1992 Szuler FULL HOT MOVIE
Category
🎥
Short filmTranscript
00:00:00Dear Victor, the news of the tragedy has taken long to reach me, but I am heartened by reports that you will soon be free.
00:00:13I've often wondered if I wrote to you what your response would be.
00:00:18I hope you still think well of your Teresa and will reply as soon as you can.
00:00:24I've heard accounts of your life over the years.
00:00:40I want to keep on playing.
00:00:46Keep on playing?
00:00:49That's impossible. You have no money.
00:00:51I don't know how, but you are cheating.
00:00:56I want to keep on playing.
00:00:59All right.
00:01:03I'll give you a chance. What's at stake?
00:01:08But if your promissory note for any amount...
00:01:11No, I don't take promissory notes, especially from a stranger.
00:01:17It's Marquis Frederick Holmes.
00:01:22Count Victor Moritz.
00:01:27Let's play for a head, Marquis.
00:01:31A head?
00:01:32Yes.
00:01:34More precisely, your head.
00:01:36What do you say?
00:01:38The rules are simple.
00:01:40We each pull one card from the deck.
00:01:43The higher one wins.
00:01:45If I win your card, you will win everything I have in this bag.
00:01:49If, however, I win, I'll shoot.
00:01:55I'll do it, as a matter of fact, with pleasure.
00:02:06What's your decision, Marquis?
00:02:10My 15,000 against your head?
00:02:14I gather the sum is not too low,
00:02:18considering that the wig on your drunken skull is of an inferior quality.
00:02:26Sir, you are a son of a bitch.
00:02:33You draw first.
00:02:51You have lost.
00:03:04All right, I have another idea.
00:03:11You shoot yourself.
00:03:12No, no, please.
00:03:14Look, I got money, I give you everything.
00:03:16Please, don't.
00:03:19Get up, Holmes, people are watching you.
00:03:22Your Honor.
00:03:24Kill him.
00:03:25Kill him.
00:03:35It was a blank.
00:03:36I wanted to teach you a lesson.
00:03:40And one more thing.
00:03:42You were right, Marquis Holmes.
00:03:45Indeed, I was cheating.
00:03:56Please wait for me.
00:03:59Please take me with you, Count Moritz.
00:04:03But dear lady, we shall be honored.
00:04:19I'll get you, Moritz.
00:04:21I'll get you.
00:04:23I follow you to hell, Moritz.
00:04:48Stop!
00:05:08Stop!
00:05:10Stop!
00:05:28What's going on here?
00:05:35What's going on here?
00:05:37This road is closed by order of the governor.
00:05:41This is now a place of cremation.
00:05:44We're burning the plague victims here.
00:05:47It's better for you to avoid this area.
00:05:52Get on there.
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00:12:20Master Baron, sir.
00:12:26To count, sir, we found him lying next to the old oak trees by the cemetery.
00:12:33Get a doctor.
00:12:34Go.
00:12:42We must wait.
00:12:43Wait and see.
00:12:45Have hope.
00:12:47He needs a lot of liquid and cold compresses on his head.
00:12:51Keep him out of the sun.
00:12:53When will he awaken?
00:12:54I don't know.
00:12:56Brain concussion.
00:12:59Can't tell with heavy injuries.
00:13:11Everything's in God's hands.
00:13:16Have hope.
00:13:30Wake up, Victor.
00:13:35The golden calf is waiting to be sacrificed.
00:13:40He's waiting for you...
00:13:42at Lindorff's.
00:13:48No, Theo, no, no!
00:13:52Wait, my lady.
00:13:58No, no, no!
00:14:01Ah!
00:14:11Ah!
00:14:12Ah!
00:14:30Ah!
00:14:55My name is Theodore Granholm.
00:14:58The same.
00:14:59Baron Rudolph, the same.
00:15:02We're on our way to the Lindorff palace.
00:15:04The main road is closed due to the plague.
00:15:06An official regulation.
00:15:08We had to take a detour.
00:15:09And, well, therein lies our adventure.
00:15:13I shall be glad to have you as my guest.
00:15:14I live nearby.
00:15:15Shall dine with you, sir.
00:15:18We have guests, Carla.
00:15:20Get the musicians for this evening.
00:15:22Order that supper be served in the drawing room.
00:15:24And prepare a bath for the lady.
00:15:26In the pink, who do I?
00:15:29Cornelia.
00:15:31Do you like the color pink?
00:15:33Yes, pink is my favorite color, Baron.
00:15:56Ha, ha, ha!
00:16:27Ah!
00:16:40For you, sir.
00:16:50Please undress.
00:16:52Catch cold.
00:16:57They should fit.
00:17:09They say
00:17:12that black
00:17:14is the color of talent.
00:17:27Going to Lindorff's?
00:17:29Is it, is it?
00:17:31In a sense.
00:17:33Earl Lindorff is opening a club.
00:17:45Are you a player?
00:17:57You gamble?
00:18:01Yes.
00:18:03I need the money.
00:18:09Gambling,
00:18:11Master Theodore,
00:18:13is a very dangerous pastime.
00:18:26It should fit you like a second skin.
00:18:56Truth.
00:19:15Truth.
00:19:26Truth.
00:19:42Cornelia!
00:19:45We are waiting for you.
00:19:51Pink is your color, indeed.
00:19:56Truth.
00:20:15Please eat carefully.
00:20:17The soup is very hot.
00:20:19Don't want to scorch your lips.
00:20:21Oh, the soup is wonderful.
00:20:23The spices are just right.
00:20:26Marcel is an excellent cook.
00:20:28I brought him from France.
00:20:30I'm an enthusiast of French culture.
00:20:33I studied art in Paris
00:20:36years ago.
00:20:39They have a superb science department at the Sorbonne here.
00:20:43It must be a beautiful, fascinating city.
00:20:45Why haven't we ever been to Paris, Theodore?
00:20:47Tell me, dear Baroness,
00:20:48is Paris really as beautiful as they say it is?
00:20:50Well, far more beautiful.
00:20:54So you're interested in science?
00:20:57Oh, yes.
00:20:58Theo is an inventor.
00:21:00Cornelia.
00:21:02No, no, no, no, no, no.
00:21:03It's very interesting.
00:21:04Do tell me more about it.
00:21:06Nothing to tell.
00:21:08I have merely tried to deal with certain phenomena in the optical field.
