• 3 months ago
1968 Seven Men and One Brain HOT MILF MOVIE
Transcript
00:00:30Inspector, Professor Ross.
00:00:33Yes, of course.
00:00:34That little jewelry store robbery
00:00:37will be taking place in just about 10 minutes.
00:00:40This better not be a false alarm.
00:00:42I assure you, Inspector, it will take place.
00:00:46Three notorious criminals.
00:00:49You'll want to catch them.
00:00:50All right, we'll look into the matter.
00:00:52Fine, Inspector.
00:00:54Good night, Inspector.
00:00:55Good night, Professor.
00:00:57Jimmy, listen to me.
00:00:59It would have been much better
00:01:01to blow off the door of the safe.
00:01:04And much easier.
00:01:07Jimmy, listen to me.
00:01:09It would have been much better
00:01:11to blow off the door of the safe.
00:01:13And much easier.
00:01:37Surround the place.
00:01:38You two go that way.
00:01:40I'll cover you.
00:02:06Jimmy!
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00:04:31But.
00:05:01The.
00:05:10But.
00:05:15But but but. But.
00:05:20But those stupid idiots those fools come down you wake up the neighbors what's
00:05:26the matter well you know my my I try out practical experiments in the field for
00:05:30the university how I prove that my criminal theories really work yes but get
00:05:36a thank you mama well this time I had
00:05:39a perfect situation for a crook who should be in jail anyway I pull
00:05:44a perfect double cross the merchandise is returned and the theory is proven so
00:05:49what's the problem look thieves demolish jewelry store in bed and robbery.
00:05:55But it is too much to empty they destroyed the whole store. How can I admit I had
00:06:01anything to do with it now I'll have to pay to rebuild the old store.
00:06:11I guess I just have to keep the doers only my son would be worried that the only
00:06:17mama you don't understand. These US are worth a quarter of a million dollars
00:06:24a quarter of a million dollars that's bad. You listen to me how long have
00:06:30I told you crime is like sex you don't waste time writing about it you do it look
00:06:35at you you're
00:06:36a master criminal for the university criminologist mama names titles what do they
00:06:43mean what do you got to show for it. You write books you're famous but you don't
00:06:50make any money even what you think you'll get back. Imagine if you had just kept
00:06:56ten percent of everything you stole. A little commission.
00:07:03You know that's impossible nothing is impossible why don't you really feel
00:07:08something for a change. What about your plan to have
00:07:14not have some pizza mama. The Americans are my friends some friends if they were
00:07:21such good friends that are giving you back some of the gold. Maybe not for not what
00:07:27about your other plan which one. What do you mean which one. The greatest robbery
00:07:33in the world the one in South America in Buenos Aires Oh mama that would be too
00:07:40costly people would have to be paid in advance many people it would take
00:07:45a great deal of seed money to finance. More than
00:07:50a quarter of a million dollars. Maybe you've got something.
00:08:00Well. Does anyone have anything to add on the subject.
00:08:05So that. Well I think it's
00:08:12a matter of ego professor you've no doubt heard that behind every great man there's
00:08:16a woman. Because well it's my contention that behind every master criminal there's
00:08:22a mother why don't you really feel something. Well.
00:08:28Yes. Why not the brother. Or perhaps a father no no there's always
00:08:35the possibility of
00:08:36a dormant sibling rivalry or in the case of father in jealousy. No I have to say
00:08:43it would definitely be the mother what about Fort Knox. Yes.
00:08:50Well. Perhaps. Angela would you like to comment.
00:08:55Like quite a brief. As you put out in your book crime pays and how a criminal has
00:09:01a psychological need to discuss this crime. And it's usually this person who betrays
00:09:07him. The master criminal would not make this mistake he would discuss it only with
00:09:13his mother so you see Mama I have to give the choice. Yes.
00:09:18Yes. Well. I see. They come to the end of our session
00:09:26thank you ladies this is this big. Party tonight it's going to be
00:09:32a lot. You know I was thinking about.
00:09:36A. Boy
00:09:46a boy or. Some of the guys if you ever got it made why don't I get classes with
00:09:52all that. I said to you don't let me not just not interested in spreading
00:09:59the hype of this well anyway that's why you're not in a hurry I thought we might
00:10:04have lunch together thanks I have expected in the day's room. And how.
00:10:13It's easy to see I will for
00:10:15a living. Beautiful women make the best cooks. I asked you gentlemen how can we
00:10:22continue to tolerate this that's all very well my dear Dean but may I remind you
00:10:27that this university is subsidized by the government and the government says he's
00:10:31too famous to buy the site unfortunately these books have become textbooks on
00:10:36criminology throughout the world yet but it's just grand that's so damaging I
00:10:42grant you that's why I think Cunningham suggestion is right let him write his
00:10:46next book with
00:10:47a slant that crime does not pay. I don't think you'll go for it unless we make it
00:10:53attractive enough what man in his right mind would turn down a one year's paid
00:10:58vacation in
00:11:00a beautiful villa in a beautiful place with a beautiful girl assistant
00:11:06on unlimited expense account a chauffeured limousine so you see Mama I am
00:11:13living for
00:11:14.
00:11:15On the pretence of doing this search for
00:11:41a book of criminology I've taken
00:11:43a lovely bit like one is Iris. And was fortunate enough to have assigned to me by
00:11:52the university a beautiful student. I know what you like.
