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00:00This is the story of a man and a woman who met each other in the middle of the street.
00:10Watch your back.
00:12Do you think they know how to come up with ideas like this?
00:15They don't know about this channel like the kids in the playground.
00:19Everything will be fine in a while.
00:22Come on, man.
00:24How are you?
00:25I'm fine.
00:26Come on, man.
00:28Come on.
00:29Change your clothes and go.
00:31Oh God, bless the Prophet.
00:34Oh, Ghazal of the Red Strike. Oh, Pharaoh of the youth.
00:38Don't you and I come to understand each other's goals?
00:40No, man.
00:41Don't you dare.
00:42Why?
00:43It's mine.
00:44What do you mean, it's yours?
00:45I mean, it's mine.
00:46And the one in your house is yours?
00:47The one in my house is my brother, you idiot.
00:48So, you control all the ferretics in the country?
00:50No, you idiot.
00:52The one in my house is my brother.
00:53But this...
00:54This is my smoothie.
00:56Okay, man.
00:58Peace be upon you.
00:59Welcome.
01:00How are you, Uncle Sherif?
01:01I'm good.
01:02I've brought you some ideas, shows, and series.
01:06This is a series, God willing, for Nelly Kareem.
01:10The beautiful artist Nelly Kareem.
01:12She made Sajood Hur.
01:14And what else did she do?
01:15For A'la Shia.
01:16We're making this called Ikhtifa'a.
01:18So that you disappear and we're done.
01:20Okay?
01:21And we also have a film for the producer, the artist, Mr. Ahmad Al-Sobki.
01:26It's called Al-Dini Wa Na Dayaa.
01:28Yes.
01:29We know that Ahmad Al-Sobki doesn't like to spend a lot.
01:33He's not a wasteful man.
01:36He's a believer.
01:37So we made him a film that will be shot in his office.
01:40You'll go into the office, shoot the whole film,
01:43and then you'll take the beautiful girl and go home.
01:45In the same day.
01:46A film in one day.
01:47Can you imagine that Al-Sobki made a film called Al-Dini Wa Na Dayaa?
01:50If there's 100 people, I won't let you lose them.
01:52I agree.
01:53If he made a film called...
01:54What's it called?
01:55I don't know.
01:56It doesn't matter.
01:58This is the bombayah.
02:01The bombayah.
02:02We sang it to Ahmad Mekki.
02:04Because he stopped acting.
02:05He doesn't like acting anymore.
02:07He started singing.
02:08So we made him a beautiful rap song.
02:10We'll hear it for you so you can say it to him when you see it.
02:13Oh night, oh my eyes, oh night
02:18Do you remember or not?
02:22Tell me too
02:26While I was walking in Talbiyah,
02:27memories crossed my mind.
02:28The guys from Jed'an were standing around me.
02:31The Foul car, the food car, the water pot,
02:33I met Sayed, I met Hussam, I met all the Jed'an people.
02:36It's the same technology.
02:37It's beautiful.
02:38I'll continue it for you, God willing.
02:40This is very nice.
02:41You'll impress Ahmad Mekki.
02:42Yes, he loves Talbiyah.
02:43Because of Talbiyah, he doesn't know anything but Talbiyah.
02:47But don't use this part because it's not rap at all.
02:50He always does a mix.
02:53Yes, yes, yes.
02:54Is that okay?
02:55That's okay.
02:56That's it.
02:57You see, they chose something for us to do.
02:59But in my opinion,
03:00we should start with the idea of a show
03:03for me and Swayleb.
03:05And if it succeeds, we'll do season 2.
03:08Mr. Babiki.
03:09Yes, Albel Babiki.
03:11This show needs good hosts.
03:13Or, more clearly, people with talent.
03:15Why?
03:16What kind of people?
03:17Why should we differentiate between people?
03:19We want the whole society to look at us.
03:22Why should we differentiate between people with talent
03:24and people who don't?
03:25What should they do?
