Greg Moore, an American journalist, who is visiting Prague with his girlfriend, is found dead. However, he's actually only temporarily paralyzed, but the coroner fails to realize this, and proceeds to prepare him for autopsy. While Moore awaits his doom, he tries to recollect what has happened to him. It all starts when his girlfriend disappears. He asks his friend, a local journalist, for help. They discover that this was just the latest in a series of disappearances of young pretty girls in the area. Their investigation leads them to a strange high profile private club, whose affluent members practice odd ritualistic orgies and bizarre dark rites.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
00:00:00You
00:00:30Ah
00:01:00Oh
00:01:30Oh my god
00:02:00What you staring at you think I killed him I found him like this
00:02:08Just now
00:02:10You wait here comrade. I'll go and telephone for an ambulance
00:02:30I
00:03:00Oh
00:03:30Oh
00:04:00Oh
00:04:30Oh
00:05:00Oh
00:05:07Put him here
00:05:13An accident no, I don't think so. There's no sign of any injuries
00:05:30Hmm what happened to him? I don't know they found him lying in one of the parts unconscious
00:05:55Call the morgue
00:06:00Dead
00:06:02I'm dead
00:06:05Can't be I'm alive and you'd tell I'm alive
00:06:15I've got to make them see you
00:06:19Listen to me
00:06:21Look at me
00:06:24That you hear me
00:06:31Maybe it's a nightmare. I try I wake up. I've got to move. Yeah finger
00:06:40It can't
00:06:43Get lost
00:06:46Don't leave me like this. Help me. Help me
00:06:53All he was carrying is his passport and a little loose change he was an American
00:06:57What's his name
00:07:01Gregory Moore
00:07:04Born in Springfield, Illinois
00:07:07The 6th of December 1935 is issued in America
00:07:12His address
00:07:14Don't find it listed. It's somewhere
00:07:19It's on the permit we issued
00:07:21It's on the permit we issued by Vodich cover Street, it was a journalist and what do I put as cause of death?
00:07:27Cause of death
00:07:32Said dead on arrival and you ought to print to make it more legible to
00:07:37What's this a new regulation a simple precaution so the American press can't accuse us
00:07:44I said call the morgue
00:07:47But I'm alive
00:07:50You can't do this
00:07:53Shorts
00:07:55Undershirt
00:07:57Socks sure that can be drip-dried
00:08:00pair of new slacks
00:08:03wristwatch
00:08:05And the pair of high tops
00:08:08Real cordovan
00:08:10Not too small for me either. Should I leave him out or no?
00:08:14You've said so now I list them I don't want to lose my job for a pair of shoes
00:08:33Strange
00:08:35It doesn't feel as cold as the others
00:08:38The medics might have closed your eyes at least too late now
00:08:49In you go
00:09:08We seem to have more work
00:09:11Sure have
00:09:13But the pay is the same
00:09:16What's happened to me
00:09:19Only my brain can still function
00:09:22I have to remember
00:09:24Let's see
00:09:26I'm Greg
00:09:28Gregory Moore
00:09:30That I know
00:09:32But what else?
00:09:37You
00:09:53Their association which was uncovered last week was not an organized political movement that has been about officially
00:10:01They espouse no political issue
00:10:04They were followed because they held an occasional meeting to discuss the conditions in the country
00:10:12Jack, give him his hat
00:10:15One of the party officials said those arrested last night were charged with publicly inventing governmental errors that led to failures
00:10:24And open exploitation on an international scale
00:10:28New paragraph
00:10:30No one arrested yet has been declared a prisoner
00:10:33All are confined to a special mental asylum created supposedly for drastic treatment in a hopeless case
00:10:41Nothing specifically limits the treatment
00:10:44Add the byline
00:10:47Back to you gin rummy
00:10:49To a late defector
00:10:51You'll defect if you don't cut off your intake of vodka
00:10:54I'll follow, sure I'll follow but not till they carry you out
00:10:57They'll find you flat in your ass
00:10:59From too many women
00:11:01It drains your energy
00:11:03Well, it's a marvelous way to go
00:11:06Oh, I'm quitting early tonight
00:11:08I've got a date with Mira
00:11:09It's no quicker way as any
00:11:12Here's a flash that looks worth sending
00:11:15An AP stringer says that in Siberia a new type of missile with a nuclear warhead was tested
00:11:23Here
00:11:26Are you spiking it?
00:11:27I'll move it tomorrow
00:11:29If the Russians confirm it
00:11:33Might be a story
00:11:34Let me have the telex when you're finished
00:11:36So long
00:11:37After the race, sir
00:11:38Covering the press conference at the Presidium Hall tonight?
00:11:41No, but if you want company, Jack will go with you
00:11:45So chez la femme
00:11:50Sorry, Jessica, I forgot about you
00:12:15Beep, beep, beep
00:12:21Beep, beep, beep
00:12:45Mira
00:12:48I love you
00:12:49You've been following my lessons?
00:12:51Or did you get another tea?
00:12:53Yeah, a new one every day
00:12:56I forgot
00:12:57Here
00:12:59For me?
00:13:00With love
00:13:15I could hardly wait for you to come back
00:13:18And even now when we're together again, I'm afraid
00:13:21Afraid you might leave suddenly
00:13:24What a thing to say
00:13:26Why would I leave all of a sudden
00:13:28When all I've waited for is to be with you for days and days?
00:13:36I don't know
00:13:38But I always have this uneasy feeling when we meet
00:13:41But I always have this uneasy feeling when we meet
00:13:44That it's only for a moment or two
00:13:47As if someone or something must come between us
00:13:51Maybe
00:13:55You know, sometimes when I try to think what my life would be a year or ten years from now
00:14:02It's like, well, as if I were walking between two high walls
00:14:07They won't let me imagine anything or hope for anything
00:14:12That's when I feel I have to get away and come here to you
00:14:16Because you make me feel there's nothing to fear
00:14:21Almost all the way
00:14:23All the way
00:14:24But finally he left me alone when he realized I meant it
00:14:27Madame, monsieur
00:14:29He was a painter
00:14:30Excuse me, may I?
00:14:32It's a specialty served only in our restaurant
00:14:38Is it safe?
