The drama heats up in GLOW Season 3, Episode 04, available now in Full HD 720p! The Gorgeous Ladies of Wrestling continue to navigate the highs and lows of their Las Vegas residency, with this episode delivering a perfect mix of humor, tension, and unforgettable wrestling moments.
In Episode 04, the stakes are higher than ever as personal conflicts come to a head and new alliances form. The GLOW crew faces unexpected challenges both inside and outside the ring, testing their resilience and determination. With captivating performances by Alison Brie, Betty Gilpin, and the rest of the talented cast, this episode is a rollercoaster of emotions that you won’t want to miss.
Key Episode Moments:
Ruth grapples with a tough decision that could change everything.
Debbie finds herself in a power struggle that puts her leadership to the test.
The team faces a new opponent in the ring, leading to one of the most intense matches yet.
The glitz and glamor of Las Vegas contrast sharply with the personal battles each character faces.
Why You Should Watch: GLOW Season 3, Episode 04 is packed with character development, unexpected twists, and high-octane wrestling action. The Full HD 720p quality ensures that you won’t miss a single detail, from the emotional nuances to the explosive in-ring action. This episode is a crucial turning point in the season, offering a deeper look into the challenges the characters face as they fight for their place in the spotlight.
Don’t Forget to:
LIKE this video if you’re enjoying the journey!
SUBSCRIBE to our channel to catch every episode in Full HD!
SHARE with your friends who love wrestling and drama!
Additional Tags and Keywords: GLOW, GLOW Season 3, Episode 04, Full HD, 720p, Wrestling Drama, Netflix Series, Alison Brie, Betty Gilpin, Women’s Wrestling, 80s Nostalgia
Hashtags: #GLOW #GLOWSeason3 #Episode04 #FullHD #720p #WrestlingDrama #NetflixSeries
Follow Us: Stay connected and follow us on social media for more updates and behind-the-scenes content! https://www.dailymotion.com/lovebuster456
In Episode 04, the stakes are higher than ever as personal conflicts come to a head and new alliances form. The GLOW crew faces unexpected challenges both inside and outside the ring, testing their resilience and determination. With captivating performances by Alison Brie, Betty Gilpin, and the rest of the talented cast, this episode is a rollercoaster of emotions that you won’t want to miss.
Key Episode Moments:
Ruth grapples with a tough decision that could change everything.
Debbie finds herself in a power struggle that puts her leadership to the test.
The team faces a new opponent in the ring, leading to one of the most intense matches yet.
The glitz and glamor of Las Vegas contrast sharply with the personal battles each character faces.
Why You Should Watch: GLOW Season 3, Episode 04 is packed with character development, unexpected twists, and high-octane wrestling action. The Full HD 720p quality ensures that you won’t miss a single detail, from the emotional nuances to the explosive in-ring action. This episode is a crucial turning point in the season, offering a deeper look into the challenges the characters face as they fight for their place in the spotlight.
Don’t Forget to:
LIKE this video if you’re enjoying the journey!
SUBSCRIBE to our channel to catch every episode in Full HD!
SHARE with your friends who love wrestling and drama!
Additional Tags and Keywords: GLOW, GLOW Season 3, Episode 04, Full HD, 720p, Wrestling Drama, Netflix Series, Alison Brie, Betty Gilpin, Women’s Wrestling, 80s Nostalgia
Hashtags: #GLOW #GLOWSeason3 #Episode04 #FullHD #720p #WrestlingDrama #NetflixSeries
Follow Us: Stay connected and follow us on social media for more updates and behind-the-scenes content! https://www.dailymotion.com/lovebuster456
Category
😹
FunTranscript
00:00Please give a warm FanTan welcome to Carol Jennings.
00:13Ladies and gentlemen, as the great Don Arden once said, get out of my office.
00:22You haven't lived until you play FanTan.
00:29It's like being wed without a wedding ring.
00:34Though you've climbed the heights with your name up in lights.
00:39Until you play the FanTan, it don't mean a thing.
00:45Television's just a passing fancy.
00:49And movie fame is but an empty thrill.
00:54Though you're on top of the heap, you are nothing but a creep.
01:00Until you play the FanTan at the bottom of the bill.
01:05Oh, you may be the darling of the critics and star in Noel Coward's last play.
01:14On the stage you're a hit, but you are still ill-adept.