00:12:01I bet you hate being a prisoner don't you. What a shame you have to be locked up
00:12:08all the time. A very beautiful student. Of course she had no way of knowing that
00:12:15she was actually helping me to plan the greatest robbery of my career.
00:12:19I mean. I. Won't hurt you.
00:12:33Don't be afraid.
00:12:40Something wrong. No it's just that prison cages make me sad it's late you should
00:12:46have been dressed by now five minutes good.
00:12:59Yes. It depends.
00:13:09Are you talking about the same value. I just want to know
00:13:16the price of that parakeet don't call it a parakeet. And it's perhaps the most
00:13:23interesting of all birds because of its hypocrisy from the point of view of
00:13:28criminology you see you told me all that but. It's monetary value can be
00:13:33interesting too. Can you hand me those pants over there.
00:13:47But. Let me tell. You. How many times I told you.
00:13:55That it's not proper for a student to address in front of a professor. What's
00:14:00the difference. You never look anyway and that's not the point.
00:14:06You. Always think of me as
00:14:12a daughter. You can turn around now. But me.
00:14:22How do you think it university would react if they discovered that I was popping up
00:14:26with
00:14:27a student that they assigned me. To work on my book I am working with you yes but
00:14:34you weren't supposed to leave here with me. To me out I had nowhere else to go.
00:14:41Maybe you're such
00:14:43a naughty girl. How would you know.
00:14:55How much. The parakeet one thousand dollars one thousand dollars.
00:15:02Sure and the others are worth even more. That's why I wouldn't like it if anything
00:15:06happened to them. I am finished at the museum. I did that for the success of my
00:15:14plan I will need access to the opera house and there's not good at it that people
00:15:18don't know was an old love of mine I could have anything I wanted to the opera
00:15:22house. The files contain the records of all.
00:15:27He. Croaks. Matter is.
00:15:34And armed robbery specialist at large today Argentine criminals are
00:15:40very clever. The best in the world good the records are at your
00:15:46complete disposal. Thanks.
00:15:56To. The situation
00:16:03was beautiful I had the perfect opportunity to select from these confidential
00:16:08files the finest criminals in Argentina.
00:16:18There was a however one small problem with my latest escape.
00:16:27I I will need to not only experience thieves but experienced thieves who were also
00:16:33musical.
00:16:42I had no way of knowing how difficult musical fees were to find. But I was soon
00:16:47to find out. Go maestro.
00:16:50Sing. Sing I don't sing I still.
00:16:59Sing. There's all for.
00:17:06You're the one. I really go to
00:17:11a new job. All right two more.
00:17:16Next.
00:17:22That's all right.
00:17:34I don't know I'm all of you know I'm you know I'm going to go back and go
00:17:41a. Lot on them all.
00:17:54Well my throat they are a bit nervous it's understandable. Please my
00:18:00as to be thrown them all out of this rate I know they're not exactly pretty
00:18:03Madonna's but they must have someone for the job to end with the job I won't
00:18:08tolerate the art of singing to be profaned this way. I'm not going to tell you I
00:18:15spent ten years in the conservatory and five in jail for fraud so don't be so damn
00:18:20noble I like them I mean you'll continue with the examination. Until we get what
00:18:26we're after. I must leave. But I'll be watching you.
00:18:33With a telecamera.
00:18:38A.
00:18:55How do you do. You got the keys and I guess what. And you've come to ask about
00:19:02it. Please. Come in.
00:19:14His Excellency she's not a lot of me. I'm ready.
00:19:23Please don't hurt me.
00:19:32I'm. What do you want to know about. It's
00:19:39a delicate subject. You can speak in front of tiny it's been with me for years
00:19:44and the very old friend. And this I did in.
00:19:53He had
00:19:53a hunting accident when he was very young. In every way you know what I mean.
00:20:02I'm.
00:20:10Now the ambassador is
00:20:11a box of the Cologne theater number fifty you know he left out for even more than
00:20:15he does when. Saturday night is the opening of let me out.
00:20:22I must have his box that night and that's like taking
00:20:24a baby from his mother he never misses an opening you have to miss this one.
00:20:32With me tomorrow evening to go over the details seven thirty seven forty five
00:20:38seven thirty. Cafe Delas Flores you'll see a man there with three violets in his
00:20:45butthole follow him.
00:20:54Can you really make that much you can with your look why.
00:21:02Why.
00:21:02Why.
00:21:30I said.
00:21:33Come on.
00:21:42OK.
00:21:45That's got to be. Sexy sexy.
00:21:55I'm going to blow up the film go up. Right in your eyes.
00:22:02I'm.
00:22:10Going to. Come on.
00:22:16Come on.
00:22:20You know my best I just can't manage to sweat.
00:22:24Oh.
00:22:32All right. What for the sake of our.
00:22:39But you have to be good to have been good days.
00:22:48OK OK but a thousand dollars being good enough days.
00:22:53To be good enough days.
00:22:56I took these pictures I didn't think it was. I'm sure you have all been wondering
00:23:02what the job would be. I think that is the time to tell you what this is our
00:23:09objective. The opera house. That singer not bad.
00:23:16They call on theater. We are simply going to pull off the most sensational job of
00:23:22the year. No.
00:23:24The colonist the haven of the opera it would be a sacrilege.