00:21:12You are too humble, Theodore.
00:21:14Here comes our main course.
00:21:17Pheasant and walnut sauce.
00:21:20A work of art.
00:21:22Marcel's supreme masterpiece,
00:21:24not to mention his onion soup and fish.
00:21:27Obey.
00:21:31Beautiful bird.
00:21:33Undeniably beautiful in life.
00:21:40But now and then,
00:21:42but now in death,
00:21:44it is perfection.
00:21:47Sometimes I think
00:21:49true beauty
00:21:51exists only in dissolution.
00:21:54So we should abandon our fear
00:21:57and rush towards
00:22:00breast or thigh?
00:22:03Breast, please.
00:22:07Thigh.
00:22:12Thigh.
00:22:17That man in the bedroom at the end of the corridor,
00:22:21is he dying?
00:22:26I got lost earlier.
00:22:29A sick man is lying there.
00:22:35That's Victor, my friend.
00:22:38Count Victor Moritz.
00:22:40Fell off his horse.
00:22:43Riding accident.
00:23:09So beautiful here.
00:23:11So romantic.
00:23:14But also sad somehow.
00:23:17We are in paradise.
00:23:20My paradise.
00:23:22It's called Arcadia.
00:23:24A temple was brought from Italy
00:23:25and that
00:23:26hermitage up there?
00:23:28Reminds me of
00:23:30my childhood.
00:23:32It's beautiful.
00:23:34So romantic.
00:23:36But also sad somehow.
00:23:37Hermitage up there?
00:23:39Around the Rhine.
00:23:41Do you like it here, Cornelia?
00:23:45Theo, you're a scientist.
00:23:47Is it true swans mate for life?
00:23:50Yes.
00:23:51Swans as well as wolves.
00:23:53What an incredibly boring existence they must lead.
00:24:07My tiny kingdom.
00:24:09Three ladders.
00:24:11From A to B to E to U.
00:24:13Yeah, yeah.
00:24:15Where I go to find peace
00:24:17after my wars.
00:24:38And what's in there?
00:24:39What's that?
00:24:41Passion fruit grows in there.
00:24:43May I go in?
00:24:45Please.
00:24:47And what's in there?
00:24:48What's that?
00:24:50Passion fruit grows in there.
00:24:52May I go in?
00:24:54Please.
00:25:16Hello.
00:25:47Had to be a costly undertaking.
00:25:49I imagine it swallowed up the fort?
00:25:52Whim.
00:25:54Italy, the Rhine?
00:25:56An extravagant whim.
00:25:58Extremely difficult to maintain.
00:26:01Humidity, bad climate.
00:26:04Yet in
00:26:06all this decay
00:26:09I find beauty.
00:26:14I shall show you something.
00:26:17Unique.
00:26:19Come with me.
00:26:25This one I brought from Greece.
00:26:27It, as you may have guessed, is a phallic statue.
00:26:29Come closer.
00:26:34You there, be careful with that stone!
00:26:36It's delicate.
00:26:39An ancient symbol of fertility and strength.
00:26:42A cult much revered by the Greeks.
00:26:44Hello, here I am!
00:26:46I have grapes for you!
00:27:14I have grapes for you!
00:27:16Ah!
00:27:42Whom are you watching, Rudolf?
00:27:46Victor.
00:27:50You're up!
00:27:55You're up, sweet God in heaven!
00:28:03How do you feel?
00:28:05Much better.
00:28:09I have some ripe fruit to show you.
00:28:15I have some ripe fruit to show you.
00:28:45I have some ripe fruit to show you.
00:28:46I have some ripe fruit to show you.
00:28:47I have some ripe fruit to show you.
00:28:48I have some ripe fruit to show you.
00:28:49I have some ripe fruit to show you.
00:28:50I have some ripe fruit to show you.
00:28:51I have some ripe fruit to show you.
00:28:52I have some ripe fruit to show you.
00:28:53I have some ripe fruit to show you.
00:28:54I have some ripe fruit to show you.
00:28:55I have some ripe fruit to show you.
00:28:56I have some ripe fruit to show you.
00:28:57I have some ripe fruit to show you.
00:28:58I have some ripe fruit to show you.
00:28:59I have some ripe fruit to show you.
00:29:00I have some ripe fruit to show you.
00:29:01I have some ripe fruit to show you.
00:29:02I have some ripe fruit to show you.
00:29:03I have some ripe fruit to show you.
00:29:04I have some ripe fruit to show you.
00:29:06I have some ripe fruit to show you.
00:29:07I have some ripe fruit to show you.
00:29:08I have some ripe fruit to show you.
00:29:09I have some ripe fruit to show you.
00:29:10I have some ripe fruit to show you.
00:29:11I have some ripe fruit to show you.
00:29:12I have some ripe fruit to show you.
00:29:13I have some ripe fruit to show you.
00:29:14I have some ripe fruit to show you.
00:29:15I have some ripe fruit to show you.
00:29:16I have some ripe fruit to show you.
00:29:17I have some ripe fruit to show you.
00:29:18I have some ripe fruit to show you.
00:29:19I have some ripe fruit to show you.
00:29:20I have some ripe fruit to show you.
00:29:21I have some ripe fruit to show you.
00:29:22I have some ripe fruit to show you.
00:29:23I have some ripe fruit to show you.
00:29:24I have some ripe fruit to show you.
00:29:25I have some ripe fruit to show you.
00:29:26I have some ripe fruit to show you.
00:29:27I have some ripe fruit to show you.
00:29:28I have some ripe fruit to show you.
00:29:29I have some ripe fruit to show you.
00:29:30I have some ripe fruit to show you.
00:29:31I have some ripe fruit to show you.
00:29:32I have some ripe fruit to show you.
00:29:33I have some ripe fruit to show you.
00:29:34I have some ripe fruit to show you.
00:29:35I have some ripe fruit to show you.
00:29:36I have some ripe fruit to show you.
00:29:37I have some ripe fruit to show you.
00:29:38I have some ripe fruit to show you.
00:29:39I have some ripe fruit to show you.
00:29:40I have some ripe fruit to show you.
00:29:41I have some ripe fruit to show you.
00:29:42I have some ripe fruit to show you.
00:29:43I have some ripe fruit to show you.
00:29:44I have some ripe fruit to show you.
00:29:45I have some ripe fruit to show you.
00:29:46I have some ripe fruit to show you.
