1992 Szuler FULL HOT MOVIE
1992 Szuler FULL HOT MOVIE
Category
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Short filmTranscript
00:00:00Dear Victor, the news of the tragedy has taken long to reach me, but I am heartened by reports that you will soon be free.
00:00:13I've often wondered if I wrote to you what your response would be.
00:00:18I hope you still think well of your Teresa and will reply as soon as you can.
00:00:24I've heard accounts of your life over the years.
00:00:40I want to keep on playing.
00:00:46Keep on playing?
00:00:49That's impossible. You have no money.
00:00:51I don't know how, but you are cheating.
00:00:56I want to keep on playing.
00:00:59All right.
00:01:03I'll give you a chance. What's at stake?
00:01:08But if your promissory note for any amount...
00:01:11No, I don't take promissory notes, especially from a stranger.
00:01:17It's Marquis Frederick Holmes.
00:01:22Count Victor Moritz.
00:01:27Let's play for a head, Marquis.
00:01:31A head?
00:01:32Yes.
00:01:34More precisely, your head.
00:01:36What do you say?
00:01:38The rules are simple.
00:01:40We each pull one card from the deck.
00:01:43The higher one wins.
00:01:45If I win your card, you will win everything I have in this bag.
00:01:49If, however, I win, I'll shoot.
00:01:55I'll do it, as a matter of fact, with pleasure.
00:02:06What's your decision, Marquis?
00:02:10My 15,000 against your head?
00:02:14I gather the sum is not too low,
00:02:18considering that the wig on your drunken skull is of an inferior quality.
00:02:26Sir, you are a son of a bitch.
00:02:33You draw first.
00:02:51You have lost.
00:03:04All right, I have another idea.
00:03:11You shoot yourself.
00:03:12No, no, please.
00:03:14Look, I got money, I give you everything.
00:03:16Please, don't.
00:03:19Get up, Holmes, people are watching you.
00:03:22Your Honor.
00:03:24Kill him.
00:03:25Kill him.
00:03:35It was a blank.
00:03:36I wanted to teach you a lesson.
00:03:40And one more thing.
00:03:42You were right, Marquis Holmes.
00:03:45Indeed, I was cheating.
00:03:56Please wait for me.
00:03:59Please take me with you, Count Moritz.
00:04:03But dear lady, we shall be honored.
00:04:19I'll get you, Moritz.
00:04:21I'll get you.
00:04:23I follow you to hell, Moritz.
00:04:48Stop!
00:05:08Stop!
00:05:10Stop!
00:05:28What's going on here?
00:05:35What's going on here?
00:05:37This road is closed by order of the governor.
00:05:41This is now a place of cremation.
00:05:44We're burning the plague victims here.
00:05:47It's better for you to avoid this area.
00:05:52Get on there.
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00:12:19Master Baron, sir.
00:12:26To count, sir, we found him lying next to the old oak trees by the cemetery.
00:12:33Get a doctor. Go!
00:12:42We must wait. Wait and see.
00:12:45Have hope. He needs a lot of liquid and cold compresses on his head.
00:12:51Keep him out of the sun.
00:12:53When will he awaken?
00:12:55I don't know. Brain concussion.
00:12:59Can't tell with head injuries.
00:13:02I don't know, Baron. I don't know.
00:13:11Everything's in God's hands.
00:13:15Have hope.
00:13:29Wake up, Victor.
00:13:34The Golden Calf is waiting to be sacrificed.
00:13:39He's waiting for you.
00:13:42At Lindorff's.
00:13:46No, Theo, no, no!
00:13:50Wait!
00:14:15Theo!
00:14:45My name is Theodore Grandholm.
00:14:48The same. Baron Rudolph, the same.
00:14:52We're on our way to the Lemdorff Palace.
00:14:55The main road is closed due to the plague and official regulation.
00:14:59We had to take a detour, and well, therein lies our adventure.
00:15:04I shall be glad to have you as my guest. I live near Varna.
00:15:08I'll be glad to have you as my guest.
00:15:10Therein lies our adventure.
00:15:13I shall be glad to have you as my guest. I live near Varna.
00:15:16Shall dine with me, sir.
00:15:18We have guests, Carla.
00:15:20Get the musicians for this evening.
00:15:22Order that supper be served in the drawing room.
00:15:25And prepare a bath for the lady.
00:15:27In the tea, Boudoir.
00:15:29Cornelia, do you like the color pink?
00:15:33Yes, pink is my favorite color, Baron.
00:15:40Let's go.
00:16:11THE LEMDORFF PALACE
00:16:16THE LEMDORFF PALACE
00:16:39For you, sir.
00:16:45THE LEMDORFF PALACE
00:16:50Please undress.
00:16:52You'll catch cold.
00:16:54THE LEMDORFF PALACE
00:17:01They should fit.
00:17:03THE LEMDORFF PALACE
00:17:07THE LEMDORFF PALACE
00:17:12They say...
00:17:15...that black...
00:17:17...is the color of talent.
00:17:26You going to Lendorff's?
00:17:29Isn't it, sir?
00:17:31In a sense.
00:17:33Earl Lendorff is opening a club.
00:17:37THE LEMDORFF PALACE
00:17:45Are you a player?
00:18:00Do you gamble?
00:18:04Yes.
00:18:06I need the money.
00:18:12Gambling...
00:18:14...Master Theodore...
00:18:16...is a very dangerous pastime.
00:18:30It should fit you like a second skin.
00:18:36THE LEMDORFF PALACE
00:19:07THE LEMDORFF PALACE
00:19:15Teruza.
00:19:36THE LEMDORFF PALACE
00:19:42Cornelia.
00:19:45We are waiting for you.
00:19:51Pink is your color, indeed.
00:20:07THE LEMDORFF PALACE
00:20:14Please eat carefully.
00:20:16The soup is very hot.
00:20:18Don't want to scorch your lips.
