Rote Rosen
Rote Rosen
  • 2 months ago
Transcript
00:00Oh, how nice that you came.
00:03We couldn't miss that.
00:05Yes.
00:06Don't forget to order a burger.
00:08Yes, of course.
00:09I wanted to say sorry.
00:11A message from Ben Berger?
00:13I wanted to say sorry.
00:15If you would excuse me for a moment.
00:19I could go home now.
00:20Ben!
00:21Yes!
00:24That was my help.
00:25She saw that in the city someone was trampling the plants.
00:29That's exactly the kind I planted.
00:32Ben Berger.
00:34I also want to walk hand in hand through the city with you.
00:36Without thinking about who could disturb us.
00:39For example, I can't imagine walking hand in hand with you through the city.
00:42Then we have a problem.
00:58And a restless sky.
01:02This is my life.
01:04This is my life.
01:06This is the way to find my own.
01:10This is my life.
01:12This is my life.
01:14This is the world where I belong.
01:20I'm rolling on.
01:22I'm rolling on.
01:28I'm rolling on.
01:30I'm rolling on.
01:35What do you mean by that?
01:36Then we have a problem.
01:37I understand that this is all new to you.
01:40And I also understand that you have to find yourself first as ...
01:44Well, as a man who loves a man.
01:46And I also understand that you can't carry it out.
01:49Not yet.
01:51But ...
01:54It's important to me that you can do this at some point.
01:57It needs a perspective.
02:00Yes.
02:01And if not, then ...
02:03You don't understand me.
02:10I don't want to wait for someone again who doesn't confess to me.
02:15Did you just hear that from your ex-husband?
02:17I thought he didn't want to leave his husband for you.
02:20Yes, okay, that's something else.
02:22But it's the same thing.
02:25I have feelings.
02:28And I want to live them.
02:30And show them.
02:32Show them to everyone.
02:35I'm sorry, but ...
02:37That's too much right now.
02:40Okay.
02:43Then maybe it's better if you leave now.
02:54Bye.
03:02Mr. Berger?
03:07Hello. Wake up. Hey! Wake up!
03:11Tina.
03:12No, the whore.
03:14What?
03:15What kind of whore?
03:16That's what you called me.
03:18Before or after you trampled my cherry laurel.
03:21What kind of cherry?
03:22What kind of cheap whore?
03:24I can't do anything about your workshop having to leave because of my decontamination project.
03:28What? What? What? What?
03:29Now don't act more stupid than you are.
03:31You're angry. Okay.
03:33But you have the letter.
03:34I don't know what's going on here.
03:36Now don't do that.
03:37I just want to sleep.
03:38Where else does the earth come from?
03:41Here.
03:43I was peeing.
03:45In the botanical garden.
03:47What?
03:48You peed on my prunus angustifolia?
03:52Hey! Hello! Don't fall asleep again! Hey!
03:55That's...
03:56We're not done yet!
04:07Thank you again for helping me with the campaign.
04:12What do you mean by helping?
04:13It's just that I have an allergy to hate.
04:16So it was a medical necessity to do this.
04:19I also have an allergy to hate.
04:21Is it contagious?
04:22I hope so.
04:24It was definitely cool of you.
04:25Hey, and thanks again for the pizza.
04:27Even if you have to cancel it tomorrow.
04:29Oh, I'm looking forward to it.
04:31Do we have to go?
04:32I have to go again.
04:38By the way, I think it's pretty cool how you take care of Leyla.
04:41I would rather say she takes care of me.
04:44Well, come on.
04:45Yes, I need her as a trainer for the test day at the fire department.
04:48Yes, but you also promised my father to take care of her.
04:51Now that Bach is dying in front of her.
04:53Yes, and I will do that.
04:55Although I also told you that I don't do that quite unselfishly, right?
05:05What's up?
05:07Oh, it's...
05:09I should have been in Cologne by now, because I have your project with my fellow students.
05:13But I have your project, which I can't do from here.
05:15And you have concerns about leaving Leyla alone here.
05:19Elias, she's not alone.
05:23It's her first real life crisis.
05:25She was always well taken care of and everything went well.
05:27Yes.
05:28I just don't know what to do with her.
05:29Yes, Elias, but she's not alone.
05:32And what you can rely on?
05:34I know my way around life crises quite well.
05:39You can really go to Cologne without any concerns.
05:41I will be worthy of you here as a big replacement brother.
05:46I promise.
06:12Well?
06:14You didn't sleep much, did you?
06:17Is everything okay?
06:19Is it about Mo?
06:22You wanted to tell us something, didn't you?
06:24Who annoyed you?
06:26Ben Berger.
06:27But he didn't annoy me.
06:28He... he mocks me.
06:30He ruins my sealing surfaces and even pees on them.
06:33Can you imagine that?
06:34It's so disgusting.
