Crotchety old Mrs. Bransom hires a charming young man named Danny as a live-in companion. Less charmed by Danny is Mrs. Bransom's niece, Olivia, a repressed young woman who suspects Danny of foul play. When news of a local murder is revealed, Olivia suspects Danny. Although repulsed by the thought he may have committed the crime, Olivia also finds herself becoming increasingly attracted to him at the same time.
Source: IMDB
Source: IMDB
Category
🎥
Short filmTranscript
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00:32:25Here's the Shefferly advertiser.
00:32:50Is this your cap?
00:33:11Yes.
00:33:12I found it hanging in the hall.
00:33:14I think perhaps you'd better keep it in here.
00:33:18Can you imagine me doing a thing like that?
00:33:20Hanging it up just like I was a visitor. I am sorry.
00:33:23Are you all right in here? It used to be our box room. I think we've moved everything out.
00:33:27That's very nice. Thank you. I hope I haven't put you to too much trouble.
00:33:29I've been hanging up a couple of pictures to make it seem more like home.
00:33:34Oh.
00:33:39Do you ever go to the movies?
00:33:40Sometimes.
00:33:42Real life's better though.
00:33:44Napoleon.
00:33:45He did things.
00:33:48Is that your chap?
00:33:50What? Who?
00:33:51The fellow who was here just now.
00:33:53Oh, that was Mrs. Bramson's lawyer.
00:33:55What's she going to law about?
00:33:57Well, he manages her affairs.
00:34:00Oh, I see.
00:34:02I thought from the way he looked at you, he was a bit going on you.
00:34:08It's rather stuffy in here. Why don't you open the window?
00:34:13Here.
00:34:21You know, you wouldn't be bad looking without them glasses.
00:34:25Thank you, but it doesn't interest me very much what I look like.
00:34:28Don't you believe it?
00:34:31Why do you say that?
00:34:32I just think so.
00:34:34I understand you all right.
00:34:37Don't you think, young man, you're rather forgetting your place?
00:34:42I'm sorry, miss, I'm sure.
00:34:44Well, when you've finished unpacking, perhaps you'd better come and see if there's anything you can do for Mrs. Bramson.
00:34:58Where have you been?
00:34:59Nowhere.
00:35:02Is there anything in the paper?
00:35:03A lot of sensational rubbish about that Shelbrooke woman.
00:35:06I can't read it.
00:35:07Well, it's a bit of a thrill for a small place like this.
00:35:09Have they found any clues?
00:35:12Keeper in the Shepley Woods reported that on the night in question, about two in the morning,
00:35:16he heard someone moving mysteriously in the woods and whistling mighty like a rose.
00:35:19Inquiries are being pursued.
00:35:21That shows how hard up they are for something to print.
00:35:24Mighty like a rose, indeed.
00:35:26Never heard such rubbish normally.
00:35:29All settled and at home.
00:35:31Can I be of service, ladies?
00:35:32Silly boy.
00:35:33What's that you're hiding?
00:35:35Oh, it's nothing.
00:35:36Well, what is it?
00:35:37Well, it's a silly idea.
00:35:38Come, come.
00:35:39What is it?
00:35:40Well, it's just something I brought along and I thought you might like.
00:35:44It's a shawl.
00:35:46It was my mother's, as a matter of fact.
00:35:49I thought I'd like to see you wear it, if you didn't mind.
00:35:51Danny, that's a very sweet thought.
00:35:55Can I put it on for you?
00:35:57Yes.
00:36:00I've always kept it.
00:36:04It's the only thing my mother's I've got left.
00:36:07Now that I see you wearing it like that, it's almost as if herself was sitting there.
00:36:12Wait a minute.
00:36:14What is it?
00:36:15It's not quite straight.
00:36:16Straight.
00:36:18There.
00:36:24Wheel me over to the mirror and let me see it.
00:36:28Right you are.
00:36:32There you are.
00:36:33Now, how do you like yourself?
00:36:34That's very pretty.
00:36:35Thank you, Danny.
00:36:36You are a good boy.
00:36:38Now I think it's time for my nap.
00:36:40Shall I take you in?
00:36:42It's all right, miss.
00:36:43I'll do it myself.
00:36:44Thank you, dear.
00:36:45Where do we go now?
00:36:46In there.
00:36:48You know, this chair works very stiff.
00:36:50Must be very hard for you pushing yourself about in it.
00:36:53I can fix it in a jiffy if I had some oil.
00:36:55Have you got any?
00:36:56Some in the kitchen.
00:36:57Good.
00:36:58Now, where do you want to go?
00:36:59Well, now, do you think you can help me onto the bed?
00:37:01Well, I can.
00:37:03You'll be very careful of me.
00:37:04I'll treat you like you was made of glass.
00:37:06That's it.
00:37:08That's better, isn't it?
00:37:10That's fine.
00:37:12Now, just while you're getting your spot of shut-eye,
00:37:14I'll take that chair in the other room
00:37:16and have it right in half a minute.
00:37:18Thank you.
00:37:19Is that all right?
00:37:20Yes, it's very nice.
00:37:22It's very nice.
00:37:28What?
00:37:29What are you looking at?
00:37:30I was looking at your room.
00:37:32I haven't seen it before.
00:37:34It's a very pretty room.
00:37:36Yes, very pretty.
00:37:41It's a beautiful picture.
00:37:45Beautiful.
00:37:50Well, pleasant dreams and sweet repose.
00:37:53Half the bed and all the clothes.
00:37:55Silly boy.
00:37:56Good night.
00:37:57Silly boy.
00:38:27Good night.
00:38:28Good night.
00:38:29Good night.
00:38:30Good night.
00:38:31Good night.
00:38:32Good night.
00:38:33Good night.
00:38:34Good night.
00:38:35Good night.
00:38:36Good night.
00:38:37Good night.
00:38:38Good night.
00:38:39Good night.
00:38:40Good night.
00:38:41Good night.
00:38:42Good night.
00:38:43Good night.
00:38:44Good night.
00:38:45Good night.
00:38:46Good night.
00:38:47Good night.
00:38:48Good night.
00:38:49Good night.
00:38:50Good night.
00:38:51Good night.
00:38:52Good night.
00:38:53Good night.
00:38:54Good night.
00:38:55Good night.
00:38:57You agree with me now, don't you?
00:39:05You don't like my being here, do you?
00:39:08It doesn't make the least difference whether I like it or not.
00:39:11As I told you before, I'm really a servant here myself.
00:39:16Not a very ordinary servant, though, are you?
00:39:21No, I suppose not.
00:39:25Neither am I.
00:39:55No, I suppose not.
00:40:02No, I suppose not.
00:40:09Go on, Danny, tell us some more.
00:40:32Well, that was when I rode to Hounds and had me own pack.
00:40:36Before you went up in the world and become a page boy, I suppose.
00:40:39You know how that happened?
00:40:41Danny told us about his uncle dying, leaving him a fortune.
00:40:44How much was it, Danny?
00:40:46Ten thousand quid.
00:40:47It was five when I last heard it.
00:40:49And you got through it all in three months?
00:40:51Uh-huh.
00:40:52What did you spend it on?
00:40:53Champagne, jewels, a villa on the Riviera.
00:40:57And then you went to sea?
00:40:59Sail twice round the Cape of Good Hope before the mast.
00:41:02Well, I must take these.
00:41:04Madame Olga's dream book.
00:41:07To dream of spiders means danger is approach...
00:41:17That.
00:41:22I did dream of spiders last night, hundreds of them.
00:41:27I should say danger was approaching, too, if you go on like that.
00:41:31Has he said any more about marrying you?
00:41:34Not since the day he moved in here.
00:41:36That's a whole week now.
00:41:38She hasn't brought it up again, either.
00:41:40Seems like it slipped their memory.
00:41:42Well, then, you didn't ought to let him kiss you.
00:41:44Not in front of me, anyway.
00:41:45I never let my husband kiss me in front of other people till after we was married.
00:41:49Then he didn't want to.
00:41:51Look at that.
00:41:53Turned the old place into a regular circus.
00:41:55That's what he's done.
00:41:56Have the old girl doing a run before we know where we are?
00:42:07Imagine my coming in here with my overalls on.
