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02:51...
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03:23...
03:25...
03:27...
03:29...
03:31...
03:33...
03:35...
03:37...
03:39...
03:41...
03:43...
03:45...
03:47...
03:49And then there would be the missing painting of Werner Saalfeld.
03:52Who is so childish?
03:54Why should we hide the painting? Why?
03:57Yes, it should be a nice display.
03:59Yes, okay.
04:00What can he do against strangers?
04:02Exactly.
04:03I refuse to believe that we should have been in this eroding gang.
04:08We can't be sure.
04:12Who knows what ideas the mushrooms brought us.
04:19I admit it.
04:21A lot of strange things happened that night.
04:28But a shadow steal?
04:30Driving through the area in a rush?
04:32None of us would dare to do that.
04:34That's where the fun stops.
04:36None of us would do something so unthinkable.
04:39Keyword reason.
04:40I studied.
04:41I know exactly where my limits are.
04:43We know exactly where our limit is.
04:45Mushrooms back and forth.
04:46It's absolutely unimaginable.
04:48So, yes.
04:49Silence.
04:50This whole thing.
04:51And then we just move on.
04:52No panic.
04:53Agreed?
04:55Agreed.
05:12That's incredible!
05:15Would you like some tea?
05:16What?
05:17What is he doing here?
05:20Vacation.
05:21And it's a coincidence.
05:22Vacation?
05:23We've never taken a vacation in a luxury hotel like this.
05:25And I don't think that has changed.
05:27Yes, at least he's here now.
05:31He's supposed to disappear again.
05:36Don't you want to talk to him at all?
05:38No.
05:41Theo, I think he's here because of you.
05:44Maybe he wants to make amends.
05:46I don't want to let him go.
05:48And I'm going to do everything to make sure that doesn't happen.
05:50And how are you going to do that?
05:52You can't just let him go.
05:53And the hotel isn't that big.
05:55I don't know.
05:56I'll find a way.
05:57He's not going to stay that long.
06:00Why didn't he tell us?
06:07Maybe he did.
06:11The letter.
06:13Oh, I totally forgot about it.
06:15Yeah, me too.
06:17It probably said that he was coming.
06:21Man, if I had just read the letter,
06:23then I could have written him that I didn't want to see him.
06:25Or hear him. No, thank you.
06:30Theo.
06:32I know what you had to go through because of him.
06:34And I don't want to talk to you at all.
06:37But maybe an explanatory conversation would help.
06:40I don't think so.
06:41I don't think so.
06:43But is that the reason why you're afraid of tight spaces?
06:47Ask one of your doctors what they think.
06:50I'm pretty sure they'd all say that I don't have to see anyone I don't want to see.
06:55Yeah, that's true, but maybe...
06:56Again, Lale!
06:57I don't want to see him!
07:12Who put the container with our salty caramel ice cream in the fridge?
07:16What? Empty?
07:17It was still full the day before yesterday.
07:19Yes, just now.
07:20Do you think one of us did it?
07:25Okay, then clean it up.
07:28Hello.
07:29Hey.
07:30Rita, do you have a moment?
07:31Yes, of course.
07:32I already have a first request for a wine from my winery.
07:37Wow!
07:38How did that happen so quickly?
07:40No idea.
07:41I think it was our guest, Mr. Finkenstein.
07:44In any case, Sonnenberg asked a contingent of Rieslingers.
07:48Wow, and they have a really good wine cellar, as far as I know.
07:51Yes, almost no other luxury hotel is so well-organized.
07:53I'm glad to hear that.
07:57Yes, and I've already exchanged the old wine press.
08:00It's going really well with you.
08:02I'm a little surprised myself.
08:04After I couldn't buy the other wine with Markus, it's going even better now.
08:09And you did it all on your own.
08:12It feels even better, doesn't it?
08:14Absolutely.
08:16It's a whole new chapter in your life, isn't it?