00:14:41Don't worry
00:14:42In emergencies, I'm able to extinguish it
00:14:51Madame
00:14:52Thank you
00:14:55Monsieur
00:15:08You'd be sad to leave Prague
00:15:11Why yes, in a way
00:15:14In spite of the oppression of the party
00:15:17The average man manages to survive it and keeps individualism alive
00:15:21And we found each other here
00:15:37Madame
00:15:49What's the time?
00:15:50It's 4.30
00:15:54We're out of cigarettes
00:16:03Your kiss tasted of apple
00:16:07It looks nicer
00:16:09Yes, they are beautiful
00:16:11The species has one peculiar trait though
00:16:13They haven't any instinct at all to fly
00:16:15In spite of their brilliant wings, they only know how to play on the ground
00:16:23We have lots of them, you know
00:16:25You're adorable
00:16:33When is it you're going?
00:16:35I don't know
00:16:37In less than a month for sure
00:16:39To Berlin?
00:16:40No, London
00:16:41It means I go to a foreign country
00:16:46But can you smuggle me out of this one?
00:16:50Don't worry about crossing the frontier
00:16:52I've already crossed the pond
00:16:55Volinsky
00:16:56He's pulling some strings
00:16:58Someway, you're coming
00:16:59I'm moving you out of this place
00:17:01I paid the price
00:17:02Kind sir
00:17:03I'm unable to repay the cost
00:17:06But if you will allow me
00:17:08I'll express my thanks in a manner more pleasant for us
00:17:13All right
00:17:21That's Jack
00:17:31Greg
00:17:36Is all this for you really a very simple thing?
00:17:39No
00:17:40But you're worth all the trouble
00:18:36I'm beginning to remember, Mira
00:18:38Mira
00:19:07Hey, you there
00:19:08Can you hear me?
00:19:10Is it like this for you too?
00:19:14Maybe it's always like this when you're dead
00:19:16And we can't go back to tell the others
00:19:22No
00:19:23I mustn't give up
00:19:26I'm not going to give up
00:19:28I'm not going to give up
00:19:30I'm not going to give up
00:19:32I'm not going to give up
00:19:34I'm not going to give up
00:19:35I'm not going to give up
00:20:05All right
00:20:06Ah, dear lady, if I'd gone into journalism instead of the police, I'd have been caught.
00:20:37I would have had beautiful colleagues to work with.
00:20:39The Commissar has his policewomen.
00:20:41That is true, but they're not quite so pretty.
00:20:44You know, my vocation is for banking. It's a great game.
00:20:47And our good comrade Schoenbart can put you into it if you like.
00:20:51Oh, no thanks.
00:20:53After all, he just plays with state money.
00:20:55I'd bankrupt it.
00:20:57I'm sure these people are statues, but where are they carved?
00:21:02Your position includes some of the greatest personalities of Middle Europe.
00:21:06Politicians, banks, queers, black marketeers. Interested?
00:21:10No, thank you.
00:21:12Bonsoir.
00:21:15He looks familiar. Who is he?
00:21:17Franz Tibber, the famous pianist.
00:21:20Good evening, Commissar.
00:21:22Good to see you.
00:21:24This is Miros Pobeda.
00:21:26Never have believed you were a compatriot.
00:21:28I must say, Marx would have been most surprised.
00:21:31Naturally, you are aware that Gregory is about to leave us.
00:21:35I want to take Mira with me to London.
00:21:37I hope that your department won't keep us waiting.
00:21:40I say that reporting for a woman surely presents some problems for the men who like her job.
00:21:45We're not disliked.
00:21:47The principal reason is that we can open doors.
00:21:50We turned open to mail reporters.
00:21:53Don't worry. Mine will be open at all times.
00:21:56Banks are such crowded places.
00:21:58At the Ministry of the Interior, I can give exclusive interviews.
00:22:01Wouldn't you like that?
00:22:04Ah, yes, of course. Excuse me for a moment.
00:22:09Now let me introduce you to a few of my other guests.
00:22:12They are all dying to meet you.
00:22:14Professor Carding, Miss...
00:22:16Dr. Polonsky, who, of course, you know by reputation,
00:22:19and his equally well-known wife, Professor Irina Polonskaya.
00:22:23This gentleman is her foreman, who's in love with her.
00:22:27Old friends aren't being noticed anymore.
00:22:30Eva, how are you?
00:22:31I'm fine, Greg.
00:22:32What a surprise to see you.
00:22:34Now, Miss Falkwater, if you'd like a drink, we'll...
00:22:37Why didn't you tell me Greg was bringing that little baggage?
00:22:40Oh, Jessica, Greg's a man.
00:22:42Neither does woman live on bread alone.
00:22:44Funny, Jack.
00:22:53Ah, excuse me.
00:22:57My dear Jessica,
00:22:59I've read your report on our economic agreement with the Socialist Republics,
00:23:03and it was very interesting.
00:23:05But if you permit, I would like to inquest you on one small point.
00:23:08How's your revolution going, Ivan?
00:23:10Did it die at the Sorbonne?
00:23:12Ah, no, it was in Moscow.
00:23:14I was an intern two years in Moscow.
00:23:16I'm a specialist in cardiology now.
00:23:18And the same fixations about naked girls?
00:23:22The heart is big in our country. We are tops.
00:23:25Like McCarthy.
00:23:27Pretty good.
00:23:29I hope success doesn't go to your head, too.
00:23:32It better not.
00:23:34I'd better rescue Mira from the body snatchers.
00:23:36You got to meet her.
00:23:37I'll see you at the bar.
00:23:38Greg, may I introduce you to another spectacular dame?
00:23:43Come and say hello to Mira.
00:23:45Oh, don't look right now.
00:23:47My brain won't act naturally.
00:23:50Just like her.
00:23:52Not that she's missing any of her essentials.
00:23:54Right here there's a rock,
00:23:56which records her physical impression.
00:23:58She loves to be bedded down with communist guys.
00:24:01The cowboys who work on her ranch
00:24:04are going to learn all about the thrills behind the iron bit curtain.
00:24:08Aren't they funny?
00:24:11On the blanche, that's what turns me on.
00:24:15She's so sweet and trusting.
00:24:17What a delightful child.
00:24:18Our young people are beautiful today.
00:24:20Oh, please.
00:24:22Make love with me.
00:24:24Right now.
00:24:27Let's go back inside.