00:20:24Oh, the soup is wonderful.
00:20:26The spices are just right.
00:20:29Marcel is an excellent cook.
00:20:31I brought him from France.
00:20:33I'm an enthusiast of French culture.
00:20:36I studied art in Paris...
00:20:38...years ago.
00:20:41They have a superb science department at the Sorbonne here.
00:20:45It must be a beautiful, fascinating city.
00:20:47Why haven't we ever been to Paris, Theodore?
00:20:50Tell me, dear Baroness, Paris really is beautiful as they say it is?
00:20:53Far more beautiful.
00:20:56So you're interested in science?
00:21:00Oh yes, Theo is an inventor.
00:21:03Cornelia...
00:21:04No, no, no, no, no.
00:21:06It's very interesting. Do tell me more about it.
00:21:08Nothing to tell.
00:21:10I have merely tried to deal with certain phenomena in the optical field.
00:21:14You are too humble, Theodore.
00:21:17Here comes our main course.
00:21:20Pheasant and walnut sauce.
00:21:23A work of art.
00:21:25Marcel's supreme masterpiece, not to mention his onion soup and fish.
00:21:30Obey.
00:21:34Beautiful bird.
00:21:36Undeniably beautiful in life.
00:21:43But now in death...
00:21:45...it is perfection.
00:21:47Sometimes I think...
00:21:49...true beauty...
00:21:51...exists only in dissolution.
00:21:54So we should abandon our fear...
00:21:57...and rush towards...
00:22:00...breast to thigh.
00:22:01Breast to thigh.
00:22:04Breast, please.
00:22:08Thigh.
00:22:17That man in the bedroom at the end of the corridor...
00:22:21...is he dying?
00:22:26I got lost earlier.
00:22:29A sick man is lying there.
00:22:32That's Victor, my friend.
00:22:35Count Victor Moritz.
00:22:38Fell off his horse.
00:22:41Riding accident.
00:23:01So beautiful here.
00:23:03So romantic.
00:23:06But also sad somehow.
00:23:09We are in paradise.
00:23:12My paradise.
00:23:14My paradise.
00:23:16My paradise.
00:23:18My paradise.
00:23:20My paradise.
00:23:22My paradise.
00:23:24My paradise.
00:23:26My paradise.
00:23:28My paradise.
00:23:30My paradise.
00:23:32It's called Arcadia.
00:23:34A temple was brought from Italy and that...
00:23:37...hermitage up there...
00:23:39...from around the Rhine.
00:23:41Do you like it here, Cornelia?
00:23:45Theo, you're a scientist.
00:23:47Is it true swans mate for life?
00:23:50Yes. Swans as well as wolves.
00:23:53What an incredibly boring existence they must lead.
00:23:59Yes.
00:24:15My tiny kingdom.
00:24:17Three lands.
00:24:19Oaxaca, Trobriand...
00:24:21...and Canada.
00:24:23Where I go to find peace...
00:24:25...after my wars.
00:24:29Let's go.
00:24:55And what's in there? What's that?
00:24:57Passion fruit grows in there.
00:24:59Can I go in?
00:25:01Please.
00:25:29It had to be a costly undertaking.
00:25:31I imagine it swallowed up a fortune.
00:25:33A whim.
00:25:35A whim.
00:25:37Italy? The Rhine?
00:25:39An extravagant whim.
00:25:41Yes, it is.
00:25:43A whim.
00:25:45A whim.
00:25:47A whim.
00:25:49A whim.
00:25:51A whim.
00:25:53A whim.
00:25:55A whim.
00:25:57A whim.
00:25:59Extremely difficult to maintain.
00:26:01Humidity, bad climate.
00:26:04Yet, in...
00:26:06...all this decay...
00:26:09...I find beauty.
00:26:14I shall show you something.
00:26:17Unique.
00:26:19Come with me.
00:26:24This one I brought from Greece.
00:26:26It, as you may have guessed, is a phallic statue.
00:26:29Come closer.
00:26:33You there, be careful with that stone.
00:26:36It's delicate.
00:26:38An ancient symbol of fertility and strength.
00:26:41A cult much revered by the Greeks.
00:26:44Hello, here I am. I have grapes for you.
00:26:56Thank you.
00:27:26Victor.
00:27:43Whom are you watching, Rudolf?
00:27:47Victor.
00:27:50You're up!
00:27:51You're up!
00:27:55You're up, sweet God in heaven!
00:28:03How do you feel?
00:28:05Much better.
00:28:09I have some ripe fruit to show you.
00:28:21Water.
00:28:51Water.
00:29:21Water.
00:29:23Water.
00:29:52Theodore, come join us.
00:29:54Let's all dance.
00:29:56Theodore doesn't dance.
00:29:58Theodore's a genius and geniuses don't dance.
00:30:02Didn't you know about it, Baron?
00:30:04No, I didn't.
00:30:06I'm not joking, really.
00:30:08No, no.
00:30:10I believe you.
00:30:12Theodore doesn't dance.
00:30:14That's not what I meant.
00:30:16Oh, I did say.
00:30:18Theodore doesn't dance.
00:30:20Oh, I did say.
00:30:23He is a genius.
00:30:26Yes, he is.
00:30:29He was a scholar, a great inventor.
00:30:34Well, what is this marvellous invention?
00:30:36I'm a great admirer of invention.
00:30:38You're making fun of me.
00:30:40No, no, not at all.
00:30:42I want to know more about your invention. What is it?
00:30:44Cornelia.
00:30:46You shouldn't make such a secret of it.
00:30:47Your work deserves recognition.
00:30:49Cornelia, I beg you.
00:30:51Theo wants to stop time.
00:30:53Cornelia!
00:30:55Easy, easy, easy, easy, easy, easy, easy.
00:31:00I'm just playing.
00:31:03It's only a game.
00:31:05You'd better cool off.
00:31:09I have an idea.