03:26Swayleb, I don't want you to know.
03:27Don't they like our show?
03:30Yes, I understand.
03:31I'll leave you with the topic of talent.
03:33Yes.
03:34Don't you have a murder case?
03:35Maybe if it's on TV, they'll kill you.
03:37We're not afraid, Uncle Sharif.
03:39Those who are with God walk on water.
03:41Do you want to walk on water?
03:43That's what I believe in.
03:45All right.
03:46All right.
03:47All right, Babiki, take all these things
03:49and go study,
03:50and I'll depend on you.
03:51How do I study? I'm the one who wrote it.
03:53Do you want to walk on water?
03:56No, no, no.
03:57Go walk on water alone.
03:58You're a believer.
03:59Leave her alone, she has work to do.
04:01All right, Babiki.
04:02Take these things and go.
04:04Babiki.
04:09Do you want to come with me to walk on water?
04:11No, I'm going to walk on water.
04:14You should go to your office, too.
04:16You're sitting together.
04:17Concentrate.
04:18Concentrate.
04:19Concentrate.
04:20Concentrate.
04:21Concentrate.
04:28What is it, Gamil?
04:30Are you going to leave both of them, or what?
04:32It looks like it.
04:35Go away.
04:38Bye.
04:39What's with your camera, Sheikha Foutna?
04:41What am I supposed to do with it?
04:43Take it with me while I'm gone?
04:44I don't have all my cameras,
04:46and my studio,
04:47and my channel.
04:48What's wrong with that?
04:49Go, brother, go do your work.
04:50All right.
04:51Are you ready, Sheikha Foutna?
04:52No details, brother.
04:54I've been ready since 12 o'clock.
04:56Go do your work.
04:57It's not fair on you.
04:58All right, guys, standby.
05:00Three, two, one.
05:02Action.
05:03Action.
05:06Ladies and gentlemen,
05:09good evening.
05:11This is your weekly appointment
05:14with the show
05:16Ask Sheikha Foutna.
05:18This week,
05:20I received an email
05:22from Mrs. Muammer.
05:24Mrs. Muammer said
05:26that her husband
05:29was married to another woman.
05:33She wanted me to do something
05:36for him to come home.
05:38You're the reason, Mrs. Muammer.
05:41You take care of yourself,
05:43and you want me to do something for you?
05:45You're in charge of the work.
05:47You go and comb your hair,
05:49and blow your hair,
05:50and lift it up,
05:52and do your hair like this,
05:54and put lipstick on your cheeks,
05:57and color your lips,
05:59and make yourself look good.
06:01Don't look like this.
06:03Next.
06:06Director.
06:08Action.
06:09Mrs. Foutna,
06:10Mrs. Foutna, after your permission,
06:12don't marry him.
06:13There's a script.
06:14What do you mean there's a script?
06:16I can say whatever I want.
06:17Don't tell me people are coming.
06:18Did you come to me?
06:19Go do your work.
06:21All right, guys, standby.
06:23Let's eat.
06:26We'll be back after the break.
06:38Welcome to your favorite show,
06:41very, very,
06:43Mr. Ahmed Abdeljawad's kitchen,
06:45by Mohamed Ahmed, the lawyer.
06:47Today, we're going to show you
06:49a very new dish in the Egyptian house.
06:52It's a fried egg with tamarind oil.
06:59This is the oil.
07:00We're going to put it in.
07:02We're going to beat it.
07:12We have a phone right now,
07:14and we say hello.
07:16I want a nice way to eat,
07:18to make it cozy.
07:19I'll tell you how to make a nice meal.
07:21I want you and your husband
07:23to go down to the nearest confectionery
07:25next to you,
07:26and buy a kilo of basbousa and a kilo of kunafa,
07:28and go out and eat it,
07:29without making a mess.
07:32Sir, these are the prices we have
07:34for ads on the channel.
07:36No, no, no.
07:37Not at all.
07:38No, thank you.
07:41I'm sorry.
