A group of people takes shelter in a mansion situated next to an always-foggy cemetery in the middle of nowhere. Slowly the assemblage is murdered one by one, and the few survivors claim to witness a witch and a bulky zombie lurking in the cemetery.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
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00:05:54...authorizing the release of 73 men
00:05:58detained under the emergency powers of Northern Ireland,
00:06:01accounting for about 10% of the total...
00:06:03Give me a beer, will you?
00:06:05All right.
00:06:17Thanks.
00:06:24Hello.
00:06:25Ah, you again.
00:06:26That's right, the mysterious Priscilla.
00:06:30How'd you make out?
00:06:32Badly.
00:06:33He's one of those rotten people who thinks he owns you
00:06:35just because he gives you a ride.
00:06:37Well, I'm sure you were able to handle it.
00:06:39Temporarily.
00:06:40It's bound to get harder if we go any further together.
00:06:43He's waiting for me outside.
00:06:44Well, we'll keep him waiting then.
00:06:47As long as you don't mind riding in the open.
00:06:54Okay.
00:06:55You feel up to it?
00:06:56Sure, I trust you.
00:06:57Just a minute.
00:06:58This young lady is riding with me.
00:07:00Not now.
00:07:02You're wrong.
00:07:03She's getting in my car.
00:07:04That's what you think.
00:07:07What do you say?
00:07:09I'm coming with you.
00:07:12I'm telling you, for your own good,
00:07:14something will happen.
00:07:15Go to hell.
00:07:16I'm not going anywhere.
00:07:18I'm not going anywhere.
00:07:20I'm telling you, for your own good,
00:07:21something will happen.
00:07:22Go to hell.
00:07:41Look.
00:07:42They've got guests.
00:07:44The usual nobodies who think they're somebody.
00:07:50Well, there's Joan.
00:07:51I need a car.
00:07:52She's the widow of Elsa's lawyer.
00:07:53Gossip.
00:07:54It's true.
00:07:55Parasites.
00:07:56All they do is live off others and never say anything pleasant.
00:07:59I don't think you're being fair.
00:08:01Who is he?
00:08:03He's the lawyer's partner who married his widow.
00:08:06It's true.
00:08:07Some men will do anything in order to further their careers.
00:08:10Give me a car, will you, Maggie?
00:08:12There's no doubt they're enhancing our reputations.
00:08:15In any case,
00:08:17he's looking after Elsa's affairs now.
00:08:20Go on.
00:08:22I want to know why Elsa's husband isn't here.
00:08:24He's away on a business trip in Soren.
00:08:27Poor old Ernest.
00:08:29How I must hate being a runaround for a businesswoman.
00:08:32I know I'd love it.
00:08:33PHONE RINGS
00:08:39Yes?
00:08:41That's my husband.
00:08:42Yes?
00:08:44Elsa?
00:08:45Ernest.
00:08:46What's happening?
00:08:47I'm expecting you.
00:08:48My lawyer's here already.
00:08:50You're still up in Soren.
00:08:52Ernest, but that's absurd.
00:08:54There's nothing I can do, Elsa.
00:08:56The lawyer's away apparently on some very personal matter.
00:09:00And he won't be back until late tonight.
00:09:02Then I suppose you'd better wait.
00:09:04It's important to authenticate that signature.
00:09:06If we don't present the document tomorrow,
00:09:08we lose the option.
00:09:09All right.
00:09:10See you later.
00:09:12What...
00:09:22We're here in Soren.
00:09:25Hmm.
00:09:26It's about 60 kilometres from Milan.
00:09:29You'll do that in an hour, easy.
00:09:31What shall we do, stop here for the night
00:09:33or keep right on going?
00:09:34I'd prefer to go on to Milan.
00:09:37I would too.
00:09:39It's getting rather late.
00:09:41Go on.
00:09:42You decide.
00:09:43I don't mind travelling at night in the least.
00:09:47Come here.
00:09:49I want to call Milan.
00:09:50Keep the change.
00:09:51Thank you, sir.
00:10:12I see from the map there are two roads to Milan.
00:10:15Well, yes.
00:10:16The new highway and the old road.
00:10:18Which is the better?
00:10:19The old one's much shorter, but...
00:10:24But what?
00:10:25It's just that it means going through the valley
00:10:27and at this time of year after sundown,
00:10:29there's often quite a bit of fog.
00:10:31Thanks.
00:10:32What do I owe you?
00:10:33450, sir.
00:10:36You're welcome.
00:10:37You're welcome.
00:10:39What do I owe you?
00:10:40450, sir.
00:10:42It's your life, so I guess you can do what you like with it.
00:10:45I guess so.
00:10:47But if you had any dignity, you'd leave your wife.
00:10:50You know damned well I've always loved Elsa.
00:10:53Yes, I know, all right.
00:10:55Right up until last year, Elsa loved me too.
