The Deal (2006) Full Movie | The deal 2006 full movie watch online
In this thrilling tale of mystery and intrigue, Laura Martin's (Penelope Ann Miller) seemingly perfect world collapses when a fire rips through her husband Oscar s (Andoni Gracia) Barcelona winery, killing him and the couple s 7-year-old daughter. But when a U.S. Embassy official (Henry Thomas) informs her that the blaze was the work of an arsonist--and that the primary suspect is her husband--Laura is revived by the hope that her family may still be alive and in hiding. Her despair quickly turns to determination as she delves into Oscar's past to untangle the twisted lies about the man she married and makes a deal with the Mob to find of her child.
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Short filmTranscript
00:01:00Don't worry about a thing, just live up to your part of the deal and this will all be
00:01:11over soon.
00:01:12Your friends are waiting for you.
00:01:13Ramon, good to see you, mi amigo.
00:01:14Welcome to Miami.
00:01:15He's in.
00:01:31Be careful, babe.
00:01:32You have something for me?
00:01:33Nice.
00:01:34Should I count this?
00:01:35No, I trust you.
00:01:36Besides, people could try to rob Mr. Arias.
00:01:37Sing soprano.
00:01:38Snipers in position.
00:01:39Two guards by the patio.
00:01:40Covered.
00:01:41Prepare to move in.
00:01:42I'm looking forward to working with you.
00:01:43What the fuck is this?
00:01:44I didn't call anyone in.
00:01:45What the hell is going on out there?
00:01:46They're holding all our positions, sir.
00:01:47Touch fire.
00:01:48Move in.
00:01:49Execute, execute, execute.
00:01:50Turn it over, turn it over.
00:01:51Move in.
00:01:52Move in.
00:01:53Move in.
00:01:54Move in.
00:01:55Move in.
00:01:56Move in.
00:01:57Move in.
00:01:58Move in.
00:01:59Move in.
00:02:00Move in.
00:02:01Move in.
00:02:02Move in.
00:02:03Move in.
00:02:04Move in.
00:02:05Move in.
00:02:06Move in.
00:02:07Move in.
00:02:08Move in.
00:02:09Move in.
00:02:10Move in.
00:02:11Get down.
00:02:12Target sighted.
00:02:13Take him out.
00:02:14Hold the caps.
00:02:15I'll get the emeralds.
00:02:16MLP, wrap your weapon.
00:02:17Drop it.
00:02:18Now.
00:02:19D31, flank downw 600 feet, left now.
00:02:30Hold it.
00:02:36Look out!
00:02:38Look out!
00:02:40Move out!
00:02:48I got the stones!
00:02:54Let's get out of here!
00:02:56Ah!
00:03:05Honey, can you hear me?
00:03:08We're clear!
00:03:10Ramon, don't leave me, man!
00:03:12We're in this together!
00:03:14Ramon!
00:03:16It's all right, it's all right. He's with us.
00:03:19Nobody comes as early as I need to tell about it!
00:03:22Son of a bitch!
00:03:24Your life is fucking over!
00:03:26Fucking traitor!
00:03:28No one can protect you!
00:03:30We'll find you!
00:03:54You always do that to me!
00:04:20Yeah, but I love it.
00:04:23Hello.
00:04:25Daddy, daddy, daddy!
00:04:28It's about time.
00:04:30My friends want to see some magic.
00:04:32Oh, I don't know.
00:04:34Please.
00:04:36Okay.
00:04:38I'll be back.
00:04:40Okay, who's ready for some magic?
00:04:43Hey, over here!
00:04:49Everybody ready?
00:04:53Ta-da!
00:04:55Okay.
00:04:57Birthday girl.
00:04:59Pick a girl, any girl.
00:05:01But, dad, you always do this trick.
00:05:04Yes, but it works on you every time.
00:05:06Besides, she's the only one I know.
00:05:08Come on.
00:05:12Okay.
00:05:14Now, put it back.
00:05:16Okay.
00:05:18Ta-da!
00:05:23What do you have there?
00:05:31Thank you very much.
00:05:33As I said, it works every time.
00:05:35How did you do that?
00:05:37A magician never reveals his secrets.
00:05:39Dad!
00:05:41Once you figure it out, I'll think of something new, okay?
00:05:43Besides, I think you have more important things to think about right now.
00:05:46Happy birthday!
00:05:53Okay.
00:06:14Yay!
00:06:23Good news.
00:06:25That hunt is over.
00:06:31Who wants cake?
00:06:33Me!
00:06:35Oh, the story on how we met is even better.
00:06:37Anyway, the vineyard I was working for in Napa
00:06:40wanted to expand their business to Europe.
00:06:43So they sent me to evaluate a winery
00:06:46that was operating out of an old mesilla that was for sale.
00:06:49And I was their head winemaker.
00:06:51I kept asking her to sample my wines and give me her opinion.
00:06:54Mm-hmm.
00:06:56Little did I know you was trying to get into my pants.
00:06:59It worked, didn't it?
00:07:01Now, I knew I had to make this woman my wife.
00:07:05She was beautiful, easy to get along with,
00:07:08great cook,
00:07:10and most importantly, had the same passion for wine I do.
00:07:13What more can a man ask for?
00:07:15Sounds like a match.
00:07:17What more can a man ask for?
00:07:19Sounds like a match made in heaven.
00:07:21He proposed to me in the garden of the old mesilla.
00:07:24Down on one knee in front of the poor.
00:07:26Diamond ring and all.
00:07:28I can't believe you never told us this story.
00:07:30How romantic.
00:07:32So what happened with that mesilla?
00:07:34Oscar and I decided to open up our own vineyard in Penedes.
00:07:38With Connie's legal advice, of course.
00:07:41But we go to the mesilla every year.
00:07:43Some couples have their song.
00:07:45We have our place.
00:07:49Oh, I'm being a terrible hostess.
00:07:51Let me get you some more wine.
00:07:54Thank you, honey.
00:07:58How about you, Rafael?
00:08:00There's got to be a good story
00:08:02behind how you landed this fine young lady.
00:08:04No, that story's better left for another time.
00:08:07Oh, I see.
00:08:09Did you arrest her?
00:08:12What are you doing, silly?
00:08:14I'm showing Emma how to dance.
00:08:16You are?
00:08:18Ah!
00:08:20Good, you're always doing that to me.
00:08:22Because it's fun.
00:08:24Yeah, for who?
00:08:26For me.