00:23:29A sacrilege that would give us a profit of ten million dollars.
00:23:34That's over a million apiece.
00:23:37Exactly. This was the opening night of AIDA there was a capacity audience as
00:23:43there will be at next week's opening of Latvia which means the capacity audience
00:23:48of two thousand eight hundred and fifty the wealthiest people in what is it like
00:23:52a Christmas tree. You're right. Two thousand eight hundred and fifty Christmas
00:23:59trees. Full of presents all for us. Well what do you say.
00:24:09The professor has told me his place. Brilliant. It's most brilliant brilliant or
00:24:16not it's dangerous. I want to deposit or I won't move. I'm
00:24:23professional. He's right. Ten thousand dollars by tomorrow or not let's go all
00:24:29right.
00:24:30Well
00:24:43then men. Let's get down to work. We'll pull
00:24:50the job during the second day.
00:24:52Yet. Magnificent. So romantic. Gentlemen make your
00:25:00jake my second size Antonio. Clothed.
00:25:07As I was saying we make our move during the second day. And this is where you
00:25:13train. The job you require clockwork precision. Therefore you are required to
00:25:19know the complete score backwards and forwards in order to keep pace with the
00:25:24music. Maestro. Maestro. Come on to work.
00:25:32We have no time to lose. All right second team gentlemen I can see all I can say is
00:25:37I want to.
00:25:49I'll.
00:26:12Let it get where I do. Let it get. Let it get.
00:26:19Up.
00:26:20Up.
00:26:20Up.
00:26:20Up.
00:26:21Up.
00:26:21Up.
00:26:21Up.
00:26:45Let me. Let me tell you what happened.
00:26:49When I think that. Was that me oh yes of course.
00:26:57They tied me up. I don't know who let the water.
00:27:02Were for this but who. Who did it let it get I don't know there were three men
00:27:08three what did they want they were looking for you for me.
00:27:13And then they found my say. They say.
00:27:21As usual there is too much TNT you know they are. They're up the jewelry store in
00:27:27Rome and I was responsible for their arrest. The police didn't find the jewels so
00:27:32they couldn't hold them for long we'll have them under arrest no no no I'll take
00:27:36care of it later what if they come back don't be afraid I'll see to it that you
00:27:41are never left alone. By the way.
00:27:48Would you please explain this to me I can do I like it. You should be ashamed of
00:27:54yourself let it get. But I did it for the parakeet.
00:28:02Well that takes the place some girls do it to get to the movies some for money but
00:28:08she does it for. I'm not a moralist but there is
00:28:11a limit to everything I can't see anything wrong with buying a parakeet. I'm posing
00:28:16you for money. You think that's honest I did it for you is that dishonest what.
00:28:22Oh yes yes sure. But that's I think that you're jealous.
00:28:30Don't be ridiculous it's just a matter of good taste. You mean that you'd have felt
00:28:37like this with any student that you'd work. Of course.
00:28:41But.
00:29:01Well. At my brother come on let me tell you just the time to get the best.
00:29:06Ticket for the casino.
00:29:14The robberies left me in
00:29:15a very simple position I am in the middle of a report of business that section
00:29:19and it funds by tomorrow. Thank you.
00:29:26Is this the way you raise money but of course.
00:29:29Come.
00:29:35I shouldn't be long. This will give you something to do what you wait for me what
00:29:40do I do. You never played before. It's. Just one of these
00:29:47on one of those numbers and it's
00:29:49a little ball that number you've been. That's all that's all. Just that one she
00:29:55better die. Maybe last longer that way OK.
00:30:16Excuse me what was that you just said. Black and red but on which color will come
00:30:21up. Things easier than.
00:30:31Hey you want to. Bet for one for that you went.
00:30:38To get off there you have a clue. That you are very.
00:30:44Powerful.
00:30:49You know.
00:30:57That you are very fast.
00:31:04Was not very long. To get to know you. I was.
00:31:09You. Got to have very long.
00:31:15Thought it was a very fast.
00:31:20He's not.
00:31:25He said he was very long.
00:31:29But I was a bit too.
00:31:33Bad that I'm glad you got to get.
00:31:39To. Look.
00:31:43He's one double.
00:31:54I don't know. That was the fifteen black in
00:32:02a row.
00:32:09Good. Very long.
00:32:15That's sixty four thousand dollars.
00:32:21Sixty four thousand dollars please take it off they could not keep coming up
00:32:25forever.
00:32:31What are you doing. I'm putting it all on that you're right I can't not keep
00:32:36coming up forever.
00:32:39I. Don't want to.
00:32:42Have very bad.
00:32:44I.
00:33:07What are you doing. Why are you walking. I don't want to look at the cracks and
00:33:12superstitious. Are you mad because I want to know
00:33:22it's just that I can't stand to see
00:33:23a woman gambling it's unbecoming I can't even look at but I did it for you especially
00:33:30when she went first to you both new for me. And now you get what. Do you think I
00:33:37can use this money. If I give it just to give it to charity.
00:33:57No no no I can understand being off key but this is too much.
00:34:03Nine nine. I quit but it's only necessary to keep time I know but these
00:34:12gentlemen are doing a different job but I can't follow any longer.
00:34:26Come on we'll start again from.
00:34:33All right now man back to work.
00:34:41Now gentlemen we'll run over the scene of the departure Florida and be
00:34:47.