07:42Goodbye.
07:43Goodbye.
07:44That's a very high number,
07:45the number you asked for.
07:46I do this with anyone
07:47who asks for ads on the channel.
07:49I'm just trying to convince
07:51Sweelam that he's losing.
07:53And Ifrit got ads
07:54on the show he's doing.
07:56Ads?
07:57This is a show
07:58where the animal world
07:59gets ads,
08:00and he doesn't.
08:01I'm talking about Ifrit, Sherif.
08:03Ifrit is for people
08:04who don't plan, beautiful.
08:06Listen,
08:07every time he asks you about the channel,
08:09tell him he's losing.
08:10Okay?
08:11Okay, but hopefully he'll be convinced.
08:13No, he'll be convinced.
08:14You just have to convince him
08:15with your intentions,
08:16and he'll be convinced.
08:18But there's something very strange.
08:20His brothers came to the company
08:22all of a sudden,
08:23and they're in love all of a sudden.
08:25What love?
08:26It's the money
08:27that moves people, beautiful.
08:35What did you say?
08:36I said you're still too young, Jude,
08:38to do a show on TV.
08:41That's not what I want to do
08:44for this show anyway.
08:46What's the idea,
08:47but you're going to drive me crazy?
08:49That you always
08:51tell me I'm a child.
08:53But you're really a child.
08:56A child, yes,
08:57but we understand.
08:58I mean,
08:59I swear we understand.
09:00I mean,
09:01maybe he doesn't have
09:03experience like adults.
09:04Hmm?
09:05Of course, I mean.
09:06Yes?
09:07But we understand.
09:08I swear we understand.
09:09Enough!
09:10Enough, Jude,
09:11calm down.
09:12Don't get mad.
09:13Okay,
09:14let's suppose
09:16that you really
09:18can do a show on TV.
09:20Yes?
09:21Can you tell me
09:22who's going to watch you?
09:23Jude,
09:24you don't know anyone.
09:25Who told you
09:26I don't know anyone?
09:28You mean you have fans?
09:29Yes.
09:30Who?
09:32I have friends at school,
09:34and they're here.
09:38They're your fans.
09:40Yes,
09:41I'll start with them,
09:42and then,
09:43God willing,
09:44if the show goes well,
09:46God willing,
09:47I'll be a big star.
09:49God willing,
09:50they'll make me bigger.
09:52That's it.
09:54Do you know
09:55that you're starting to convince me?
09:57You mean you're going to let
09:58Sulaim make the show for me?
09:59No.
10:01I'm going to let Sualam
10:02make a movie for you.
10:04What do you think if you act?
10:07Can you believe the idea?
10:09Yes,
10:10I'll be in the fridge.
10:12Yes,
10:13that's good.
10:15For whom?
10:16No, no, no,
10:17my love, no, no.
10:19Send me the sketch first,
10:20then you send me the material.
10:21Yes, of course.
10:23Okay, bye.
10:24Bye.
10:27Tarek.
10:28Yes?
10:29Who are you like?
10:31What's the difference
10:32between you and me?
10:34Am I like you?
10:36You've been waiting
10:37for a while,
10:38and you're bored.
10:39I don't understand you anymore.
10:40I'm serious, my love.
10:42I'm serious.
10:43You know my job,
10:44the circumstances,
10:45the problems.
10:46You know where I come from.
10:48Do you want me to tell you something?
10:51Before I met you,
10:53I knew two ladies
10:54with the same hair
10:55and the head of an elephant.
10:58One more,
10:59one month,
11:00and you're gone.
11:01And the other one
11:02is running away.
11:04But you, Jameel,
11:06are something else.
11:07Not at all.
11:09Do you know why?
11:13Because I love you.
11:17So when are you going
11:18to marry me, Tarek?
11:21Marry you?
11:22We're already married.
11:23I know.
11:24I want to get married, Tarek.
11:26What's the difference?
11:27Is this marriage
11:28a marriage or not?
