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Short filmTranscript
00:00:00You
00:00:30You
00:00:32You
00:00:34It is said that the darkness has disappeared in the modern age, but there is a darkness that has not changed since ancient times.
00:00:55It is said that the darkness has disappeared in the modern age, but there is a darkness that has not changed since ancient times.
00:01:05The darkness of that world that appears at the edge of this world.
00:01:10The outside world is always waiting for the opportunity to drag us into its own darkness.
00:01:19And there is still a darkness that continues to multiply.
00:01:25Have you forgotten?
00:01:27The place where darkness is most powerful and reproduces.
00:01:31Yes, it is in the distorted hearts of people.
00:01:37In the eyes of the inorganic camera, such a sense of time and space of darkness can be burned.
00:01:42There are many images that are born from the darkness and are trying to be buried in the darkness.
00:01:49I will bring them to you next Sunday.
00:01:56Darkness video
00:01:58I'm doing business at a company that sells office supplies.
00:02:13I have a colleague named Sagawa.
00:02:18I went around business with Sagawa, finished, drank, and it was late.
00:02:25It was near the used apartment that Sagawa bought.
00:02:32The next day, both of them had a day off, so I decided to ask the new housekeeper to stop me.
00:02:46Is this okay?
00:02:48Yes, it is.
00:02:50This is the apartment Sagawa lives in.
00:02:55What do you think?
00:02:57What floor is this?
00:02:59The top floor.
00:03:01The top floor?
00:03:09How long are you going to film this?
00:03:12No, no, no.
00:03:14I want to expose Sagawa's professionalism to the company.
00:03:19No, no, no.
00:03:21No, no, no.
00:03:23No, no, no.
00:03:25No, no, no.
00:03:28This is the first time I've come to the company as a person.
00:03:32Yes, yes, yes.
00:03:34Is it 50 million yen?
00:03:36No, no, no.
00:03:3930 million yen?
00:03:41Yes.
00:03:43Really?
00:03:4530 million yen is cheap.
00:03:46Yes, it is.
00:03:48It was a little more expensive at first, but I lost.
00:03:51You lost?
00:03:53Yes.
00:03:56My friend's wife is my relative.
00:04:02She is a rich family.
00:04:05Sagawa was planning to get married a month later.
00:04:11He bought a second-hand apartment to live with his wife.
00:04:21He didn't live there when I went there.
00:04:25But he was preparing for it.
00:04:36Excuse me.
00:04:42It's beautiful.
00:04:49You have everything.
00:04:53You have everything.
00:04:55Yes, I have everything.
00:04:57You have everything.
00:04:59It's hard to look at.
00:05:01It's hard to look at.
00:05:03It's red.
00:05:04I don't understand.
00:05:10Why do you always have this on?
00:05:15I love you, Yukie.
00:05:19I don't understand.
00:05:21It's Yukie.
00:05:23No, no, no.
00:05:25She doesn't know my name.
00:05:28Is she your girlfriend?
00:05:30No, no, no.
00:05:31Is she your girlfriend?
00:05:33I don't understand.
00:05:35Is she your girlfriend?
00:05:37No, she is not.
00:05:39Who do you live with?
00:05:41I don't know.
00:05:43Is she your lover?
00:05:45No, she is not.
00:05:47Is she your lover?
00:05:49No, she is not.
00:05:51I don't care.
00:05:53Did you buy a bed?
00:05:55Yes, I did.
00:05:57Show me.
00:05:58No, no, no.
00:06:00There was a piece of paper on the table.
00:06:04It said,
00:06:06I love you.
00:06:08It was a new marriage,
00:06:10so I said,
00:06:12I love you.
00:06:14But the woman's name
00:06:16on the paper
00:06:18was different from
00:06:20Saga's girlfriend's name.
00:06:25I wondered why.
00:06:26I wondered why.
00:06:28I don't know why,
00:06:30but I thought
00:06:32Saga's girlfriend
00:06:34changed her name
00:06:36on purpose.
00:06:38We didn't care at all.
00:06:43Here it is.
00:06:45The double bed.
00:06:47Here it is.
00:06:49Say it in a nice way.