00:08:28Ew!
00:08:30Gross!
00:08:32Oh, listen, did you bring home a bottle of wine
00:08:35from the old mesilla?
00:08:37No.
00:08:39Oh, listen, did you bring home a bottle of wine
00:08:41from the year Christy was born?
00:08:43Oh, I'm so sorry.
00:08:45It's okay.
00:08:47We'll just have to break family tradition for one year.
00:08:50You know what?
00:08:51I'll go by the winery and pick one up.
00:08:53Really?
00:08:54Yeah, ten minutes.
00:08:55No one will know I'm gone.
00:08:56Oh, honey, you're the best.
00:08:58I know.
00:09:00See you soon.
00:09:01Okay.
00:09:03Hey, are you enjoying the party?
00:09:05I'll be back in a minute, okay?
00:09:07Where are you going, Daddy?
00:09:09Oh, I have to run to the winery real quick.
00:09:11Want to keep me company?
00:09:13Can Emma come too?
00:09:15Sure, let's go.
00:09:17Okay.
00:09:19I'm going to take the birthday girl with me.
00:09:21Okay, honey, hurry back.
00:09:23Okay, let's go, honey.
00:09:26Baba Blacksheep, have you any wool?
00:09:31Yes, sir, yes, sir, he has.
00:09:55Okay.
00:10:10Lady, we'll only be a minute, honey.
00:10:13Are you sure Emma wouldn't like to wait in the car?
00:10:15She gets lonely.
00:10:18Okay, bring her.
00:10:22Wop, bop, bop, wop, bop, bop.
00:10:30Here we go.
00:10:39Bop, bop, bop, bop, bop, bop, bop, bop, bop, bop, bop.
00:10:46Nighty-nighty.
00:10:52Hold on, honey.
00:10:54Let's play hide-and-seek.
00:10:56In a minute, honey.
00:11:02Two thousand.
00:11:04You can't find me.
00:11:10Nighty-nighty-night.
00:11:16We found you!
00:11:18Daddy, you can't find me.
00:11:20Keep hiding, honey.
00:11:22I will find you.
00:11:28Thanks for coming.
00:11:29Sorry Oscar and Christy couldn't be here to say goodbye.
00:11:32Buenas noches.
00:11:36Something's not right.
00:11:38It's not like Oscar not to call.
00:11:40Well, maybe some last minute business came up.
00:11:43It'll be okay.
00:11:48He's not answering.
00:11:50Something's wrong.
00:11:51I'm going over there.
00:11:52Well, let me take my car.
00:11:53You're a little shook up.
00:11:59There's his car.
00:12:01Well, at least they're here.
00:12:02I told you.
00:12:08You were right.
00:12:09I shouldn't have worried.
00:12:18Oh, my God!
00:12:20No!
00:12:21No, you can't go in there!
00:12:22No!
00:12:23Go in there!
00:12:24My baby!
00:12:25No, no!
00:12:26No!
00:12:27No!
00:12:28No!
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00:15:41Give me the ball!
00:15:44You got it!
00:16:11Hello, how old are you?
00:16:14Twenty.
00:16:16Hello, Mommy.
00:17:12I just felt like being outside for a little while.
00:17:26This is all like a bad dream.
00:17:30I keep thinking I'm going to wake up and...
00:17:34think I'm going to come down the hall and see...
00:17:39Oscar and Christy playing hide and seek.
00:17:47If I hadn't asked Oscar to go pick up that bottle of wine, none of this would have happened.
00:17:52Laura, stop.
00:17:54You're going to drive yourself crazy thinking what if you did this, what if you did that.
00:17:58You can't blame yourself over something that is not your fault.
00:18:09I'm happy.
00:18:14But I can't stay here anymore.
00:18:20Everywhere I turn...
00:18:24they're memories of a life...
00:18:28that I once had.
00:18:38I love you.
00:19:08I love you.
00:19:38I love you.
00:20:08I love you.
00:20:38I love you.
00:21:08I love you.
00:21:21Thanks for handling everything for me over the past few days.
00:21:26Oh, it's the least I could do.
00:21:29Lawyers aren't as ruthless as everyone thinks.
00:21:34I'm going to miss you.
00:21:38I'm going to miss you too.
00:21:53Mrs. Martine?
00:21:55Yes.
00:21:56Hi, my name is Frank Keenan. I'm with the U.S. Embassy.
00:22:00First, let me just say how sorry I am about your loss.
00:22:04I'm writing up the report on your daughter and I was hoping we'd have a chance to talk in private.
00:22:12You know, I've given all the details to the proper authorities.
00:22:17So if you have any more questions, I really think you should contact them.
00:22:22I have some information you might be interested in.
00:22:29So I hear you're headed back to the States.
00:22:32Yeah, there's nothing for me here anymore.
00:22:37So why is someone from the U.S. Embassy so interested in my daughter's death?
00:22:41Oh, in cases like this, where the death's not a big deal,
00:22:44it's just a matter of time before they find out.
00:22:47Why is someone from the U.S. Embassy so interested in my daughter's death?
00:22:50Oh, in cases like this, where the death's not a big deal,
00:22:53it's just a matter of time before they find out.
00:22:57Christie was, of course, an American citizen, courtesy of your nationality.
00:23:05Did your husband have any enemies, Mrs. Martine?
00:23:09Enemies?
00:23:11Oscar was a winemaker.
00:23:13Everybody loved him.
00:23:15Why?
00:23:19I inspected the site.
00:23:23Don't know how to put this.
00:23:25Please, go on.
00:23:27Okay.
00:23:29The debris contained large quantities of evaporated ammonium nitrate.
00:23:34It's odorless. It's highly combustible and hard to trace.
00:23:37I'm sorry, I don't know what you're trying to tell me.
00:23:40The nitrate is a combustible.
00:23:43It's the top choice for arsonists.
00:23:48I'm sorry, Mrs. Martine.
00:23:50This was arson.
00:24:01Did you know?
00:24:02Did I know what? Calm down.
00:24:04Don't tell me to calm down. Did you know?
00:24:06About what?
00:24:08About the ammonium nitrate.
00:24:10I don't believe I've had the pleasure.
00:24:12Frank Keenan. I'm with the U.S. Embassy.
00:24:18A lot of big fish interested in a small fire.
00:24:21What do you mean?
00:24:23Interpol arrived before the building finished smoldering.
00:24:26They found your daughter's body.
00:24:28Interpol?