11:30You're a teacher,
11:31not a student.
11:32I want to get married.
11:33Marry me, Tarek.
11:34Oh, come on.
11:37You know,
11:38the car you wanted
11:40has arrived at the port.
11:42In three or four days, Jameel,
11:44you'll find it here
11:45under the house.
11:47Are you serious, Tarek?
11:48Of course.
11:49I never told you anything
11:50and I never did.
11:51My dear Tarek.
11:53And now I want you
11:54to dress up like this
11:55so we can have
11:56dinner outside.
11:57Are you serious?
11:58Of course.
11:59What are we having?
12:00We're having
12:01foul and tahami
12:02in Al Hussein's cellar.
12:03What is this,
12:04your cheap lie?
12:05It's not foul and tahami.
12:06It's not foul and tahami.
12:07What is this?
12:21I swear, Hatim Pasha
12:22and Malik Alaya, Jameel,
12:24I came out
12:25to convince people
12:26to leave the land.
12:28Don't change the subject, uncle.
12:30Did they come out
12:31to leave the food
12:32on this plane?
12:33I swear, it happened.
12:34We even paid
12:35extra money from our pockets
12:36so they could leave.
12:37It's not about the money.
12:38You can take
12:39anything you pay for.
12:40May God
12:41not deprive us of you, Pasha.
12:43But when I take, Pasha,
12:44what will you do
12:45with the land
12:46I have?
12:47It's none of your business.
12:49You do what I tell you to do.
12:51The most important thing is that I have it.
12:53I don't want anyone
12:54to be sad.
12:55I think it's clear.
12:56Of course it's clear,
12:57Hatim Pasha.
12:58That's enough, Hamid.
13:00Pasha, we'll do
13:01whatever you tell us to do.
13:02May God
13:03honor us and honor you.
13:05Uncle, we want to talk
13:06about Officer Amjad.
13:08That's right.
13:10Listen, Pasha.
13:11I talked to you
13:12about Officer Amjad
13:13a few minutes ago.
13:15You made a big deal
13:16out of it
13:17and made me
13:18look bad.
13:19No, Amjad
13:20doesn't care about me
13:21at all.
13:22He thinks it's over.
13:24It's over, Pasha.
13:26Don't make me laugh, uncle.
13:27We're not going
13:28to drink, are we?
13:29We'll drink
13:30and eat too.
13:31Come on, Hamid.
13:32Let them bring us lunch.
13:33Lunch and soup!
13:36You lightened the mood, Pasha.
13:37God bless you.
13:45Yes.
13:46Yes, sir.
13:47I'm following you, of course.
13:49What kind of show
13:50do advertisers
13:51compete with you on?
13:52Women?
13:54That's weird.
13:56No, of course, I'm happy.
13:58What's wrong with that?
14:00Okay, I'll talk to you
14:01and agree to everything.
14:02Goodbye.
14:04Mr. Sharif!
14:05What is it?
14:06Suwaila was kidnapped
14:07at the farm.
14:13It's over.
14:32It's over.
15:03Oh, my God.
15:06Look.
15:08Look at these things.
15:10What does this mean?
15:13This.
15:14Yes.
15:16Focus.
15:18Focus.
15:20Yes, 1998.
15:22What is this?
15:24Is this a year, or a date?
15:25What is this?
15:26Leave it, eat it, my son.
15:27What is this?
15:31Enjoy, my son.
15:33Enjoy, my son?
15:34Yes.
15:35Yes.
15:36Yes.
15:37Yes.
15:39Yes.
15:40Yes.
15:41Yes.
15:42Yes.
15:43Yes.
15:44Yes.
15:46Yes.
15:51Hi.
15:57Hi.
16:06You got scared, didn't you?
16:07Yes.
16:09Did you see that?
16:10Did you see that?
16:15It's dead.
16:24Hey, man.
16:25I can't hear you.
16:27You're the mayor of our neighborhood.
16:29Of course, man.
