Ladies in Black Season 1 Episode 5
Ladies in Black Season 1 Episode 5
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00:00All right, ladies, let's create the best-dressed women in Sydney.
00:08Do you think women will keep coming back if they only find what they have found in the
00:12past?
00:13I'm offering you the position of Chief Buyer.
00:16Who are you?
00:17Because I know you're not Mick and Joe Mansour's sister.
00:20He's right, you know.
00:21I lied to get the job.
00:22Well, we're lucky you're a great liar.
00:25Where's Rudy?
00:27He's delivering an order for you.
00:29Someone in the office must have called him.
00:30Cherie Sinclair.
00:31Perhaps you two have met in London.
00:34London is quite a bit bigger than Sydney.
00:37We're gonna conceal to reveal.
00:39Drinks all night, by the way, if you'd get me the bird's number with the classic chassis.
00:426-2-3-0-1-5.
00:43I'm not gonna let anything mess up my plans.
00:48I won't mess up your plans, Angela.
00:50Somebody is copying our most expensive designer gowns.
00:53It was you.
00:55I swear to you, ever since I started working at Goods, I have not stolen a single design.
00:59And what about your sketches?
01:00I think Rudy's having an affair.
01:01Bo?
01:02George!
01:04Hello?
01:05Hello?
01:06Hello?
01:07Hello?
01:08Hello?
01:09Hello?
01:10Hello?
01:11Hello?
01:12Hello?
01:13Hello?
01:14Hello?
01:15Hello?
01:16Hello?
01:17Hello?
01:18Hello?
01:19Hello?
01:20Hello?
01:21Hello?
01:22Hello?
01:23Hello?
01:24Hello?
01:25Hello?
01:26Hello?
01:27Hello?
01:28Hello?
01:29Hello?
01:30Hello?
01:31Hello?
01:32Hello?
01:33Hello?
01:34Hello?
01:35Hello?
01:36Hello?
01:37Hello?
01:38Explain why you did it.
01:39She'll understand, I'm sure she will.
01:45Maybe she doesn't know?
01:51I mean, what are you hiding from me for?
02:01Really, Angela?
02:02Why would she ask us in on a weekend?
02:06Maybe it's about something else
02:25Holy hell
02:32To love cheers, I think it's perfect no
02:41What would it look like above the knee?
02:43Not giving the nuns of my childhood any satisfaction. I don't think we should do but does a knee-length wedding gown
02:49Well, then we will alter this one. Okay, I
02:52See that maybe Lisa could try to sketch it first. So Lisa quick fix
03:02Oh, and we should change the neckline Kirk has always told me I have a fantastic chest and the world should see more of it
03:08perhaps I could I
03:12Want something original
03:14Unique like of course miss Chalmers. You want something?
03:19exclusive
03:21Exclusive that's the word
03:29Hmm
03:33I won't be working weekends forever darling
03:36This trial period is going very well
03:39and then
03:41What we signed this deal with Hexham. I won't need to do any more driving
03:46You can live goods
03:49What no, I mean you have a reason to live goods
03:55You haven't touched your lunch
03:59Are you perhaps I'm not hungry
04:02Go. Yeah
04:06It won't be long now, I promise
04:10Hey Marla will sign soon. He got me personally to ask for this delivery
04:17It's even invited me to play golf me
04:24Magdalene be your old self once I paid the money back. It's not that Rudy. I honestly
04:29Hey, you have taken the arrows for my bad decisions
04:35Yeah
04:37And I love you for it
04:41Okay, I have to go
04:49Everyone thinks it was all those years at drama school, but really I secured my first big role by doing this
04:59As soon as I did that Billy cast me career launched, you know
05:02The trick is to know what you want, but more importantly what you're prepared to do to get it
05:07If it means running up and down the beach half-naked, I'm gonna do it. Oh, yeah, it's looking good
05:14so the lace can cover my
05:17decoter
05:19Miss Chalmers, thanks. You got it for me Sadie. I don't know how mr. The bar is going to
05:26receive such
05:27Specific request, but it's what I want
05:30I know my surfing films aren't breakfast at Tiffany's, but they're loved by young people and they're the ones who are changing our world
05:40Done oh
05:44That's it that's the dress I want to get married in
05:49But I want it in red red. Yeah, not like I've hurt you to protect
05:58I
05:59Love it's been almost 24 hours. I can't bear it. What's up? I
06:04Came here to say
06:06That it's over
06:08We're done. I
06:10Love Rudy and he very much loves me
06:18Is that what you want? Yeah, it is this was an awful mistake it should never have started I
06:25Don't consider your mistake
06:28That's that's not what I mean. I I thought
06:33Yeah, it does it doesn't even it doesn't even matter what I thought all I know is that it's over Ken
06:49Yeah
06:52Is
06:56Changing you though
06:59He is it's turning you into what he wants to love
07:06Where's me
07:11I'll always love you for you. No something you
07:15dress up to be just
07:18Just you
07:22I
07:23Am NOT the silly girl that you kept in a flat up the cross
07:29the world has changed and so have I
07:52You
07:59Promised you wouldn't copy goods designs. Are you spying on me?
