Ben (Khalil Ramos) is spooked when he sees the 'lilom' while filming a scene for his movie. Could this be a warning or a sign of something more? Meanwhile, as the film production progresses, LJ (Gabbi Garcia) becomes increasingly determined to uncover the truth about what really happened to her mother.
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00:00Ben! There's a ghost in front of the room!
00:04Are you okay? Why did you get left behind?
00:06I followed the ghost.
00:12It's just a simple brownout.
00:14Are you sure?
00:15The staff said that you were the ones who got lost.
00:22So where is Chu?
00:23No one is listening to me!
00:25I'm the one who's listening!
00:26I saw this inside the house, in a room that is not used.
00:31I think there's gasoline inside.
00:33Do you have the footage of the brownout on the set?
00:36Leak it!
00:37Real life scare happens in the biggest horror suspense movie of the year.
00:44I need to know if you can carry the torch.
00:46I'm counting on you.
00:48How important is our family name to you?
00:51Very important.
00:52Protect your family name.
00:56Promise?
00:57Promise.
00:59See you, Tisay.
01:00Why did you leave your friend?
01:02I was scared. Something happened to her mother.
01:05Maybe that's why I'm still here.
01:08Because the story is not over yet.
01:22A few days later.
01:24A few days later.
01:50I don't want to go home.
01:54Is this a dream?
02:05LJ?
02:06Auntie, are you crying?
02:09Auntie?
02:11Is it Mama?
02:13What about Mama?
02:15Your Mama is okay.
02:17This is what I'm following in the drama.
02:20Is it the girl?
02:21My chicken is in the friend zone.
02:23Chicken?
02:25Why doesn't the good boy want it?
02:28Wait, wait.
02:29What's going on? I don't understand.
02:32Nothing. We're just okay.
02:35Your boyfriend always comes back so that your Mama has something to cook.
02:42Uncle Joe is the good boy.
02:45Oh, you said it.
02:47That's why you, LJ, when you have a boyfriend, choose the good boy too.
02:54Oh, LJ.
02:57How are you?
02:59How's your chest?
03:00Did you find out anything about your chest?
03:03Oh, Auntie.
03:05It's just the first day of the surgery.
03:08We haven't even started yet and there's already something broken.
03:12I feel like there's something we don't like here, Auntie.
03:15LJ, I know you went there to find out what happened to your Mama.
03:20But please, be careful.
03:23Yes, Auntie, I'm being careful.
03:26That's why,
03:29that's why I'm not telling the people here that Mama and I used to live here.
03:34I know you're taking care of your Mama.
03:37But LJ, be careful there.
03:40And if you need help, just let me know, okay?
03:44Please.
03:51Hey, guys.
03:52Be careful, okay?
03:53Put it inside.
03:54Be careful with the things.
03:56Make sure it's complete.
03:58Rudy.
04:13Good morning, Consejala.
04:16Did you tell the Mayor already?
04:18Did you tell Mayor Harry about the incident that happened here last night?
04:22The brownout?
04:24Ah, you must be Ms. Patty.
04:28Ah.
04:29Mayor Bienvenido Chavez.
04:33M-Mayor?
04:35Ah, hi, Mayor.
04:38Oh, thank you for dropping by.
04:41Ah, I think I saw you somewhere.
04:44I'm sorry if I suddenly asked you to come here.
04:46The reason I came here is because I received a message from the former Mayor.
04:52The one who's hiding now because of a lot of cases.
04:56That's why I'm in charge here.
04:59Ah.
05:00You know, this house has been here for a long time.
05:03Since the Spanish,
05:05Japanese,
05:07and American times.
05:09It's a good thing you didn't get burned.
05:11Ah, no, no, no.
05:13I'm just kidding.
05:14You know, Delapaz has already donated this to the town of Santa Castella.
05:19Ah, yes, Mayor.
05:22Tristan Delapaz helped me.
05:25Director,
05:27we're going to use this location to say goodbye to Mayor Harry.
05:31Not Harry,
05:33Mayor Bienvenido Chavez.
05:36Sorry.
05:38Anyway,
05:40you already have a permit.
05:41That's why I came here.
05:43I just want to know if there's a problem.
05:46You know,
05:48Ms. Patty, we're just taking care of this town.
05:51And we don't want anything to happen to the town of Santa Castella.
05:58Right?
05:59Ah,
06:01yes.
06:02We will make sure that everything will be okay.
06:06As a matter of fact,
06:07we will make Santa Castella famous.
06:10Mayor.
06:11Oh, don't worry.
06:14By the way, Mayor,
06:16I'm here to keep an eye on them.
06:20It's not a big deal.
06:23In fact,
06:25Santa Castella is trending right now.
06:28It's okay if it's trending,
06:30for the right reason.
06:32Ms. Patty.
06:33Yes, sir.
06:34You know,
06:35you can hire me for your movie.
06:41So,
06:43I'll leave now.
06:45Wait.
06:48Ms. Patty,
06:49I don't believe in bad luck.
06:51But,
06:53I have a suggestion.
06:54Yes.
06:56Please,
06:57don't,
06:58don't get mad
07:01at Lilo.
