello, Calloway.
00:10:26Dr. Spotsky, Mr. R.P. Moody.
00:10:29R.P. Moody, how do you do?
00:10:31How do you do, Mr. Moody?
00:10:33Melancholia Maribundus, Dr. Calloway.
00:10:35The pleasure is all mine.
00:10:37You're welcome to it.
00:10:40In going over your case with Dr. Calloway,
00:10:43we have found that sanity runs in your family.
00:10:47Right now, I doubt it.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:55Don't you feel sometimes that you're all alone?
00:10:59Now, now, now, please, please, don't interrupt me.
00:11:01Quiet, please.
00:11:03Now, at times you have the feeling
00:11:05as though you are in total darkness.
00:11:08Answer me, please.
00:11:09Yes, many times.
00:11:11Good, good, like going somewhere.
00:11:13Now, tell me, please, when,
00:11:15when those things do occur?
00:11:17When I turn out the light and go to bed.
00:11:19When you turn out the lights and go...
00:11:20No, no, no, no, no, no, no, no.
00:11:23When you laugh, when you laugh,
00:11:25is it a high-pitched laughter like...
00:11:27Ha, ha, ha, ha, ha, ha, ha.
00:11:29Or is it, is it perhaps a hysterical one like...
00:11:31Ha, ha, ha, ha, ha, ha.
00:11:33It has a slow start and then builds up.
00:11:35Or is it a, a full, full,
00:11:37wholehearted laughter, deep like...
00:11:39Ha, ha, ha, ha, ha, ha.
00:11:40I never laugh.
00:11:41You never laugh? No, no, no, no.
00:11:43That, that you don't mean.
00:11:45That I do mean.
00:11:46I haven't smiled, let alone laughed in 20 years.
00:11:49Dr. Calaway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:55Hmm.
00:11:56No, no, no, the diagnosis we have left behind,
00:11:58my dear colleague, the reasons for it,
00:12:00the etiology, the prognosis of it,
00:12:02that's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles, that is correct.
00:12:10That is correct.
00:12:11Will you please lean back?
00:12:13Like this.
00:12:14The facial muscles.
00:12:16Hmm.
00:12:17That's strange.
00:12:18Strange, very strange.
00:12:20Very, very strange.
00:12:22No, no, that's correct.
00:12:24Now let's see the facial muscles and reactions.
00:12:28Let's see another.
00:12:30Observe, Dr. Calaway.
00:12:32Absolutely normal reaction.
00:12:34Now, let's see this.
00:12:36Sit back, please.
00:12:37Sit back.
00:12:38Hmm.
00:12:39Hmm.
00:12:40Now, everything's absolute, you know.
00:12:42Bet or no bet, he's going too far.
00:12:44Now, now, now, now, Mr.
00:12:46Moody.
00:12:47Mr. Moody, Mr. Moody.
00:12:49Now, please, please,
00:12:50try to think, if you can,
00:12:5320 years ago,
00:12:5520 years ago,
00:12:57remember,
00:12:58your daughter was just a little baby.
00:13:01What happens to you then?
00:13:04What happened 20 years ago is no concern of yours,
00:13:06and I've had about all I can stand for today.
00:13:08Dr. Calaway,
00:13:10unless I have a full cooperation,
00:13:12we're getting nowhere fast.
00:13:15This is only an idea, a clue,
00:13:18perhaps a parallel to jump from.
00:13:20What is it, Dr. Swadzki?
00:13:22My dear young lady,
00:13:25in 1783,
00:13:27Philip of Spain was suffering from melancholia,
00:13:30so moribund that it threatened his life.
00:13:33After a search, a singer was found
00:13:36whose voice had the therapeutic effect.
00:13:40Now, the singer provided tectonic,
00:13:43and the king imagined the king was healed.
00:13:46Oh, brilliant, a vastly analysis.
00:13:48Now, thank you, thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:55I could have told you that without a fee.
00:13:57The whole world needs laughter.
00:13:58Laughter is a medicine,
00:13:59and you can't take an overdose of it.
00:14:01It's good for what ails you?
00:14:02Falling hair, falling arches, bunions.
00:14:04Why, the whole world's crying for it.
00:14:06Say, why don't we bottle it and go into business?
00:14:10It is a very refreshing point of view.
00:14:12Well, there must be somebody who can make him laugh.
00:14:14I doubt it.
00:14:16Tim, I've got the beginning of an idea.
00:14:19And I've got the end of it.
00:14:27If the king of Spain was cured by one singer,
00:14:30then we'll hire the best talent that money can buy.
00:14:33They should be able to do something for Dad.
00:14:41Freddie Fisher and his band.
00:14:43George McKay.
00:14:45Bill.
00:14:46Dottie.
00:14:48Duffy.
00:14:49And Peanuts.
00:14:51Darby and Darnell.
00:14:53Isabelita and the Guadalajara Boys.
00:14:55Chewie Reyes and his truck of Durban.
00:14:58Mike Riley and his musical maniacs.
00:15:00And Bob Roberts.
00:15:01And Mervin.
00:15:03Alphonse Berger and Doris Dewayne.
00:15:06Almodo and his pal.
00:15:27Where's Hoskins?
00:15:28Hoskins took the day off to get married, sir.
