ವಿಜಯ್ ಕುಮಾರ್ ನಿರ್ದೇಶನದ ನಟನೆಯ ಭೀಮ ಸಿನಿಮಾ ರಿಲೀಸ್ ಆಗಿ ಸಿನಿಮಾ ನೋಡಲು ಅಗ್ನಿ ಶ್ರೀಧರ್ ಬಂದು ಸಿನಿಮಾ ಬಗ್ಗೆ ಮಾತನಾಡಿದ್ದಾರೆ
#BheemaProducers #jagadhishkrishna #duniyavijay #BheemaFirstDayCollection #bheemaartist #struggle #aug9 #familiresponsibility
#Veeru #BheemaViru #Vijaykumar #DuniyaVijay #AshwiniAmbareesh #BheemaHeroin #VijaykumarInterview #Bhima #Duniya #BadBoy #PsychSong #DuniyaVijay #RahulDitto #Rama #Ayodhya
#DuniyaVijayBirthday
~HT.290~PR.30~ED.35~
#BheemaProducers #jagadhishkrishna #duniyavijay #BheemaFirstDayCollection #bheemaartist #struggle #aug9 #familiresponsibility
#Veeru #BheemaViru #Vijaykumar #DuniyaVijay #AshwiniAmbareesh #BheemaHeroin #VijaykumarInterview #Bhima #Duniya #BadBoy #PsychSong #DuniyaVijay #RahulDitto #Rama #Ayodhya
#DuniyaVijayBirthday
~HT.290~PR.30~ED.35~
Category
🗞
NewsTranscript
00:00I was late. I didn't pay attention to the script.
00:07Great, great, great Vijay.
00:10Everyone knows how things are going in the society.
00:13Newspapers, media, everyone knows.
00:16For the first time, this subject has been brought up so well.
00:20Vijay used to shout at me,
00:22Anna, give me 4 fights, give me 4 fights.
00:24I said, no, I don't want to act in real life.
00:27The reason I came for the movie was,
00:30Vijay is my house boy, my compound boy.
00:33You know Bala, right?
00:35I don't even remember Vijay's name.
00:37He used to shout, Bala, Bala.
00:39I used to ask him, how is Bala?
00:41He used to shout, Bala, Bala.
00:43Since then, he has been my house boy.
00:45My house boy.
00:47Cinema,
00:49is being made for fun.
00:51It should keep people entertained.
00:55Do you know why?
00:57Because people are not coming to Kannada movies.
01:00Bosha has made a great effort to make it a reality.
01:05What I liked the most,
01:07was the subject.
01:11Those of you who have seen it, will know.
01:13You are watching it as a movie.
01:15I am watching it outside of a movie.
01:18The drug problem shown here,
01:20is definitely like that.
01:23They have shown it as a raw.
01:25A lower middle class.
01:27What is lower middle class?
01:29Lower class.
01:31Especially in slums,
01:33how children,
01:35not only in Bangalore,
01:37but in all the slums in India,
01:39what is happening?
01:41How is medicine being given?
01:43How is ganja being made?
01:45In high society,
01:47how are higher level drugs,
01:49synthetic drugs,
01:51being made?
01:53They have shown it.
01:55Rehabilitation is a reality.
01:57What they have shown in those visuals,
01:59is happening in the same way.
02:01I don't know the subject.
02:03I have spoken to two or three people.
02:07Abhishek and Roshan know it.
02:09They want to make a good film about drugs.
02:12The raw footage here,
02:14is definitely a reality.
02:16How the director conceived it,
02:20I don't know.
02:22I don't know how he did it.
02:24I don't know how he acted.
02:26I don't know if he had a drug experience.
02:28But,
02:30it is definitely a reality.
02:32Other things,
02:34yes, commercially,
02:36a big star,
02:38Vijay.
02:40So, there are some compromises.
02:42But, beyond that,
02:44this is the first time
02:46this subject has been shown so well.
02:48It is not so raw.
02:50That's very important.
