Rote Rosen 4004 folge
Transcript
00:00Oh, how nice that you came.
00:03We couldn't miss that.
00:05Yes.
00:06Don't forget to order a burger.
00:08Yes, of course.
00:09I wanted to say sorry.
00:11A message from Ben Berger?
00:13I wanted to say sorry.
00:15If you would excuse me for a moment.
00:19I could go home now.
00:20Ben!
00:21Yes!
00:24That was my help.
00:25She saw that in the city someone was trampling the plants.
00:29That's exactly the kind I planted.
00:32Ben Berger.
00:34I also want to walk hand in hand through the city with you.
00:36Without thinking about who could disturb us.
00:39For example, I can't imagine walking hand in hand with you through the city.
00:42Then we have a problem.
00:58And a restless sky.
01:02This is my life.
01:04This is my life.
01:06This is the way to find my own.
01:10This is my life.
01:12This is my life.
01:14This is the world where I belong.
01:20I'm rolling on.
01:22I'm rolling on.
01:28I'm rolling on.
01:30I'm rolling on.
01:35What do you mean by that?
01:36Then we have a problem.
01:37I understand that this is all new to you.
01:40And I also understand that you have to find yourself first as ...
01:44Well, as a man who loves a man.
01:46And I also understand that you can't carry it out.
01:49Not yet.
01:51But ...
01:54It's important to me that you can do this at some point.
01:57It needs a perspective.
02:00Yes.
02:01And if not, then ...
02:03You don't understand me.
02:10I don't want to wait for someone again who doesn't confess to me.
02:15Did you just hear that from your ex-husband?
02:17I thought he didn't want to leave his husband for you.
02:20Yes, okay, that's something else.
02:22But it's the same thing.
02:25I have feelings.
02:28And I want to live them.
02:30And show them.
02:32Show them to everyone.
02:35I'm sorry, but ...
02:37That's too much right now.
02:40Okay.
02:43Then maybe it's better if you leave now.
02:54Bye.
03:02Mr. Berger?
03:07Hello. Wake up. Hey! Wake up!
03:11Tina.
03:12No, the whore.
03:14What?
03:15What kind of whore?
03:16That's what you called me.
03:18Before or after you trampled my cherry laurel.
03:21What kind of cherry?
03:22What kind of cheap whore?
03:24I can't do anything about your workshop having to leave because of my decontamination project.
03:28What? What? What? What?
03:29Now don't act more stupid than you are.
03:31You're angry. Okay.
03:33But you have the letter.
03:34I don't know what's going on here.
03:36Now don't do that.
03:37I just want to sleep.
03:38Where else does the earth come from?
03:41Here.
03:43I was peeing.
03:45In the botanical garden.
03:47What?
03:48You peed on my prunus angustifolia?
03:52Hey! Hello! Don't fall asleep again! Hey!
03:55That's...
03:56We're not done yet!
04:07Thank you again for helping me with the campaign.
04:12What do you mean by helping?
04:13It's just that I have an allergy to hate.
04:16So it was a medical necessity to do this.
04:19I also have an allergy to hate.
04:21Is it contagious?
04:22I hope so.
04:24It was definitely cool of you.
04:25Hey, and thanks again for the pizza.
04:27Even if you have to cancel it tomorrow.
04:29Oh, I'm looking forward to it.
04:31Do we have to go?
04:32I have to go again.
04:38By the way, I think it's pretty cool how you take care of Leyla.
04:41I would rather say she takes care of me.
04:44Well, come on.
04:45Yes, I need her as a trainer for the test day at the fire department.
04:48Yes, but you also promised my father to take care of her.
04:51Now that Bach is dying in front of her.
04:53Yes, and I will do that.
04:55Although I also told you that I don't do that quite unselfishly, right?
05:05What's up?
05:07Oh, it's...
05:09I should have been in Cologne by now, because I have your project with my fellow students.
05:13But I have your project, which I can't do from here.
05:15And you have concerns about leaving Leyla alone here.
05:19Elias, she's not alone.
05:23It's her first real life crisis.
05:25She was always well taken care of and everything went well.
05:27Yes.
05:28I just don't know what to do with her.
05:29Yes, Elias, but she's not alone.
05:32And what you can rely on?
05:34I know my way around life crises quite well.
05:39You can really go to Cologne without any concerns.
05:41I will be worthy of you here as a big replacement brother.
05:46I promise.
06:12Well?