00:29:47I have some ripe fruit to show you.
00:29:48I have some ripe fruit to show you.
00:29:49I have some ripe fruit to show you.
00:29:50I have some ripe fruit to show you.
00:29:51I have some ripe fruit to show you.
00:29:52I have some ripe fruit to show you.
00:29:53I have some ripe fruit to show you.
00:29:54I have some ripe fruit to show you.
00:29:55I have some ripe fruit to show you.
00:29:56I have some ripe fruit to show you.
00:29:57I have some ripe fruit to show you.
00:29:58I have some ripe fruit to show you.
00:29:59I have some ripe fruit to show you.
00:30:00I have some ripe fruit to show you.
00:30:01I have some ripe fruit to show you.
00:30:02I have some ripe fruit to show you.
00:30:03I have some ripe fruit to show you.
00:30:04I have some ripe fruit to show you.
00:30:05I have some ripe fruit to show you.
00:30:06I have some ripe fruit to show you.
00:30:07I have some ripe fruit to show you.
00:30:08I have some ripe fruit to show you.
00:30:09I have some ripe fruit to show you.
00:30:10I have some ripe fruit to show you.
00:30:11I have some ripe fruit to show you.
00:30:12I have some ripe fruit to show you.
00:30:13I have some ripe fruit to show you.
00:30:14I have some ripe fruit to show you.
00:30:15I have some ripe fruit to show you.
00:30:16I have some ripe fruit to show you.
00:30:17I have some ripe fruit to show you.
00:30:18I have some ripe fruit to show you.
00:30:19I have some ripe fruit to show you.
00:30:20I have some ripe fruit to show you.
00:30:21I have some ripe fruit to show you.
00:30:22I have some ripe fruit to show you.
00:30:23I have some ripe fruit to show you.
00:30:24I have some ripe fruit to show you.
00:30:25I have some ripe fruit to show you.
00:30:26Yes, he is.
00:30:27Theo's a scholar, a great inventor.
00:30:28Well, what is this marvelous invention?
00:30:29I'm a great admirer of invention.
00:30:30You're making fun of me.
00:30:31No, no, not at all.
00:30:32I want to know more about your invention.
00:30:33What is it?
00:30:34Cornelia.
00:30:35You shouldn't make such a secret of it.
00:30:36Your work deserves recognition.
00:30:37Cornelia, I beg you.
00:30:38Theo wants to stop time.
00:30:39Cornelia.
00:30:40He's here.
00:30:41He's here.
00:30:42He's here.
00:30:43He's here.
00:30:44He's here.
00:30:45He's here.
00:30:46He's here.
00:30:47He's here.
00:30:48He's here.
00:30:49He's here.
00:30:50He's here.
00:30:51He's here.
00:30:52He's here.
00:30:53He's here.
00:30:54He's here.
00:30:55He's here.
00:30:56He's here.
00:30:57He's here.
00:30:58He's here.
00:30:59He's here.
00:31:00He's here.
00:31:01He's here.
00:31:02He's here.
00:31:03He's here.
00:31:04He's here.
00:31:05He's here.
00:31:06He's here.
00:31:07He's here.
00:31:08He's here.
00:31:09He's here.
00:31:10He's here.
00:31:11He's here.
00:31:12He's here.
00:31:13He's here.
00:31:14He's here.
00:31:15He's here.
00:31:16He's here.
00:31:17He's here.
00:31:18He's here.
00:31:19He's here.
00:31:20He's here.
00:31:21He's here.
00:31:22He's here.
00:31:23He's here.
00:31:25Cheating our guests.
00:31:28But Count Moritz ...
00:31:30I have lost.
00:31:31And I play by the rules.
00:31:33But you haven't lost.
00:31:46Oh!
00:31:47If you haven't lost your touch, you must test it in Lendov's.
00:31:51You've taken this game far enough. Why don't you put these children to bed?
00:32:04I promise you I will.
00:32:12Let go of me!
00:32:14What are you doing?
00:32:16I want to stay here!
00:32:18Jo, calm down and get in.
00:32:20You're jealous. You're jealous of the Baron.
00:32:23Don't be pathetic, Cornelia.
00:32:24And be him. Be him. His looks, his charm, his money, the fact that he's an artist.
00:32:29You and your God-save-me invention.
00:32:31It's you who's pathetic and the poverty which surrounds us because of that stupid machine.
00:32:35Stop it, Cornelia. I beg you.
00:32:36No, I won't.
00:32:39You're jealous because he likes me.
00:32:41A man like him noticed the woman in me and wanted to take me to bed.
00:32:49What are you laughing at?
00:32:52Nothing. Not a thing. Except that he slept with me, too.
00:32:57Get in!
00:33:02What are you waiting for? Go!
00:33:18Arthur.
00:33:36Arthur.
00:33:37Arthur.
00:33:48According to my initial calculations, in order for us to pay off our current debts,
00:33:53we need at least 80, 85,000.
00:33:56And that does not include the help.
00:33:58The servants haven't been paid in four months now.
00:34:07What?
00:34:26Here you are at last!
00:34:28I've looked everywhere for you. I must have spent an hour.
00:34:32What are you doing here?
00:34:34I don't know. I just... I don't know, Rudy.
00:34:37But I do.
00:34:39We're going to Lendors to get the Fasos.
00:34:42Trick their asses around!
00:34:47Victor.
00:34:49Arthur's warned us that our financial situation is desperate.
00:34:53I'm not up to it. I'm exhausted.
00:34:56What is it now?
00:35:00I dreamt of Teresa.
00:35:03Teresa belongs to the past, Victor.
00:35:08The past.
00:35:12Please pull yourself together.
00:35:14Lendorf is opening its club. Big fish from all over Europe will be there.
00:35:18You understand? Big fish.
00:35:20Big games. High stakes.
00:35:26Happens once in a decade.
00:35:30This thing will finally be rich.
00:35:35Truly noble.
00:35:37We should hire a gardener.
00:35:40I'd like to put this place in order.
00:35:45Gardener! Teresa! Stop rambling!
00:35:48Money is what we need, Victor. We need money.
00:35:51Would you...
00:35:52Would you please listen to me? We have debts. We have lots of debts.
00:36:00I feel old, Rudy.
00:36:05Or this?
00:36:07You talk nonsense.
00:36:09You wander around cemeteries.
00:36:14Perhaps indeed you are getting old.
