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00:00A FEW HOURS EARLIER
00:03Let me know as soon as you hear anything.
00:04I'll come with an arrow.
00:10Oh, and Marta, if you see anyone on the street, let me know immediately.
00:15If I see anything suspicious, I'll let you know.
00:22Hi, Marta. Are you visiting?
00:25Yes, but I was leaving. Bye.
00:28Bye, Marta.
00:29Bye.
00:36Do you really think there's someone spying on you on the street?
00:39Well, I have a feeling. I don't know why.
00:43But maybe it's another one of my hallucinations. You don't have to worry.
00:47I can't stop worrying about you for a moment, Matilde.
00:50I know.
00:52And this will be solved very soon.
00:55And I'm still determined to enter that sanatorium as soon as Clarita comes back.
01:01Jaquecan is in bed. I need to go to the terrace to get some fresh air.
01:24CLARITA IS IN BED
01:41I suppose your mother has told you about my conditions to keep quiet.
01:45Yes.
01:47She has explained it to me with meridian clarity.
01:50And? What do you have to say?
01:54That I don't accept them.
01:56I'm not going to flee the country like a plague.
01:59And are you aware of the danger you're in?
02:02And what do you make your mother do if you don't accept that treatment?
02:05Yes. She's not talking to any idiot.
02:08Darling, put aside your pride and think with coldness.
02:12You have no other choice. You have to accept Fabio's demands.
02:18Considering the magnitude of the deception I've been victim of all this time,
02:22I think my conditions are the most reasonable.
02:27I see.
02:29Fabio, but it's not about what you think.
02:33It's about what I want.
02:35Then I have no choice but to go to the police.
02:39And not only because it's my duty as a decent citizen,
02:43but also so as not to look like an accomplice to the eyes of justice.
02:47Listen to us, daughter, please.
02:50You won't be short of anything when you're out of Spain.
02:53You'll be able to have the same opulent life you have here.
02:57That's right.
02:59Your mother has taken care of preparing you a good economic mattress.
03:02The Swiss bank account is well filled.
03:05That's what facing justice is about.
03:07And I guarantee you that you will lose.
03:10You have to leave the country. You have no other choice.
03:12Now you just have to choose where you want to go.
03:15I'm not going to leave here.
03:16Not until I finish what my mother has not been able to finish.
03:20Matilde has to pay for everything she has done to me.
03:24No, that matter is over.
03:26I want you to set a date for your departure.
03:29And swear to me that you will leave that poor woman alone.
03:37Have you ever thought about leaving the basement since I discovered you?
03:41Of course not.
03:43I have no interest in being discovered.
03:46Well, that's better.
03:48You have to be very clear that this is another of my conditions.
03:51You will never be able to approach Matilde or Íñigo again.
03:54Otherwise, I will report you.
03:56That's my last word.
03:58Admit that you have been defeated and start a new life.
04:00I'm not going to give up.
04:03I'm going to finish what I started.
04:05Okay?
04:07Well, think about it.
04:09If you don't do what I ask of you,
04:11or you leave this house once,
04:13I will immediately go to the police.
04:16Do not hesitate.
04:18Your time here is running out.
04:24You are impossible, daughter.
04:26You are impossible, daughter.
04:37Estrellita Castro showed sympathy with her followers
04:41who came to Mass to greet such an illustrious actress and singer
04:45and get a record signed by her admired celebrity.
04:49But ... and they didn't say anything about the store?
04:52Yes, he named the store, the gallery where it is and the modern one.
04:54Because Estrellita Castro had a tea with pastas after signing it.
04:59But then it couldn't have turned out better, right?
05:02Besides, she was charming.
05:05And she told me that she wants to take some pictures in the studio when she returns from Toledo.
05:09We have to have everything ready.
05:11So that when she comes, she sees that ours is a vanguard photographic studio.
05:14You'll see how charming she is.
05:16I would love to talk to her again.
05:18Her words encouraged me.
05:20That's good, because you needed it.
05:21After what happened to Mrs. Juanes, you were a little discouraged.
05:26Yes, but Estrellita Castro was very nice to me.
05:30It is a blessing to know a woman who has always fought for her dreams.
05:34Thanks for taking her to the store.
05:36No, thank Celia.
05:39The merit is hers, my partner is a portent.
05:42Well, someone has to get the business going.
05:45Yes, and I have to apologize because these days I've been a little distracted.
05:49Yes, you were distracted.
05:51In your head you didn't have records, of course.
05:54Did you have anything more related to cinema, maybe?
05:59Yes, it is possible that lately I am more interested in the seventh art than music.
06:04And do you have anything else to tell us?
06:07No, what I have to tell you is that we have to have breakfast quickly because otherwise we will be late.
06:12Celia, ask Agustín if he tells you anything else.
06:16What am I going to ask him?
06:17Laura will tell us when she wants.
06:20I'm sure he tells you more things than friends and his sister.
06:25Well, we finish breakfast and go to the store.
06:28How good it is.
06:34No, no, no.
06:36What's wrong with you?
06:38Are you more nervous than an anarchist from the Vatican?
06:40Nothing happens to me, I just like to do my job well.
06:43Could you give me a hand?
06:44As soon as I read about Estrellita Castro.
06:46They talk about the gallery in all the press.
06:48You'll see how happy my father gets when he reads it.
06:50Well, not so much. She is not the first famous woman who passes through here.
06:53Nobody would tell her.
06:55Estrellita Castro is very famous.
06:58Yes, yes, you are right.
07:00Why don't you go to the back store to unpack the excursion tickets that have just arrived?
07:05If it doesn't suit you, you send me to work.
07:08That's called abuse of power, did you know?