00:24:30I thought they only handled criminal cases.
00:24:32So you did know.
00:24:34No, you don't understand. It's not...
00:24:36Oh, don't tell me. Don't talk to me like that.
00:24:38My husband and daughter were murdered.
00:24:41And you didn't tell me about it.
00:24:43You were a friend. How could you do that to me?
00:24:46To protect you.
00:24:48Protect me? From who? The killers?
00:24:50Why aren't you out there looking for them?
00:24:52Because we know who did it.
00:24:55Laura.
00:24:57It looks like it was Oscar.
00:25:01What?
00:25:02It is still a bit early in the investigation to jump to conclusions,
00:25:05but the evidence is pointing to the fact that Oscar set the fire himself
00:25:09and was caught in his own accident.
00:25:11That's just... That's just crazy.
00:25:14Oscar would never put Christy at risk like that.
00:25:17Believe me, I'm as astonished as you are.
00:25:19I'm just looking at the facts here.
00:25:22Are you aware he recently increased his insurance coverage on the winery?
00:25:26That's just impossible.
00:25:28He would never do something like that without telling me.
00:25:32That's cunning.
00:25:34She's you and your husband's legal representative.
00:25:37I'm surprised she didn't tell you about this.
00:25:43Perhaps you didn't know him as well as you thought.
00:25:47Forget what Navarro said. He's only trying to close the case.
00:25:51Yeah, but why would Raphael lie?
00:25:53It doesn't make any sense.
00:25:55Maybe he is telling the truth.
00:25:58It's just... Oscar wouldn't do something like that.
00:26:01He wasn't that type of person.
00:26:03Well, it sounds like there are a lot of unanswered questions.
00:26:06No, well, I'm not going anywhere until I find out what's going on.
00:26:16Look, I know what you're going through, believe me.
00:26:19But there's nothing for you here.
00:26:21Just let me look. I need to see it for myself.
00:26:24Where do you want to start?
00:26:27I want to see where they were found.
00:26:36Let's go.
00:26:56Christy was found here.
00:26:59They said she was probably hiding when the fire started.
00:27:07An Oscar?
00:27:11It's this way.
00:27:37He was probably trying to get to Christy when the smoke became too much for him.
00:27:43Christy! Christy, where are you?
00:27:56What's this?
00:27:59Oh, it's just a back stairway that leads outside.
00:28:03A back stairway that leads outside, but it's always locked.
00:28:17This wasn't mentioned in the report.
00:28:19Could Oscar have come down this way?
00:28:21We never use it.
00:28:23That's weird.
00:28:33Let's go.
00:28:52What is it?
00:28:53Emma.
00:29:03Did Emma come too?
00:29:05I'm going to take the birthday girl with me.
00:29:24I just don't know how she got outside.
00:29:28There must be a reason for it.
00:29:30They had to have come in that way.
00:29:32Did Emma really leave Emma alone?
00:29:34She took Emma everywhere with her.
00:29:39Rafael said Interpol discovered her body.
00:29:41Yes.
00:29:42How could the police and fire department miss her?
00:29:45That's a very good question.
00:29:47Is it common for Interpol to get involved in cases of arson?
00:29:51Not that I'm aware of.
00:29:53The police have been withholding the truth from me.
00:29:56Why should Interpol be any different?
00:29:58Do you think it's possible that I could see their report?
00:30:01I suppose I could put in a formal request for a copy.
00:30:06It might take six or eight weeks.
00:30:09That long?
00:30:11There's another way.
00:30:13You could actually make the request yourself.
00:30:16As the only living family member, they're required to share it with you.
00:30:19It might be faster.
00:30:21So what do I have to do?
00:30:23Nothing.
00:30:24I'll fill out all the paperwork for you tomorrow.
00:30:26All you have to do is sign it.
00:30:32You should just go home and get some sleep.
00:30:36I'm never going to sleep again.
00:30:47Good morning, Inspector.
00:30:48Mr. Kinnan, what can I do for you today?
00:30:51Any more theories for me to look into?
00:30:53Please, come in.
00:30:55No, actually, Laura's appealed to the embassy for assistance.
00:31:00I have a formal request for a copy of the case file.
00:31:07Mr. Kinnan, what am I going to do with you?
00:31:11You're going to give me that file.
00:31:14I'm afraid it's not that easy.
00:31:17I don't think you understand.
00:31:20No, I'm afraid you don't understand.
00:31:22That file is classified.
00:31:24Classified?
00:31:26This isn't a state secret.
00:31:28This is arson, isn't it?
00:31:31Are you aware of the term non-cooperation?
00:31:34Do you have any idea what that means?
00:31:36You want me to call the ambassador right now?
00:31:38If you'd like.
00:31:39But be sure and tell him to call Interpol if he wants any answers.
00:31:45Mr. Kinnan, please understand I'm not trying to be difficult.
00:31:49The Martins were very good friends of mine,
00:31:51but this matter goes above all our heads.
00:31:54I'm sure it does.
00:31:56Thanks very much for all your help.
00:32:05Hi.
00:32:07Put me through to the Agent Freemain, please.
00:32:16Retirement planning?
00:32:19Thank you, love.
00:32:21Did you know that Lord Byron toyed with the idea
00:32:24of purchasing an entire Spanish island for his very own?
00:32:28The Virgin Land appealed to him.
00:32:30The Virgin Land or the Virgin Shepherd Girls?
00:32:33Ah, cynical youth.
00:32:35You have a call in line one.
00:32:37Inspector Navarro.
00:32:40Tremaine here.
00:32:41What can I do for you, Inspector?
00:32:44I see.
00:32:46No, no, not to worry.
00:32:48I appreciate your concern.
00:32:50We have everything under control.
00:33:06I'm not sure if staying here is the best option for you.
00:33:12Well, it doesn't really matter what you think, does it?
00:33:15Laura, you're not being yourself.
00:33:17What is this Kinnan doing to you?
00:33:19He's not doing anything.
00:33:21So far, he's the only one who's been honest with me.
00:33:24What do you mean by that?
00:33:26Did you know that Oscar increased the coverage of the insurance policy?
00:33:29What are you talking about?
00:33:31What is this Kinnan doing to your mind?
00:33:33Don't change the subject.
00:33:35Did you know about the insurance policy?
00:33:37What insurance policy?
00:33:38Don't play games with me, Connie.
00:33:40Rafael Navarro told me about the increase in the coverage.
00:33:44They think Oscar planned this whole thing.
