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00:00So, how did you get to see the camp?
00:01The top of the horse!
00:15You!
00:17You came to the outskirts,
00:19not sure if you'd come back here in the end.
00:22They say this forest has bizarre-shaped claws.
00:25We should be lost in a sacred, legendary place.
00:28How did you know?
00:30I don't want to leave this place.
00:34Don't you want to get out of here?
00:41I'm the only Linda in this dome.
00:46My grandma has to get out of here too.
00:52But if you really want to get out of here...
00:57What are you going to do?
01:00I don't want to leave this place.
01:30I don't want to leave this place.
01:32I don't want to leave this place.
01:34I don't want to leave this place.
01:36I don't want to leave this place.
01:38I don't want to leave this place.
01:40I don't want to leave this place.
01:42I don't want to leave this place.
01:44I don't want to leave this place.
01:46I don't want to leave this place.
01:48I don't want to leave this place.
01:50I don't want to leave this place.
01:52I don't want to leave this place.
01:54I don't want to leave this place.
01:56I don't want to leave this place.
01:58I don't want to leave this place.
02:00I don't want to leave this place.
02:02I don't want to leave this place.
02:04I don't want to leave this place.
02:06I don't want to leave this place.
02:08I don't want to leave this place.
02:10I don't want to leave this place.
02:12I don't want to leave this place.
02:14I don't want to leave this place.
02:16I don't want to leave this place.
02:18I don't want to leave this place.
02:20I don't want to leave this place.
02:22I don't want to leave this place.
02:24I don't want to leave this place.
02:26I don't want to leave this place.
02:28I don't want to leave this place.
02:30I don't want to leave this place.
02:38Hey you...
02:42Come here.
02:46Your T-shirt will get wet.
02:50If you want to clean the dish,
02:52you have to fold it loose.
02:54If you don't do that, your shirt will get wet.
03:11I'm okay now.
03:15Why did you...
03:16remove my hair?
03:24Why did you remove my hair?
03:40Why did you...
03:42remove my hair?
03:54When I do this,
03:56do you know how to write a story about a
04:01sea lion and a lioness?
04:03I see.
04:05You work so hard.
04:07You don't even know how to teach me how to write a novel.
04:16I'll continue to wash it.
04:24I'll continue to wash it.
04:34I'm a sea lion!
04:54Why did you come to clean?
04:58Why did you come to clean?
05:04Did I make a loud noise?
05:06No.
05:15I said no.
05:18Why did you come to clean?
05:21I see.
05:23I'm here to feed the hungry.
05:27Can I join you?
05:33You look tired.
05:37Let's do something else.
05:43Let's go.
05:45Come on.
05:51Come on.
05:53Come on.
05:55Come on.
05:57Come on.
05:59Come on.
06:01Come on.
06:03Come on.
06:05Come on.
06:07Come on.
06:09Come on.
06:11Come on.
06:13Come on.
06:15Come on.
06:17Come on.
06:19Come on.
06:21Come on.
06:23Come on.
06:25Come on.
06:27Come on.
06:29Come on.
06:31Come on.
06:33Come on.
06:35Come on.
06:37Come on.
06:39Come on.
06:41Come on.
06:43Come on.
06:45Come on.
06:47Come on.
06:50Come on.
07:16Do you like to exercise?
07:18No.
07:20I can't write.
07:22So I have to find something to do.
07:24To relax a bit.
07:29About the virus?
07:33Yes.
07:37Actually, this story was written for you to relax.
07:41You want to pressure yourself too much.
07:48I can help you.
07:50Then let me help you.
08:21Do you know how to do it?
08:25Don't complain too much.
08:27When you speak,
08:29I get nervous.
08:31The lotus leaves are all broken.
08:35So why do you use lotus leaves?
08:39I don't know.
08:41I don't know.
08:43I don't know.
08:45I don't know.
08:47I don't know.
08:50I don't know.
09:00About the種.
09:02Why do you want to know?
09:04I don't know.
09:06I don't know.
09:08You are angry.
09:10I don't know.
09:12Well
09:15Are you decaf?
09:17No
09:19Of course, I know a lot about chicken.
09:22But first of all, you didn't take out the chicken's insides.
09:26Secondly, this is a mountain of corpses.
09:30The soil here is full of corpses.
09:33By doing this, do you want to poison me?
09:38Sir!
09:40If I want to kill you, why do I have to grill the chicken for you to eat?