06:37Actually, we haven't seen each other for a while.
06:39I...
06:40Actually, we got along quite well.
06:42I don't know what got into him.
06:47And then he chased my gardener into the air.
06:50Into the air?
06:53I'm sorry, I...
06:55I don't listen to you at all.
06:56I can tell.
06:59So go to Mo.
07:01Yes, what can I say?
07:04Isn't it getting boring for you?
07:06This constant misfortune with my men.
07:09Julius.
07:13You listen to my misfortune.
07:15And I listen to your misfortune.
07:17Those are the rules.
07:21He doesn't want to talk to me in public.
07:25Well, not now.
07:26And I understand that.
07:27But also not in the future.
07:29Never.
07:31That's what he told you.
07:33He suddenly came to you and said
07:35I will never show myself to you in public, right?
07:39No, it was about something else.
07:41But why is that important?
07:43I just wanted to know if you put him under pressure.
07:46You like that.
07:50What do you mean, under pressure?
07:53I just want hope.
07:55A perspective, something.
07:57Yes, I understand that.
07:59No, you don't understand that.
08:00I drive with the handbrake on all the time.
08:03Just so he doesn't get scared and runs away.
08:06I give him space.
08:07I give him time.
08:08I do everything back and forth.
08:10But...
08:14Mo?
08:16No, Peter.
08:18Peter?
08:19Your ex?
08:20Oh God, I hope you don't want to go there.
08:22The guy treated you like shit.
08:26And besides, you're building something new here.
08:29Do I?
08:31Julius.
08:34I can understand if you...
08:36Yes, if you're afraid of getting hurt by Mo.
08:39But he's probably even more afraid.
08:42He needs time.
08:44I know, patience is not your strength, but...
08:48When the tender plant of love is supposed to grow,
08:51it needs space.
08:53Says the landscape architect.
08:56Says the landscape architect.
08:58Yes.
08:59I'm familiar with plants.
09:02They must not be confined.
09:05Otherwise, nothing will come of them.
09:12I don't think you'll be able to read during training.
09:15Very funny.
09:16Leyla said I should make the backpack as heavy as possible.
09:19Oh, that sounds like a fun day.
09:21And all that for a snack at the volunteer fire brigade.
09:25Why not? It's generally good to get fit again.
09:29True.
09:30But Leyla is a real drill instructor, you know that, right?
09:32Yes.
09:33But without a drill, I wouldn't go to my limits.
09:35That's why it's fine.
09:37Oh.
09:39I should do sports again.
09:41You can come along if you want to.
09:44Oh no.
09:45I still want to work on my blog a bit.
09:48Oh, I see.
09:49Géraldine Gégé-Douaille.
09:51Ah, Simon.
09:52A sensitive topic.
09:56What now?
09:58She's asking for a draft, you send it in,
10:01and then she doesn't reply.
10:02How unprofessional is that?
10:04She obviously didn't need it.
10:06My draft was probably just terribly bad.
10:10No.
10:11It was great, okay?
10:12And she'll see that too.
10:14Says the fashion expert.
10:15Says Miss Mayfair.
10:18But you're not Miss Mayfair.
10:20For Géraldine Gégé-Douaille, yes.
10:24I don't get it either.
10:27I don't understand why you didn't check again.
10:29Sometimes an e-mail gets lost or ends up in spam.
10:32Seriously, Marvin?
10:33That's what beginners do.
10:34Oh, lost e-mail.
10:37Well, guys, I think you should check again.
10:41I mean, you didn't send this draft without permission, did you?
10:45Yes, maybe.
10:46It's just part of the job.
10:50Yes, maybe.
10:51But I don't follow anyone.
10:56I'm not a beggar.
11:02Uh-huh.
11:04Ah, yes, okay.
11:06Ah, you overslept.
11:09That's great.
11:10Yes, yes, yes.
11:12No, I...
11:13I said yes.
11:15He feels comfortable with you and Henni.
11:17Yes.
11:19And, uh, what about dropping out of the nursery?
11:22Did it work out?
11:26Oh, yes, that would be great.
11:29Yes, if you could drop out, that would be great.
11:31Yes.
11:33Yes, I have to have booked the workshop by tomorrow.
11:37Yes.
11:38Yes, no, a friend of mine.
11:40He, uh, he has a barn.
11:42I can store everything there.
11:44Yes.
11:46Ah, that would be great.
11:48Yes.
11:49Well, thank you very much.
11:51See you later.
11:52Bye.
11:53Oh.
11:54Yes, thank you, too.
11:58You're not really fit yet, are you?
12:01Ah, it's a little late, you know.
12:04I noticed.
12:05Yes.
12:08Who is making such a mess here?
12:11Oh, me?
12:13Oh, I'm sorry.
12:14I, uh...
12:16Shit.
12:17Do you want me to do it?