02:52You have to show it to people.
02:54How it destroys lives.
02:56In this,
02:58Vijay's character is important.
03:00He doesn't romanticize.
03:02He drinks 24 hours a day.
03:04He drinks and talks.
03:06At the same time,
03:08he has a heartfelt feeling.
03:10In this, the drug is being sold.
03:12How will the police be?
03:14It is so beautiful.
03:16What is happening today,
03:18literally,
03:20is shown in this film.
03:22In Kannada,
03:24they say that there are no other films.
03:26That's not true.
03:28If you take a drug problem,
03:30you don't see a cultural hero or heroine.
03:32Even if Vijay is there,
03:34you don't see a cultural hero.
03:36It is seen in a different way.
03:38It is a social problem.
03:40It is a social problem.
03:42It is destroying a lot.
03:44A lot of people don't know this.
03:46In the city,
03:48there are a lot of drugs.
03:50Synthetic drugs.
03:52It is happening in every college.
03:54It is happening in every college.
03:56Next to the colleges,
03:58there is an issue of taking apartments.
04:00Don't ask in the slums.
04:02If they deal with this,
04:04I am very proud of this group
04:06and our boy.
04:14You can call this as a hero.
04:16It is a synchronicity.
04:18The directors of the films
04:20are very intelligent.
04:22They are very direct.
04:24It is a synchronicity.
04:26People get the same impact
04:28when they watch the film.
04:30It is synchronicity.
04:34Now,
04:36if you ask how it is happening in the society,
04:38everyone knows.
04:40Journalists, media, everyone knows.
04:42The society has become so cruel
04:44that we shouldn't even ask.
04:46The society has become so cruel
04:48that we shouldn't even understand what we are talking about.
04:50You can see what is happening daily.
04:52Politicians, big leaders.
04:54I have seen them from a distance.
04:56They have gone so far.
04:58We don't know what to do.
05:00We have only one way to survive.
05:02We have only one way to survive
05:04when we can't do anything right.
05:06In literature and art,
05:08it is recorded.
05:10It is recorded in literature.
05:12This minister is not right.
05:14This officer is not right.
05:16This Srimanta is not right.
05:18Similarly, cinema is a great art of our time.
05:20It is a great art of our time.
05:22It is cinema.
05:24It is recorded in that.
05:26It is very difficult to go to the MLA's son in real life.
05:28You can't even go to him.
05:30But the film is expressed here.
05:32It is expressed in art.
05:34It is expressed in literature.
05:36It is expressed in cinema.
05:38Even if the dialogues are harsh
05:40or they feel as if there is more violence,
05:42it is expressed in art.
05:44It is expressed in art.
05:46It is expressed in cinema.
05:48Our children have done very well in that.
05:56I am...
06:00I am addicted to cinema and literature.
06:02I am addicted to cinema and literature.
06:04So, I shouldn't ask people to give such marks.
06:06But what we need is, we have been doing this for months now, including slum ball.
06:15In slum ball, Vijay used to say to me, Anna, give four fights, give four fights.
06:19I'm not here, dad. Real action is not happening. I won't give.
06:22He argued a little. Even today, they say, if there were four fights, it would have been the biggest hit of that time.
06:28I said, it's not a hit. This is different.
06:31But those marks are not coming out. I told you, they are using this to express their anger.
06:36You can see it everywhere.
06:38Especially when it comes to drugs, everyone has to look at it.
06:42Every college boy and girl has to look at it.
06:44You have to look at it while drinking.
06:46I can't tell you about the drugs problem in Srimantam houses.
06:50I can tell you in the movies.
06:52How many big politicians' children have become addicts.
06:56I know how many people are getting ruined.
06:59I know how many people have become addicts.
07:01I know all that.
07:03So, it is a success.
07:06Everyone has to reach in the entertainment industry.
07:09I don't even know about the second half.
07:12The first half, they will come.
07:14But the second half is not like that.
07:16It is very good.
07:18Other than Hema's character, there is no other impact.