01:20Until you play the FanTan, the dirty, drafty FanTan.
01:25The FanTan Hotel south of the Flamingo Watch.
01:41Should we maybe talk a little too?
01:43I do still think of you as a person, not just a body.
01:47I'm so fucking sick of talking to you. You have no idea.
01:58Nice digs. It's like an opulent dorm room.
02:02Yeah, the gold bathroom is particularly subtle.
02:06That is a pile of cloves, not Sheila in the corner, right?
02:10Right.
02:12And that's the phone you use to talk to me?
02:15And this is where you sit? Which wall do you stare at?
02:20That one. Sometimes that.
02:24It's going to be a rude awakening coming home.
02:28Am I finally going to get to see this infamous apartment of yours?
02:34Ruth?
02:35What?
02:36Are you going to kick your illegal sublet out of the East Hollywood Palace?
02:41Actually, I wanted to talk to you about that.
02:43When I get back, maybe we should look for a place.
02:46Together?
02:48Yeah. I know it's early, but...
02:51I mean, it's pretty early.
02:53Is it? We talk every night and...
02:56Yeah, maybe it could work.
03:00Let's get up. Let's go do something.
03:03Come on, show me Vegas.
03:08What is that?
03:12I'm okay.
03:14The fuck?
03:15Ignore it.
03:19Don't fuck me to the song.
03:21I can't help it.
03:25Stop. Stop. No. No. No.
03:29Damn it. Jerry!
03:36Hi. It's a little early.
03:39A little loud.
03:41I'll turn it down.
03:42What's going on with you?
03:44Just starting my day.
03:49Was he cheating on her?
03:51I heard he got a big job, but I don't know. He left really fast.
03:54Really?
03:55Yeah.
03:56Come on, girls. Back to your rooms.
03:58Yes, Ms. Hannigan.
04:01Hey.
04:02Hi, Sam.
04:03Hey, there he is.
04:05How you doing, Russell?
04:06I'm just here to see this one. You working out?
04:09Hey, there's that cameraman's eye, huh?
04:11What, are you going to do some sightseeing?
04:13Yeah, I'm going to get something to eat.
04:15Maybe you should take him to that steak place. Boss him around.
04:24Let's just... Don't sweat on the sweat.
04:26Okay, okay.
04:27Didn't want to maybe shower?
04:30Well, that would defeat the purpose of sweating, wouldn't it?
04:33Business is good. The show's doing great.
04:35We're sold out for the next two weeks, and if we can keep this up,
04:37then the three of us stand to make a lot of money here.
04:39That's good to know.
04:40Maybe I can push the money into a pile the shape of my son,
04:43whose childhood I'm missing.
04:45Okay, well, I don't really know what to say to that.
04:47Hi, honey. Wow.
04:49Don't mind me. I know you have a new cabinet meeting.
04:53Um, so, Kurt has been doing us a favor while he's in town,
04:57but we need a ref for the rest of the run.
05:00I have a list of available boxing refs,
05:04including a guy who's reffing bouts over at Caesars,
05:08but he's expensive, if anyone cares.
05:10Man, Keith really fucked us, leaving without notice like that.
05:13Fucked us? What about Cherry?
05:15Why can't Sam do it? He already knows the show.
05:17No. That's a great idea!
05:19Sam! We can both be in the show, huh?
05:23What the fuck is happening?
05:26Mr. Howard? Yes.
05:27If I could have two minutes of your time?
05:29Sure.
05:30I'm not just your waiter. My name is Steve Mills.
05:32I traffic... in magic.
05:35Oh, my God! He traffics in magic!
05:38Here. I want you to select a card.
05:41Say stop whenever you'd like.
05:43Stop!
05:44Take the card, show your friends,
05:48and return the card to me.
05:50Okay.
05:51Remember the card.
05:52Got it.
05:53Now watch.
05:55That's it!
05:57The card is no longer in the deck.
05:59It's gone.
06:00What?
06:01Now, pick a piece of fruit.
06:03The orange!
06:04All right.
06:06The orange it is.
06:15Come on!
06:19Is that your card?
06:21It is! It's the king of spades!
06:23Oh, my God! That is amazing!
06:27Wow!
06:28Can I have some more coffee, please?
06:30Yeah.
06:34I would really love to be a part of your glow show, Mr. Howard.