12:18Yes, please.
12:19Oh, okay.
12:20And the next time you're in bed,
12:22why don't you just take off your shoes when you come in?
12:25Yes, of course.
12:31Ah, I just had a deja vu.
12:33I actually dreamed that Mrs. Böttcher was standing in front of me.
12:38And she was terribly excited because I trampled her cherries.
12:43Kirschlorbeer.
12:44You like to plant it in beds.
12:46And no, that wasn't a dream.
12:58Okay, you have an impotent child on your back.
13:00You just saved it on the tram.
13:02And now you have to go to the ambulance.
13:04You can't stop.
13:05No, I can't anymore.
13:06You can't stop.
13:07No, I can't anymore.
13:08The child, Simon, go!
13:09Hey, you're worse than any drill instructor.
13:11I just want to save the child.
13:13Okay, that's fun for you, isn't it?
13:14Yes, that too.
13:15Come on, we'll be done soon.
13:16So, last hurdle.
13:17You wait in the basement and now you have to climb out.
13:20I'm supposed to go up there?
13:22No, definitely not.
13:23Uh...
13:24No.
13:25You have to explain that to your parents.
13:27Oh, God, man.
13:30Okay.
13:32Huh?
13:33Yes, that's how I want you...
13:35Okay.
13:36Very good.
13:37Okay.
13:38And how does it feel?
13:40Awesome.
13:41Yes, feel the body.
13:42There's nothing more beautiful.
13:43Uh-huh.
13:44So, and now jump down.
13:45Leila, if I jump down here, I'll break all my bones.
13:47I can't do that.
13:48No way.
13:49No, stop.
13:50That's too risky.
13:51Leila, stop it.
13:52I believe you.
13:53Yes, it's okay.
13:54It's okay.
13:55I believe you.
13:56You came up here and now please go down again.
13:57Don't jump down with your shoulder.
13:58Leila, man!
14:00So, and now say again that it's too high.
14:06Can I come down again now?
14:12Okay.
14:13Good.
14:14Now go on.
14:15Go.
14:16Yes.
14:17Yes.
14:18Zack, zack, zack.
14:19Yes.
14:20You can do it.
14:29I'll be back.
14:31Bye.
14:32Bye.
14:33Bye.
14:34Bye.
14:35Bye.
14:51Alles okay bei dir, Baba?
14:53Du musst halt nicht helfen.
14:56Is nicht so viel zu tun.
14:58I wasn't planning on doing that.
15:01Sander?
15:04I also have to finish my homework.
15:06It's a big project with several students.
15:09And from a certain point on, it's only going to work together.
15:12You have to go back to Cologne?
15:15Of course.
15:16Is that really okay?
15:18I have the feeling that there's only chaos here.
15:20We're here for Leyla.
15:22And Simon too.
15:24It's good to have him on your side.
15:26At least she has something to do.
15:29It was great to get here from you, really.
15:31But now, don't neglect your studies.
15:33Leyla will be fine.
15:35And you too?
15:37Yeah, why shouldn't I be fine?
15:40I think the thing with Max and his boyfriend,
15:42the attack, it really got to you.
15:45You're really worrying about her.
15:47A father is always worried about his children.
15:49For a lifetime.
15:51But that doesn't change anything if you're hanging around here.
15:54You can drive with confidence.
15:56I'll contact Simon and take care of Leyla, okay?
15:59Okay.
16:06Don't make yourself too comfortable.
16:08There's a second round.
16:09Yeah, I was afraid of that.
16:10Only at the limit does the training effect kick in.
16:12Good thing I can't do it now.
16:14Pain is weakness that leaves the body.
16:17What are those calendar words for athletes?
16:19Do you want another one?
16:20Quality comes from suffering.
16:22Do you need those words to motivate yourself?
16:26Huh, Leyla?
16:32What's that supposed to mean?
16:33Why is my father writing you something like that?
16:36Oh, I see.
16:37Is this supposed to be occupational therapy for me?
16:39No, no, no.
16:40I...
16:42I...
16:43Your father thought it might be good for you
16:45if you train someone.
16:47And then...
16:49What I'm trying to say is, I think your father...
16:52He's pretty close to not coming to you at all.
16:55Do you understand?
16:57Yes.
16:58Leyla, wait a minute, wait a minute.
16:59I'm doing this for myself, okay?
17:01Not for your father.
17:04Yes.
17:05Are you still mad at him?
17:06Yes!
17:07At my father, because he always has to interfere.
17:11Come on, let's continue.
17:19You're welcome.
17:24Marvin, you have to sharpen your knife more often.
17:28Take mine.
17:37Can I make another dimi glass later?
17:39You'll have to ask Mrs. Frey.
17:40I'll be at the food truck later.
17:43Like every afternoon now.
17:45I thought it was a shame that I couldn't be there at the opening.