06:14You didn't sleep much, did you?
06:17Is everything okay?
06:19Is it about Mo?
06:22You wanted to tell us something, didn't you?
06:24Who annoyed you?
06:26Ben Berger.
06:27But he didn't annoy me.
06:28He... he mocks me.
06:30He ruins my sealing surfaces and even pees on them.
06:33Can you imagine that?
06:34It's so disgusting.
06:37Actually, we haven't seen each other for a while.
06:39I...
06:40Actually, we got along quite well.
06:42I don't know what got into him.
06:47And then he chased my gardener into the air.
06:50Into the air?
06:53I'm sorry, I...
06:55I don't listen to you at all.
06:56I can tell.
06:59So go to Mo.
07:01Yes, what can I say?
07:04Isn't it getting boring for you?
07:06This constant misfortune with my men.
07:09Julius.
07:13You listen to my misfortune.
07:15And I listen to your misfortune.
07:17Those are the rules.
07:21He doesn't want to talk to me in public.
07:25Well, not now.
07:26And I understand that.
07:27But also not in the future.
07:29Never.
07:31That's what he told you.
07:33He suddenly came to you and said
07:35I will never show myself to you in public, right?
07:39No, it was about something else.
07:41But why is that important?
07:43I just wanted to know if you put him under pressure.
07:46You like that.
07:50What do you mean, under pressure?
07:53I just want hope.
07:55A perspective, something.
07:57Yes, I understand that.
07:59No, you don't understand that.
08:00I drive with the handbrake on all the time.
08:03Just so he doesn't get scared and runs away.
08:06I give him space.
08:07I give him time.
08:08I do everything back and forth.
08:10But...
08:14Mo?
08:16No, Peter.
08:18Peter?
08:19Your ex?
08:20Oh God, I hope you don't want to go there.
08:22The guy treated you like shit.
08:26And besides, you're building something new here.
08:29Do I?
08:31Julius.
08:34I can understand if you...
08:36Yes, if you're afraid of getting hurt by Mo.
08:39But he's probably even more afraid.
08:42He needs time.
08:44I know, patience is not your strength, but...
08:48When the tender plant of love is supposed to grow,
08:51it needs space.
08:53Says the landscape architect.
08:56Says the landscape architect.
08:58Yes.
08:59I'm familiar with plants.
09:02They must not be confined.
09:05Otherwise, nothing will come of them.
09:12I don't think you'll be able to read during training.
09:15Very funny.
09:16Leyla said I should make the backpack as heavy as possible.
09:19Oh, that sounds like a fun day.
09:21And all that for a snack at the volunteer fire brigade.
09:25Why not? It's generally good to get fit again.
09:29True.
09:30But Leyla is a real drill instructor, you know that, right?
09:32Yes.
09:33But without a drill, I wouldn't go to my limits.
09:35That's why it's fine.
09:37Oh.
09:39I should do sports again.
09:41You can come along if you want to.
09:44Oh no.
09:45I still want to work on my blog a bit.
09:48Oh, I see.
09:49Géraldine Gégé-Douaille.
09:51Ah, Simon.
09:52A sensitive topic.
09:56What now?
09:58She's asking for a draft, you send it in,
10:01and then she doesn't reply.
10:02How unprofessional is that?
10:04She obviously didn't need it.
10:06My draft was probably just terribly bad.
10:10No.
10:11It was great, okay?
10:12And she'll see that too.
10:14Says the fashion expert.
10:15Says Miss Mayfair.
10:18But you're not Miss Mayfair.
10:20For Géraldine Gégé-Douaille, yes.
10:24I don't get it either.
10:27I don't understand why you didn't check again.
10:29Sometimes an e-mail gets lost or ends up in spam.
10:32Seriously, Marvin?
10:33That's what beginners do.
10:34Oh, lost e-mail.
10:37Well, guys, I think you should check again.
10:41I mean, you didn't send this draft without permission, did you?
10:45Yes, maybe.
10:46It's just part of the job.
10:50Yes, maybe.
10:51But I don't follow anyone.
10:56I'm not a beggar.
11:02Uh-huh.
11:04Ah, yes, okay.
11:06Ah, you overslept.
11:09That's great.
11:10Yes, yes, yes.
11:12No, I...
11:13I said yes.
11:15He feels comfortable with you and Henni.
11:17Yes.
11:19And, uh, what about dropping out of the nursery?
11:22Did it work out?