00:42:09I am sorry.
00:42:16It's all right, I got my trousers on.
00:42:26I'm sorry, is my cigarette annoying you?
00:42:28Oh, not at all.
00:42:29I like it.
00:42:34I'm sorry, pussy.
00:42:35Here, come here, puss.
00:42:37Here, come to daddy.
00:42:39It won't come out.
00:42:45Oh, look.
00:42:46Look right there.
00:42:47Over here.
00:42:48I saw that.
00:42:49Leave me alone and don't interfere.
00:42:57Here, here.
00:42:59Look.
00:43:00That.
00:43:01Oh.
00:43:02And that.
00:43:03Oh, yes.
00:43:04And that.
00:43:05Oh, yes, of course.
00:43:06Thank you, dear.
00:43:07Thank you.
00:43:08Cigarette bother you?
00:43:09No, dear, not a bit.
00:43:10Of course not.
00:43:11I think it's coming out.
00:43:14Oh, Danny, you never forget.
00:43:17Very different from other people who never remember.
00:43:19Here.
00:43:20How do you like that for a steady hand?
00:43:22Oh, yes, Danny.
00:43:24There you are.
00:43:25Nice chocolate to take the taste out of your mouth.
00:43:28Just nasty.
00:43:32The grocer said there were two gallons of kerosene delivered and not paid for.
00:43:36And they won't be paid for either.
00:43:38Not if I have to go to law about it.
00:43:40The amount of kerosene that man pretends we use here.
00:43:43I think we drank it.
00:43:45Oh, I wish you'd take your papers into the other room.
00:44:01A sonnet.
00:44:05The flame of passion is not red, but white.
00:44:11Not quick, but slow.
00:44:14Give me that, please.
00:44:16What is it?
00:44:18It's a poem.
00:44:20Let me see it.
00:44:21It's only nonsense, aren't you, really?
00:44:23I'm sure it is by the sound of it, but I can see it, can't I?
00:44:26Danny, give it to me.
00:44:31Writing poetry, indeed.
00:44:33That's a hobby and a half, I must say.
00:44:36What do you know about passion, anyway?
00:44:40Not very much.
00:44:41So I should think.
00:44:44I like a bit of poetry myself, I do.
00:44:47But I don't see how you think of those things.
00:44:48I really don't.
00:44:51She is a dark horse, isn't she?
00:44:52Writing poetry.
00:44:54Did you ever hear such nonsense?
00:44:56Oh, I dare say she's a bit repressed.
00:45:01Come on, now it's time for your walk.
00:45:02Oh, Danny dear.
00:45:03I've got your hat and your shawl in the hall.
00:45:05And you've got my pills.
00:45:06In my pocket.
00:45:07And the chocolates.
00:45:08And the chocolates.
00:45:10Here you are, madam, every wish anticipated.
00:45:13My hat's there in the hall.
00:45:14Your hat's in the hall.
00:45:15Yes.
00:45:16Well, is it cold out?
00:45:18There you are.
00:45:19And my shawl.
00:45:20And your shawl.
00:45:21And my hat.
00:45:23There we go.
00:45:24There, isn't it beautiful?
00:45:26Look at the flowers growing like mad and the trees showing off like peacocks.
00:45:30And the birds singing in the park.
00:45:44Look at that.
00:45:45Mother and child, both doing well.
00:45:49What do you think of him?
00:45:51Danny?
00:45:52Oh, he's all right.
00:45:53Bit of a mystery.
00:45:55You think that too?
00:45:56Terrible liar, of course.
00:45:58Even a lot of us are.
00:45:59No more than that, eh?
00:46:01What do you mean?
00:46:03There's something more the matter with him.
00:46:05Something he's hiding.
00:46:07What?
00:46:08I don't know for sure.
00:46:11Is Dora about?
00:46:12Oh, Dora!
00:46:13Oh, she won't know anything.
00:46:15She's as half-witted as she's lazy.
00:46:17She'd cut her nose off to stop the dustbin smelling sooner than empty as she would.
00:46:21Did anyone say Dora?
00:46:23Oh, Dora.
00:46:24What do you know about Danny?
00:46:26His past, I mean.
00:46:27Only what he's told me, miss.
00:46:29It's ever so romantic.
00:46:31Yes, I'm sure.
00:46:33Do you trust him, Dora?
00:46:35I don't quite know, miss.
00:46:37Sometimes I do, and sometimes I don't.
00:46:40Oh, he's all right.
00:46:43He cracks himself up, you know.
00:46:45Pretends he don't care toughness.
00:46:47But all the time he's got an eye on what you're thinking of him, if you know what I mean.
00:46:51Yes.
00:46:53Yes, I do.
00:46:55That incredible vanity.
00:46:58They always have it, always.
00:47:00Who?
00:47:02Murderers.
00:47:04Miss Gray?
00:47:06You mean this woman they're looking for?
00:47:08Oh, miss, you can't.
00:47:10Doesn't seem possible, does it?
00:47:12Yet murder's a thing that doesn't seem possible either.
00:47:15Just something you read about in the papers.
00:47:17Can't touch us.
00:47:19Well, it can.
00:47:21It's here, all about us.
00:47:23We're just in this house. We're living with it. We...
00:47:28I'm going to look through his things.
00:47:30Will you help me?
00:47:31Me?
00:47:32All right.
00:47:49They're all empty.
00:47:50Perhaps he hasn't unpacked.
00:47:52But he's been here almost a week.
00:47:54Where does he keep his luggage?
00:47:57Oh, here we are.
00:47:59Open it up.
00:48:02See?
00:48:03He hasn't unpacked.
00:48:04That's extraordinary to begin with.
00:48:06Dirty shirt.
00:48:08A pair of socks, three handkerchiefs, some razor blades.
00:48:11Here's a pocketbook.
00:48:14Got a letter in it.
00:48:15Well, we can't read his letters.
00:48:17Why not?
00:48:18Don't be silly.
00:48:19His wife will do it to him hundreds of times.
00:48:21Oh, what a niff.
00:48:23Dear Babyface, my own.
00:48:26Signed, Lil.
00:48:27What awful writing.
00:48:29Next time you strike Newcastle,
00:48:32okay by me, baby.
00:48:35Oh, not a servant girl, I expect.
00:48:38I'm sorry, darling.
00:48:39Okay.
00:48:42Bus ticket.
00:48:43Some snapshots.
00:48:44Oh, look at her.
00:48:45The impotence, being taken in a bathing suit.
00:48:48What's that group?
00:48:50Look, look, there she is.
00:48:51Who?
00:48:52The woman who's missing.
00:48:53Don't you remember that photograph in the paper?
00:48:54It's awful to think she may be dead.
00:48:56Awful.
00:48:57Looks ever so...
00:48:58Mmm, don't she?
00:49:00There was another bag, wasn't there?
00:49:01Yes.
00:49:03This.
00:49:06And this.
00:49:07Old-fashioned, isn't it?
00:49:09Got it from a box room at the Tallboys, I should think.
00:49:12Too heavy for that.
00:49:14Looks extraordinary, doesn't it?
00:49:18What is it, miss?
00:49:20I was just thinking.
00:49:23Supposing there's something inside of it.
00:49:28I left the old lady's pills in the pocket of my other coat.
00:49:35Silly of me, wasn't it?
00:49:41May I have it back, please?
00:49:44It's the only one I've got.
00:49:50Why did you like the letter?
00:49:52Letter?
00:49:54You've got it in your hand.
00:50:00Means well, Lilda's.
00:50:02But we had a row.
00:50:04She would spy on me.
00:50:06If there's anything I hate, it's a spy.
00:50:09Don't you agree?
00:50:12I'd sooner have anything than a spy.
00:50:15Far a murderer, of course.
00:50:18What did you say?
00:50:20I said far a murderer, of course.
00:50:24Talking of murder,
00:50:26do you know anything of Mrs. Chalbrook's whereabouts at the present moment?
00:50:30Mrs. who?
00:50:32You're not going to pretend you've never even heard of her.
00:50:35Oh, Mrs. Chalbrook's whereabouts.
00:50:37I thought you said Mrs. Chalbrook's whereabouts.
00:50:40I am sorry.
00:50:41It was silly of me, I couldn't think.
