• last year
Transcript
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03:41...
03:43...
03:45...
03:47...
03:49And then there would be the missing painting of Werner Saalfeld.
03:52Who is so childish?
03:54Why should we hide the painting? Why?
03:57Yes, it should be a nice display.
03:59Yes, okay.
04:00What can he do against strangers?
04:02Exactly.
04:03I refuse to believe that we should have been in this eroding gang.
04:08We can't be sure.
04:12Who knows what ideas the mushrooms brought us.
04:19I admit it.
04:21A lot of strange things happened that night.
04:28But a shadow steal?
04:30Driving through the area in a rush?
04:32None of us would dare to do that.
04:34That's where the fun stops.
04:36None of us would do something so unthinkable.
04:39Keyword reason.
04:40I studied.
04:41I know exactly where my limits are.
04:43We know exactly where our limit is.
04:45Mushrooms back and forth.
04:46It's absolutely unimaginable.
04:48So, yes.
04:49Silence.
04:50This whole thing.
04:51And then we just move on.
04:52No panic.
04:53Agreed?
04:55Agreed.
05:12That's incredible!
05:15Would you like some tea?
05:16What?
05:17What is he doing here?
05:20Vacation.
05:21And it's a coincidence.
05:22Vacation?
05:23We've never taken a vacation in a luxury hotel like this.
05:25And I don't think that has changed.
05:27Yes, at least he's here now.
05:31He's supposed to disappear again.
05:36Don't you want to talk to him at all?
05:38No.
05:41Theo, I think he's here because of you.
05:44Maybe he wants to make amends.
05:46I don't want to let him go.
05:48And I'm going to do everything to make sure that doesn't happen.
05:50And how are you going to do that?
05:52You can't just let him go.
05:53And the hotel isn't that big.
05:55I don't know.
05:56I'll find a way.
05:57He's not going to stay that long.
06:00Why didn't he tell us?
06:07Maybe he did.
06:11The letter.
06:13Oh, I totally forgot about it.
06:15Yeah, me too.
06:17It probably said that he was coming.
06:21Man, if I had just read the letter,
06:23then I could have written him that I didn't want to see him.
06:25Or hear him. No, thank you.
06:30Theo.
06:32I know what you had to go through because of him.
06:34And I don't want to talk to you at all.
06:37But maybe an explanatory conversation would help.
06:40I don't think so.
06:41I don't think so.
06:43But is that the reason why you're afraid of tight spaces?
06:47Ask one of your doctors what they think.
06:50I'm pretty sure they'd all say that I don't have to see anyone I don't want to see.
06:55Yeah, that's true, but maybe...
06:56Again, Lale!
06:57I don't want to see him!
07:12Who put the container with our salty caramel ice cream in the fridge?
07:16What? Empty?
07:17It was still full the day before yesterday.
07:19Yes, just now.
07:20Do you think one of us did it?
07:25Okay, then clean it up.
07:28Hello.
07:29Hey.
07:30Rita, do you have a moment?
07:31Yes, of course.
07:32I already have a first request for a wine from my winery.
07:37Wow!
07:38How did that happen so quickly?
07:40No idea.
07:41I think it was our guest, Mr. Finkenstein.
07:44In any case, Sonnenberg asked a contingent of Rieslingers.
07:48Wow, and they have a really good wine cellar, as far as I know.
07:51Yes, almost no other luxury hotel is so well-organized.
07:53I'm glad to hear that.
07:57Yes, and I've already exchanged the old wine press.
08:00It's going really well with you.
08:02I'm a little surprised myself.
08:04After I couldn't buy the other wine with Markus, it's going even better now.
08:09And you did it all on your own.
08:12It feels even better, doesn't it?
08:14Absolutely.
08:16It's a whole new chapter in your life, isn't it?
08:19A very nice challenge.
08:21But I'm looking forward to it, because, to be honest, it's a lifelong dream that's coming true.
08:27It's admirable.