00:31:18Rudy.
00:31:22Cheating our guests.
00:31:25But Count Moritz,
00:31:27I have lost
00:31:29and I play by the rules.
00:31:31But you haven't lost.
00:31:33Oh, thank you.
00:31:35If you haven't lost your touch,
00:31:37you must test it in Lennox.
00:31:39You've taken this game far enough.
00:31:42Why don't you put these children to bed?
00:31:44I promise you I will.
00:31:53Let's go.
00:31:55Let's go.
00:31:57Come on, go on.
00:32:01Let's go.
00:32:05Yes.
00:32:07Why not?
00:32:09Come on, come on.
00:32:11Let's go.
00:32:13All of me!
00:32:15What are you doing?
00:32:17I want to stay here!
00:32:19Calm down and get in.
00:32:21You're jealous. You're jealous of the Baron.
00:32:23Don't be pathetic, Cornelia.
00:32:25And be him. His looks, his charm, his money.
00:32:27The fact that he's an artist.
00:32:29You and your God-save-me invention.
00:32:31It's you who's pathetic and the poverty which surrounds us
00:32:33because of that stupid machine.
00:32:35Stop it, Cornelia. I beg you.
00:32:37No, I won't.
00:32:39You're jealous because he likes me.
00:32:41A man like him noticed the woman in me
00:32:43and wanted to take me to bed.
00:32:57What are you laughing at?
00:32:59Nothing.
00:33:01Not a thing. Except that he slept with me, too.
00:33:05Get in!
00:33:07What are you waiting for? Go!
00:33:33Arthur?
00:33:35Arthur?
00:33:47According to my initial calculations,
00:33:49in order for us to pay off
00:33:51our current debts,
00:33:53we need at least 80, 85,000.
00:33:55And that does not include the help.
00:33:57The servants haven't been paid
00:33:59in four months now.
00:34:05What?
00:34:25Here you are at last!
00:34:27I've looked everywhere for you.
00:34:29You must have spent an hour.
00:34:31What are you doing here?
00:34:33I don't know.
00:34:35I just... I don't know, Rudy.
00:34:37But I do.
00:34:39We're going to Lendors to get the Fasos.
00:34:41Trick their asses around.
00:34:47Victor.
00:34:49Arthur's warned us that our financial situation
00:34:51is desperate.
00:34:53I'm not up to it. I'm exhausted.
00:34:55What is it now?
00:34:59I dreamt of Teresa.
00:35:03Teresa
00:35:05belongs to the past,
00:35:07Victor.
00:35:09The past.
00:35:13Please pull yourself together.
00:35:15Lendorf is opening its club.
00:35:17Big fish from all over Europe will be there.
00:35:19You understand? Big fish.
00:35:21Big games.
00:35:23High stakes.
00:35:27Happens once in a decade.
00:35:29This thing
00:35:31will finally be
00:35:33rich,
00:35:35truly noble.
00:35:37We should hire a gardener.
00:35:39I'd like to put
00:35:41this place in order.
00:35:45Gardener! Teresa!
00:35:47Stop rambling! Money is
00:35:49what we need, Victor. We need money.
00:35:51Would you...
00:35:53Would you please listen to me? We have debts.
00:35:55We have lots of debts.
00:36:00I feel old, Rudy.
00:36:05Or this.
00:36:07You talk nonsense.
00:36:09You wander around cemeteries.
00:36:13Perhaps indeed
00:36:15you are getting old.
00:36:23Get drunk!
00:36:25Or take beer!
00:36:27Whatever.
00:36:29All right, but this is the last time.
00:36:33I don't...
00:36:57What the heck?
00:37:17Forgive me!
00:37:27No!
00:37:37No!
00:37:39Please forgive me!
00:37:57No!
00:38:03Can you feel the excitement in the air?
00:38:05It's saturated with wealth.
00:38:07The smell of women
00:38:09and sin.
00:38:11What a magnificent place.
00:38:27Stop it!
00:38:45I have no money, but I'd like to stake my house.
00:38:47That's all I have
00:38:49here on papers.
00:38:53I think, young man,
00:38:55you're in over your head.
00:38:57Go home.
00:38:59I'm not your man, sir.
00:39:01You have no authority to order me around.
00:39:03All right.
00:39:07Sign this.
00:39:11I'll issue a hundred thousand
00:39:13against your bet.
00:39:21This game is not
00:39:23the best form of investment.
00:39:25Please reconsider.
00:39:27Please excuse my saying so,
00:39:29but the matter is none of your business.
00:39:33Let us begin, then.
00:39:53Congratulations.
00:39:55Let us play on.
00:39:59I beg your pardon?
00:40:01I said let us play.
00:40:03But you have won.
00:40:05And so I say play.
00:40:23I'm not finished yet.
00:40:29Now, now, young man.
00:40:31Three hundred thousand
00:40:33is a lot of money.
00:40:35Quite a fortune, I'd say.
00:40:37We are playing on.
00:40:39I refuse to play you.
00:40:41Victor!
00:40:45Play the game.
00:40:53Play.
00:41:23You have the pleasure of meeting
00:41:25your own family.
00:41:47I'll tell you these.
00:41:54Not everything is lost.
00:41:56Yet.
00:42:00I'm certain it will give you another chance.
00:42:02Won't you, Victor?
00:42:07I don't have anything left now.
00:42:09Oh, that's not true.
00:42:11One can always bet on something.
00:42:14What do you have in mind?
00:42:18Would you accept a bet?
00:42:24For your head,
00:42:26for instance.
00:42:30I don't understand.
00:42:32Oh, it's quite simple.
00:42:34This bet requires courage
00:42:36and nerves of steel.
00:42:38And I know you don't lack for courage.
00:42:40Besides, you like to gamble, don't you?
00:42:42Let me explain to you what it's all about.
00:42:44Each draw only one card. The higher card wins. That's all.