00:34:48Now gentlemen we'll run over the scene of the departure Florida and be
00:34:54Florida and be.
00:35:01Afraid of playing.
00:35:15An early dinner together. Then he shall be my guest at the performance.
00:35:21Who said I could have you back Saturday. I said we'd talk about I'm sure another
00:35:26night would be.
00:35:31Quite impossible I haven't missed an opening night in ten years it's one of my
00:35:34duties to be there and besides that I've got this my favorite opera really well
00:35:40would you like to see my version.
00:35:44Sure. I know it all by heart.
00:35:50I tell you my Camille number.
00:36:21I feel. I need some of that.
00:36:29He is excellent he needs.
00:36:50The.
00:37:04Oh boy oh boy.
00:37:06I don't think the Russian and I would enjoy it a lot.
00:37:10I think for him to see.
00:37:12All this good enough.
00:37:21So your little better get back and back yep there he was sitting on top of his
00:37:25cage this morning and now we have to make up to get this way to get this.
00:37:32Out the director to give you a diagram of the set up to what the seller was used
00:37:37as a reason to not get down to.
00:37:41So long.
00:37:43As.
00:37:49What is it now.
00:37:52We had a crisis.
00:37:55Unable to stand up and he was singing he was making it up for it.
00:38:00We had to catch it.
00:38:13In.
00:38:14The.
00:38:37It's going straight to his grave.
00:38:39To try to get him to understand.
00:38:42This is liable to kill himself.
00:38:45But I still.
00:38:48Come back.
00:39:07I still.
00:39:09Come.
00:39:30To the health of the prodigal son.
00:39:39Gentlemen.
00:39:40I've been persuaded to overlook certain of my prejudices.
00:39:44So if you'll be good enough.
00:39:46Please.
00:39:48The scene of the robbery.
00:39:49Scene of the robbery.
00:40:09What's the matter.
00:40:11I have someone who understands me don't listen to the conductor that she was
00:40:16that she was.
00:40:17Oh Victor I'm so aggravated the conductor is incompetent and the tenant thinks he's
00:40:22corrupt.
00:40:24I feel like walking out on the whole thing.
00:40:27And.
00:40:29I feel you should invite me to dinner.
00:40:31You've been neglecting me these last few days.
00:40:36Tomorrow evening after the premiere.
00:40:39Then we'll celebrate your success.
00:40:41All right.
00:40:42Professor.
00:40:43Call for you.
00:40:44The Carmelite convent.
00:40:46Excuse me.
00:40:47One of those charities.
00:40:48You know.
00:40:49Yes.
00:40:51Hello.
00:40:52Good work.
00:40:58He's got a special machine connected backstage to this box.
00:41:03Something the Germans invented.
00:41:05Some secret weapon.
00:41:06We'll be borrowing some electricity from your machine.
00:41:09Thanks.
00:41:10Hello.
00:41:11Yes.
00:41:12How are you sister.
00:41:14Sister is exhausted.
00:41:15That's how.
00:41:18I haven't been out of this room for six days.
00:41:21But you'll be pleased to know.
00:41:24That I've got the box for you.
00:41:27Excellent sister excellent.
00:41:30Everything is to remain the same.
00:41:32Don't you worry.
00:41:34I've arranged to be here with him.
00:41:36For as long as he would like.
00:41:41Cut it out Pancho.
00:41:42My uncle calling.
00:41:43Long distance.
00:41:44To hell with your uncle.
00:41:47It's back to work.
00:41:48Bye.
00:41:52Perfect.
00:41:54Good girl.
00:41:56You've made a really complete catalog of the museum.
00:41:59Thank you.
00:42:01Now can we go to dinner.
00:42:02I'm starving.
00:42:03As soon as we finish our drinks.
00:42:05Just one more minute.
00:42:08I'm taking you to a really special place.
00:42:10The best food in all Buenos Aires.
00:42:12Can we dance there too?
00:42:13But of course.
00:42:14I'm so excited.
00:42:20Wow he sure is built.
00:42:22Oh Tiny.
00:42:24Where did you find him?
00:42:26He was loaned to me by a close friend of mine.
00:42:29With Tiny around.
00:42:30No one will dare to touch you when I'm not here.
00:42:33No one will touch me.
00:42:35Does that include Tiny?
00:42:37Whatever do you mean Letizia.
00:42:38Aren't you afraid you might make a pass at me when you're not around?
00:42:41Oh no.
00:42:42Impossible.
00:42:43How can you be so sure?
00:42:45Well.
00:42:47Call it intuition.
00:42:49Shall we go?
00:42:50Okay.
00:42:51Excuse me.
00:43:01Hello.
00:43:04What?
00:43:05What?
00:43:07You can find yourself another Violeta.
00:43:09Miss Terenzi if you please.
00:43:10I've got Mr. Simpson on the line for you.
00:43:13Oh.
00:43:15At last.
00:43:16Someone who understands.
00:43:18Oh yes.
00:43:19Perfectly.
00:43:20Only what is it?
00:43:22I understand.
00:43:24But I'd say it's a hasty decision.
00:43:26Tiny.
00:43:28Something terrible is happening to me.
00:43:30Now listen.
00:43:35We'll have dinner.
00:43:37And we will work everything out.
00:43:39Wonderful.
00:43:40Don't you worry.