17:48Well, someone has to keep the shop running, right?
17:50That's right.
17:53Oh, can you put a herring on the side for me later in the fridge, please?
17:57A herring?
17:58A herring. I want to make a fish bun.
18:00I want to surprise Mrs. Jansen.
18:05You want to make a fish bun for Mrs. Jansen in your burger shop?
18:08No, not Mrs. Jansen, a friend of yours.
18:11Okay, I don't have to understand that.
18:13But Mrs. Fairman will certainly jump for joy if she finds out that you're taking herring with you.
18:17Mrs. Fairman always jumps in a triangle.
18:19If it were up to Mrs. Fairman, I wouldn't have a food truck.
18:21And even if it would go down...
18:24How did you manage to get Mr. Flickschild to do all this?
18:26The free afternoons and stuff.
18:28I insisted.
18:30And of course I made sure that everything was going well here at Carlisle.
18:35Marvin, if something is really important to you...
18:38Yes?
18:39If it's your dream, then...
18:41...you can't be satisfied with compromises.
18:46And my experience has shown me...
18:48...that if people notice or feel that you have a passion...
18:54...then they will come to you.
18:56Compromises, yes.
18:58You just can't get far with that.
19:02Oh, uh...
19:05Are you thinking about the fish?
19:07Of course.
19:08Well, a Miss Mayfair, too.
19:11Burning for her designs.
19:13Madame Gigi Doux.
19:17Okay, and...
19:19...how did you break your leg?
19:25Um...
19:27Really?
19:31You, Peter, I have to go.
19:33Bye.
19:34Bye.
19:36You, Peter, I have to get back to work.
19:38I'll think about it and I'll get back to you, okay?
19:42I'll get back to you.
19:46Miss Savackos, you wanted to talk to me.
19:49Is everything okay with you?
19:51Oh, yes. Private stuff.
19:53We can go to my office if you want.
19:55If you want to talk, I can listen very well.
19:58No.
20:02Yes.
20:03Maybe.
20:05Bye.
20:15I don't know if I told you about my ex.
20:18Peter.
20:19It was all very dramatic.
20:21He was married and...
20:23...he kept promising me that he would break up, but...
20:29And I ended it.
20:31And then he was allegedly happy with his husband again.
20:35Until now.
20:36And now they broke up.
20:37Finally.
20:38And now he wants her back?
20:42Now he wants a nurse.
20:44Oh.
20:45A nurse?
20:46He broke his leg.
20:48Fifth floor, no elevator, no man.
20:51And he asked me if I would help him.
20:53Sounds like exploitation.
20:55Then it's clear, right?
20:58Still, I'm thinking about it.
21:01Now you've lost me.
21:06There is also a difficult emotional situation in Lüneburg.
21:11I should leave.
21:14And in fact, Peter is good at distracting.
21:16Either funny or dramatic.
21:18Well, or both.
21:20And he needs me.
21:23Don't you have a few free days left anyway?
21:27Well, I think Amelie would be happy.
21:31Oh God, I'm talking and talking and talking.
21:33What did you want to discuss?
21:35Oh, I just wanted to make sure that you know that I have the next...
21:38...afternoon off so I can work at my food truck.
21:41Yes, Mrs. Fehrman communicated that.
21:43No, I don't know if it got through to you.
21:45It did.
21:46Yes.
21:52Mrs. Sarvacos?
21:55I'm actually not the type of person to spread private information, but...
22:02...it did well.
22:05You're welcome.
22:06Now you just have to decide.
22:08Mhm.
22:19Oh, shit.
22:25Ahem.
22:31Excuse me.
22:33I...
22:34I'm an idiot.
22:36I can't disagree with that.
22:41That wasn't...
22:42...not revenge, but...
22:44...a drunk guy who doesn't know where he's going in the dark.
22:49Yes.
22:50I didn't even know that you were also a gardener here in the city.
22:55Yes.
22:56And...
22:57...that yesterday...
22:59...with Carla, my stupid sayings...
23:01...that...
23:02...I'm sorry about that, too.
23:05Yes, I probably...
23:06...left my frustration at the wrong place.
23:10Sorry.
23:12If you take back the junk now, you almost made it.
23:15What junk?
23:17Really?
23:18Were you so drunk that you don't even remember that anymore?
23:20Oh, no, I...
23:26No, I...
23:27I...
23:28I used the dictation function.
23:30Yes, that should actually be...
23:32...sorry.
23:35Sorry.
23:36Yes, sorry.
23:37Sorry...
23:38Sorry...
23:39...junk.
23:40I have no idea.
23:41Something like that.
23:42That doesn't make any sense.
23:44I wanted...
23:45I wanted to say junk.
23:46Yes, exactly.
23:47But a lot of things don't make sense to you.
23:50Okay, I'm sorry.
23:51I'll take that back.