00:10:58We were happy together.
00:11:02I hope that one day we will be again.
00:11:04It's not that easy.
00:11:05Time you faced up to it.
00:11:09Up to what?
00:11:10It's Elsa's money you love.
00:11:11That's why you won't leave her.
00:11:16You're wrong, Ellen.
00:11:17I have a fortune of my own.
00:11:19Yes, you did 10 years ago,
00:11:21but you threw it all away on drinking women.
00:11:27Ernest, I'm sorry.
00:11:28Don't get mad at me.
00:11:29I don't mean it.
00:11:30I'm just made like that.
00:11:33I must be a silly idiot, because I love you.
00:11:36Yes, I know.
00:11:38But why doesn't she treat you the way I do?
00:11:41You've become a household pet.
00:11:43All she has to do is whistle.
00:11:48She changed completely when her father died.
00:11:51She was suddenly responsible for the enormous fortune
00:11:53he had left her in his will.
00:11:57I don't know how it happened.
00:11:59But within a few days, she was transformed
00:12:01into a hard-headed businesswoman obsessed with deals.
00:12:04And she denies you your conjugal rights.
00:12:06She hasn't let you near her bed in months.
00:12:09Forgive me, Ernest, forgive me.
00:12:13No need to be angry.
00:12:15Where do you think you're going?
00:12:18You mustn't hate me.
00:12:19I'm a fool for you.
00:12:21Hold me.
00:12:23I adore you, and I can't help it
00:12:25though I know it bores you.
00:12:27What's money, anyway?
00:12:29Try paying the bills, then you'd know.
00:12:37Those damn guests seem to be going at last.
00:12:40You better watch your tongue.
00:12:42I know you when you drink.
00:12:46Somebody's coming.
00:12:51I've spoken to my husband on the phone.
00:12:53Has he had the signature authenticated?
00:12:55Yes, but his car's broken down, and I must go and pick him up.
00:12:58Would you like to see him?
00:13:00No, I don't want to see him.
00:13:02I don't want to see him.
00:13:04His car's broken down, and I must go and pick him up.
00:13:06Would you like us to go with you?
00:13:08No, no, there's no need.
00:13:09It'll take me no more than an hour.
00:13:11We'll follow you in my car.
00:13:12That way you can hand over the document, and we can go on.
00:13:15All right, if you're in a hurry to get back home.
00:13:17Not really, but I'd prefer to get back tonight
00:13:19so I can present the document tomorrow morning.
00:13:21Better to be early.
00:13:34I can't really see this map in the dark.
00:13:36It's impossible to judge the distance.
00:13:38Do you think we may have missed the turning?
00:13:40It's quite possible.
00:13:42Listen.
00:13:43Isn't it the sound of a car coming this way?
00:13:45Yes.
00:13:46Here it comes now.
00:13:50It's coming.
00:13:51It's coming.
00:13:52It's coming.
00:13:53It's coming.
00:13:54It's coming.
00:13:55It's coming.
00:13:56It's coming.
00:13:57It's coming.
00:13:58It's coming.
00:13:59It's coming.
00:14:00It's coming.
00:14:01It's coming.
00:14:02It's coming.
00:14:03Stop them.
00:14:04There's the way.
00:14:05Well, we can try.
00:14:13Chris!
00:14:14Look out!
00:14:33I can't see a thing.
00:14:35I can't imagine why you insisted I'm going home tonight.
00:14:38How was I supposed to know this fog would come down?
00:14:41It's the same every single year.
00:14:43How can you forget?
00:14:45I'm blind.
00:14:46Can you see the lights of Elsa's car?
00:14:48No.
00:14:49She knows I don't know the road.
00:14:50It's damn inconsiderate.
00:14:52Oh, don't worry.
00:14:53I'll find a way.
00:14:54I'll find a way.
00:14:55I'll find a way.
00:14:56I'll find a way.
00:14:57I'll find a way.
00:14:58I'll find a way.
00:14:59I'll find a way.
00:15:00I'll find a way.
00:15:01I'll find a way.
00:15:02It's damn inconsiderate.
00:15:03Oh, don't worry.
00:15:04She'll stop and wait as soon as she realizes we've lost her.
00:15:07I wish to God I was her sure.
00:15:11I'll have to drive faster.
00:15:13Take care, I beg you.
00:15:15I don't wanna get lost out here in the fog.
00:15:23We should never have come.
00:15:27You're going much too fast.
00:15:29Cut it out, woman.
00:15:31without your nagging.
00:15:32Look out, there's a bend in the road.
00:15:33Don't shout my ear.
00:15:35You're giving me a headache.
00:15:36Stay on the right.
00:15:38Look out, there's a car.
00:16:01Look out.
00:16:32Hello there. Can I help you?
00:16:38Take care when you get up to the crossroads.
00:16:40The turning to Millon is ahead on the left.