07:22It is a very close-knit character.
07:25The drug dealers who come there...
07:28I have seen all this.
07:34I have seen all this.
07:36It is shown here.
07:38How do they deal drugs?
07:40How do they grow it?
07:42What is the violence?
07:44It is written here.
07:46You won't find it anywhere.
07:48You are in the drug field.
07:50Drug mafia.
07:52You won't find it anywhere in the world of violence.
07:54I shouldn't say this, but I will say it.
07:56Some boys are addicted to drugs.
07:58College boys.
08:00I don't say which college.
08:02I used to talk to them.
08:04Don't do this.
08:06My children are very young.
08:0818-19 years old.
08:10We will leave everything.
08:12They will promise to go.
08:14The police will take away everything.
08:16They will take away our pride.
08:18What did you say?
08:20I said, you are not a man.
08:22Which big fat man?
08:24He said, Babkya, I don't know what I said.
08:26Go away.
08:28Uncle Bachan told me.
08:30Who is Bachan?
08:32My father.
08:34I told him to take drugs.
08:36After that, I begged him.
08:38I said, don't tell him.
08:40This is the real world.
08:42This is the real world.
08:44This is the reality.
08:46I should have been the first one to come to Canada.
08:48I had come.
08:50I don't usually go to cinemas.
08:52When Vijay did this,
08:54I got calls from Mysore and other places.
08:56I said, you have to watch it.
08:58I said, tell Vijay I have to watch it.
09:00I came.
09:02I had to watch it.
09:04I had to watch it for this problem.
09:06You can't forget the visuals.
09:08But it is a fact.
09:10You can't forget the visuals.
09:12But it is a fact.
09:14All the characters were very good.
09:16You can't single out anyone.
09:18Especially drugs.
09:20MLA's son came to the business.
09:22He behaved the same way.
09:24Sophisticated and all.
09:26I knew all that.
09:30I told Vijay, I will do this.
09:32Where is the director?
09:34I thought the story writer was the director.
09:36I thought the director was someone else.
09:38You are very good.
09:40The way you spoke...
09:42I was a bit late.
09:44I was a bit late.
09:46I was not confident.
09:48Great.
09:50Really great.
09:52I want all the people of Canada to see this.
09:54I want all the people of Canada to see this.
09:56This is a new art form.
09:58It is a success in all languages.
10:00Including Bangalore.
10:02Why are you giving up?
10:04This is yours.
10:06This is an art form you built.
10:08It is not for you.
10:10It is not for Vijay.
10:12It is not for us.
10:14It is not for the people.
10:16It is for the people.
10:18It is our language.
10:20Please see this.
10:22We are closing the theatres.
10:24It is very sad.
10:26This is a medium to develop you.
10:28Because literature needs to be done.
10:30This is a visual medium.
10:32You develop yourself.
10:34You can be a director or producer.
10:36You can make a good film.
10:38But you should not lose your interest in cinema.
10:40It is developing in all languages.
10:42You should develop our language.
10:44I will ask you all.
10:46I will ask you all.
10:52Very good.
10:54Very good.
10:56Very good.
10:58I told you.
11:00I told you.
11:02I told you.
11:04I will tell you from my phone.
11:06I will tell you from my phone.
11:08You have come, son.
11:10You should rise like a phoenix.
11:12I will tell you the same thing.
11:14You should rise like a phoenix.
11:16You should rise like a phoenix.
11:18When you go to jail, you feel sad.
11:20You know what it is.
11:22You feel lonely.
11:24You feel like you should not do anything.
11:26You feel lonely.
11:28That is how our Vijay rose.
11:30She did a lady cop.
11:32She did a lady cop.
11:34Very good.
11:36Very good.
11:38You don't know.
11:40She looks so good.
11:42This is the strength of the visuals.
11:44This is the strength of the visuals.
11:46You can see how smooth it is.
11:48You can see how smooth it is.
11:50She just has leaved the role.
11:56Good.
11:58Very good.
12:00Very good.