08:19A very nice challenge.
08:21But I'm looking forward to it, because, to be honest, it's a lifelong dream that's coming true.
08:27It's admirable.
08:28But cooking here has always been a big dream of yours.
08:32Yes, of course it is.
08:33But you know that.
08:35When you've reached your goal, you look for the next one.
08:39Your next goal is to get the bio seal green leaf for our hotel.
08:43And who knows what's waiting for you after that.
08:46Re-entering the top 500 list.
08:49Of course.
08:58I'll call you later.
09:00I'll call you too, Lexi.
09:02Yes.
09:04Hello, Mr. Licht.
09:05Hello.
09:06I thought you were in a good mood now.
09:09Or is it my fault that you looked so frightened just now?
09:12And don't say anything wrong now.
09:14No, it's all good. It's not your fault.
09:16Okay.
09:18All right. I have to go on.
09:20Ms. Richter's cleaning regime in her hall.
09:24All right, then, yes?
09:26Yes, exactly. All right.
09:30Mr. Licht.
09:31You know you can talk to me.
09:33Anytime. You know that. I'll help you.
09:35You know that.
09:41What's going on?
09:43All right.
10:01What's going on?
10:06Such a beautiful horse.
10:08Yes, right?
10:09Warmbloods are really very special animals.
10:12Gretchen is my perfect first breeding horse.
10:16To be honest, I was quite surprised
10:18that you agreed so quickly.
10:20And I think the breeder was also quite nice.
10:22Well, if it fits, why wait?
10:24And besides, you examined her thoroughly.
10:27And she's healthy and lively.
10:29So what does that say?
10:31Nothing.
10:32Exactly.
10:33And I'm really glad that he's bringing her straight to Tarnheim.
10:38But that also means that it really starts with my breeding.
10:43Hey, don't worry.
10:45It'll all work out.
10:47And now there's no going back.
10:49And that's good.
10:50I'll teach you everything I know.
10:53Your breeding will be successful, I promise.
10:55Thank you for everything.
10:59Yes.
11:10Come in.
11:12Mr. Brandes, I still have the wine order list for next month.
11:16And I'll sign it right away.
11:25Once back.
11:27You're welcome.
11:28Wait a minute.
11:30Take a look at this, please.
11:34That's...
11:35That's...
11:36That's him, isn't it?
11:38You mean Werner's winemaker, who broke down in the cellar?
11:42Exactly.
11:44How did you find him?
11:46I've been looking for him all day.
11:48The auction was just online two hours ago.
11:51I couldn't find him in the market either.
11:53Unbelievable.
11:54And you know what?
11:55The wine is even in Germany.
11:57In Düsseldorf, to be exact.
12:00What luck.
12:03The wine thing was just bad luck.
12:07Well, I hope that doesn't cross your plans too much,
12:10if you have to extend at the prince's court now.
12:12If he knew.
12:14I hate lying to Vincent about that.
12:17But I'm definitely not going to talk about Philip.
12:20I've taken the blame.
12:22And now I have to stay with my story.
12:26Is the shock still deep?
12:29Oh, you mean because of Werner Saalfeld.
12:32Yes, that's the way it is now.
12:34And he's right, I have to do it right again.
12:37Then my departure will be delayed a little longer.
12:40It's not a big drama either.
12:43Well, you can breed horses all your life.
12:46Exactly.
12:48And tell me, you really can't buy the wine anywhere anymore?
12:52No, it's kind of totally rare.
12:54Even the name is so special.
12:56Cuvée Royale d'Orée, 1981.
12:58That's where we were born.
13:01Yes, that's true.
13:02Well, no wonder it can't be found anywhere anymore.
13:05Mrs. Saalfeld and I have already contacted all the dealers,
13:08but they just don't exist anywhere on the market.
13:13Too bad.
13:15Well, at least I have to try to auction it off.
13:19And you think you're better off with a bottle of wine at Anna's,
13:22after everything that's happened?