08:02You didn't tell mugged of the truth and you're back drawing a copy of a dress in your sketchbook. I
08:09Designed it you were there Sadie likes it
08:13Sadie Oh
08:15Miss Chalmers, whatever. It's not like I'm making the dress pulled about it and he'll change it make it a thousand times better
08:22I mean, it's not like I'm
08:24You can't tell Magda. I'd lose my job
08:31Getting married and read
08:34Cool
08:36but crazy I
08:39Was thinking
08:40Imagine if the dress does get made maybe one day like in a few years
08:44I could work for a designer like that and I know Paris to Sydney. It's silly. Yeah, this is just a plane ride
08:51or
08:53three away I
08:56Think I want to be a designer one day
08:59That's great. You have a dream
09:02So do I?
09:03And it involves pitching an article to Richard on SWA
09:08Right about now
09:17You look great go get him
09:28Hello Stefan, hello
09:32I have a proposal you do
09:39I'm thinking about selling my business
09:42Hmm
09:46And why are you telling me
09:50Hmm
09:53Magda my love I
09:55Have been a fool many times
09:58But I will never make another financial decision without consulting you
10:04Never
10:05Okay
10:07If I sold the business
10:10We would have the money for the boutique and then we could afford the new lease
10:16You would do that for me. I would
10:20If it's what you want Stephen I
10:27Have you spoken to your son yet? I
10:29I
10:36Can't get him to open up to me Magda. He's a closed book. I
10:43Know nothing
10:52Listen
10:55I
10:57It's time for you to come home
11:02My love no, I haven't forgiven you yet, but I'm in a very good mood
11:14If Frenchies
11:17Why Frenchie
11:19Cuz French men are so ooh-la-la
11:22Crane works at his dad's pharmacy so we can get us as many as we need and how many do you need?
11:28Well, I could spare one or two if the occasion ever arises
11:34Lisa
11:36Lisa ah
11:39It's growing on me, but why seismic shift dress
11:44The shift dress is part of the revolution in women's fashion. Oh
11:48It's unstructured it offers freedom from cinched waists and voluminous skirts
11:55And a play on words no man is gonna know what a shift dress is except John F. Kennedy
12:00Jackie wore a shift dress to the inauguration
12:03It was in the news. I'm just not convinced that university men are gonna be interested in women's fashion
12:08But are they interested in women?
12:10Bold
12:13Colors for emancipated women women who can ask a man out or buy a round of drinks
12:19Maybe find you any women like that
12:22You're looking right at her
12:40Ah
12:42Ah
13:05Sadie Chalmers wedding dress. Mm-hmm. You must be delighted. Yes, and
13:09Sherry Sinclair is coming to her next fitting. I
13:13Suggested that she put Sadie on the cover of Lillian magazine
13:17Wonder what a coup our first Lillian cover and a goods exclusive if it all goes to plan. Mr
13:24Ryder, we must leverage it
13:26We must encourage city to change their opinion of goods the sting in the tail. You should have heard miss Chalmers
13:33She wants to be bold like our young sophisticated syringe and goods could be like that for all women
13:40If you let me why don't you choose the boldest and most youthful of Mackenzie's selections?