00:24:31Just as a matter of record,
00:24:33I wanted to see what a fool you are.
00:24:47Wake up, lover boy.
00:24:49Get out of the sock now.
00:24:51Come on, get rid of your sex urges
00:24:53the same way I get rid of the alcohol.
00:24:55Commodore Baskov seems to have had a major fall.
00:24:5830 meters.
00:24:59That's 100 feet to you.
00:25:01He flattened some innocent passerby in Veroff Street.
00:25:04We'll make it snobby.
00:25:20White bounties swift to lover
00:25:24winter wind
00:25:29White bounties swirling
00:25:34Well, a false tip.
00:25:37Commodore Baskov, the suicide, is not the air minister.
00:25:39He's just Baskov, a grocer.
00:25:41And a cook called a grocer, besides.
00:25:45Even chickens in the frying pan are called political suicides here.
00:25:48What a place.
00:25:50And the staff photographers?
00:25:52They pulled it up and went back in the night.
00:25:54They told me to wait and to fill you in on it.
00:25:57Hey, I'm sure we met.
00:26:00I just can't remember where.
00:26:02But you can speak.
00:26:04Oh, you guys are so fabulous.
00:26:06Why don't we all go down for a drink at my place?
00:26:08No, not tonight. I'm finished.
00:26:10And how about you?
00:26:12Leave him alone. He's got better things to do.
00:26:15Go ahead. Back to me.
00:26:18Oh, he's really groovy, that cute friend of yours.
00:26:24Waitress, where is the telephone, please?
00:26:29It'll be back in a minute.
00:26:40Ah, Miss Natasha.
00:26:42So early to market?
00:26:44Oh, Mr. Moore, I'll be late.
00:26:46To me, it's not early.
00:26:51Oh, I'll pay you tomorrow, huh?
00:26:53Oh, yes.
00:26:55Anytime.
00:27:16I'll be right back.
00:27:46Thank you.
00:28:08Mira?
00:28:11Mira?
00:28:13Mira, where are you?
00:28:16I'm going to get you out of here.
00:28:18I'm going to get you out of here.
00:28:19I'm going to get you out of here.
00:28:20I'm going to get you out of here.
00:28:21I'm going to get you out of here.
00:28:22I'm going to get you out of here.
00:28:23I'm going to get you out of here.
00:28:24I'm going to get you out of here.
00:28:25I'm going to get you out of here.
00:28:26I'm going to get you out of here.
00:28:27I'm going to get you out of here.
00:28:28I'm going to get you out of here.
00:28:29I'm going to get you out of here.
00:28:30I'm going to get you out of here.
00:28:31I'm going to get you out of here.
00:28:32I'm going to get you out of here.
00:28:33I'm going to get you out of here.
00:28:34I'm going to get you out of here.
00:28:36I'm going to get you out of here.
00:28:37I'm going to get you out of here.
00:28:38I'm going to get you out of here.
00:28:39I'm going to get you out of here.
00:28:40I'm going to get you out of here.
00:28:41I'm going to get you out of here.
00:28:42I'm going to get you out of here.
00:28:43I'm going to get you out of here.
00:28:44I'm going to get you out of here.
00:28:45I'm going to get you out of here.
00:28:46I'm going to get you out of here.
00:28:47I'm going to get you out of here.
00:28:48I'm going to get you out of here.
00:28:49I'm going to get you out of here.
00:28:50I'm going to get you out of here.
00:28:51I'm going to get you out of here.
00:28:52I'm going to get you out of here.
00:28:53I'm going to get you out of here.
00:28:54All right.
00:28:55What's the matter?
00:29:19Yvan.
00:29:20Oh, thank God.
00:29:22Doctor, it was a cardiac arrest.
00:29:37Strange, there is no rigidity yet.
00:29:43How long would you say he's been dead?
00:29:45He was already dead when they brought him.
00:29:47A good three hours, doctor.
00:29:50Ivan, you've got to help me.
00:29:53All the same, I want to try something, doctor.
00:30:02We might reanimate him.
00:30:04If you believe it, comrade, then prove it.
00:30:06But I'm going straight home today.
00:30:07Move him upstairs.
00:30:08Nurse.
00:30:10Come on, Jan.
00:30:11Give me a hand.
00:30:19No.
00:30:43Nothing.
00:30:44Not in that one.
00:30:45They said there's no record of their treating the young girl.
00:30:47Then what could have happened to her, Jessica?
00:30:51It can't be very serious.
00:30:53Just remember, we called all the hospitals,
00:30:55all the police stations, so...
00:30:58You're lucky.
00:30:59She's not in a morgue with a broken neck.
00:31:03I'd better have a drink, though.
00:31:04That was an experience that almost finished me.
00:31:07It's strange that she left no message for you.
00:31:10Why would she just walk out like that?
00:31:12She didn't just walk out, she was taken out.
00:31:15Someone forced her to leave.
00:31:17So she left with them.
00:31:18But at the same time, she could have wanted to go.
00:31:21Maybe she didn't intend to stay with you all of the time.
00:31:24And what if she was only pretending with you?
00:31:26Jessica, don't talk nonsense.
00:31:28You didn't know her, either.
00:31:29And you?
00:31:30What do you know about her?
00:31:31We do not know anything, Gregory.
00:31:33Jessica's right.
00:31:34So what?
00:31:41For more than two hours,
00:31:42we've been making one guess after another
00:31:44without finding any reason why she disappeared.
00:31:48I agree, it's weird.
00:31:51The way she just disappeared like that.
00:31:56And yet I've known it to happen
00:31:58that someone suddenly decides to move out.
00:32:02They leave.
00:32:03There's no warning.
00:32:05And no arguing.
00:32:07They leave with no clothes on?
00:32:08Look at this.
00:32:09She left her dresses.
00:32:11Her shoes.
00:32:14Everything she brought.
00:32:15Everything she brought.
00:32:17And these.
00:32:18Bra.
00:32:19Handbag.
00:32:20Jewelry.
00:32:21That is not sufficient proof.
00:32:24When you say the girl was wearing nothing when she left,
00:32:27in fact, you mean she left this house without this underwear.
00:32:31Or these.
00:32:34Unless you are able to swear that you know
00:32:36the exact contents of the wardrobe
00:32:39brought by Miss Warbata.
00:32:42Well, I believe so.