00:33:46What?
00:33:47That can't be.
00:33:49He handled all the business affairs of the winery.
00:33:51If he had changed anything, I would have known.
00:33:56Is it possible that he could have done it without your knowledge?
00:34:04He could have, but why?
00:34:16Laura, listen to me.
00:34:20Oscar was a good man and a great father.
00:34:24He never would have done anything to hurt you nor Christy.
00:34:28I'm not quite sure what is going on,
00:34:31but I can assure you that none of this mess was his doing.
00:34:40I'm sorry, Connie.
00:34:42My mind is just not in the right place these days.
00:34:45You don't have to say anything.
00:34:47Right now you're going through more than anyone could handle.
00:34:51Listen, when I get home, I'll make some phone calls
00:34:55and I'll try and find out as much as possible about this so-called policy.
00:35:00All right?
00:35:06Excuse me.
00:35:14Hey.
00:35:15Morning.
00:35:16Did you get the report?
00:35:18Interpol has it classified under national jurisdiction.
00:35:20You mean international jurisdiction.
00:35:22Interpol is an international agency.
00:35:26I'll see you later.
00:35:28Sorry, my mistake.
00:35:31Come in.
00:35:40So you two are pretty good friends?
00:35:42Yeah, I've known her since I moved to Spain.
00:35:44This doesn't make any sense.
00:35:47Why is Interpol so involved?
00:35:49Maybe they were investigating Oscar.
00:35:51Why was I never asked to ID the bodies?
00:35:54It's standard procedure not to show the bodies to the family members
00:35:57when they're so severely burned.
00:35:59Then how did they identify them?
00:36:01Well, the official report stated that the dental records and DNA matched.
00:36:06The official classified report?
00:36:08Exactly. Those reports have to be classified for a reason.
00:36:11Now maybe that was so no one could double-check the DNA test and dental records.
00:36:15What are you saying, Frank?
00:36:17Are you saying the bodies in the cemetery...
00:36:19If there were any bodies there at all.
00:36:22You mean my family may not have burned in that fire?
00:36:29There's only one way to find out.
00:36:38I can't believe we're doing this.
00:36:42All right. Here we go.
00:36:56I guess I was wrong.
00:36:59Don't.
00:37:02Don't.
00:37:10I'm very sorry.
00:37:12I'm sorry.
00:37:31You must really hate me.
00:37:34No, Frank.
00:37:36Well, I got your hopes up.
00:37:38You were just looking at the facts.
00:37:40These cases...
00:37:42I always try to tell myself not to get emotionally involved.
00:37:46You're a nice man.
00:37:48You can't help but care.
00:37:50Oh, Jesus. God.
00:37:52Don't worry.
00:37:53I can't believe this.
00:37:54I'll get it. Just sit here and relax.
00:37:55No. Are you sure?
00:37:56Yeah. Absolutely.
00:38:10Clean this up. I'll pour you another glass.
00:38:41It's me. It's me.
00:38:47Oh, my God.
00:38:48Oh, my God.
00:38:49Oh, my God.
00:38:55Rafael.
00:38:56It's Laura. Please.
00:38:57Please hurry and get here. They're gonna kill each other.
00:39:00It's Oscar. Oscar's here.
00:39:11Oscar, no!
00:39:13Where's Chrissy?
00:39:15Oscar, wait!
00:39:17Where's Chrissy?
00:39:18Where is she?
00:39:26We've put out a call to all units.
00:39:32Laura, it might sound stupid, but I have to ask.
00:39:36Are you sure it was Oscar?
00:39:37Yes, Rafael.
00:39:38I know my own husband.
00:39:40And you. You saw him, too.
00:39:43Pretty solid for a ghost.
00:39:47Look, Rafael.
00:39:49If Oscar is alive, then maybe Chrissy is...
00:39:52The body was identified by her DNA and dental records.
00:39:55As was Oscar's?
00:39:56I'm as astonished as you are.
00:39:58Laura, look.
00:40:00Laura, I don't know what to say.
00:40:04We'll get to the bottom of this.
00:40:06I'm sorry.
00:40:07It's all right.
00:40:08Be careful.
00:40:21Is there someplace you can stay tonight?
00:40:25I want to stay here.
00:40:27Laura, your husband faked his own death.
00:40:29He came back here with a gun.
00:40:31Who knows what he might have done if I hadn't been here?
00:40:33It's not safe.
00:40:37He wasn't trying to hurt me.
00:40:41Then what was he doing here?
00:40:43He has to be after something.
00:40:45I did say there was something he had to tell me.
00:40:47What?
00:40:49Is there something you know that he might not want you to tell anybody else?
00:40:52Think.
00:40:54What about someone who might help him, a family member?
00:40:57Oscar doesn't have any family.
00:40:59He moved here from Madrid right after his parents died.
00:41:03Oh.
00:41:06You know, he used to tell Christie stories
00:41:08about how strict his teachers were at the school he went to.
00:41:12Maybe there's somebody there who might remember him.
00:41:15Or they might have a record.
00:41:17We should probably go there.
00:41:19I appreciate everything you've done for me, Frank.
00:41:23But I think this is something I have to do on my own.
00:41:26Sure. I understand.
00:41:30Listen, I should go.
00:41:32I can see myself out.
00:41:36Remember, I'm only a phone call away if you need anything.
00:41:41Thanks for everything.
00:41:45Good night.
00:41:46Good night.
00:41:49Hello, Mrs. Navarro.
00:41:51Yes, this is Laura Martine.
00:41:53I'm all right, thanks.
00:41:55Listen, could you do me a favor?
00:41:57Yeah, Rafael told me about a private detective
00:42:00that he was very close to from Madrid.
00:42:19Senor Sena?
00:42:21Ah, you must be Mrs. Martine.
00:42:23Yes.
00:42:24Please, please.
00:42:27I really appreciate you doing this on such short notice.
00:42:30It's no problem.
00:42:31Any friend of Navarro is a friend of mine.
00:42:34But I have one question.
00:42:36Why have you come to Madrid?
00:42:39I don't know.
00:42:41It's a long story.
00:42:44But I have one question.
00:42:46Why have you come to Madrid?
00:42:48We live in modern times.
00:42:49I could have faxed my report to you.
00:42:52Well, I wanted to look around for myself.
00:42:55I understand, but this job is best left to the professions.
00:42:59So what have you found out?
00:43:02Nothing.
00:43:05Nothing? What do you mean, nothing?