06:38I can do magic before the show, during the show,
06:40whatever you'd like.
06:42It's on a string.
06:45Okay.
06:49Careful!
06:50My card.
06:53Thank you so much.
06:56We'll let you know if we need any other food.
06:59Um, Bash?
07:01Hey, Bash?
07:02So we need a ref, not a magician.
07:04Whatever it is you're thinking.
07:06Stop.
07:08Stop it! You stop it!
07:10No, no.
07:11Oh, God.
07:13I'm a voodoo priestess.
07:14It's my goddamn magic.
07:15Someone else is gonna be doing the magic.
07:17Well, do you know any magic tricks?
07:20No.
07:21But I'm sure David Copperfield over there can teach me.
07:24Jesus fucking Christ.
07:26Okay, what the hell is going on?
07:27It would be pretty cool to have some actual magic in the ring.
07:30I mean, Steve could make one of us disappear
07:32and the other person wrestles like an invisible person.
07:35Just watch me and Kurt.
07:36We're doing the routine?
07:37Yeah.
07:46Then when we go for the splash, Steve can do his thing.
07:52Then you disappear.
07:53Where is he?
07:54I don't know where you are.
07:55Where is he?
07:56Is he here?
07:57Where are you?
07:58Come on, black magic.
07:59What about there, huh?
08:00Where are you?
08:01Feel the breeze?
08:03Okay, your breath smells.
08:05Get out of the ring.
08:06Seriously, huh?
08:07Yeah, get out.
08:08Are you fucking kidding me?
08:09Come on.
08:10It'll spice up the match.
08:11I mean, you gotta admit,
08:12it's been a little bit stale for the past week.
08:14No, Cherry, I'm not blaming you or anything.
08:16I'm just saying.
08:17Okay, okay, look.
08:19Hey, Cherry, you're struggling.
08:21Maybe bash adding this stunt of the week
08:23is a blessing in disguise.
08:24Let Carmen throw herself around the ring,
08:26you go off to the spa,
08:27come back at the end of the show and take a bow.
08:29And then next week we're back to normal.
08:32Okay.
08:33Y'all want me to disappear so bad?
08:35Fine.
08:40She's single now?
08:44Are you sure this is how you want to spend your only day in Vegas?
08:47Are you kidding?
08:48Vegas pawn shops are the best.
08:50Gambling gone wrong.
08:52Oh, my God.
08:54This place is so depressing.
08:57Are those dentures?
08:59Gambling gone very wrong.
09:00Okay, and they have cameras.
09:02Oh, there you go.
09:03Okay, goodbye.
09:21You in the market for a watch?
09:23Oh, no.
09:24I do have a watch,
09:26but I really shouldn't keep it.
09:28It's not mine.
09:29You stole it.
09:30What? No.
09:32It's a loan, and I should give it back.
09:34I'm here with my boyfriend.
09:36Oh, you want to look at some rings, then?
09:38Who doesn't love rings?
09:41Oh.
09:42Human engagement rings.
09:44No, I'm good.
09:45Come on.
09:46Here, I can give you a ring.
09:48Come on.
09:49Here, I can do that one for 500.
09:51I don't...
09:53Okay, fine, sure.
09:55Wow.
09:58It's pretty.
09:59Yeah.
10:00This is a little more old-fashioned.
10:02Oh, wow.
10:03Square setting.
10:04If you like yellow stones.
10:06Oh, wow.
10:08They are pretty.
10:09Yeah.
10:10I mean, these, I would say these are the top two.
10:12It's just, they're really...
10:13You're engaged to six people?
10:15I left you alone for like two minutes.
10:18What do you think?
10:19Fantana has a chapel.
10:21I didn't know that.
10:22This is a beautiful girl.
10:24If you don't buy her a ring, someone else will.
10:26Oh, no.
10:27No, he does not need to buy me anything.
10:30In fact, I would like to buy my wonderful boyfriend this camera.
10:33Oh, excellent.
10:34That's a great idea.
10:35No, no, no, no, no.
10:36No, this is too much.
10:37It's a Nikon.
10:38No, I was just looking.
10:39Well, I won't get it for you.
10:41That's crazy.
10:42What if we break up, and I'm stuck with this expensive camera?
10:46Are you imagining we're going to break up?
10:48No, I'm not.
10:50No, no.