00:16:43I hope it's a decent road.
00:16:44This fog's getting pretty thick.
00:16:46It's narrow, but not too windy.
00:16:48Until you get to a bend over the hill.
00:16:51Wait a minute.
00:16:53Have you by any chance seen a big old car?
00:16:55I can't recall seeing any cars.
00:17:31Who are you?
00:18:01Who are you?
00:18:03Get away from me, for God's sake.
00:18:07For God's sake, too.
00:18:09Stay where you are and leave me alone.
00:18:30It can't be the right road.
00:18:47It must be. We turned left.
00:18:49That's what he said.
00:18:50He said it wasn't windy until we got over the hill.
00:18:52I don't see any hill, do you?
00:18:54You can't see anything, Frank.
00:18:56But I'm sure there's a big old car.
00:18:58Frank!
00:19:11Are you all right?
00:19:12I think so.
00:19:13What happened?
00:19:14No more road, that's what happened.
00:19:16God knows where we are.
00:19:19Here, give me a hand.
00:19:36Help me! Help me!
00:19:48I keep getting the feeling that we're on another planet.
00:19:51Roads that disappear and then reappear again.
00:19:53Others that are suddenly interrupted and...
00:20:04Help me, somebody!
00:20:06Oh, God! What's that?
00:20:18What's the matter?
00:20:21What happened?
00:20:24I'm being pursued.
00:20:30There's no one pursuing you.
00:20:39Can't you hear it?
00:20:40What?
00:20:44I can't hear anything.
00:20:46A sort of deep sighing.
00:20:49What happened to you?
00:20:51I don't really know.
00:20:52I was driving my car in the direction of Soren.
00:20:54And lost your way in the fog.
00:20:55Exactly.
00:20:56Same thing happened to us.
00:20:57Only we were heading for Melanie.
00:20:59Evidently, you took a wrong turning.
00:21:01Just as we did when we left the main road.
00:21:04No, no, you're wrong.
00:21:05I'm sure it was the right one.
00:21:06Then suddenly I found myself in a cemetery.
00:21:26I couldn't see anyone or hear anything out of the ordinary.
00:21:29Are you sure that...
00:21:30Yes, quite sure.
00:21:33First of all, there was this horrible sound like...
00:21:36Someone breathing, harsh and loud.
00:21:39Then all at once, a man appeared.
00:21:43His face was hidden.
00:21:45But he was wearing the uniform of a chauffeur.
00:21:48He was enormously tall.
00:21:51And in the middle of his chest he had a...
00:21:53Well...
00:21:56Well, I think it's my imagination.
00:21:59Maybe it is.
00:22:00Tell me.
00:22:02Was the man in uniform alone?
00:22:07No.
00:22:08There was an old woman in black with him.
00:22:12You don't believe it.
00:22:14You must think I'm crazy.
00:22:16No.
00:22:17Oh, I wouldn't blame you.
00:22:18But I'm not subject to hallucinations.
00:22:20No, no, of course not.
00:22:22We don't think you're crazy.
00:22:26It's all right now.
00:22:28I promise.
00:22:29You've obviously had a nasty shock.
00:22:31The only thing that really makes any sense...
00:22:34Is that your car has broken down...
00:22:36And here we are, all three lost in a fog.
00:22:39What we're going to do about it, I don't quite know.
00:22:42The map's not very encouraging.
00:22:44We don't seem to be honest.
00:22:45Well, I wouldn't let that worry you.
00:22:47But there's one good thing.
00:22:48We're near a cemetery.
00:22:50The dead are buried by the living.
00:22:52So there's got to be a village somewhere in the neighborhood.
00:22:56You weren't thinking of going through it?
00:22:58No, we'll walk around the wall until we come to the gate.
00:23:00The village must be on that side.
00:23:23Look what we have here.
00:23:24A Rolls Royce.
00:23:25How strange.
00:23:26What's it doing here?
00:23:27Don't you realize?
00:23:29This is just the sort of car to be driven by a chauffeur in uniform.
00:23:36It's the same number plate of the car that...
00:23:38That's really incredible.
00:23:39What is it? What's incredible?
00:23:41That this is the car that tried to run me down less than an hour ago.
00:23:51The cemetery has been abandoned.
00:23:53And I'm afraid the village will be as dead and dark as those unattended graves.
00:23:58What is this awful place?
00:23:59I've never heard of it.
00:24:00I'm sure it doesn't exist.
00:24:01Of course it exists.
00:24:03We're in it.
00:24:10This path must lead somewhere.
00:24:14Look over there.
00:24:15What?
00:24:16A light.
00:24:18Let's go and see who's there.
00:24:27Let's go.
00:24:29Let's go.
00:24:55You're blinding me with that flashlight.
00:24:57Didn't you hear it?
00:24:58Amazing.
00:24:59We run into you everywhere.