13:24No, of course not.
13:26But I'm all about making up for my mistake.
13:29Especially with Mr. Saalfeld.
13:31That honors you.
13:32But the Cuvée Royale d'Orée from 1981 won't be cheap to auction off.
13:37I'm aware of that.
13:39One of the last bottles on the market.
13:41I'll put it in my account.
13:43It'll work out.
13:45Yes, then I'll push you all down tonight.
13:49Thank you very much.
13:50See you.
13:52Goodbye.
14:12The Cuvée Royale d'Orée
14:16If you turn right here,
14:18it's only a few hundred meters,
14:20but you'll be rewarded with a wonderful view.
14:24Thank you very much.
14:25The colleague I checked in with didn't promise too much.
14:29He said I should turn to you for the best hiking tips.
14:33And you're welcome to do that again at any time.
14:36Thank you very much again. May I?
14:37Yes, of course.
14:39Maybe you can help me with something else.
14:42I'm looking for my son.
14:44He's not a guest here either.
14:46No, he works here.
14:47Oh, he works here.
14:49I'm sorry, I haven't introduced myself yet.
14:51I'm Alfons Sampechler.
14:52Nice to meet you.
14:53Theodor Licht.
14:54My son's name is the same.
14:56Yes, Theodor.
14:59He works here, yes.
15:01Where can I find him?
15:03I can't tell you that right now.
15:06He's either here at the hotel or at the stud farm.
15:09I understand. I don't want to disturb you at work.
15:11Maybe you can just give me his address,
15:13and then I'll stop by.
15:16Welcome to the Fürstmofel, Licht.
15:20Christoph Saalfeld, I'm the shareholder here at the hotel.
15:23Nice to meet you.
15:24Yes, me too.
15:25I was just able to hear your conversation.
15:27I'm sorry.
15:28We basically don't give sensitive data to our employees.
15:31Yes, data protection, you know.
15:34Yes, of course.
15:37Nevertheless, thank you very much.
15:39Sooner or later we will meet here.
15:41Didn't you announce your visit?
15:45Yes, I did. I wrote a letter
15:47and asked when I could come, but Theodor didn't answer.
15:51Well, it will certainly be a surprise for my boys.
15:55Yes.
15:56Goodbye.
15:57Goodbye.
15:58Goodbye.
16:00Yes, it will really be a surprise.
16:03And I don't think it will be a good one.
16:07Your own father doesn't know where his son lives,
16:10and he obviously doesn't have his cell phone number either.
16:12Not all children have a good relationship with their parents.
16:17Are you sure that Theo doesn't know about his visit?
16:20Well, I'm not sure.
16:22That would explain his behavior from before.
16:25Mr. Sonnbichler, I know that Theo has to fight claustrophobia.
16:29Yes, but he is on the best way to get the goods under control.
16:32Yes, that may be.
16:33But earlier he looked around nervously again and again,
16:37as if he were looking for someone.
16:39And he couldn't get into the wheelchair.
16:42That doesn't sound good.
16:45Maybe he does know that his father is here
16:47and that's why he is so angry.
16:50Yes, that's possible.
16:51But they should talk to him in person.
16:54Yes, yes, of course.
17:03THEO'S MOTHER
17:11What's wrong with you?
17:13It's not like we can't meet at a motel or a cafe.
17:16Yes, but a secret meeting? A secret place?
17:18Have you heard of it before?
17:19This place is not secret.
17:21It's just circumstantial.
17:22I mean, here in Bichelheim, day and night,
17:25you can see us through the forest.
17:28THEO'S MOTHER
17:30Yes, but there was no counter-suggestion, right?
17:33So what else is there?
17:35Yes, um...
17:36Hey, let's go for a walk. It's more inconspicuous.
17:43Dear Nicole,
17:45it's the first time we've seen each other alone
17:47since we woke up in the cabin.