07:14Go away.
07:16Did you get her on the train?
07:18Have you checked with your mother?
07:20My mother is not a suitcase.
07:22Yes, sorry, I mean if she is already on her way from Guadalajara.
07:24Well, yes.
07:26And she even said goodbye to me from the window, with the handkerchief in her hand.
07:29Thank goodness.
07:31A couple more days and she will discover all the mess we have set up in our jobs.
07:34The further away she is, the less danger there is that she finds out.
07:37Yes, the apocalypse would have come earlier if suddenly my mother finds out
07:41that we have told everyone that we are single
07:42and that we are preparing a fake wedding.
07:45Yes, we should have finished this farce a long time ago.
07:48Well, yes, but now it's too late.
07:50We can't tell the truth anymore.
07:52I don't think our bosses would be very excited to know
07:55that we have been deceiving them for so long.
07:57Well, let's see what we do.
07:59Elías is still committed to organizing the wedding.
08:01Now, on a break, we have to go talk to the priest.
08:03Yes, well, you'll have to tell him something,
08:05because the truth is, we can't get married twice.
08:07That would be bigamy.
08:09And that, apart from being a sin, is a crime.
08:10I don't think so.
08:12If you marry the same woman, I don't think they'll tell.
08:15Well, you'll have to come up with something.
08:17And that's it.
08:19Okay, I'm going to work.
08:21Yes, yes, see you later.
08:25What a mess your wife and you have set up.
08:29Well, you're already telling me what's going on.
08:37Well, I think, Cañete,
08:38that it's time for you to come back.
08:40I'll be there the day after tomorrow.
08:42We'll see what happens.
08:44Well, has it been worth it for you
08:46to spend a few days in town?
08:48I think so.
08:50When I arrived, my grandfather was in the basement,
08:52and he went to see me, and I went up the stairs
08:54running like a kid.
08:56He was so excited to see me in town.
08:58Well, I'm glad, I'm glad.
09:00And what are they saying out there?
09:02Have they got Mrs. Lázara to fire me for going to the fairs?
09:04Well, look, at the moment I don't know anything.
09:06But here we all hope
09:08that Mrs. Lázara will come back.
09:10There's no point in worrying now.
09:12Well, how are you?
09:14How are you feeling?
09:17Well, look, you're going to be left out.
09:20Mrs. Lázara has asked me to make peace,
09:22and she has offered me a kind of deal.
09:25If I stop investigating her,
09:27she stops pressuring me to fire me.
09:30And look, I don't know
09:32if I should tell all this to Mr. Fermin.
09:34That's very risky, Teresa.
09:36If Mr. Fermin doesn't believe you
09:38then you're going to have to face
09:40a rabid manager with no power.
09:42Yeah, I don't know if it's very naive,
09:44but what if he believes me, Cañete?
09:46What if he believes me
09:48and we can get rid of her?
09:50Well, you'd still have her as an enemy
09:52and you'd have made Mr. Fermin lose
09:54the only sentimental relationship he remembers.
09:56Come on, let him do what he wants,
09:58I'll get lost.
10:00Mrs. Teresa, are you talking to Cañete?
10:02Well, give him the memories
10:04and tell him that we're here without him
10:06like cattle without heads,
10:08which is a way of speaking
10:10that I don't want to compare with the animal.
10:12Cañete, what memories of Elias?
10:14What do you want?
10:16Nothing, I just wanted to tell him
10:18if I could sit in my break,
10:20if there's no problem.
10:22I'm sorry, Cañete, but I have to go.
10:24We'll talk later.
10:26Bye, bye, bye.
10:29Teresa, well,
10:31I'm very happy to see you both together.
10:33So you'll find out too.
10:35Elias, from this moment on
10:36when Cañete returns,
10:38you'll be in charge of his position.
10:40That way you, Teresa,
10:42will get rid of the extra burden
10:44you have to cover the head of the waiters.
10:46I appreciate it.
10:48As you can see,
10:50I'm very concerned about the well-being
10:52of the employees in my position.
10:54Mrs. Laza, I hope I'm up to the job
10:56and I won't let down the people
10:58I trust
11:00to do this extraordinary job.
11:02It's a pleasure for me,
11:03to be the head of the waiters.
11:05What a triumph!
11:07The head of the extra waiters, Elias.
11:09Please, don't make a scene.
11:11But I think it's better
11:13to be the head for a day
11:15than never to be the head.
11:17Mrs. Laza, I think we should
11:19get the team together
11:21to announce my appointment.
11:24Congratulations on your new position.
11:26Thank you very much, Mrs. Teresa.
11:28Head of the waiters?
11:30Me?
11:31No.
11:33Me?
11:36And this is the whole story.
11:38In short,
11:40I've been married to Trini for a long time
11:42and we've been hiding it
11:44to keep her job.
11:46But now she's pregnant
11:48and we have to pretend it's a wedding.
11:50Yes, I can see that.
11:52Single and with a child.
11:54It's not very well seen.
11:56I'm desperate to continue
11:58with this mess.
11:59Well, I don't want to put you in a worse position,
12:02but if my father finds out
12:04you cheated on him,
12:06he won't forgive you.
12:08And look, he's going to give you a wedding present.
12:10I don't know what's going to happen to us.
12:12Don't get like that, man.
12:14I'm not going to say anything.
12:16I'll be a grave.
12:21Well,
12:23I don't know how to thank you.
12:25It's very easy.
12:27You just have to tell my father
12:29about the progress he's making
12:31with his son and the bookshop.
12:33I guess I have no other choice.
12:35I hope you don't abuse this.
12:37Only what's fair.