00:15:30I'm his brother.
00:15:31Who brought that beast in here?
00:15:33I did, sir.
00:15:34He's not a beast.
00:15:35He's my dog.
00:15:36Well, I'm allergic to dogs, and I think I'm going to be allergic to you.
00:15:39Get him out of here.
00:15:40Say, listen, if you want any help, you better take what's available.
00:15:43And with me, it's love me, love my dog.
00:15:46Besides, he's a fine dog.
00:15:48I'm crazy about him.
00:15:50The greatest trick dog that ever lived.
00:15:53But he won't do easy tricks.
00:15:55Only big tricks.
00:15:57And the bigger the tricks, the better he'll do them.
00:16:00Did you get that build-up I gave you?
00:16:02I told him you won't do easy tricks.
00:16:04Only big tricks.
00:16:05Come on, let's show him some class.
00:16:06Ready?
00:16:07Stand up, boy.
00:16:08Up.
00:16:09Come on, boy.
00:16:10Stand up.
00:16:11Up.
00:16:12Come on, boy.
00:16:13Stand up.
00:16:14Up.
00:16:15Too easy.
00:16:16Lay down.
00:16:17Dead dog.
00:16:19When I say dead dog, you lay down.
00:16:21Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24Look over here.
00:16:25I'll show you.
00:16:26Right here.
00:16:27Right here, look.
00:16:28Over here.
00:16:29Come on, boy.
00:16:30Come on.
00:16:31Head up, boy.
00:16:32Right here.
00:16:33Look.
00:16:34Did you see that trick?
00:16:35He moved.
00:16:36I hope he didn't strain his shoulder, that's all.
00:16:37Take it easy.
00:16:38You're working a little too fast.
00:16:39Slow up a little.
00:16:40Take your time.
00:16:41Go ahead.
00:16:42Lay down, will you?
00:16:43Lay down.
00:16:44I think the suit is too big for you.
00:16:46Look at that.
00:16:47Look.
00:16:48Maybe he's expecting mumps.
00:16:49Why don't you stop suffering and lay down?
00:16:51Collapse.
00:16:52Fold up.
00:16:53Lay down.
00:16:55You won't believe it.
00:16:56When I first got that dog, he couldn't do nothing.
00:16:59Go on and bark.
00:17:01Come on, bark.
00:17:06That was me.
00:17:08Would you like to see him do one more trick?
00:17:10This is the last trick, of course.
00:17:12Come here, Flash.
00:17:14Flash.
00:17:15Come here, Flash.
00:17:17Come on, boy.
00:17:18Look at that speed he's burning up today.
00:17:20He couldn't go any further.
00:17:21It's a little uphill over here.
00:17:23Now the dog is going to jump.
00:17:25He's raring to go.
00:17:26Look.
00:17:27Can you make it?
00:17:28One, two, three.
00:17:30Go.
00:17:31There he goes.
00:17:32There he goes.
00:17:33He's a little out of wind now.
00:17:35Take your time.
00:17:36Why don't I give him a little rub down so he can do it again?
00:17:38Try it again.
00:17:39This time, sneak up on it and fall on the other side.
00:17:41Go ahead.
00:17:42Go.
00:17:43There he goes.
00:17:44There he goes.
00:17:45Boom.
00:17:46Well, anyway.
00:17:47This is the way he looks after he jumps.
00:17:49Like that.
00:17:50There it is.
00:17:51Oh, he's a great pet, I'm telling you.
00:17:53There's no limit to his tricks.
00:17:55Look at him running around here.
00:17:56Look at that.
00:17:57There he goes.
00:17:58Ka-flunk.
00:17:59Boom.
00:18:00And besides, the dog is a great music lover.
00:18:03Oh, he loves high class music.
00:18:05But let me tell you, of all the music he's ever heard,
00:18:08he likes my music the best.
00:18:10He'd rather hear me play one song on this harmonica
00:18:13than eat 40 or 50 steaks.
00:18:15And this is his favorite song, played by his master.
00:18:29This is the moment when we should observe our patient at the closer range.
00:18:33Yes, at the closer range.
00:18:38Much closer.
00:18:46Doctor, doctor.
00:18:47What happened?
00:18:48Contradictory symptoms, Colonel.
00:18:49The most contradictory.
00:18:51Tell me, please.
00:18:52What is his next move?
00:18:53Oh.
00:18:55Breakfast.
00:18:56Breakfast.
00:18:57That is very good.
00:18:58Very good.
00:19:07Where is Hilda?
00:19:08She took the day off to marry Hopkins, sir.
00:19:10Oh.
00:19:11What do you mean?
00:19:12She took the day off to marry Hopkins, sir.
00:19:14Oh.
00:19:15What are you doing here?
00:19:17Well, I'm waiting for Vaudeville to come back.
00:19:25Here are your three minute eggs, sir.
00:19:27Now, uh, do you like them that young or, uh,
00:19:31or would you prefer them on the older side?
00:19:34Betty!
00:19:35Betty!
00:19:37Betty!
00:19:39Betty!
00:19:40That gag always went good in Kansas City.
00:19:43Betty?
00:19:44Who's this man trying to take my job?
00:19:46Oh, it's just for today, Pygmy.