17:49Exactly, exactly.
17:50Do you remember anything?
17:52No, God forbid.
17:54Well, not God forbid, because I can't remember the situation per se,
17:59but because I really can't remember anything.
18:02Good.
18:03Yes, me neither.
18:04Good.
18:05And it will stay that way. So, topic done.
18:07The topic is completely for me.
18:09Yes.
18:10Tell me, how can you stay so calm?
18:13I just avoid imagining a scenario
18:16when it's most likely not going to work.
18:18Yes, but most likely is not safe at all.
18:20Hope comes last.
18:22Yes.
18:23You didn't tell Michael anything, did you?
18:26Hopefully not to Yvonne,
18:28that we woke up half-naked next to each other.
18:33No.
18:38Okay, good.
18:39And we should stay that way,
18:41until we know more.
18:42Yes.
18:43And, very funny,
18:44let's go back to the half-naked.
18:45I sleep like that almost every night.
18:47Yes, yes.
18:48Me too.
18:49Two adults wake up in a bed.
18:51That happens every day in Germany.
18:52Every day.
18:53Oh, I wanted to tell you,
18:54the pictures of Yvonne's cell phone,
18:55I looked at them again.
18:56The party was completely harmless.
18:58I was almost disappointed.
18:59Well, that's how it will be all night.
19:01Completely harmless.
19:02Looks like we are of the same opinion again.
19:03Nice.
19:21I have to get an overview first,
19:23because I only took over the job as a housewife temporarily.
19:26Okay.
19:27Towels are here.
19:28Soap is here.
19:29We store the allergic bed linen back there.
19:35What is that?
19:39How did that come here?
19:41Wow.
19:42That's not normal.
19:43That's not normal.
19:44That's not normal.
19:45That's not normal.
19:46That's not normal.
19:47That's not normal.
19:48That's not normal.
19:49That's not normal.
19:50Wow, that's a great picture of the boss.
19:53I painted that.
19:55Oh, okay.
19:57Is that abstract art or what do I have to think about it?
20:01No, someone did it on purpose.
20:04Oh, not good?
20:06No, not good at all.
20:12It was nice in the snow, wasn't it?
20:14Yes.
20:15Then go to the warm now.
20:16See you tomorrow.
20:17See you tomorrow.
20:18Hello.
20:19Hello.
20:20I hope your colleague is doing well after the little high seat adventure.
20:25Yes, yes, yes, all the best.
20:26She didn't have to stay up there for long.
20:28I'm glad.
20:29Yes, me too.
20:30Unfortunately, I have to ...
20:31One short thing.
20:32Maybe you can help me with that.
20:33I'm looking for my son, Theo Licht.
20:35Theo Licht.
20:36You must be colleagues.
20:38Or?
20:39Yes.
20:40I thought so.
20:41So where can I find him?
20:43Unfortunately, I don't know that.
20:45But there are certainly service plans.
20:48Yes, there are, but ...
20:51I can't help you.
20:52Maybe you're free today.
20:53Unfortunately, I have to ...
21:00Ah, here you are.
21:02Well, I'm very excited.
21:05Ah, the picture.
21:06Did you find it?
21:07Where was it?
21:08In the laundry room.
21:10Oh, what's that?
21:12That's what I'm wondering, too.
21:14Mrs. Seifert, would you like something to drink?
21:16No, thank you.
21:17Did someone allow a joke?
21:19Who?
21:20Well, I'm not necessarily at the festival.
21:23A very stupid joke.
21:25I shouldn't have hung you up down here.
21:27I'm sorry.
21:28No one can expect that.
21:30It's not worth that much now either.
21:33Come on, you put a lot of heart into it.
21:35I'm really wondering who it was.
21:37Because a guest wouldn't hide it in the laundry room.
21:42Hello, I have to ...
21:43No, I have to go.
21:44What do you want?
21:45Everything, as always.
21:47A handsome man can't do anything, can he?