11:26Oh, yes, that would be great.
11:29Yes, if you could drop out, that would be great.
11:31Yes.
11:33Yes, I have to have booked the workshop by tomorrow.
11:37Yes.
11:38Yes, no, a friend of mine.
11:40He, uh, he has a barn.
11:42I can store everything there.
11:44Yes.
11:46Ah, that would be great.
11:48Yes.
11:49Well, thank you very much.
11:51See you later.
11:52Bye.
11:53Oh.
11:54Yes, thank you, too.
11:58You're not really fit yet, are you?
12:01Ah, it's a little late, you know.
12:04I noticed.
12:05Yes.
12:08Who is making such a mess here?
12:11Oh, me?
12:13Oh, I'm sorry.
12:14I, uh...
12:16Shit.
12:17Do you want me to do it?
12:18Yes, please.
12:19Oh, okay.
12:20And the next time you're in bed,
12:22why don't you just take off your shoes when you come in?
12:25Yes, of course.
12:31Ah, I just had a deja vu.
12:33I actually dreamed that Mrs. Böttcher was standing in front of me.
12:38And she was terribly excited because I trampled her cherries.
12:43Kirschlorbeer.
12:44You like to plant it in beds.
12:46And no, that wasn't a dream.
12:58Okay, you have an impotent child on your back.
13:00You just saved it on the tram.
13:02And now you have to go to the ambulance.
13:04You can't stop.
13:05No, I can't anymore.
13:06You can't stop.
13:07No, I can't anymore.
13:08The child, Simon, go!
13:09Hey, you're worse than any drill instructor.
13:11I just want to save the child.
13:13Okay, that's fun for you, isn't it?
13:14Yes, that too.
13:15Come on, we'll be done soon.
13:16So, last hurdle.
13:17You wait in the basement and now you have to climb out.
13:20I'm supposed to go up there?
13:22No, definitely not.
13:23Uh...
13:24No.
13:25You have to explain that to your parents.
13:27Oh, God, man.
13:30Okay.
13:32Huh?
13:33Yes, that's how I want you...
13:35Okay.
13:36Very good.
13:37Okay.
13:38And how does it feel?
13:40Awesome.
13:41Yes, feel the body.
13:42There's nothing more beautiful.
13:43Uh-huh.
13:44So, and now jump down.
13:45Leila, if I jump down here, I'll break all my bones.
13:47I can't do that.
13:48No way.
13:49No, stop.
13:50That's too risky.
13:51Leila, stop it.
13:52I believe you.
13:53Yes, it's okay.
13:54It's okay.
13:55I believe you.
13:56You came up here and now please go down again.
13:57Don't jump down with your shoulder.
13:58Leila, man!
14:00So, and now say again that it's too high.
14:06Can I come down again now?
14:12Okay.
14:13Good.
14:14Now go on.
14:15Go.
14:16Yes.
14:17Yes.
14:18Zack, zack, zack.
14:19Yes.
14:20You can do it.
14:29Is everything okay with you, Baba?
14:54You don't have to help me today.
14:56There's not much to do.
14:58I wasn't planning on doing that.
15:00Sander?
15:04I have to finish my homework.
15:06It's a big project with several students.
15:08And from a certain point on,
15:10it's only going to work together.
15:12You have to go back to Cologne?
15:14Of course.
15:16Is that really okay?
15:18I have the feeling that there's only chaos here.
15:20We're here for Leyla.
15:22And Simon too.
15:24It's good to have him on her side.
15:26At least she has something to do.
15:28It was great to get here from you.
15:30But not neglecting your studies now.
15:32Leyla will get over it.
15:34And you too?
15:36Why shouldn't I get over it?
15:40I think the thing with Max and his boyfriend,
15:42the attack, it really got to you.
15:44You're really worrying her.
15:46A father always worries about his children.
15:48For a lifetime.
15:50But you won't change that
15:52even if you hang around here.
15:54You can drive with confidence.
15:56I'll contact Simon and take care of Leyla.
15:58Okay.
16:04Oh God.
16:06Don't make yourself too comfortable.
16:08There's a second round.
16:10Yes, I was afraid of that.
16:12Only at the limit does the training effect occur.
16:14How good that I can't do it anymore.
16:16Pain is weakness that leaves the body.
16:18What are those calendar words for athletes?
16:20Quality comes from suffering.
16:22Do you need those words to motivate yourself?
16:24Huh?
16:26Leyla?