10:51I just mean that it's...
10:52How much is it?
10:53$375.
10:55Oh, that is a good price.
10:58God damn it.
11:00Great.
11:02Do you take checks?
11:04Sure.
11:09Then get the key for the boat and row me out over the lake.
11:13I want to see the sunrise.
11:17Is that prudent?
11:20One would think that you were afraid of your reputation.
11:24Why not?
11:25I don't want to see this.
11:26Hey, hey, hey, little match girl.
11:27What the fuck are you doing?
11:29I quit that stupid acting class, and I'm teaching myself.
11:32Well, can you teach yourself in your room?
11:34I'm trying to get some work done in here.
11:36I told Ruth I'd stay out.
11:38Russell's visiting.
11:40Russell.
11:43Hey.
11:45You want to read something a little newer?
11:49These towns, they're all the same.
11:52Screen doors flapping on empty houses.
11:55What do you mean?
11:57I've seen mothers whoring their children,
12:00horses running blind with their eyes shot out.
12:03It ain't no world out there for a decent man.
12:07You tell me why I shouldn't put a bullet through my skull
12:10and get the rest I so dearly seek.
12:13I need you.
12:14Yeah, and what's that going to get me?
12:16That need's not worth much when the sun goes down.
12:27Why doesn't she respond?
12:29Huh?
12:31Like, she's his daughter, right?
12:34Yeah, but he doesn't know that yet.
12:36He does.
12:37How old is she?
12:3918, 19.
12:41How long has she known that he's her father?
12:45I don't fucking know.
12:47These are your questions after reading that scene?
12:50I mean, she's mysterious.
12:54No, no, I like mysterious.
12:57I'm just saying the man has a lot of great lines
13:01and she just, like, listens and asks a lot of questions.
13:06All right, you know what?
13:07Just give me this.
13:09Read-through is adjourned.
13:11I mean, Jesus Christ, one acting class
13:13and all of a sudden she's Sally fucking Field.
13:16I mean, this is why I can't let people read things
13:18before they're done.
13:23Do you think I could be an actor?
13:27Like this?
13:30Well, I don't think Miss Julie ever howled at the moon, so...
13:36Hey, I don't know what to tell you.
13:38It works great for a wrestling show.
13:40Now, could you get the fuck out?
13:41Because I have some notes to work through.
13:46Whoa!
13:48Are you kidding me?
13:49Juggling eggs?
13:52Here we go.
13:54Her name's Debbie Egan.
13:55Just call the number on the back
13:56and she'll iron out all the details.
13:58I fucking love a drag show.
14:00And they love me.
14:01Oh, you would think that.
14:03Oh, please, I held Chandelier back.
14:05I'm sorry.
14:06I'm sorry.
14:07I'm sorry.
14:08I'm sorry.
14:09I'm sorry.
14:10I'm sorry.
14:11I'm sorry.
14:12I'm sorry.
14:13You would think that.
14:14Oh, please, I held Chandelier's eyelashes for her
14:16while she blowjobbed us some ballion.
14:18Oh.
14:21I'll pass.
14:22You have to calm down.
14:23Maybe you'll do Diana Ross.
14:24You better not do Diana Ross.
14:26Come on, Cherry.
14:27Hey, thanks so much for letting us have the room this weekend.
14:29I hope it hasn't been too much trouble.
14:31That's fine.
14:32Sam took me in.
14:33He did?
14:34Well, I hope it wasn't too crowded with all the hookers.
14:36Actually, we read one of the scenes from his screenplay.
14:44Ready for dinner?
14:46Actually, let's go to Icons.
14:49I think it'll be fun.
14:52What is Icons?
15:04It's Friday night, ladies and gentlemen.
15:07That's Judd Melkin on the piano.
15:12It's hot in here.
15:13I'm sweating.
15:15Oh, this is my, my goodness, my third show of the evening,
15:20which means, well, you get to take me out back and shoot me.
15:23Right?
15:25Harold Arlen will thank you.
15:27Switch seats with me first.
15:28Huh?
15:29Switch.
15:30Why?
15:31You feel all four walls from your seat?
15:32Uh-huh.
15:33No, it's intimate.
15:34It's intimate.
15:36Oh, but it's just really wonderful to see all of you here.
15:38How's the visit?
15:39Great.
15:40We're at a drag show.