21:50Well, look at my ears.
21:52A little big, but in old age, your ears grow.
21:56But my ears aren't that big, are they?
21:58No.
22:13With all the warmest greetings from the laundry kitchen ...
22:28Thank you very much.
22:29I don't have time.
22:30I'm busy right now.
22:31What are you doing there?
22:34What are you praying for?
22:37I'm praying for a very rare bottle of wine.
22:41For that sum?
22:58Mrs. Seifeld?
22:59I've already signed your letter.
23:01That's not the point.
23:03How can I help you?
23:05To be honest, I'd like to follow the auction if you don't mind.
23:09Yes, yes, come in.
23:10But quickly.
23:13It's going pretty well, actually.
23:14Sit down.
23:20So.
23:24Overbidden again.
23:25He's always the same guy.
23:29Okay, whatever.
23:30Next to your birth.
23:35Who's always overbidding me?
23:36That's not possible.
23:38Exactly.
23:39In any case, Anna didn't drop the bottle on purpose.
23:42Yes, but I can imagine that Werner would be happy if she replaced him.
23:46Now put a little more on top.
23:48He had to present a sum that would be bad for him.
23:58Higher.
23:59I can't go higher.
24:00Oh, come on.
24:01With such a sum, you're already broke, aren't you?
24:05Now do it again.
24:06Come on, last minute.
24:15That's the pain limit.
24:20Well, overbidden again.
24:21That's out of the question.
24:23Oh, Vincent, I'm sorry.
24:25Too late.
24:41Yeah, that's true.
24:51Where's your limit?
24:56But your competitor doesn't seem to be bidding anymore.
25:02Yes, that's true.
25:04Or he waits until the last second to snatch the wine away with you.
25:08Yes, unfortunately also possible.
25:09Then let's go.
25:10Four.
25:11Three.
25:13Two.
25:15One.
25:20It worked!
25:21Congratulations!
25:22The wine!
25:42You were really lucky.
25:43Your dad must have searched the whole hotel for you.
25:47If you even ran into him at the stables.
25:49He probably thinks I'm totally crazy.
25:52We had a nice chat.
25:54You helped me with Stella.
25:55I just ran away.
25:58I'm sorry I put you in this situation.
26:00You can't do anything about it.
26:03Still, thank you for not betraying me.
26:08Somehow, how I met your dad now ...
26:12Well, that was just for a moment.
26:14Yes, but everything I know about him, what you told me about him ...
26:19You don't believe me?
26:20Of course I believe you.
26:22It just doesn't fit together.
26:25The way he acts ...
26:27He doesn't even make the impression that he would treat his child like that.
26:33You mean to lock it in a dark cellar just because it was too noisy?
26:39My father knows how to act.
26:43His first impression is always likeable and friendly and often even funny.
26:49He knows how to create a good mood.
26:53And he's really interested in the other people.
26:55That's not a given.
26:58But there is also this other side to him ...
27:02... which he only shows when you spend a long time with him.
27:07When something doesn't go the way he imagined ...
27:11... he can't stand that.
27:14Then his patience is practically no longer there.
27:17Then he flips out and it doesn't matter how small you are.
27:23Matteo, I'm so sorry.
27:30Erik, it's getting worse and worse.
27:33That's complete nonsense, Yvonne.
27:35Now please stop.
27:36Are we that childish?
27:38That childish?
27:39Yes, it can be that we are so childish.
27:42No.
27:43Look, now wait.
27:45Think about it for a moment.
27:47If you were him, what would you have drawn?
27:49A handbag or something sparkly or ...
27:52Right.
27:53That's much more my style.
27:55Because it's your motif, my angel.
27:57But Erik ...
27:58... now remember our first time in spring.
28:01Back then at the carnival.
28:03I was your sexy bunny, too.
28:06Isn't that a little too far fetched?
28:09We have a reference to the scene.
28:12That's complete nonsense, Yvonne.