00:50:44Well?
00:50:47I have nothing to go on.
00:50:50But I think she's been murdered.
00:50:53Oh.
00:50:54Who by?
00:50:55Danny!
00:50:57Danny!
00:50:59The old lady's getting impatient.
00:51:01Excuse me.
00:51:04Yes, you can't think that.
00:51:07I'd sooner suspect me unborn child.
00:51:10You don't really think he did it, do you?
00:51:15Do you?
00:51:20I don't know.
00:51:26So I closed the door very quickly,
00:51:28and I said, I am sorry, sir,
00:51:30so that she wouldn't think that I knew there was a woman in there.
00:51:36Danny, you'll be the death of me.
00:51:39The things you say.
00:51:41Well, now, I think, dear, it's time I went in and had my 40 weeks.
00:51:4540 weeks, ma'am, or 50, if you like.
00:51:47You make me laugh here.
00:51:49There's always my heart.
00:51:50Ah, you've lost your heart, you know you have.
00:51:52And to the little fellow who pushes your pram.
00:51:54Pram!
00:52:07Stop that noise.
00:52:09I want to go to sleep.
00:52:19Go to sleep.
00:52:49Go to sleep.
00:53:06Did you do it?
00:53:11I told you you'd be better looking without them glasses.
00:53:15I don't know what you mean.
00:53:16Don't you?
00:53:19Clumsy.
00:53:23I am sorry.
00:53:27You're very conceited, aren't you?
00:53:30Yes.
00:53:31And you're acting all the time too, aren't you?
00:53:36Acting?
00:53:37Acting what?
00:53:40Look how I can look you in the eye.
00:53:42I can stare you down.
00:53:44I have a theory it's the criminals who can look you in the eye.
00:53:47And the honest ones who blush and look away.
00:53:50Oh?
00:53:52It's a very blank look though, isn't it?
00:53:55Is it?
00:54:00You are acting all the time, aren't you?
00:54:04Yes.
00:54:05What are you like when you stop acting?
00:54:07I don't know it's so long since I stopped.
00:54:08But when you're alone...
00:54:09Then I act more than ever I do.
00:54:10Why?
00:54:11I don't know because I like it.
00:54:18Just for a change...
00:54:20I suppose you let me ask you a question or two.
00:54:24Just for a change.
00:54:26Why can't you take a bit of interest in some other body but me?
00:54:29I'm not interested in you.
00:54:32Only you don't talk that's bound to make people wonder.
00:54:35Wonder what?
00:54:37What you're thinking.
00:54:41You'd be surprised.
00:54:44I wonder if I would.
00:54:46I think I can diagnose you all right.
00:54:49Carry on.
00:54:55You haven't any feelings at all.
00:54:58You live in a world of your own, of your own imagination.
00:55:03I don't know whether I understand you very well.
00:55:06Not being so very literary.
00:55:10You understand me perfectly.
00:55:15Do you still think there's been a bit of dirty work?
00:55:19Well, I don't know.
00:55:21Disappointed?
00:55:23What on earth do you mean? Why should I be disappointed?
00:55:26A bit of excitement in a place like this where nothing ever happens, wouldn't it?
00:55:31If there has been a murder, it won't go undiscovered long.
00:55:35What makes you say that?
00:55:37They never do.
00:55:39They always make one mistake.
00:55:42That's what you think.
00:55:45What about those you don't know about?
00:55:48What about the ones who do it and get away with it?
00:55:51Those are the clever ones.
00:55:53Fool the police and everybody.
00:55:55You take this woman.
00:55:57She's been missing now for two weeks, hasn't she?
00:56:00They haven't found her yet, have they?
00:56:11What was that?
00:56:13It's Dora. She's fainted.
00:56:18I think...
00:56:20I think they've found something.
00:56:24Excuse me, miss.
00:56:26Might I use your telephone? It's urgent.
00:56:28Certainly.
00:56:32It's right here.
00:56:34Thank you, miss.
00:56:36Shepherdly 13.
00:56:38What is it? What's happened?
00:56:39I'd rather not say, miss, till I've got through with his own mind.
00:56:43Shepherdly Police Station.
00:56:45Who's that?
00:56:47This is Fred Gaston.
00:56:49We found her, yes.
00:56:51Right across from Rose Briers.
00:56:53Well...
00:56:55Well, not all of it.
00:56:57Well, sir, the head's missing.
00:56:59Right you are, sir.
00:57:01Thank you, miss. Sorry to have troubled you.
00:57:10Do you hear that?
00:57:25Where are you going?
00:57:27Going to have a look.
00:57:32Come in.
00:57:39Come in.
00:57:50I want Keystone 2348.
00:57:53Yes, please.
00:57:55What have you found over there?
00:57:57Hi, what's going on?
00:57:59Hello. Is Justin Laurie there, please?
00:58:02Oh, is that you, Mrs. Laurie? This is Olivia Grain.
00:58:05Yes.
00:58:07Is Justin in, please?
00:58:09Oh.
00:58:11Do you know where he is?
00:58:13I see.
00:58:15No, thank you very much.
00:58:17It's all right.
00:58:19It's quite all right, thank you.
00:58:40Olivia, what are you doing here?
00:58:42I've got to see you. I've got to talk to you.
00:58:44Is anything the matter? You look so strange.
00:58:46Where's your head?
00:58:48Can't we go somewhere? Somewhere we can talk?
00:58:50Yes, come up here.
00:58:52I'd like to, Laurie. Good show.
00:58:54Olivia, what is it?
00:58:56Darling, tell me.
00:58:58My dear, your hands are like my own.
00:59:00I've got to go.
00:59:02I've got to go.
00:59:04I've got to go.
00:59:06I've got to go.
00:59:08My dear, your hands are like ice.
00:59:10Justin, they found her.
00:59:12Found whom?
00:59:14The missing woman. She's been murdered.
00:59:16They found the body in the woods near our house.
00:59:18Olivia.
00:59:20That's not all. There's more to it than that.
00:59:22But who?
00:59:24I don't know. I don't know. I just came running here to you.
00:59:26My poor darling, how horrible for you.
00:59:28Have they no idea?
00:59:30I don't think so. None.
00:59:32Well, you can't go back there.
00:59:34Oh, no. No, I can't.
00:59:35Well, I'll take you to town to Mother's.
00:59:37You can stay with us.
00:59:39Oh, may I?
00:59:41Of course you may. As long as you like.
00:59:43Forever, if you want to.
00:59:45Oh, Justin.
00:59:47You're very good to me.
00:59:49I'm only sorry it's a thing like this
00:59:51that gives me a chance to be.
00:59:53I do love you so, Olivia.
00:59:55You know, I've never seen you
00:59:57without your glasses before.
00:59:59You're very beautiful.
01:00:01Well, suppose I give Mother a call
01:00:03and tell her to expect you.
01:00:05No, don't.
01:00:07Why not?
01:00:09I can't come.
01:00:11I must go back.
01:00:13But why?
01:00:15Well, I can't leave Mrs. Bramson there alone.
01:00:18Well, she's got what's-his-name, that boy, hasn't she?
01:00:20He's all right, isn't he?
01:00:22Oh, yes, yes, he's all right.
01:00:24Well, I mean, you know, running away like this,
01:00:26they might think I did it.
01:00:28You? Olivia, darling, don't be ridiculous.
01:00:30It couldn't have been anyone in your house.
01:00:32No, no, that's right. It couldn't have been.
01:00:34Say, there's something more behind all this.
01:00:36What is it?
01:00:38Oh, no, no, it's nothing, really.
01:00:40Oh, Justin, I shouldn't have come running off to you like this.
01:00:42I lost my head, that's all.
01:00:44I'll be all right now.
01:00:46Oh, Justin, take no notice of me.
01:00:48Tell me all about the match.
01:00:50That was a good boundary you hit.
01:00:52How many was that?
01:00:54A sixth.
01:00:56Oh, that's fine.
01:00:58It's fine.
01:01:04Who's over there while I get this fixed up?
01:01:06There it is.
01:01:08Turn and look under the roof.
01:01:10There it is.
01:01:33Now, young man,
01:01:35you came over here the day after I saw you at the Tall Boys.
01:01:37Is that right?
01:01:39That's right, sir.