00:42:46That's all?
00:42:48And if your card wins,
00:42:50this entire fortune is yours,
00:42:52a grand home.
00:42:54Just think, there's nearly
00:42:56two million there.
00:42:58And if I lose, then what?
00:43:00Then the Count
00:43:02will shoot you
00:43:04with his pistol
00:43:06in the head.
00:43:08You must be joking.
00:43:12This is a joke.
00:43:16If you'll excuse me, gentlemen,
00:43:18I'm not in the mood.
00:43:20Am I joking, Victor?
00:43:22No, you're not.
00:43:28All right.
00:43:30I accept your bet.
00:43:50All right.
00:44:10What do you...
00:44:12What?
00:44:14What?
00:44:17Oh, my God.
00:44:19No.
00:44:23Let it be.
00:44:25This is senseless.
00:44:27Finish the game!
00:44:29Get out of here, young man.
00:44:31I'm invalidating this bet.
00:44:33You have no right.
00:44:35Finish the game!
00:44:37This show is over, don't you understand?
00:44:39Please, the conditions
00:44:41of the bet must be kept.
00:44:43You are humiliating me.
00:44:45It's a matter of honor now.
00:44:48This is a farce, my boy.
00:44:50The pistol is not loaded.
00:44:54Come on, shoot!
00:45:02Finish
00:45:04for me.
00:45:16Rudy.
00:45:21Why?
00:45:45Why?
00:46:15Why?
00:46:45Why?
00:47:08Your Lordship, sir.
00:47:10It's good to see you.
00:47:12Please take me home, Martin.
00:47:15Yes, Your Lordship.
00:47:45Arthur.
00:48:05Mr. Arthur died Wednesday.
00:48:09Arthur?
00:48:11What happened?
00:48:13He had a fishbone at dinner.
00:48:19They said he suffered.
00:48:22It's sad, isn't it, sir?
00:48:31Let's stop at the stables, Martin.
00:48:36As you wish, sir.
00:48:38Marty.
00:49:08And that girl of yours?
00:49:12What was her name?
00:49:14Pietka.
00:49:16Where is she?
00:49:18She left with the cook.
00:49:24Your Lordship, remember, it's Marcel.
00:49:29And yourself?
00:49:32And yourself?
00:49:38Master Rudolph
00:49:41stole the furniture
00:49:43and took your horse poison.
00:49:47I remember everybody left.
00:49:52Things...
00:49:55Things changed over the years.
00:50:01But you stayed.
00:50:05Where would I have gone, Your Lordship?
00:50:25Ashes to ashes.
00:50:27Dust to dust.
00:50:29Amen.
00:50:49My deepest sympathy.
00:50:51Count Moritz.
00:50:53So, you're back.
00:50:55Come to my carriage,
00:50:57where we may talk.
00:51:18You want to know about the Baron, Rudy?
00:51:20Arthur was never able to find his whereabouts.
00:51:23However, before he left, the Baron gave papers to Arthur
00:51:26to give to you upon your return.
00:51:29You may pick them up at my home,
00:51:31at your convenience.
00:51:33They include the deed to that unfortunate Grantholme's villa.
00:51:37Please call on me, and I will give them to you
00:51:39along with your estate management books.
00:51:42Good afternoon, dear Count.
00:51:44Morning.
00:51:53Morning.
00:52:15We're here, sir.
00:52:23Come on.
00:52:53Come on.
00:52:57Are you gentlemen looking for someone?
00:53:01Who are you gentlemen?
00:53:03My name is Moritz.
00:53:06And according to these papers,
00:53:10this estate belongs to me.
00:53:14Count Victor Moritz.
00:53:17Finally, I have been waiting for you.
00:53:21It wasn't even loaded.
00:53:25My name is Dorian, D. Dorian.
00:53:29I am a scientist.
00:53:31I mean, I used to be Mr. Grantholme's assistant.
00:53:34Welcome, welcome, dear Count.
00:53:38Do sit down, feel at home.
00:53:41Maybe you'd like some tea.
00:53:43I have some freshly brewed poppy tea of my own invention,
00:53:46and it's a wonderful refreshment to take after a long journey.
00:53:49You gentlemen have come from afar, am I right?
00:53:53Mr.
00:53:54Dorian, or D.D., if you wish.
00:53:57Mr. Grantholme used to call me that.
00:53:59Mr. Dorian,
00:54:01are you aware that it is I who had shot Theodore Grantholme?
00:54:11I was expecting it.
00:54:12I knew it would happen eventually,
00:54:14so I'm glad that you did it and not some vagabond.
00:54:18Very original thinking, indeed.
00:54:24You see, my dear Count,
00:54:26Theodore Grantholme was a complex boy, and how can I explain?
00:54:30He was not a happy chap,
00:54:32and yet he was an extraordinarily talented person.
00:54:47I think I broke a tooth.
00:54:51The vapors of mercury ruined my teeth.
00:54:55The invention we worked on together had no equal,
00:54:58but he did not appreciate his genius and the greatness of that invention.
00:55:03He was wasting his talent.
00:55:05He drank a lot.
00:55:08And that girl he was with,
00:55:11do you remember her?
00:55:13Do I remember Cornelia?
00:55:18Do I remember her?
00:55:21She was nature's jewel.
00:55:24Cornelia was his twin sister.
00:55:26He was very attached to her.
00:55:28She was everything to him.
00:55:30Mother, sister, perhaps even...
00:55:34After his death, she disappeared, vanished.
00:55:37No sign of her anywhere.
00:55:39I haven't seen her since.
00:55:48So, some tea?
00:55:54I'll see to the horses and bags.
00:55:58Grantholme gave the impression of a desperate man.
00:56:02It seemed like he needed money desperately.
00:56:05That's right. Our work demanded great sums of money.
00:56:09The raw materials needed for the invention are expensive.
00:56:12Silver, mercury, chemicals,
00:56:14and we constantly needed more supplies.