16:30We all depend on you.
16:33How is this possible, man?
16:35From tomorrow,
16:36from tomorrow,
16:37the meat will be all over the neighborhood.
16:39Come on, man.
16:40You can hang the yufat now
16:41on all the windows you want.
16:44Let people eat and enjoy, man.
16:47Come on, man.
16:49Take care of your husband.
16:50Take care, man.
16:52If you'll excuse me, man,
16:53but there's a small favor.
16:55God bless you, man.
16:56God bless you, man.
16:57God bless you.
16:58I have a friend
16:59who's very rich, man.
17:00He's very rich.
17:01He has only one son.
17:02He's a police officer.
17:03He's in Said, man.
17:04He's in Said.
17:05The boy can't go down to see his father.
17:07The father doesn't know where he is.
17:09He's in the hospital, man.
17:10The father does something to him.
17:11He dies.
17:12The boy comes and goes.
17:14God bless you.
17:16God keep you for us, man.
17:18We all depend on you, man.
17:20We depend on you, man.
17:22Okay, man.
17:23Bye, man.
17:24Bye.
17:25Hi.
17:26Hi.
17:27Welcome.
17:28Welcome.
17:29Welcome.
17:30Hatem,
17:31go see your show.
17:32And give me
17:33all the details of the officer.
17:34Okay.
17:35Welcome.
17:36Welcome.
17:37Welcome.
17:38Welcome.
17:39The best part is the dress.
17:40The dress?
17:41Of course.
17:42This is the best part of the animal.
17:43I mean,
17:44the best part of the meat.
17:46This,
17:47this only smells like fire.
17:49It melts in your mouth.
17:50It melts.
17:51Honey, you look hungry.
17:52Should I order for you?
17:53No, no, order.
17:54You know me.
17:55I don't like street food.
17:57I like home food.
17:58There's a restaurant
17:59in Al Ain Al Sokhna.
18:00It's amazing.
18:01It's worth your time.
18:03Honey,
18:04I'm going to Al Ain Al Sokhna
18:05to eat fish.
18:06I'm going to bring
18:07all of Al Ain Al Sokhna
18:08and eat the fish in it.
18:12Baby,
18:13I want to change my mood.
18:14And honestly,
18:15I'm depressed.
18:16And you promised me
18:17that we would travel together
18:18but we didn't.
18:19Yes, honey,
18:20but I have work.
18:21Okay.
18:22I'll travel, baby.
18:23Wait for me.
18:28I won't be late.
18:33Okay.
18:37What are you doing?
18:39I'm boiling water.
18:43Tell me,
18:45will this drink
18:47prove your innocence
18:48when you killed Anad?
18:51I didn't kill anyone, mom.
18:52I don't know.
18:55This drink
18:57will prove to the court
18:59that you didn't kill him.
19:01Are you crazy?
19:02It will ruin your house.
19:04It will ruin your brain.
19:06And it will ruin
19:07what you left behind.
19:08I told you.
19:10Honey,
19:12this drink
19:13will prove to the court
19:16that you didn't kill him.
19:20Mom, this is work.
19:21I don't know him
19:22and I'm going to work.
19:24But I'm not comfortable
19:26with his name Sharif.
19:29No, mom, you're comfortable.
19:30This Mr. is a good man.
19:33Sometimes, son,
19:35I find him looking at you
19:38and I don't like it.
19:40And sometimes he looks at me
19:41and I like it.
19:43I won't stop looking at him
19:44and I won't like it, mom.
19:46And then he might
19:47change his mind about me
19:49because I'm his friend.
19:51He owns everything.
19:52He's my employee.
19:53And I love him
19:55because he doesn't give
19:56hope to my siblings.
19:58But he does all this
19:59because he's afraid of me.
20:00No.
20:02Don't give anyone
20:03a chance, son,
20:05to hurt you
20:06and your siblings.
20:08Who is this person
20:09who doesn't say
20:11anything but brother
20:12when he's in pain?