08:28But cooking here has always been a big dream of yours.
08:32Yes, of course it is.
08:33But you know that.
08:35When you've reached your goal, you look for the next one.
08:39Your next goal is to get the bio seal green leaf for our hotel.
08:43And who knows what's waiting for you after that.
08:46Re-entering the top 500 list.
08:49Of course.
08:58I'll call you later.
09:00I'll call you too, Lexi.
09:02Yes.
09:04Hello, Mr. Licht.
09:05Hello.
09:06I thought you were in a good mood now.
09:09Or is it my fault that you looked so frightened just now?
09:12And don't say anything wrong now.
09:14No, it's all good. It's not your fault.
09:16Okay.
09:18All right. I have to go on.
09:20Ms. Richter's cleaning regime in her hall.
09:24All right, then, yes?
09:26Yes, exactly. All right.
09:30Mr. Licht.
09:31You know you can talk to me.
09:33Anytime. You know that. I'll help you.
09:35You know that.
09:41What's going on?
09:43All right.
10:01What's going on?
10:06Such a beautiful horse.
10:08Yes, right?
10:09Warmbloods are really very special animals.
10:12Gretchen is my perfect first breeding horse.
10:16To be honest, I was quite surprised
10:18that you agreed so quickly.
10:20And I think the breeder was also quite nice.
10:22Well, if it fits, why wait?
10:24And besides, you examined her thoroughly.
10:27And she's healthy and lively.
10:29So what does that say?
10:31Nothing.
10:32Exactly.
10:33And I'm really glad that he's bringing her straight to Tarnheim.
10:38But that also means that it really starts with my breeding.
10:43Hey, don't worry.
10:45It'll all work out.
10:47And now there's no going back.
10:49And that's good.
10:50I'll teach you everything I know.
10:53Your breeding will be successful, I promise.
10:55Thank you for everything.
10:59Yes.
11:10Come in.
11:12Mr. Brandes, I still have the wine order list for next month.
11:16And I'll sign it right away.
11:25Once back.
11:27You're welcome.
11:28Wait a minute.
11:30Take a look at this, please.
11:34That's...
11:35That's...
11:36That's him, isn't it?
11:38You mean Werner's winemaker, who broke down in the cellar?
11:42Exactly.
11:44How did you find him?
11:46I've been looking for him all day.
11:48The auction was just online two hours ago.
11:51I couldn't find him in the market either.
11:53Unbelievable.
11:54And you know what?
11:55The wine is even in Germany.
11:57In Düsseldorf, to be exact.
12:00What luck.
12:03The wine thing was just bad luck.
12:07Well, I hope that doesn't cross your plans too much,
12:10if you have to extend at the prince's court now.
12:12If he knew.
12:14I hate lying to Vincent about that.
12:17But I'm definitely not going to talk about Philip.
12:20I've taken the blame.
12:22And now I have to stay with my story.
12:26Is the shock still deep?
12:29Oh, you mean because of Werner Saalfeld.
12:32Yes, that's the way it is now.
12:34And he's right, I have to do it right again.
12:37Then my departure will be delayed a little longer.
12:40It's not a big drama either.
12:43Well, you can breed horses all your life.
12:46Exactly.
12:48And tell me, you really can't buy the wine anywhere anymore?
12:52No, it's kind of totally rare.
12:54Even the name is so special.
12:56Cuvée Royale d'Orée, 1981.
12:58That's where we were born.
13:01Yes, that's true.
13:02Well, no wonder it can't be found anywhere anymore.
13:05Mrs. Saalfeld and I have already contacted all the dealers,
13:08but they just don't exist anywhere on the market.
13:13Too bad.
13:15Well, at least I have to try to auction it off.
13:19And you think you're better off with a bottle of wine at Anna's,
13:22after everything that's happened?
13:24No, of course not.
13:26But I'm all about making up for my mistake.
13:29Especially with Mr. Saalfeld.