16:32What's that supposed to be?
16:34Why is my father writing you something like that?
16:36Oh, I see.
16:38Is this supposed to be occupational therapy for me?
16:40No, no, no.
16:42Your father thought
16:44that it might be good for you
16:46if you train someone.
16:48What I'm trying to say is
16:50I think your father
16:52is pretty close to not coming to you.
16:54Do you understand?
16:56Yes.
16:58Leyla, wait a minute.
17:00I'm doing this for myself, okay?
17:02Not for your father.
17:04Are you still mad at him?
17:06Yes, at my father
17:08because he always has to interfere.
17:10Come on, let's continue.
17:12Okay.
17:24Marvin, you have to sharpen your knife more often.
17:28Take mine.
17:36Can I make another dimi glass later?
17:38You'll have to ask Ms. Frey.
17:40I'll be at the food truck later.
17:42Like every afternoon now.
17:44I thought it was a shame
17:46that I couldn't be there at the opening.
17:48Well, someone had to keep the shop running.
17:50That's true.
17:52Oh, can you put a herring
17:54on the side for me later?
17:56A herring?
17:58A herring. I want to make a fish sandwich.
18:00I want to surprise Ms. Jansen.
18:04You want to make a fish sandwich
18:06for Ms. Jansen in your burger shop?
18:08No, not Ms. Jansen,
18:10a friend of mine.
18:12Okay, I don't have to understand that,
18:14but Ms. Fairman will jump around
18:16if she finds out that you're taking herring.
18:18Ms. Fairman always jumps around.
18:20If it was Ms. Fairman,
18:22I wouldn't have a food truck.
18:24How did you manage to get
18:26Mr. Flickschild to do all this?
18:28I insisted.
18:30And of course I made sure
18:32that everything was running smoothly.
18:34Marvin,
18:36if something is really important to you,
18:38if it's your dream,
18:40then you can't
18:42compromise.
18:46And my experience has shown me
18:48that if people notice
18:50or feel that you have a passion,
18:52they will come to you.
18:54Half-heartedness, yes.
18:56You just can't get far with that.
18:58You just can't get far with that.
19:02Oh!
19:04Are you thinking about the fish?
19:06Of course.
19:14Well,
19:16Ms. Mayfair
19:18is also on fire for her designs.
19:20Madame Gigi Doux.
19:24Okay, and
19:26did you break your leg?
19:30Um...
19:32Really?
19:36You, Peter, I have to get back to work.
19:38I'll think about it and I'll get back to you.
19:40Okay?
19:42I'll get back to you.
19:46Ms. Savackos, you wanted to talk to me.
19:48Is everything okay with you?
19:50Oh, yes.
19:52Private stuff.
19:54You can leave if you want.
19:56If you want to talk, I can listen very well.
19:58No.
20:00No.
20:02Yes.
20:04Maybe.
20:14I don't know
20:16if I told you about my ex.
20:18Peter.
20:20It was all very dramatic.
20:22He broke up with me
20:24and promised me again and again
20:26that he would break up with me, but...
20:28And then I broke up with him.
20:30And then he was allegedly
20:32happy with his husband again.
20:34Until now.
20:36And now they broke up.
20:38And now he wants her back?
20:42Now he wants a nurse.
20:44Oh, a nurse.
20:46He broke his leg.
20:48Fifth floor, no elevator, no man.
20:50And he asked me if I could help him.
20:52Sounds like exploitation.
20:54Then it's clear, isn't it?
20:58Still, I'm thinking about it.
21:00Now you've lost me.
21:04There is also
21:06a difficult emotional situation
21:08in Lüneburg.
21:10I should actually leave.
21:12And in fact,
21:14Peter is good at distracting.
21:16Either funny or dramatic.
21:18Or both.
21:20And he needs me.
21:22Don't you have
21:24a few free days left anyway?
21:26Well, I think Amelie
21:28would be happy.
21:30Oh God, I...
21:32I talk and talk and talk.
21:34What did you want to discuss?
21:36Oh, I just wanted to make sure
21:38that you know that I have the next
21:40afternoon off so that I can work
21:42at my food truck.
21:44Yes, Mrs. Fehrman communicated that.
21:46Yes.
21:52Mrs. Salvakos.
21:56I'm actually not the type
21:58who spreads private information,
22:00but
22:02that did well.
22:06Now you just have to decide.
22:16Fuck.
22:30Excuse me.