01:01:41You never told me you were thinking of making a change.
01:01:43I didn't know it myself, sir.
01:01:45That was the first day I called here,
01:01:47and Mrs. Bramson asked me to come and work for her.
01:01:49Oh, did you know him before?
01:01:51No.
01:01:53Did you take up any references?
01:01:55I didn't need any references.
01:01:57I talked to them.
01:01:59That's enough for me.
01:02:01What are you trying to suggest?
01:02:03Oh, first I've heard of that.
01:02:05Well, that's good news anyhow.
01:02:07Oh, it's awful.
01:02:09Awful asking all those questions.
01:02:11I'm not going to stay here anymore.
01:02:13If you run away now, they'll think you did it.
01:02:15Oh, I never thought of that.
01:02:17They'd set the bloodhounds on you.
01:02:19That's what they'd do.
01:02:21Oh, dear.
01:02:23I never thought I'd get mixed up with anything like this.
01:02:25You see, sir,
01:02:27this is a lot nicer place for me than the hotel.
01:02:29What with Dora being here
01:02:31and Mrs. Bramson being like a mother to me.
01:02:33Yes, yes, I see.
01:02:35Well, all right, then.
01:02:37At least you didn't make any mystery about your movements.
01:02:39Oh, there you are.
01:02:41Where have you been all the afternoon?
01:02:43Oh, good afternoon, Miss Gray.
01:02:45We were wondering what had happened to you.
01:02:47We was getting quite worried, we was.
01:02:49Where have you been?
01:02:51Nowhere.
01:02:53I'll have to ask you the same question, Miss Gray.
01:02:55Oh, I'm sorry, Inspector,
01:02:57but I...
01:02:59I've been to see a friend of mine.
01:03:01You know what's been happening around here, don't you?
01:03:03You were here when it happened, so Danny tells me.
01:03:08And then you rushed off to see a friend of yours.
01:03:10It's true, Inspector.
01:03:12I was here when it happened, but I...
01:03:14I lost my head.
01:03:16I couldn't stay here.
01:03:18I just ran.
01:03:20Who is this friend of yours?
01:03:22Mr. Lorry, Mrs. Bramson's lawyer.
01:03:24Oh, a lawyer.
01:03:26Yes, yes, but I didn't go to see him as a lawyer.
01:03:28He's a friend of mine.
01:03:30The only friend I've got, so I...
01:03:31I went to see him because I was frightened.
01:03:33I...
01:03:35I didn't intend to come back here anymore.
01:03:37And he persuaded you to?
01:03:39No, no, he told me not to.
01:03:41Well, then, why did you come back?
01:03:43Well, I...
01:03:45I realized that I was being foolish and hysterical,
01:03:49that I shouldn't leave Mrs. Bramson alone
01:03:51because that would look as though I...
01:03:53Oh, I don't know, it's...
01:03:55I was just silly to be frightened, that's all,
01:03:58so I came back.
01:03:59A likely story.
01:04:01But it's true, Inspector.
01:04:03You've got to believe that, it is true.
01:04:05Yes, I believe you.
01:04:07I know it doesn't sound very sensible,
01:04:09but fear makes people do silly things sometimes.
01:04:12Well, I think that'll be all for the present.
01:04:15I'm sorry to have put you through all this, Mrs. Bramson,
01:04:17but I'm afraid it's only the beginning.
01:04:19I can stand it.
01:04:21Good.
01:04:23Well, I'll be round again.
01:04:25And don't you worry, Mrs. Bramson, we'll get him.
01:04:27You've been missing a lot of excitement,
01:04:29journalists and photographers.
01:04:31Mrs. Bramson's had her picture taken three times.
01:04:34I want you to get all the papers in the morning,
01:04:36all of them.
01:04:38And it wouldn't be a bad idea to get a book
01:04:40to stick them in.
01:04:42What are you staring at me like that for?
01:04:44I honestly believe you're enjoying it.
01:04:47Oh, could you?
01:04:56Oh, I'm sorry.
01:05:26Oh, I'm sorry.
01:05:56Oh, I'm sorry.
01:06:27Oh, it's you.
01:06:30What do you want?
01:06:38What do you want?
01:06:40I heard a noise.
01:06:43What are you doing?
01:06:45Making some tea.
01:06:47I couldn't sleep.
01:06:51Just waiting for the kettle.
01:06:53Just waiting for the kettle.
01:07:15Cigarette?
01:07:18Thank you.
01:07:22Thank you.
01:07:48What did you tell that chap this afternoon?
01:07:52I found that woman.
01:07:54Is that all?
01:07:57Yes, of course that's all.
01:07:59What else was there to tell?
01:08:01Nothing.
01:08:03Nothing.
01:08:12So you just told him that,
01:08:15and then you come back.
01:08:18Why?
01:08:20What do you mean, why?
01:08:22Why did you come back?
01:08:24I told you.
01:08:26I realized I was being silly to be frightened,
01:08:29and I thought...
01:08:31Why do you shake your head?
01:08:33That isn't why you come back.
01:08:37Do you like that chap?
01:08:39What do you mean? Of course I like him.
01:08:41Why aren't you married then?
01:08:43Well, I don't know what right you have to ask me a thing.
01:08:45Don't be angry.
01:08:47I only asked you a civil question.
01:08:49Why aren't you married?
01:08:52Hasn't he asked you yet?
01:08:54Oh, yes.
01:08:56Yes, he's asked me, but I...
01:08:58Ah, there you are. You see, you don't like him.
01:09:01And you're right, you know.
01:09:03He's not the sort of a chap for you.
01:09:06You want adventure, don't you?
01:09:09And it's here.
01:09:11Here in this house.
01:09:13Here, now, in this kitchen.
01:09:15The two of us.
01:09:17Alone here.
01:09:19It's exciting, isn't it?
01:09:21Something that's never happened to you before.
01:09:23Being alone at this time of night with a chap like me.
01:09:26You're not frightened.
01:09:28You're excited.
01:09:30I can tell you are.
01:09:32Your eyes are shining.
01:09:34And you've got color in your cheeks.
01:09:36And you're beautiful, the way he's never seen you.
01:09:39Don't.
01:09:41Don't. I'm frightened of you.
01:09:43And you feel as light as air.
01:09:45The same as anybody else for the first time without their overcoat.
01:09:47And you haven't had a drink.
01:09:49But you feel as if you have.
01:09:51And you never knew there was such a secret part inside of you.
01:09:54That's why you come back this afternoon.
01:09:56Wasn't it?
01:09:59Wasn't it?
01:10:03Danny.
01:10:10Danny.
01:10:11Danny.
01:10:19Now, ladies and gentlemen,
01:10:21I want you first of all to note the beauty, the calm,
01:10:24the solitude of these surroundings.
01:10:27And then realize
01:10:29that immediately in front of us lies the spot
01:10:32where this grisly spectacle was uncovered.
01:10:36Not 100 yards
01:10:38from the rose-clad,
01:10:39unsuspecting, peaceful residence behind us.
01:10:43Not for one moment did Mrs. Bramson think
01:10:47that Mrs. Bramson is the proprietress of the residence.
01:10:51Are you talking about me?
01:10:53Oh, good morning, ma'am.
01:10:55I've brought another party.
01:10:57Remarkable, isn't it?
01:10:59The interest shown in this lugubrious occurrence.
01:11:02This, ladies and gentlemen,
01:11:04is Mrs. Bramson of whom I was telling you.
01:11:07How do you know her?
01:11:09You do.
01:11:10Pleased to meet you, ma'am.
01:11:11Nasty thing to have turn up
01:11:13almost on your own doorstep, ain't it?
01:11:16Would you mind if I was to take a picture of you, ma'am?
01:11:19Oh, not at all.
01:11:21Here's my hat on straight.
01:11:23Oh, and this young gentleman,
01:11:26now employed by Mrs. Bramson
01:11:28as personal attendant and bodyguard,
01:11:31was formerly page boy at the Tall Boys Hotel
01:11:36at the very moment
01:11:37the unfortunate victim of this outrage disappeared.
01:11:45And now, ladies and gentlemen,
01:11:48if you will draw a little closer,
01:11:51you will perceive the exact spot
01:11:54where the body was uncovered.