12:39Well, thank you.
12:41Now I just have to solve
12:43the interview with the priest
12:45Elias asked me for.
12:47If it's over, it's over.
12:49I'm not going to get out of this one.
12:51Why not?
12:53You just have to ask the priest for confession
12:55before bringing up the wedding.
12:57Confession? For what?
12:59I have the feeling
13:01that you don't end up being aware
13:03of the seriousness of the situation.
13:05And what makes you think that?
13:07That you consider it a priority
13:09to wait for the patient's sister to return.
13:11We are running an unnecessary risk.
13:13In addition, the meeting with the girl
13:15may further destabilize
13:17the precarious mental situation
13:19in which Matilde is.
13:21For her it is important to explain to her
13:23what is happening right now
13:25so that she does not find out about other people
13:27and that creates more anxiety for her.
13:29Her condition worsens at times.
13:31With all sincerity,
13:33I think for her own good
13:35we should bring her in as soon as possible.
13:37I'm sure she's showing new symptoms.
13:40That's right.
13:42Now she says that
13:44she's being followed,
13:46that she's being watched.
13:50What's going on?
13:52Do you have anything to tell me about it?
13:55In this case, it's not a patient's way.
13:57I have to admit
13:59that I have ordered some guards
14:01to follow your wife.
14:03I don't understand why you did that.
14:05It's just precaution.
14:07A common measure in these cases.
14:09We must protect the patient
14:11from herself and everyone around her.
14:13A psychotic outbreak
14:15can have fatal consequences.
14:17Keep it in mind, Mr. Peñalver.
14:19I don't like to be watched by my wife.
14:21And much less to find out
14:23how I'm doing it.
14:25All this is for your wife's safety.
14:27There are only a few hours left
14:29for her to come back
14:31and we can start with Matilde's recovery.
14:33I still don't like what you've done.
14:35You should have consulted me.
14:37I didn't think it necessary
14:39to give the characteristics of this case.
14:41And I thought you would agree
14:43to take the appropriate measures.
14:45Yes, I can agree with you
14:47while I'm aware of your plans.
14:49I apologize.
14:51But I assure you
14:53that I'm the first person interested
14:55in your wife recovering her sanity.
14:57Until she comes back,
14:59these guards will keep an eye on your wife.
15:04All right.
15:10But let this be the last time
15:12I take a step without my consent.
15:15Count on it.
15:19Come with me to the door.
15:28I've been here more hours than a clock
15:30and when something interesting happens,
15:32I was on my way to my house.
15:34What are you going to do, Esperanza?
15:36You're not lucky.
15:38Well, the security guard told me
15:40that there was a fight
15:42and everyone was asking for an autograph.
15:44And Mr. Fermin took her to the reserve
15:46to take a walk.
15:48It's a crime to lose it, isn't it?
15:50If I had money,
15:52I would have bought a car
15:54and taken her home.
15:55If I had money,
15:57I would have bought a car
15:59and all her records.
16:01Don't you like Estrellita Castro?
16:04Maybe you're more into jazz
16:06or swing,
16:08the modern music
16:10that comes from America, right?
16:12Well, I'll tell you one thing.
16:14Youth has no idea about music
16:16because good music is the same as always.
16:20What's wrong with you, girl?
16:22For God's sake,
16:23the way she talks to you
16:25is like she talks to a broom.
16:27She drives it wherever she wants
16:29but you don't answer her.
16:31No, nothing's wrong with me, Esperanza.
16:33I'm thinking about something.
16:35You're not in trouble, are you?
16:37No, it's a study thing
16:39that I've got in my head.
16:41Oh, well, look, that's fine.
16:43It's better to fill your head
16:45with letters and numbers
16:47than with birds.
16:49Oh, don't leave it
16:51and look for a future.
16:53Don't tell anyone.
16:57Marta, I need you
16:59to clean the reservation thoroughly.
17:01A cycling association
17:03is coming to do their annual meeting.
17:05It seems they want to organize
17:07a bike ride around Spain.
17:09Good morning, first of all.
17:11There are more people here.
17:13Good morning, Esperanza.
17:15What?
17:17Is your break over
17:19or are you going to stay here forever?
17:21No, ma'am.
17:23It's my birthday.
17:25And I'm glad.
17:27But, Mrs. Lázara,
17:29my shift ends at noon.
17:31Yes, I know.
17:33Don't worry.
17:35We'll pay the extra hours.
17:37Is there a problem?
17:39What problem could she have?
17:41She's going to leave the reservation
17:43like the goldfish.
17:45I wasn't expecting less.
17:47You had other plans for this afternoon, right?
17:50Yes, and if I stay to clean,
17:52I won't have time.
17:54Why is that so important?
17:56If you don't tell me,
17:58I can't help you.
18:00I can't tell her much
18:02because I promised Matilde.
18:04I'll tell her,
18:06but she'll forget right away, okay?
18:08And she promises
18:10she won't tell anyone.
18:12It seems she doesn't know
18:14who she's talking to.
18:17Matilde needs help
18:19so she won't get into the sanatorium.
18:21What?
18:23But I thought she was fine.
18:25No, she's fine.
18:27She just needs a cable to prove it.
18:29Well, that's it.
18:31I'll clean the reservation this afternoon.
18:34What if Mrs. Lázara finds out?
18:37Don't worry about that.
18:39I'll tell her you felt uncomfortable
18:41and I gave you permission to go home.
18:43That's why I'm the cleaning lady.
18:47Come on.
18:49Thank you, Esperanza.
18:51You're welcome.
18:53Matilde will do anything for you.
18:56Good luck.
18:58I'm sure everything will be fine.