00:43:41Bye.
00:43:50That table was for us.
00:43:53Yes I know.
00:43:54But there has been a complication and...
00:43:56Who were you talking to?
00:43:57A girl?
00:43:58Of course not.
00:43:59Don't be silly.
00:44:00It was the publisher of my book.
00:44:01There seems to be a problem with the publication rights.
00:44:06Well I must go.
00:44:07Will you come back for me later?
00:44:09No.
00:44:10The meeting will take some time.
00:44:11I have Tiny fix you something.
00:44:13I'll take you out tomorrow night.
00:44:14Eh?
00:44:18Victor!
00:44:28Now!
00:44:29Wouldn't you prefer to die?
00:44:31Or swim with me?
00:44:32Than an old business meeting?
00:44:34Tiny!
00:44:37Come on in.
00:44:38The water is fine.
00:44:41Senora.
00:44:43If you want me to, I will.
00:44:45But I think there's something you ought to know.
00:44:59Hello?
00:45:01Who is this?
00:45:05Oh, it's you.
00:45:07I know he's not around.
00:45:11But you can find him at the Piccadilly.
00:45:13Are you sure of that?
00:45:15If you're lying, we'll be back.
00:45:18And this time, we'll drown you for good.
00:45:21I want to thank you.
00:45:23Not just for myself.
00:45:25But on behalf of Mr. Virgo.
00:45:27A traviata without you would be meaningless.
00:45:31I'll do it only for you.
00:45:34And if you'll stay near me,
00:45:36I'll be the greatest traviata in all history.
00:45:39I couldn't ask for more.
00:45:41I'm sorry.
00:45:43I'm sorry.
00:45:45I'm sorry.
00:45:47I'm sorry.
00:45:48I couldn't ask for more.
00:46:15Have you a reservation?
00:46:16No.
00:46:17We're looking for someone.
00:46:19You want to leave already?
00:46:21Yes, it's too crowded here.
00:46:25All right.
00:46:267.50, sir.
00:46:27Keep your change.
00:46:29May I?
00:46:31Let's go.
00:46:47Publisher.
00:46:52Excuse me for just a moment.
00:46:58They're having dinner.
00:47:01I'll be right back.
00:47:02Excuse me.
00:47:17Well, if it isn't the professor.
00:47:19What happened?
00:47:20An accident?
00:47:22Yes.
00:47:24With the police.
00:47:26The night you double-crossed us.
00:47:46Get out of here.
00:48:16Get out of here.
00:48:47We're ready, chief.
00:48:49Enter the sewers that run from the cellar of the museum
00:48:52and make your way to the Cologne Theater.
00:48:55And keep strictly to the schedule.
00:49:16Ready?
00:49:17Uh-huh.
00:49:47You see all this?
00:49:49What's in it?
00:49:50Plastic dynamite.
00:49:52Careful.
00:49:54You might set it off.
00:49:56And then, bing.
00:49:57You're through.
00:50:05The Cologne Theater.
00:50:07The Cologne Theater.
00:50:09The Cologne Theater.
00:50:11The Cologne Theater.
00:50:13The Cologne Theater.
00:50:15Sieg Heil.
00:50:18They haven't caught the boarmen yet, have they?
00:50:28Here's the diagram of the cellar.
00:50:32Professor?
00:50:35Professor?
00:50:37We're entering the cellar now.
00:50:40From now on, you won't be able to communicate by radio.
00:50:42Any questions?
00:50:44Everything's fine.
00:50:46Then good luck.
00:50:47Schnell!
00:50:48Yes.
00:51:13We're here.
00:51:15If we want to get to the other side,
00:51:17we have to break through at this point.
00:51:20Achtung!
00:51:22Break through the gate.
00:51:36Get here.
00:51:37Get here.
00:51:40Get here.
00:52:08Huh?
00:52:09Oh, come, you!
00:52:11Pick that up!
00:52:12Help them!
00:52:13Hurry!
00:52:15What are you waiting for, you incompetent, dumb gobs?
00:52:18Come!
00:52:19Come!
00:52:22Verdammten spaghetti eaters!
00:52:37Du erkennst!
00:52:40Still!
00:52:41Still!
00:53:07Selfie.
00:53:09Sure.
00:53:13Six.
00:53:18Ein.
00:53:20Zwei.
00:53:22Ein.
00:53:24Zwei.
00:53:26Ein.
00:53:28Zwei.
00:53:30Ein.
00:53:32Zwei.
00:53:34Ein.
00:53:35Zwei.
00:53:40Two.
00:53:42One.
00:53:55Install the mirror.
00:54:00Install the mirror in the roses.
00:54:06Magnificent decoration.
00:54:08Yes.
00:54:09It's a real treat...
00:54:11for the eye.
00:54:19Weisselt!
00:54:21Weisselt!
00:54:23Weisselt!
00:54:24Weisselt!
00:54:26Weisselt!
00:54:27Weisselt!
00:54:29Weisselt!
00:54:30Weisselt!
00:54:31Weisselt!
00:54:32Weisselt!
00:54:33Weisselt!
00:54:34It looks very thick, where is the hammer?
00:54:49Are you sure we won't be flooded?
00:54:51Give me a hand instead of sitting up there doing nothing.
00:54:55What do you mean doing nothing?
00:55:02We'll go over the score again.
00:55:04The professor told us to practice up to the last minute.