00:36:23Get drunk!
00:36:25Or take beer!
00:36:27Whatever.
00:36:28All right, but this is the last time.
00:36:33I don't care.
00:36:57Fuck!
00:37:17Oh, forgive me!
00:37:27Oh, God!
00:37:38Please forgive me!
00:37:58Fuck!
00:38:02Can you feel the excitement in the air? It's saturated with wealth.
00:38:06The smell of women and sin.
00:38:10What a magnificent place.
00:38:28Stop it!
00:38:38Seventeen red.
00:38:45I have no money, but I'd like to stake my house.
00:38:48That's all I have. Here are the papers.
00:38:52I think, young man, you are in over your head. Go home.
00:38:56I'm not your man, sir. You have no authority to order me around.
00:39:01All right.
00:39:05Sign this.
00:39:09I'll issue a hundred thousand against your bed.
00:39:22This game is not the best form of investment.
00:39:25Please reconsider.
00:39:27Please excuse my saying so, but the matter is none of your business.
00:39:34Let us begin, then.
00:39:52Congratulations.
00:39:54Let us play on.
00:39:57I beg your pardon?
00:39:59I said, let us play.
00:40:01But you have won.
00:40:03And so I say, play.
00:40:22I'm not finished yet.
00:40:26Now, now, young man.
00:40:28Three hundred thousand is a lot of money.
00:40:31Quite a fortune, I'd say.
00:40:33We are playing on.
00:40:35I refuse to play you.
00:40:37Victor!
00:40:42Play the game.
00:40:51Play.
00:41:22You had the pleasure of meeting the General, Mr. Stanley.
00:41:27Thank you.
00:41:48I'll tell you.
00:41:50And?
00:41:54Not everything is lost.
00:41:56Yet.
00:42:00I'm certain it will give you another chance.
00:42:03Won't you, Victor?
00:42:07I don't have anything left now.
00:42:09Oh, that's not true.
00:42:11One can always bet on something.
00:42:14What do you have in mind?
00:42:17I don't get it.
00:42:19Would you accept a bet?
00:42:25For your head, for instance.
00:42:31I don't understand.
00:42:33It's quite simple.
00:42:35This bet requires courage and nerves of steel.
00:42:38And I know you don't lack for courage.
00:42:40Besides, you like to gamble, don't you?
00:42:42Let me explain to you what it's all about.
00:42:44If my entire card wins, that's all.
00:42:46That's all?
00:42:49And if your card wins, this entire fortune is yours, Mr. Grant.
00:42:54Just think, there's nearly two million there.
00:42:58And if I lose, then what?
00:43:01Then the Count will shoot you with his pistol in the head.
00:43:08You must be joking.
00:43:11No.
00:43:12This is a joke.
00:43:15If you'll excuse me, gentlemen, I'm not a murderer.
00:43:20Am I joking, Victor?
00:43:22No, you're not.
00:43:28All right.
00:43:31I accept your bet.
00:43:40I accept your bet.
00:44:11What are you doing?
00:44:24Let it be. This is senseless.
00:44:28Finish the game!
00:44:30Get out of here, young man.
00:44:32I'm invalidating this bet.
00:44:34You have no right.
00:44:35Finish the game!
00:44:37This show is over, don't you understand?
00:44:40Please, the conditions of the bet must be kept.
00:44:43You are humiliating me.
00:44:45This is a matter of honor now.
00:44:48This is a farce, my boy.
00:44:51The pistol is not loaded.
00:44:54Come on, shoot!
00:45:02Finish for me.
00:45:08Oh, my God!
00:45:22Rudy.
00:45:26Why?
00:45:37Why?
00:46:07Why?
00:46:37Why?
00:47:07Your Lordship, sir.
00:47:10It's good to see you.
00:47:12Please take me home, Martin.
00:47:38I love you.
00:47:40I love you.
00:48:05Mr. Arthur died Wednesday.
00:48:08Arthur?
00:48:10What happened?
00:48:12He choked on a fishbone at dinner.
00:48:18They said he suffered.
00:48:21It's sad, isn't it, sir?
00:48:30Let's stop at the stables, Martin.
00:48:34As you wish, sir.
00:48:40Go ahead.
00:49:03And that girl of yours?
00:49:06What was her name?
00:49:08Bietka.
00:49:09Bietka. Where is she?
00:49:11She left with the cook.
00:49:17Your Lordship remembers Marcelle.
00:49:20Hmm.
00:49:22And you?
00:49:24I don't know, sir.
00:49:26I don't know.
00:49:28I don't know.
00:49:31Hmm.
00:49:33And Marcelle?
00:49:38Master Rudolf
00:49:41stole the furniture and took your horse poison.
00:49:48I don't know how everybody left.
00:49:52Things...
00:49:55Things changed over the years.
00:50:01But you stayed.
00:50:05Where would I have gone, Your Lordship?
00:50:25Ashes to ashes, dust to dust.
00:50:29Amen.
00:50:49My deepest sympathy.
00:50:51Count Moritz.
00:50:53So, you're back.
00:50:56Come to my carriage, where we may talk.
00:51:18You want to know about the Baron Rudy?
00:51:20Arthur was never able to find his whereabouts.
00:51:23However, before he left, the Baron gave papers to Arthur
00:51:26to give to you upon your return.
00:51:29You may pick them up at my home,
00:51:31at your convenience.
00:51:33They include the deed to that unfortunate Grantholme's villa.
00:51:37Please call on me, and I will give them to you
00:51:39along with your estate management books.
00:51:42Good afternoon, dear Count.
00:51:44Morning.
00:51:53Morning.
00:52:15We're here, sir.
00:52:23Come on.
00:52:53Come on.
00:52:57Are you gentlemen looking for someone?
00:53:01Who are you gentlemen?
00:53:03My name is Moritz.
00:53:06And according to these papers,
00:53:10this estate belongs to me.
00:53:14Count Victor Moritz.
00:53:17Finally, I have been waiting for you.
00:53:21It wasn't even loaded.
00:53:25My name is Dorian, D. Dorian.
00:53:29I am a scientist.
00:53:31I mean, I used to be Mr. Grantholme's assistant.
00:53:34Welcome, welcome, dear Count.
00:53:38Do sit down, feel at home.
00:53:41Maybe you'd like some tea.
00:53:44I have some freshly brewed poppy tea of my own invention,
00:53:46and it's a wonderful refreshment to take after a long journey.