00:25:01I could say the same thing.
00:25:02It is strange.
00:25:04All right, come in.
00:25:10Elsa.
00:25:14So you got fog-bound too.
00:25:15What a surprise.
00:25:28Why did you greet us at the door with a gun?
00:25:30When we arrived here, someone was trying to break in.
00:25:34As soon as he saw us, he made off and disappeared into the fog.
00:25:37He seemed to be wearing uniform.
00:25:39Yes.
00:25:40The sort of uniform a chauffeur might wear.
00:25:44Yes.
00:25:45Boots to the knees.
00:25:48Boots, you said?
00:25:53Certainly.
00:25:54I must admit, I too was lost.
00:25:56Temporarily.
00:25:57But I know I would soon have found the road to Milan if these two hadn't crashed into me.
00:26:01It wasn't my fault.
00:26:02I'm sure it wasn't, but the fact remains, we're stuck here now.
00:26:06Quite true.
00:26:13The fog isn't usually this enveloping.
00:26:15It'll be gone by morning, I'm sure.
00:26:18If you'd care to remain here tonight, you are most welcome.
00:26:22There are only three bedrooms available, however,
00:26:25and I'm afraid they haven't been aired for some time.
00:26:37Miss Clinton very kindly helped us after the accident.
00:26:40I blew the horn of my car.
00:26:42And I heard it.
00:26:43So I went to see what was going on.
00:26:45Where are we?
00:26:46In an abandoned village around 15 kilometers from Milan.
00:26:49Any chance we could get there tonight?
00:26:51The visibility's nil.
00:26:52I personally wouldn't attempt.
00:26:54Won't you sit down, Miss Clinton?
00:26:58Tell me, how did you get out here?
00:27:01On a bicycle.
00:27:03By a path that goes straight through the woods.
00:27:06But I'm sure I'd never find it again now the fog's so thick.
00:27:13I might find it on my motorbike.
00:27:15It's idiotic.
00:27:16I might find it on my motorbike.
00:27:18It's idiotic.
00:27:19Aren't you coming?
00:27:20How did you find yourself here?
00:27:22I must have taken a wrong turn.
00:27:24I obviously turned to the right by mistake.
00:27:26No, you turned left, all right.
00:27:28But instead of carrying straight on, you took another turn that brought you here.
00:27:31But we suddenly found ourselves in a cemetery.
00:27:35There's a network of small roads leading to the valley.
00:27:39You took the one that comes to the cemetery,
00:27:41but luckily you found your way here.
00:27:44And now you know how easy it is to get lost.
00:27:48Why didn't you turn back to Millen when you saw the fog beginning to come down?
00:27:52It seemed more sensible to spend the night down here.
00:27:55You see, this is my house and I often come here, though...
00:27:59I live in Millen.
00:28:03What does surprise me is that someone like you
00:28:06should lose your way when you know the area so well.
00:28:09But I...
00:28:10I'm a good physiognomist generally.
00:28:12What does that mean?
00:28:13I've seen you many times.
00:28:15I don't remember ever having seen you.
00:28:17We belong to two different worlds.
00:28:19I'm not surprised to hear you say that.
00:28:22I keep having the sensation that we've crossed the frontier
00:28:25between the real and the unreal.
00:28:28I've never heard anybody mention this place before.
00:28:31That's not surprising.
00:28:32The inhabitants abandoned it years ago.
00:28:35I imagine they had a very good reason for doing so, don't you think?
00:28:38Of course, there are a lot of stories.
00:28:41The country folk around here are superstitious.
00:28:44A mysterious epidemic occurred.
00:28:46They say the victims died by being bitten in the throats by a vampire
00:28:52who drained their blood.
00:28:56In any case, everyone left the village.
00:28:59I heard the 12 people died in one night.
00:29:02And when their bodies were found the following morning,
00:29:05their relatives buried them here in the cemetery.
00:29:08And then everyone left this place forever,
00:29:11abandoning their houses, their land, everything they owned.
00:29:14Oh God, do you hear that?
00:29:24It's coming from in here.
00:29:26Please, don't open it.
00:29:29It's years since I went down to the cellar.
00:29:32The last time I saw a rat.
00:29:36I'm terrified of rats, so I keep that door bolted.
00:29:40And the electricity's been cut off tonight.
00:29:43It makes me a little nervous.
00:29:45Well, if that's a rat, it's a damn big one.
00:29:48I'll try to kill it with my gun.
00:29:51Open the door and I'll...
00:29:52Please, no.
00:29:54My nerves won't stand it.
00:29:56I beg you not to open that door.
00:29:58All right, as you wish.
00:30:01Well, whatever it was, it's gone away.
00:30:16I've noticed that you have an interest in that family portrait.
00:30:19It's Julia Clinton.
00:30:21Yeah, she resembles you a lot.
00:30:23My aunt was a very eccentric woman.