00:43:08Zero.
00:43:10I started looking into Mr. Martine's life after the telephone call.
00:43:14I used all the normal sources, but I have found nothing.
00:43:18National identity, driving license, everything came up blank.
00:43:22But that's impossible.
00:43:24I mean, Oscar told me stories about growing up here.
00:43:28I'm very sorry, but Oscar is a ghost.
00:43:32He does not exist.
00:43:34Who the hell was I married to?
00:43:40I'm sorry.
00:43:42I have been with the school for almost 40 years.
00:43:46And we have no records of a student named Oscar MartÃn.
00:43:50Are you positive?
00:43:52I mean, I have this...
00:43:54I have a picture.
00:43:57No.
00:43:59I remember all the student faces.
00:44:01But I haven't seen him before.
00:44:03I mean, are you sure?
00:44:05It has been a long time.
00:44:07My dear, if any of those stories he told you were true,
00:44:11I could definitely remember such a troublesome student.
00:44:16Well, thank you for your time.
00:44:18Sorry.
00:44:38Oscar MartÃn
00:44:56Well, it's a dead end.
00:44:58Everything Oscar told me was a lie.
00:45:00His name, MartÃn, the name he gave me,
00:45:03doesn't even belong to him.
00:45:05I don't even know who I am anymore.
00:45:07A man can't just appear and disappear without leaving any evidence.
00:45:11We will find him, I promise you that.
00:45:13Well, I'm going to hold you to that promise.
00:45:15I just might have to keep it.
00:45:16When are you coming back?
00:45:18Tomorrow.
00:45:19You want me to pick you up at the airport?
00:45:20That would be nice.
00:45:22Okay, I'll see you there, partner.
00:45:24All right, bye.
00:45:30What, you changed your mind?
00:45:32It's Alfonso Sena.
00:45:34I have found some information.
00:45:36Yeah, what is it?
00:45:37It's very important I show you.
00:45:39Meet me at the gallery at 97 Serranos.
00:45:41A gallery?
00:45:44Señor Sena?
00:46:03Hello?
00:46:08Hello?
00:46:13Señor Sena?
00:46:23Is anyone here?
00:46:27Hello?
00:46:32Oh.
00:46:34Excuse me.
00:46:36But I'm here to meet someone.
00:46:38Maybe you know him.
00:46:40I never understood why my father had such an infatuation with doors.
00:46:45But as I grew older, I think I'm beginning to understand why.
00:46:50Behind doors, people hide their secrets,
00:46:53their most inner desires.
00:46:56Some people's doors are open for everyone to see inside.
00:47:01And others are still shut, afraid to let anyone in.
00:47:06I'm sorry, I... I must have the wrong place.
00:47:12Leaving so soon, Mrs. Martin?
00:47:15We have many doors for you to go through this evening.
00:47:25My friend knows I was here tonight.
00:47:27No!
00:47:58No!
00:48:22You like?
00:48:24Colombian, the best.
00:48:26None of that Cuban shit.
00:48:28Good.
00:48:30I detest women who smoke.
00:48:31I'll have one.
00:48:34Humberto Arias.
00:48:36My daughter, Natalia.
00:48:38She likes to test me.
00:48:45It's very hard to raise a child these days properly.
00:48:49I'm sure you can relate.
00:48:51I don't know what I would do if I was to lose her to a terrible accident,
00:48:55if that is what it was.
00:48:56What do you know about my daughter?
00:49:00What do you know about Madrid?
00:49:05I despise ignorance.
00:49:07You should know a few things about the country you live in.
00:49:10In ancient times, this city was the center of the world.
00:49:15Spain was the greatest superpower on Earth.
00:49:18Their ships spread across the globe,
00:49:20bringing the word of God and the Sword of Castile to the native people.
00:49:24Bullshit.
00:49:26They destroyed Latin America, burned cities, enslaved people,
00:49:30ruined entire civilizations.
00:49:33Now, we Colombians are returning the favor.
00:49:37Payback is a bitch, right?
00:49:40So what does this have to do with you?
00:49:42Do you know why I had you brought here?
00:49:44No, we're looking for your husband, Ramon.
00:49:47Ramon?
00:49:49I don't like games, Mrs. Martini.
00:49:52I do. Why don't you let me have her for a couple of hours?
00:49:56Shut up, Hector.
00:49:57You must forgive Hector.
00:49:59He's still bitter about spending the last ten years of his life in prison.
00:50:03Hector!
00:50:06Courtesy of your husband.
00:50:08And you know, in all the years he was in prison,
00:50:12he never cut a deal or mentioned my name.
00:50:16Now that is loyalty.
00:50:18Something your husband knows nothing about.
00:50:22Look at the dark waters.
00:50:24During the day, it's very pretty.
00:50:26Families can rent rowboats.
00:50:28Children play along the banks.
00:50:31But these waters hold many dark secrets.
00:50:35This is where your husband killed his first man.
00:50:38He was 16.
00:50:39What?
00:50:40He walked up behind him, put a pistol to his head,
00:50:44and shot three times.
00:50:47Bang.
00:50:50And then he disposed of the body in the lake.
00:50:54You're making this up.
00:50:55Am I?
00:50:56The man you know as Oscar MartÃn
00:51:00was an assassin.
00:51:03And a smuggler.
00:51:05He decided to expand his trade to Miami ten years ago.
00:51:10I was impressed with his rise to power.
00:51:13I welcomed him with open arms.
00:51:15And do you know how he repaid me?
00:51:18He turned to the FBI.
00:51:20Several of my men were lost.
00:51:23I should skin them red alive.
00:51:25I should wipe out everyone he loves.
00:51:28Where is he?
00:51:30Where is he?
00:51:31Where is he?
00:51:34I would tell you if I knew.
00:51:37I don't care about him anymore.
00:51:40All I care about is if my daughter's alive.
00:51:54You know what, Mrs. MartÃn?
00:51:57I believe you.
00:52:06The police, they cannot help you.
00:52:09Your detective friend was killed because he asked too many questions.
00:52:13Don't you make the same mistake.
00:52:15If Ramón contacts you, call us.
00:52:23Mrs. MartÃn,
00:52:25I truly hope you find out what happened to your daughter.
00:52:40No, Connie, really, I'm fine.
00:52:43Oh, thanks, but Frank's picking me up at the airport.
00:52:46Did you hear anything about the insurance policy?
00:52:48Nothing.