00:53:49You gentlemen have come from afar, am I right?
00:53:53Mr.
00:53:54Dorian, or D.D., if you wish.
00:53:57Mr. Grantholme used to call me that.
00:53:59Mr. Dorian,
00:54:01are you aware that it is I who had shot Theodore Grantholme?
00:54:11I was expecting it.
00:54:12I knew it would happen eventually,
00:54:14so I'm glad that you did it and not some vagabond.
00:54:18Very original thinking, indeed.
00:54:24You see, my dear Count,
00:54:26Theodore Grantholme was a complex boy,
00:54:28and how can I explain?
00:54:29He was not a happy chap,
00:54:31and yet he was an extraordinarily talented person.
00:54:48I think I broke a tooth.
00:54:52The vapors of mercury ruined my teeth.
00:54:56The invention we worked on together had no equal,
00:54:59but he did not appreciate his genius
00:55:01and the greatness of that invention.
00:55:04He was wasting his talent.
00:55:06He drank a lot.
00:55:09And that girl he was with,
00:55:12do you remember her?
00:55:14Do I remember Cornelia?
00:55:18Do I remember her?
00:55:21She was nature's jewel.
00:55:24Cornelia was his twin sister.
00:55:26He was very attached to her.
00:55:28She was everything to him.
00:55:30Mother, sister, perhaps even...
00:55:34After his death, she disappeared, vanished.
00:55:37No sign of her anywhere.
00:55:39I haven't seen her since.
00:55:48So,
00:55:50some tea?
00:55:54I'll see to the horses and bags.
00:55:58Grantholme gave the impression of a desperate man.
00:56:02It seemed like he needed money desperately.
00:56:05That's right. Our work demanded great sums of money.
00:56:09The raw materials needed for the invention are expensive.
00:56:12Silver, mercury, chemicals,
00:56:14and we constantly needed more supplies.
00:56:16The money Theodore was receiving from his inheritance had run out.
00:56:20I understand, but...
00:56:21Yes.
00:56:22You see,
00:56:24Theo and Cornelia were raised by monks.
00:56:26Right after they were born, they were taken to a monastery.
00:56:29Father Superior brought them up
00:56:31and gave them his name.
00:56:33Grantholme.
00:56:34After he died,
00:56:36this noble woman appeared and began funding our invention.
00:56:40She used to come here occasionally, a beautiful woman.
00:56:43She said she was interested in the invention,
00:56:46but I'm an old man, Cal.
00:56:48She was more interested in them.
00:56:50Why?
00:56:53There was never enough money.
00:56:55So,
00:56:58Theodore decided to try gambling.
00:57:01Once in a while, he'd even win.
00:57:05Thanks
00:57:06to these onions,
00:57:09those potatoes and my poppy tea,
00:57:10I have managed to live through five years here.
00:57:14And what about this invention?
00:57:16Dear Count,
00:57:17we have invented a machine with which you can stop time.
00:57:24Or rather,
00:57:25you can fix permanently
00:57:28part of it.
00:57:30Conserve it.
00:57:33Stop life's volatility and make permanent
00:57:36permanent its lack.
00:57:38What do you say to that?
00:57:41I'm afraid I can't imagine what you're talking about.
00:57:44Come with me.
00:57:45I'll show you something.
00:57:51This was our kingdom
00:57:54and this machine was our baby.
00:57:57What is this?
00:58:02Using this machine,
00:58:04you can fix
00:58:07a given moment
00:58:10of time.
00:58:20I still don't understand.
00:58:29On these shelves, my dear Count,
00:58:31the past is being stored.
00:58:35The time that has already passed.
00:58:38All of a bygone existence.
00:58:42Let me show you something.
00:59:01What?
00:59:21What happened?
00:59:22What sort of trick is this?
00:59:24There you go.
00:59:26Therein lies the problem.
00:59:28This plate has now wasted away for good.
00:59:32And that's why our work has stopped.
00:59:36We were never able to successfully solve
00:59:38the problem of fixing the picture.
00:59:41It needs to be researched further.
00:59:47She was his favorite model.
00:59:51We have hundreds of her pictures here.
00:59:53It would be a shame to lose those.
00:59:56Fantastic.
00:59:58Unbelievable.
01:00:00Beautiful body.
01:00:05I need funds.
01:00:08Who knows?
01:00:09With the help of God and your money.
01:00:15What's happening to me?
01:00:18I feel dizzy.
01:00:30Victor.
01:00:32The girl I was is gone.
01:00:36But I've never forgotten you.
01:00:39I think that you now need my help.
01:00:42And I need yours.
01:00:45I am alone now.
01:00:46And my fondest hope
01:00:49is to see you soon.
01:00:52Teresa.
01:01:00Teresa.
01:01:14Come on, shoot!
01:01:23Sir.
01:01:25There's a man here to see you.
01:01:28Who is he?
01:01:31I don't know.
01:01:34He sounds German.
01:01:38Tell him to come back tomorrow.
01:01:42It's about Master Rudolph, sir.
01:01:54Show him in.
01:02:12Count Victor Moritz.
01:02:19In person.
01:02:22With whom do I have the pleasure?
01:02:24Knopf.
01:02:26My name won't tell you anything.
01:02:28My name is Knopf.
01:02:29And I've come on behalf of a man
01:02:31who would like to remain anonymous.
01:02:36Anonymous.
01:02:38Do you mind if I warm up a bit by the fire?
01:02:44I am frozen to the bone.
01:02:48Dreadful weather we have had today.
01:02:51Would I be spoiling my welcome
01:02:53if I asked for a drink?
01:02:56No. Serve yourself, please.
01:03:02Just drink from the carafe.
01:03:06Get down to business, Knopf.
01:03:08Well,
01:03:09you see, Count Moritz,
01:03:11the man
01:03:15who sent me here
01:03:17knows a lot about some Baron de Sevres.
01:03:21And he suspects
01:03:23that this matter might interest you.
01:03:26Maybe.
01:03:28Yes.
01:03:30Continue.
01:03:33That's all.
01:03:35If you want to find out anything else,
01:03:38please come to a meeting.
01:03:40Come tomorrow.
01:03:42Ah.
01:03:44The Devil's Castle.
01:03:46Do you know the place?
01:03:48Yes.
01:03:49He'll be waiting for you there.
01:03:54I don't know Baron de Sevres,
01:03:57but it appears to me that my...