13:46Once we've sold his stock we can
13:49Gradually replace it with yours
13:56George
13:58Angela and I have missed your visits and what have you been up to since moving in?
14:04Did you tell her?
14:06It's a bit much to expect me to keep secrets George after your behavior
14:26No, I'm not come on Lisa
14:29You need to stop matchmaking Angela and George, but she likes him face not again Lisa
14:36Do not sleep with George. He still has a lot of growing up to do
14:40My god, Faye. I think you'd be so old-fashioned
14:44Can't tell me you saved yourself for marriage. Why don't you stop right now?
14:48This is not a conversation. We need to be having I'm not interested in George
14:52And do not plan on sleeping with him or anyone anytime soon, okay?
14:58I
15:03Stop inviting him up here
15:12We're going through every carton of Mackenzie's
15:17Even he must have chosen some items that don't make me want to cry tears of boredom Adam open this
15:22I
15:30Wasn't expecting them to be so
15:34snug
15:35This is perhaps the first time I respect
15:39Mackenzie's choice
15:40Wow
15:42Dynamic but will respect sell 12 cartons of these
15:47Yeah, Magda no, I'm sorry
15:50I'm pleased it's not your fault, but it is I
15:53ordered them I
15:55Was messing with Mackenzie
15:57forgive me I
16:00Knew that mine was a coward Ilyas Habibi. These are striking
16:05Adventurous these will convince Sherry Sinclair the goods is committed to change
16:11But will Sherry Sinclair convince the world to buy big stickers, I think we'll refer to them as
16:18capri briefs
16:21We're going to put the capri briefs front and center. What does mr.
16:24Rada say I find it better to seek forgiveness and to ask for permission
16:37Now we need men
16:40I'll get the boys from university. I think they're avant-garde now. They can prove it. All right, then Oh Angela
16:45Sadie has asked if you can sketch up something for her shoulders a wrap or a shrug for the occasion
16:50Sadie Chalmers is a part of this extravaganza. Yes. It's just a small favor
16:55I suggested it could be a cross promotion for her film Angela will sketch up something simple
17:00We still need to find somebody to sew it. I can do it. I'll find a dressmaker in Little Bay route
17:05Thank you, Angela. Hey, I'll need you to divert mrs
17:09Ambrose alias, I'll handle the display great and I will greet Sherry Sinclair way
17:14The editor from Lillian will be here
17:18Oh
17:37Angela
17:38It's something that I need to tell you about George. Oh, please stop it. Hey, you're worse than Lisa
17:43I know enough about George to not want to go out with him. It's more than that. Hey, you told me about Mary Jane
17:50It doesn't matter as long as she's in his past
17:55Hmm
17:56Mary Jane is marijuana
17:59Drugs a sheesh and that's not all
18:03Oh, you look amazing. Do you want me to do this in before you think?
18:07Yeah
18:12No
18:18This war between Magda and Ambrose
18:21Do we have to choose sides?
18:23You already have hmm. I know you switch the swing tags on mugged as young sophisticates range
18:30Shouldn't be surprised that you're doing Ambrose dirty work must be easier than getting diddled by Mackenzie Elsie
18:36Only my friends call me that
18:47We met every deadline we were ahead of time for every delivery and suddenly Milo doesn't return calls
18:55His secretary cancels around the golf without his contract. We can't pay Magda back
19:01Something is offensive here that I don't know about
19:06I need to talk better Aussie so that no one can tell I wasn't born here. That's that's what I need to do
19:10Stop. No, it'll be okay. I'm sure he's just very busy. Yeah
19:15cause cause
19:17Just nervous
19:19No
19:21Yeah, he'll sign he'll sign the contract. Yeah, I'm sure it'll be fine
19:35I
19:49Elias just finished giving me a manicure. What is
19:54What on earth are you wearing just something from the young sophisticates range
19:58Well, I suppose I should be happy you're wearing anything at all after that photograph in the newspaper
20:05What are you talking about bikini wars I
20:09Know what your body looks like Lisa. I am your mother. Did you go through my drawers?