00:19:48Oh, he's only here for the day.
00:19:50For the day?
00:19:51What is he going to do here today?
00:19:53He's here to entertain father.
00:19:54Oh, entertain your father.
00:19:56Well, I think if you give me a chance to drop my hair, I can entertain your father.
00:19:59And I'm dropping my hair right now.
00:20:10Hey!
00:20:11Hey!
00:20:12Oh, hey!
00:20:13Hey!
00:20:14Hey!
00:20:15Hey!
00:20:16Oh, hey!
00:20:17Hey!
00:20:18Hey!
00:20:19Oh!
00:20:20Hey!
00:20:21Hey!
00:20:22Hey!
00:20:23Hey!
00:20:24Hey!
00:20:25Hey!
00:20:26Hey!
00:20:27How's that, Miss Betty?
00:20:28I think it might be a very good idea.
00:20:29You think so?
00:20:31I think it might be a very good idea.
00:20:33You think so?
00:20:37Yeah.
00:20:38You think so?
00:20:53What's the meaning of this?
00:20:54Uh, now everything's going to be all right.
00:20:56How can it be all right with a house full of hoodlums?
00:20:58They're not hoodlums, they're surprised.
00:20:59I don't like surprises. What are you doing here?
00:21:02Well, I, uh...
00:21:03Oh, Mr. Jones is just helping.
00:21:04Yeah, helping out.
00:21:05Well, help me out and tell me who you're helping.
00:21:07Well, uh...
00:21:08Well, uh, you, aren't we, Tim?
00:21:10Yeah, select the entertainment.
00:21:12What entertainment?
00:21:13For the employee's anniversary party.
00:21:15When did you get that idea?
00:21:16Well, we...
00:21:17Oh, recently. In fact, quite recently.
00:21:19Yeah, that's fine.
00:21:20Well, it's not a bad idea.
00:21:21Well, let's start selecting.
00:21:22I've got a place of business to go to.
00:21:24Yeah.
00:21:25Uh, Mr. Moody, Mr. Moody, one more question.
00:21:27Will you ask me later, please?
00:21:28I have something to look at.
00:21:38Every night I'm alone
00:21:41I keep crying
00:21:44For I seem to be lost
00:21:47In a crazy dream
00:21:50And I'm hopelessly drifting along
00:22:00Crying
00:22:03Every night by the phone
00:22:06I keep crying
00:22:09I'm just groping around
00:22:12In a hazy dream
00:22:15For there's no use
00:22:18In dreaming along
00:22:25The harder I try
00:22:28To forget all our moments
00:22:31The more the tears come
00:22:34To my eyes
00:22:38Foolish, I know
00:22:40But I can't help but feeling
00:22:44That the whole silly thing
00:22:47Wasn't wise
00:22:50I'm lonely
00:22:53Every morning I wake
00:22:57And I'm lonely
00:23:00As the days pass me by
00:23:03I go drifting along
00:23:06Just like a ship
00:23:08That drifts along at sea
00:23:14Hey, Robin! Hey, Robin!
00:23:16Robin, I was standing out there
00:23:17And I heard you sing a song.
00:23:18I was singing, crying.
00:23:19You said you were crying.
00:23:20That's right.
00:23:21Well, Robin, I laughed.
00:23:22I got fooled last night.
00:23:24I was crying last night, too, Robin.
00:23:26I'm gonna cry.
00:23:29Robin, let me cry!
00:23:31I'm crying because you...
00:23:32I was... Oh, shit!
00:23:33I cried!
00:23:36Robin!
00:23:37Robin, you said...
00:23:38You said you had some trouble...
00:23:40I cried!
00:23:44Robin, I don't know what you're doing to me!
00:23:48Now you can take a bath, Mike.
00:23:50Oh, I can... What kind of a bath?
00:23:52A bubble bath!
00:23:53Very good! A bubble bath!
00:23:56Robin, isn't this a terrible way to make a living?
00:23:59Robin, I cried every night!
00:24:01I cried!
00:24:03Hey, I don't want to set the world on fire!
00:24:06Don't worry, you won't with that face!
00:24:08I don't want to set the world on fire!
00:24:11Set the world on fire!
00:24:12Hey, Mike! Mike! Mike!
00:24:24Boy, am I put out!
00:24:29Ah!
00:24:30Uh-uh-uh-uh-uh-uh-uh-uh-uh-uh-uh!
00:24:58Ah-ah-ah-ah-ah-ah-ah-ah!
00:25:03Ah-ah-ah-ah-ah-ah-ah-ah-ah-ah!
00:25:16The doctor is making a lion into a sheep.
00:25:18The lamb, doctor.
00:25:20The lamb, the sheep, the mutton, what's the difference?
00:25:22It is so beautifully symptomatic of father fixation.
00:25:25Now, I ask you, where is the mutton?
00:25:27All right, don't answer, don't answer.
00:25:29I'm going to ask Mr. Moody myself.
00:25:30I've asked him already once,
00:25:31and I'm going to ask him again.
00:25:33Watch me.
00:25:35Mr. Moody.
00:25:36Very good, very good entertainment.
00:25:36But please, my employees.
00:25:38Yes, yes, yes.
00:25:38Mr. Moody, there's one more thing I would like to...