01:04:04employer,
01:04:05for some reason,
01:04:07does not like that man.
01:04:09So...
01:04:14One more thing.
01:04:17Do come alone.
01:04:19My employer likes discretion.
01:04:23Well,
01:04:24so
01:04:26my fondest regards,
01:04:28Your Lordship.
01:04:34Yes, you can take it with you.
01:04:36Yes, you can take it with you.
01:04:43Good night, Knopf.
01:05:06Sir.
01:05:10We can't get through from here.
01:05:11We're going to have to walk from here, sir.
01:05:17Fine.
01:05:19Wait here, Martin.
01:05:24I'm sorry.
01:05:26I'm sorry.
01:05:28I'm sorry.
01:05:30I'm sorry.
01:05:32I'm sorry.
01:05:33I'm sorry.
01:05:59Welcome,
01:06:00Count Morris.
01:06:03I've drunk it all.
01:06:05And I must say,
01:06:06your grab has come in handy.
01:06:10Nights are cold
01:06:12this time of year.
01:06:14And by God,
01:06:16that liquor of yours
01:06:18was first class, too.
01:06:20Welcome.
01:06:25Where's the man I am to meet?
01:06:33Patience.
01:06:35Patience, Count Morris.
01:06:38He'll be here any moment now.
01:06:45How did you get here?
01:06:48The road from the north is impossible to pass.
01:06:52I came here on foot.
01:06:59It's a spooky place, isn't it?
01:07:02Quite peculiar.
01:07:08Did you know this palace
01:07:09has never been lived in?
01:07:12Did you know that?
01:07:14No?
01:07:16Well,
01:07:18shortly after it was built,
01:07:20it burned down.
01:07:22Neighborhood people said
01:07:23that the devil burned it down.
01:07:25And it stuck.
01:07:27Devil's Castle.
01:07:28Devil's Castle.
01:07:31It was to be the most spectacular residence
01:07:34in this part of the country.
01:07:37It's full of wild cats now.
01:07:40Scabby pigeons.
01:07:43Rats.
01:07:45All kinds of foul things.
01:07:48Only sometimes
01:07:51somebody comes here
01:07:53to hang himself
01:07:55or to rape
01:07:56or to make love.
01:08:03This well
01:08:04is full of human bones.
01:08:13Peasant girls come here
01:08:14to give birth to their bastards
01:08:16and leave them
01:08:17for the rats
01:08:19and wild cats to devour.
01:08:22Indeed,
01:08:23a very peculiar place.
01:08:25Knob!
01:08:30Am I boring you?
01:08:34You don't like my story.
01:08:41That employer of yours,
01:08:42where is he?
01:08:46Over there.
01:08:56Good work, Mr. Knob!
01:09:00Thank you, Marquis.
01:09:02Six years I have been waiting for this.
01:09:09Hey!
01:09:10Remember me, huh?
01:09:14I was worried about you, Moritz.
01:09:17All these years
01:09:18I was praying for you,
01:09:20praying for you,
01:09:22praying for you.
01:09:23All these years
01:09:24I was praying for you,
01:09:26begging the Lord
01:09:27so he would not let you
01:09:28be chewed up by rats
01:09:29in the prison.
01:09:31And the Lord heard my prayer.
01:09:36Mr. Knob did his job well.
01:09:39As I knew he would, you know.
01:09:41What do you want?
01:09:43What do you want?
01:09:44I don't know you.
01:09:47Surely you do.
01:09:49And you know me only too well.
01:09:51But that does not matter anymore.
01:09:54Because this is our last meeting,
01:09:57Count Moritz.
01:10:00Dammit, who are you?
01:10:02My name is Holmes, remember?
01:10:07Marquis Frederick Holmes.
01:10:11Now, come on.
01:10:12Take a good look at me.
01:10:14Look at me well.
01:10:15For now,
01:10:16I'm going to hear you
01:10:17beg for your life.
01:10:22Now, come on.
01:10:23Beg, you son of a bitch.
01:10:46Give me the gun, Knob.
01:10:48I want to finish him.
01:10:51Give me the gun, Knob.
01:10:53He's finished, Marquis.
01:10:55You won't need the gun, Holmes.
01:10:58There is some other business
01:10:59we must finish first.
01:11:00What business?
01:11:04I owe you an explanation.
01:11:06You think I work for you.
01:11:09But I don't.
01:11:11I work for a man
01:11:12named Lund.
01:11:14Known to you by the name
01:11:15of Baron Rudolf the Serf.
01:11:18The Serf?
01:11:19Yes.
01:11:20He conceived
01:11:22this whole masquerade.
01:11:25You only served
01:11:26as a tool.
01:11:30Nice job, Mr. Holmes.
01:11:35You son of a bitch.
01:11:37I hope you can understand.
01:11:40You've become a danger
01:11:41to the Baron.
01:11:43And I must kill you.
01:11:47Are you afraid, Marquis?
01:11:48You're not going to do it, huh?
01:11:51Why not?
01:11:53Look, I...
01:11:54Would you want money?
01:11:55I got plenty of it.
01:11:56Look, here.
01:11:57I'm very sorry, Holmes.
01:12:00But it wouldn't be enough.
01:12:02Besides, you
01:12:04understand nothing.
01:12:21And Knauf?
01:12:24What about him?
01:12:27He killed them both.
01:12:39Then he rode off on his horse.
01:12:42Luckily, not checking
01:12:43to see if you're going to
01:12:44kill him.
01:12:46You're not going to kill him,
01:12:47are you?
01:12:48Luckily, not checking
01:12:49to see if your lordship
01:12:50was dead.
01:12:53Knauf.
01:12:56No.
01:12:59It is the serf
01:13:01who is pulling the strings.
01:13:18Ahem.
01:13:48It seems these people
01:13:49are very dangerous.
01:14:05Wouldn't it be better
01:14:06to forget the whole thing,
01:14:07dear Count?
01:14:09Get busy with the invention?
01:14:13Or seek revenge?
01:14:19You must be out of your mind,
01:14:21Dorian.
01:14:23Devote yourself to the cause.
01:14:48Come on.
01:15:02Let all his seed take hold.
01:15:04That's it.
01:15:06Let all his seed take hold.
01:15:07That's right.
01:15:09Kill to his head.
01:15:18Kill to his head.
01:15:48Knauf!
01:16:09Knauf!