00:55:07Possible.
00:55:08Scene of the toredo.
00:55:09In Madrid, we are murderers, we are impoverished, we are in search of flowers, we are in search
00:55:16of gold, we are in search of gold, we are in search of gold, we are in search of gold,
00:55:25we are in search of gold, we are in search of gold, we are in search of gold, we are in
00:55:34search of gold.
00:55:35Hey, what's going on?
00:55:51That's La Traviata.
00:55:52It is La Traviata.
00:55:53But it starts tonight at nine.
00:55:54Something funny is going on down there.
00:55:56It is La Traviata.
00:55:57It is La Traviata.
00:55:58It is La Traviata.
00:55:59It is La Traviata.
00:56:00It is La Traviata.
00:56:01It is La Traviata.
00:56:02It is La Traviata.
00:56:03It is La Traviata.
00:56:04It is La Traviata.
00:56:05It is La Traviata.
00:56:06It is La Traviata.
00:56:07It is La Traviata.
00:56:08It is La Traviata.
00:56:09It is La Traviata.
00:56:10It is La Traviata.
00:56:11It is La Traviata.
00:56:12It is La Traviata.
00:56:13It is La Traviata.
00:56:14It is La Traviata.
00:56:15It is La Traviata.
00:56:16It is La Traviata.
00:56:17It is La Traviata.
00:56:18It is La Traviata.
00:56:19It is La Traviata.
00:56:20Gentlemen, we have five minutes more.
00:56:33And in five minutes, the highest the water can get is here.
00:56:40Dynamite.
00:56:41Here, just above my head.
00:56:48I want to get out of here.
00:56:49I can't swim.
00:56:50I can't swim.
00:56:51Let me out.
00:56:52I want to get out of here.
00:56:53Let me out.
00:56:54I can't swim.
00:56:55And that concludes our program of light music.
00:56:56The sound of the tone, it will be exactly 60 feet.
00:56:57You call this taking a breath of fresh air?
00:56:58It was so nice dead, too.
00:56:59Even the Lord took a rest on the sixth day.
00:57:00Seven.
00:57:01I can't swim.
00:57:02I can't swim.
00:57:03I can't swim.
00:57:04I can't swim.
00:57:05I can't swim.
00:57:06I can't swim.
00:57:07I can't swim.
00:57:08I can't swim.
00:57:09I can't swim.
00:57:10I can't swim.
00:57:11I can't swim.
00:57:12I can't swim.
00:57:13I can't swim.
00:57:14I can't swim.
00:57:15I can't swim.
00:57:16I can't swim.
00:57:17I can't swim.
00:57:18I can't swim.
00:57:19I can't swim.
00:57:20I can't swim.
00:57:21I can't swim.
00:57:22I can't swim.
00:57:23I can't swim.
00:57:24I can't swim.
00:57:25I can't swim.
00:57:26I can't swim.
00:57:27I can't swim.
00:57:28I can't swim.
00:57:29I can't swim.
00:57:30I can't swim.
00:57:31I can't swim.
00:57:32I can't swim.
00:57:33I can't swim.
00:57:34I can't swim.
00:57:35I can't swim.
00:57:36I can't swim.
00:57:37I can't swim.
00:57:38I can't swim.
00:57:39I can't swim.
00:57:40I can't swim.
00:57:41I can't swim.
00:57:42I can't swim.
00:57:43I can't swim.
00:57:44I can't swim.
00:57:45I can't swim.
00:57:46I can't swim.
00:57:47I can't swim.
00:57:48I can't swim.
00:57:49I can't swim.
00:57:50I can't swim.
00:57:51I can't swim.
00:57:52I can't swim.
00:57:53I can't swim.
00:57:54I can't swim.
00:57:55I can't swim.
00:57:56I can't swim.
00:57:57I can't swim.
00:57:58I can't swim.
00:57:59I can't swim.
00:58:00I can't swim.
00:58:01I can't swim.
00:58:02I can't swim.
00:58:03I can't swim.
00:58:04I can't swim.
00:58:05I can't swim.
00:58:06I can't swim.
00:58:07I can't swim.
00:58:08I can't swim.
00:58:09I can't swim.
00:58:10I can't swim.
00:58:11I can't swim.
00:58:12I can't swim.
00:58:13I can't swim.
00:58:14I can't swim.
00:58:15I can't swim.
00:58:16I can't swim.
00:58:17I can't swim.
00:58:18I can't swim.
00:58:19I can't swim.
00:58:20I can't swim.
00:58:21I can't swim.
00:58:22I can't swim.
00:58:23I can't swim.
00:58:24I can't swim.
00:58:25I can't swim.
00:58:26I can't swim.
00:58:27I can't swim.
00:58:28I can't swim.
00:58:29I can't swim.
00:58:30I can't swim.
00:58:31I can't swim.
00:58:32I can't swim.
00:58:33I can't swim.
00:58:34I can't swim.
00:58:35I can't swim.
00:58:36I can't swim.
00:58:37I can't swim.
00:58:38I can't swim.
00:58:39I can't swim.
00:58:40I can't swim.
00:58:41I can't swim.
00:58:42I can't swim.
00:58:43I can't swim.
00:58:44I can't swim.
00:58:45I can't swim.
00:58:46I can't swim.
00:58:47I can't swim.
00:58:48I can't swim.