13:31That honors you.
13:32But the Cuvée Royale d'Orée from 1981 won't be cheap to auction off.
13:37I'm aware of that.
13:39One of the last bottles on the market.
13:41I'll put it in my account.
13:43It'll work out.
13:45Yes, then I'll push you all down tonight.
13:49Thank you very much.
13:50See you.
13:52Goodbye.
14:12The Cuvée Royale d'Orée
14:16If you turn right here,
14:18it's only a few hundred meters,
14:20but you'll be rewarded with a wonderful view.
14:24Thank you very much.
14:25The colleague I checked in with didn't promise too much.
14:29He said I should turn to you for the best hiking tips.
14:33And you're welcome to do that again at any time.
14:36Thank you very much again. May I?
14:37Yes, of course.
14:39Maybe you can help me with something else.
14:42I'm looking for my son.
14:44He's not a guest here either.
14:46No, he works here.
14:47Oh, he works here.
14:49I'm sorry, I haven't introduced myself yet.
14:51I'm Alfons Sampechler.
14:52Nice to meet you.
14:53Theodor Licht.
14:54My son's name is the same.
14:56Yes, Theodor.
14:59He works here, yes.
15:01Where can I find him?
15:03I can't tell you that right now.
15:06He's either here at the hotel or at the stud farm.
15:09I understand. I don't want to disturb you at work.
15:11Maybe you can just give me his address,
15:13and then I'll stop by.
15:16Welcome to the Fürstmofel, Licht.
15:20Christoph Saalfeld, I'm the shareholder here at the hotel.
15:23Nice to meet you.
15:24Yes, me too.
15:25I was just able to hear your conversation.
15:27I'm sorry.
15:28We basically don't give sensitive data to our employees.
15:31Yes, data protection, you know.
15:34Yes, of course.
15:37Nevertheless, thank you very much.
15:39Sooner or later we will meet here.
15:41Didn't you announce your visit?
15:45Yes, I did. I wrote a letter
15:47and asked when I could come, but Theodor didn't answer.
15:51Well, it will certainly be a surprise for my boys.
15:55Yes.
15:56Goodbye.
15:57Goodbye.
15:58Goodbye.
16:00Yes, it will really be a surprise.
16:03And I don't think it will be a good one.
16:07Your own father doesn't know where his son lives,
16:10and he obviously doesn't have his cell phone number either.
16:12Not all children have a good relationship with their parents.
16:17Are you sure that Theo doesn't know about his visit?
16:20Well, I'm not sure.
16:22That would explain his behavior from before.
16:25Mr. Sonnbichler, I know that Theo has to fight claustrophobia.
16:29Yes, but he is on the best way to get the goods under control.
16:32Yes, that may be.
16:33But earlier he looked around nervously again and again,
16:37as if he were looking for someone.
16:39And he couldn't get into the wheelchair.
16:42That doesn't sound good.
16:45Maybe he does know that his father is here
16:47and that's why he is so angry.
16:50Yes, that's possible.
16:51But they should talk to him in person.
16:54Yes, yes, of course.
17:03THEO'S HOUSE
17:11What are you doing here?
17:13It's not like we can't meet in a motel or a cafe.
17:16Yes, but a secret meeting? A secret place? Have you heard of it?
17:19This place is not secret. It's just circumstantial.
17:22I mean, here in Bichelheim, day and night, you can see us through the forest.
17:28THEO'S HOUSE
17:30Yes, but there was no counter-suggestion, right?
17:33So what else is there?
17:35Yes, well, let's walk a bit. It's more inconspicuous.
17:39THEO'S HOUSE
17:43Dear Nicole,
17:45it's the first time we've seen each other alone since we woke up in the cabin.
17:49Exactly, exactly.
17:50Do you remember anything?
17:52No, God forbid.
17:54Well, not God forbid, because I can't remember the situation per se,
17:59but because I really can't remember anything.
18:02Good.