15:41We're under court order.
15:42Right?
15:43Right here, ladies and gentlemen.
15:44Nice camera.
15:45Thanks.
15:46It's got this TTL with the flash thing.
15:49Welcome to the gorgeous Bantan Hotel and Casino.
15:53Right.
15:54Who clapped?
15:55Is this your husband?
15:56Sir, you told her this was the strip, didn't you?
16:00Well, I hate to break it to you, ma'am, it's about $200 east.
16:05So, happy anniversary.
16:08Did you ask him to read it?
16:11He asked you?
16:13Was it just the two of you?
16:16Where's everyone from?
16:18Everyone from out of town?
16:20This is so odd.
16:21Ladies.
16:22Ask him if he can read it too.
16:24Ladies.
16:25I did.
16:26Ladies.
16:27Guys.
16:29Hi.
16:31Only Cher can talk through my show.
16:34And she has.
16:36I'm so sorry.
16:37You know what?
16:38Let's go over here for a second.
16:40A follow spot is supposed to follow, Bev.
16:44Ah, there we go.
16:46All right.
16:48Let's go over here.
16:50Hmm.
16:51One man and a murder of women.
16:54You a Mormon?
16:57Ladies, where are your boyfriends?
17:01Your husbands, huh?
17:03Mine's at home with his secretary.
17:07Listen, I have heard about you, the wrestler divorcee.
17:12Couldn't find a boy to take my bags up all week.
17:16I think there's a nice couple from Tulsa still waiting for their car.
17:23No, really, sir.
17:26What is your story?
17:28Are you a cult leader?
17:30I'm here for the weekend.
17:32Visiting my girlfriend.
17:34Oh, the chatter box.
17:36Your boyfriend is only here for the weekend and you brought him to my show?
17:42Dear, go fuck this poor man.
17:46That is what he is here for.
17:50Go on.
17:51Get out.
17:52Scram.
17:53I'm serious.
17:54I am banishing you.
17:56Banishing you.
17:58Bev, light their way.
18:00I want to hear that elevated.
18:02Dang.
18:04And finally, the most interesting person in the room.
18:10Who let Bob Mackie read Jack London?
18:14Where you from?
18:17Where are you from?
18:19Sheila, be nice.
18:22I escaped from a chemical plant in Texas.
18:26But this is real.
18:28This is deep.
18:32How long have you been a wolf?
18:36How long have you been Barbra Streisand?
18:39Longer than she has.
18:41Since I was a pup.
18:43When I was her, I could sing.
18:46As me, not so much.
18:53Well, this has been fun.
18:55All right, who wants to hear a song?
18:58Yes!
18:59Okay.
19:00He doesn't let anyone read this stuff.
19:02Maybe sometimes he does.
19:03Well, yes, but Sheila, she's barely an actress.
19:06I mean, she took one class.
19:08You wanted him to ask you.
19:11Yes, Sam and I are collaborators.
19:14Well, I don't know.
19:15Tell him he hurt your feelings.
19:17I can't tell him that.
19:18I wonder if he thought I'd be too critical,
19:19if I'd be ahead of it, push too much on a first draft.
19:22Or if in the reading he wanted a flatter tone,
19:25an undecorated read easier to hear.
19:27Drinks?
19:28Nothing.
19:29Jim Beam on the racks.
19:31You're ordering a drink?
19:32For this conversation?
19:33Yeah.
19:35Sorry.
19:37I sound like a crazy actress, don't I?
19:39Yeah, you do.
19:42I'm not supposed to agree.
19:44Look, I got a pretty good handle on who you are,
19:46but this weekend you've been fucking nuts.
19:50Excuse me?
19:51I'm here two hours, and you want to move in together.
19:54You try on all these rings.
19:55You buy me this really expensive camera
19:57that you know I cannot afford.
19:59Oh, my God, it was a gift.
20:01And you're obsessed with Sam.
20:02I'm not obsessed with Sam.
20:05Whatever, it's a stupid screenplay.
20:06Yeah, you are.
20:07And I don't want to move in together.
20:08I was kidding.
20:09Well, my Portuguese grandfather says
20:11there's truth in every joke.
20:12Well, my Protestant grandfather never said anything.
20:15He died of hypertension.
20:16So, cheers to our dead grandfathers.
20:18My grandfather's not dead.
20:20I told you that.