00:06:51No, no, no.
00:06:53Here it is.
00:06:54Here it is.
00:06:56Stop it.
00:06:58Can't you hear me?
00:07:00Can't you hear me?
00:07:02No, no, no.
00:07:04I can't hear you.
00:07:06I'm a bit pale.
00:07:08I'm a bit pale.
00:07:10We have a lot of things,
00:07:12but the closet is empty.
00:07:16The closet is empty.
00:07:18What about your clothes?
00:07:20Do you have clothes?
00:07:21No, not yet.
00:07:23Not yet?
00:07:25I see.
00:07:27It's empty.
00:07:29There's nothing in here.
00:07:32You can put condoms in here.
00:07:36You can put toys in here.
00:07:38That's because you're pale.
00:07:40No, no, no.
00:07:42I'm pale.
00:07:44If I put condoms in here,
00:07:46the company will fire me.
00:07:48No, no, no.
00:07:49You're pale, aren't you?
00:07:51No, I'm not.
00:07:53I'm pale.
00:07:56What about the veranda?
00:07:58What about the veranda?
00:08:00It's burned out.
00:08:02Can you see it?
00:08:04Open it.
00:08:11This is nice.
00:08:13It's beautiful.
00:08:15It's nice.
00:08:17There's a room next door, isn't there?
00:08:20Can you show me the room next door?
00:08:22There's nothing there.
00:08:24There's nothing there?
00:08:26You can put things in there.
00:08:28I see.
00:08:30You can put things in there.
00:08:32I see.
00:08:34Can you show me the bathroom?
00:08:37There's nothing there.
00:08:39It's nice.
00:08:41We've come this far.
00:08:43What's this?
00:08:45It's a burner.
00:08:56There's nothing in there.
00:08:58There's nothing in there?
00:09:00No, no, no.
00:09:02Can you turn it on?
00:09:03Can you turn it on?
00:09:15It's all right.
00:09:26Where's Sarah?
00:09:28Sarah, Sarah, Sarah.
00:09:30Someone's here.
00:09:31Someone's here.
00:09:40I called the police right away.
00:09:44I asked for an ambulance.
00:09:47But it was too late.
00:09:50She committed suicide in a fluid tank.
00:09:55It's been a few days since she died.
00:09:58It's a fluid tank, so it's like a poisonous gas.
00:10:03But it's been a few days since we went there, so it's gone.
00:10:09But it didn't affect us.
00:10:20According to the police,
00:10:23it looks like she used to live there.
00:10:26It looks like she was a real estate agent.
00:10:30When she bought a used apartment,
00:10:34she didn't exchange her keys.
00:10:40She came in with her key.
00:10:47She lived there with her husband.
00:10:53I don't know why, but they broke up.
00:10:58She left.
00:11:00But she ended up like Noe Rose.
00:11:04She came back to where she lived and committed suicide.
00:11:11I think she thought her husband was still living there.
00:11:20I think that's why she came back.
00:11:26But when she came back,
00:11:29she realized that her husband wasn't living there anymore.
00:11:34But she was mentally unstable.
00:11:38She didn't know what to do.
00:11:42After filming this video,
00:11:45Kato said he didn't see her again.
00:11:48But he was curious about something.
00:11:52No way.
00:11:54I'm on a diet.
00:11:57Let's go to the veranda.
00:12:00Let's go to the veranda.
00:12:02It's burned out.
00:12:04Really?
00:12:06Open it.
00:12:19Kato Kurokawa
00:12:22Kato Kurokawa
00:12:25Kato Kurokawa
00:12:28Kato Kurokawa
00:12:31Is this the mysterious figure of the woman who committed suicide?
00:12:38Kato Kurokawa
00:12:41She couldn't exchange her keys.
00:12:46So the real estate agent gave her some money.
00:12:53But the woman who died didn't have any relatives.
00:13:01So she couldn't get any compensation.
00:13:07So she cleaned the house.
00:13:10She wanted to live there.
00:13:16But she didn't want to.
00:13:20So they had an argument.
00:13:25And they got divorced.
00:13:30She was paying her own rent.
00:13:35But one day she said something strange.