00:56:16The money Theodore was receiving from his inheritance had run out.
00:56:20I understand, but...
00:56:21Yes.
00:56:22You see,
00:56:24Theo and Cornelia were raised by monks.
00:56:26Right after they were born, they were taken to a monastery.
00:56:29Father Superior brought them up
00:56:31and gave them his name.
00:56:33Grantholme.
00:56:34After he died,
00:56:36this noble woman appeared and began funding our invention.
00:56:40She used to come here occasionally, a beautiful woman.
00:56:43She said she was interested in the invention,
00:56:46but I'm an old man, Cal.
00:56:48She was more interested in them.
00:56:50Why?
00:56:53There was never enough money.
00:56:55So,
00:56:57Theodore decided to try gambling.
00:57:01Once in a while, he'd even win.
00:57:05Thanks to these onions,
00:57:09those potatoes and my poppy tea,
00:57:11I have managed to live through five years here.
00:57:14And what about this invention?
00:57:16Dear Count,
00:57:18we have invented a machine with which you can stop time.
00:57:24Or rather,
00:57:25you can fix permanently
00:57:28part of it,
00:57:30conserve it,
00:57:33stop life's volatility
00:57:35and make permanent its lack.
00:57:38What do you say to that?
00:57:41I'm afraid I can't imagine what you're talking about.
00:57:44Come with me.
00:57:45I'll show you something.
00:57:51This was our kingdom
00:57:54and this machine was our baby.
00:57:57What is this?
00:58:02Using this machine,
00:58:04you can fix
00:58:07a given moment
00:58:10of time.
00:58:20I still don't understand.
00:58:29On these shelves, my dear Count,
00:58:33the past is being stored.
00:58:36The time that has already passed.
00:58:39All of a bygone existence.
00:58:43Let me show you something.
00:59:02What?
00:59:21What happened?
00:59:22What sort of trick is this?
00:59:24There you go.
00:59:26Therein lies the problem.
00:59:28This plate has now wasted away for good.
00:59:33And that's why our work has stopped.
00:59:36We were never able to successfully solve the problem of fixing the picture.
00:59:41It needs to be researched further.
00:59:47She was his favorite model.
00:59:51We have hundreds of her pictures here.
00:59:53It would be a shame to lose those.
00:59:56Fantastic.
00:59:58Unbelievable.
01:00:00Beautiful body.
01:00:05I need funds.
01:00:08Who knows?
01:00:09With the help of God and your money.
01:00:15What's happening to me?
01:00:18I feel dizzy.
01:00:20Oh.
01:00:30Victor.
01:00:32The girl I was is gone.
01:00:36But I've never forgotten you.
01:00:39I think that you now need my help.
01:00:42And I need yours.
01:00:45I am alone now and my fondest hope
01:00:49is to see you soon,
01:00:52Teresa.
01:01:14Come on, shoot!
01:01:20Sir?
01:01:25There's a man here to see you.
01:01:28Who is he?
01:01:31I don't know.
01:01:34He sounds German.
01:01:38Tell him to come back tomorrow.
01:01:42It's about Master Rudolph, sir.
01:01:45It's about Master Rudolph, sir.
01:01:54Show him in.
01:01:56Come on.
01:02:13Count Victor Moritz.
01:02:19In person.
01:02:22With whom do I have the pleasure?
01:02:24Knopf.
01:02:25My name won't tell you anything.
01:02:27My name is Knopf.
01:02:29And I've come on behalf of a man who would like to remain anonymous.
01:02:35Anonymous.
01:02:37Do you mind if I warm up a bit by the fire?
01:02:44I am frozen to the bone.
01:02:47Dreadful weather we have had today.
01:02:51Would I be spoiling my welcome if I asked for a drink?
01:02:56No. Serve yourself, please.
01:03:02Just drink from the carafe.
01:03:06Get down to business, Knopf.
01:03:08Well, you see, Count Moritz,
01:03:11the man
01:03:15who sent me here
01:03:17knows a lot about some Baron de Sevres.
01:03:21And he suspects that this matter might interest you.
01:03:26Maybe. Yes.
01:03:29Continue.
01:03:32That's all.
01:03:35If you want to find out anything else,
01:03:37please come to a meeting.
01:03:39Come tomorrow.
01:03:44The Devil's Castle.
01:03:46Do you know the place?
01:03:48Yes.
01:03:49He'll be waiting for you there.
01:03:54I don't know Baron de Sevres,
01:03:57but it appears to me that my...
01:04:04employer, for some reason,
01:04:07does not like that man.
01:04:10So...
01:04:13Ah...
01:04:15One more thing.
01:04:18Do come alone.
01:04:20My employer likes discretion.
01:04:24Well, so...
01:04:27my fondest regards,
01:04:29Your Lordship.
01:04:35Yes, you can take it with you.
01:04:42Good night, Knopf.
01:05:12Sir!
01:05:16We can't get through from here.
01:05:18We're going to have to walk from here, sir.
01:05:23Fine.
01:05:25Wait here, Martin.
01:05:43The Devil's Castle.
01:05:58Welcome, Count Morris.
01:06:03I've drunk it all,
01:06:05and I must say your grab has come in handy.
01:06:10Nights are cold this time of year,
01:06:14and by God,
01:06:16that liquor of yours
01:06:18was first class too.
01:06:20Welcome.
01:06:25Where's the man I am to meet?
01:06:33Patience.
01:06:35Patience, Count Morris.
01:06:38He'll be here any moment now.
01:06:45How did you get here?
01:06:48The road from the north is impossible to pass.
01:06:52I came here on foot.
01:06:59It's a spooky place, isn't it?
01:07:03Quite peculiar.
01:07:08Did you know this palace has never been lived in?
01:07:12Did you know that?
01:07:14No?
01:07:16Well,
01:07:18shortly after it was built,
01:07:20it burned down.