00:25:40Dr. Oplotsky, please, I'm occupied.
00:25:43Mr. Moody, my name is Dr. Vzvatsky, with a V.
00:25:58Well.
00:26:01I'll attend to that, sir.
00:26:03Doris.
00:26:05You can't wear a bathing suit.
00:26:06I'll have to put some more clothes on you.
00:26:27How do you like this?
00:26:52Beautiful.
00:26:54The dress.
00:27:27And this for an afternoon dress?
00:27:32No pins.
00:27:34No pin.
00:27:57The bride.
00:31:27Say, he's bouncing out of it.
00:31:40Anything can happen.
00:31:42Oh, you think so?
00:31:43I know it.
00:31:44Gee, thanks, Tim.
00:31:46I was beginning to doubt my own impulses.
00:31:48Never do that.
00:31:49I like your impulses.
00:31:57I like your impulses.
00:31:58I like your impulses.
00:31:59I like your impulses.
00:32:00I like your impulses.
00:32:01I like your impulses.
00:32:02I like your impulses.
00:32:03I like your impulses.
00:32:04I like your impulses.
00:32:05I like your impulses.
00:32:06I like your impulses.
00:32:07I like your impulses.
00:32:08I like your impulses.
00:32:09I like your impulses.
00:32:10I like your impulses.
00:32:11I like your impulses.
00:32:12I like your impulses.
00:32:13I like your impulses.
00:32:14I like your impulses.
00:32:15I like your impulses.
00:32:16I like your impulses.
00:32:17I like your impulses.
00:32:18I like your impulses.
00:32:19I like your impulses.
00:32:20I like your impulses.
00:32:21I like your impulses.
00:32:22I like your impulses.
00:32:23I like your impulses.
00:32:24I like your impulses.
00:32:25I like your impulses.
00:32:26I like your impulses.
00:32:27I like your impulses.
00:32:28I like your impulses.
00:32:29I like your impulses.
00:32:30I like your impulses.
00:32:31I like your impulses.
00:32:32I like your impulses.
00:32:33I like your impulses.
00:32:34I like your impulses.
00:32:35I like your impulses.
00:32:36I like your impulses.
00:32:37I like your impulses.
00:32:38I like your impulses.
00:32:39I like your impulses.
00:32:40I like your impulses.
00:32:41I like your impulses.
00:32:42I like your impulses.
00:32:43I like your impulses.
00:32:44I like your impulses.
00:32:45I like your impulses.
00:32:46I like your impulses.
00:32:47I like your impulses.
00:32:48I like your impulses.
00:32:49I like your impulses.
00:32:50I like your impulses.
00:32:51I like your impulses.
00:33:17I just remembered.
00:33:21The anniversary of the Moody Comics was three months ago.
00:33:24Betty!
00:33:25Betty!
00:33:26Well, he was bound to find out sooner or later.
00:33:29Don't worry about it.
00:33:30I'm not.
00:33:31I was thinking about something the doctor said.
00:33:33What?
00:33:34He was digging in the past.
00:33:35Oh, and the old man didn't like it, huh?
00:33:38Well, there must be souvenirs or keepsakes or something around the house.
00:33:43Not in the house.
00:33:45Wait a minute.
00:33:46There's a confidential file in the office.
00:33:48No one ever touches it.
00:33:50I've got it.
00:33:52He'll rob the joint.
00:33:54In broad daylight?
00:33:55No, tonight.
00:34:05Here you are, Ralph.
00:34:06Start raffling.
00:34:07Hardly worthy of my talents.
00:34:09Now, this is going to be very easy.
00:34:15I broke my knife.
00:34:17Maybe I should have brought a tool kit.
00:34:19Oh, you should find what you want in here.
00:34:21Oh, fine.
00:34:25Lighter, file, powder.
00:34:27Let's blast.
00:34:28Blast this time of night?
00:34:30Might wake up the watchman.
00:34:31Don't worry about that.
00:34:33This building would have to fall down before we could wake up Ansel.
00:34:36Ansel?
00:34:38The watchman.
00:34:40Dear old Ansel.
00:34:41He's only one trouble with this thing.
00:34:43It won't open.
00:34:44Oh, why didn't you say so in the first place?
00:34:48Marvelous, darling, marvelous.
00:34:52What's that?
00:34:53Just Ansel, remember?
00:34:55Oh, yeah, Ansel.
00:34:56When may we expect him?
00:34:58Just three more doors.
00:35:02Two more.
00:35:05Perhaps you better go through this.
00:35:07After all, it's your past.
00:35:08Not afraid of old skeletons, are you?
00:35:10Skeletons don't worry me.
00:35:16This is mother and daddy when they were first married.
00:35:19Mother's kind of pretty, isn't she?
00:35:21You know, put a modern dress on her and it could be you.
00:35:24Am I crazy?
00:35:26Why, your father's laughing.
00:35:29Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:33He's awfully happy.
00:35:38Uh-oh.
00:35:52Good evening, Ansel.
00:35:57Who are you?
00:35:58I was expecting Ansel.
00:36:00I wasn't expecting anybody.
00:36:02What's your name?
00:36:04Betty Moody.
00:36:06Betty Moody.
00:36:09Betty Moody.
00:36:11Oh, yes, sir.