01:11:56Ladies and gentlemen,
01:11:58the exact spot.
01:12:00Here, who are you shoving?
01:12:02A little orderliness is what we want.
01:12:04They say it was horrible how they found her, horrible.
01:12:07The moment I heard she was missing,
01:12:09I said, search the forest.
01:12:11She's been murdered.
01:12:12That's what I said.
01:12:13You could have knocked me down with a feather.
01:12:16Grizzly, that's what it was, grizzly.
01:12:18There's only one word for it, grizzly.
01:12:21I told my poor old mother all about it
01:12:23when I got home at night, and that's what she said.
01:12:25A grizzly, Emily, a grizzly.
01:12:28Goodbye.
01:12:29Goodbye.
01:12:30Goodbye.
01:12:31Goodbye.
01:12:32Dear, oh, dear, oh, dear.
01:12:33I feel dead.
01:12:35Don't be a silly old woman.
01:12:36You don't look a day over 40.
01:12:38And after I've made you a nice cup of tea,
01:12:40you'll be 25 in the sun
01:12:42and 18 with your back to the light.
01:12:43So consider yourself lucky.
01:12:45Danny, you are a dearer.
01:12:47Oh, dear, oh, dear, oh, dear.
01:12:49What an afternoon.
01:12:51I noticed a slight falling off in attendance today.
01:12:53It's Sunday, I guess.
01:12:55Oh, Danny, you mustn't talk like that.
01:12:58Oh, dear, oh, dear.
01:13:00There now, there you are.
01:13:02Will you take my hat, dear?
01:13:04Thank you, ma'am.
01:13:05And don't you call me ma'am.
01:13:07If I can't call you ma'am, what can I call you?
01:13:09Well, if you're very good,
01:13:11I might let you call me mother.
01:13:13Okay, mother of mine.
01:13:17Oh, Danny, you are a terror.
01:13:19He's been after me like this all the afternoon.
01:13:21Has he?
01:13:22I'll go make some tea.
01:13:24Mrs. Terrence will get it.
01:13:26Mrs. Terrence is entertaining visitors
01:13:27at the scene of the crime.
01:13:29Besides, Mrs. Terrence can't make tea the way I can.
01:13:31I'm an old sailor, Miss Crane.
01:13:33I'm afraid I'm not much interest.
01:13:34I'll go and see if she's put the kettle on.
01:13:36Now, look here, Olivia.
01:13:38You're downright rude to that boy.
01:13:40What have you got against him?
01:13:42His manner.
01:13:44His familiarity.
01:13:46His manner's a great deal more cheerful than yours is.
01:13:48He's been in rare spirits all the afternoon.
01:13:50Whiskey, if my sense of smell doesn't deceive me.
01:13:52Whiskey?
01:13:54It's a libel.
01:13:56The boy's a teetotaler.
01:13:58Auntie, how do you know that?
01:14:00He told me so.
01:14:02And, of course, you believe everything he tells you.
01:14:04You're jealous of him, my dear.
01:14:06That's what you are.
01:14:08I know human nature.
01:14:10I know that boy's got a beautiful character.
01:14:12Look at the way the cat's taken to him.
01:14:14Animals and young children know about people.
01:14:16Here you are.
01:14:18Nice cup of tea with two lumps
01:14:20and some of the little cakes you like.
01:14:22Thank you, dear.
01:14:24Danny, let me smell your breath.
01:14:27Clean as a whistle.
01:14:29Smells of peppermint.
01:14:31Yes.
01:14:33The murderer committed the crime
01:14:35in the forest,
01:14:37probably under cover of night.
01:14:39The body was nude.
01:14:41Attempts had been made
01:14:43to turn to the foot of the next column.
01:14:45I'm sorry, Danny.
01:14:47I'm sorry.
01:14:49I'm sorry.
01:14:51I'm sorry.
01:14:53I'm sorry.
01:14:55I'm sorry.
01:14:57I'm sorry.
01:14:59I'm sorry.
01:15:01Attempts had been made
01:15:03to eradicate fingerprints
01:15:06with a knife,
01:15:08possibly a butcher's knife,
01:15:11which was...
01:15:15What's the matter?
01:15:17I forgot it was Sunday.
01:15:20They're going to church down in the villages.
01:15:22All got up in their Sunday best.
01:15:25And the organ is playing in the windows as she does.
01:15:27And the organ is playing in the windows as shining.
01:15:30Shining on holy things.
01:15:32Because holy things isn't afraid of the daylight.
01:15:35But all the time, the daylight's moving across the floor.
01:15:38And by the end of the sermon,
01:15:40the air in the church is turning gray.
01:15:42And the people isn't able
01:15:44to think of holy things so much anymore.
01:15:46But only of the terrible things
01:15:48that's going on outside.
01:15:50Because they know it's still daylight.
01:15:52And everything is ordinary and quiet.
01:15:54And the day is the same as all the other days.
01:15:58And it'll come to an end.
01:16:01And it'll be night.
01:16:03Why, Danny, you ought to be the preacher.
01:16:08Well, now, I think I'll go and have my nap before supper.
01:16:11Olivia, take this.
01:16:13Will you wheel me in?
01:16:15Anything you say, Mother of mine.
01:16:17Anything you say.
01:16:19I never knew you had so many words in your head.
01:16:21I speechify like anything when I'm roused.
01:16:22I used to go to Sunday school
01:16:24and the words sort of pop into my head.
01:16:26Here, now, put your arms around little Danny.
01:16:28There you are.
01:16:30Now, what am I going to do with this bundle of rubbish?
01:16:32There you are.
01:16:34Lie down now.
01:16:36There, your feet up and I'll get your pillow.
01:16:38There you are.
01:16:40I adore your bib and tucker.
01:16:42There you are.
01:16:44What is that you wear around your neck?
01:16:46A locket?
01:16:48It's a key.
01:16:50The key to your heart.
01:16:52Don't be silly.
01:16:54It's a safe key.
01:16:56I always wear it around my neck.
01:16:58And you're quite right too, you never know.
01:17:00Here, let me take your shoes off.
01:17:02There's one.
01:17:04And there's two.
01:17:06Now, this little pig went to market.
01:17:08This little pig stayed home.
01:17:10This little pig had roast beef.
01:17:12This little pig had none.
01:17:14And this little pig...
01:17:16Oh, you're ticklish.
01:17:18I can tell you're ticklish now.
01:17:20Now, quiet, quiet.
01:17:22No noise, that's enough.
01:17:24Good night, good night.
01:17:33Can I have a read of that?
01:17:35If you like.
01:17:39It's interesting all this, isn't it?
01:17:42You have been drinking, haven't you?
01:17:45You don't miss much, do you?
01:17:47No.
01:17:49I've had a drink.
01:17:50And I feel fine.
01:17:53Do you want me to read to you?
01:17:55I'd rather talk.
01:17:58Carry on.
01:18:00I'd rather ask you a few questions.
01:18:03Carry on.
01:18:07Are you sure you were ever a sailor?
01:18:10Are you sure you weren't a butcher?
01:18:13Ah, talking's daft.
01:18:15Doing's the thing.
01:18:17Oh, you can talk too.
01:18:18Yes, I can.
01:18:21Did you hear me just now?
01:18:23She's right, you know.
01:18:25I should have been a preacher.
01:18:27I can remember when I was a kid,
01:18:29sitting in Sunday school
01:18:31with my mother alongside of me
01:18:33and her pointing at the pulpit
01:18:35and then at me
01:18:37as if to say,
01:18:39that's the place for you.
01:18:43I never forgot that.
01:18:44And I don't believe a word of it.
01:18:49Neither do I.
01:18:51But it sounds wonderful, doesn't it?
01:18:56I can't remember my mother
01:18:58and I never had a father.
01:19:00And the first thing I remember is the docks.
01:19:03And you're the first woman I ever told that to.
01:19:06So you can compliment yourself.
01:19:09Or the drink.
01:19:10I think it's the drink.
01:19:13You do live in your own imagination, don't you?
01:19:16Yes.
01:19:18It's the only way to bear
01:19:19with the awful things you have to do.
01:19:21What awful things?
01:19:23Well,
01:19:26I haven't had as much to drink as that.