20:13No, mom.
20:14When a person is in pain,
20:15he says yes.
20:16What?
20:17Brother.
20:22Oh, Gholbein.
20:35But how did you hit the boss
20:36when you hit him
20:37in the face, uncle?
20:40You won't understand,
20:41Bheem,
20:42that taking Hajj
20:44is a craft
20:45and it requires thinking
20:46and it's not like you.
20:48God bless you, Kabir.
20:49Come here, Rajab.
20:52Here you go.
20:57Oh.
20:58Don't do it, son.
21:02Come here.
21:03I'd like to thank you
21:04on behalf of the Ummah.
21:05God bless you.
21:06This is strange.
21:08Don't worry, uncle.
21:09Put it here.
21:11Here.
21:13Good.
21:14Pray for him.
21:15God bless your house,
21:16Your Highness.
21:17God bless your house,
21:18Your Highness.
21:21By the way, uncle,
21:22will Amjad Pasha
21:23come back
21:24after the country is ruined?
21:26Yes, he will.
21:27Then he will
21:28sit at home
21:29like a king.
21:30Wow,
21:31you're so smart.
21:32You're wise, uncle.
21:35Yes, Ghareeb.
21:36If you put
21:37your dirty mind
21:38in the closet
21:39and listen to me,
21:41you'll earn a lot.
21:42My mind is in the closet
21:44and all my organs, uncle.
21:45I'm a ring finger.
21:49Okay, Ghareeb.
21:50Don't worry, Fatma.
21:51Why would he beat you?
21:53Can I, too,
21:54Your Highness?
21:55He sees you,
21:56he sees something.
21:57I don't know.
21:58Okay.
21:59Take a kiss here.
22:00A kiss, Ghareeb.
22:01From where,
22:02Your Highness?
22:03A kiss.
22:06Good.
22:07Take this, my sister.
22:08It's your grandmother's
22:10perfume.
22:11It cleanses you.
22:12Your Highness...
22:13God bless you
22:14and bless them
22:15and bless you, uncle.
22:17You know, uncle,
22:18other people
22:19used to push houses
22:20against them
22:21while they were inside
22:22and not step on anything
22:23from the back.
22:24They deserve it,
22:25but do good
22:26and throw the sea,
22:27Ghareeb.
22:28God bless you, uncle.
22:30Come on, Your Highness.
22:31Give me the proof.
22:32When you give me
22:33the proof of the new house
22:34first.
22:35No, Sayeha.
22:37Sayeha.
22:38What?
22:39The women of the country
22:40left a key.
22:49The key.
22:50The key.
22:51The key.
22:52The key.
22:53The key.
22:54The key.
22:55The key.
22:56The key.
22:57The key.
22:58The key.
22:59The key.
23:00The key.
23:01The key.
23:02The key.
23:03The key.
23:04The key.
23:05The key.
23:06The key.
23:07The key.
23:08The key.
23:09The key.
23:10The key.
23:11The key.
23:12The key.
23:13The key.
23:14The key.
23:15The key.
23:16The key.
23:17The key.
23:18The key.
23:19The key.
23:20The key.
23:21The key.
23:22The key.
23:23The key.
23:24The key.
23:25The key.
23:26The key.
23:27The key.
23:28The key.
23:29The key.
23:30The key.
23:31The key.
23:32The key.
23:33The key.
23:34The key.
23:35The key.
23:36The key.
23:37The key.
23:38The key.
23:39The key.
23:40The key.
23:41The key.
23:42The key.
23:43The key.
23:44The key.
23:45The key.
23:46The key.
23:48Tariq.
23:51What a nice surprise my darling.
23:53Surprise?
23:56Or shock?
23:59No, no.
24:00No shock or something.
24:03Just surprised.
24:04That's it.
24:06You do know I am a speechless person.
24:09I like surprises.
24:13Go to sleep.
24:14Yes?
24:15Why did you knock?
24:18Are you waiting for someone or something?