Ishq Hua_Episode 02 - Haroon Kadwani - Komal Meer - Sohail Sameer - 11th August 2024
Ishq Hua_Episode 02 - Haroon Kadwani - Komal Meer - Sohail Sameer - 11th August 2024
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00:00Oh
00:30Oh
00:40Yeah, he's okay
00:51Mola mera mola
01:00Oh
01:30Oh
01:49Should be a cool carabao
02:00When I said that about
02:02the beat of rest a dish I think of on a charter
02:05That you can come to the bar. Nicky. There's a deal about hoga. That'd be to do so get a little bit. I'm jay
02:11Back on South ship. I mean don't overcome
02:15Boss, what's that?
02:17What the heart got that?
02:22Suck it. How you meet an appala?
02:25Yeah, I don't get it
02:28But I will
02:30Have you been so about it?
02:32That could get a jog, Jata
02:36Ops, it's a new test
02:40What's if mera party
02:43What do you but I'm at us
02:46And they may have a hard time
02:51Like a bike
02:57Foreign
03:14How
03:28Foreign
03:46Foreign
03:57Foreign
04:11Foreign
04:27Foreign
04:49Foreign
04:57Foreign
05:23Foreign
05:27Foreign
05:37Foreign
05:49Foreign
05:57We can do
06:01A car at a
06:03Bawalpur
06:05But they are
06:07But I
06:11Will I
06:13But
06:15It's up to
06:17But they are
06:19But
06:21My
06:23But
06:25The
06:27But
06:29the
06:31But
06:33B
06:35But
06:37But
06:39The
06:41But
06:43But
06:45But
06:47But
06:49But
06:51But
06:53She used to find out about the spring on the phone.
06:58In the beginning, she even sent gifts on Eid.
07:02Then slowly, the phone and the gifts stopped coming.
07:08After that, a letter came.
07:14And where is that letter?
07:23Let's see.
07:43Mahalla Daruwala Gali No. 30, District Bahawalpur, Chachawal.
07:53Mahalla Daruwala Gali No. 30, District Bahawalpur, Chachawal.
08:06Greetings.
08:18This time, we'll have to do something different.
08:21What?
08:22Now, will you hang the picture upside down and take the picture?
08:30Okay, tell me this.
08:34How do I look?
08:36What happened? Go and ask a girl.
08:39Tell me.
08:41You look fine.
08:43And one thing.
08:45Till now, whoever we have gone to,
08:47everyone is ready to come out with their daughter.
08:52One thing is clear.
08:53When I will go to see my daughter,
08:56I will take you with me.
08:58What if there is a problem?
09:04Let's go.
09:07Selfie is made on this.
09:12Come.
09:18Parbhai.
09:21You look amazing today.
09:24Let's take a selfie.
09:25Move back.
09:28Come closer.
09:29Go inside and fix the light.
09:32Yes, that's good.
09:33Close the button.
09:35What do you mean?
09:36Do it.
09:39Let's do it like this.
09:41Ready.
09:52Tell me the number.
09:530348…
10:01Have you clicked it?
10:22You have seen so many qualities.
10:25What if they take their daughter barefoot?
10:32Let's see what her daughter says.
10:40The boy is very nice.
10:42What do you say?
10:45He is very nice.
10:47He is very nice.
10:48What do you say?
10:52What do I say?
10:55I don't think your daughter will agree to such a distant relationship.
10:59She will agree later.
11:00First find out who is there in both of them.
11:03Come here.
11:05This boy in the back.
11:07He is my nephew, Bahar.
11:09He?
11:10Can't you see?
11:11He looks so much like my brother.
11:13Forget the face.
11:14He looks so old.
11:17Look at this.
11:19He sends such pictures for the proposal.
11:22He has sent this picture for the wedding.
11:24With someone else.
11:26Anyway.
11:27Tell me.
11:29Who is he with?
11:32He is Tabrez.
11:34He lives with him.
11:36It's not written here.
11:38Look at this.
11:39This is the number of that boy from where the message has come.
11:42Tabrez.
11:44Tell him not to.
11:47Why?