20:14What choice do I have you don't tell me anything. It's like living with a stranger going out
20:20with a boy and
20:22I may very well let him buy me drink. Well, if you're gonna go out dressed like that, you're definitely gonna need these
20:35I
21:05Don't know
21:07Your articles good, but the papers are hiring cadets for next year
21:10I cannot be seen to give space to a first-year woman when it could mean the difference between a bloke getting a job or
21:14Not what can I put my case?
21:17Sadie Chalmers is going to do a promotional event at goods the actress that the surfer girl
21:23It's a bit see teeny weenie yellow polka dot bikini and all and
21:27I can put any number of you on the list to meet her you little beauty up any man
21:34Who supports my story going into one II for the love of heroes Dickey published a girl's article
21:40And then you headline what's wrong with seismic shift dress. It's too clever. I stump boys won't get it. I'm thinking
21:49ladies who lay by
21:52How about girls who dress for sex
21:59Did I hear you correctly
22:03I
22:19Don't you have a home you live in? Ah, well, I'm too busy running yours
22:25Plan of wearing this can't do that. It's not for me. Well, who's it for?
22:32Goods you're making clothes for them. Unbelievable. This has to stop. Well, you don't get to decide that I do
22:38Well, she's you come on
22:40Goods isn't having you make clothes for them
22:42Not even skimpy ones
22:47Come on tell the truth
22:51Well, I'm not sure I'm gonna be able to do that
22:55I
22:57Don't even know what they are
23:01And it is for Sadie charmers, yeah sure it's true
23:04She came into goods for her wedding dress. And this is an outfit she's going to wear in a display. We've seen Sadie Chalmers wedding dress
23:12It's red
23:16Even your mother would admire this though in an ivory pearl, of course. Yeah mom. We'll love it. You look great
23:25Khrushchev and Kennedy are having a pissing contest.
23:29I mean, they're both as bad as each other.
23:30The US should have never flown a spy plane over the Soviets,
23:33and then it's unnecessarily provocative of the Soviets
23:35to keep powers imprisoned in Russia.
23:37And then they told everyone that it was a NASA plane.
23:39Sorry, I'm waffling on a little bit.
23:42Um, are you sure you don't want me to drive you home?
23:47I'm sure.
23:51College warden will be up.
23:53You're going to have to sneak past him.
23:56I'm up for the challenge.
24:00Put it on.
24:06Let's see you walk like a man.
24:11I'm serious, come on.
24:12You're going to have to walk straight past him,
24:13so convince me.
24:16Oh, you want the hat?
24:17You want the whole thing?
24:19Okay.
24:20Please, take the stage.
24:22Let's see it.
24:24Yes, very good.
24:27Hips forward, legs further apart.
24:31Walk like you own the place.
24:42Is that it?
24:46That's it.
24:54Victory.
24:56Victory is mine.
24:57Congratulations, champion.
25:04Wowza.
25:06This is just amazing.
25:10Thanks heaps Hollywood for recognizing my talent.
25:14It means loads to win this award for best actress.
25:19It means loads to win this award for best actress
25:24in a man's coat.
25:39That's better.
25:48♪ Dreaming of you, oh, oh, oh ♪
25:54♪ I've been sweet, sweet, sweet dreaming of you, oh, oh, oh ♪
26:03I can, um...
26:04Can I get out of Redfern?
26:06What?
26:08No...
26:09All out?
26:10Oh, it's okay.
26:12I've got a Frenchman.
26:14Frenchie?
26:18Franger, you are full of surprises.
26:48You said that Rudy's deal was the best one out there. Why would you just turn your back on that?
26:53Don't act innocent, Faye. It doesn't look good on you.
26:56Ken, it's not good for business to change your mind.