18:03Yes, me neither.
18:04Good.
18:05And it will stay that way. So, topic done.
18:07The topic is completely for me.
18:09Yes.
18:10Please tell me, how can you stay so calm?
18:13I just avoid imagining any scenario, if it's most likely not going to work.
18:18Yes, but most likely is not safe at all.
18:20Hope comes last.
18:22You didn't tell Michael anything, did you?
18:25You, Yvonne, hopefully also not, that we woke up half-naked next to each other.
18:32No.
18:37Okay, good.
18:39And we should stay that way, until we know more.
18:42Yes.
18:43And, very funny, now again about the half-naked.
18:45I sleep almost every night like that.
18:47Yes, yes, me too.
18:49Two adults wake up in a bed.
18:51That happens every day in Germany.
18:52Every day.
18:53Oh, I wanted to tell you, the pictures of Yvonne's cell phone, I looked at them again.
18:56The party was completely harmless.
18:58I was almost disappointed.
18:59Well, that's how it's going to be all night.
19:01Completely harmless.
19:02Looks like we're already of the same opinion.
19:03Nice.
19:18I have to get myself an overview first, because I only took over the job as a housewife temporarily.
19:34Okay.
19:35Towels are here.
19:36Soap is here.
19:38We store the allergic bed linen back there.
19:40Uh-huh.
19:43What is that?
19:48How did that come here?
19:50Wow, that's a great picture of the boss.
19:53I painted that.
19:55Oh, okay.
19:57Is that abstract art, or what do I have to think about it?
20:01No, someone did it on purpose.
20:03Oh, not good?
20:05No, not good at all.
20:12It was nice in the snow, wasn't it?
20:13Yes.
20:14Yes, then go into the warm now.
20:15See you tomorrow.
20:16See you tomorrow.
20:17Hello.
20:18Nice to see you again.
20:20Hello.
20:21I hope your colleague is doing well after the little high seat adventure.
20:24Yes, yes, yes.
20:25All the best.
20:26She didn't have to stay up there for long.
20:28I'm glad.
20:29Yes, me too.
20:30Unfortunately, I have to ...
20:31One quick thing.
20:32Maybe you can help me.
20:33I'm looking for my son, Theo Licht.
20:35Theo Licht?
20:36You must be colleagues.
20:38Right?
20:39Yes.
20:40I thought so.
20:41So where can I find him?
20:43Unfortunately, I don't know that.
20:46But there are surely service plans.
20:48Yes, there are, but ...
20:51I can't help you.
20:52Maybe you're free today.
20:53Unfortunately, I have to ...
21:00Ah, here you are.
21:02Well, I'm very excited.
21:05Ah, the picture.
21:06Did you find it?
21:07Where was it?
21:08In the laundry room.
21:10Oh, what's that?
21:12That's what I'm wondering, too.
21:14Mrs. Seifert, would you like something to drink?
21:16No, thank you.
21:17Did someone allow a joke?
21:19About who?
21:20Well, I'm not necessarily at the restaurant.
21:23A very stupid joke.
21:24I shouldn't have hung you up here now.
21:26I'm sorry.
21:28No one can expect that.
21:30It's not worth that much now.
21:32Come on, you put a lot of heart into it.
21:35I'm really wondering who it was.
21:37Because a guest wouldn't hide it in the laundry room.
21:42Hello, I have to go to work.
21:44Everything as usual.
21:47A handsome man can't do anything, can he?
21:50Well, look at my ears.
21:52A little big, but in old age, your ears grow.
21:56But my ears aren't that big, are they?
21:58No.
22:11No.
22:26Best regards from the laundry room.
22:28Thank you very much.
22:29I don't have time.
22:30I'm busy right now.
22:33What are you doing there?
22:35What are you praying for?
22:37A very rare bottle of wine.
22:41For that amount?
22:58Mrs. Seifeld?
23:00I've already signed your list.
23:02That's not the point.
23:04How can I help you?