00:36:13Your name is on my list, Miss Moody.
00:36:16Yes, well, I'm glad my name's on your list.
00:36:19Well, good night.
00:36:22Good night, Miss Moody.
00:36:34Huh.
00:36:36All the time I thought you knew, Ansel.
00:36:40Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:44Oh, that's all right, darling.
00:36:45I'll forgive you.
00:36:47Mother refers to it as artistic temperament.
00:36:50Father calls it blank, blank, blank stubbornness.
00:36:54And three years later, they're of the same opinion.
00:36:58Apparently, they haven't changed a bit.
00:37:02Tim, that could never happen to us, could it?
00:37:06Not in a million years, darling.
00:37:12I'm afraid we're going to have corners again.
00:37:14Back in your cave.
00:37:21Why, Betty.
00:37:24I saw a light in the office as I was driving by and I thought I'd come up and investigate.
00:37:29And now that you've investigated?
00:37:31I am perfectly satisfied with what I've found.
00:37:34What have you found?
00:37:35You.
00:37:37Just when I was getting the silly idea that I'd lost you.
00:37:40You have.
00:37:41Betty, be sensible.
00:37:43You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:48Just a minute, Bub.
00:37:49You're going too far.
00:37:50Where'd you come from?
00:37:51In there.
00:37:52What are you doing here?
00:37:54Looking after Miss Moody's future, starting now.
00:37:57And I'd say you've got a great start going through Mr. Moody's private papers.
00:38:00Hilton, I think you'd better leave.
00:38:01I'm going to.
00:38:02And when I go, I'll walk out, not sneak out.
00:38:04Sneak out.
00:38:05Isn't that clear?
00:38:06Perfectly clear.
00:38:08I'm not forgetting this, Jones.
00:38:10We'll settle this later.
00:38:17Good morning, RP.
00:38:18Where'd you get that, Hilton?
00:38:20Well, it was this way.
00:38:21I know.
00:38:22You ran into a door.
00:38:23Yes.
00:38:24No, I was driving by the office last night.
00:38:27I saw a light through the window.
00:38:29I came up to investigate, and I found one of your employees going through your private papers.
00:38:33Going through my papers?
00:38:34Yes.
00:38:35Naturally, I took exception, and that's how I got the black eye.
00:38:39Who was it?
00:38:40Timothy Jones.
00:38:41Jones?
00:38:42Why, that's good for nothing.
00:38:44How do you do, Mr. Moody?
00:38:45Not now, Swatsky.
00:38:46Good morning, Dr. Swatsky.
00:38:47Oh, the paranoid type.
00:38:49Now look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was the gentleman that you should have talked to.
00:38:56I know, but I'm awfully busy.
00:38:59Dr. Swatsky, I know, but I'm not the one you need.
00:39:05Strange character, isn't he?
00:39:07Monk will run through it a couple times before he tried on Tim.
00:39:10Ah, the story begins a way out west.
00:39:14Well, what am I going to be?
00:39:16You're going to be Monk the Killer.
00:39:20I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Phelps, the two boy rangers, trapped in the cabin.
00:39:25Monk, you move out.
00:39:26I'll be ready to make a run for the door.
00:39:30I'll get the chalk.
00:39:31I'll get the mail, sir.
00:39:34This is the cabin?
00:39:35Uh-huh.
00:39:36What's that?
00:39:37Little cabin.
00:39:39Oh, remember now, we are the two boy rangers.
00:39:45And you've pre-solidified.
00:39:52The most powerful youth in all the land.
00:39:57Ah, it's a matter of minutes before the killer bashes down the door.
00:39:59Yes, sir.
00:40:00And soon as he sees the mail sack.
00:40:01Uh-huh.
00:40:09Okay, Monk.
00:40:12Right, you mean...
00:40:13Rallo!
00:40:14On the floor, on the floor.
00:40:15Rallo!
00:40:16We've got the killer.
00:40:17Quick, the soap.
00:40:18You mean the rope.
00:40:19The rope.
00:40:20The rope.
00:40:21The rope.
00:40:22I got him.
00:40:23That's the rope.
00:40:24Rope.
00:40:25That's the rope.
00:40:26Rope.
00:40:27There we are.
00:40:28Sweat.
00:40:29I'm tearing fast, dealers.
00:40:30But we'll improve.
00:40:31You'll improve.
00:40:32You'll get sick.
00:40:34Hey!
00:40:35What's more, the boy rangers come through with victory.
00:40:37Right?
00:40:39They'll keep coming.
00:40:40They'll come till the end of time.
00:40:41They'll all of us come.
00:40:42The boy rangers will all of us come.
00:40:44What are you...
00:40:46Hey, how can you be standing there and in the sack too?
00:40:49Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:52Yeah, who's in the sack?
00:40:53I don't know.
00:40:56You scoundrel.
00:40:57Oh, Mr. Moody.
00:40:58You scoundrel.
00:40:59You're through.
00:41:00You're finished.
00:41:01Yeah, yeah.
00:41:02Get out and stay out.
00:41:03Yeah, I know.
00:41:04I'm throwing them out.
00:41:05Send my mail to the club, will you, boys?
00:41:06Bye.
00:41:07Bye.
00:41:08Get out of here, both of you.