01:19:32This is no sort of a life for you.
01:19:35It's a life for me.
01:19:37This is no sort of a life for you.
01:19:40What is there to it?
01:19:42Tell me that.
01:19:45What is there to it?
01:19:47Getting up every morning at seven,
01:19:49washing my stockings,
01:19:51mending them,
01:19:53having breakfast with a bad-tempered old woman,
01:19:55spending the rest of the day in this dreary house with her,
01:19:57going to bed every night at half past ten.
01:19:59Don't you like the old lady?
01:20:01I could kill her.
01:20:03No, you couldn't.
01:20:04Oh, not many people has it in them to kill people.
01:20:07Oh, no.
01:20:09Tell me about your life at the Tall Boys.
01:20:11My life?
01:20:14Well, the day didn't start off so good.
01:20:16There were a lot of stuck-up boots to clean
01:20:18and a lot of dirty spoons to polish
01:20:20that had been in the mouths of gaping fools
01:20:22that looked through me as though I was a dirty window.
01:20:25Orders, orders, orders.
01:20:27Go here, go there. Do this, do that.
01:20:29Page, page. I'm not a page, I'm a millionaire.
01:20:31And everybody's under me.
01:20:32And just when I think I got a bit of peace,
01:20:34there's somebody nagging, nagging, nagging
01:20:36at me, at me, at me.
01:20:38Calls me everything and screams and screams
01:20:40till nothing will shut that mouth only.
01:20:42Go on.
01:20:47I'm too smart for you.
01:20:49You'd like to know, wouldn't you?
01:20:51Why would you like to know?
01:20:53Why are you so interested?
01:20:55I told you there the other night in that kitchen, didn't I?
01:20:57Why were you lying awake that night?
01:20:59You were awake too.
01:21:00Tell me why.
01:21:02You can't sleep, can you?
01:21:04You can't sleep.
01:21:06There's something in the back of your mind
01:21:08that keeps you awake.
01:21:10Something you've pushed in the back of your mind
01:21:12that you can't do anything about and never will.
01:21:14It's a little thing, isn't it?
01:21:16It's a box.
01:21:18Only a box, and it's rather heavy.
01:21:24The way you was going through my letters the other day,
01:21:26how you had to laugh.
01:21:33The only thing that keeps me awake,
01:21:36I don't know what to do.
01:21:38Nothing in the world worries me.
01:21:40Nothing worries me.
01:21:42Only I can't stand a pair of eyes
01:21:44staring at me with no look at them.
01:21:47And I don't know what to do.
01:21:49I don't know what to do.
01:21:57I live by myself.
01:21:59See, inside here.
01:22:01And all the rest of you can go hang
01:22:03after I've made use of you, though.
01:22:05Nothing's going to stop me.
01:22:07Nothing.
01:22:11It's all right.
01:22:14It's all right.
01:22:16Anybody that's there, I'll deal with them.
01:22:19You watch me.
01:22:21I'll deal with them.
01:22:23I'll deal with them.
01:22:24You watch me.
01:22:34Oh, hello, Dan. How's things?
01:22:36How are you, sir?
01:22:37Oh, good afternoon, Miss Graham.
01:22:38Good afternoon.
01:22:40Well, we haven't scared you all out of the house yet, I see.
01:22:43Not a chance, sir.
01:22:45No more news for me, I suppose.
01:22:47I'm afraid not, sir.
01:22:49How's the old girl bearing up?
01:22:51Well, it's been a bit of a shock for her, sir.
01:22:52Finding the remains of the lady
01:22:54almost in her garden, as you might say.
01:22:56The remains of the lady?
01:22:58I wish you wouldn't talk like that.
01:23:00I've seen them.
01:23:02Well, you see, sir, I haven't.
01:23:04You know, Dan, I don't mind telling you
01:23:06that they reckon the fellow that did this job
01:23:08was a pretty clever chap.
01:23:10You don't say, sir?
01:23:11Yes. Regular film star.
01:23:13Got in all the papers.
01:23:15Made his name.
01:23:17If you can make your name
01:23:19without anybody knowing what it is, of course.
01:23:20But any really clever murderer
01:23:22would have taken the trouble to make sure
01:23:24that the body couldn't be recognized.
01:23:26And here we come and identify it first go.
01:23:28Do you call that clever?
01:23:30What do you think?
01:23:33Well, sir, I'm a slow thinker.
01:23:36But if it was clever to leave the lady un...
01:23:38Unidentified.
01:23:40Thank you, sir.
01:23:42To leave the lady unidentified
01:23:44and not be caught, hasn't it been more clever
01:23:46to leave the lady identified
01:23:48and still not be caught?
01:23:51Why didn't you sleep in your bed
01:23:53on the night of the 10th?
01:23:55What's that, sir?
01:23:57Why didn't you sleep in your bed
01:23:59on the night of the murder?
01:24:01I did, sir.
01:24:03Oh, no, you didn't.
01:24:05Oh, yes, sir, that's right,
01:24:07except for about half an hour.
01:24:09I couldn't sleep for a toffee
01:24:11and I went up on the fire escape onto the roof.
01:24:13What time was that?
01:24:15I don't know, sir.
01:24:17You know how it is.
01:24:18I was talking to her in the shrubbery.
01:24:20Well?
01:24:23Oh, sir,
01:24:25it's been on my conscience ever since.
01:24:27Oh, then you and she were...
01:24:29Oh, no, sir, nothing like that, sir.
01:24:31I avoided her ever after the first day she stopped me,
01:24:33but you know how it is,
01:24:35a lady staying at the hotel where I was working
01:24:37and for all I knew, married.
01:24:39You're only human, aren't you, sir?
01:24:41And when you asked me all about her at the hotel,
01:24:43I was frightened to tell about her stopping me.
01:24:45And now that I've told you,
01:24:46I can't believe I slept with her
01:24:48that was keeping me awake nights.
01:24:50I see.
01:24:52You're a bit of a milk sub, aren't you?
01:24:54Am I, sir?
01:24:56Yes, well, that'll be all now.
01:24:58I'll let you off this time.
01:25:00Oh, and that relieves me.
01:25:02But don't try and keep anything from the police another time.
01:25:04I won't, sir.
01:25:06Oh, by the way,
01:25:08there's just one thing,
01:25:10just a matter of form,
01:25:12but if you don't mind,
01:25:14I'll just have a quick look through your things.
01:25:16First door on the left.
01:25:18You can't miss it.
01:25:20All right, I'll find it.
01:25:27You can't miss it.
01:25:46All right.
01:26:14This box is locked.
01:26:16Have you got the key?
01:26:19It isn't mine.
01:26:21Not yours?
01:26:23No, sir.
01:26:25Well, who's is it then?
01:26:27I don't know.
01:26:29It isn't mine.
01:26:31Oh, I'm so sorry.
01:26:33I thought that you had...
01:26:36Inspector.
01:26:38What are you doing with my box?
01:26:40Your box?
01:26:42Yes, it has all my letters in it.
01:26:44Yeah, but I found it in Dan's room.
01:26:46Oh, I see.
01:26:48I think I'll keep it in my wardrobe.
01:26:50It'll be safer there.
01:26:51Well, I'm very sorry, miss.
01:26:52I'm sure I...
01:27:08I hope I haven't offended the young lady.
01:27:11She'll be all right, sir.
01:27:13Well, young fellow, I must be off.
01:27:14You might tell Mrs. Branson I popped in, will you?
01:27:16I will, sir.
01:27:17Tell her I hope she'll soon be better.
01:27:19I will, sir. Thank you, sir.
01:27:20Good day.
01:27:21Good day, sir.
01:27:27Good...
01:27:45Danny.
01:27:47Danny, take this.
01:27:53Yes.
01:27:56A little better.
01:28:01It makes you feel fine.
01:28:06It's a silly thing to do.
01:28:08A proper girl's trick.
01:28:09Fainting.
01:28:10It's a silly thing to do.
01:28:12A proper girl's trick.
01:28:13Fainting like that.
01:28:15Do something, sir.
01:28:17You've got to do something.
01:28:21First thing I do,
01:28:23I relieve you of that hat box, if you don't mind.
01:28:27Do you mind if I go in there?
01:28:40Oh, Danny.