11:50Who will come to us from Karachi?
11:56It's too much.
11:58You are also agreeing with him.
12:02Make him understand to stop being stubborn.
12:06You still don't understand.
12:08I can't leave my daughter.
12:10Neither can my daughter leave me.
12:13In this love between father and daughter,
12:15she shouldn't remain unmarried.
12:18And Karachi is far away.
12:20No one will come here and become the son-in-law.
12:25Then the one who is ready to become the son-in-law will come here.
12:32Then do one thing.
12:33Give an advertisement in the newspaper.
12:35Because Naseema won't bring any more proposals.
12:38Forget the proposals brought by Naseema and Naseema.
12:41God willing,
12:42our daughter will be very lucky.
12:44She will get a very good proposal.
12:57What is the issue now?
13:01There is only one issue here.
13:04My marriage.
13:07My nephew has got a proposal from Karachi.
13:11Now my nephew has also got a proposal.
13:15He is such a big businessman.
13:17He has a big house.
13:18He has everything.
13:21Then what happened?
13:24I lost my head.
13:26Your father refused.
13:28You know the reason.
13:41Yes.
13:59The boy is handsome.
14:03But I won't go to Karachi.
14:11What has happened?
14:13Now tell me what they have said.
14:16Why are you telling my face?
14:19Did you refuse?
14:23Show me what is written.
14:25We can't get our daughter married so far.
14:27Why are you saying this?
14:29What is written here?
14:31This is it.
14:32Who refuses like this?
14:34That we can't get our daughter married so far.
14:37Because we want our daughter to get married
14:39and that is why they are coming to our house.
14:41Who looks for a son-in-law for his daughter?
14:43I am telling you.
14:45These are all excuses.
14:47When the girl's family refuses,
14:49they say that our daughter has to study further.
14:52And when the boy's family wants to do it,
14:54they have only one tagline.
14:57Because mother has seen a black snake in her dream.
15:01Brother.
15:02If the son is like a black snake,
15:03then only black snakes will come in the dream.
15:06See how they are at their pace.
15:09If brother Mahar becomes a real son-in-law,
15:12he will become crazy.
15:14And he will throw him out of his house.
15:16He will take over another plot.
15:18I am worried and you are laughing.
15:22What will happen?
15:24First you will say that
15:26till brother Mahar doesn't get married,
15:28we can't laugh, we can't cry, we can't wash.
15:30We can only live in sorrow.
15:31Even if we rot.
15:35He won't understand.
15:39What has happened?
16:10Mother.
16:12Mother.
16:39Mother.
16:46I don't know what I will do with the keys.
16:54Don't touch me.
16:55Yes.
16:57Don't shout or I will shoot.
16:59Take it.
17:00Take everything.
17:02Take this too.
17:04Leave it.
17:05I am giving it.
17:06Leave it.
17:07Take whatever you have.
17:09Leave it.
17:11Don't say anything.
17:12It is lying there.
17:13Go and take it.
17:18Don't say anything.
17:19I am giving it.
17:20I am giving it.
17:33Keep it here.
17:37No.
17:40Take it.
17:41Take it.
17:42Nothing will happen.
17:43Put it fast.
17:44Put it fast.
17:49Nothing will happen.
17:54No.
17:55No.
17:56Leave it.
17:57Leave it.
17:58Leave it.
17:59Leave it.
18:00Leave it.
18:02Save me.
18:03Save me.
18:04Bali, you?
18:07Bali.
18:38Abodi.
18:47Mom.
18:49Mom.
18:51Mom..
18:53It did not happen.
18:55It did not happen.
18:56Mom.
18:59Mom.
19:02Mom.
19:07We are trying our best, but we haven't been able to reach the killers yet.
19:27And according to your statement, your father had no enmity with anyone.
19:32If you were really trying, you would have found out something about the killers by now.
19:37It's been so many days and you are not saying anything.
19:40Then why aren't you taking this case seriously?
19:44It's not like that.
19:46Actually, the public has lost confidence in the police.
19:50Just like five fingers are not equal, not every policeman is dishonest.