20:21I'm sorry.
20:22I don't remember every moment from our phone calls.
20:25Then why are we talking every night?
20:27Hey, sorry to interrupt.
20:29Are you a photographer?
20:38Over by the stairs might be a nicer photo.
20:41We want it right here, right where we met.
20:43Yeah, the best three weeks of my life.
20:46Even with that foot infection.
20:53Oh, my God.
20:58You are loud.
20:59You are late.
21:00You said no to drag.
21:01What is going on?
21:02Are you quitting?
21:03Because if you are, as a producer,
21:04I need two weeks notice,
21:05and Bash will replace you with a sword swallower.
21:08So...
21:12Come in.
21:14I will be just a minute.
21:16Um, just make yourself comfortable.
21:23He's juggling.
21:28The new match felt great tonight.
21:30I'm going to be so sore tomorrow,
21:32but the crowd ate it up.
21:34Yeah.
21:36What?
21:38I don't know how you can do the same show night after night.
21:41I'm bored, and I've only been here a week.
21:44What are you talking about?
21:45We just changed a whole match.
21:47That's bullshit.
21:49There's no storylines.
21:50No drama.
21:51Well, thanks, I guess.
21:54Look, I'm proud of you.
21:57You're better now than half the guys I work with.
21:59Plus, you're creative.
22:01I've got a mind for this.
22:04You should come on the road with me.
22:06Do some real wrestling.
22:08I think you're ready.
22:10I can't leave Glo.
22:11The girls depend on me.
22:13You can do so much more than this.
22:16Where are you off to next?
22:18Phoenix.
22:20Then Sacramento.
22:21Bring me back a T-shirt?
22:23Always do.
22:25Okay, stop moving.
22:27It's tight.
22:31I've never really known if I was a soprano or an alto,
22:34because I can sing really high, but I've also got low notes.
22:37Oh, I'm an alto when I rap, for sure.
22:39Maybe you're a mezzo.
22:40A mezzo?
22:41Maybe.
22:43Oh, look at him.
22:47Honey, wake up.
22:49Sorry, babe, I've been in meetings all day
22:52with the acrobats and jugglers and baby tiger wrangler.
22:57I want you to meet Bobby Barnes.
22:59We all just went to his show downstairs,
23:01and it was so incredible.
23:03Oh.
23:04I'm going to get a champagne.
23:06He's going to teach me how to sing.
23:08Oh.
23:10Are you sure I'm not interrupting?
23:12Do you need to sleep?
23:13No, no, no, please, please, sit down.
23:15They beat those tigers.
23:17They do?
23:18Yeah.
23:19I'm not surprised everyone's trying to get an audience
23:22with the Howard Foods prince.
23:24My son loves your baked beans.
23:26Hey.
23:27He eats them right out of the can.
23:29I'll have him send over a case.
23:31Oh, thanks.
23:32So, you're a singer?
23:33Yeah, and I've got a good show, if I may say so myself.
23:36I've been here ten years.
23:38Eleven in June.
23:40Wow.
23:41I hope you don't mind one last pitch from a desperate performer.
23:44Please.
23:45Any friend of Rhonda's?
23:46All right.
23:47Downstairs, they're turning people away,
23:49and yet I can't get a bigger room.
23:52Huh.
23:53And there's not a hotel out that window
23:55that hasn't, pardon my language,
23:57fucked me with a four-wall deal.
23:59I pay to play, and I'm cheap, Mr. Howard,
24:01but I have made money for lots of loathsome people
24:04who'd let me die on the street
24:07if it weren't for the butts in the seats,
24:09and now I'd like to make money for you.
24:12Oh.
24:13Yeah, you are by all accounts non-loathsome.
24:16You care about your performers, and you pay them well.
24:19Word travels.
24:21You really should come and see my show.
24:23Yeah, I definitely will.
24:24Well, come to the light show.
24:25We'll have a drink after.
24:26Oh, it might have to be the early show.
24:28I mean, tonight, notwithstanding,
24:29my wife and I typically like to go to bed pretty early, so...
24:31Yeah.
24:32So do my wife and I.
24:36Excuse me?
24:39I'm sorry, I didn't mean to...
24:42I do have a son.
24:44He's seven.
24:45Uh-huh.
24:46His mother was a very dear friend.
24:47I couldn't resist putting a little spread together.