01:29:11What's the matter with you?
01:29:13You haven't eaten anything, either of you.
01:29:16I'm sorry, Auntie, I'm not hungry.
01:29:18Neither am I.
01:29:20Must be them peppermints I ate before dinner.
01:29:22Sort of took my appetite away.
01:29:24They didn't take your tongue away, did they?
01:29:26You haven't uttered a word ever since we sat down at table.
01:29:29I am sorry.
01:29:30I have a sort of a headache.
01:29:31Headache?
01:29:32Rubbish.
01:29:33At your age, it's imagination.
01:29:35Oh, what's the matter with you?
01:29:37You haven't eaten anything, either of you.
01:29:38It's imagination.
01:29:40Oh, what are we doing sitting here in the half-light?
01:29:43Enough to give anyone the fidgets.
01:29:45Turn up the lamp.
01:29:50And draw the curtains.
01:29:52No, no, don't.
01:29:54Why not?
01:29:56I don't know why not.
01:29:58It just brings the night nearer, that's all.
01:30:00I don't know what on earth you mean.
01:30:02Draw the curtains, Danny.
01:30:09Auntie, will you excuse me?
01:30:11I want to go to my room.
01:30:12What for?
01:30:13I can't sit here any longer.
01:30:15You haven't had your pudding yet.
01:30:16I don't care for any thank you.
01:30:17Well, you can sit and watch us have it, then.
01:30:19I'm sorry, I can't.
01:30:20I just can't sit here any longer.
01:30:38I'll be back.
01:30:58Oh, it's getting quite chilly.
01:31:00Get me the little shawl from my room, dear, will you?
01:31:05The shawl, dear.
01:31:06Oh, I'm sorry, Mum.
01:31:07In the land of Nod I was.
01:31:08Now, what was it Your Highness wanted?
01:31:09A shawl.
01:31:10A shawl.
01:31:11No sooner said than done.
01:31:12Watch me.
01:31:13One, two, three.
01:31:14Silly boy.
01:31:15Silly boy.
01:31:37Where are you off to?
01:31:43I want Keystone 2348.
01:31:45Who are you telephoning?
01:31:49Who are you telephoning?
01:31:51Olivia!
01:31:52Answer me!
01:31:53Hello.
01:31:54Hello, is Mr. Justin Lorry there?
01:31:56Oh, so that's what it is.
01:31:58Hello, Justin?
01:32:01Hello, Mr. Lorry.
01:32:03Hello, Mr. Lorry.
01:32:04Mr. Justin?
01:32:07Yes, I've changed my mind.
01:32:09I'm coming up to town.
01:32:10Will your mother put me up?
01:32:11My dear, of course.
01:32:13What's the matter?
01:32:14Has anything happened?
01:32:15Yes, but I can't tell you about it now.
01:32:18I'm coming right up.
01:32:19I'll be there in an hour.
01:32:20Goodbye, Justin.
01:32:22Olivia, what is the meaning of this?
01:32:25Listen to me.
01:32:27I thought I was frightened the other day.
01:32:29But today, when I saw the light beginning to fail
01:32:31and night coming nearer and nearer,
01:32:33I felt my fingertips getting cold
01:32:34and I knew for the first time what real terror was.
01:32:37I'm not a fool and I'm not hysterical.
01:32:40But I can't tell anymore what are real things and what aren't.
01:32:44The day is over and the forest is all about us.
01:32:47Anything can happen.
01:32:49Auntie, you shouldn't stay in this house tonight either.
01:32:52That's very silly of you.
01:32:54Trying to scare an old woman with a weak heart.
01:32:57What have you got to be frightened of?
01:32:59There's been a murder, you know, and the murderer is still about.
01:33:01Well, nobody's going to murder you.
01:33:04Besides, we've got Danny to look after us.
01:33:06He's as strong as an ox, no silly nerves about him.
01:33:10Where is he?
01:33:11He's getting my shawl.
01:33:14It's been a long time.
01:33:17Danny?
01:33:19Come in, Mum, come in.
01:33:22How are you going to get to town?
01:33:24Not too frightened to walk through the forest, eh?
01:33:27I'd rather spend the night in the forest than in this house.
01:33:29That sounds very convincing, I must say.
01:33:32Well, you can go.
01:33:34But I give you a fair warning.
01:33:36When you come back, I'm not so sure that I shall answer the door.
01:33:40Think that over in the morning.
01:33:43Morning.
01:33:57Who was that at the door?
01:33:58My niece. Gone for the night, if you please.
01:34:01Gone?
01:34:03For the night?
01:34:04Would you believe it?
01:34:06So she's frightened.
01:34:09Come along with that shawl, dear. I'm freezing.
01:34:16I don't know what's up with me tonight.
01:34:18Better have a chocolate.
01:34:24Come on.
01:34:25You don't catch me staying here after dark these days.
01:34:27Here, wait for me.
01:34:28Oh, I'll be back.
01:34:33Well, let's go on me way and rejoice in.
01:34:36Everybody seems to be going.
01:34:38What's the matter with you all?
01:34:39What'll we have for lunch tomorrow?
01:34:41Lunch tomorrow? Let me see.
01:34:43How about a nice little steak?
01:34:45With some baked potatoes.
01:34:46And some of that nice roly-poly pudding?
01:34:48With jam on it, the way you like it?
01:34:50Yes, I think so.
01:34:51Yes.
01:34:52I see. Something light.
01:34:54Okay. Good night, Mum.
01:34:57This wood is damp.
01:34:59Better get some kerosene.
01:35:02Danny.
01:35:03Do you think Olivia's a thief?
01:35:06I shouldn't be a bit surprised.
01:35:08What?
01:35:09Well, her eyes isn't very wide apart.
01:35:11My goodness. My jewel case.
01:35:13What a fool I was to let her go.
01:35:15And my purse is on the table.
01:35:17If she's taken anything, I'll have the police after her.
01:35:19I don't care that she's my niece or whether she isn't.
01:35:21I always hated her mother and asked her if her father was a fool.
01:35:27I don't know.
01:35:58I don't know.
01:36:18Oh, it's you.
01:36:20Slightest thing makes me jump these days.
01:36:22Are you going now?
01:36:24Yes, and you couldn't bribe us to stay.
01:36:25It's pitch dark in Arthur now.
01:36:27And I'm not going to ride through the forest like that
01:36:29while the murderer may be lurking.
01:36:31I'll go with you.
01:36:33On the other way.
01:36:34You going out?
01:36:36Yes, I feel funny.
01:36:37I have all evening.
01:36:39You can't leave her here by herself.
01:36:41Just scream the place down.
01:36:43I asked her this very minute.
01:36:45She said she wouldn't mind.
01:36:47Says it would do me good.
01:36:49She won't hear of me staying.
01:36:51There's no good arguing with her.
01:36:53You're telling me.
01:36:54Take a nice long walk while you get the chance.
01:36:56You wait on her too much.
01:36:59Good night.
01:37:00Good night.
01:37:02Good night, Doris.
01:37:03See you in the morning.
01:37:25There's nothing missing.
01:37:27The cupboard lock's broken.
01:37:29There are marks all round.
01:37:34Talking to myself.
01:37:36Where's that boy?
01:37:38Oh, I'm getting kerosene, I suppose.
01:37:40Wish people wouldn't walk off like that.
01:37:42Leave me high and dry.
01:37:45Where's that boy?
01:37:47Oh, I'm getting kerosene, I suppose.
01:37:49Wish people wouldn't walk off like that.
01:37:51Leave me high and dry.
01:37:53Where are my chocolates?
01:37:58Oh, there they are.
01:38:15What was that?
01:38:17Danny?
01:38:19Danny!
01:38:22Danny!
01:38:33Danny!
01:38:35What's that boy doing in that kitchen?
01:38:52Danny!
01:39:13I've got the jitters.
01:39:15I've got the jitters.
01:39:17I've got the jitters, Danny!
01:39:22Danny!
01:39:30Danny!
01:39:33Danny!
01:39:45He's gone.
01:39:47They've all gone.
01:39:49They've left me here alone.
01:39:50Oh, heaven help the poor old woman.
01:39:54Oh, Danny.
01:39:57Danny!
01:40:00Danny!