28:15Erik, we were in the hotel at night.
28:18At night?
28:19Then we must have organized the key to the cabin.
28:22But that has nothing to do with it at all.
28:24There were 200 people in the hotel.
28:25They could have been anything.
28:27But I feel it.
28:32You feel it?
28:34Yes.
28:48I feel it.
28:53Ta-da!
28:56We drink it now.
28:59Oh, nice!
29:03Later?
29:05With our ...
29:06... Erik and ...
29:08... Michel.
29:09Michel.
29:14Wrong direction.
29:18Wrong direction.
29:28Wow, he looks so weird.
29:48Wow, he looks so weird.
30:19It's beautiful.
30:24Yvonne, you are an artist.
30:49Um ...
30:52What's going on in your head right now?
30:55What do you feel?
30:57Erik?
30:58Yes?
31:00It's all back.
31:01I remember.
31:04What do you remember?
31:06I ...
31:07... made Werner's portrait.
31:10I gave him ...
31:11... the drawings, the glasses and ...
31:13... the ears and ...
31:16... and Werner's lipstick.
31:19The pinkie-blue ...
31:22... is mine.
31:24Pinkie-blue?
31:27It doesn't mean anything good when you come.
31:30I'm looking for Selim.
31:33He's sitting there.
31:34You booked him yourself.
31:36So here you are.
31:39Dad?
31:42I heard you were there.
31:44I just didn't get the chance to welcome you.
31:46You didn't get the chance, yes?
31:50What happened to you, Theo?
31:53Everything was open to you.
31:55And you decided to become a maid.
31:58Housekeeping, it's called.
32:00It doesn't matter what you call it, it's pathetic.
32:03I didn't build my rooftop business for years ...
32:06... so you could fold towels here.
32:09You should take over the business.
32:14A person's room, girl.
32:21You failed, Theo.
32:23On the whole line.
33:03Good morning.
33:05Hey.
33:07You didn't go to bed, did you?
33:10I fell asleep on the couch ...
33:12... and then I couldn't close my eyes.
33:15Can I do something for you?
33:19I don't know what.
33:24I think I'll call the hotel.
33:32Yes.
33:33Good morning, Mr. Sonnenbichler.
33:35Theo here.
33:37I ...
33:38... I wanted to call the hospital for today.
33:43I have a back problem.
33:46And I have a cough and a fever, I think.
33:49And joint pain.
33:51I just don't want to infect anyone.
33:54Yes, thank you.
33:56Okay, see you tomorrow.
33:58Or the following days.
34:00Yes, I'll call. Bye.
34:03Is this your strategy, yes?
34:08Oh, Theo.
34:10You don't even know how long your father will stay here.
34:13Do you want to hide in the apartment all the time ...
34:16... or call and wander around?
34:20I don't know what to do either.
34:23At least I have a day to think about it.
34:26Just tell him you don't want any contact.
34:29Like before.
34:32It's not that easy, Lale.
34:38Peter, the shuttle for Mr. Refflinghaus should be here at any moment.
34:42You could already get the luggage down.
34:45See you later.
34:46Yes, of course.
34:52Katja, good to see you so early.
34:54Theo Licht got sick today.
34:57We're already so busy anyway.
34:59I know, I'm sorry.
35:01I'll take a look at my schedule.
35:03Thank you. If there's anything I can do ...
35:05Yes, thank you.
35:08Do you know what he's missing?
35:10He probably has a mild flu.
35:13Do you believe him?
35:15Yes, of course.
35:17Mr. Sonnenbichler, you know what I mean.
35:19Yesterday his father showed up here at the hotel ...
35:21... and today he doesn't come to work.
35:23Mr. Sonnenbichler ...
35:24You know more than I do.
35:27Mr. Sonnenbichler, I want to help Mr. Licht.
35:30And with difficult fathers I know my way around.
35:33Yes, we are of the same opinion.