00:58:49I can't swim.
00:58:50I can't swim.
00:58:51I can't swim.
00:58:52I can't swim.
00:58:53I can't swim.
00:58:54I can't swim.
00:58:55I can't swim.
00:58:56I can't swim.
00:58:57I can't swim.
00:58:58I can't swim.
00:58:59I can't swim.
00:59:00I can't swim.
00:59:01I can't swim.
00:59:02I can't swim.
00:59:03I can't swim.
00:59:15Gentlemen, allow me to introduce you to the Cologne Theater,
00:59:18this fireproof door leading to the core art as changing rooms.
00:59:21We shall go in.
00:59:23Yes, sir.
00:59:24In three hours.
00:59:25In three hours.
00:59:26when the opera begins.
00:59:28Why then?
00:59:29The chorus will be on stage then,
00:59:32and the dressing room will be empty.
00:59:35Gentlemen, break for lunch.
00:59:53This is a very important social occasion.
00:59:55Ladies and gentlemen,
00:59:58a magnificent audience
01:00:00is pouring into the cologne of the house.
01:00:02The theater is marvelously decorated with thousands of guests.
01:00:55This is a very important social occasion.
01:00:59Ladies and gentlemen,
01:01:01a magnificent audience
01:01:03is pouring into the cologne of the house.
01:01:06The theater is marvelously decorated with thousands of guests.
01:01:10Ladies and gentlemen,
01:01:12a magnificent audience
01:01:14is pouring into the cologne of the house.
01:01:17Ladies and gentlemen,
01:01:19a magnificent audience
01:01:21is pouring into the cologne of the house.
01:01:24The house is full of bully.
01:01:44How it is full of bully.
01:01:46Bullies everywhere, the place is full, what do we do?
01:01:51Don't move from there.
01:02:17This time you won't fool us.
01:02:20This time you may be sure boys, I'll play ball.
01:02:33And everything is quiet.
01:02:46Please, I have my private life.
01:02:52Look, you're in for a cut of the profits.
01:02:56Now you have to trust me.
01:02:58I'll be back in a few minutes and then we'll go.
01:03:00Go where?
01:03:03Gentlemen, have you ever been to the opera?
01:03:16No.
01:03:42Operator, I'd like to send a telegram.
01:03:45To whom, sir?
01:03:47Minister de Flores.
01:03:49Patagonia Avenue.
01:03:51Telephone, 73-77-787.
01:03:56Urgent.
01:03:58Here is the message for him.
01:04:00What's he doing in there? I thought he was in such a hurry.
01:04:08X5.
01:04:09X5?
01:04:11Yes.
01:04:12The code number.
01:04:13Is that all?
01:04:14We'll take care of it, sir.
01:04:15Thanks.
01:04:20She likes it.
01:04:24It's beautiful.
01:04:26Well, are you ready?
01:04:28Ready? Ready for what?
01:04:30Dinner. You said last night that you'd take me out tonight.
01:04:33Oh, Letizia, I am very sorry, but it's impossible.
01:04:37What?
01:04:38Please, forgive me. I forgot I have something to do.
01:04:42Oh, I bet you do.
01:04:45Letizia, wait.
01:04:47Letizia.
01:04:49Letizia, what's the matter with you?
01:04:51I'll tell you what's the matter with me.
01:04:53I saw your publisher last night.
01:04:55Letizia.
01:04:57Letizia, wait.
01:04:58And for a man, he sure was too funny.
01:05:04Stop.
01:05:05How dare you behave like this to your professor?
01:05:08Letizia, I can explain everything.
01:05:11You can never explain to me why you left me for...
01:05:13to go to dinner with that half-baked cream of tartar.
01:05:17Letizia, I swear on my honor.
01:05:19It was only a business deal last night.
01:05:21Okay, okay.
01:05:23Then what are you doing tonight that's so important, huh?
01:05:25I'm going to the opera.
01:05:26Can I go with you?
01:05:27Well, yes.
01:05:28Oh, no, no, no, no.
01:05:29How was your singing tonight? Huh?
01:05:33As a matter of fact, it's true.
01:05:37How dare you?
01:05:38I am your professor.
01:05:40I am your professor.
01:06:03Hurry up.
01:06:04Get in.
01:06:06Close the door.
01:06:08I hope we didn't disturb your private life.
01:06:15Letizia!
01:06:19I hate you!
01:06:38Good evening, sir.
01:06:40Bye-bye.
01:06:46We take all the risks, and the professor takes most of the profits.
01:06:51No, no, he doesn't.
01:06:53I've talked to the others, and they're all in agreement.
01:06:57The professor's out.
01:06:59He's out.
01:07:00He's out.
01:07:01He's out.
01:07:02He's out.
01:07:03He's out.
01:07:04He's out.
01:07:05He's out.
01:07:06He's out.
01:07:07He's out.
01:07:09Yes.
01:07:10Right.
01:07:34I'm in.
01:07:38A telegram.
01:07:39Don't bother me.
01:07:40I'm on a goodwill tour.
01:07:42The roses will bloom tonight.
01:07:45What does that matter to me?
01:07:47Tell it to the gardener.
01:07:48It's a decoded message from X5.
01:07:51It means that the dollar will be devalued.
01:07:54Ah.
01:07:55By 10%.
01:07:57What?
01:07:58Huh?