26:59I suppose it's not. Yet you did.
27:05That was personal. I am married to Rudy.
27:09He will work so hard for you. He will get your frozen chooks to wherever they have to go.
27:15On time, every time.
27:17Anyone can do that for me, Faye. Anyone.
27:21I thought a deal with Rudy would offer something unique.
27:25It appears I thought wrong.
27:48Good morning, Jimmy. Thank you.
27:53George, you need to wear briefs. And today, it's required.
27:58And change quickly, Miss St. Clair is on her way.
28:00Wait, what?
28:01Elias will explain.
28:10You gave Elias the briefs?
28:11Yes. And you got the boys to agree?
28:14Yes.
28:16Oh, where is Faye?
28:21I need to tell you something.
28:24Richard is going to publish my article.
28:27Oh, that's so great.
28:30You're going to be a proper writer.
28:32Also, we slept together.
28:34For real this time.
28:36Oh, because of your article?
28:38No, no way. Richard agreed to publish it before we slept together.
28:42Two different things.
28:44And for you?
28:47Mrs. Ambrose, did you want me to mind model gowns until your meeting is over?
28:50What meeting?
28:51Mrs. Zumberte mentioned she was meeting Mr. Ryder about the new season launch that's coming up.
29:13What are you doing?
29:16I'm going to offer to model these.
29:18Are you a magno favor?
29:20For the swing tags?
29:23Adam, enough. You're smart and talented and you're on track to become a salesman.
29:29You don't have to try so hard to please everyone.
29:32You think?
29:34You don't have to please me.
29:36Look, I'm sorry for what I said yesterday.
29:38Put these back.
29:40I'm not Mackenzie.
29:44Friends?
29:53Friends.
30:23Hey, have you got to spray him all over. Make him glisten.
30:35Now, of course.
30:45Another one caught in the crossfire.
30:47I found a compromise with Magda.
30:49Today's recital will be in tails.
30:51And bikini.
30:53Come on.
30:58Mrs. Spock.
31:04I'm intrigued by this mysterious visitor.
31:08Hello.
31:10Has Sadie arrived?
31:11She has. But before the fitting, you'll see her displaying a slightly different look.
31:16Come.
31:22Oh, it's such a pleasure. I'm Cherie Sinclair.
31:28Oh. So where is Sadie?
31:31I'd like to hear your ideas about the launch for the new season, but we really do need to include Magda.
31:53Please.
32:01Good day and welcome to Goods.
32:11For today only, men's capri briefs are half price with any full price purchase from any of the ladies' departments.
32:18And this eye-catching upper is only at Goods.
32:22Get your summer surf outfit and catch my new movie, Surfer Girl.
32:31Better get in there. Get your half price capris.
32:55It's not how we usually do things, but we must keep up with the times.
33:03Oh, there you are. Thank the goddesses.
33:05Oh, Miss Chalmers. How can I help you?
33:07I want to get a few more of these. They'd be perfect for my honeymoon.
33:10Oh, in bold colours?
33:11Of course. You understand these.
33:19This one's for you. And thank you so much for shopping at Goods. Next customer, please.
33:24Hi.
33:25Angela, we need more briefs.
33:27Oh, I'll get it.
33:50Perfect, thanks.
33:52Bold choice, Sadie. Thoroughly modern. You are going to look iconic on our cover.
33:57Are you satisfied with the length, Miss Chalmers? Is it just a décolleté?
34:02I couldn't be happier.
34:03Magda, a word in my office. Excuse me, ladies.
34:08Excuse me.
34:11Close the door after you.
34:15How dare you? You have sullied Goods' reputation.
34:20You said to sell Mackenzie stock.
34:22With half-naked boys and a Hollywood starlet at the storefront? That is not done. Not here.
34:28Our sales are through the roof.
34:31Magda, I've had Sadie Chalmers' manager on the phone, and he is furious about this little stunt of yours.
34:39He didn't authorise any cross-promotion.
34:42He's not going to allow Sadie to appear on the cover of Lillian magazine wearing a Goods gown.