35:35But as I said yesterday, if you want to know anything about Theo ...
35:39... then you really have to ask him yourself.
35:56THURSDAY
36:12Morning.
36:15Hey.
36:17Did you have an appointment this early?
36:21Depends on how you look at it.
36:25Anne.
36:27I have a surprise for you.
36:36Cuvée Royale, 1981.
36:39Philip, how did you ...
36:40I have a lot to improve.
36:44But the wine is no longer available.
36:47Not anymore.
36:49That was probably the last bottle.
36:51I auctioned it off in Düsseldorf.
36:54In Düsseldorf?
36:57Good morning.
36:59Hey.
37:01Philip.
37:02Vincent.
37:08I left the auction yesterday evening.
37:14Philip, I don't know what to say.
37:16That means you drove all night?
37:20I thought ...
37:21... the faster you can do it, the better.
37:29Really.
37:31But I hope you didn't spend any fortune on it.
37:37All within reason.
37:41The wine is certainly worth it.
37:50Hey.
37:59Mr. Seifeld.
38:01Morning light.
38:04May I come in?
38:06Well, yes.
38:10I just wanted to see you.
38:13Sit down.
38:23You don't look that sick.
38:25Yes, yes, I'm always rather pale.
38:28Your sudden illness has nothing to do with your father's reappearance.
38:36Where did you ...
38:37I met him yesterday and told him everything.
38:40Where did you ...
38:41I met him yesterday and told him everything.
38:45Mr. Sonnbichler didn't want to give me any information, so I hope you can help me.
38:51Although ...
38:52Explain to me what's going on.
39:02All right.
39:04Then I'd like to know ...
39:06... how long you plan to play the sick man.
39:11Preferably not at all, but ...
39:13... you know that you have to deliver a test in two days.
39:17I didn't plan that long.
39:19I just hope that he will recover quickly.
39:22Your father seemed to be quite sociable to me.
39:27Why did you hide from him?
39:31That's a long story.
39:33I just don't want to see him.
39:39You know, Mr. Licht, I also had a very difficult father myself ...
39:44... and suffered under our relationship for a long time.
39:48So I can understand you well.
39:51I want to help you.
39:53But I can only do that if you tell me what's going on.
39:58What's going on?
40:06I don't know what to say.
40:08These hallucinogenic mushrooms made us ...
40:11... completely different people.
40:13Or with them we showed our true face.
40:16That's complete nonsense, Yvonne! Please!
40:19We all probably did things that I would never want to do in my life.
40:24I think we should leave.
40:26What? Leave?
40:27No, no, no!
40:28If we do that, you will also bring back the missing shuttle.
40:31Yes, okay, one has nothing to do with the other.
40:34Yes, but it will look like that.
40:35Yes, and they'll push us into the school, the marauding gang.
40:38Yes, exactly.
40:39I can't imagine that we stole a shuttle.
40:42Michael, we couldn't imagine that anyone had a portrait of Werner Seifeld.
40:46You in this case.
40:48Still, where should we have gone?
40:51I mean, we were in Bichelheim all the time.
40:53And to the cabin. We certainly didn't go there.
40:55You should have seen Michael Seifeld's sad face.
40:58I ... I have such a bad taste.
41:03That's very kind of you, but it creates more problems than it solves.
41:06Do you think so?
41:07Yes.
41:08Okay, Yvonne.
41:10Yvonne.
41:12As long as no one can remember what happened to the shuttle that evening ...
41:17... or in general can remember anything ...
41:20Yes, yes.
41:21Exactly.
41:22As long as we don't draw any more conclusions.
41:26Very good.
41:27That's good.
41:28Because as long as there is no evidence, we are innocent.
41:30Well, for all of us.
41:32Yes, then I seem to be right.
41:38Well, I have to go to practice anyway.
41:41Yes.
41:42I'll probably call you, yes.
41:43Coffee.