19:00I'm going to need it.
19:02Come on.
19:04Give me a hand.
19:17What bad luck we have.
19:19What's going on?
19:21This light bulb has broken.
19:23I need it for the session with Estrellita Castro
19:26and it's not as bright as a two-cent candle.
19:29But you can use another one.
19:31No, I need one anyway.
19:33And I can't order another one for tomorrow
19:35because all the spare parts come from Barcelona.
19:37But maybe with a light bulb.
19:40I don't know.
19:42I don't know.
19:44Maybe with a light bulb or an exterior light.
19:48Or I can make a portrait of Carboncillo.
19:51No, Laura, no.
19:53We have to cancel the session.
19:55No, Celia, we can't cancel it.
19:57It would be terrible.
19:59It's a business that's just starting.
20:01It would be horrible.
20:03We have to think of an option.
20:05I know, Laura.
20:07But without this light bulb,
20:09the studio can't be well lit.
20:10But cancelling it isn't an option.
20:12Let's do it.
20:16What's going on?
20:18What's with those faces?
20:20You should be happy after yesterday's success.
20:23Happiness doesn't last long.
20:25We've lost the main light bulb of the studio.
20:29We're going to have to cancel
20:31Estrellita Castro's photo shoot.
20:33Don't you have spare parts?
20:35No.
20:37Listen,
20:38now that I think about it,
20:40you have several plays.
20:42Maybe you could lend us a light bulb?
20:45Yes, of course.
20:47If I don't have one,
20:49I have a similar one.
20:51I can check it today.
20:54You've saved our lives.
20:57I'm sorry.
20:59Maybe I've taken too many liberties.
21:01No, no, no.
21:03It doesn't matter.
21:05You know you can count on me whenever you want.
21:06I'll keep that in mind.
21:10I'm going to the studio.
21:12I have to select the photos
21:14I have to show Estrellita Castro.
21:16I'll stop by the warehouse this afternoon.
21:19Thank you very much.
21:24Well,
21:26the problem is solved.
21:28Tomorrow we can go see Estrellita Castro
21:31at the Madrid-Baret.
21:33It's a great plan.
21:34They say it's fun when you get involved.
21:37We could get to know each other better that way.
21:40I don't know what you mean by getting to know each other better,
21:43but I'd like to go little by little in this story.
21:47I have my reasons.
21:49Any bad experiences?
21:51I don't feel like talking about it.
21:56No problem.
21:58Really.
22:00We have all the time in the world
22:02to be sure of our relationship.
22:04Yes.
22:24The books you asked me for are still in the back room.
22:27Are you going to pick them up today?
22:29I don't know. I have a lot to do today
22:31and I can't carry them.
22:32I can't carry them with me.
22:34I'll take them wherever you want and we'll talk.
22:36No, I have to go somewhere today
22:38and I don't need company.
22:40I'll take them home and that's it.
22:42No, don't insist.
22:44I'll take them tomorrow.
22:46As you wish.
22:48It's been hard for me to get them together.
22:50I know and I appreciate it,
22:52but I can't today.
22:54Don't insist, please.
22:56Hey, did you stand in line when Estrellita Castro came?
22:59Why would I?
23:00I don't have a CD of his
23:03to sign or money to buy it.
23:05Well, I don't know, a photo or a piece of paper.
23:09A signature doesn't feed you.
23:13Well, it's a nice memory.
23:15That's for whoever wants it.
23:17Besides, yesterday I...
23:20Yesterday I had to go to a place
23:22that a friend of mine asked me to go.
23:24The same place as today?
23:26Yes, the same place as today, but you don't care.
23:28It's a bit of a hassle, isn't it?
23:30It's a nice place,
23:32but it's so mysterious
23:34that you can't say anything about it.
23:36I can't.
23:38And stop getting involved with people who don't know you.
23:40I've met guys like you who want to know everything about you.
23:42Like me?
23:44We're back to square one.
23:46We're not back to square one.
23:48You'd better not go crazy with me.
23:50I've proposed to Elías
23:52that he be in charge of the waiters
23:54until Cañete comes back.
23:56But if you don't like it,
23:58we can find someone else.
24:00I don't see why I should not like it.
24:02It's a decision that you, as manager,
24:04should make.
24:06Well, since we haven't been in agreement
24:08on the decisions I've made lately,
24:10I've preferred to comment.
24:12I suppose you're referring
24:14to Teresa and Cañete's dismissals, right?
24:16Look, Mr. Fermin,
24:17I don't want to bother you.
24:19So from this moment on,
24:21I'm going to inform you of every step I take.
24:23I don't want to be a burden
24:25and you have too much to handle in this room.
24:27It's not convenient or practical
24:29for me to ask for an opinion for everything I do.
24:31Mrs. Lázara, believe me,
24:33if I've named you manager,
24:35it's because I fully trust you,
24:37in your ability to work and organize.
24:40You don't know how important those words are to me,
24:43Mr. Fermin.
24:45Well, I thought I'd lost your trust.
24:48Very badly done.
24:50Mrs. Lázara, believe me,
24:52when I tell you that I'm very sorry
24:54if at any time you've felt questioned by me,
24:57it wasn't my intention,
24:59I appreciate you
25:01in everything that matters.
25:03In everything.
25:06You have a heart of gold.
25:10Yes?
25:13Mr. Del Moral, come in.
25:15Don Fermin is waiting for you.
25:17Good morning.
25:19Don Fabio, thank you for coming so soon.
25:21It's always a pleasure to get close to the modern.
25:23Congratulations on the success
25:25you've had with the visit of Estrellita Castro.
25:27It has had a lot of repercussions.