09:50I have an idea.
09:53I think your sword is good enough.
09:56Why don't you cut the chicken into pieces so you can cook it faster?
10:00Sir!
10:01You haven't passed the exam yet.
10:03That's why you want me to use a sword to kill a chicken.
10:08Why don't you use your own sword?
10:13Why don't you use your own sword?
10:20So, are you going to cut it or not?
10:23If you don't cut it, no one can eat the food.
10:29Wait, what about the chicken?
10:32Chicken?
10:45It's because of you.
10:46How are you now?
10:47The chicken is flying and the egg is broken.
10:49There's nothing left.
10:51Ouch!
10:52What's wrong with you?
10:54It's like dust is getting into my eyes.
10:56Don't scratch your eyes.
10:57Ouch!
10:58Ouch!
10:59It hurts a lot.
11:01Don't move.
11:16I'll blow it out for you.
11:43Are you feeling better now?
11:48Yes, I am.
11:55If dust gets into your eyes, you'll be in so much pain.
11:58What do you expect?
12:00Sir!
12:12Are you angry?
12:15Sir!
12:17Hey!
12:18Why are you so close to me?
12:23I want to see if your eyes are getting better.
12:28It's good.
12:29You don't have to see it.
12:36Why are you smiling?
12:40I'm smiling because you're blushing.
12:50Sun-An!
13:03Have I ever told you?
13:12Your eyes
13:17make me and the stars happy.
13:28Now, it's time for Sun-An to suspect everything around her.
13:33She must be careful to protect her friend
13:37and pay special attention to Tuan Lu-Sing.
13:40Both of them are in a relationship.
13:43Huh?
13:48I want Sun-An and Tuan Lu-Sing to fall in love.
13:52But I don't know what to do.
13:55It's just that they risk danger together in the forest in a short time.
13:59But one role is not enough.
14:01If you want a long-term perfect role in a short time,
14:05it will be difficult.
14:09You don't have to listen to him.
14:11You want them to risk danger together, right?
14:16Yes, I do.
14:32If we look at the script,
14:35there is no climax.
14:40We want them to risk danger together
14:44and accept the truth.
14:48And take this opportunity to stimulate their feelings.
14:54I can think of something.
14:58But I'm still a little confused.
15:01You should write it down first
15:04and then make it perfect.
15:07But if I do that,
15:10I'm afraid I can't do it well.
15:12No, you can't.
15:14The young man I know
15:16is the best storyteller in the world.
15:25The first part of the scene
15:27is not perfect enough.
15:30I think I can't write just one part.
15:33Then you write the part you want to write.
15:36After that, it's my job.
15:40Can you do it?
15:42Trust me.
15:51I'll give you an idea.
15:54You can write a novel for free.
15:57Read it.
16:05I want you to ask me what I'm doing.
16:11What am I doing?
16:23I found you.
16:39I found you.
17:09I found you.
17:23Oon, you've changed.
17:25What?
17:26The new script you just uploaded
17:28makes me feel like I've been slapped.
17:33You're always exaggerating.
17:35I'm not exaggerating.
17:36Don't talk about Charn.
17:38You're better at writing than Sin.
17:43You don't have to mention this comment.
17:45There are more comments every day.
17:46During this time,
17:47P'Kyao and I are having a hard time.
17:50You may have overlooked it.
17:52Don't be stupid.
17:53Don't take me with you.
17:57Cheers!
18:15I found you.
18:27I miss Charn.
18:29I'll give you an idea.
18:32You can write a novel for free.
18:34What am I doing?
18:43I found you.
18:55I found you.
18:57I found you.
19:05Where did you go?
19:07I've been waiting for you.
19:09I've been waiting for you.
19:10I've been waiting for you.
19:17I found you.
19:35Why does it feel like my life after I got married?
20:05Wow, the new couple is perfect for each other.
20:20They are a perfect couple.
20:35I think I read too many Y-novels.
20:51But if it were me…
20:55Hey!
21:01Stop!
21:02Don't think about that.
21:06What am I thinking about?
21:09When did you get in here?
21:12You are not thinking about me, are you?
21:24No, no, no way.
21:43I finished it.
21:45Do you want to read it?
21:48What did you read?
21:50The script we talked about last time.
21:51It's about Suen Un and the monster who tried the magic potion.
21:55Oh, you can go now.
21:58I'll catch up with you.
22:01Okay.
22:02Okay.
22:18The script we talked about last time.