23:53And I'll accept your numerous apologies.
23:55Ah, good. Great.
23:56If you help me...
23:58...to put everything in order here.
24:01Ah...
24:02I...
24:03...actually have to leave my workshop in a moment.
24:09Okay.
24:10Yes.
24:11Good.
24:12What should I do?
24:17Keep your arm away from your body and don't pedal.
24:20He's pedaling by himself.
24:21No, Simon, you're pedaling.
24:23Straight posture, co-activated and arm away from your body.
24:26And if that thing pedals one more time, you'll do ten squats.
24:32We're not done yet.
24:33Yes, we're done now.
24:34Because you're just letting out your frustration.
24:36And that's no fun.
24:37It doesn't have to be fun.
24:39Yes, it can be a little fun.
24:41Regardless of what your father wants.
24:43And you know what I'm wondering?
24:45What's so hard and so bad about accepting that he's worried about you?
24:50I'm an adult.
24:51I don't need a babysitter.
24:53Yes, but he just doesn't want you to be alone in this crisis.
24:56And he even gives you space.
24:58I think he's doing a pretty good job.
25:01Yes, he's doing a very good job.
25:04He gives you space.
25:05He worries about you.
25:07He tries hard.
25:08He loves you.
25:10I wish I had a father like that.
25:15I wish I had a father like that.
25:39More.
25:40Hey.
26:10Peter needs my help.
26:12Peter, your ex?
26:14Yes.
26:15It's an emergency.
26:16He broke his leg.
26:21Well, good for you.
26:45There.
26:47You can put that there.
26:53Well.
26:54In the end, I don't even know if I should thank you.
26:57Well.
26:58After all, you only repaired what you broke.
27:03I've already apologized three times.
27:06Isn't that enough?
27:07Yes, yes, I'm just saying.
27:09I should clean up my workshop.
27:11A friend is waiting for me.
27:12And I only hear accusations from him.
27:14Accusations.
27:15Accusations.
27:16It's good.
27:17It's good.
27:18It wasn't meant to be so serious.
27:19And I can only say to the accusations.
27:21It's my own fault.
27:23Oh, sure.
27:24Of course.
27:25With you women, in the end, it's always my fault.
27:28With us women.
27:29You could have opened your mouth and talked to me about the seal.
27:33But no.
27:34That's not an issue anymore.
27:35It's just like with Tina.
27:37Your self-discovery trip ruined everything.
27:39But in the end, you say, I should have fought more.
27:41I should have done this, that, that.
27:43It's always the same accusations.
27:46I'm not Tina.
27:47No.
27:48But you're doing the same thing.
27:50You already know that you're breaking your deputy's fence.
27:54As I said, I'm not Tina.
27:56And...
27:58For your frustration, you can look for another fool.
28:01Or you can buy a punching bag.
28:07Hey.
28:08One latte macchiato, one spoon of sugar.
28:11We can sit down.
28:12No, let's stay in the fresh air.
28:14I need some fresh air.
28:15And maybe two minutes with you.
28:18Okay.
28:26Has Gigi Du already contacted you?
28:31No.
28:32No.
28:33No.
28:34No.
28:35Has she contacted you?
28:39Did you check your emails?
28:42Not currently, but...
28:43Yeah, sure.
28:45Good.
28:46Also the ones from your Miss Mayfair account?
28:49Why is that so important now?
28:51I'm just interested.
28:52Marvin, she hasn't contacted you all week.
28:54Why should she contact you today?
28:56Yeah.
29:00What did you do?
29:03Marvin?
29:04You can't continue with half-heartedness.
29:07You wrote to her?
29:08But friendly.
29:11Marvin!
29:12What are you doing?
29:13You sent her such a great draft.
29:15You can't just leave it like that.
29:17Yes, I can.
29:18And I should.
29:19Everyone knows that Geraldine Gigi Du hates it when you threaten her.
29:23I can't know that.
29:26Whatever.
29:28She doesn't take me seriously anyway.
29:33You know what?
29:34Forget her.
29:36You don't need her.
29:38Your blog is awesome.
29:40The whole fashion world is riding on it.
29:43Just pursue your dream.
29:44It doesn't matter what people say or what they don't say.
29:47The main thing is that you're happy.
29:55Hey, hello!
29:58Are we eating together?
29:59Yes, a little family dinner before Elias says goodbye to Cologne.
30:02Will you cover for Simon?
30:04No problem.
30:05Of course. You're part of the family.
30:08Hello, everyone!
30:09Oh, you're already here. Nice.
30:11And how are you?
30:12Good.
30:15A little surprise for you, too.
30:17For me?
30:19What's that?
30:23Creme brulee?
30:24You're the best.
30:25But first, there's magic mixed with water.
30:28Can I help you?
30:31Yes, I was engaged to your cousin.
30:37Sir!