25:29Exclusive success of my niece and her partner,
25:31who is a very good friend of mine,
25:33who is a very good friend of mine,
25:34who is a very good friend of mine,
25:36who is dedicated to organizing events
25:38to promote Gramófonos store.
25:40But sit down, please.
25:42Though I like to boast of partners,
25:44I didn't make you come for that.
25:46You tell me,
25:48how can I help you?
25:50There's something that keeps worrying me,
25:53because I know with a grain of salt
25:55that you continue to sell assets
25:57of the Morcuende company.
25:59Is that true?
26:01I don't know why this financial maneuver
26:02this financial maneuver? Well, it worries me a lot. I would even say that it even takes away my sleep,
26:07because in addition there are certain rumors that are nothing but rumors.
26:11What have you heard?
26:14That they intend to put the gallery for sale,
26:20so that the tenants do not know what to expect, and neither do I.
26:26Well, pay attention to everything you hear. Rumors always sin of alarmists.
26:31Yes, but it is true that they continue to sell the company's assets.
26:35That's right. We are trying to clean up the company.
26:39What happens is that we are having to get rid of more companies than we expected.
26:44The accounts are not as good as we thought.
26:48So you guarantee me that the gallery is not going to be put up for sale?
26:52The gallery is one of the most profitable businesses of the Morcoin company.
26:55Our intention is to preserve it.
26:58Well, you don't know how happy I am to hear that.
27:00But know that I cannot guarantee it 100%. I am only the provisional manager.
27:06The owner is Mrs. Bárbara. She is the one who has the last word.
27:09Although, at the moment, she is delegating all the decisions to me.
27:13And she is very lucky to have you to help her,
27:16because I imagine that after the death of your daughter, Mrs. Bárbara will not have the head for these businesses.
27:23It has to be very difficult to overcome something like that.
27:26Do not doubt it.
27:29What happened to Carla is a tragedy for any mother and for those who are close to her.
27:49Daughter, you shouldn't go near the window. Someone might see you.
27:54Don't worry, mother. No one can see me from here.
27:56I'm just enjoying a little bit of the sunlight.
28:00Staying here locked up is a torture.
28:03Well, that could end whenever you want. You just have to tell me what country you want to travel to.
28:08And that way you would be free and you would prevent Fabio from reporting you to the police.
28:12I'm very sorry, mother, but none of that is part of my plans.
28:15Besides, I don't think Fabio has the guts to do it.
28:18Not for you, not for me.
28:20I'm not so sure.
28:22He should give in to your demands.
28:24No, we should have been more determined and eliminated that problem a long time ago.
28:30Remember I told you?
28:31Not at all.
28:33And I have a little head before you make me a request out of nowhere like that.
28:37Oh, mother, please. You don't have to get like that. I'm just asking you to think about it.
28:41There is not much to think about to realize that it would be a mistake.
28:44If Fabio disappeared now, or if he died in an accident, it would cause such a stir that it would be of no use to us.
28:50It depends on how it's done.
28:52Do we know people who could take care of that job?
28:55No, not because sooner or later they would suspect me.
28:59And that would only serve to lengthen your confinement a little more.
29:02And in that case, I couldn't even leave the country anymore.
29:06Mother, I understand, but please understand me.
29:10I can't stay here and I don't want to leave without having concluded my matters before.
29:14So we have to find another solution.
29:16Oh, daughter, please, come to your senses.
29:19Understand that we are in the hands of Fabio and that you have to accept all the conditions that he has imposed on you.
29:26Okay.
29:28I agree. I have no choice but to swear not to get close to Matilde again.
29:36Are you being completely honest with me?
29:38Yes.
29:39I will accept Fabio's conditions.
29:42I assume that I have lost this hand, but not the game.
29:46What do you mean?
29:47That I will leave Spain.
29:49But first I want Matilde to end up locked up in the sanatorium.
29:53So I leave it in your hands. In yours and in Dr. Mendoza's.
29:58I think it's reasonable.
30:00We will not let you down.
30:02But I hope you do your part.
30:05I have given him my word.
30:18How did it go with the priest?
30:20Bad, bad. We have run into the church, my friend Alvita.
30:24I don't know what happened, but the priest has refused to marry Trini and Miguel.
30:26Even if they were ... don't choose them.
30:30And he didn't tell you why?
30:32No. And if I insist more and ask for explanations, he is capable of condemning us to the bonfire.
30:36Because you have to see what a bad genius our father has here.
30:40For me he already had the date committed and he has been brave enough to admit his mistake.
30:44Yes, it could be. But he could have chosen another date.
30:47Because he said there is no wedding and there is no wedding.
30:49As they continue to be so capricious, the priests are going to lose all their devotees.
30:53What is clear is that this church is discarded.
30:55Yes, but we will find another one.
30:57Because I'm not going to stop until you see these two married as God commands.
30:59But yes, if they leave us their jobs ...
31:01You don't have to put so much effort on it, Elias.
31:03But how not? I find another church like my name is Elias Tejada.
31:07And I'm as sure as the amount of work I have for my new position.
31:11Chief of the substitute waiters.
31:14It's like being a general. An army without him is lost.
31:16So well, I'm going to lead the attack against the snacks.
31:20Good luck, Napoleon.
31:22Goodbye.
31:28How has everything gone around here?
31:30Well, well, well.
31:32I have put the new guides of excursionism in the showcase and we have sold a couple.
31:34You should take a look.
31:36Yes, it looks good. I'll take a look at it later.
31:38As you wish. But first tell me how the church is doing.
31:40Well, it seems that my plan has worked.
31:43Yes, this time it did.