22:20You can adjust the first part.
22:22I'll arrange the rest later.
22:24And you can adjust the overall plot.
22:29No, no.
22:30I'd rather keep it the same.
22:32I'd be more surprised if I read it the way you wrote it.
22:38You are exaggerating.
22:44No, I mean it.
22:48When I was in Chiang Mai, I didn't tell the truth.
23:05I mean…
23:10I don't know if you've ever read my novel.
23:16I've never read your novel.
23:18I've never read your novel.
23:36Actually, I lied.
23:42I've read your novel.
23:45I really like your novel.
23:59My legs hurt.
24:03I don't have any talent in writing novels.
24:08I just like it very much.
24:09I can't compete with Ozone, Sin, Jao Samut, or you.
24:19What I'm good at is storytelling.
24:22No matter how hard it is, I try to make it fun.
24:30I'm so lucky to have met you.
24:39But if I do what I like, I might become a blessed person.
24:57Why are you staring at me like that?
24:59Because you're handsome.
25:04You're cute, too.
25:29Why are we looking at each other like this?
25:39I'd like to ask you a question that might be hard for you to answer.
25:46Am I cuter or is Lin Song-Yue cuter?
25:51Both are cute.
25:53Why do you suddenly ask about Lin Song-Yue?
25:56Do you like her?
25:58I have to ask you this question.
26:00Do you like her?
26:02She's an angel.
26:04There's no real person in the world.
26:06There must be a role model, right?
26:26Well…
26:30What are you sniffing at?
26:31What are you sniffing at?
26:34The food is ready.
26:36Let's eat and talk.
26:43Get up.
26:51I've been trying to get this for you for a long time.
26:54It's said to help nourish blood and strengthen the body.
26:58It's suitable for people who work day and night like me.
27:01It's good for you.
27:32Are you okay?
27:38When you talked about staying up late,
27:41I thought that being a writer is a unique job.
27:49Writing a work for a single word
27:52is like writing a book.
27:55It's like writing a novel.
27:58Writing a work for a single word
28:01is like staying up late.
28:08Do you know?
28:10I said that the young man I knew
28:13was the best storyteller in the world.
28:16I didn't mean it.
28:19I really feel the same way.
28:20I believe you.
28:27Okay, okay. I believe you.
28:32But do you feel that it's strange?
28:36What's strange?
28:37When you talked about Lin Songye,
28:40I remembered that when we used the same idea,
28:45what's strange is that
28:47the young man in your work tells a story to the young man.
28:51And I'm the young man who tells a story to the young man.
28:56What a coincidence.
29:00Is that so?
29:03Once upon a time,
29:07there was a young man in the forest.
29:15He had a close friend who was a young man.
29:20One day,
29:22the young man moved out.
29:27The young man was sad.
29:30So he wrote a letter to the young man.
29:34The young man wrote a letter to the young man.
29:37Ta-da!
29:39He was in the wrong place.
29:41The young man was in the wrong place.
29:42So he sent the letter to the young man's house.
29:57Young man,
30:00don't you feel anything strange?
30:03What did you call me just now?
30:13Be careful.
30:14There are humans in front of you.
30:16It's dangerous.
30:18Be careful.
30:19No, no.
30:20They are not humans.
30:21They are young men, right?
30:26Do you see this?
30:30Don't you feel that it's cold?
30:36Hey, look over there.
30:38It's snowing.
30:39It's snowing.
30:40It's snowing.
30:41It's snowing.
30:42Have you ever seen snow?
30:47Where are you going?
30:48I'm going to find the young man.
30:50It's snowing.
30:51It's winter now.
30:53I have to tell the young man
30:55to move to Jamsil.
31:01Let's go.
31:02Hurry up.
31:08Did you find him?
31:09No.
31:16Young man,
31:18look over there.
31:20Okay.
31:30Young man,
31:31the young man is outside.
31:32We have to find him.
31:34Otherwise, we will be cold to death.
31:37Madam.
31:38Come here.
31:41Hurry up.
31:42Follow me.
31:44Hold on tight.
31:45Madam is fast and strong.
31:47Let's go, Madam.
31:55Madam,
31:56why are you so stubborn?
31:58Madam.
31:59Madam.
32:02Young man,
32:03will we be in trouble?
32:04Young man,
32:07we have to find him.
32:09Come here.
32:10Madam.
32:11Follow me.