00:32:43Believe.
00:32:44And you say you left to cover a news story last night.
00:32:47All the same, nothing occurred of any importance last night.
00:32:51It was a false report.
00:32:52Now I see it was to get me out of the way.
00:32:54Hey, why wouldn't that be a lead?
00:32:59How were you notified?
00:33:00The source was official?
00:33:02An informer called.
00:33:03They never are identified,
00:33:05though without them, coverage in our business would be pretty poor.
00:33:09Commissar, let me work on this case with you.
00:33:12Mr. Moore.
00:33:14We prefer to avoid all complications with foreign journalists in our work.
00:33:18Don't interfere.
00:33:20Police will do the utmost within their power.
00:33:22Is that so?
00:33:24Now let me say this to you.
00:33:26They'd better because I'll write a story
00:33:28and blast every last one of you for murder.
00:33:31Why did you say murder?
00:33:36Oh, I don't know.
00:33:37Sorry.
00:33:38As a reporter, I'm used to saying it.
00:33:41Morris, prepare the forms for the investigation.
00:33:44At once, Commissar.
00:33:51Yeah?
00:33:52Okay, it's me.
00:33:54Whose body?
00:33:58She was found naked.
00:34:01We'll come now.
00:34:02The river and bank.
00:34:11Come on.
00:34:20Wait here.
00:34:25Foreign press.
00:34:37Come on.
00:34:42Come on.
00:34:49Show him the body.
00:34:54It isn't her.
00:34:56I wonder who this girl might be.
00:34:58I'll tell Jessica.
00:35:00As long as I'm here, I'll take some pictures.
00:35:02Okay.
00:35:12We're wasting so much time.
00:35:15But if we could only find one person who knew her
00:35:17or who knows that she's alive.
00:35:20Another lover?
00:35:22No, lover is not what I meant.
00:35:25Did she meet anyone through you?
00:35:28No, not while she was with me.
00:35:30Because she was with me,
00:35:32I didn't want her to be alone.
00:35:34I didn't want her to be alone.
00:35:36I didn't want her to be alone.
00:35:38I didn't want her to be alone.
00:35:41She says we were always alone.
00:35:43She went to Walensky's.
00:35:46I forgot that.
00:35:48And several of Walensky's friends met her there.
00:35:51One of them might have the answer.
00:35:53We ought to question everyone.
00:35:54It would be a help to establish just how many she talked to.
00:35:57We'll start with carding.
00:35:58You can make a list of everybody who talked to her.
00:36:00Is that all?
00:36:12Good afternoon.
00:36:13Professor Carding is expecting us.
00:36:15I'll tell him you're here, sir.
00:36:31All right, gentlemen.
00:36:32Now let's try it.
00:36:42Ah, it reacts.
00:36:44It feels mean.
00:36:46Human beings separate all matter into classes.
00:36:50The world isn't made that way.
00:36:53Everything alive has its senses.
00:36:56Its own vitality.
00:37:00There's nothing wonderful about this tomato
00:37:02feeling just as sensitive to pain as we do.
00:37:12I think that could make a good story.
00:37:27Cutting a flower is a criminal act, it seems.
00:37:30It's not criminal, Ethan.
00:37:33There are both good and evil in crime.
00:37:36They're not separate.
00:37:37Don't be sentimental.
00:37:38Go on, eat it.
00:37:39After all, you can't hear it crying.
00:37:43Excuse me, professor.
00:37:44The two journalists are here to see you.
00:37:46So they mean.
00:37:51Yes, I love modern expressionists.
00:37:53And I feared I had to break a few laws
00:37:55to get these paintings into my possession.
00:37:58Ah.
00:38:00I see.
00:38:02I see.
00:38:04I see.
00:38:06Ah.
00:38:08My favorite journalist.
00:38:09In what way can I be of help?
00:38:11We're trying to trace Miss Svoboda.
00:38:13Mira Svoboda.
00:38:15Somehow or other, she's disappeared
00:38:16and no one can explain it.
00:38:18It's incredible.
00:38:21Oh, that most attractive girl with you
00:38:23at Belinsky's reception.
00:38:25We hope there's a chance that one of the persons
00:38:27who spoke to her might lead us to her.
00:38:29The police tell us not to worry about it.
00:38:31They'll investigate.
00:38:32I'm sure they're reliable.
00:38:33You were the first she met last night
00:38:34and I saw her talk with you.
00:38:35Could you please tell me what she said?
00:38:37Let me think a moment.
00:38:39We talked about music, yes.
00:38:41It was a great success in Berlin and Moscow, principally.
00:38:45She told me she planned to move from here
00:38:47and live in Moscow.
00:38:49Really?
00:38:50You didn't know about that?
00:38:51Live in Moscow?
00:38:53It's odd she wouldn't tell me that, too.
00:38:56But besides, she went without her documents.
00:38:58If I were you, I would not worry.
00:39:01She will be all right, I'm sure.
00:39:04I hope that you're right.
00:39:07I'd hate to think that there was anything wrong.
00:39:19Any reaction?
00:39:21No, nothing.
00:39:34No, no, no, no, no.
00:39:55Don't give up, Ivan.
00:39:56Don't give up.
00:39:58Let's put him on the pyramid.
00:40:01But he's been dead for too long.
00:40:02I don't think there's anything more we can do for him.
00:40:05Don't listen to him, Ivan.
00:40:07You've got to save me.
00:40:11No.
00:40:14His temperature hasn't gone down far enough.
00:40:16There must be a reason.
00:40:19Let's bring in karting.
00:40:21Yes, sir.
00:40:23Let's bring in karting.
00:40:25Yes, sir.
00:40:27Yes, hurry.
00:40:29Karting will understand.
00:40:31Meanwhile, I have to keep remembering.
00:40:33It's the only way I can tell I'm alive.
00:40:47What'd they tell Jack?
00:40:48Nothing. No one can remember.
00:40:49It's as if she never existed.
00:40:55Huh.
00:40:56Well?
00:40:57Is there anything new?
00:40:58This.
00:40:59You begin to act dangerously, being foreigners.
00:41:01My advice was to wait and not interfere at all.
00:41:04As an accredited reporter in this case, Commissar, I must protest.
00:41:08Interference is going too far.
00:41:10And what's this method that you use?