31:45I asked the priest for confession, as you told me,
31:49and when we were in the confessional,
31:51I told him that we were already married.
31:53And how did the priest take it?
31:55Bad, very bad.
31:57He told me that the sacrament of marriage is not to be taken lightly
31:59and that he was doing a very big offense to the church.
32:01I don't know if there is any commandment that says you can't marry the same woman twice.
32:07I tried to explain to him that we were doing it for a good cause.
32:12But when I told him the deception that we had done to our bosses and co-workers,
32:16he got even more angry.
32:18Sure, you could have saved that.
32:20Well, yes.
32:22Because he made me a liar, a liar and a perjurer up to the top.
32:24Come on, he already noticed the flames of hell burning my calves.
32:26Don't worry.
32:28With the secret and confession, no one can tell anyone.
32:30Yeah, but I got away with it.
32:32I have sent 500 Our Fathers
32:34and a thousand Hail Marys of penance.
32:36Are you going to spend two days praying?
32:38At least I haven't told Elias anything.
32:41And that?
32:43He has been insisting for a long time that we had to get married
32:45and I have.
32:49Well, I'm glad the problem has been solved.
32:51Well, yes, yes.
32:53And I thank you for the idea you had.
32:57But you heard Elias.
32:59He won't give up.
33:01I can't use this trick in the other parishes
33:03if I don't want to be excommunicated.
33:05Have you thought of something better?
33:07Well, I hope it's soon.
33:10I don't think he can hide his pregnancy much longer.
33:12And it's not read in working hours.
33:26It was a privilege to meet Estrellita Castro.
33:28It's amazing how a woman of such fame
33:30can be so simple.
33:32Yes.
33:34The truth is that her words
33:36encouraged me a lot to continue with my recovery.
33:39So I understand that you are going to continue
33:41the specialist's treatment.
33:43Yes, yes.
33:45I have already done Mrs. Juánez's exercises
33:47and today I will call one of the specialists
33:49that she recommended to me.
33:51That's the attitude, honey.
33:53Because I warn you that in this family
33:55we are not to give up
33:57to the slightest adversity.
33:59I know.
34:01You just have to see everything you have achieved.
34:03And how hard it is for me to maintain it.
34:05So please don't fail.
34:08I'm going to put all my energy
34:10in singing like before.
34:12Yes?
34:14Come in, come in, Mrs. Estrellita.
34:18Is there a problem?
34:20No, no, no. On the contrary.
34:22Everything is going well.
34:24I just want to tell you that Teresa
34:26is working diligently, as always.
34:28And we have a good harmony between the two of us again.
34:30Of course. That's great news.
34:32Yes. I also want to tell you
34:34that Elias' appointment
34:37as Deputy Chief of Staff
34:39has been very well accepted by his colleagues.
34:41I knew it was a good decision on your part.
34:45I am very happy to hear you say that, Mr. Fermin.
34:47I would not want to make
34:49a mistake again that I would find.
34:51Don't worry about that.
34:53You already know that I am very satisfied
34:55with your work.
34:57Thank you very much.
34:59Well, I won't bother you anymore.
35:07Is something wrong with Mrs. Gazar?
35:09Eh ... Thank you, dear.
35:11Maybe ...
35:13Maybe I overdid it
35:15when I questioned
35:17the dismissals she proposed to me the other day.
35:19Well, if she doesn't agree,
35:21it's normal for her not to allow it.
35:23I even came to think
35:25that it would not have been a good idea
35:27to put her as a manager.
35:29Yes, it is clear that she has a lot of interest in the company.
35:31But do you still have doubts?
35:33No, no, no, no.
35:35I think it was excellent.
35:37But I feel that
35:39all this has distanced us
35:41personally and I regret it a lot.
35:43And why don't you
35:45propose a plan outside of work?
35:47What kind of plan?
35:49Well, I don't know, anything
35:51that has nothing to do with work
35:53and where they can express themselves freely.
35:55Darling, I've been here all day,
35:57I can't think of anything ...
35:59I don't know,
36:01we could all visit
36:03some place in the Sierra de Guadarrama, right?
36:07An excursion?
36:13Well, it's not a bad idea.
36:17Maybe she will propose it.
36:19I'm sure she will accept and fix her relationship.
36:21She will.
36:23An excursion.
36:25An excursion.
36:27An excursion.
36:31Marta is going to come back later.
36:33Well, yes, it seems so.
36:35She has confessed
36:37that she is making some orders to Matilde.
36:39If that's why she can come back whenever she wants.
36:41Although she is going to get lost,
36:43it's hard to get lost with the carbonara I'm preparing.
36:45Well, yes, to help our friend,
36:47whatever.
36:49Apparently she is doing some research
36:51to prevent her from entering the sanatorium.
36:53And what does she have to find out?
36:55She didn't want to tell me
36:57and she asked me not to ask her.
37:01It's a shame that this matter comes back.
37:03I thought they had already closed it.
37:05Me too.
37:07Iñigo had promised
37:09that he was not going to enter it, but ...
37:11I don't know,
37:13maybe he has seen that they have made it worse.
37:15I don't know.
37:17In my country, these sanatoriums are not worth much.
37:19The strings make them sick
37:21and the sick make them worse.
37:25You are encouraging me a lot.
37:27I don't think Iñigo will lock it
37:29and then throw the key, right?
37:31Yes, yes, of course.
37:33If he wants to enter it, it will be a sanatorium of trust
37:35where they will treat Ina's body, but ...
37:37Well, he better be at home
37:39doing his normal life.
37:41I'm going.
37:49Hi.
37:51Is Marta here?
37:53No, no. We don't know when she will return.
37:57Come in, come in.
38:01Hello.