00:30:26She was a witch, so they say.
00:30:29Maybe that's why she made a collection of all those weird pictures.
00:30:34It might explain it.
00:30:36In actual fact, I don't know anything for certain.
00:30:39I was born in this house long after everyone else had deserted the place.
00:30:43And there were only those graves out there in the cemetery.
00:30:46To show that people had once been here and had their life drained out of them by a vampire.
00:30:50Did she inhabit the place alone?
00:30:52No, she found she had to employ a man to act as valet, gardener, chauffeur.
00:30:58He was really extremely tall and ugly.
00:31:01But she trusted him and evidently drove her Rolls Royce very well.
00:31:05Until one day he got drunk and crashed into the cemetery wall just outside the house.
00:31:10They were both killed immediately.
00:31:12Both killed?
00:31:13Yes, in 1942.
00:31:15She had her head crushed.
00:31:18The steering wheel punctured the chest of the chauffeur.
00:31:29My dear, what's the matter?
00:31:31I'm sure she's nervous. She seems to be in a state of shock.
00:31:33Do something. Get her. Say she can't get her breath.
00:31:35Help me get her to the window.
00:31:36Yes, I'll open it.
00:31:44She had an attack like this before.
00:31:46Take deep breaths, dear. It'll pass.
00:31:48Is that any better?
00:31:50Is the air helping?
00:31:51Perhaps you should lie down.
00:31:55No, thank you.
00:31:57Better now.
00:31:59You gave us quite a scare. I didn't realize you were in such a nervous state.
00:32:03I'm sorry, but I...
00:32:04Come and sit down quietly.
00:32:06Yes, right.
00:32:12Does she usually suffer from nerves?
00:32:14Yes, since the death of her father.
00:32:17Was he killed in an accident?
00:32:20No, it was a heart attack.
00:32:24He was in his daughter's bed with a young girlfriend of hers from college when he died.
00:32:29It was a scandal for months.
00:32:31But why?
00:32:34Nowadays, I suppose, it seems like nothing to the young.
00:32:37But 30 years ago, it was a really shocking thing.
00:32:40Attitudes have changed quite a lot.
00:32:42Anyway, Elsa lost her mother when she was still a child.
00:32:47She was very attached to her father.
00:32:51It wasn't really surprising she took it hard.
00:32:55She had a nervous breakdown over it.
00:33:12Feeling better now?
00:33:14All right.
00:33:21You must have collapsed.
00:33:23Yes.
00:33:24I'm so sorry.
00:33:26Better take one of these. It'll help you relax.
00:33:30They're tranquilizers.
00:33:34Can I be of any help to you?
00:33:39No, thank you.
00:33:41I hope you've made yourself comfortable.
00:33:44Yes, I'm much obliged.
00:33:46If there's anything you need...
00:33:47No, thanks.
00:33:48I'll be all right.
00:33:50Good night then, Mr. Porter.
00:35:18Now...
00:35:27Sleep well.
00:35:42Give me a hand, will you?
00:35:44All right.
00:36:19This is all I have to offer you. I'm terribly sorry.
00:36:22Don't worry. That'll be fine.
00:36:24I hope you won't be too uncomfortable.
00:36:26I'm grateful for your hospitality.
00:36:36How is that woman feeling now?
00:36:38I gave her a sedative and she went to sleep at once.
00:36:40I got the impression she wouldn't be able to get to sleep too easily.
00:36:43If you want anything else in the night, don't hesitate to call me.
00:36:46The others have already settled in.
00:36:48Good night.
00:36:49Sleep well.
00:36:50Good night. And thank you.
00:37:17Where are you going?
00:37:19I want to see how Elsa is.
00:37:21She's asleep by now. No need to go waking her.
00:37:24Well, how do you know?
00:37:26Let that Clinton woman see to her.
00:37:29I'm extremely tired.
00:37:31Let's get a little rest.
00:37:33Tomorrow is a very important day for us.
00:37:36Let's get a little rest.
00:37:38Tomorrow is a very important day for us.
00:38:36I'm going to get you, I'm going to get you, I'm going to get you, I'm going to get you.
00:39:07Get a grip on yourself, man.
00:39:11Get a grip on yourself.
00:39:16Wait.
00:39:17You don't mean to go in there.
00:39:19I must.
00:39:20Whatever for?
00:39:21I want to find out what's going on here.
00:39:23And you think the answer's in there?
00:39:27Well, it's possible.
00:39:29I don't know.
00:39:31The answer's in there.
00:39:34Well, it's possible.
00:39:36Go on then.
00:39:43You see?
00:39:45It slides quite smoothly.
00:39:49No sign of rust.
00:39:50What are you getting at?
00:39:52But don't you recall?
00:39:53She told us that this door hadn't been opened for a good many years.
00:39:57Yes, that's true.