22:32I...
22:34I'm an idiot.
22:36I can't disagree with you
22:38by any means.
22:40That wasn't
22:42revenge,
22:44but a drunk guy who doesn't know
22:46where he's going in the dark.
22:48Yes.
22:50I didn't even know that you were
22:52a gardener here in the city.
22:54Yes.
22:56And that yesterday
22:58Karl said my stupid things,
23:00that...
23:02I'm sorry about that too.
23:04Yes, I probably
23:06let my frustration out
23:08at the wrong place.
23:10Sorry.
23:12And if you take back the schrulle now,
23:14you almost made it.
23:16What kind of schrulle?
23:18Really now?
23:20Are you so drunk that you don't even know that anymore?
23:22No, I...
23:26No, I...
23:28I used the dictation function.
23:30Yes, that should actually
23:32mean sorry.
23:34Sorry.
23:36Yes, sorry.
23:38Schulli...
23:40I don't know.
23:42That doesn't make any sense.
23:44I wanted to say schrulle.
23:46Yes, exactly.
23:48But a lot of things don't make sense to you.
23:50Okay, I'm sorry.
23:52I'll take that back.
23:54And I'll accept your numerous apologies.
23:56Ah, good, great.
23:58If you help me
24:00to put all this in order.
24:02I actually have to
24:04get my workshop out of...
24:06...
24:08Okay.
24:10Yes, good.
24:12What should I do?
24:16Arm away from the body
24:18and don't pedal.
24:20He's pedaling by himself.
24:22No, Simon, you're pedaling.
24:24Straight posture, co-activated,
24:26and arm away from the body.
24:28And if that thing pedals one more time,
24:30you'll do ten squats.
24:32We're not done yet.
24:34You're just letting your frustration out on me.
24:36And that's not fun.
24:38It doesn't have to be fun.
24:40It can be fun,
24:42regardless of what your father wants.
24:44You know what I'm wondering?
24:46What's so hard and bad about
24:48him worrying about you?
24:50I'm an adult.
24:52I don't need a babysitter.
24:54Yes, but he just wants you
24:56not to be alone in this crisis.
24:58And he even gives you space.
25:00I think he's doing a pretty good job.
25:02Very good.
25:04He gives you space.
25:06He cares for you.
25:08He loves you.
25:10I wish I had a father like that.
25:32Mo.
25:38Mo.
25:40Hey.
25:42Hey.
25:44I'm sorry
25:46I was so upset yesterday.
25:48Can we talk in peace?
25:50Now?
25:52Yes.
25:54You're in a bad mood.
25:56Elias is going back to Cologne.
25:58I got him some food.
26:00Maybe we can meet later
26:02when Elias has left.
26:04Then I might already be in Berlin.
26:06Berlin?
26:08Yes.
26:10Peter needs my help.
26:12Peter, your ex?
26:14Yes. It's an emergency.
26:16He broke his leg.
26:20Well, good for you.
26:48You can put that there.
26:52Well.
26:54In the end, I don't know
26:56if I should thank you.
26:58After all, you only fixed
27:00what you broke.
27:02I already apologized
27:04three times.
27:06Isn't that enough?
27:08Yes, yes. I'm just saying.
27:10I should clean up my workshop.
27:12A friend is waiting for me.
27:14And I only hear accusations from him.
27:16It's good. It's good.
27:18It wasn't very serious.
27:20And I can only say to the accusations
27:22it's my own fault.
27:24Of course.
27:26It's our fault.
27:28We women.
27:30Maybe you could have opened your mouth
27:32and talked to me about the sealing.
27:34But no, that's not an issue anymore.
27:36It's just like Tina.
27:38Her self-discovery trip ruined everything.
27:40But in the end, it means
27:42I should have fought more.
27:44I should have done this, that, that.
27:46It's always the same accusations.
27:48I'm not Tina.
27:50No, but you do the same.
27:52You already know that you break
27:54I'm not Tina.
27:56And like in Frusterbau,
27:58you can look for another fool.
28:00Or you can buy a punching bag.
28:14Hey.
28:16Thanks.
28:18We can sit down.
28:20No, let's stay in the fresh air.
28:22I'll be with you in two minutes.
28:24Okay.
28:32Has Gigi Du
28:34already contacted you?
28:38Did you check your e-mails?
28:40Not at the moment, but
28:42yes, of course.
28:44Good. Also the ones from your
28:46Miss Mayfair account?