38:03I brought you a Genoese.
38:05It is a typical dessert
38:07of our land.
38:09Genoese is very good.
38:11Yes, it is very good.
38:13And what is it for?
38:15I was chatting with her the other day
38:17and I wanted to thank her for worrying about me.
38:21It looks good, huh?
38:23You always loved how I prepared it.
38:25It is the only sweet
38:27that came out better than me.
38:29But you have always had a good hand
38:31for the kitchen.
38:33Yes, Pietro, I did what I could.
38:35Having a cook at home, one has to make a lot of effort
38:37to please him.
38:39I know. Well, I'll give it to you.
38:43You can see that you are a very good girl.
38:45Yes, yes, yes.
38:47She is a girl who has had everything against her
38:49in life and has come out
38:51thanks to her kindness, precisely.
38:53By the way,
38:55do you remember anything about the dream you had yesterday?
38:57No, I don't remember anything.
38:59But it is just a dream.
39:01It doesn't matter.
39:03Well, I'll leave you. I don't want to be unfortunate.
39:05See you later.
39:07Bye.
39:09Bye.
39:15If you don't want to be unfortunate,
39:17it would be better to be at his house, right?
39:19He is visiting.
39:21Understand her.
39:23She has been alone for a long time, hasn't she?
39:25Yes, yes, I understand.
39:27But there is no reason for you to speed up the procedures
39:29so that she returns to her house.
39:31It is what I do every day.
39:33Well, maybe you have to do it a little more.
39:39Bye.
39:49Working at the gramophone store
39:51is sometimes exhausting.
39:53How was your day?
39:55Well, Celestina's birthday.
39:57Our dear uncle is very interested
39:59in Mrs. Lázara and I don't mean
40:01his work as a manager.
40:03But what's wrong? Don't you think it's good?
40:05Well, the truth is that
40:07Vampira is not very pleasant to me.
40:09Oh, Laurita, really,
40:11stop calling her Vampira.
40:13It won't be that one day you have to call her Aunt Lázara.
40:15God doesn't want it.
40:17Well, look, today I proposed to the uncle
40:19to go on an excursion to the mountains,
40:21all together, and he thought it was very good.
40:23But you're coming too.
40:25Don't leave me alone with them.
40:27Well, the truth is that I don't think it's the best plan.
40:29But hey, I'll go and make you company
40:31to watch her.
40:33I'm coming.
40:37I'm coming.
40:41Agustín, come in.
40:43Good news.
40:45In the end, I had several lights
40:47like the one you need in my warehouse.
40:49Tomorrow I'll send it to you with the waiter.
40:51That's great. I knew we could trust you.
40:53Sit down.
40:55You know
40:57I can't make any mistakes.
40:59I'm at your disposal.
41:01Well,
41:03don't hesitate to take advantage of me.
41:05And why don't you take advantage of me now?
41:07Well, I'm leaving
41:09because this is getting very embarrassing.
41:11No, no, no, no.
41:13I wanted to talk to you.
41:15Yesterday
41:17I saw that you were very happy
41:19after chatting with Estrellita Castro.
41:21Yes, it encouraged me a lot
41:23and I want to speed up my recovery.
41:25I've done Mrs. Juánez's exercises
41:27and I got an appointment with Amancio Estrada,
41:29one of the specialists she recommended to me.
41:31Look, I'm very glad
41:33that you've decided to take that path again,
41:35but I advise you to take it easy.
41:37You shouldn't force yourself too much.
41:39Yes, I'll be careful,
41:41but the sooner I recover,
41:43the better for everyone, right?
41:45You can't wait for me forever either.
41:47No, I'm not in a hurry.
41:49I promised I would wait
41:51to do the court function with you
41:53and that's what I'm going to do.
41:55Agustín is right.
41:57It's better not to run.
41:59Yes, but nothing will happen to me
42:01because I'm not a coward.
42:03This is not a question of being a coward or being brave.
42:05Look, I know from experience
42:07that shortcuts
42:09are not good.
42:11If you're really interested in something,
42:13you don't mind going
42:15little by little.
42:17Yes, but I'm dying to
42:19get on a stage.
42:21That's going to happen.
42:23You, for now, keep going
42:25with Mrs. Juánez's instructions
42:27and her new specialist.
42:29She's going to recover.
42:31Well, I don't promise anything.
42:33And I'm leaving so you can
42:35keep talking about focus.
42:51Cheer up, that face. It's not that terrible.
42:53Let's see, if Salvatore finds out
42:55about all this, the truth is
42:57you're in trouble.
42:59Don't believe it. Maybe it's good help.
43:01It was his idea to confess to Ancura
43:03that we were already married.
43:05Salvita is on our side.
43:07I, until I change my mind,
43:09the truth is that for me it is a bad loss.
43:11He is interested in keeping the secret.
43:13So he makes sure that I am going to give him
43:15good reports about his father.
43:17Well, maybe we can stay a little calm there.
43:19But then there's Elias.
43:21Elias, who looks like an ankle dog.
43:23When he picks a prey, he doesn't stop.
43:25With how clumsy he is,
43:27he's not going to stop
43:29until they give us Toledo's catalogue.
43:31If only we had Cañete here
43:33to help us with his subordinate.
43:35He'll be back in two days,
43:37a whole eternity.
43:39It's just that we have to
43:41think of something,
43:43something fast,
43:45a place where we can get married
43:47but where they can't get there.
43:49Where?
43:51What is that?
43:53An excursion guide
43:55that they brought to the bookstore.
43:57Salvita told me it was very good
43:59and I wanted to take a look.
44:01It talks about a place
44:03that I didn't even know existed.