23:05To be honest, I'd like to follow the auction if you don't mind.
23:09Yes, yes, come in, but quickly.
23:13It's actually going pretty well. Sit down.
23:20So.
23:24Already overbidden again.
23:25That's always the same guy.
23:29Okay, whatever.
23:30Next to your birth.
23:35Who's always overbidding me here?
23:37That doesn't exist.
23:38Exactly.
23:39In any case, Anna didn't drop the bottle on purpose.
23:42Yes, but I can imagine that Werner would be happy if she replaced him.
23:46Now put a little more on top.
23:48He had to present a sum that would be bad for him.
23:58Higher. I can't go higher.
24:00Oh, come on.
24:01With such a sum, you're already broke, aren't you?
24:05Now do it again.
24:06Come on, last minute.
24:12Okay.
24:15That's the pain limit.
24:20Well, overbidden again.
24:21That's out of the question.
24:23Oh, Vincent, I'm sorry.
24:25Too late.
24:29Well, if you both continue to push yourselves so high,
24:32then the real value will be far exceeded.
24:37Don't you say the immaterial damage is higher for Mr. Saalfeld?
24:41Yes, that's right.
24:43Oh, man.
24:45Okay.
24:46Higher birth.
24:47There are only a few seconds left anyway.
24:49If this stays like this, then it's okay.
24:51Where's your limit?
24:52We've exceeded two births.
24:57But your competitor doesn't seem to be bidding anymore.
25:02Yes, that's right.
25:05Or he waits until the last second to snatch the wine away with you.
25:08Yes, unfortunately also possible.
25:09Let's see.
25:10Four, three, two, one.
25:20It worked!
25:21Congratulations!
25:22To the wedding!
25:42You were really lucky.
25:43Your dad must have searched the whole hotel for you.
25:46If you even met him at the stud farm.
25:49He probably thinks I'm totally crazy.
25:52We had a nice chat.
25:53He also helped me with Stella.
25:55I just ran away.
25:58I'm sorry I put you in this situation.
26:00You can't do anything about it.
26:03Nevertheless, thank you for not betraying me.
26:08Somehow, how I met your dad now ...
26:12Well, that was only for a short time.
26:14Yes, but everything I know about him,
26:16what you told me about him ...
26:19You don't believe me?
26:21Of course I believe you.
26:22It just doesn't fit together.
26:25The way he acts,
26:27he doesn't make the impression
26:29as if he would treat his child like that.
26:33You mean to lock it in a dark cellar
26:35just because it was too noisy?
26:39My father knows how to act.
26:43His first impression is always sympathetic
26:45and friendly and often even funny.
26:49He knows how to create a good mood.
26:53And he is really interested in the other people.
26:55That is not imposed.
26:58But there is also this other side of him
27:02that he only shows when you spend a long time with him.
27:07If something doesn't go the way he imagined,
27:11he can't bear it.
27:14Then his patience is practically gone.
27:17Then he flips out.
27:19And then it doesn't matter how small you are.
27:23Matteo, I'm so sorry.
27:30Eric, it's getting worse and worse.
27:33That's complete nonsense, Yvonne.
27:35Now please stop.
27:37Are we that childish?
27:38That childish?
27:39Yes, it may be that we are so childish.
27:42No, wait.
27:45Think about it.
27:47If you were him, what would you have drawn?
27:50A handbag or something glittery or...
27:53That's right.
27:54That's much more my style.
27:56Because it's your motif, my angel.
27:57But Eric,
27:59now remember our first time in spring.
28:02Back then at Karneval.
28:04I was your sexy bunny, too.
28:07Isn't that a bit far fetched?
28:09We have a connection to the crime scene.
28:13But that's complete nonsense, Yvonne.
28:15Eric, we were in the hotel at night.
28:18At night!
28:19We must have organized the key to the cabin.
28:22But that has nothing to do with it.
28:24There were 200 people in the hotel.