01:40:01Danny!
01:40:02Danny!
01:40:03Danny!
01:40:04Danny!
01:40:08There's something outside.
01:40:10What shall I do?
01:40:12What shall I do?
01:40:13Danny!
01:40:14Danny!
01:40:15Danny!
01:40:16Danny, where are you?
01:40:17Where are you?
01:40:18Danny!
01:40:19Danny!
01:40:20There's something outside.
01:40:22Oh, heaven help me.
01:40:24Forgive us our trespasses.
01:40:25As we forgive them.
01:40:38Danny!
01:40:41It's all right.
01:40:42It's all right, boys.
01:40:43It's all right.
01:40:44It's Danny.
01:40:45It's all right.
01:40:46No, no, no, no.
01:40:47It's all right.
01:40:49It's all right.
01:40:50No, no, no, no, please.
01:40:51Oh, I can't forgive you, Danny.
01:40:52No, no, no.
01:40:53I can't.
01:40:54I can't.
01:40:55Shh.
01:40:56I can't.
01:40:57I can't.
01:40:58I can't.
01:40:59I can't.
01:41:00All right.
01:41:01Now, wait a minute.
01:41:02I've got this.
01:41:03There you are.
01:41:04There you are.
01:41:05I don't want it.
01:41:06I don't want it.
01:41:07Come on.
01:41:08Take a little bit.
01:41:09Take a little bit.
01:41:10That's fine.
01:41:11Take a little bit.
01:41:12Oh.
01:41:13Oh.
01:41:14I'm so sorry.
01:41:15I, I, Dora and Mrs. Tennis wanted me to take them down to the main road because they
01:41:17were frightened.
01:41:18I'm sorry.
01:41:19Now, that's better, isn't it?
01:41:20There.
01:41:21I don't get it.
01:41:22Ah, give me some more.
01:41:23That's it.
01:41:24All alone.
01:41:25Yes.
01:41:26All alone in the world.
01:41:27There's a poor old woman crying for help, but no answer.
01:41:28No answer.
01:41:29Poor old woman crying for Danny.
01:41:30Yes.
01:41:31That's better.
01:41:32There.
01:41:33Oh, Danny.
01:41:34Oh, Danny, dear.
01:41:35Look at me when I saw your face.
01:41:36Oh.
01:41:37I bet you wasn't half blind.
01:41:38You're the only one that understands me.
01:41:39That's what you are.
01:41:40I don't have a clue.
01:41:41I don't have a clue.
01:41:42I don't have a clue.
01:41:43I don't have a clue.
01:41:44I don't have a clue.
01:41:45I don't have a clue.
01:41:46I don't have a clue.
01:41:47I don't have a clue.
01:41:48I don't have a clue.
01:41:49I don't have a clue.
01:41:50I don't have a clue.
01:41:51I don't have a clue.
01:41:52I don't have a clue.
01:41:53I don't have a clue.
01:41:54I don't have a clue.
01:41:55I don't have a clue.
01:41:56I don't have a clue.
01:41:57I don't have a clue.
01:41:58I don't have a clue.
01:41:59I don't have a clue.
01:42:00I don't have a clue.
01:42:01I don't have a clue.
01:42:02I don't have a clue.
01:42:03I don't have a clue.
01:42:04I don't have a clue.
01:42:05I don't have a clue.
01:42:06I don't have a clue.
01:42:07I don't have a clue.
01:42:08I don't have a clue.
01:42:09I don't have a clue.
01:42:10I don't have a clue.
01:42:11I don't have a clue.
01:42:12I don't have a clue.
01:42:13I don't have a clue.
01:42:14I don't have a clue.
01:42:15I don't have a clue.
01:42:16I don't have a clue.
01:42:17I don't have a clue.
01:42:18I don't have a clue.
01:42:19I don't have a clue.
01:42:20I don't have a clue.
01:42:21I don't have a clue.
01:42:22I don't have a clue.
01:42:23I don't have a clue.
01:42:24I don't have a clue.
01:42:25I don't have a clue.
01:42:26I don't have a clue.
01:42:27I don't have a clue.
01:42:28I don't have a clue.
01:42:29I don't have a clue.
01:42:30I don't have a clue.
01:42:31I don't have a clue.
01:42:32I don't have a clue.
01:42:33There you are.
01:42:34One of the little ones with the violets on top here.
01:42:35There you are.
01:42:36A little one.
01:42:37No, no, no.
01:42:38Open your mouth and close your eyes and see what the Queen's got for you.
01:42:39Silly boy.
01:42:40There you are.
01:42:41You only want to understand me, Danny.
01:42:42You only want to understand.
01:42:43What are you doing?
01:42:44Just playing.
01:42:45Just playing.
01:42:46Silly, great, strong hands they are.
01:42:47You're a pet.
01:42:48My little chubby face.
01:42:49My little baby face.
01:42:50My little baby face.
01:42:51My little baby face.
01:42:52My little baby face.
01:42:53My little baby face.
01:42:54My little baby face.
01:42:55My little baby face.
01:42:56My little baby face.
01:42:57My little baby face.
01:42:58My little baby face.
01:42:59My little baby face.
01:43:00My little baby face.
01:43:01My little baby face.
01:43:02My little Danny.
01:43:03Am I in a draught?
01:43:04Just two minutes.
01:43:05Two minutes.
01:43:06I got to take care of myself.
01:43:08You have.
01:43:10Haven't I?
01:43:11You have.
01:43:12I like to get into my chair now, believe it or.
01:43:17Just get into the chair.
01:43:21Get into the chair.
01:43:25There you are.
01:43:27Easy does it.
01:43:29Easy does it.
01:43:31That's fine.
01:43:32There you are.
01:43:33Time for bye-byes.
01:43:34Time for bed for you.
01:43:36Ah, you are a sleepy girl tonight.
01:43:38Sandman's coming for you.
01:43:40Sandman's coming for you.
01:43:42Rock-a-bye, baby, in the treetop.
01:43:46When the wind blows, the cradle will rock.
01:43:49When the bough breaks, shh, the cradle will fall.
01:43:54Down will come baby, cradle and all.
01:43:58Rock-a-bye, baby, in the treetop.
01:44:03When the wind blows, the cradle will rock.
01:44:07When the bough breaks, the cradle will fall.
01:44:12And down will come baby, cradle and all.
01:44:18Rock-a-bye, baby, in the treetop.
01:44:22What a funny look on your face, dear.
01:44:25Smiling like that.
01:44:27You look so kind.
01:44:30So kind.
01:44:33What are you going to do with them?
01:44:37Oh!
01:44:38Oh!
01:44:57Oh!
01:45:28Oh!
01:45:29Oh!
01:45:30Oh!
01:45:31Oh!
01:45:32Oh!
01:45:33Oh!
01:45:34Oh!
01:45:35Oh!
01:45:36Oh!
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01:52:43Sorry to bring you back at this time of night, sir.
01:52:47Oh, that's all right. It's no trouble.
01:52:50Let's have a look at your hands, old chap, will you?
01:53:13That's better.
01:53:15You'd better come along quietly.
01:53:34I'll leave these two men in charge.
01:53:36They'll see that nothing's disturbed.
01:53:43This is the real thing, my boy.
01:53:45Action.
01:53:47That's what she said, wasn't it?
01:53:49And she was right, you know.
01:53:52I've been playing up to you.
01:53:55I showed you a thing or two, didn't I?
01:53:59This is the real thing.
01:54:08Have you got a cigarette?
01:54:11Have you got a cigarette?
01:54:31Tastes funny.
01:54:34I want something now I've never wanted before in my whole life.
01:54:39A long walk.
01:54:42All by myself.
01:54:46It's contrary, isn't it?
01:54:48Come on.
01:54:51Well, I'll hang in the end.
01:54:53But they'll get their money's worth at the trial.
01:54:57You wait.
01:55:09Justin, how did...
01:55:10I tried to get you on the phone again.
01:55:12There was no answer.
01:55:14I was afraid something was wrong, so I called the Shefferley police station.
01:55:20You don't say thank you to someone who has saved your life, do you?
01:55:25Besides, it's more than my life you saved tonight.
01:55:29It's my reason.
01:55:32Come on, darling.
01:55:38Come on.
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