07:04Whoa.
07:17Good morning, Director.
07:18Hi, good morning.
07:19Good morning, Director.
07:20Good morning, thank you.
07:21Thank you, thank you.
07:22Morning, Director.
07:23Hey, good morning.
07:24Hi, good morning, Director.
07:25I'll get your bag, you can bring it there.
07:27Thank you, good morning.
07:28Diego, Colleen.
07:29Hi, Director.
07:30Good morning, how are you guys?
07:31Good morning.
07:35Good morning, Director.
07:38Morning.
07:39Morning.
07:41How are you?
07:49It's gonna be a busy day.
07:52Yes.
07:54Good luck, Director.
07:56Yeah.
07:57Good luck.
07:58Good luck to all of us.
07:59Good luck to all of us.
08:03Okay.
08:12Colleen,
08:13are you ready for our first scene?
08:15Director, I'm sorry.
08:16I'm nervous.
08:17What kind of attack do you want here?
08:19Director, Colleen couldn't sleep.
08:21She's thinking about the scene.
08:23Is it our first take, Director?
08:24The attack that made me dizzy?
08:29Okay, Colleen, look.
08:30I know it's your first day,
08:32and this scene is heavy.
08:35In this scene,
08:36Lilo will attack you right away.
08:39And you know,
08:41you know that he plans to imprison you here.
08:44Till who knows,
08:46one week, one month,
08:48maybe forever.
08:51I know, okay?
08:53I know that you feel unprepared
08:55in scenes like this.
08:57So use that.
08:59That's exactly what I want.
09:01Yeah?
09:02You feel uncertain.
09:03You feel scared.
09:05Colleen,
09:06don't be afraid of your emotions.
09:08Embrace them.
09:10Okay?
09:11In this scene,
09:12I want to see your real and raw emotions.
09:14Yeah?
09:15Okay.
09:17Love,
09:18you can do this, okay?
09:20You can do this, okay?
09:21Okay, Director.
09:22I'm ready.
09:23Okay, game.
09:25Get ready.
09:26Alright, good luck.
09:27Thanks, Director.
09:30Come on.
09:40Director,
09:41do you want to change anything?
09:44No, it's okay.
09:46Looks exactly like your sketches.
09:49Okay, Director.
09:50Good luck with the scene.
09:55Wait, LJ.
09:57I want to tell you something.
10:01Go ahead.
10:02Tell me.
10:06Directly to
10:08Colleen's character.
10:11Can we
10:13not make her
10:15helpless?
10:17I think her character is too helpless.
10:21What do you mean?
10:22Her character
10:23told Lilo
10:25that
10:26she won't lose.
10:28But
10:29that's all she did.
10:31It's like
10:32she just waited
10:33and relied on
10:34Diego's character
10:36to save her.
10:39They still have a lot of scenes.
10:41They will help each other
10:42to escape from home, right?
10:46You're right, Director.
10:49But
10:50in real life
10:52women
10:55really fight.
10:58Sometimes, they lose
11:01but they fight.
11:04That's all, Director.
11:06Good luck.
11:13Director,
11:14can we go now?
11:16Let's take a look.
11:17Let's go.
11:19Let's take a look.
11:22Let's take a look, Director.
11:47I
11:48see
11:49you
12:00I
12:01see
12:02you
12:08I
12:10I
12:11still love you.
12:14Hey.
12:16Yes, I'm fine.
12:20Uh, Liza?
12:23Hi.
12:24Uh, favor.
12:25Please tell the PA downstairs that I'm calling RDJ.
12:29I need to talk to him.
12:32RDJ?
12:34Is RDJ there?
12:35Please tell him that I need to talk to him.
12:45If you're asking me, it's better if you release a statement about your situation.
12:50And who will take over if something happens to you.
12:54You know, attorney, you don't have to rush that.
12:58My son and I, we are the majority shareholder of the company.
13:03As for our plans for the company, attorney, I'm going back to Santa Castella.
13:08I have a case to sue for my dad.
13:11Understood. If you need anything, just call me.
13:15Okay.
13:18Um, excuse me, Mr. Lalo Paz, it's time for your therapy session.
13:23Why did he come here?
13:27Were you playing chess?
13:32It was just hours ago.
13:34You were supposed to be resting.
13:36And aren't you supposed to be somewhere else?
13:39Yes.
13:42You didn't tell me that you left the place where Ben was buried in our ancestral house.
13:49It technically belongs to Santa Castella now.
13:52But you obviously made it easy for Ben.
13:54It's the oldest house in Santa Castella.
13:58There's no better location for their film.
14:00I had plans for that place.
14:02I wanted to renovate it into a heritage house to cement our legacy in Santa Castella.
14:07A museum to showcase all of our achievements on its walls.
14:12Go back to Santa Castella.
14:16Protect the names of those who came before you.
14:22Protect?
14:24What do you mean, dad?
14:27I want you to oversee the renovation personally.
14:32This project is very important to me.
14:35Can I count on you?
14:37I won't let you down, dad.
14:41That's good.
14:45Because only one person can do this for me.