01:07:22Neighborhood people said that the Devil burned it down,
01:07:26and it stuck.
01:07:28Devil's Castle.
01:07:30It was to be the most spectacular residence
01:07:34in this part of the country.
01:07:36It's full of wild cats now,
01:07:39scabby pigeons,
01:07:42rats,
01:07:44all kinds of foul things.
01:07:47Only sometimes
01:07:50somebody comes here
01:07:52to hang himself,
01:07:54or to rape,
01:07:56or to make love.
01:08:01Ah!
01:08:03This well is full of human bones.
01:08:13Peasant girls come here to give birth to their bastards
01:08:17and leave them for the rats
01:08:19and wild cats to devour.
01:08:22Indeed, a very peculiar place.
01:08:25Knob!
01:08:30Am I boring you?
01:08:34You don't like my story?
01:08:41That employer of yours, where is he?
01:08:46Over there.
01:08:49Ah!
01:09:02Good work, Mr. Knob!
01:09:06Thank you, Marquis.
01:09:08Six years I have been waiting for this.
01:09:11Ha, ha, ha!
01:09:14Hey! Remember me, huh?
01:09:18Ha, ha, ha!
01:09:20I was worried about you, Moritz.
01:09:22All these years I was praying for you,
01:09:25begging the Lord so he would not let you
01:09:28be chewed up by rats in the prison.
01:09:30And the Lord heard my prayer.
01:09:32Ha, ha, ha!
01:09:35Mr. Knob did his job well,
01:09:38as I knew he would, you know.
01:09:40What do you want?
01:09:43What do you want? I don't know you.
01:09:46Surely you, and you know me only too well.
01:09:50But that does not matter anymore.
01:09:54Because this is our last meeting,
01:09:57Count Moritz.
01:09:59Dammit, who are you?
01:10:01My name is Holmes, remember?
01:10:07Marquis Frederick Holmes.
01:10:11Now, come on, take a good look at me.
01:10:14Huh? Look at me well.
01:10:16For now, I'm going to hear you beg for your life.
01:10:22Now come on, beg you son of a bitch.
01:10:45Give me the gun, Knob.
01:10:47I want to finish him.
01:10:50The gun, Knob.
01:10:52He is finished, Marquis.
01:10:54You won't need the gun, Holmes.
01:10:57There is some other business we must finish first.
01:11:00What business?
01:11:03I owe you an explanation.
01:11:05You think I work for you.
01:11:08But I don't.
01:11:10I work for a man named Lund.
01:11:14Known to you by the name of Baron Rudolf the Serf.
01:11:17The Serf?
01:11:18Yes, it was he who conceived this whole masquerade.
01:11:24You only served as a tool.
01:11:29Nice job, Mr. Holmes.
01:11:34Son of a bitch.
01:11:36I hope you can understand.
01:11:39You've become a danger to the Baron.
01:11:42And I must kill you.
01:11:46Are you afraid, Marquis?
01:11:48You're not going to do it, huh?
01:11:50Why not?
01:11:53Look, I...
01:11:54Would you want money? I got plenty of it.
01:11:56Look, here.
01:11:57I'm very sorry, Holmes.
01:12:00But it wouldn't be enough.
01:12:02Besides, you understand nothing.
01:12:13Holmes!
01:12:28And Knuff?
01:12:31What about him?
01:12:34He killed them both.
01:12:43Then he rode off on his horse.
01:12:48Luckily, not checking to see if your lordship was dead.
01:12:53Knuff.
01:12:56No.
01:12:59It is the Serf who is pulling the strings.
01:13:43It seems these people are very dangerous.
01:14:00Wouldn't it be better to forget the whole thing, dear Count?
01:14:04And get busy with the invention?
01:14:07Wouldn't it be better to forget the whole thing, dear Count?
01:14:10And get busy with the invention?
01:14:14Forsake revenge.
01:14:19You must be out of your mind, Dorian.
01:14:23Devote yourself to the cause.
01:14:37I'm sorry.
01:14:39I'm sorry.
01:14:41I'm sorry.
01:14:43I'm sorry.
01:14:45I'm sorry.
01:14:47I'm sorry.
01:14:49I'm sorry.
01:14:51I'm sorry.
01:14:53I'm sorry.
01:14:55I'm sorry.
01:14:57I'm sorry.
01:14:59I'm sorry.
01:15:01I'm sorry.
01:15:03I'm sorry.
01:15:05I'm sorry.
01:15:07I'm sorry.
01:15:09I'm sorry.
01:15:11I'm sorry.
01:15:13I'm sorry.
01:15:15I'm sorry.
01:15:17I'm sorry.
01:15:19I'm sorry.
01:15:21I'm sorry.
01:15:23I'm sorry.
01:15:25I'm sorry.
01:15:27I'm sorry.
01:15:29I'm sorry.
01:15:31I'm sorry.
01:15:33I'm sorry.
01:16:03No!
01:16:05No!
01:16:09No!
01:16:11No!
01:16:33No!
01:16:37You're safe.
01:16:39I found you.
01:16:59Baron!
01:17:03Baron!
01:17:09I've got bad news, Baron.
01:17:15What is it?
01:17:17Yes, Baron.
01:17:23You enjoy killing.
01:17:27And why?
01:17:29For money.
01:17:33Get in.
01:17:35Get in.
01:18:03What's that?
01:18:13What's that?
01:18:19This?
01:18:21A telescope.
01:18:23And what's a telescope?
01:18:25Looking through it, you can see everything closer.
01:18:27Would you like to try?
01:18:29Yes.
01:18:33Come on.
01:18:39Come quick, Rudy!
01:18:41I want to play!
01:18:51Your name is Rudy?
01:18:53Uh-huh.
01:18:55This is fun.
01:18:57Is that your sister?
01:18:59Uh-huh.
01:19:01Name?
01:19:03Victoria.