24:49Wow, this is wonderful.
24:51Isn't she something?
24:52Yeah.
24:54Cheers.
24:55To new friends.
24:57Cheers.
24:58Cheers.
25:00I wake up.
25:02I think about Keith.
25:05So, I just try to keep moving.
25:13After we lost the baby,
25:16I was so scared.
25:18Mm.
25:19But he said that it didn't matter.
25:22He said that we were enough.
25:25Look, I love Randy.
25:27But sometimes, I go, God,
25:29sometimes I think about how much easier it would be
25:32if you don't have to whisper.
25:40If I never had a baby!
25:44And I never got a man!
25:49A clean slate.
25:51I don't want a clean slate.
25:54I don't want a clean slate.
25:57I want Keith.
25:59I love being married to him.
26:01Sure, we all do.
26:02But I had a baby to put something
26:04between my husband and the door.
26:06And guess what?
26:07Husbands will step over anything.
26:11You want to go in the hot tub?
26:12Yes, I do.
26:13Yay!
26:14No, I don't.
26:15No.
26:16I'm too high to leave the room.
26:18Plus, Jerry,
26:20I can't really go downstairs.
26:22Why?
26:23Both valets, the flamingo entrance and the paradise,
26:25and the night bartender and the Baccarat dealer,
26:28his table faces the elevator.
26:30Oh. My. God.
26:33I left a juggler in my room.
26:35Shit, girl.
26:36You was getting old.
26:40Wait, what?
26:41Do you need to go get him?
26:43No, no, no.
26:44He'll leave when he's hungry.
26:46Good point.
26:49Damn, that many?
26:51Jerry, you want to hear my fake flute?
26:54Yes.
27:02I get them three months.
27:04To live?
27:05Yeah.
27:10I couldn't really afford that camera.
27:13I don't think you'd return something to a pawn shop.
27:19You're not crazy.
27:20I was being a dick.
27:21It's not your fault.
27:22It's the distance,
27:23and then that puts so much pressure on the visit.
27:26And this place can make you a little crazy.
27:30It's one more month.
27:32We can do one more month, right?
27:34And if it's making us crazy, let's not talk every night.
27:36Let's talk every other night.
27:38I don't want to hold you back.
27:39You're not holding me back.
27:41Hey.
27:49Should we go upstairs?
27:51Yeah.
27:52Barbra Streisand seemed really serious.
28:03Yes.
28:07Say yes.
28:11Life keeps happening every day.
28:16Say yes.
28:18When opportunity comes your way,
28:21you can't start wondering what to say.
28:25You'll never win if you never play.
28:29Say yes.
28:31There's mink and marigold right outside,
28:35and long white Cadillacs you can ride.
28:38Nothing's gained if there's nothing tried.
28:42Say yes.
28:45Don't say why.
28:48Say why not.
28:51One lies beyond what is.
28:55He's not.
28:58So what?
29:00Say yes.
29:04Yes, I can.
29:06Yes, I will.
29:07Yes, I'll take a sip.
29:09Yes, I'll touch.
29:11Yes, of course.
29:12Yes, I'm nice.
29:14Yes, I'll happily thank you very much.
29:18Yes.
29:20Oh, yes.
29:28Yes.
29:33There's lots of chaff,
29:35but there's lots of wheat.
29:37Say yes.
29:40You might get mugged as you walk the street,
29:43but on the other hand you might reach
29:46that handsome stranger you've longed to meet.
29:50Say yes.
29:56Yes, I'll look.
29:58Yes, I'll walk.
29:59Yes, I'd love to do such and such.
30:02Yes, I'll try.
30:04Yes, I'll dare.
30:06Yes, I'll fly.
30:09Yes, I'll share.
30:12And yes, I am.
30:15And yes, I'll be.
30:19And yes, I'll go.
30:24Oh, yes.
30:36Yes.
30:43Well?
30:52No.
30:55No, I don't think this is a Bash Howard production.
31:00Oh.
31:07You know my wife?
31:10I think she'd be interested in voice lessons, though.
31:13You remember her?
31:15That'd be wonderful.
31:39Baltimore.
31:59I loved your show.
32:03How long has it been since you washed that?
32:34Here.
33:02Where in Baltimore?
33:06I don't know.
33:36I don't know.
34:06I don't know.
34:36I don't know.