28:48Why is that so important now?
28:50I'm just interested.
28:52Marvin, she hasn't contacted you all week.
28:54Why should she contact you today?
29:00What did you do?
29:04Marvin?
29:06You can't go on with half-heartedness.
29:08You wrote to her?
29:10But friendly.
29:12Marvin, what are you doing?
29:14You sent her such a great draft.
29:16You can't just leave it like that.
29:18Why should I?
29:20Everyone knows that Géraldine Gigi Du
29:22hates it when you threaten her.
29:24I don't know that.
29:26Whatever.
29:28She doesn't take me seriously anyway.
29:32You know what?
29:34Forget her.
29:36You don't need her.
29:38Your blog is awesome.
29:40The whole fashion world is crazy about it.
29:42Just pursue your dream.
29:44It doesn't matter what people say
29:46as long as you're happy.
29:54Hey, Hanno.
29:56Hi.
29:58Are we having dinner together?
30:00Yes, a family dinner before Elias
30:02leaves for Cologne.
30:04Will you join us?
30:06Of course. You're part of the family.
30:10Oh, you're already here.
30:12How are you?
30:14I have a little surprise for you, too.
30:16For me?
30:18What's that?
30:22Creme brulee?
30:24You're the best.
30:26But first, magic makes for better.
30:28Can I help you?
30:30Yes, I was engaged to your cousin.
30:36Sir.
30:38Jada called, by the way.
30:40She wanted to talk to you.
30:42Me, too. I had to pull her out.
30:44I didn't have time.
30:46You don't like her.
30:48I always want to see my mother.
30:50Oh, I see.
30:52If it's about Dila having a boyfriend,
30:54I know.
30:56Ah, okay.
30:58Jada will find out soon enough
31:00that they're getting married.
31:02I don't know what you're doing,
31:04but she wants to talk to you.
31:06I'll call her back later.
31:08Now we're going to eat.
31:10We were supposed to train together.
31:14Oh, yeah.
31:16She beat me to it.
31:18It was pretty good.
31:20It was very good.
31:28Well, darling,
31:30everything's fine again.
31:32You don't yawn anymore, do you?
31:34Yes, all thanks to Jürgen's saliva.
31:36You should take a look at Klaas.
31:38You know what?
31:40Betty and I
31:42will just accompany you to the clinic.
31:44Yeah, that's a good idea.
31:52Everything's fine.
31:54What's wrong with you?
31:56I...
31:58The stuff from the workshop?
32:00Yes.
32:02The bikes are in there.
32:04Is everything okay?
32:06No, I...
32:08I'm stressed.
32:10Okay.
32:12Let's see.
32:18But...
32:20Yesterday with Klaas was pretty funny.
32:22We can do it again soon, right?
32:24Yeah, we'll see.
32:26What happened?
32:30I was there yesterday
32:32for a quick pee.
32:34And, uh...
32:36Apparently, while I was there,
32:38a prayer from, hold on,
32:40Franka Böttcher fell apart.
32:42What?
32:44And now, even though I don't have time at all,
32:46I helped to rebuild everything.
32:48Yeah, I bet
32:50it's a thousand times nicer than before.
32:52I mean, I'm not a wild boar.
32:54I can't have destroyed so much.
32:56Come to the point, please.
32:58The point is
33:00that I helped her
33:02and she's not grateful to me,
33:04she's just mad at me
33:06that I'm working off
33:08my anger at Tina.
33:10To be honest, I think so, too.
33:12That's nonsense.
33:14She takes herself too seriously.
33:16I'm not working off her.
33:18This Franka is driving me crazy.
33:20She's just taking the workshop away from me.
33:22Taking away is a little different.
33:24You and your stupid unlocking
33:26are to blame for that.
33:28Unlocking, unlocking.
33:30Can you please leave her alone?
33:32She always knows everything better.
33:34She always has to have the last word
33:36and always turns everything around
33:38so that I end up being stupid again.
33:40That's actually quite clever.
33:42But it's only about her own interests.
33:44The woman is about corpses.
33:46Like Tina.
33:48Exactly like Tina.
33:50The woman is Tina's lost,
33:52believed twin sister.
33:54Hendrik, say something, too.
33:56Uh...
34:00No, no.
34:02I don't think you can say
34:04that you're working
34:06off your anger at Tina
34:08at Frau Böttcher.
34:10See?
34:26See?
34:56Mm-hmm.