34:48He's doing a deal with Younger Brothers.
34:52I didn't realise I...
34:53No, you didn't!
34:55You got ahead of yourself a long way ahead, and it has brought Goods into disrepute!
35:01The advertisement for the position of chief buyer will be in the Herald by the weekend.
35:39Come on!
35:53I'm changing. I'm changing.
35:55You're in a department store. There are change rooms on every floor.
35:59Yeah, well, I just didn't want to give Magda the satisfaction that...
36:01You're avoiding me. Did that kiss mean anything to you?
36:05I'm just... trying to sort myself out after...
36:10After what?
36:13After Faye and Rudy's.
36:15Faye told me all about it, George. I just need to know, is it in the past?
36:21Absolutely.
36:24One hundred percent. I swear to you, I regret it. And it is completely in the past.
36:29In that case, I won't mention it again.
36:35Okay.
36:37I just want you to know, I'm not proud of what I did.
36:41And neither am I.
36:47Mate.
36:55Why must you insinuate yourself in every situation?
36:59You make a fool of yourself.
37:01Then what will we do?
37:03A Daubade gown in flaming red. By December, she will sell its tits off.
37:08No, Cherie. It's not going to happen.
37:10Sadie's management have called the whole thing off.
37:12What?
37:13Magda has ruined it. The reputation, of course, and the cover of Lillian Australia.
37:19I can't understand why you and Magda aren't allies.
37:22Oh, I should join her in her war against our senior executives.
37:26Ginny, you've always been so good at managing up.
37:30Haven't you learned the hard way not to rely on men?
37:34Mr. Ryder is my employer.
37:36But he's not your father. He's not your protector.
37:40You're so much better than being a handmaiden to whatever man is throwing his weight around.
37:45I know this city. These women. I deal with them every day.
37:50Australia's not ready for change, no matter how much you and Magda try to push it.
37:57Don't let the sunshine blind you, Cheryl.
38:01This is a harsh and unforgiving place.
38:06You're wrong. Things are already changing.
38:11Magda and I are simply catching the wave.
38:15Oh, original Australian designers.
38:18Why not? One of your own shop girls designed the alterations for Sadie's wedding dress.
38:24Angela Mansour.
38:27I should go.
38:41I can't. Not now.
38:54Oh.
39:06Are they at the pre-briefs?
39:07Where have you been?
39:08No, no, take them to Faye. She's asking after you.
39:10Lisa, my sketchbook is hidden in the locker room at the back of the Radiators.
39:13Get it the hell out of there. Ambrose is after it.
39:16Angela, what's happened?
39:17Please, go.
39:24Hello?
39:28Anyone in here?
39:53What have you got there, Miss Miles?
40:17We need to speak.
40:19This can wait.
40:20I just wanted to say thank you for what you did for me today.
40:23George, this is really not the time.
40:25No, that costume idea of yours really shot my tips up.
40:28I might wear dick stickers every time I play.
40:31Why are you here?
40:32I told you to say thank you for the outfit idea.
40:35No, I mean in Australia.
40:37You didn't know me, so you didn't come to ruin my life.
40:41And evidently you have no interest in your father.
40:43And this, now? You've never come to speak to me before.
40:47No, you made it crystal clear that you didn't want to talk to me.
40:52You have no place else to go, huh?
40:55I came here to meet my father, who left me.
40:58He put you in a plane for a better future, and I'm guessing you just threw it away.
41:02You don't know me or my life.
41:04I do know that life can change in an instant.
41:07Like when you kicked out your husband because his son turned up?
41:09Or when you took him back in but refused to have me under your roof?
41:13Huh?
41:14Huh?
41:17Your mother lied to you.
41:19About Stefan, about many things.
41:23You think that makes things okay?
41:26That that lets him off the hook?
41:35Excuse me.
42:01Miss Miles? Miss Mansour?
42:03You have some explaining to do.
42:07Well, what do you have to say for yourselves?
42:11It was me.
42:12All me.
42:14I did it alone.