00:41:11Are you suggesting that others should report every last thing they said
00:41:13when they talked to this mirror's father?
00:41:15That's how to do it.
00:41:16Commissar.
00:41:17Because you ought to know.
00:41:18We want to help you.
00:41:19Let's cooperate.
00:41:21What do you expect, for girls to disappear in a city like this all the year round?
00:41:25It is I whose duty it is to talk to the suspects and to interrogate.
00:41:28And not you.
00:41:29Don't forget again.
00:41:31They'll reprimand you.
00:41:32Scare everybody away.
00:41:34They'll write in your record that you've been a fool.
00:41:36You do as I tell you or you shall crawl on your knees in front of someone
00:41:39a little bit higher than what you call a bureaucratic underling.
00:41:43Because I might tell you others have been equally surprised
00:41:45their press immunity to police arrest is suspended.
00:41:50Think it over.
00:41:55You were wrong to challenge Kirkoff.
00:41:57Now he'll hinder instead of helping us.
00:41:59I'm not afraid.
00:42:00But you heard.
00:42:01You said in this city girls disappear all the year round.
00:42:03So I want you to check on it.
00:42:05You keep interviewing the others we listed.
00:42:07I'm counting on you.
00:42:09All right.
00:42:10But it'll help matters to keep cool.
00:42:15Where to, lady?
00:42:16Guiliano 32.
00:42:45You want me?
00:43:15Yes.
00:43:21I want the last two years of Rudy Pravo from your file.
00:43:43Here.
00:43:44I guess you prefer dollars.
00:43:48Your guess is right.
00:43:49I need information.
00:43:50It's paid for.
00:43:51Girls who've disappeared.
00:43:53I like criminal stories.
00:43:55All of them are memorized too.
00:43:59I file them here.
00:44:00I don't look in the official archives anymore though.
00:44:02They don't keep even the half.
00:44:14I don't care.
00:44:15I don't care.
00:44:16I don't care.
00:44:17I don't care.
00:44:18I don't care.
00:44:19I don't care.
00:44:20I don't care.
00:44:21I don't care.
00:44:22I don't care.
00:44:23I don't care.
00:44:24I don't care.
00:44:25I don't care.
00:44:26I don't care.
00:44:27I don't care.
00:44:28I don't care.
00:44:29I don't care.
00:44:30I don't care.
00:44:31I don't care.
00:44:32I don't care.
00:44:33I don't care.
00:44:34I don't care.
00:44:35I don't care.
00:44:36I don't care.
00:44:37I don't care.
00:44:38I don't care.
00:44:39I don't care.
00:44:40I don't care.
00:44:41I don't care.
00:44:42I don't care.
00:44:43I don't care.
00:44:44I don't care.
00:44:45I don't care.
00:44:46I don't care.
00:44:47I don't care.
00:44:48I don't care.
00:44:49I don't care.
00:44:50I don't care.
00:44:51I don't care.
00:44:52I don't care.
00:44:53I don't care.
00:44:54I don't care.
00:44:55I don't care.
00:44:56I don't care.
00:44:57I don't care.
00:44:58I don't care.
00:44:59I don't care.
00:45:00I don't care.
00:45:01I don't care.
00:45:02I don't care.
00:45:03I don't care.
00:45:04I don't care.
00:45:05I don't care.
00:45:06I don't care.
00:45:07I don't care.
00:45:08I don't care.
00:45:09I don't care.
00:45:10I don't care.
00:45:11I don't care.
00:45:12I don't care.
00:45:13I don't care.
00:45:14I don't care.
00:45:15I don't care.
00:45:16I don't care.
00:45:17I don't care.
00:45:18I don't care.
00:45:19I don't care.
00:45:20I don't care.
00:45:21I don't care.
00:45:22I don't care.
00:45:23I don't care.
00:45:24I don't care.
00:45:25I don't care.
00:45:26I don't care.
00:45:27I don't care.
00:45:28I don't care.
00:45:29I don't care.
00:45:30I don't care.
00:45:31I don't care.
00:45:32I don't care.
00:45:33I don't care.
00:45:34I don't care.
00:45:35I don't care.
00:45:36I don't care.
00:45:37I don't care.
00:45:38I don't care.
00:45:39I don't care.
00:45:40I don't care.
00:45:42Are you her mother?
00:45:44No, don't ask me anything, and it's all behind us now.
00:45:47Her father and mother said she didn't take her clothes and nothing was missing.
00:45:51Tell him.
00:45:52Tell him.
00:45:53Why don't you speak?
00:45:55We're all cards.
00:45:57That's what you are.
00:45:58Well, I'll tell—
00:45:59Shut up!
00:46:00There is nothing to tell.
00:46:02But was she related to you?
00:46:04Marika was her daughter when she left us.
00:46:06I don't remember any more and I won't be reminded either.
00:46:11Get out of here
00:46:36Hey you in the red shirt
00:46:41You know that old man? Yeah
00:46:45You want to earn this? Yeah, yeah
00:46:50Then just give him this Alright
00:47:11I
00:47:23Have to thank you again if you hadn't driven me I never would have found my way out here on my own
00:47:28Does me good to get away from the office?
00:47:31Although I do think you are making a wild goose chase you go ahead. I'll be watching the dogs
00:47:41I
00:48:11I
00:48:41I
00:49:00What are you doing in this house, my name is more
00:49:05Did you know Irina Dupchik
00:49:07Yes once
00:49:09I'm a journalist. I'm doing a story on young girls who have disappeared a story. I
00:49:18Can't tell if you're a friend or foe I'm a friend, but it doesn't matter I
00:49:28Can only die once and death isn't far I
00:49:33Told everything they can't ask for more and Irina
00:49:39Irina has left they forced her to serve them. But who did she serve? Is she alive or dead?
00:49:47You have followed her in vain sir. She's no more. Is there anyone you suspect?
00:49:54And who was it? She served she was forced to
00:49:57all our
00:49:59All our youth must eventually be sacrificed
00:50:02preserving those in power
00:50:04First they ask for the lives of our young soldiers or a young student that protest that he must die
00:50:12Impassioned they fall
00:50:14Yes, I have suspicions of my own
00:50:20But I can't fight it anymore
00:50:24You could you could fight if you're young you can still fight
00:50:28Hmm it's too late. I forsaken the dead. All I can do is try to blot out the past
00:50:59Please
00:51:03Tell me what, you know, I
00:51:05Have told everything that is to tell young man. There is nothing more. I know nothing now go
00:51:15Irina love music didn't she?