35:26Mm-hmm.
35:56Mm-hmm.
36:26Yeah.
36:56Mm.
36:58Which first?
37:00Danke.
37:04Lass mich.
37:06Okay.
37:08Vielen dank.
37:20Das ist so lecker, baba.
37:22Dankeschön.
37:24I'm going to get my bags, and then I have to go, okay?
37:26You can take me to the train station?
37:28Sure.
37:38Klaas?
37:41It's nice to see you happy.
37:43Really.
37:45What about you? You were just as happy yesterday.
37:48Did something happen with Julius?
37:49It's complicated.
37:51And now he's leaving instead of talking to me about it.
38:01Hi.
38:02Hi.
38:02What's wrong with this Ben Berger?
38:04Oh, it's you. What's up?
38:06We're always arguing, but he doesn't have a problem with me, but with his ex.
38:16Are you leaving?
38:17Yes, I have a few more days off, and I have to get out of here.
38:21Where are you going?
38:24To Berlin.
38:26Really? Let me guess.
38:29Peter called, and you went in.
38:32Are you serious?
38:34He broke his leg. He needs help.
38:37And what about Mo...
38:38And he broke up with his husband.
38:40Julius!
38:41Finally!
38:42It's just a friendship service.
38:44I definitely won't start anything with Peter again.
38:48To be honest, I kind of hoped that Mo would try to stop me.
38:54Or confess to me, or something.
38:58And you understand that under no circumstances.
39:02It's my fault.
39:04I just would have liked to talk to him about it again.
39:07So, I said goodbye to Lena. She's leaving again.
39:11And who would you like to talk to about what?
39:15Um...
39:17Ah, secrets.
39:19No, with a client.
39:21Okay, I understand.
39:23I'm ready.
39:25Um...
39:26Oh, Elias, actually I'd like to take you to the train station.
39:29I'm still sick, and Baba urgently has something to do.
39:33Yeah, the client. Sorry, I totally forgot.
39:36Okay.
39:37So, take care.
39:39And call me, okay?
39:41I will, Baba.
39:44Okay.
40:06Yes, please.
40:14I love you.
40:24Hi.
40:27Hi.
40:29So?
40:30So, you, sport ace?
40:32Sport ace is good, ey.
40:35I didn't even know how unfit I was.
40:39But was it good with Leyla?
40:40Yes, it was very good.
40:42What are you doing?
40:44I'm outing myself as Miss Mayfair.
40:46Wow!
40:48Yes, Geraldine, Gigi, you can do me.
40:50My blog is doing great and I can make something out of it.
40:52Yes, of course, if I had the choice,
40:54I would of course also start a start-up, but...
40:56Yes, yes, yes, Simon, I'm not quite there yet.
40:58I have to make a cool video first.
41:00Oh, yes.
41:02I also know how much I need for it.
41:05Well, hopefully not me.
41:07I should take a shower urgently.
41:09Oh, yes. I can only recommend that.
41:11That bad?
41:13Yes, it is.
41:17Tell me, Simon.
41:19Yes?
41:21Have you seen the new post by Delay on Pictogram?
41:26With her new boyfriend?
41:28Yes.
41:30Relationship status, great love.
41:33Well, she even wants to move in with him right away.
41:36Really?
41:38Oh.
41:40That's fast.
41:43And that doesn't bother you?
41:46Well...
41:48I don't know, it was a little trick, but...
41:51Leyla set me up quite well.
41:53Cool.
41:55You two are getting closer and closer, aren't you? Leyla and you.
41:58It's really as if I would win another little sister.
42:02Ah, cool.
42:04So I'm not enough for you, right?
42:05No, you can never have enough little sisters.
42:09When Delay and I broke up, Kilic told me that I would always stay family.
42:14And I thought, of course, it's just a joke and they say it like that, but...
42:18It's actually true.
42:22Cool.
42:23Yes.
42:24Then I don't have a bad conscience if I go back to London after the holidays.
42:28No, I only count the days until you're gone.
42:30Hmm, great. I'll go on.
42:32Lotte?
42:33Yes?
42:34I'll show her.
42:35Take a shower.
42:38Hey, Carla.
42:39Hey, Franca.
42:41Do you want to eat a burger now?
42:42Yes, absolutely. I would like to enjoy it now.
42:45I'll take the Cheese Supreme, please.
42:48Okay, coming right up.
42:52And, how's it going?
42:53Oh, it's wonderful. I feel great here.