30:39Jada called, by the way. She wanted to talk to you.
30:42Yes, me too. I had to push her away for a while.
30:44You don't like her, do you?
30:46I always want to see my mother.
30:49Oh, I see.
30:50Well, if it's about having a boyfriend, I know what to do.
30:55Oh, okay.
30:56Jada will definitely find out soon enough that the two of them are getting married.
31:00I don't know what you're supposed to do, but she wants to talk to you.
31:02I'll call her back later.
31:04Now we're going to eat.
31:06You did a good job, didn't you?
31:09You were training, weren't you?
31:15Oh, yes. She did a good job.
31:17Very good.
31:20So, it was very good.
31:26Well, honey, everything's fine again.
31:28You don't yawn anymore, do you?
31:30Yes, all thanks to Jürgen's saliva.
31:32You should take a look at Klaas.
31:34You know what?
31:36Betty and I will just accompany you to the clinic.
31:40Yes, that's a good idea.
31:48Everything's fine.
31:49Everything's fine, Betty.
31:50Everything's fine.
31:51Are you okay?
31:52I'm fine.
31:53Everything's fine, Betty.
31:54What's wrong with you?
31:56I...
31:57Are these the things from the workshop?
32:00Yes.
32:01There are the motorcycles in there.
32:04Is everything okay?
32:05Yes.
32:07No, I...
32:09I'm stressed.
32:10Okay.
32:11Ah.
32:12I don't know what the trouble is.
32:15Oh.
32:16Good.
32:18But...
32:20Yesterday with Klaas was quite funny, wasn't it?
32:22Yes.
32:23Let's see.
32:24What happened?
32:29I went for a quick pee yesterday.
32:31Uh-huh.
32:32Yes.
32:33And, uh...
32:34Apparently, while I was there, a prayer from...
32:37Hold on.
32:38Franka Böttcher fell apart.
32:40What?
32:41Yes.
32:42And now I have, even though I don't have time at all,
32:45helped to rebuild everything.
32:47Yes.
32:48I'm going to make it a thousand times nicer than before.
32:51I mean, I'm not a wild boar.
32:53I can't have destroyed so much.
32:55Come to the point, please.
32:57The point is that I helped her,
33:00and she is not grateful to me,
33:02but just bangs me in the head
33:04that I'm working my anger at Tina off on her.
33:08I think so, too, to be honest.
33:10That's nonsense.
33:11She takes herself far too seriously, the aunt.
33:14I'm not working off on her.
33:18This Franka drives me crazy.
33:20She just takes the workshop away from me.
33:22Taking away is a little different.
33:24Dear, you and your stupid unlocking are to blame.
33:27Unlocking.
33:28Unlocking, unlocking.
33:29Can I please get upset about the woman in peace?
33:32She always knows everything better.
33:34She always has to have the last word
33:36and always turns everything around so that I end up as the fool again.
33:39That's actually quite sophisticated.
33:41Yes, but it's only about your own interests.
33:43The woman is about corpses.
33:45Like Tina.
33:46Yes, just like Tina.
33:47Ben.
33:48The woman is Tina's lost twin sister.
33:53Hendrik, say something.
34:01No, no.
34:02I don't think you can say
34:05that you're working your anger at Tina off on Ms. Böttcher.
34:10Yes.
34:11See?
34:18See?
34:44I knew it.
34:46Too late. I've seen it.
34:48What do you think you've seen?
34:50You weren't on the page as a visitor,
34:52but as an administrator.
34:54You are Ms. Mayfair.
34:57Uh-huh.
34:58And what if I were?
34:59Relax.
35:00I've been saying for a long time that you are.
35:03Respect, Ms. Dahlmann.
35:04I wouldn't have dared.
35:07You've always underestimated me.
35:09Why the secret tour?
35:11Are you missing the moon?
35:13Fear of your own courage?
35:17Do you know what?
35:19I'm sitting here all the time
35:21and I'm thinking about whether or not
35:23I should dress up as Ms. Mayfair.
35:25And now I know what I was missing for this step.
35:28Oh yeah?
35:29Yes.
35:30Such a wonderful, down-to-earth remark from you.
35:33But I have it now.
35:35I'll dress up tomorrow.
35:37Perfect.
35:38Thank you very much.
36:02And you really don't want any of the creme brulee?
36:04It tastes really great.
36:06Really, I'm through.
36:08My little sister really got you, didn't she?
36:10You admit it.
36:11Yes, I do.
36:12Elias, come on.
36:13Have a good trip to Cologne.
36:15I hope to see you again.
36:16Take care.
36:17Bye.
36:18Simon.
36:21Mom really shouldn't have told you that
36:24Delay wants to move in with her boyfriend.
36:26Yes, as I said, I don't have a problem with that.
36:29Yes, but with the move-in.
36:32Yes, well, what can I say?