00:51:19Yes
00:51:21As most of her friends as I took see who's I'm gonna kill you
00:51:26I
00:51:42Have been trying to get you from New York. I told him that you were sick, but that should be back later. Ah
00:51:49Finally I was beginning to wonder if we had to start looking for you as well
00:51:53I'm afraid there isn't much and I don't know who to ask anymore
00:51:58The only thing is that someone repeated that story on
00:52:01Moscow what story didn't I tell you?
00:52:05It seems that Mira had been talking of going to Moscow
00:52:09By the way, anything new in those missing girls. I did find out one thing
00:52:14There's an old fellow who might know a lot nothing else
00:52:17Well in every case of a missing girl, I found an odd fact they played chamber music
00:52:21Oh, you must be kidding
00:52:23All that peruse is a coincidence because there are thousands who drink the same liquor as me or smoke my brand of tobacco
00:52:29But besides all that I don't remember Mira playing any music. No, but there are other coincidences
00:52:36Listen Greg, we're in a strange place and what surprises you here could be going on all the time
00:52:42It strikes some as strange others as normal
00:52:44Please try to see if you bow to it as much as I do, then you won't have any bugaboos try to resign yourself
00:52:51Take their position
00:52:54With my stubborn temperament
00:52:57It's my nature to oppose any resistance as long as force is used and with no explanation that's logical for it
00:53:07You can picture why I'm always in such hot water
00:53:10Don't chase it Greg. You're too involved as it is. Mr. Moore this message came for you a boy brought it
00:53:18It's from the old man he says where I'm supposed to meet him
00:53:22Don't do it Greg. I have to go mind telling me what the hell is going on. Let me read it
00:53:27You don't know who it's from really there's not even the man's name on it
00:53:30And you're going to this neighborhood to meet a perfect stranger. He's crazy. Look Jack. I'm not going to tell you anything
00:53:36No, because it says I've got to go alone. I'll see you both later
00:54:06I
00:54:36I
00:54:57Watch out
00:55:06I
00:55:20Don't let them fly. What do you mean who tell me?
00:55:27They don't lie
00:55:36You
00:55:52Now what's happened what are you doing here?
00:55:55well, I
00:55:57Had a suspicion you didn't have been hot water. What'd you see in the dark? I'm not Moe Moe
00:56:02I saw you go towards someone maybe this old fellow
00:56:04And disappear into the smoke and come running out a moment later like a scared rabbit great
00:56:09Tell it to the police and the believe. I'm a homicidal maniac. I
00:56:15What are you off to now leave me alone don't follow me I mean it great
00:56:34I
00:56:42Based the oxygen to maximum the cardiac muscle isn't reacting to stimulus. Yes still rigor mortis hasn't set in
00:56:50It is not rare for a cadaver to retain a certain flexibility after many hours there's still no sign of natural respiration professor
00:56:59Temperature temperature hasn't varied it has stayed around 32 degrees even under refrigeration
00:57:08Some oxidation process must exist perhaps at the muscular level
00:57:12Even under refrigeration
00:57:15Some oxidation process must exist
00:57:17Perhaps at the muscular level, but doctor think how long his heart's been stopped
00:57:21It's biologically impossible for him to we're not engaged in an exact science
00:57:26The things we do not know are far more numerous than those we do
00:57:31You're right guarding
00:57:33This can't be real death
00:57:39Respiratory action nil
00:57:42Cardiac nil encephalogram flat
00:57:47There's no indication of any activity at all
00:57:50Yes, but the scope is registering something. It's above zero
00:57:55by old man
00:57:58Who killed him?
00:58:00Maybe they're the same when he
00:58:12You
00:58:24Would you please have the pitiful old woman to cross the street
00:58:42Thank you, you're very kind God bless you
00:59:12You
00:59:42You
01:00:12You
01:00:42You
01:01:12You
01:01:42You
01:01:53Who are you?
01:01:54What do you want?
01:01:56Get out. You don't belong here. I'm one of the club members
01:02:01Get out of here get out
01:02:13You
01:02:34Master a non-member is here a
01:02:37A westerner, how could you tell by the shoes? He was wearing you ran from the hall
01:02:47We must find him
01:03:07I
01:03:18Looked all around. I'll make another search
01:03:33Let's hope he hasn't gone in there
01:03:36You
01:04:06I
01:04:23Never realized my thoughts about Mira why'd I phone you that night so you'd get out I
01:04:29Opened your flat broke her neck
01:04:32To counteract the power she had over me
01:04:35Naturally, I got rid of her body by throwing it in the nearest sewer and that's not all I threw in a spare
01:04:41When I had around the house since Friday
01:04:43Go ahead summon the police and then you can turn me in
01:04:46Well, I hope that makes it perfectly clear. I'm sick of the whole thing
01:04:50It's a bore. I know it
01:04:54Everyone knows it
01:04:57Stop letting the police bug you let it drop rest for a couple of days. Otherwise the rest will be from our failure
01:05:04Hmm, maybe you're right heart failure
01:05:10I'll file your copy too. I can piece it together from my stuff
01:05:15Ah, have you seen Jessica lately what Jessica no, she's been looking high and low for you
01:05:25Or are you leaving yes, I guess I'll go home and get some rest take care of Greg. Oh
01:05:32I wanted to ask you have you ever heard the music recitals at the Club 99 are a front for the members just to conceal that
01:05:39They're chronically bored to death
01:05:41Everyone in there is a deadhead Oh
01:05:44Politicians one or two illustrious actors who play around with other things besides quartets
01:05:51Porcelain
01:05:52Pretty paw chess provided a boresome. Why nothing I qualify. All right, maybe there's an opening
01:05:59That'll put you to sleep and just what you need I
01:06:07Can't take it any longer
01:06:18You referred a minute ago to a club you've reason to fear what do you mean?
01:06:25Who are you?