41:48Yvonne?
41:52Yvonne?
42:22Yes, you're right.
42:23But I don't want you to catch me.
42:25I feel so good without you.
42:30Then maybe you should tell him.
42:36I don't think that's a good idea.
42:40That your father has appeared here.
42:44You feel like a little boy again.
42:48Helpless and powerless.
42:52Again, the fear of not being enough.
42:58But you are no longer a little boy.
43:01You have grown up.
43:03Even grown beyond yourself.
43:07But what good is that to me?
43:09That you can finally face him with confidence.
43:13I don't know.
43:16Mr. Licht.
43:18You have achieved so much.
43:20You are doing an apprenticeship.
43:22You have programmed an app that even sells itself.
43:24You have a great girlfriend.
43:28You got your illness under control.
43:31And all of this by your own effort.
43:35Yes, that's true.
43:37If you say so, I even believe it.
43:41You have changed.
43:46Your father can't treat you like he used to.
43:50So tell him that you still don't want to be in contact with him.
43:55You are crossing a line.
44:10I'm sorry.
44:22Ah, good morning.
44:25I heard about your fun evening.
44:28Oh, yes?
44:30Yes, from Eric and Yvonne.
44:33The two of them even had to spend the night with you.
44:37Yes, exactly.
44:39That's how it was.
44:41I would like to go to a really good party again.
44:43Well, just come with me next time.
44:45For dinner.
44:47Yes, I'd love to. I'm excited.
44:49Nice.
44:50I really have to go now.
44:52Okay.
44:54Unfortunately, I don't know more.
44:56But take a look.
44:58This is where the shuttle keys are stored.
45:01And here are the lists where the drivers enter the routes.
45:05It would be nice if they could find our shuttle as quickly as possible.
45:09And the thief, of course.
45:12Exciting.
45:13What?
45:14What's going on here?
45:15Yes, what's going on here?
45:18Good morning, Mr. Sonnenbechler.
45:20Good day.
45:21Good day.
45:34Good morning.
45:36Hey.
45:41So, did your little action at Anna bring you anything?
45:45I was wondering who was so eager to beat me.
45:50It was you.
45:52Congratulations.
45:55Do you really think you could beat Anna with such an action?
46:00And you?
46:02Why did you want to beat the guy who's so important to Anna?
46:07Don't compare yourself to me.
46:09I didn't lie to Anna for one day.
46:14That was a mistake.
46:16But back then, I didn't have feelings for her.
46:19Feelings, Philip?
46:21That's not how you deal with people.
46:24I'll try everything to win back Anna.
46:27I love her.
46:30And she loves me, too.
46:32Keep dreaming.
46:33Philip, there's nothing you can do to make Anna trust you again.
46:38She's one.
46:40You lost her.
46:46You lost her.
47:17Theo, my boy.
47:20I thought we'd never see each other again.
47:23I looked everywhere for you.
47:25No one knew where you were.
47:27Come on, sit down.
47:28Would you like some coffee?
47:30I want to tell you something first.
47:32Please let me finish, okay?
47:34My boy.
47:35You've grown up so much.
47:37Come here.
47:39I'm so proud of you.
47:41I love you.
47:44Actually, I don't care how Philip is doing.
47:47Your feelings say otherwise.
47:49Whether I want to or not, I...
47:51I just can't get him out of my head.
47:53If I take it out on myself, I'll lose my driver's license.
47:56It won't be Rebecca's fault if it turns out she's taking drugs.
47:59Is that what you want now?
48:01That's not your business, is it?
48:03Well, yeah.
48:04You've held her back for so long.
48:06Now let your hormones run free.
48:09You love her, don't you?
48:10Of course I love her.
48:11Well, shouldn't she notice that now?
48:15Tell me, when did you switch from a trainee to a boss?
48:18Well, I'm supposed to learn how to manage a studio.
48:21I'm sorry about your poor employees.
48:25No, no.