00:41:11A boy ranger never fails.
00:41:12He always goes through.
00:41:20Dad.
00:41:22Dad, what happened?
00:41:23Everything.
00:41:24Everything bad, mainly Jones.
00:41:25Now, wait a minute, Dad.
00:41:26Nobody's going to sneak behind my back and pry through my private office.
00:41:29I kicked him out.
00:41:30Tim was with me last night.
00:41:31We both poked through your office.
00:41:33Betty.
00:41:34Dad, we were only trying to help you.
00:41:36That's another thing I will not stand for.
00:41:37I will not allow anybody to pry into my private life.
00:41:39Well, this time you're going to stand for it.
00:41:41It's my life, too.
00:41:42And up until now, you've run it.
00:41:43Run it?
00:41:44I've been an indulgent father.
00:41:45Right.
00:41:46You've indulged yourself for 20 years.
00:41:48Made me miserable and sorry for you.
00:41:50Now I know why Mother...
00:41:51Your mother has nothing to do with this.
00:41:53Just leave her out of it.
00:41:54I'm not going to leave her out of it.
00:41:55She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:41:59And...
00:42:01And another thing.
00:42:02Whether you like Tim or not, I love him.
00:42:23I love you, too.
00:42:53I love you, too.
00:43:23I love you, too.
00:43:25I love you, too.
00:43:54Give me another, will you, Murph?
00:43:56Okay.
00:43:57Make it two.
00:43:58All right, beautiful.
00:44:01You look almost happy.
00:44:03I am, since you came into the joint.
00:44:05I'm sorry about what happened, Tim.
00:44:07I came as soon as I left Dad.
00:44:09Glad you're leaving.
00:44:10Alone.
00:44:11I wish we were alone.
00:44:14What would you do?
00:44:16This.
00:44:20Don't you worry, baby. We'll get along.
00:44:22After all, I've still got that comic strip running.
00:44:25You know, as far as your dad's concerned, he's through with me.
00:44:29But I'm not through with him.
00:44:31Neither am I.
00:44:33And we've got unfinished business.
00:44:36If we could only find Mother.
00:44:40You know, Tim, Henry might be able to help.
00:44:43Henry?
00:44:44Yeah.
00:44:45He's been shaving Dad for the last 30 years.
00:44:48He knows him better than anyone.
00:44:51Hey, Murph.
00:44:52Give me a phone, will you?
00:44:56Got the number?
00:44:57Yeah.
00:45:01Um...
00:45:03Rescue.
00:45:09Hello, Henry.
00:45:10Oh, hello.
00:45:11Hello, Henry.
00:45:12Say, they didn't have saloons like this when I was your age.
00:45:15Stop it, Henry.
00:45:16Oh, so that's what they call them now.
00:45:18What do you have?
00:45:19Lemonade.
00:45:20Lemonade?
00:45:22I get what you mean, but what's in it?
00:45:24Lemons, sugar, and water.
00:45:27Lemons, sugar, water.
00:45:30Henry, I thought you might be able to tell us something about Mother.
00:45:33Where can we find her?
00:45:34Well, she spends her winters in California,
00:45:37the summer season in Connecticut,
00:45:39and the play season here.
00:45:41Then she should be here now.
00:45:43Well, if she is, she's at the Tower Hotel.
00:45:45Tower Hotel?
00:45:46She's a writer, you know, under the name of Lacey Thornton.
00:45:56Get excited, darling.
00:45:58Oh, I'm not excited.
00:45:59I just realized what this means.
00:46:02You see, I've never seen my mother.
00:46:05Now that you're going to see her, you wonder what she's like.
00:46:08Yeah.
00:46:09Whether she'll like you and me and...
00:46:12Oh, there's only one way to find out.
00:46:23Do come right in.
00:46:28Oh, it's such a relief to be with young people.
00:46:31You know, usually, I'm interviewed by these horribly business-like people
00:46:34who insist upon pinning you down to places and dates and...
00:46:38Oh, I'm sorry, Mr...
00:46:40Oh, I'm sorry, Mr...
00:46:42Jones, he's going to be your son.
00:46:45That is, I'm going to marry him and I'm your daughter.
00:46:48Why, how delightful.
00:46:50Oh, I love romance.
00:46:51In fact...
00:46:53A daughter?
00:46:55Betty!
00:46:56Oh!
00:46:58Oh, it just doesn't seem possible.
00:47:01Little Betty, grown into such a beautiful young lady,
00:47:05and about to marry such a beautiful young man.
00:47:08Oh, it's...
00:47:10Beautiful period.
00:47:11Oh, oh, oh, do sit down.
00:47:19I wrote your story once.
00:47:21Let me see.
00:47:22It was the book before the last.
00:47:24No, the one next to that.
00:47:26Mother...
00:47:28Dad has been...
00:47:30He hasn't been well and I thought maybe that we could help him.
00:47:33Oh, poor Phineas.
00:47:35He was always hard to understand.
00:47:38But he has done well in business, hasn't he?
00:47:41Haven't you heard?
00:47:42Oh, I've been away for months and months.
00:47:45Oh, ever so long.
00:47:47I used to do all my work in Europe and...
00:47:49Oh, it's so stimulating.