01:06:27My name is Prasky
01:06:31Corporal Prasky
01:06:40Good evening, mr. Moore
01:06:47Mr. Moore, please have I offended you mr. Moore
01:06:58You
01:07:08How did you get in my apartment what are you here for I want to tell you that someone's watching your house
01:07:13He's down there now
01:07:23It's one of their police stooges
01:07:27They must suspect you Greg, you should never question anyone. I'm sure Kirkoff's behind it
01:07:33It's the murder of Marika's father. I'm sure he'll say that you're the one who caused it
01:07:41You'd better go back to London I certainly could use a vacation
01:07:49I've a permit that'll place you on a priority flight
01:07:52If you want I'll come with you
01:07:55We both want a vacation now more than ever
01:08:12Give me the maximum
01:08:14You
01:08:22Sit in
01:08:44I
01:09:14Know
01:09:16Carter don't stop. Don't give up. I'm very sorry
01:09:22You look friend
01:09:25I'm a team years ago when I studied in Paris
01:09:29Yvonne's deserted me too for them. I'm not one of the living anymore
01:09:45Well, if you like I will perform the autopsy I don't believe it's necessary
01:09:51You'd like to find out why there was never any sign of rigor mortis in him
01:09:56You make the arrangement
01:10:01Or perhaps I could perform it tomorrow during my lecture on anatomy
01:10:14I
01:10:39Know I'm not being fair to you Jessica
01:10:45I really can't understand why you persist in your fixation and I can't see why you let that girl haunt you
01:10:52Who are this place should hang you up?
01:10:56And the part that beats me is how the hell you could care for someone like her. What do you mean like her?
01:11:02Why you never even knew her you have no idea what she's like you have no idea
01:11:07She cared about you and the pigs I she did she wasn't able shut up
01:11:11She belonged to another world a different kind. It's no use looking in every sewer in town
01:11:15You're never going to see her again. I know you don't believe a thing. I say she was just a little bitch
01:11:25Miss Ben passion now, I shall go before they carry off the jail or worse
01:11:30My apologies, I know him to blame
01:12:01Yes, they are beautiful the species is one peculiar trait, so they haven't any instinct at all to fly
01:12:07In spite of their brilliant wings. They only know how to play on the ground. They
01:12:12don't fly
01:12:15Jack I just been talking with that blind man, you know, well, he's walking across with a lowdown on that club
01:12:21You didn't know that it had branches in Paris, London, New York, Tokyo everywhere
01:12:27There are plenty of other strange things. For example in these clubs these two men are playing
01:12:31They're playing in a club. They're playing in a club. They're playing in a club. They're playing in a club
01:12:36They're playing in a club. They're playing in a club. They're playing in a club. They're playing in a club
01:12:41There are plenty of other strange things for example in these clubs these too many tropical flowers in the dot
01:12:47But in black magic the number 99 signifies our man finished. Yes
01:12:53How should I know do you think it's a coincidence? No, no, it's not a coincidence. I also found what I was looking for
01:13:00The connection with the girls who disappeared in Mira. It was a hell of a lot more than music
01:13:04Listen, look for me. I'm outside here
01:13:07Yeah, the club at the corner of the plaza in a phone booth from where I watch I've seen a lot tonight
01:13:12They go in the club, but there's no concert on the program
01:13:16Why don't we go in and look around and bring that card with you? I'm coming right over
01:13:21Don't you move? Well hurry up chum
01:13:26That puppet figure it was a butterfly
01:13:37I
01:14:07Jack are you there?
01:14:37Jack
01:14:47Is that you
01:15:08I saw human beings drinking rain and the huge valley swelling and bursting
01:15:17Spreading out money red rain
01:15:21Rain of God
01:15:29Oh, why don't you let
01:15:33Butterflies with gaily colored
01:15:38fly free in the clear skies
01:15:43Yeah, why don't you let
01:15:47Butterflies with gaily colored wings
01:15:52Free in the clear skies
01:15:55I
01:16:03Thought I was dreaming and I washed my face and the water was as red as blood
01:16:12My blood I
01:16:18Wanted to fly away in the clear sky, but they cut my wings
01:16:25Oh
01:16:29Don't you let butterflies
01:16:34Colored wings
01:16:38In the clear skies
01:16:44You don't expect us to believe that your comrades an alcoholic are not responsible for what he says
01:16:49So stop claiming phantoms are trying to get rid of you and unless you obey you'll go to prison
01:16:56I
01:16:59Know you're a drug addict
01:17:02We found a tube in your house and we're having it analyzed now it contained morphine didn't it?
01:17:09You know that both you and the girl took drugs obviously you injected her with an overdose confess she died because of you
01:17:18Now follow carefully my solution
01:17:22Establish in your confession that it all took place as I say and you will stand trial
01:17:28But for accidental death
01:17:32In that way I can be lenient I
01:17:35will find extenuating circumstances and
01:17:40You can leave the country
01:17:42the club
01:17:45The butterflies I
01:17:47Must go back there. I
01:17:49Feel cold I
01:17:52feel cold
01:17:54I'm gonna look inside the club
01:17:58I'm afraid I can't think
01:18:01precisely
01:18:03I'll refer this case to a mental facility for advanced electroshock therapy. He's only fast
01:18:10I'll take care of him with your approval
01:18:14Gregory I'll drive you home. It's Balinski. You know me, don't you?
01:18:25I have to get in
01:18:28Let's do it
01:18:36In your position I advise you to get some rest
01:18:40I am the director
01:18:43If you had asked me I could easily have shown you our club
01:18:51Call me up tomorrow
01:18:56Faster I have to go through the night
01:19:00I have to see you faster. I have to go through the night
01:19:11Don't get upset I must take you home now
01:19:17Don't worry, you will be all right
01:19:30You
01:20:00You
01:20:30You
01:21:00Oh
01:21:30You
01:22:00Oh
01:22:31Oh
01:22:49You can't consider this case closed
01:22:51Midas Barbara was killed by her lover the American journalist Gregory Moore and your colleague also killed another one of you
01:22:59He stabbed to death Jack McPherson in a telephone booth. I found his handkerchief beside the body
01:23:06We have definite proof that Moore suffered from a persecution mania and recently exhibited frequent states of deep psychic derangement
01:23:16It was in one of those seizures that he was driven to kill his young fiancee whose disappearance he reported himself
01:23:23But he had to kill your colleague because he had found incontrovertible proof of his guilt
01:23:30You
01:23:37You
01:23:44Professor Carting thinks the autopsy will reveal
01:23:59I'm going to get you out of here, you hear me?