19:56I am sure we will soon reach the killers, whether you take us seriously or not.
20:03What has anyone done?
20:06They are my innocent parents.
20:12If you keep sitting on these false hopes, the killers will never find out.
20:17The world is based on hope, madam.
20:20Don't talk about disappointment.
20:22Let us do our job.
20:24For now, you go home.
20:26If we find any clue, then we will inform you.
21:03Ansa.
21:06Be strong.
21:10You have to be strong.
21:33Stop it, dear.
21:34You will cry so much.
21:36What should I do, aunt?
21:38Where should I go?
21:39Whom should I ask for justice?
21:41Dear, I want to talk to you.
21:52Look, I can't keep you in my house anymore.
21:56I can't keep you in my house anymore.
22:02I am indebted to your parents.
22:05But what should I do?
22:07My daughter-in-law fights with me every day.
22:11Why am I supporting a young girl?
22:16Aunt, you stay here with me, in my house.
22:20Forever.
22:22How is this possible?
22:24Ayaz will never agree.
22:27Ansa, dear, this is not the solution.
22:32After God, you are my support.
22:35Don't leave me alone.
22:39You go to Karachi.
22:45Karachi?
22:46Yes.
22:48Maheen told me.
22:50She has a nephew there.
22:53The one who asked for your proposal.
22:57Look, dear.
22:59Your parents are no more.
23:01The ones you want to stay with.
23:04What's wrong in you going to your relatives?
23:09He is your own.
23:11He wants to marry you.
23:14Dear, I am sure you will stay safe with him.
23:19But aunt, I don't even know him.
23:23Dear, you will lose your life if you go.
23:26Maheen.
23:28He is your blood relative.
23:31And I am just a gardener.
23:38So I can stay here too.
23:41This is my house.
23:43A young girl and a gardener?
23:47Don't you know the pain?
23:49The gardeners are already talking.
23:56They have robbed you along with your jewelry and clothes.
24:00Aunt.
24:05People will talk like this when you are alone.
24:09That's why I am trying to make you understand.
24:12They have refused their daughters and wives to stay with you.
24:20What should I tell you?
24:23I have heard that
24:24your parents were killed because of you.
24:30Nonsense.
24:32It's not true.
24:34I know everything.
24:36That's why I am telling you.
24:38He is your own.
24:43I won't go anywhere.
24:45I will stay here.
24:48You are saying this in anger.
24:50You are saying this in anger.
24:52Use your brain.
24:54And think properly.
24:56Then I will ask Ayaz to find out about your relatives.
25:21I am sorry.
25:23I am sorry.
25:25I am sorry.
25:33What has happened, mom and dad?
25:36Your son has become so foolish after both of you left.
25:41He doesn't even want to keep in touch with me
25:45in the neighborhood where we had our respect till yesterday.
25:51This house is like a bar.
25:58Yes, brother.
26:02The house is right here.
26:08Yes.
26:10The house is right here.
26:12But...
26:20But look, I don't think it's right to go to someone's house and talk about marriage right now.
26:27Bahar bhai's aunt is our relative too.
26:31And how can we delay doing good deeds?
26:33Listen to me, you go alone, I'll wait here.
26:50Okay.
27:20What are you doing?
27:36Who are you?
27:38Look, my love, these eyes are not for crying.
27:41Move back.
27:43Look, now that I have come, your loneliness will be gone forever.
27:47What nonsense are you talking?
27:48How did you come inside? Get out.
27:51By walking, and that too only for you.
27:54Bala, Bala, Bala, Bala.
28:00Listen to me.
28:02Bala.
28:12Hey, stop.
28:14Stop.
28:17If you try to act smart, I will ruin your beautiful face.
28:22Listen to me.
28:24If you will listen to me, then I will not say anything to you.
28:33My love, no need to get angry.
28:37What is my fault?
28:39When I came to know that you don't have anyone, I couldn't control myself.
28:44Bala.
29:14Bala.
29:28Do you think you are his heir?
29:39Are you his heir?
29:44Are you his heir?
30:14Are you his heir?
30:16Are you his heir?