00:47:52Mother...
00:47:53Dad...
00:47:54Dad is quite ill.
00:47:56No, is he?
00:48:01What are you doing here?
00:48:04You're just the guy I'm looking for.
00:48:06I'm here to do you a favor.
00:48:08Here, grab a chair and hang on.
00:48:11You know what I'm going to do?
00:48:12I'm going to double your production and triple your income.
00:48:15You know, the way things are now,
00:48:17the American working man's got to have something besides an automobile
00:48:20and a house and a lot.
00:48:22He's got to be made happy and he's got to be kept happy.
00:48:25Give music to make him happy.
00:48:27The American working man loves music.
00:48:29You can tell that by the way he jumps when the whistle blows.
00:48:32Sure, just give him that music
00:48:34and just make his day a big, long, beautiful song.
00:48:38The sky's the limit.
00:48:39Give him that old razzmatazz.
00:48:41Okay, boys, let him have it.
00:49:03Oh, give me that razzmatazz.
00:49:07I'm getting tired of jazz.
00:49:10I'm plenty slick, fella, from North Dakota.
00:49:13I've even seen a little bit of Minnesota.
00:49:16Oh, give me that tee-yock-a-too.
00:49:19And let me holler wahoo.
00:49:21Now, people think I'm in a rut,
00:49:23but that's because they're off their nut.
00:49:25Oh, give me that razzmatazz.
00:49:28Give me that razzmatazz.
00:49:58Give me that razzmatazz.
00:50:28I don't think we're gonna make it.
00:50:40Shake!
00:50:41Oh, give me that razzmatazz.
00:50:44Give me that razzmatazz.
00:50:47Hey, how'd you like it?
00:50:49Get that hardware and those spare parts out of here.
00:50:52Absolutely no, sir.
00:50:55Miss Wilson.
00:50:56Yes, sir.
00:50:57Miss Wilson, get me a ticket on a train to California.
00:50:59Make it the cheap.
00:51:00No, get it on the super cheap.
00:51:01I've had all I can stand of this.
00:51:03I'm getting out of here.
00:51:08Oh, poor Miss.
00:51:10If only he hadn't gone completely sour on cartoons.
00:51:14Cartoons?
00:51:16What about cartoons?
00:51:17Why, uh, he was laughing at one the last time we were together.
00:51:20Or, uh, next to the last time.
00:51:24We had gone to a cafe, or a modest little place,
00:51:27to celebrate the night before his 35th birthday.
00:51:31That was the night he had the baby.
00:51:34He had the baby?
00:51:36You mean me?
00:51:38No, darling, a brainchild.
00:51:40He drew it on the wall of the cafe.
00:51:43Poor Phineas.
00:51:44His one ambition was to be an artist.
00:51:47But being artistic myself,
00:51:49I realized he could never be a great artist.
00:51:52And there's nothing worse than a poor artist, is there?
00:51:55No, nothing could be worse.
00:51:57That's just what I told Phineas.
00:51:59It was dreadful.
00:52:01He created quite a scene.
00:52:03Poor Phineas.
00:52:05I never realized what that cartoon meant to him.
00:52:08I can.
00:52:10Maybe that cartoon was an ideal, and you shattered it.
00:52:12You took everything away.
00:52:13Oh, uh, no, I didn't.
00:52:15It was on the wall of the cafe.
00:52:17Maybe it might revive something, give him a new life.
00:52:21Tim, wouldn't it be wonderful if it would?
00:52:24Oh, but that was 20 years ago.
00:52:26It surely wouldn't be there now.
00:52:28Could you remember where the cafe was?
00:52:30Well, I don't know.
00:52:32But it would be fun to try, wouldn't it?
00:52:34That's a chance we'll have to take.
00:52:36I love to go places.
00:52:38I remember once in London, with the Earl of Catherstown.
00:52:43Mother, is this your idea of a nice, cozy little place?
00:52:46I'm positive this is where it was.
00:52:48Or is it?
00:52:51Good evening, sir.
00:52:53A table for three, please.
00:52:55Just a moment, sir.
00:56:01Here.
00:56:03Good evening.
00:56:04This way, please.
00:56:06I think, I think our table was right over there.
00:56:09Right where those people are.
00:56:16As I remember it, Phineas was sitting there.
00:56:19You see, we wanted to be secluded.
00:56:22That's exactly what I was hoping for when we came in here.
00:56:25Pardon, madame.
00:56:27Your table is over there.
00:56:29Oh, but we don't want to be over there.
00:56:32We want to be over here.
00:56:34Perhaps we could sit over there.
00:56:46Pierre, don't go yet.
00:56:49If you could remember approximately where it was.
00:56:51Yes, I remember.
00:56:53I remember it was that wall.
00:56:55Was it near the corner?
00:56:57Yes, it was in that corner.
00:56:59Now we're getting somewhere.
00:57:01Gaston.
00:57:02Oui, madame.
00:57:03Qu'est-ce que vous voulez?
00:57:04Je veux un four.
00:57:05Un four, s'il vous plaît.
00:57:06S'il vous plaît.
00:57:07Oui, madame.
00:57:08Comment?
00:57:09Je veux un four.
00:57:19What are you doing there, young man?
00:57:21Oh, excuse me, Curly.