01:19:11These children are mine, Count Morris.
01:19:15It is you.
01:19:17Cornelia.
01:19:23Come with me.
01:19:25We might be seen here.
01:19:27The palace is guarded and you're expected.
01:19:29Let's go.
01:19:37We'll be safe here.
01:19:39This is the place in which I worship
01:19:41and no one else comes here.
01:19:45Do sit down, dear Count.
01:19:55So you married Rudolph.
01:19:59Are you surprised
01:20:01by that, Count Morris?
01:20:03After everything
01:20:05that transpired following Theo's death,
01:20:07I was completely alone.
01:20:09I had nothing.
01:20:11He had everything.
01:20:15The whole fortune
01:20:17you would want to lend to us.
01:20:19So when he insisted I marry him,
01:20:21I had no choice but to accept.
01:20:23Cornelia,
01:20:25are you aware
01:20:27that Rudolph cheated?
01:20:29That it really was he who killed
01:20:31your brother?
01:20:33After we were married,
01:20:35he told me the truth.
01:20:39No.
01:20:41I didn't mourn Theo.
01:20:45I was exhilarated.
01:20:47After all, I thought
01:20:49Rudolph had done this to get me.
01:20:53Cornelia...
01:20:55I love you very much.
01:20:59But I felt relieved.
01:21:01I felt free.
01:21:05The absurdity of our life
01:21:07had ended.
01:21:11I loved my life.
01:21:15I stayed on
01:21:17even after Rudy
01:21:19told me he had murdered
01:21:21a young girl while studying in Paris.
01:21:26He used to tell me many things.
01:21:29About you.
01:21:31Your riotous life together.
01:21:34Your friendship.
01:21:36Our friendship.
01:21:39You may not believe me when I tell you
01:21:41that Rudy still has a deep affection for you.
01:21:44Indeed.
01:21:46Out of his deep affection for me,
01:21:48he hired that bandit Knopf
01:21:50to kill me.
01:21:52Fear.
01:21:55He did that fearing your revenge.
01:22:00Since his sickness, he fears everything.
01:22:07So many people are dying.
01:22:13Death is everywhere.
01:22:25Tell me.
01:22:29Do you still love Rudolph?
01:22:44No.
01:22:47I have never loved him.
01:22:51I was fascinated
01:22:53by him.
01:22:55Yes.
01:22:57Mesmerized by him.
01:23:02But I have never loved him.
01:23:04No.
01:23:11Try
01:23:13to understand.
01:23:15I beg you, count words.
01:23:18Let us stay as we are.
01:23:23You must leave us in peace.
01:23:26Mommy!
01:23:28Mommy!
01:23:43On top of that,
01:23:45you can add the stables,
01:23:47Arcadia,
01:23:495,000 acres of land
01:23:51and about
01:23:53300 tenants.
01:24:06Do sit down, gentlemen.
01:24:14I don't intend to haggle.
01:24:16I'm in a hurry.
01:24:18100,000 for everything
01:24:20to dedicate the palace.
01:24:22100,000?
01:24:24In gold.
01:24:50Teresa.
01:24:54I've not forgotten.
01:25:06Why?
01:25:10Why did you leave me?
01:25:14I didn't want to leave you.
01:25:16Why?
01:25:20Why didn't you come for me?
01:25:23Why didn't you insist?
01:25:30How did you know I would take you back?
01:25:34That I still loved you.
01:25:37Never stopped loving you.
01:25:40I didn't know.
01:25:42The gambler's instinct, I guess.
01:25:44Only instinct?
01:25:46Not only.
01:25:48I got your letter.
01:25:50Why didn't you answer me?
01:25:55There was unfinished business.
01:25:58It took me time.
01:26:02Tell me about that.
01:26:05Tell me.
01:26:07Tell me what it was.
01:26:09Why?
01:26:11You tell me about you.
01:26:14Nothing to tell.
01:26:16Really.
01:26:26When my parents separated us
01:26:28and took me away,
01:26:30a loveless marriage was forced upon me.
01:26:33My husband lived abroad.
01:26:36After much traveling,
01:26:38first to Africa at his side,
01:26:40returning then to nurse my mother at the end.
01:26:43Due to my husband's business,
01:26:45I've been away again these past five years.
01:26:48After he died and I returned,
01:26:51I heard about what happened to you and your friend,
01:26:53to Zeph.
01:27:12Martin?
01:27:18Martin?
01:27:20What's the matter?
01:27:31What brings you here, Martin?
01:27:34Mastodorian, sir.
01:27:37Dorian? What's happened?
01:27:39Mastodorian
01:27:41has locked himself up in his lab
01:27:43and for several days now I haven't heard a thing.
01:27:46I'm afraid.
01:27:48Have you tried to break in?
01:27:50Mastodorian has forbade me to enter.
01:27:52He has blocked the door from the inside.
01:27:54There's no way to get in.
01:27:56He's screaming all these terrible things,
01:27:58all these blasphemous things about God.
01:28:11Idiot.
01:28:14Take him out of here, Martin.
01:28:41Fuck.
01:29:11Fuck.
01:29:38Teresa.
01:29:42Teresa.
01:29:55Teresa.
01:29:59Yes.
01:30:01They were my children.
01:30:06And
01:30:09I was
01:30:11their father.
01:30:13Yes.
01:30:17Why,
01:30:19Teresa?
01:30:23Why didn't you tell me?
01:30:25God!
01:30:28I was 16.
01:30:31My mother told me my babies were stillborn.
01:30:34I didn't know, Victor,
01:30:36until I came home from Africa.
01:30:39Mother told me as she died
01:30:42that my children were alive
01:30:45and I found them
01:30:47and befriended them.
01:30:49But suddenly
01:30:51it was too late.
01:30:54I never told them
01:30:56and Theo was dead.
01:31:01I tried to reach you.