01:16:18Knauf!
01:16:38You're safe.
01:16:40I found you.
01:16:49Baron!
01:16:54Baron!
01:17:00I've got bad news, Baron.
01:17:05What is it?
01:17:08I've got bad news.
01:17:10What is it?
01:17:12I've got bad news.
01:17:14What is it?
01:17:16I've got bad news.
01:17:18Yes, Baron.
01:17:21Knauf!
01:17:24Do you enjoy killing?
01:17:28And why?
01:17:30For money.
01:17:35Pity.
01:17:49Pity.
01:18:14What's that?
01:18:19This?
01:18:21A telescope.
01:18:23And what's a telescope?
01:18:25Looking through it, you can see everything closer.
01:18:27Would you like to try?
01:18:29Yes.
01:18:39Come quick, Rudy!
01:18:42I want to play!
01:18:49Your name is Rudy?
01:18:51Uh-huh.
01:18:52This is fun.
01:18:55Is that your sister?
01:18:57Uh-huh.
01:18:58And what's your sister's name?
01:19:01Victoria.
01:19:08These children are my encounters.
01:19:13It is you,
01:19:15Knauf.
01:19:18And Hylia.
01:19:22Come with me.
01:19:24We might be seen here.
01:19:25The palace is guarded and you're expected.
01:19:26Come.
01:19:37We'll be safe here.
01:19:39This is the place in which I worship and no one else comes here.
01:19:46Do sit down, dear Count.
01:19:48Thank you.
01:19:55So you married Rudolf.
01:20:01Are you surprised by that, Count Moritz?
01:20:05After everything that transpired following Theo's death, I was completely alone.
01:20:11I had nothing.
01:20:13He had everything.
01:20:15The whole fortune you would want to lend to us.
01:20:18So when he insisted I marry him, I had no choice but to accept.
01:20:24Cornelia,
01:20:26are you aware that Rudolf cheated?
01:20:29That it really was he who killed your brother?
01:20:33After we were married, he told me the truth.
01:20:38No.
01:20:41I didn't mourn Theo.
01:20:45I was exhilarated.
01:20:48After all, I thought Rudolf had done this to get me.
01:20:54I loved Theo very much.
01:20:58But I felt relieved.
01:21:01I felt free.
01:21:05The absurdity of our life had ended.
01:21:11I loved my life.
01:21:15I stayed on.
01:21:18Even after Rudy told me he had murdered a young girl while studying in Paris.
01:21:26He used to tell me many things.
01:21:29About you.
01:21:31The riotous life together.
01:21:34Your friendship.
01:21:36Our friendship.
01:21:39You may not believe me when I tell you that Rudy still has a deep affection for you.
01:21:44Indeed.
01:21:46Out of his deep affection for me, he hired that bandit Knopf to kill me.
01:21:52Fear.
01:21:55He did that fearing your revenge.
01:22:00Since his sickness, he fears everything.
01:22:07So many people are dying.
01:22:11Death is everywhere.
01:22:27Tell me.
01:22:30Do you still love Rudolf?
01:22:40No.
01:22:46No.
01:22:49I have never loved him.
01:22:53I was fascinated by him.
01:22:56Yes.
01:22:58Mesmerized by him.
01:23:02But I have never loved him.
01:23:05No.
01:23:11Try to understand.
01:23:15I beg you, Count Moritz.
01:23:18Let us stay as we are.
01:23:22You must leave us in peace.
01:23:26Mommy!
01:23:28Mommy!
01:23:41On top of that, you can add the stables.
01:23:45Arcadia.
01:23:47Five thousand acres of land.
01:23:50And about three hundred tenants.
01:24:05Do sit down, gentlemen.
01:24:11I don't intend to haggle, I'm in a hurry.
01:24:15One hundred thousand for everything and tomorrow I shall vacate the palace.
01:24:20One hundred thousand?
01:24:22In gold.
01:24:40Thank you.
01:25:01Teresa.
01:25:05I have not forgotten you.
01:25:10Why?
01:25:16Why?
01:25:20Why didn't you come for me?
01:25:23Why didn't you insist?
01:25:30How did you know I would take you back?
01:25:34That I still loved you.
01:25:37Never stopped loving you.
01:25:40No.
01:25:42The gambler's instinct, I guess.
01:25:45Only instinct?
01:25:47Not only.
01:25:48I got your letter.
01:25:50Why didn't you answer me?
01:25:55There was unfinished business.
01:25:59It took me time.
01:26:03Tell me about that.
01:26:06Tell me.
01:26:08Tell me what it was.
01:26:09Why?
01:26:11You tell me about you.
01:26:14Nothing to tell.
01:26:16Really.
01:26:27When my parents separated us and took me away,
01:26:30a loveless marriage was forced upon me.
01:26:33My husband lived abroad.
01:26:36After much traveling, first to Africa at his side,
01:26:40returning then to nurse my mother at the end.
01:26:43Due to my husband's business, I've been away again these past five years.
01:26:48After he died and I returned,
01:26:51I heard about what happened to you and your friend, to Zef.
01:27:06I'm sorry.
01:27:18Martin?
01:27:20What's the matter?
01:27:31What brings you here, Martin?
01:27:34Mastadorian, sir.
01:27:37Darian? What's happened?
01:27:39Mastadorian has locked himself up in his lab
01:27:43and for several days now I haven't heard a thing.
01:27:46I'm afraid.
01:27:48Have you tried to break in?
01:27:50Mastadorian has forbade me to enter.
01:27:52He has blocked the door from the inside.
01:27:54There's no way to get in.
01:27:56He's screaming all these terrible things,
01:27:58all these blasphemous things about God.
01:28:03Come on.
01:28:23Idiot.
01:28:25Take him out of here, Martin.
01:28:33Come on.
01:29:03Come on.
01:29:33Teresa.
01:29:39Teresa.
01:29:56Teresa.
01:30:00Yes.
01:30:01They were my children.
01:30:05And
01:30:08I was...
01:30:10Their father.
01:30:13Yes.
01:30:16Why,
01:30:18Teresa?
01:30:22Why didn't you tell me? God!
01:30:27I was 16.
01:30:28I was 16.
01:30:30My mother told me my babies were stillborn.
01:30:33I didn't know, Victor,
01:30:35until I came home from Africa.
01:30:38Mother told me as she died
01:30:41that my children were alive
01:30:44and I found them
01:30:46and befriended them.