00:52:50The authorities have everything under lock and key.
00:52:53I can't even access the company's bank account
00:52:55now that they think that Oscar is still out there.
00:52:57And I have talked to every single insurance carrier that I know of.
00:53:02And nobody has told me anything.
00:53:05Every single insurance carrier that I know of.
00:53:08And nobody knows anything.
00:53:10Yeah, well, I'm starting to think there is no insurance policy.
00:53:13I'll explain later.
00:53:15See you tonight.
00:53:16All right. Bye.
00:53:26I was so worried about you.
00:53:28It's good to see you.
00:53:31You sure you're all right?
00:53:32Yeah, I'm fine. I'm just a little shook up.
00:53:35I can't believe you actually met Humberto Arias,
00:53:37head of the Colombian mafia, and lived to tell about it.
00:53:40Yeah, well, he wants me alive for some reason.
00:53:42What did he say?
00:53:44I don't think we should talk in here.
00:53:46I'll tell you everything outside.
00:53:55We've got a visual.
00:53:59All right, let me figure this out.
00:54:01Humberto, or Ramon, whatever his name is,
00:54:04he turns Arias over to the FBI and then disappears.
00:54:07Moves back to Europe, gets married, has a family. Life is good.
00:54:11Then they find him and come after him.
00:54:13So he stages his own death and disappears,
00:54:16hopefully taking Christy with him.
00:54:19But after all that, why would he risk getting caught?
00:54:21He must be looking for something.
00:54:23Hello, Martin.
00:54:24Hey, what the hell is this?
00:54:26We are within the ball.
00:54:28Please.
00:54:31Please.
00:54:42Mrs. Martin, Mr. Keenan.
00:54:44Nigel Tremaine. Pleasure.
00:54:46Where's my daughter?
00:54:48You know my colleagues, Ortiz and Fuentes.
00:54:50You said Oscar was dead and he's alive.
00:54:52Is Christy alive, too?
00:54:55I understand that you've been meeting
00:54:57with some old friends of Ramon's,
00:54:59some very dangerous friends,
00:55:01and I must insist that you cease these investigations
00:55:04lest they take a turn for the worse.
00:55:06You're protecting him. Why?
00:55:09Why is Oscar Ramon so valuable to you?
00:55:13Oscar Martin is a key witness.
00:55:16He was helping us, along with the FBI,
00:55:18to dismantle a good part of the Colombian mafia.
00:55:20Well, what about Humberto Arias?
00:55:22We haven't been able to link him to anything yet.
00:55:26The problem is, after the incident in Miami,
00:55:30Arias won't show his face.
00:55:32Well, he sure showed it to me last night.
00:55:34He told me everything.
00:55:35That's not enough.
00:55:37It's your word against his.
00:55:39Really? I never thought my credibility
00:55:41would be questioned against the head of the Colombian mafia.
00:55:45Mrs. Martin, you're lucky to be alive,
00:55:49which is why you must stop playing private investigator.
00:55:53Immediately.
00:55:55Do you really think that I'm gonna stop looking for my daughter?
00:55:58Mrs. Martin, this is not a request.
00:56:03So, Oscar was in the Witness Protection Program.
00:56:06You gave him his name, his identity, set up his life.
00:56:08What was I? Good cover?
00:56:10If it's any consolation, he genuinely loved you.
00:56:13Really?
00:56:14How the hell would you know?
00:56:19Please, just let me talk to him.
00:56:21I'm afraid I can't.
00:56:23He called us after the hitman attacked at the winery and disappeared.
00:56:26Did he take Christy?
00:56:30Answer me!
00:56:31Yes or no? This is not a tough question.
00:56:34Is she alive or not?
00:56:43You don't know, do you?
00:56:47So, what about the bodies?
00:56:49You wanted the Colombians to think he was dead.
00:56:52You burned down the winery, and one of the bodies was the hitman.
00:56:55What about the kid? Was that some Jane Doe you picked up at the morgue?
00:56:59You've got quite an imagination, Mr. Keenan.
00:57:02And the insurance policy?
00:57:04You fabricated the whole thing just to cover your mess?
00:57:07From where I'm standing, the only difference between you people and Arias is a badge.
00:57:12There are occasions when the few must be inconvenienced for the greater good.
00:57:16It might be difficult to believe, but this is for your own good.
00:57:19The less you're involved, the better.
00:57:21Listen, Mr. Agent Tremaine.
00:57:25I became involved when my daughter became involved.
00:57:31You can threaten me all you want, but I will stay involved until I find her.
00:57:38You're a courageous woman, Mrs. Martine.
00:57:42But it might just get you killed.
00:57:45You were great in there. You didn't let that guy scare you one bit.
00:57:47Yeah, well, I'm sick of being lied to.
00:57:50I can't believe I've been played like this.
00:57:53You know, I've got to call Connie.
00:57:55Laura, I really don't think that's a good idea.
00:57:57Frank, I accused her of lying to me.
00:57:59I know, it's just I really don't think we should talk to anybody until we figure this whole thing out.
00:58:04For their safety as well as our own.
00:58:07Yeah, you're probably right.
00:58:10Do you mind if I took a cab home?
00:58:12I think I need to walk, be alone, clear my head for a while.
00:58:15Your mind must be going a hundred miles a minute with all of this.
00:58:17Yeah.
00:58:18Listen, if you need anything at all, just call me on my cell phone, okay?
00:58:23Thanks.
00:58:24You're welcome.
00:58:31Okay.
00:58:33Laura, call me.
00:58:40I have a boy myself.
00:58:46Your husband really wanted to start a new life.
00:58:50He cut the deal to set up the Colombians in Miami because he knew it was his only way out.
00:58:55But the deal went bad.
00:58:57What the fuck is this?
00:58:58Shots fired! Move in!
00:59:00At the time, we thought a rogue agent was involved.
00:59:03Why change the plan?
00:59:04But we are beginning to believe it may have been someone working with Ramon.
00:59:08Why would someone be working with him? He was an informant.
00:59:11We're not sure.
00:59:12We're not sure.
00:59:14But he may have taken something from the scene.
00:59:17I got the stones!
00:59:18Search your house.
00:59:20Check your bank records for any unusual holdings or safety deposit boxes.
00:59:26Find what they are looking for and it may lead you to your daughter.
00:59:31So she is alive?
00:59:33I didn't say that.
00:59:43Where did I put his car?
00:59:50Hello, operator.
00:59:52Yes, could you please give me the number to the American Embassy?