28:25They could have been anything.
28:27But I feel it.
28:32You feel it?
28:34Yes.
28:39I feel it.
28:53Ta-da!
28:56We'll drink it now.
28:59Oh, nice!
29:03Later?
29:05With our, uh, Eric and...
29:07Michel.
29:08Michel.
29:09Michel.
29:14Wrong direction.
29:28Wow, he looks so weird.
29:31Wait.
29:37Wow.
30:00This is crazy.
30:07Wow.
30:27It's beautiful.
30:33Yvonne, you are an artist.
30:37Yes.
30:53What's going on in your head?
30:56What do you feel?
30:58Eric?
30:59Yes?
31:00It's all back.
31:02I remember.
31:04Remember what?
31:06I made a portrait of Werner.
31:10I drew his teeth, his glasses, his ears, and...
31:16And Werner's lipstick.
31:19The pinkie-blue.
31:22That's mine.
31:24Pinkie-blue.
31:27That's no good.
31:30I'm looking for Selig.
31:33He's sitting there.
31:34Yes.
31:35You booked him yourself.
31:37So here you are.
31:40Dad.
31:42I heard you were here.
31:44I just didn't get to say hello.
31:47You didn't get to, yes?
31:51What happened to you, Theo?
31:53Everything was open to you.
31:55And you decided to become a maid.
31:58Housekeeping, they say.
32:00It doesn't matter what you call it, it's pathetic.
32:04I didn't build my roofing company for years so you could fold towels here.
32:09You should take over the company.
32:14Person of the room, girl.
32:21You failed, Theo.
32:23On the whole line.
32:34Dad.
32:35Dad.
32:36Dad.
33:04Good morning.
33:05Hey.
33:07You didn't go to bed, did you?
33:10I fell asleep on the couch and then I couldn't close my eyes.
33:15Can I do something for you?
33:19I don't know what.
33:24I think I'll call the hotel.
33:26Yes.
33:27Good morning, Mr. Sonnenbichler.
33:29Theo here.
33:30I...
33:31I wanted to call the hospital for today.
33:36I think I have a back problem.
33:39And I have a cough and a fever, I think.
33:42And joint pain.
33:44I just don't want to infect anyone.
33:47Yes.
33:49I'll call the hospital.
33:51I'll call the hospital.
33:53I'll call the hospital.
33:56Okay, see you tomorrow.
33:58Or the following days.
34:00Yes, I'll get in touch.
34:01Bye.
34:05Is that your strategy?
34:09Oh, Theo.
34:12You don't even know how long your father will stay here.
34:14Do you want to hide in the apartment all the time?
34:16Or call and wander around?
34:21I don't know what to do either.
34:24At least I have a day to think about it.
34:26Just tell him you don't want any contact.
34:30Just like before.
34:32It's not that easy, Lale.
34:38Peter, the shuttle for Mr. Refflinghaus should be here at any moment.
34:42You can take the luggage down.
34:45See you later.
34:46Yes, of course.
34:47Come on.
34:52Oh, Katja.
34:53It's good to see you so early.
34:55Theo Licht got sick today.
34:57Oh, we're already so busy anyway.
34:59I know, I'm sorry.
35:02I'll look at my schedule.
35:04Thank you. If I can do anything.
35:06Yes, thank you.
35:08Do you know what he's missing?
35:10He probably has a mild flu.
35:14Do you believe him?
35:16Yes, of course.
35:17Mr. Sonnenbichler, you know what I mean.
35:19Yesterday his father showed up here at the hotel and today he doesn't come to work.
35:22Something's not right.
35:23Mr. Sonnenbichler...
35:24You know more than I do.
35:27Mr. Sonnenbichler, I want to help Mr. Licht.
35:30And I'm familiar with difficult fathers.
35:32Yes, we are of the same opinion.
35:35But as I said yesterday, if you want to know something more about Theo,
35:39then you really have to ask him yourself.