01:30:48But suddenly
01:30:50it was too late.
01:30:53I never told them and Theo was dead.
01:30:56Theo was dead.
01:31:01I tried to reach you.
01:31:05I wrote to you
01:31:08and when you returned
01:31:11to spare you
01:31:13I kept silent.
01:31:21Help me.
01:31:26Help me.
01:31:31Forgive me.
01:31:33I know I have failed you.
01:31:35If I had only spoken
01:31:37or reached you sooner
01:31:39in my absence I had no way of preventing it.
01:31:41Theo, a victim.
01:31:43Cornelia,
01:31:45a prisoner of her unfortunate marriage.
01:31:47I did not have the strength to set things right.
01:31:56Help me.
01:32:26Help me.
01:32:38Good evening, Mr. Knopf.
01:32:44Dessert, where is he?
01:32:46He is not here.
01:32:48Where?
01:32:50I don't know.
01:32:52Tell me where the Baron is.
01:32:54At Landhoff's.
01:32:56At Landhoff's.
01:32:58And the children?
01:33:00Cornelia?
01:33:02The Baron has died.
01:33:04They all left.
01:33:06Ran away.
01:33:08The plague, you know.
01:33:11Cornelia is dead.
01:33:13The Baron left the palace.
01:33:15He plays at Landhoff's.
01:33:18The children!
01:33:20Rudy and Victoria!
01:33:22Count Moritz!
01:33:24Mr. Knopf!
01:33:26In the blue bedroom.
01:33:29Count Moritz.
01:33:31Please.
01:33:33Don't kill me.
01:33:35No.
01:33:37Please.
01:33:39No.
01:33:41No.
01:33:51Find him!
01:33:55No.
01:33:57Please.
01:33:59No, Moritz.
01:34:01No.
01:34:03Moritz.
01:34:07No.
01:34:09No.
01:34:23What's all this about?
01:34:25Good Lord.
01:34:27Mr. Knopf!
01:34:29Mr. Knopf won't hear you.
01:34:31Take me to the children.
01:34:33No.
01:34:35Who are you, gentlemen?
01:34:36Please, take me to the children.
01:34:38No.
01:34:44Tell.
01:34:47Gentlemen!
01:34:49What are you doing?
01:34:51What are you going to do with the children?
01:34:55Take the children home, Martin.
01:34:58And give them to the Countess.
01:35:00Victoria and Rudy.
01:35:07No.
01:35:13What are you going to do with the children?
01:35:26Take good care of them.
01:35:33Aren't you coming with us, Your Lordship?
01:35:36No.
01:35:38I still have something to do.
01:35:41Go now.
01:35:46Go home.
01:36:06Go home.
01:36:36No.
01:37:02What can I do for you?
01:37:07Nothing.
01:37:09I'm looking for someone else.
01:37:12I'm sorry.
01:37:17Sorry.
01:37:28Yes, sir.
01:37:31I'm looking for someone.
01:37:33Baron Maximilian Lundt.
01:37:35Have you ever heard of him?
01:37:37You're speaking of Baron de Silva, am I right?
01:37:41Yes.
01:37:43What business do you have with the Baron, sir?
01:37:46Just take me to him.
01:37:49And your name, sir?
01:37:57Wait.
01:37:59My name is Count Victor Moritz.
01:38:04Moritz.
01:38:07This way, sir.
01:38:34Do you hear it?
01:38:37He spends all day playing his spinet.
01:38:41The same melody over and over again.
01:38:45For hours.
01:38:48Hmm?
01:38:50Bizarre.
01:38:52Very peculiar man.
01:38:57Go, Moritz.
01:38:59He awaits you.
01:39:00Go, Moritz.
01:39:02He awaits you.
01:39:30He awaits you.
01:40:00Yes.
01:40:09Yes.
01:40:15Victor.
01:40:18I have been waiting for you for a long time.
01:40:24The acoustics.
01:40:27Phenomenal.
01:40:30Yes.
01:40:35I...
01:40:38Can you hear it?
01:40:44It's like listening to the past.
01:40:48It was good, wasn't it?
01:40:53For a time, yes.
01:41:00You still love me, Victor.
01:41:15Did you know?
01:41:17They were my children.
01:41:22What does it matter now?
01:41:25Rudy.
01:41:27Why?
01:41:31Why?
01:41:42Who knows?
01:41:48Are you ready to die, Rudy?
01:41:54I am dying.
01:41:57Victor.
01:42:01Let's play the game, Deceb.
01:42:06Let's play the last time.
01:42:10The rules are simple.
01:42:14We each have one shot.
01:42:17This time, both pistols are loaded.
01:42:30One.
01:42:32Two.
01:42:34Three.
01:42:37Four.
01:42:39Five.
01:42:41Six.
01:42:43Seven.
01:42:45Eight.
01:42:47Nine.
01:42:49Ten.
01:42:51Eleven.
01:42:53Twelve.
01:42:55Thirteen.
01:42:57Fourteen.
01:42:58Fifteen.
01:43:00Sixteen.
01:43:02Seventeen.
01:43:04Eighteen.
01:43:06Nineteen.
01:43:08Twenty.
01:43:10Twenty-one.
01:43:12Twenty-two.
01:43:14Twenty-three.
01:43:16Twenty-four.
01:43:18Twenty-five.
01:43:20Twenty-six.
01:43:22Twenty-seven.
01:43:25Twenty-eight.
01:43:27Twenty-nine.
01:43:29Twenty-one.
01:43:31Twenty-two.
01:43:33Twenty-three.
01:43:35Twenty-four.
01:43:37Twenty-five.
01:43:39Twenty-six.
01:43:41Twenty-seven.
01:43:43Twenty-eight.
01:43:45Twenty-nine.
01:43:47Twenty-ten.
01:43:49Twenty-eleven.
01:43:51Twenty-twelve.
01:43:53Twenty-thirteen.
01:43:55Twenty-four.
01:43:58Twenty-five.
01:44:00Twenty-six.
01:44:02Twenty-seven.
01:44:04Twenty-eight.
01:44:06Twenty-nine.
01:44:08Twenty-eight.
01:44:10Twenty-nine.
01:44:12Twenty-six.
01:44:14Twenty-nine.
01:44:16So let's play hide-and-seek.
01:44:18Come on, Touch the ground, but not too far.
01:44:21Ready!