01:31:04I wrote to you
01:31:08and when you returned
01:31:10to spare you
01:31:12I kept silent.
01:31:20Help me.
01:31:26Help me.
01:31:29Help me.
01:31:31Forgive me.
01:31:33I know I have failed you.
01:31:35If I had only spoken
01:31:37or reached you sooner
01:31:39in my absence I had no way of preventing it.
01:31:41Theo, a victim.
01:31:43Cornelia,
01:31:45a prisoner of her unfortunate marriage.
01:31:47I did not have the strength
01:31:49to set things right.
01:31:58Help me.
01:32:28Help me.
01:32:37Good evening,
01:32:39Mr. Knopf.
01:32:44Dessert, where is he?
01:32:46He is not here.
01:32:48Where?
01:32:49I don't know.
01:32:52Tell me where the Baron is.
01:32:54Landovs.
01:32:56Landovs?
01:32:58And the children? Cornelia?
01:33:00The Baroness died.
01:33:02They all left.
01:33:04Ran away.
01:33:06The plague, you know.
01:33:10Cornelia is dead.
01:33:12The Baron left the palace.
01:33:14He blazed Landovs.
01:33:18The children.
01:33:20Rudy and Victoria.
01:33:22Count Moritz.
01:33:24Mr. Knopf.
01:33:26In the blue bedroom.
01:33:28Count Moritz.
01:33:30Please.
01:33:32Don't kill me.
01:33:34No.
01:33:36Please.
01:33:38No.
01:33:40No.
01:33:50Find him!
01:33:54No.
01:33:56Please.
01:33:58No, Moritz.
01:34:00No.
01:34:02Moritz.
01:34:06No.
01:34:08No.
01:34:22What?
01:34:24What's all this about?
01:34:26Good Lord.
01:34:28Mr. Knopf.
01:34:30Mr. Knopf won't hear you.
01:34:32Take me to the children.
01:34:34No.
01:34:36Gentlemen.
01:34:38Please, take me to the children.
01:34:40No.
01:34:46Tell.
01:34:50Gentlemen.
01:34:52What are you doing?
01:34:54What are you going to do with the children?
01:34:58Take the children home, Martin.
01:35:00And give them to the Countess.
01:35:02Victoria and Rudy.
01:35:06No.
01:35:12What are you going to do
01:35:14with the children?
01:35:26Take good care of them.
01:35:32Aren't you coming with us,
01:35:34Your Lordship?
01:35:36No.
01:35:38I still have something to do.
01:35:40Go now.
01:35:46Go home.
01:36:04Go.
01:36:34No.
01:36:36No.
01:37:02What can I do for you?
01:37:06Nothing.
01:37:08I'm looking for someone else.
01:37:12I'm sorry.
01:37:28Yes, sir.
01:37:30I'm looking for someone.
01:37:32Baron Maximilian Lunt.
01:37:34Baron Maximilian Lunt.
01:37:36Have you ever heard of him?
01:37:38You're speaking of Baron de Silva.
01:37:40Am I right?
01:37:42Yes.
01:37:44What business do you have with the Baron, sir?
01:37:46Just...
01:37:48Take me to him.
01:37:50And your name, sir?
01:37:58Wait.
01:38:00My name is Count Victor Moritz.
01:38:04Moritz.
01:38:08This way, sir.
01:38:34Do you hear it?
01:38:38He spends all day
01:38:40playing his spinet.
01:38:42The same melody
01:38:44over and over again
01:38:46for hours.
01:38:48Hmm?
01:38:50Bizarre.
01:38:52Very peculiar man.
01:38:56Go, Moritz.
01:38:58He awaits you.
01:39:00Go, Moritz.
01:39:02He awaits you.
01:39:30He awaits you.
01:40:00Yes, sir.
01:40:06Victor.
01:40:08I have been waiting for you
01:40:10for a long time.
01:40:14The acoustics.
01:40:18Phenomenal.
01:40:20Listen.
01:40:22The acoustics.
01:40:24Phenomenal.
01:40:26Listen.
01:40:28Listen.
01:40:36Can you hear it?
01:40:42It's like listening
01:40:44to the past.
01:40:46It was good,
01:40:48wasn't it?
01:40:52For a time,
01:40:54yes.
01:40:59You still love me, Victor?
01:41:15Did you know
01:41:17they were my children?
01:41:22What does it matter now?
01:41:25Rudy.
01:41:28Why?
01:41:42Who knows?
01:41:47Are you ready to die,
01:41:49Rudy?
01:41:53I am dying.
01:41:56Victor.
01:42:01Let's play the game,
01:42:03Deceb.
01:42:06Let's play
01:42:08the last time.
01:42:10The rules are simple.
01:42:14We each have one shot.
01:42:17This time,
01:42:19both pistols are loaded.
01:42:25One.
01:42:27Two.
01:42:29Three.
01:42:31Four.
01:42:33Five.
01:42:35Six.
01:42:37Seven.
01:42:39Eight.
01:42:41Nine.
01:42:43Ten.
01:42:45Eleven.
01:42:47Twelve.
01:42:49Thirteen.
01:42:51Fourteen.
01:42:53Fifteen.
01:43:23Fifteen.
01:43:25Sixteen.
01:43:27Seventeen.
01:43:29Eighteen.
01:43:31Nineteen.
01:43:33Twenty.
01:43:35Twenty-one.
01:43:37Twenty-two.
01:43:39Twenty-three.
01:43:41Twenty-four.
01:43:43Twenty-five.
01:43:45Twenty-six.
01:43:47Twenty-seven.
01:43:49Twenty-eight.
01:43:51This way.
01:43:59Watch them.
01:44:01Watch them.
01:44:03Look at them.
01:44:05Look at Rudy.
01:44:07Look at Rudy.
01:44:13Oh.
01:44:15Rudy.
01:44:21Hi.
01:44:27Watch out.
01:44:51© BF-WATCH TV 2021