00:13:42She said a ghost of a woman who committed suicide appeared.
00:13:51Kato Kurokawa
00:13:54Kato Kurokawa
00:13:57Kato Kurokawa
00:13:59Kato Kurokawa
00:14:01Kato Kurokawa
00:14:03Kato Kurokawa
00:14:05Kato Kurokawa
00:14:07She started to act strangely.
00:14:09What do you mean?
00:14:11She was often out of her mind.
00:14:16Then she became more energetic.
00:14:21She couldn't concentrate on her work.
00:14:25And she was always on a hunger strike.
00:14:29I quit my job, so I couldn't pay my loan, and I had to sell my apartment.
00:14:46I really feel sorry for myself, because I thought I was unlucky.
00:14:59I had no choice but to quit my job.
00:15:03This time, I was introduced to you.
00:15:08If possible, I would like to give this to you and get rid of it.
00:15:18Mr. Kato knew Mr. Sagawa's current contact,
00:15:24but he didn't answer his phone.
00:15:55It's 103.
00:15:59It's here.
00:16:02I'll try to ring the doorbell.
00:16:05The doorbell is ringing.
00:16:11The doorbell is ringing.
00:16:16The doorbell is ringing.
00:16:21He's not here.
00:16:26The doorbell is ringing.
00:16:29Mr. Sagawa.
00:16:31The door is open.
00:16:36The door is open.
00:16:39Let's open the door.
00:16:46Mr. Sagawa, I'm going to open the door.
00:16:48Excuse me.
00:16:50There are a lot of stickers on the door.
00:17:12Is Mr. Sagawa here?
00:17:15No, he's not here.
00:17:18Who are you?
00:17:20Is he not here?
00:17:21No, he's not here.
00:17:23He was introduced to me by a friend of Mr. Sagawa.
00:17:27The door is open now.
00:17:31I see.
00:17:32I rang the doorbell when I was about to go out.
00:17:35I called him.
00:17:38Do you know where Mr. Sagawa is now?
00:17:41I'm looking for him.
00:17:44I don't know.
00:17:45I see.
00:17:46Mr. Sagawa is in a lot of trouble as a parent.
00:17:54I'm thinking about getting him out of the house.
00:18:17There are a lot of complaints from the residents.
00:18:23I live at the top of the building.
00:18:26They make strange noises in the middle of the night.
00:18:29They make a lot of noise.
00:18:32I'm thinking about getting them out of the house.
00:18:35When I entered the room, there were a lot of strange things all over the room.
00:18:41I wonder if this is a religion.
00:18:55I'm going to get Mr. Sagawa out of the house.
00:18:59I'm going to get him out of the house.
00:19:03I'm going to get Mr. Sagawa out of the house.
00:19:07I'm going to get Mr. Sagawa out of the house.
00:19:31I'm going to get Mr. Sagawa out of the house.
00:19:37I'm going to get Mr. Sagawa out of the house.
00:19:41The paper is new.
00:19:47I bought it recently.
00:19:52You've been wearing it lately, haven't you?
00:19:55I'm going to get Mr. Sagawa out of the house.
00:20:02I'm going to get Mr. Sagawa out of the house.
00:20:10Is this a eye?
00:20:13It's an eye, isn't it?
00:20:31I'm going to get Mr. Sagawa out of the house.
00:20:37We got permission from Mr. Sagawa's parents.
00:20:43I'm going to show you the next video in Mr. Sagawa's room.
00:20:51This is a video of the camera installed in the living room of the apartment where Mr. Sagawa was going to get married.
00:21:02I don't know why Mr. Sagawa installed this camera.
00:21:10I guess it's to record the psychological phenomenon that happens around me.
00:21:32I'm going to get Mr. Sagawa out of the house.
00:21:43I'm going to get Mr. Sagawa out of the house.
00:21:51I'm going to get Mr. Sagawa out of the house.
00:22:01I'm going to get Mr. Sagawa out of the house.
00:22:18I'm going to get Mr. Sagawa out of the house.
00:22:23It's been a long time since I'm doing this, hasn't it?
00:22:28Mr. Sagawa will also open the door.
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