01:08:02Oh.
01:08:03Ah!
01:08:08Here.
01:08:13Oh.
01:08:14Oh.
01:08:17Telephone.
01:08:18And after this, please make a champagne.
01:08:24Brazilian Ambassador, please.
01:08:26Hello, Minister de Flores.
01:08:29What?
01:08:33The grapevine says 10%.
01:08:36It will be at least 20%.
01:08:40I know those damn Yankees.
01:08:42Devalued by 50%, certainly.
01:08:46Maybe more.
01:08:48By 70%?
01:08:51By the Western economy is going to be ruined.
01:08:54My savings.
01:08:55My rubles.
01:08:56But before informing the President,
01:08:58check with the American Embassy.
01:09:00We've tried, but there's no answer.
01:09:02Saturday.
01:09:04Ah.
01:09:07Oh.
01:09:19Everyone on stage for action.
01:09:22Everyone on stage for action.
01:09:37Oh, the power of the almighty dollar.
01:09:40It successfully removed the President
01:09:42and his most unwelcome police escort
01:09:44before the end of the intermission.
01:09:46My plan could now continue on schedule.
01:09:49My plan could now continue on schedule.
01:09:51Hey.
01:09:52What?
01:09:53Nothing.
01:09:54Do you mind?
01:09:55Nothing.
01:09:56Come on.
01:09:57I've got a little something for you.
01:09:59We need to talk.
01:10:01Leave me alone.
01:10:02I don't care when you ask.
01:10:03Let's talk.
01:10:04I don't care when you ask.
01:10:10What do you want from me?
01:10:14Nothing.
01:10:15Oh
01:10:45Change tools.
01:11:15Change tools.
01:11:45Change tools.
01:11:59Okay.
01:12:06Oh, whiskey.
01:12:36Change tools.
01:13:06Change tools.
01:13:27I've never enjoyed anything so much.
01:13:36Oh, whiskey.
01:14:06Oh, whiskey.
01:14:36Oh, whiskey.
01:14:46Oh, whiskey.
01:14:56Oh, whiskey.
01:15:04Oh, whiskey.
01:15:14Oh, whiskey.
01:15:24Oh, whiskey.
01:15:34Oh, whiskey.
01:15:44Oh, whiskey.
01:15:54Oh, whiskey.
01:16:04Oh, whiskey.
01:16:14Oh, whiskey.
01:16:24Oh, whiskey.
01:16:34Oh, whiskey.
01:16:44Oh, whiskey.
01:16:54Oh, whiskey.
01:17:04Oh, whiskey.
01:17:14Oh, whiskey.
01:17:24Oh, whiskey.
01:17:34Oh, whiskey.
01:17:44Oh, whiskey.
01:17:54Oh, whiskey.
01:18:04Oh, whiskey.
01:18:14Oh, whiskey.
01:18:24Oh, whiskey.
01:18:34Oh, whiskey.
01:18:44Oh, whiskey.
01:18:54Oh, whiskey.
01:19:04Oh, whiskey.
01:19:14Oh, whiskey.
01:19:24Oh, whiskey.
01:19:34Oh, whiskey.
01:19:44Oh, whiskey.
01:19:54Oh, whiskey.
01:20:04Oh, whiskey.
01:20:14Oh, whiskey.
01:20:24Oh, whiskey.
01:20:34Oh, whiskey.
01:20:44Oh, whiskey.
01:20:54Oh, whiskey.
01:21:04Oh, whiskey.
01:21:14Oh, whiskey.
01:21:24Oh, whiskey.
01:21:34Oh, whiskey.
01:21:44Oh, whiskey.
01:21:54Oh, whiskey.
01:22:04I have one more canister than you.
01:22:34I have one more canister than you.
01:22:54I have one more canister than you.
01:23:04I have one more canister than you.
01:23:14I have one more canister than you.
01:23:24I have one more canister than you.
01:23:34I have one more canister than you.
01:23:44I have one more canister than you.
01:23:54I have one more canister than you.
01:24:04I have one more canister than you.
01:24:14I have one more canister than you.
01:24:24I have one more canister than you.
01:24:34I have one more canister than you.
01:24:44I have one more canister than you.
01:24:54I have one more canister than you.
01:25:04I have one more canister than you.
01:25:14I have one more canister than you.
01:25:24I have one more canister than you.
01:25:34I have one more canister than you.
01:25:44I have one more canister than you.
01:25:54I have one more canister than you.
01:26:04I have one more canister than you.
01:26:14I have one more canister than you.
01:26:24I have one more canister than you.
01:26:34I have one more canister than you.
01:26:44I have one more canister than you.
01:26:54I have one more canister than you.
01:27:04I have one more canister than you.
01:27:14I have one more canister than you.
01:27:24I have one more canister than you.
01:27:34I have one more canister than you.
01:27:44I have one more canister than you.
01:27:54I have one more canister than you.
01:28:04I have one more canister than you.
01:28:14I have one more canister than you.
01:28:24I have one more canister than you.
01:28:34I have one more canister than you.
01:28:44I have one more canister than you.
01:28:54I have one more canister than you.
01:29:04I have one more canister than you.
01:29:14I have one more canister than you.
01:29:24I have one more canister than you.
01:29:34I have one more canister than you.
01:29:44I have one more canister than you.
01:29:54I have one more canister than you.