00:39:58No, I'm going in.
00:40:00I want a quick look.
00:40:05It's so dark.
00:40:07What do you hope to see?
00:40:09I didn't believe the story about that rat.
00:40:11Why not?
00:40:13What are you looking for?
00:40:18That scratching sound we heard couldn't have been a rat.
00:40:25You see?
00:40:27There are no scratches on the lower part of the door.
00:40:29If it wasn't a rat, what was it?
00:40:31I've no idea.
00:40:33But I intend to find out.
00:40:35Look.
00:40:36What do you think did that?
00:40:37It's certainly not a rat.
00:40:43Let's get out of here. It gives me the creeps.
00:40:51I'm scared, Fred.
00:40:57I'm scared.
00:41:27I'm scared.
00:41:57I'm scared.
00:42:27I'm scared.
00:42:57I'm scared.
00:43:27I'm scared.
00:43:57I'm scared.
00:44:09Shall we dance?
00:44:11Shall we dance?
00:44:25Are you asleep?
00:44:27No.
00:44:28What do you want?
00:44:29I wondered if you'd like a little company.
00:44:32I'm perfectly all right on my own.
00:44:34Please go away.
00:44:37Wouldn't you like a little drop of whiskey?
00:44:39No.
00:44:40You must be lonely. It's horribly sinister in here.
00:44:43I wish you'd leave me alone.
00:44:45I'd be terrified.
00:44:46Not only your bedroom.
00:44:48All the rooms are alike, including mine.
00:44:51In fact, I feel very uneasy.
00:44:55Really, I do.
00:44:57And I thought perhaps a little whiskey would do us a world of good.
00:45:00I don't want your whiskey or your company.
00:45:02Go away.
00:45:03But I...
00:45:04Get out of here.
00:45:06You mean you really want me to go?
00:45:08Yes.
00:45:17I always thought there was something odd about you.
00:45:19Now I know what.
00:45:21Get out.
00:45:22I never bother with women...
00:45:24who despise men.
00:45:36Oh.
00:45:50I'm thirsty.
00:45:53Everything all right, Dad?
00:45:54Pretty good. I feel more like your brother.
00:45:57You're cute tonight.
00:45:59You wouldn't think so if you were sober.
00:46:01I'm only your daughter.
00:46:02Oh?
00:46:03May I have a glass of orange?
00:46:04You may look good, but you're a foul mood.
00:46:06I admit you're a handsome man, Dad.
00:46:09Oh, thanks.
00:46:11But one thing gives away your age.
00:46:13That's interesting to tell.
00:46:16Your preoccupation with little girls.
00:46:18Oh, that.
00:46:20Your behavior is disgusting.
00:46:22You were propositioning that child.
00:46:24Adelaide is no child. She's your age.
00:46:26I know that.
00:46:29Today it's Adelaide.
00:46:31It'll be her little sister next.
00:46:33Like me to find out if she likes old men, too?
00:46:35No, thanks, Elsa. I manage alone.
00:46:37I don't usually sleep with my daughter's college friends.
00:46:41At least, not many.
00:46:44I take it you had a row with Ernest again.
00:46:46Yes, I did.
00:46:47I'm happy to hear it.
00:46:49Let me warn you.
00:46:51He's a scoundrel. A good-for-nothing.
00:46:53Ernest is extremely rich.
00:46:54That's what he likes you to think.
00:46:56He'll get through his inheritance and...
00:46:58Sorry, I beg to differ.
00:46:59Have it your own way. I warned you.
00:47:01Now, if you'll excuse me.
00:47:03I have someone waiting.
00:47:11A martini, very dry.
00:47:15Ernest!
00:47:16I didn't expect you.
00:47:18I'm glad you could make it.
00:47:20Really?
00:47:22Do you want to start again?
00:47:26I don't see why not.
00:47:28Be reasonable, Elsa.
00:47:29I'm no longer at that age when love can blind one.
00:47:31I see what you are.
00:47:33Capricious, dominating.
00:47:35A spoiled child.
00:47:36You mean you don't want me?
00:47:37Yes, yes, I do.
00:47:39I'm crazy about you and you know it.
00:47:41But your behavior is unbearable, Elsa.
00:47:43Oh, I'm not so awful.
00:47:47All right, then.
00:47:48Let's try again.
00:47:51Come on.
00:47:53Let's go.
00:47:59Let's go.
00:48:17I'm sorry about yesterday.
00:48:19I promise never to make a fuss about anything again.
00:48:22Let's hope not.
00:48:24Where should we go?
00:48:25Wherever you like.
00:48:29Let's go.
00:48:50Let's go to my place.
00:48:53Are you quite sure?
00:48:55Yes, I am.
00:48:57The two of us alone.
00:49:27Let's go.
00:49:57Let's go.
00:50:27Let's go.
00:50:28Let's go.
00:50:57Let's go.