32:13Young man,
32:14if we take this train,
32:16we will arrive at the young man's house earlier.
32:19No.
32:20No, no, no.
32:21The young man's house is too far away.
32:24If we take a car,
32:25we can't get there.
32:27So,
32:28what should we do?
32:30Young man,
32:31tell me
32:32what we should do.
32:36We have to
32:37swim.
32:38Swim?
32:42Young man, wait for me.
32:44Follow me.
32:55What?
32:56Let's go.
32:59Over there.
33:00Let's go.
33:01You go first.
33:02Go.
33:14What's wrong?
33:18Come here.
33:21I'll help you.
33:27Young man,
33:28come here.
33:34Young man,
33:36are you sure you want to go in?
33:38If you told me to let you go,
33:41I would wait for you to grow up.
33:44After that,
33:45you will come back to me.
33:50But
33:51now
33:53the weather is cold.
33:57Trust me.
33:58Follow me.
34:00Come here.
34:01Okay.
34:26I have two more.
34:28Wait for me.
34:35I'll catch them all.
34:39Young man.
34:40Young man.
34:41Young man.
34:42Young man.
34:44Young man.
34:45Young man.
34:46Young man.
34:47Young man.
34:48Young man.
34:56Young man.
34:57Young man.
34:58Young man.
34:59Young man.
35:00Young man.
35:01Young man.
35:02Young man.
35:03Young man.
35:04Young man.
35:05Young man.
35:06Young man.
35:07Young man.
35:08Young man.
35:09Young man.
35:10Young man.
35:11Young man.
35:12Young man.
35:13Young man.
35:14Young man.
35:15Young man.
35:16Young man.
35:17Young man.
35:18Young man.
35:19Young man.
35:20Young man.
35:21Young man.
35:22Young man.
35:23Young man.
35:24Young man.
35:25Young man.
35:26Young man.
35:27Young man.
35:28Young man.
35:29Young man.
35:30Young man.
35:31Young man.
35:32Young man.
35:33Young man.
35:34Young man.
35:35Young man.
35:36Young man.
35:37Young man.
35:38Young man.
35:39Young man.
35:40Young man.
35:41Young man.
35:42Young man.
35:43Young man.
35:44Young man.
35:45Young man.
35:46Young man.
35:47Young man.
35:48Young man.
35:49Young man.
35:50Young man.
35:51Young man.
35:52Young man.
35:53Young man.
35:54Hello.
36:12Hello.
36:24I saw you when you were a kid.
36:27No.
36:29Why?
36:31I didn't see you when you were a kid.
36:34I'm Korean.
36:36But I saw a face.
36:38Huh?
36:41You really saw me, didn't you?
36:44Do you want me to tell you?
36:45Yes.
36:47Yes.
36:54Okay.
37:24Yes.
37:29I went out to work for a while.
37:31I saw you sleeping and didn't want to bother you.
37:33We had a lot of fun talking yesterday.
37:35So I have a gift for you.
37:37I want to give it to the youngest man who is the best storyteller in the world.
37:41Gift?
37:46Huh?
37:485,137 notifications?
37:51Am I being bullied again?
37:56What kind of text did you send me?
37:59I can't tell you about my dream.
38:00Huh?
38:01Just one comment?
38:08I have to tell the youngest man to move to Jamsil.
38:11Did you find him?
38:12The youngest man is outside.
38:13We have to find him quickly.
38:15Otherwise, he will be cold to death.
38:16Hold on.
38:21Huh?
38:47After reading the story of Uncle Pond,
38:49I learned about the intention of the writer.
38:52Because it's not easy to arrange the characters in a variety of ways.
38:56The characters are set with intention.
38:59There is also a smooth background of the characters in the novel.
39:04The language used in the story,
39:06even if it is a genre,
39:07but it is not difficult to read.
39:09The words used are well thought out.
39:13And always put an emphasis on the reader.
39:20Mom and Dad,
39:22did I read it wrong?
39:24You sent me to read my novel.
39:26Suddenly, you commented on Uncle Pond's poem.
39:28It's 10,000 lines long.
39:31It's not the work that the editor ordered, is it?
39:34I'm eating a snack.
39:36If I remember correctly,
39:37Uncle Pond's poem is the work that had a problem at that time.
39:41I've read it.
39:42The novel is very detailed.
39:44The fans of the young man like me can't compare.
39:49Why is it so detailed?
39:51The editor analyzed it in detail.