35:47THEO LICHT
36:12Morgan.
36:13Hey.
36:15Hey.
36:17Did you have such an early appointment?
36:20Um...
36:22It depends on how you look at it.
36:26Anna, I have a surprise for you.
36:37Cuvée Royale through 1981.
36:39Philippe, how did you...
36:40I have a lot to improve.
36:44But the wine is no longer available.
36:47Not anymore.
36:49That was probably the last bottle.
36:51I auctioned it off in Düsseldorf.
36:55In Düsseldorf?
36:57Good morning.
36:59Hey.
37:01Philippe.
37:02Vincent.
37:08I left the auction yesterday evening.
37:14Philippe, I don't know what to say.
37:16That means you drove all night.
37:20I thought the faster you can do it, the better.
37:29Really.
37:31But I hope you didn't spend any fortune on it.
37:37All within reason.
37:40The wine is certainly worth it.
37:52Hey.
38:00Mr. Seifeld.
38:03Morning light.
38:05May I come in?
38:06May I come in?
38:07Oh, yes.
38:12I just wanted to see you.
38:17Take a seat.
38:27You don't look that ill.
38:29Yes, yes, I'm always rather pale.
38:32Your sudden illness has nothing to do with your father's reappearance.
38:40Where did you...
38:41I met him yesterday and counted one and one together.
38:45Mr. Sonnbichler didn't want to give me any information, so I hope you can help me.
38:51But...
38:52Explain to me what's going on.
39:02All right.
39:04Then I'd like to know how long you plan to play the sick man.
39:11Preferably not at all, but...
39:13You know that you have to deliver a test in two days.
39:17I didn't plan that long. I just hope that he will recover quickly.
39:23Your father seemed to be quite sociable to me.
39:27Why did you hide from him?
39:33That's a long story. I just don't want to see him.
39:41You know, Mr. Licht, I also had a very difficult father myself.
39:46And I suffered under our relationship for a long time.
39:50So I can understand you well.
39:54I want to help you.
39:55But I can only do that if you tell me what's going on.
40:03I don't know what to say.
40:05These hallucinogenic mushrooms have turned us into completely different people.
40:10Or with them we have shown our true face.
40:13That's complete nonsense, Yvonne. Please!
40:16We all probably did things that I would never want to do in my life.
40:21I think we should go.
40:22What? No!
40:23No, no, no!
40:24If we do that, you will also bring back the missing shuttle on us.
40:28Yes, okay.
40:29If we do that, you will also bring back the missing shuttle on us.
40:31Yes, okay.
40:32One has nothing to do with the other now.
40:34Yes, but it will look like it.
40:35Yes, and they push us into the school, the marauding gang.
40:38Yes, exactly.
40:39I can't imagine that we stole a shuttle.
40:42Michael, we couldn't imagine that anyone had a portrait of Werner Seifeld.
40:46You in this case.
40:48Still, where should we have gone?
40:51I mean, we were in Bichelheim all the time.
40:53And to the cabin.
40:54We certainly didn't go there.
40:55You should have just seen Seifeld's sad face.
40:58I didn't know that.
41:03That's very kind of you, but it creates more problems than it solves.
41:06Do you think so?
41:07Yes.
41:08Okay.
41:09Von.
41:10Von.
41:12As long as no one can remember what happened to the shuttle that evening.
41:17Or in general can remember anything.
41:20Yes.
41:21Exactly.
41:22As long as we don't draw any more conclusions.
41:26Very good.
41:27That's good.
41:28As long as there is no evidence, we are innocent.
41:30I mean, all of us.
41:32Yes, then I seem to be right.
41:38Well, I have to go to practice anyway.
41:41I'll probably call you, yes.
41:42Coffee.
41:48Eva?
41:58I'm very sorry about what you had to experience in your childhood.
42:05Your claustrophobia also explains that.
42:10And that's why you couldn't get on the elevator yesterday, right?
42:16It just didn't work.