00:51:08In your house, Daddy.
00:51:10In your bedroom.
00:51:12In your own bed.
00:51:27Let's go.
00:51:28Let's go.
00:51:58Who is it?
00:52:02It's me, Porter.
00:52:05Ms. Clinton, can I come in?
00:52:11Are you there?
00:52:23Is there anything you want?
00:52:25No, not really.
00:52:26I'm...
00:52:27I'm just a bit lonely.
00:52:30And I thought...
00:52:31Come in, Mr. Porter.
00:52:33And close the door.
00:52:40I thought...
00:52:41perhaps you'd like a drop of...
00:52:43whiskey.
00:52:55I can't.
00:53:14I don't like to drink alone.
00:53:17And I wondered if you...
00:53:19would like to keep me company.
00:53:22Wait a minute.
00:53:24Why would you mind doing me a favor? Mr. Porter? No, I mean turn around. What do you mean?
00:53:33You don't mind
00:53:35First oh
00:53:38Okay, not it. I will I like Molly's girl
00:53:54I
00:54:24I
00:54:54Pray pray
00:55:24Are you there? Oh, please answer
00:55:54Oh
00:56:13Don't scream at me
00:56:15I
00:56:21Almost died
00:56:23I'm sorry, but how the hell was I to know it was you? Why for the torture? What are you doing in there?
00:56:29Looking around and you'll never guess what I found. It's something. Oh, I don't want to know. Don't be silly. Come and look
00:56:36Right, let's get out of here
00:56:40This tunnel leads to a crypt
00:56:45It's just a chapel I found attached to the family
00:57:15I
00:57:17I
00:57:31I'll sir
00:57:39F
00:57:43Good night
00:57:48I
00:58:00Only your father, you know, not God
00:58:03Just a man like any other with defects as well as virtues. I'm anything but perfect. I'm only a man
00:58:11You can't expect a husband to be perfect either
00:58:14But he has a right to be a husband
00:58:17You can't deny me that what have I done to deserve this? It's you you
00:58:22You who's destroying our marriage? It's your fault Elsa. I
00:58:38Heard a cry so I thought I'd see if you were all right
00:58:41But it must have been a nightmare, yes, it was a nightmare that you seem very upset
00:58:48If you'd like me to I could lie here with you until you feel better
00:58:56Tell me about the dream you had was it a bad one? No, it was something very personal. I
00:59:04Prefer not to talk about it. Don't talk about it then
00:59:07I'm terribly tired. I think I'll try to sleep
00:59:27This passage under the garden must have been built to reach the crypt of Martha Clinton's family
00:59:32This passage under the garden must have been built to reach the crypt of Martha Clinton's family
00:59:38Whatever it is, it's a spooky place
00:59:46That's a strange why I don't see anything strange about it someone's removed the cover of this coffin
00:59:54look
00:59:55Julie Clinton
00:59:581864 to 1942 when she died. She was nearly 80 years old Julie Clinton
01:00:04It means that miss Clinton's story was true, but she and her chauffeur were killed
01:00:09Did we see that man on the way here?
01:00:12That's what I want to find out
01:00:15Can you see anything?
01:00:19Nothing inside well, I don't understand it
01:00:22She's either making fools of both of us with her fables about vampires or there's something most peculiar going on around here
01:00:29Do you think the vampire was her aunt?
01:00:31I'm not sure but there's a lot of evidence to make you think well
01:00:35Yeah, if you're trying to scare me any more than I am already you're wasting your time
01:00:39I'm not trying to scare you. It's just that I'm trying to
01:00:43Get the bottom of this goddamn mystery
01:00:51I
01:01:21I
01:01:51I
01:02:21I
01:02:42Now do you understand the only thing I understand it's better out here in the fog than in that awful house
01:02:52Hey, who is it?
01:02:56It's mr. Porter Porter, what are you doing there?
01:03:05To God raving man stay here and try not to move
01:03:16Laura come here quick
01:03:22What's the matter with him man's dead are you sure yes, I think he had a heart attack
01:03:30Perhaps it was the shock of seeing us coming out of that too. No, he's quite cold you mean
01:03:39That's rigor mortis he's been dead quite a while
01:03:42See that he was murdered
01:03:45But then how did he shoot it up?