01:24:01I'm going to get you out of here, you hear me?
01:24:03I'm going to get you out of here, you hear me?
01:24:05I'm going to get you out of here, you hear me?
01:24:07I'm going to get you out of here, you hear me?
01:24:09I'm going to get you out of here, you hear me?
01:24:11I'm going to get you out of here, you hear me?
01:24:13I'm going to get you out of here, you hear me?
01:24:15I'm going to get you out of here, you hear me?
01:24:17I'm going to get you out of here, you hear me?
01:24:19I'm going to get you out of here, you hear me?
01:24:21I'm going to get you out of here, you hear me?
01:24:23I'm going to get you out of here, you hear me?
01:24:25I'm going to get you out of here, you hear me?
01:24:29I'm going to get you out of here, you hear me?
01:24:31I'm going to get you out of here, you hear me?
01:24:33I'm going to get you out of here, you hear me?
01:24:35I'm going to get you out of here, you hear me?
01:24:37I'm going to get you out of here, you hear me?
01:24:39I'm going to get you out of here, you hear me?
01:24:41I'm going to get you out of here, you hear me?
01:24:43I'm going to get you out of here, you hear me?
01:24:45I'm going to get you out of here, you hear me?
01:24:47I'm going to get you out of here, you hear me?
01:24:49I'm going to get you out of here, you hear me?
01:24:51I'm going to get you out of here, you hear me?
01:24:53I'm going to get you out of here, you hear me?
01:24:55I'm going to get you out of here, you hear me?
01:25:25I'm going to get you out of here, you hear me?
01:25:27I'm going to get you out of here, you hear me?
01:25:29I'm going to get you out of here, you hear me?
01:25:31I'm going to get you out of here, you hear me?
01:25:33I'm going to get you out of here, you hear me?
01:25:35I'm going to get you out of here, you hear me?
01:25:37I'm going to get you out of here, you hear me?
01:25:39I'm going to get you out of here, you hear me?
01:25:41I'm going to get you out of here, you hear me?
01:25:43I'm going to get you out of here, you hear me?
01:25:45I'm going to get you out of here, you hear me?
01:25:47I'm going to get you out of here, you hear me?
01:25:49I'm going to get you out of here, you hear me?
01:25:51I'm going to get you out of here, you hear me?
01:25:53I'm going to get you out of here, you hear me?
01:25:55I'm going to get you out of here, you hear me?
01:25:57I'm going to get you out of here, you hear me?
01:25:59I'm going to get you out of here, you hear me?
01:26:01I'm going to get you out of here, you hear me?
01:26:03I'm going to get you out of here, you hear me?
01:26:05I'm going to get you out of here, you hear me?
01:26:07I'm going to get you out of here, you hear me?
01:26:09I'm going to get you out of here, you hear me?
01:26:11I'm going to get you out of here, you hear me?
01:26:13I'm going to get you out of here, you hear me?
01:26:15I'm going to get you out of here, you hear me?
01:26:17I'm going to get you out of here, you hear me?
01:26:19I'm going to get you out of here, you hear me?
01:26:21I'm going to get you out of here, you hear me?
01:26:23I'm going to get you out of here, you hear me?
01:26:25I'm going to get you out of here, you hear me?
01:26:27I'm going to get you out of here, you hear me?
01:26:29I'm going to get you out of here, you hear me?
01:26:31I'm going to get you out of here, you hear me?
01:26:33I'm going to get you out of here, you hear me?
01:26:35I'm going to get you out of here, you hear me?
01:26:37I'm going to get you out of here, you hear me?
01:26:39I'm going to get you out of here, you hear me?
01:26:41I'm going to get you out of here, you hear me?
01:26:43I'm going to get you out of here, you hear me?
01:26:45I'm going to get you out...
01:26:55It's not Meera, Meera was a rebel.
01:26:57She refused sex and gold.
01:27:00But everybody here was lured with them.
01:27:03We use them for bait the whole world over.
01:27:06They're important
01:27:07because they suppress the will to resist.
01:27:10She is sleeping now,
01:27:12And you will follow her in your death.
01:27:17Unwanted visitors, the Sabbath broom gets rid of them.
01:27:22The oldest persons beat the drum.
01:27:25And the youngest go to battle.
01:27:27We will hold the reins of power in the world as long as there are people willing to be killed.
01:27:32Willing to shed their own blood.
01:27:35And nothing must ever be changed.
01:27:38Our bitterest enemies are persons who love freedom.
01:27:42That is why we always have them removed.
01:27:45We destroy them.
01:27:46We must enslave the free to preserve our powers.
01:27:49They must think as we do.
01:27:52And those who rebel must be sacrificed.
01:27:58Atalepsi.
01:28:08They will find your body and declare you dead.
01:28:12Your mind will work after it is buried.
01:28:15But by that time it has gone mad.
01:28:20After it is buried.
01:28:23After it is buried.
01:28:38It sounds like my heart.
01:28:40It's my heartbeat.
01:28:42My heart is beating again.
01:28:44Don't you hear it?
01:28:46My heart is starting to beat.
01:29:07It's the same.
01:29:31But my heart is beating.
01:29:33They must be able to realize that.
01:29:35We shall take advantage of this autopsy
01:29:38to demonstrate the errors that could occur in an operation on the heart
01:29:42if it is not performed with the greatest precision.
01:29:45In all operations in the cardiac cavity
01:29:48the surgeon's technique is of the utmost importance.
01:29:52Therefore I beg you to observe this lesson with the closest attention.
01:29:56Gloves, please.
01:30:06Thank you.
01:30:19Now then, first
01:30:21an incision between fourth and fifth rib is marked.
01:30:25That will be the area of the left mammilla.
01:30:28It is a delicate area requiring special technique.
01:30:36Close the shutters, please.
01:30:42Remember
01:30:44the merest error or wrong movement
01:30:46could irreparably damage the organ and cause death.
01:30:55Pay close attention.
01:31:06Lights, please.
01:31:31Cardiac.
01:31:36Cardiac.
01:31:43I shall proceed.
01:31:47No!
01:31:50You must poise the scalpel in the intercostal space.
01:31:54Then make a quick and precise thrust.
01:31:57Like this.
01:32:05No!
01:32:35No!
01:33:05No!
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