36:34Of course, it's a strange feeling.
36:36And somewhere, I think, Delay was much more complicated with me.
36:39Well, I think Delay is still pretty complicated.
36:42To be replaced from 0 to 100?
36:44What is that?
36:45Yes, but you're doing well without her, aren't you?
36:48Hey, you saved a lot of children from burning houses today.
36:52You're a hero.
36:53A hero who can't move anymore, yes.
36:55Yes, then we'll wait until tomorrow.
36:57Yes, I'm looking forward to it.
36:58You first.
37:04Leave me.
37:07Okay, thank you very much.
37:08Yes, see you.
37:09Bye.
37:12Bye.
37:21That's so delicious, Baba.
37:24But I'm going to get my bags now and then I have to go, okay?
37:26You can take me to the train station?
37:28Sure.
37:38Klaas?
37:40It's nice to see you happy.
37:43Really.
37:45What about you?
37:46You were just as happy yesterday.
37:48Did something happen with Julius?
37:50It's complicated.
37:51And now he's leaving instead of talking to me about it.
38:01Hi.
38:02Hi.
38:03What's wrong with this Ben Berger?
38:05Oh, it's you.
38:06What's up?
38:07I don't get it.
38:08He doesn't have a problem with me, but with his ex.
38:16Are you leaving?
38:17Yes.
38:18I have a few more days off and I have to get out of here.
38:21Where are you going?
38:24To Berlin.
38:26Really?
38:27Let me guess.
38:28Peter called and you went in.
38:32Are you serious?
38:33He broke his leg.
38:35He needs help.
38:37And what about Mo?
38:38And he broke up with his husband.
38:40Julius!
38:41Finally!
38:42It's just a friendship service.
38:44I'm not going to start with Peter again.
38:49To be honest, I also hoped that Mo would try to stop me.
38:55Or confess to me.
38:57Or something.
38:58And you understand that under no circumstances.
39:03It's my fault.
39:04I would have liked to talk to him about it again.
39:09I said goodbye to Lena.
39:10She's leaving again.
39:12And who would you like to talk to about what?
39:19Secrets.
39:20No, with a client.
39:22Okay, I understand.
39:24I'm ready.
39:26Oh, Elias.
39:27Actually, I would like to take you to the train station.
39:30I'm still sick.
39:31And Baba urgently has something to do.
39:34Yes, the client.
39:35Sorry, I totally forgot.
39:38Well, take care.
39:41And call me, okay?
39:42I will, Baba.
39:49And then he hid behind his family and didn't even have time to talk to me.
39:55Well, there's no reason to run back to Peter right away.
39:57It's a friendship service.
39:59I don't expect anything from him.
40:00He won't hurt me.
40:04Should I take you to the train station?
40:06Yes, please.
40:07I will.
40:24Hi.
40:25Hi.
40:28Hi.
40:30Well?
40:31Well, Sport-Ass?
40:33Sport-Ass is good, ey.
40:35I didn't even know how unfit I was.
40:39But was it good with Leyla?
40:41Yes, it was very good.
40:43What are you doing?
40:45I'm outing myself as Miss Mayfair.
40:47Wow.
40:49Yes, Geraldine, Gigi, you can do me.
40:51My blog is doing great and I can make something out of it.
40:53Yes, of course, if I had the choice, I would also start a start-up, but...
40:57Yes, yes, yes, Simon.
40:58I'm not quite there yet.
40:59I have to make a cool video first.
41:01There.
41:03I know how much I need for it.
41:06Hopefully not me.
41:07I should take a shower urgently.
41:10Oh, yes.
41:11I can only recommend that.
41:12That bad?
41:13Yes, it is.
41:18Tell me, Simon.
41:19Yes?
41:21Did you see Leyla's new post on Pictogram?
41:27With her new boyfriend?
41:28Yes.
41:30Relationship status, great love.
41:34She wants to move in with him right away.
41:37Really?
41:38Yes.
41:39Oh.
41:40That's fast.
41:43And that doesn't bother you?
41:45Well, I don't know.
41:46It was a little trick, but Leyla set me up quite well.
41:51Cool.
41:52You two are getting closer, aren't you?
41:54Leyla and you.
41:55Yes.
41:56It's really as if I would win another little sister.
42:00Oh, cool.
42:01So I'm not good enough for you, right?
42:03No, you can never have enough little sisters.
42:07You know, when Delia and I broke up, Kilic told me that I would always stay family.
42:13And I thought, of course, it's just a joke and they say it like that, but it's actually true.
42:22Cool.
42:23Yes.
42:24Then I don't have a bad conscience if I go back to London after the holidays.
42:28No.
42:29I only count the days until you're gone.
42:31Great.
42:32I'll go on.
42:33Lotte?
42:34Yes?
42:35I'll show her.
42:36Take a shower.
42:39Hey, Carla.