39:54From the words, sentences, writing style,
39:57timing,
39:59especially the characters and the plot.
40:01What can be praised is praised.
40:03But it is still on the basis of truth.
40:05Praised in a realistic way.
40:07The most admirable.
40:10For Uncle Pond,
40:11it is a work that the netizens claim to be an out-of-style work from the editor.
40:15But now,
40:17you have written 10,000 comments for this story.
40:23What is this?
40:25I read your comments and I feel shy.
40:35Thank you very much, Captain Tiger.
40:38Yeah.
40:43Actually, I wrote it a long time ago.
40:45I just had a chance to post it.
40:50Tiger, you praise me like this.
40:52I'm shy.
40:54I just want to praise you in front of everyone.
41:33Captain Tiger.
41:34Captain Chef.
41:35Captain Chef.
41:36Please, please, please,
41:37please, please,
41:38please leave a comment.
41:42Sir,
41:44the time has passed for half a year.
41:46Please leave a comment for me.
41:51Sir, please leave a comment for me.
41:53Oh, I will do it first.
41:57I don't have long comments.
41:59Only short comments.
42:00Do you want it or not?
42:01I want it.
42:02I want it.
42:06The main character is here.
42:08Here, the mic is here.
42:09Sir,
42:11I want to know that
42:12you have written more than 10,000 comments.
42:15How do you feel?
42:19I feel a little bit shy.
42:22Oh, you just feel shy?
42:24Why don't you take a shower and get dressed up?
42:31Actually,
42:32you have become famous.
42:34I think
42:35you must be on the writer's fan club.
42:38I don't think so.
42:39Yes, you are.
42:41Now,
42:42there is a picture of Ai Opun and Captain Tiger
42:45on Instagram.
42:47Where is it?
42:48Do you want to see it?
42:49I will send it to you.
42:56If we talk about the gossip on Instagram,
42:58we must mention this account.
42:59The writer's fan club.
43:01Everyone knows it.
43:02This account is the one who started to spread the gossip.
43:05The picture explains the relationship
43:07between the couple,
43:09Aeye and the young man.
43:11Let's watch the video.
43:27Opun was accused of embezzlement.
43:32He went to meet Chan with anger.
44:03And sadness.
44:10Panana is still alive.
44:12It seems to be filmed at 360 degrees all the time.
44:20Hey,
44:21Captain Tiger and I are still in the group.
44:23Oh,
44:24you two are close.
44:26It's more fun.
44:28Oh,
44:30you two are close.
44:32It's more fun.
44:34Don't be too hot-tempered.
44:36It's not over yet.
44:38This part is awesome.
44:58At this time,
45:00Opun still feels uneasy.
45:02Whether it's him
45:04or Aeye,
45:06they all let go.
45:12Hahaha.
45:14The priest still has to give in.
45:16Hey, Oh,
45:18did you change from embezzlement to drama for me?
45:20Hahaha.
45:22The priest still has to give in.
45:24Hey, Oh,
45:26did you change from embezzlement to drama for me?
45:28Hahaha.
45:30Awesome.
45:32Let's watch the comments.
45:34Let's watch the comments.
45:36Let's watch the comments.
45:56Let's watch the comments.
46:10Let's watch the comments.
46:26I read the comments and didn't reply.
46:28But now, I have 3 posts on my IG
46:30and 2 posts about Khun Chai Noi.
46:32And I'm trying to reply to comments about Khun Chai Noi.
46:36But he doesn't care.
46:38So, our fans are shocked now.
46:43OMG!
46:45Isn't that too sweet?
46:50It's time!
46:51The big news is here!
46:53What?
46:55Sir, it's time to write the scene on the bed.
47:01What?
47:02How to write the scene on the bed?
47:25Who will be the first one to write the scene?
47:29For justice, let's do it!
47:31I have a little fever.
47:33I think I have to postpone today's script.
47:35Excuse me, I'm here with my friend.
47:37Can I switch seats with you?
47:40Didn't you give me salt water at the hospital?
47:42Here, your favorite.
47:44Shrimp water.
47:46Why did you choose shrimp?
47:48Because important people like to eat shrimp.
47:50Stop laughing now.
47:52I said stop laughing now.
47:55I can't hold it anymore.
47:57I want to get closer to you.
48:25I want to get closer to you.
48:27I want to get closer to you.
48:29I want to get closer to you.
48:31I want to get closer to you.
48:33I want to get closer to you.
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