15:01That should be the head of the scene, right?
15:03Yeah, yeah.
15:05Okay, got it, RDJ.
15:10Good morning, Sir RDJ.
15:11He already called me.
15:13Hi, Colleen. Yes, we have instructions for you.
15:15Okay.
15:16Okay, our scene will start with you at the window.
15:20That window is locked.
15:22There's no way out.
15:23But you'll find a way to seal this paper.
15:28This piece of paper is your way to communicate with the outside world.
15:32That is your scene objective.
15:34That's what Jazz is trying to do before Lilo arrives.
15:39And then the scene intensifies, okay?
15:42But Director, isn't that just an extension?
15:45LJ pointed out that if we don't take care of your character,
15:49it will look like a damsel in distress.
15:52And I agree.
15:59Is that okay with you, RDJ?
16:00Yeah, for me, it's better if we show that your character has the ability to save herself and later on, those she loves.
16:11Okay, I'm in.
16:12Yeah? Okay, let's do this.
16:15Director, sorry.
16:17RDJ, isn't Lilo Anino?
16:21Who's Anino?
16:25Director, are we ready to take time check?
16:31Yeah, okay.
16:32Let's go?
16:33Let's do this. Let's go.
16:34Are you ready?
16:35Yeah.
16:36Okay, so.
16:38Let's go.
16:39Okay, we're ready.
16:42RDJ, I'm here.
16:44So you can get closer to the monitor.
16:46I'm just here. Far from the shot.
16:49It's up to you, sir.
16:52Okay, let's take. Cam set.
16:53Cam set.
16:55And roll.
16:56Cam roll.
16:57Rolling.
16:58Audio roll.
16:59Rolling.
17:00Three, two, one, and.
17:01Action.
17:18Hey.
17:29Hey.
17:38Hey, O.
17:39Let's insert a shot of the paper.
17:41It will fall on the house.
17:43Then it will fall on the sidewalk, okay?
17:59Okay.
18:29Jesus Christ.
19:00Cut.
19:01Cut.
19:02Cut!
19:12Cut!
19:27Direk, why did you cut?
19:33Liza, let's take a break for 15 minutes.
19:36Let's take a break for 15 minutes.
19:43Direk Ben, what's the problem?
19:49Nothing, I just need some fresh air. Excuse me.
20:04Why, Direk?
20:07Okay, let's relax. Let me touch you first.
20:10Later, later.
20:12Love, are you okay?
20:14No, did I do something wrong? Why did I do that?
20:18No, it's okay. You're good.
20:20Let me touch you, Direk.
20:21Maybe it's just a technical difficulty.
20:24You're good, you're good.
20:26Do you want some water?
20:28Yes.
20:29Just a moment.
20:30Water?
20:33Okay, love.
20:47Cut!
20:51Tristan?
20:53Tristan?
20:55Tristan?
21:00Tristan?
21:03Tristan?
21:20Tristan?
21:23Tristan?
21:28Tristan?
21:35Tristan?
21:39Tristan?
21:49Tristan?
22:09Sorry.
22:10Sorry, sorry. Maybe you're more nervous.
22:13No, thank you.
22:19What did you see?
22:22Huh? What do you mean?
22:27Earlier, in the scene, I think I saw something on the monitor.
22:38LJ, do you believe a place can be haunted?
22:49The props are beautiful, right? Is it too realistic?
22:53The art department is good.
23:02Why?
23:04Do you believe in ghosts?
23:22Direk, sorry. Let's go back to work.
23:25Fatty will take care of it.
23:28Okay, sure.
23:30Okay, let's do this. Let's go.
23:48Come with me.
23:49I can't.
23:52I won't leave. I won't leave you.
23:59Wait for me. I'll come back to you.
24:05Cut.
24:06Good.
24:07Is it good?
24:08Good take, good take.
24:10Close sequence.
24:11Wow.
24:12Alright.
24:13That's it.
24:14Alright, that's a wrap everyone. Thank you for today.
24:17Good job guys, good job. Thank you, thank you.
24:20Direk, you're so brilliant.
24:24If we're like this for the next two days,
24:26we'll be able to get back what we got because of Brown Out, right?
24:31Anything for our film, Ms. Fatty.
24:32I love it, I love it.
24:35Congrats, Direk.
24:37Thank you for your support earlier. I needed that.
24:43You're welcome, Direk.
24:49So?
24:52So...
24:55What?
25:23Baby, are you still sleeping?
25:25Is it that late for the shoot?
25:37Direk, I think our heads are hot right now.
25:41We can't get the look.
25:43It's hard if LJ isn't here.
25:45If our production designer isn't here in the set.
25:49Direk, it's hard if LJ isn't here.
25:52Exactly.
25:56Can I ask you something?
25:58Why are you worried about your mom?
26:01And where's your dad?
26:07There's an art deputy who slipped and needs to pack up for the shoot?
26:11I don't think so.
26:13I just want our fans to know the truth.
26:16That we're in danger because we're doing this project.
26:20I don't want to be the next victim of Lilong Diego.
26:23I don't want to be the next victim of Lilong Diego.