42:40Hey, Franca.
42:41Do you want to eat a burger now?
42:43Yes, absolutely.
42:44I would like to enjoy it now.
42:46I'll have the Cheese Supreme, please.
42:49Okay, coming right up.
42:52So, how's it going?
42:53Oh, it's wonderful.
42:55I feel great here.
42:57Hey, Carla.
42:58Oh, Ben.
42:59Hi.
43:00Hi.
43:01Would you like the Triple B Burger today?
43:04No, thanks.
43:05I'll have the Cheese Supreme.
43:08Ah, okay.
43:09Then I'll have the same one.
43:17Oh.
43:19Damn, I only have a pickle for one burger.
43:22Then I'll pass.
43:24No, no, no.
43:25It's okay without it for me.
43:27Give him the pickle.
43:28No, no, Carla.
43:29Give her the pickle.
43:31I don't want a pickle at all.
43:34I don't want it.
43:36Okay.
43:37So, twice without a pickle.
43:47So.
43:49Ta-da.
43:50Here you go.
43:51Hey, Carla.
43:52Yes?
43:53Tell the lady to stay here, please.
43:56I'll eat somewhere else.
43:57Can you pack for her, please?
43:59No, no.
44:00Just pack mine.
44:01The gentleman can't eat here.
44:05Carla.
44:06As I said, just pack mine.
44:08We want something.
44:09No, I don't want to eat here.
44:11I really want to eat somewhere else.
44:14Just pack mine.
44:31Excuse me.
44:32Have you seen Mr. Böttcher?
44:33Yes, just before he said goodbye to Berlin.
44:35When was that?
44:36About an hour ago.
44:38Maybe he's still at home.
44:40No, I've just been there.
44:41Then he's probably gone.
44:43Trouble in paradise?
44:45I don't think that's what she's talking about.
44:48Yeah.
44:49You have to feel it.
44:57Hey, Julius.
44:58Yeah, you're probably already on the train to Berlin.
45:03I'm sorry.
45:04Everything.
45:06And...
45:07I...
45:08I'd be happy if you'd call me.
45:12Like that?
45:13That's a little too cool.
45:15Miss Mayfair is cool.
45:17Yeah, but not too much.
45:20What was that?
45:21I'm supposed to help you, right?
45:23Yeah, yeah, you're right.
45:24The first impression is crucial, okay?
45:27It could mean a breakthrough for the fashion world.
45:30So...
45:31Should I relax?
45:33Charlotte.
45:34Yeah?
45:35Just be yourself.
45:36Then people will...
45:39Wait a minute.
45:42What is it?
45:43Wait a minute, I don't know if I saw that right, but...
45:47Marvin?
45:48Could be...
45:49Yes, I saw it right.
45:51DidiDoo sent you a message.
45:53What?
45:54What?
46:01My email with the design ended up in her spam.
46:04And she's thrilled!
46:06Well, it's good that you checked again.
46:08Although, no, wait, that was me.
46:13She wants to work with me.
46:17Wait a minute.
46:18Oh.
46:20Oh what?
46:22I can work for the best designer in the world, but only...
46:26...if I bury it with Mayfair.
46:35Elvis!
46:36I thought you could use it.
46:37Oh.
46:38You're too good for me.
46:43You can almost see your muscles grow.
46:46Yeah, of course.
46:51Do you really think you can see anything?
46:53Yes, of course.
46:55Well, so far you've only complained about me.
46:57Yes, because I wanted to get the best out of you.
47:00I see.
47:01You're doing a great job.
47:03Really?
47:04Yes.
47:10I admire you.
47:12Not just because of your perseverance, but...
47:16...also because of how you got through the last year.
47:20I wish I could be so confident.
47:22Good, but I wasn't so confident from the moment of the diagnosis.
47:27It's impressive how brave you are to get through all this.
47:32All these years invested in sports, and then it's...
47:35...from now on, all of a sudden, it's over.
47:37It's unbelievable.
47:41How good that we have each other.
47:42Yes, you could say that.
47:49How important is your artistic freedom?
47:51Very important.
47:52Aha, what does Gigi Du have to say?
47:54I'm designing fashion for the label of the industry.
47:57He's divorced from his ex.
47:59Maybe the distance is good.
48:00Depends on what happens in Berlin.
48:02In case of doubt, he'll miss you just as much as you'll miss him.
48:05So there's a risk of a break-in, yes?
48:08Well, like every quarter.
48:10But this time, I'll take the wind out of his sails.
48:13Wow!
48:14Who's swapping something like that?
48:16Well, Mr. Lüder, you really are an exchange genius.
48:21The Finance Committee has simply debunked all our savings proposals.
48:24And the worst part is, we're supposed to save another 15%.
48:27How am I supposed to do that?
48:28Wow.
48:29To find an answer to that, I have three days.
48:31What?