01:03:48I don't know
01:03:50I don't know but the barrel of his gun still warm
01:03:54You're that you forget what is it God knows
01:04:04They there who are you stay where you are I'll shoot you
01:04:12What are you waiting for fire stop I'm warning you
01:04:20I
01:04:26Let's go, please
01:04:30All right dangerous to stay here we'll take him back to the house here help me
01:04:50Oh
01:05:05What happened hurry, please shut the door
01:05:08Oh
01:05:16Now, please tell me what you were doing out there Porter's dead dead
01:05:22But how have you seen my wife? No, why well, she
01:05:29Just disappeared disappeared
01:05:33Yes, we went to sleep last night and when I woke up there was nobody beside me
01:05:38I took the liberty of knocking on Elsa's door, but there was nobody there either
01:05:42You're saying that both Elsa and your wife have disappeared. Yes, I've searched everywhere and found no trace. Oh
01:05:52My heavens, what's the matter with mr. Porter? He's dead. I'm afraid I
01:06:01Don't believe it. How'd it happen? He had a heart attack
01:06:06Probably brought on by a great shock
01:06:09But we can't know for sure until it's an autopsy. I hate to change the subject, but I smell burning
01:06:15So do I look it's coming from there. You're right
01:06:35I
01:07:05Don't know do your best to put this fire, but hurry back and help
01:07:35She's coming to you keep an eye on her. Oh, please don't leave us alone. I have to
01:07:42But why because it's something I have to do what's so important to uncover the truth?
01:07:48Here take this
01:07:51You know how it works, don't you? Yes, I take up the safety cap. Yes, that's it. Then all I have to do is wait
01:07:57I'll be back in a minute. I'll be back in a minute. I'll be back in a minute
01:08:00I'll be back in a minute. I'll be back in a minute. I'll be back in a minute
01:08:03I take up the safety cap. Yes, that's it. Then all you do is pull the trigger
01:08:10Be back soon
01:08:33I
01:08:35Wish I
01:08:37Was afraid she's still suffering from shock and a certain amount of asphyxiation
01:08:42What she really needs is medical help. I
01:08:46Don't know where you're going
01:08:48But I don't advise trying to get to Milan if that's your idea. It is just what I'm gonna do don't
01:08:55You'll never make it, you know what this bogs like
01:08:59I'm sure you're right, but I'm gonna do my best
01:09:02Come on
01:09:32You listen if you get to Milan go straight to the police don't worry I will
01:10:02You
01:10:32I
01:11:02I
01:11:10Could you leave me alone like that, but I thought you were sleeping. Yes, of course I was I
01:11:15Was woken up by a sound and I didn't have any idea what you were. Well, there's no need to worry now that I'm here
01:11:20Where have you been? I went to see if I could find a blanket somewhere. You don't want to get cold
01:11:25No, I want to get dressed immediately. It's better for you to stay there. I want to get fresh
01:11:29All right, that's what you want I'll help you where did you put your clothes in that cupboard
01:11:59Come on
01:12:29I
01:13:00Oh
01:13:05What are you doing here my husband, where is he?
01:13:12Home is a three-month
01:13:14Tell me what it is
01:13:17The pills I took what pills the pills that my husband gave me
01:13:23pills to
01:13:25pills for my insomnia
01:13:29Couldn't go
01:13:59I
01:14:29I
01:14:59I
01:15:29I
01:15:59I
01:16:29I
01:16:59I
01:17:08Congratulations, it worked perfectly
01:17:11He's made a best performance of your illustrious career too bad. It wasn't a theater
01:17:19It's curious to what point a human being can be terrorized
01:17:23Porter's heart literally stopped beating else has been driven insane and those two kids are convinced that Porter's body shot at
01:17:30Without realizing that the only live bullet was the one left deliberately in the gun
01:17:35but all the others
01:17:38or blanks
01:17:45We must destroy the loudspeakers and tape recordings as soon as possible
01:17:48Igor will take care of that. Don't worry about it. It'll be dawn soon. Mr
01:17:52Hurry, I can just imagine the faces of the policemen when those two start talking about walking corpses and vampires
01:17:59And when we tell him that nothing happened here at all, they'll probably end up in an asylum along with Elsa certainly
01:18:06It's you
01:18:09Everything went very smoothly. In fact exactly as we planned. There's minor detail that should be cleared up
01:18:17The cost of the operation we would like double
01:18:24What are you doing have you gone mad
01:18:30What do you want me to
01:18:36That sound like a shot someone fired a shot what was it? Oh my god, mrs.
01:18:40Dream on please don't go to sleep again. Not now you mustn't now
01:18:48What did you have to do that for
01:18:51We've done everything you wanted us to do
01:18:53What do you want from us now?
01:18:56Don't point that don't point that just give us the amount we agreed to do it for whatever you like
01:19:08Don't shoot me too. I'll never tell anybody about it. You've nothing to fear for me
01:19:25I
01:19:55Oh
01:20:25Oh
01:20:55Oh
01:21:16Right Oh
01:21:20Thought I'd never find you
01:21:23We've no time to lose we better get out of here we can't possibly leave these two here alone
01:21:30There's no choice we must get to the police and send an ambulance it's almost dawn and we only have the motorcycle
01:21:52I
01:22:22I
01:22:52Oh
01:23:20Elsa
01:23:22Oh
01:23:52Oh
01:24:22Oh
01:24:52Oh
01:25:22Oh
01:25:52You