42:56Hey, Carla.
42:57Ah, Ben. Hi.
42:58Hi.
43:00Would you like the Triple B Burger today?
43:04No, thanks. I'll take the Cheese Supreme.
43:07Ah, okay. Then I'll take the same one.
43:16Oh, um...
43:18Damn, I only have a cucumber for one burger.
43:22Then I'll pass.
43:23No, no, no. It's okay without it for me. Give him the cucumber.
43:27No, no, Carla. Give her the cucumber.
43:30I don't want a cucumber.
43:33I don't want it.
43:35Okay. So, two burgers without the cucumber.
43:46So.
43:48Ta-da. Here you go.
43:51Hey, Carla.
43:52Yes?
43:53Tell the lady to stay here, please.
43:56I'll eat somewhere else. Can you pack for her, please?
43:58No, no. Just pack mine.
44:01The gentleman can't eat here.
44:04Carla.
44:05As I said, pack mine.
44:07We want something.
44:09No, I don't want to eat here.
44:11I really want to eat somewhere else.
44:13Pack mine, please.
44:30Excuse me. Have you seen Mr. Böttcher?
44:32Yes, earlier when he said goodbye to Berlin.
44:34When was that?
44:36About an hour ago. Maybe he's still at home.
44:39No, I've just been there.
44:41Then he's probably gone. Trouble in paradise?
44:44I don't think that's what she's talking about.
44:47Yeah, if you're being considerate.
44:56Hey, Julius.
44:58Yeah, you're probably already on your way to Berlin.
45:02I'm sorry. Everything.
45:05And I...
45:07I'd be happy if you'd call me.
45:11Like that?
45:13That's a little too cool.
45:15Miss Mayfair is cool.
45:16Yeah, but not too much.
45:19What was that?
45:21I'm supposed to help you, aren't I?
45:22Yeah, yeah, you're right.
45:24The first impression is crucial, okay?
45:26It could mean a breakthrough for the fashion world.
45:29So...
45:30Am I supposed to relax?
45:32Charlotte.
45:33Yes?
45:34Just be yourself.
45:36Then people will...
45:38Wait a minute.
45:41What is it?
45:42Wait a minute. I don't know if I saw that right, but...
45:46Marvin?
45:47Could be... Yes, I saw it right.
45:50Didi-Doo sent you a message.
45:52What?
45:57My mail with the design ended up in her spam.
46:01And she's thrilled!
46:03Well, good thing you checked again.
46:05Although, no, wait, that was me.
46:07Psst.
46:09She wants to work with me.
46:13Wait a minute.
46:15Oh.
46:16Oh, what?
46:19I can work for the best designer in the world, but only...
46:23...if I bury it with Mayfair.
46:32Elvis! I thought you could use it.
46:34Oh.
46:35You're too good for me.
46:40You can almost see your muscles grow.
46:43Yes, of course.
46:48Do you really think you can see anything?
46:50Yes.
46:51Do you really think you can see anything?
46:53Yes, of course.
46:55Well, so far you've only complained about me.
46:57Yes, because I wanted to get the best out of you.
47:00I see.
47:01You're really great at it.
47:03Really?
47:04Yes.
47:10I admire you.
47:12Not just because of your perseverance, but...
47:16...also because of how you got through the last year.
47:20I wish I could be so confident.
47:22Well, I wasn't that confident from the moment of the diagnosis.
47:27It's impressive how brave you are to get through all this.
47:31All these years invested in sports, and then it's...
47:35...all of a sudden it's over.
47:37It's unbelievable.
47:40How good that we have each other.
47:42Yes, you could say that.
47:50Very important.
47:51Uh-huh.
47:52What does Gigi do, then?
47:54I design fashion for the label of the industry.
47:56He ditched his ex.
47:58Maybe keeping your distance is good.
48:00Depends on what happens in Berlin.
48:02In case of doubt, he'll miss you just as much as you'll miss him.
48:05So, there's a risk of a break-in, yes?
48:07Well, like every quarter.
48:09But this time I'll take the wind out of his sails.
48:12Wow!
48:13Who's swapping something like that?
48:16Well, Mr. Lüder, you really are an exchange genius.
48:20The Finance Committee has simply debunked all our savings proposals.
48:23And the worst part is, we're supposed to save another 15%.
48:26How am I supposed to do that?
48:28Wow.
48:29To find an answer to that, I have three days.
48:31What?