42:15We know that isn't true. I caught Miss Miles red-handed.
42:18She didn't know what was in it. I just asked her to get it.
42:20Miss Miles? Did you know?
42:22No, I did.
42:24Well, that is very disappointing to hear.
42:28I begged her not to tell.
42:31You hid this from me?
42:33I'm so sorry.
42:35Miss Miles, I'm at a loss.
42:38Having been part of us for so long, through difficult times, we stood by you.
42:43And you do something like this.
42:47I am sorry.
42:51But Angela didn't have a choice.
42:53She was pressured by her family.
42:54No, the Mansours hardly need to copy goods.
42:57Different Mansours.
43:00You see, her brother got upset because she made him give back the lookbook.
43:03And his fiancée is pressuring him and keeps calling their mum in Beirut.
43:06And they never would have let her work here if she hadn't promised to...
43:08Clearly, Miss Miles, your judgement has been impaired.
43:13This is your final warning.
43:16The women of goods are better than this.
43:18You best get back to who we knew you to be.
43:22That is all.
43:24And Angela?
43:25Go, Miss Miles.
43:27Back up.
43:28That is all, Miss Miles.
43:33Go.
43:54I cannot tolerate thievery, Miss Mansour.
43:58You're right, sir.
43:59Indeed, Miss Mansour, your behaviour is unworthy of a lady in black.
44:05Collect your belongings and go.
44:08You will not be welcomed back through goods doors again.
44:29No.
44:54You have to try.
44:56Ask for your position back.
44:57Explain you copied the design to help your family.
44:59Maybe you'll have to be a trainee again.
45:01Of course Magda cares.
45:03She'll convince Mr Ryder to bring you back.
45:05Miss Miles might get a second chance.
45:08But thanks to you, he knows I'm just an errand from Redfern.
45:13Well, then we can get jobs together at Younger Brothers.
45:16Younger Brothers is not goods.
45:19They sell clothes.
45:21Goods is nice, but it's not cocoa or whatever.
45:24Chanel.
45:26Get my point.
45:27I just need the money while I get through university.
45:29And I know you can do really well at any department store.
45:32I'm sure you could run Model Gowns one day.
45:35That's what you think of me?
45:36That I could run Model Gowns one day?
45:38Of course you could.
45:39Well, you go off and live your big life as a writer in London, is it?
45:42I didn't mean it like that.
45:43No, that's exactly how you meant it.
45:45You saw me design, you know that.
45:48I did it right in front of you, with Sadie.
45:51And you drew what she told you to draw.
45:54I'm not trying to be mean.
45:55You're really good at drawing.
45:56Clearly.
45:59I've never seen you write.
46:01Not a word.
46:03Sure, you talk about it almost as much as you talk about Richard.
46:06But I supported you.
46:08Why are you mad at me?
46:09Because you don't believe in me.
46:10I'm your friend third.
46:11I just said I'd resign for you.
46:12You just want me around to what?
46:14Feel better about yourself?
46:15Oh, Miss University Girl, you are not better than me, Lisa.
46:19I mean, Richard said he'll let you write one small article
46:21and you go drop your knickers.
46:24At least I'm not scared of sex.
46:26Oh, everyone knows you aren't.
46:28Lisa Miles, wannabe writer who'd give up anything to let a guy between her legs.
46:34It's not what I did.
46:35Slut.
46:36Thief!
46:52I'm sorry.
47:16What do you say, Gigi?
47:18Worth a try?
47:19Yalla.
47:21Let's do it.
47:22Grow up, Lisa.
47:24Your mother is more than capable of making her own decisions.
47:27She doesn't need either of us telling her what to do.
47:30What?
47:31Clearly she didn't tell me everything.
47:34What are you doing here?
47:36I came to see a man about a dog, Elsie.
47:39After the wedding, you're coming back to Beirut with me.
47:41No!
47:42You think they can take care of Gigi better than I can?
47:44I will not have my daughter living in a drain.
47:46There is something else.
47:47There is something else.
47:50I made a mistake.