01:00:01U.S. Embassy. May I help you?
01:00:02Yes. Hi. I'm trying to reach Frank Keenan.
01:00:04I'm sorry. Mr. Keenan isn't in right now. May I take a message?
01:00:07Yeah. Well, you have him call Laura Martinez soon.
01:00:10He already has my cell phone, but I want to give you my home number
01:00:12just in case he wants to call me there.
01:00:41Hi.
01:00:43What are you doing here?
01:00:45I just came by to drop off Laura's bag.
01:00:49How did you get in?
01:00:51Back door was unlocked.
01:00:52That's very strange.
01:00:53I'm sure I locked it before she went to Madrid.
01:00:58Hello?
01:00:59U.S. Embassy calling for Laura Martin.
01:01:02U.S. Embassy?
01:01:04Well, Mrs. Martinez is not in right now.
01:01:07531.
01:01:09Or I can take a message if you'd like.
01:01:11Yes. This is Frank Keenan returning her call.
01:01:15Frank Keenan?
01:01:20That's very strange.
01:01:22Well, this is a bit awkward.
01:01:27Hello?
01:01:29Hello?
01:01:31Hello?
01:01:33Hello?
01:01:35Hello?
01:01:39Connie?
01:01:47Connie?
01:01:48Where are you?
01:01:57Connie?
01:02:05Connie?
01:02:06Oh my God, no!
01:02:08Oh, Connie!
01:02:30Make one move and you're dead.
01:02:34Okay.
01:02:55Are you okay?
01:02:57Kind of tense?
01:02:58I was made.
01:03:00By wifey?
01:03:02Her friend.
01:03:03And?
01:03:04I took care of it.
01:03:06And what about wifey?
01:03:08Not yet.
01:03:09I still need her to lead us to Ramon.
01:03:12And our lost treasure.
01:03:15Ramon, don't leave me, man!
01:03:16We're in this together!
01:03:24What have you gotten us into?
01:03:26That motherfucker Ramon.
01:03:28He left me there to die.
01:03:29Don't worry.
01:03:30We'll get our revenge.
01:03:31Must have been crazy.
01:03:33Falling in love with a boy from another girl.
01:03:36It's very Romeo and Juliet of us.
01:03:39Don't say that.
01:03:40Don't.
01:03:41Romeo and Juliet both die at the end.
01:03:46Yes, but in our ending,
01:03:48we screw both sides and live happily ever after.
01:03:57I'm really sorry you couldn't reach me last night.
01:04:01I had an important meeting.
01:04:03That's all right.
01:04:04Rafael brought me to the hotel.
01:04:07Thanks for bringing my suitcase.
01:04:08Oh, it's no problem.
01:04:10I'm so sorry about Connie.
01:04:14You think it was Oscar?
01:04:16I don't know.
01:04:18I mean, I don't know why Oscar would want to hurt her.
01:04:22He loved her.
01:04:24He loved you too, supposedly.
01:04:27I'm sorry, I have a way of saying the wrong thing at the wrong time.
01:04:31We'll figure this whole thing out together.
01:04:33I promise.
01:04:37Get in!
01:05:00Oh my God! Brake! Slow down! Slow down!
01:05:31Ah!
01:05:34Ah!
01:05:48Ah!
01:05:52Stop! Stop it!
01:06:01Ah!
01:06:13Brake! What are you doing?
01:06:17Ah!
01:06:30Stop!
01:06:35Ah!
01:06:52Stop!
01:06:54Ah!
01:07:00Ah!
01:07:08Ah!
01:07:11Stop it!
01:07:14Ah!
01:07:30Ah!
01:07:32Ah!
01:07:38Ah!
01:07:46Ah!
01:07:49Ah!
01:07:51Ah!
01:07:52Ah!
01:08:01Hello?
01:08:04Laura, this is getting too dangerous. Why don't you stay with us for a while?
01:08:07Oh no, you suddenly want to help me.
01:08:10Listen, I understand why you're angry with me.
01:08:13But please, realize that I had no idea what was going on.
01:08:17Interpol stepped in and there was nothing I could do.
01:08:27Well, well, well.
01:08:28Well, well, well.
01:08:30If it isn't Starsky and Hutch.
01:08:32I'll take it from here, Inspector.
01:08:35My offer still stands.
01:08:37If you need anything, give me a call.
01:08:40I thought I was clear when I told you not to get involved.
01:08:44I could have you both arrested for endangering innocent civilians.
01:08:48And Mr. Keenan, I don't know who you think you are,
01:08:52but I've quite had enough of your interference.
01:08:54I suppose I shall have to call your superiors.
01:08:56Don't be my guest.
01:08:58I'm sure they'd be quite interested to know about the extreme negligence with which you've handled this case.
01:09:03Excuse me.
01:09:06Hello?
01:09:07Mrs. Martine, this is Frank Keenan from the U.S. Embassy returning your call.
01:09:19Oh, hello.
01:09:20I called your home yesterday and spoke with Mrs. Connie Clayton.
01:09:24You spoke with Connie?
01:09:26Yes.
01:09:27She gave me your cell number and then hung up.
01:09:29I tried calling back, but there was no answer.
01:09:31What can I do for you?
01:09:33Well, thank you for returning my call.
01:09:37It was nothing important.
01:09:39I think I have everything figured out.
01:09:41All right, then.
01:09:42Call me back if you change your mind.
01:09:44I will.
01:09:47Everything okay?
01:09:49Oh.
01:09:50Who was that?
01:09:52Just a friend.
01:09:57I'm a bit overwhelmed.
01:09:59It's been a rough day.
01:10:01Yeah, I understand.
01:10:06Well, we should probably get you a cab, get you back to the hotel.
01:10:09Get some sleep.
01:10:10Um, you know, I was thinking that maybe I should get a ride from Raphael.
01:10:18I think it would be safer.
01:10:20Oh, okay.
01:10:22Yeah, you're probably right.
01:10:23Who knows what Oscar will do next.
01:10:26Okay.
01:10:29Okay, well, I'll see you.
01:10:31Yeah, okay.
01:10:56Okay.
01:11:26Okay.
01:11:52He proposed to me in the Garden of the Old Messiah.
01:11:55Don't know when he confronted the bull.
01:11:57Diamond rain or not.
01:12:26You know what I'm saying?
01:12:27You know what I'm saying?
01:12:28You know what I'm saying?
01:12:29You know what I'm saying?