00:57:22Monsieur, if you insist on annoying our guest,
00:57:24I'll have to ask you to leave.
00:57:26Pardon, junior.
00:57:28Junior, huh?
00:57:34Darling, didn't I teach you not to flirt with strange ladies?
00:57:37Oh, but you can meet some lovely people that way.
00:57:39My dear, I'm not a flirt.
00:57:41I'm a gentleman.
00:57:42I'm a gentleman.
00:57:43I'm a gentleman.
00:57:44I'm a gentleman.
00:57:45I'm a gentleman.
00:57:46I'm a gentleman.
00:57:47I'm a gentleman.
00:57:48Oh, but you can meet some lovely people that way.
00:57:50Mother, would you say the picture would be about here?
00:57:53Yes.
00:57:54It would be right there.
00:57:55Only over there.
00:58:18a. How
00:58:26do you like that no picture. Sorry Gus yeah.
00:58:34Eddie you're all wrong I look the little man was there but I don't have. To buy
00:58:39an egg I ought to go speak medium down if there's
00:58:43an egg that could be your that and not why did you say that in the first place
00:58:49my God. He doesn't understand French and probably born in Brooklyn.
00:58:57I know it's here some place and it's very simple all we have to do is take all the
00:59:01paper off the wall of that all the paper and just just a part of the picture see
00:59:07we couldn't do that. Now it's
00:59:10supposed to be the picture but he had.
00:59:17All you have to do is put the piece back. Right when I said it would be.
00:59:32Would you mind being out check mine it will be
00:59:35a pleasure.
00:59:58I don't think this would recognize his own work but you've got to draw to the
01:00:02real.
01:00:10I never paid bills I just signed my name I was afraid of something like this I'll
01:00:15have to see the manager that's
01:00:17a good idea I hate to complain but I think he ought to know how to.
01:00:25General observe that the original cartoon has its lines up up and up that means
01:00:31that the creator of it was in the mood in other words to say happy that's good
01:00:36logic thank you very much. I really can't say Timothy but it does look a little
01:00:44like crack don't you think could be keep it up Tim you're doing well.
01:00:51Now that isn't it Tim take over mine but yeah. Gentlemen of course I'm not
01:00:57an artist but from the medical point of view if Mr Timothy will trade his nose
01:01:02with this gentleman's ears Oh no he couldn't do that but why because I like his
01:01:07nose much better thank you Eddie thank you. Mr Timothy Yes remember that
01:01:15laughter that you wanted to put in bottles you think that has commercial possibility
01:01:20Oh definitely definitely.
01:01:24How's that Eddie Timothy I just know that is not quite right now that's.
01:01:32All right let's go home let's put baby to bed.
01:02:20I.
01:02:32Think we've got to hurry the cabs waiting I don't want you to miss this train I
01:02:36don't intend to. California relaxation in the sun by the way.
01:02:45That he happens to need a day now you look out for I want you of course are you
01:02:49leave everything to me you just get out in that sun stop harping on that sun
01:02:53business will you I don't care and I burn I know that but as I was saying count on
01:02:59me forget the firm I've forgotten that already our feet we've got to go the cabs
01:03:03waiting if you forgot anything I'll send it to you who's taking this trip you or
01:03:07me. But you know I haven't seen this for years and it gives me
01:03:11a funny feeling or am I beginning to be afraid you don't have to be afraid we're
01:03:15doing all we can he growls that to you just growl right back mother.
01:03:22Are you taking
01:03:23a trip to the father's back yeah he's off to California you excuse me there's
01:03:27a cab waiting but he can't do that to us and not after all the trouble we've got
01:03:31to. You just explain it to him mother.
01:03:37I'm going to use. I had been used to how wonderful you look after all these
01:03:43years but it seems just like yesterday and they were so happy and you were so
01:03:47foolish I was not foolish nothing is if you're going to be stubborn I'll have to
01:03:52growl at you and remember you didn't like it before so don't be silly and do it
01:03:56all over again I'm not silly why are you taking a trip you took a trip a long one
01:04:02but I like trips trips are so nice but you can't not that we've just found each
01:04:06other Oh heady my little flutter brain if you'll excuse me our P we've got to get
01:04:12going the train won't wait Hilton can't you see I'm busy a young man just explain
01:04:16to them that he'll be a few moments late. Oh well Phineas I want you to meet you
01:04:22the nicest young people and I don't want to meet any more people I've met enough
01:04:25people today forever and that's such a sweet thought Phineas but we'll do it
01:04:29today forever and that's such a sweet thought Phineas but we'll be all alone or
01:04:33almost and we'll see the picture together picture yes it'll be like old times
01:04:38Phineas darling. But I don't want to see any picture now or any other time and
01:04:42that's fine father you sit right down Phineas you'd better do what she says I guess
01:04:48you're right chip off the old block.
01:04:50I know that I'm the paranoid I know that we've got all that but my name is.
01:05:51A.
01:05:52Old.
01:06:05Right.
01:06:09Good.
01:06:13I don't.
01:06:16Know.
01:06:21That.
01:06:24That's all I wanted to hear.
01:06:32Right now.
01:06:50I.
01:07:20Know.
01:07:21That.
01:07:22That's all I wanted to hear.