42:18Yes.
42:19When the past catches up with you, it's hard to put down old patterns.
42:22Yes, you're right.
42:23But I don't want you to catch me.
42:25I feel so good without him.
42:30Then maybe you should tell him that.
42:36I don't think that's a good idea.
42:40That your father showed up here.
42:44You feel like a little boy again.
42:47Helpless and powerless.
42:51The fear of not being enough again.
42:56But you're not a little boy anymore.
43:01You've grown up.
43:03You've even grown beyond yourself.
43:07But what good is that to me?
43:08That you can finally face him with confidence.
43:13I don't know.
43:16Mr. Licht.
43:18You've accomplished so much.
43:20You're doing an apprenticeship.
43:21You've programmed an app that even sells itself.
43:24You've got a great girlfriend.
43:27You've gotten your illness under control.
43:31And all of that on your own.
43:35Yes, that's true.
43:37When you say that, I even believe it.
43:43You've changed.
43:46Your father can't treat you like he used to.
43:50So tell him that you still don't want to be in contact with him.
43:55Draw a line.
44:20Good morning.
44:22Good morning.
44:25I heard about your amusing evening.
44:28Oh, yes?
44:30Yes, from Eric and Yvonne.
44:33They even had to spend the night with you.
44:37Yes, exactly.
44:38That's how it was.
44:40I'd like to go to a really good party again.
44:42Well, then you can come with me next time.
44:45For dinner.
44:46Yes, I'd love to.
44:47I'm excited.
44:48Great.
44:49I really have to go now.
44:51Okay.
44:54Unfortunately, I don't know more.
44:56But take a look.
44:57This is where the shuttle keys are stored.
45:01And here are the lists where the drivers enter the routes.
45:05It would be nice if they could find our shuttle as quickly as possible.
45:09And the thief, of course.
45:12Exciting.
45:13What?
45:14What's going on here?
45:15Yes, I have to go.
45:18Good morning, Mr. Sonnenbechler.
45:20Good day.
45:34Good morning.
45:36Hey.
45:41So, did your little action at Anna bring you anything?
45:43What are you talking about?
45:45I was wondering who was so eager to beat me.
45:50It was you.
45:52Congratulations.
45:55Do you really think you could win Anna back with such an action?
46:00And you?
46:02Why did you want to win back someone so important to Anna?
46:07Don't compare yourself to me.
46:09I didn't lie to Anna for a day.
46:14That was a mistake.
46:16But back then I didn't have feelings for her.
46:19Feelings back and forth, Philip.
46:20That's not how you deal with people.
46:23I will try everything to win back Anna.
46:27I love her.
46:29And she loves me too.
46:31Keep dreaming.
46:33Philip, there's nothing you can do to get Anna to trust you again.
46:38She's one.
46:40You lost her.
46:43You lost her.
47:13Theo.
47:19Theo, my boy.
47:21I thought we wouldn't see each other again.
47:24I looked everywhere for you.
47:26No one knew where you were.
47:28Come on, sit down.
47:29Would you like a coffee?
47:31I want to tell you something first.
47:32Please let me finish, okay?
47:34My boy.
47:36You've grown so much.
47:38Come here.
47:40I'm so proud of you.
47:44Actually, I don't really care how Philip is doing.
47:47Your feelings say otherwise.
47:49Whether I want to or not, I just can't get him out of my head.
47:53If I take this on myself, I'll lose my driver's license.
47:56No one will touch your bathtub when they find out you're taking drugs.
47:59Do you want to now?
48:00That's not your business, is it?
48:03Well, yes.
48:04You've held yourself back for so long.
48:06Now let your hormones run free.
48:09You love her, don't you?
48:10Yes, of course I love her.
48:12Well, shouldn't she notice that now?
48:16Tell me, when did you change from trainee to boss?
48:19Well, I'm supposed to learn how to manage a studio.
48:22I'm sorry about your poor employees.
48:26No, no.