01:12:45Why do you treat him like that?
01:12:51He's a good man.
01:12:53He loves you.
01:12:55Hector loves Hector.
01:12:57He lusts after me.
01:12:59You make a good match together.
01:13:02I won't be around forever, you know.
01:13:05You need someone strong to run the family business.
01:13:09I couldn't agree more, Papa.
01:13:14Good girl.
01:13:15Always look out after number one.
01:13:20Mrs. Martin.
01:13:22She wants to speak with you.
01:13:26Okay.
01:13:38Mrs. Martin.
01:13:39How much is Oscar worth to you?
01:13:41What do you mean?
01:13:42How much is he worth to you?
01:13:45I didn't know you could be so mercenary.
01:13:47I want a deal.
01:13:50What makes you feel you can trust me?
01:13:52Since this whole nightmare began,
01:13:55every single person has lied to me.
01:13:58In fact, only one person has been completely honest.
01:14:03You understand me perfectly.
01:14:05What is it you want in exchange?
01:14:12Interesting.
01:14:14If you think you can deliver,
01:14:16I will help you get what you want.
01:14:19We have a deal.
01:14:21Goodbye, Mrs. Martin.
01:14:23It's been a pleasure doing business with you.
01:14:27We've got him.
01:14:52Rafael.
01:14:54Remember when you said if I needed anything, to call.
01:15:21Shh.
01:15:52Come on.
01:16:13I knew you would remember.
01:16:15You look beautiful.
01:16:17Don't.
01:16:19Oscar.
01:16:20Or Ramon.
01:16:22Or whatever the hell your name is.
01:16:24Where's our daughter?
01:16:26Laura, honey, everything is not as it seems.
01:16:28Oh, yes, it is.
01:16:30It's very clear to me.
01:16:32The man I married is a murderer.
01:16:34Laura, honey, they sent a man to kill me.
01:16:36I had to protect...
01:16:37Now, where's Christy?
01:16:38Mommy!
01:16:41Mommy! Mommy!
01:16:45Christy!
01:16:50Mommy!
01:17:21Where are we going, Mommy?
01:17:23I'll explain later.
01:17:25Laura, I'm sorry.
01:17:27I thought that chapter of my life was over.
01:17:29I never meant for you and Christy to get involved.
01:17:31You have to believe me.
01:17:33Well, we did.
01:17:35How could you do this to me?
01:17:37How could you do this to us?
01:17:39Please, understand.
01:17:41I never wanted to hurt you.
01:17:43You are the best thing that ever happened to me.
01:17:46I'm sorry.
01:17:47You are the best thing that ever happened to me.
01:17:50But after Arias found me,
01:17:52I knew Interpol could no longer protect us.
01:17:54I had to run with Christy.
01:17:56I tried to come back for you,
01:17:58but everyone was looking for me.
01:18:00And when I saw Lafferty there, I...
01:18:02I tried to warn you.
01:18:04Stop!
01:18:07Do you have any idea
01:18:09what it feels like to bury your own child?
01:18:14Please, just let us go.
01:18:17Please.
01:18:29I'm sorry.
01:18:36No!
01:18:40Daddy!
01:18:42No!
01:18:45Daddy, no!
01:18:47Mommy!
01:18:49Stay there.
01:18:52Daddy!
01:18:58Please, please, don't hurt her.
01:19:01You can do whatever you want to us,
01:19:03but just let her go.
01:19:05Oh, no. See, it's not that easy, see?
01:19:07Your man here betrayed me in Miami,
01:19:09and he has something that I want.
01:19:11And she's my assurance that he will give it to me.
01:19:13I didn't betray you.
01:19:15No!
01:19:17I told you I was going to take the stones
01:19:20and give the money back to the feds.
01:19:23It was a perfect plan.
01:19:26Nobody would have suspected anything.
01:19:29You got greedy and barged in like Jesse James.
01:19:33Everything went wrong.
01:19:36People died.
01:19:38I never wanted anyone to get hurt.
01:19:41Don't give me that pacifist bullshit.
01:19:43You're a killer, and you left me to die.
01:19:44But I escaped, and I came back,
01:19:46and here I am to return the favor.
01:19:48If you fight it with me,
01:19:50be a man,
01:19:52and then go.
01:19:54Maybe I should just kill her
01:19:56and watch you suffer.
01:19:58No! Please, no!
01:20:02You won a fair fight.
01:20:15Lafferty!
01:20:17If there's any killing to be done today,
01:20:20we'll be the ones doing it.
01:20:23She set us up?
01:20:26Been waiting a long time for this moment.
01:20:29Let the girl go.
01:20:31I'll kill her.
01:20:33Very well. Then we'll kill you.
01:20:35No! That wasn't the deal!
01:20:37I know what the deal was,
01:20:39but there's only one way to deal with a couple of rats.
01:20:42Kill them both!
01:20:44No!
01:20:46Mommy! Mommy!
01:20:49Natalia!
01:20:51Sorry, Papa.
01:20:53You always taught me to look out for number one.
01:20:55Now, let Lafferty go.
01:20:58Just in the nick of time, baby.
01:21:14Mommy!
01:21:28Run, Christy!
01:21:30Mommy!
01:21:32Go!
01:21:44Mommy!
01:22:15Drop your weapon!
01:22:29Daddy.
01:22:33My little angel.
01:22:37It's okay. It's okay.
01:22:44It's okay.
01:22:58I didn't want to do it like this.
01:23:02Don't talk.
01:23:04Don't talk.
01:23:08You sold me a new life.
01:23:12A life I didn't deserve.
01:23:14Shh.
01:23:16Try to hold on, okay?
01:23:19For however brief our time, you made me a better man.
01:23:44Okay?
01:24:03I love you.
01:24:10I love you.
01:24:15I love you.
01:24:24Take your daughter and start a new life.
01:24:28She needs your strength.
01:24:31It's gonna be okay.
01:24:37Come on.
01:24:39We gotta go.
01:24:41Come on.
01:24:44Come on.
01:25:14Come on.
01:25:44I love you.
01:25:46I love you.
01:26:14I love you.
01:26:15I love you.
01:26:16I love you.
01:26:17I love you.
01:26:18I love you.
01:26:19I love you.
01:26:20I love you.
01:26:21I love you.
01:26:22I love you.
01:26:23I love you.
01:26:24I love you.
01:26:25I love you.
01:26:26I love you.
01:26:27I love you.
01:26:28I love you.
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