44:05Love?
44:07What if we get married
44:09in a place where even bears can't get?
44:11Of course.
44:13Of course, of course.
44:15It's a fabulous idea.
44:17And I think I've read about
44:19a perfect place for that.
44:21It's far away and hard to get.
44:23Peña... Peña...
44:25Here, here.
44:27Peña...
44:29Peñalba de Santiago.
44:31Peñalba de Santiago is a beautiful town
44:33at the foot of the Aquilian Mountains.
44:35It's hard to get there.
44:37The last 20 km have to be done
44:39on the back of mules.
44:41The town, despite its beauty,
44:43is unknown to travelers from that region.
44:45I think it's a perfect place.
44:47It's perfect,
44:49unless we have to get there,
44:51which won't happen.
44:53Besides, Elías won't get there either.
44:55No, no, no, of course not.
44:57We'll tell them you wanted
44:59to get married in that town's church.
45:01We'll ask for a couple of days off
45:03and lock ourselves here in Calicanto.
45:05Of course, and then we'll come back
45:07like a couple of newlyweds
45:09and we'll invite them to a cecina
45:11which is what they eat there and...
45:13See? Problem solved.
45:15In the end, the solution is always in the books.
45:17Well, the idea was mine.
45:19Me too, me too.
45:29You were right.
45:31Dr. Mendoza has confirmed your suspicions.
45:35He was watching you.
45:37I knew it.
45:39I knew it wasn't a fantasy.
45:41I was sure of it.
45:43Dr. Mendoza ordered two guards
45:45to follow you.
45:49That man doesn't trust me.
45:51After everything he's done,
45:53do you still trust him?
45:55I don't know.
45:57He made that decision for your sake.
46:03Matilde, he...
46:05He did it so you wouldn't hurt yourself.
46:07So you wouldn't hurt others.
46:09All we want is for you to get well.
46:13I'd like you to be sure
46:15of what you're going to do
46:17and to think about what I'm going to do.
46:23Matilde, you're not well.
46:27When your sister arrives,
46:29you'll have to go with those men.
46:31But I'm not going to leave you alone.
46:33I swear.
46:35No, I'm not going to do it.
46:37Not when Clarita arrives, not ever.
46:39Don't make it harder.
46:41You need help.
46:43You can't stay so nervous.
47:01You did it.
47:03You did it.
47:05What are you talking about?
47:08Matilde.
47:10Matilde, Brigida's here.
47:13I went back to the confectionery
47:15and I asked about the Sosodichas.
47:17The waitresses told me they knew her.
47:19What else?
47:21They told me she's a client of hers
47:23and she works at a nearby mercery.
47:25I asked for her address
47:27and I was able to talk to her, Matilde.
47:29Marta.
47:31I knew it.
47:33I knew it was real. I'm not crazy.
47:35Marta, I'm not crazy.
47:43I can't stand this silence anymore, please.
47:45I'm dying of jealousy.
47:47I can't tell you anything else.
47:49If you had any doubts,
47:51I'd tell you.
47:53I value Lucia a lot
47:55and I'll always have her.
47:57I'm very scared.
47:59It's getting clearer, Iñigo.
48:01They set us up.
48:03Your dear Dr. Mendoza was trapped.
48:05What did that woman tell you exactly?
48:07She told me her name wasn't Brigida,
48:09but Maria
48:11and that she was a student
48:13and needed the money to pay for her classes.
48:15I'm grateful you didn't doubt me.
48:17Not everyone can say the same thing.
48:19I'm being cruel to you,
48:21but I need more time.
48:23Take the time you need.
48:25I thought things would get
48:27much more difficult,
48:29but you had a backbone.
48:31If all went well,
48:33you wouldn't have gotten anything
48:35from me.
48:37Ladies and gentlemen,
48:39Mrs. Bárbara has decided to sell
48:41all the galleries,
48:43so imagine what that could mean.
48:45They'd fall into the hands of speculators.
48:47They'd treat the gallery
48:49as a simple and cold business,
48:51without soul.
48:53I want to take advantage of the break
48:55to start studying.
48:57Are you dying to study?
48:59I've never studied in my life.
49:01It's never happened to you,
49:03because you've never had to stop studying
49:05to get a job, but I have.
49:07I don't know what else to do to please you.
49:09I couldn't find another priest
49:11to marry you, and I'm so ashamed.
49:13You're laughing.
49:15I should be ashamed.
49:17You don't need to find anyone.
49:19We've decided to get married
49:21in a remote village lost in the mountains.
49:23Another wedding that goes to waste.
49:25I have so many problems.
49:27I'm sure mine will have a happy ending.
49:29Look at the other wedding.
49:31The deceased woman was resurrected.
49:33That can be understood, for God's sake.
49:35And that woman has come
49:37to try to get her husband back.
49:39Everything I do
49:41answers to one question,
49:43and that is to protect Carla from an injustice.
49:45What injustice are you talking about?
49:47She did what she did,
49:49and you insist on defending the indefensible.
49:51What a shame,
49:53because I'm afraid it won't be possible.
49:55I thought I had convinced your husband,
49:57but that young woman
49:59has more influence on him than I thought.
50:01Listen to me.
50:03You have to do something, and you have to do it now.
50:05Because every minute
50:07Matilde is on the street,
50:09our situation gets more complicated.
50:11Íñigo called me before you did.
50:13And what did he say?
50:15No, but it was something important,
50:17and we had to meet as soon as possible.
50:19I'm afraid he's starting to suspect.
50:21He didn't leave us any loose ends, did he?
50:23Matilde Garcés will sleep in the sanatorium tonight.
50:27That's what I wanted to hear.