• 2 months ago
Transcript
00:00Oh, how nice that you came.
00:03We couldn't miss that.
00:05Yes.
00:06Don't forget to order a burger.
00:08Yes, of course.
00:09I wanted to say sorry.
00:11A message from Ben Berger?
00:13I wanted to say sorry.
00:15If you would excuse me for a moment.
00:19I could go home now.
00:20Ben!
00:21Yes!
00:24That was my help.
00:25She saw that in the city someone was trampling the plants.
00:29That's exactly the kind I planted.
00:32Ben Berger.
00:34I also want to walk hand in hand through the city with you.
00:36Without thinking about who could disturb us.
00:39For example, I can't imagine walking hand in hand with you through the city.
00:42Then we have a problem.
00:58And a restless sky.
01:02This is my life.
01:04This is my life.
01:06This is the way to find my own.
01:10This is my life.
01:12This is my life.
01:14This is the world where I belong.
01:20I'm rolling on.
01:22I'm rolling on.
01:28I'm rolling on.
01:30I'm rolling on.
01:35What do you mean by that?
01:36Then we have a problem.
01:37I understand that this is all new to you.
01:40And I also understand that you have to find yourself first as ...
01:44Well, as a man who loves a man.
01:46And I also understand that you can't carry it out.
01:49Not yet.
01:51But ...
01:54It's important to me that you can do this at some point.
01:57It needs a perspective.
02:00Yes.
02:01And if not, then ...
02:03You don't understand me.
02:10I don't want to wait for someone again who doesn't confess to me.
02:15Did you just hear that from your ex-husband?
02:17I thought he didn't want to leave his husband for you.
02:20Yes, okay, that's something else.
02:22But it's the same thing.
02:25I have feelings.
02:28And I want to live them.
02:30And show them.
02:32Show them to everyone.
02:35I'm sorry, but ...
02:37That's too much right now.
02:40Okay.
02:43Then maybe it's better if you leave now.
02:54Bye.
03:02Mr. Berger?
03:07Hello. Wake up. Hey! Wake up!
03:11Tina.
03:12No, the whore.
03:14What?
03:15What kind of whore?
03:16That's what you called me.
03:18Before or after you trampled my cherry laurel.
03:21What kind of cherry?
03:22What kind of cheap whore?
03:24I can't do anything about your workshop having to leave because of my decontamination project.
03:28What? What? What? What?
03:29Now don't act more stupid than you are.
03:31You're angry. Okay.
03:33But you have the letter.
03:34I don't know what's going on here.
03:36Now don't do that.
03:37I just want to sleep.
03:38Where else does the earth come from?
03:41Here.
03:43I was peeing.
03:45In the botanical garden.
03:47What?
03:48You peed on my prunus angustifolia?
03:52Hey! Hello! Don't fall asleep again! Hey!
03:55That's...
03:56We're not done yet!
04:07Thank you again for helping me with the campaign.
04:12What do you mean by helping?
04:13It's just that I have an allergy to hate.
04:16So it was a medical necessity to do this.
04:19I also have an allergy to hate.
04:21Is it contagious?
04:22I hope so.
04:24It was definitely cool of you.
04:25Hey, and thanks again for the pizza.
04:27Even if you have to cancel it tomorrow.
04:29Oh, I'm looking forward to it.
04:31Do we have to go?
04:32I have to go again.
04:38By the way, I think it's pretty cool how you take care of Leyla.
04:41I would rather say she takes care of me.
04:44Well, come on.
04:45Yes, I need her as a trainer for the test day at the fire department.
04:48Yes, but you also promised my father to take care of her.
04:51Now that Bach is dying in front of her.
04:53Yes, and I will do that.
04:55Although I also told you that I don't do that quite unselfishly, right?
05:05What's up?
05:07Oh, it's...
05:09I should have been in Cologne by now, because I have your project with my fellow students.
05:13But I have your project, which I can't do from here.
05:15And you have concerns about leaving Leyla alone here.
05:19Elias, she's not alone.
05:23It's her first real life crisis.
05:25She was always well taken care of and everything went well.
05:27Yes.
05:28I just don't know what to do with her.
05:29Yes, Elias, but she's not alone.
05:32And what you can rely on?
05:34I know my way around life crises quite well.
05:39You can really go to Cologne without any concerns.
05:41I will be worthy of you here as a big replacement brother.
05:46I promise.
06:12Well?
06:14You didn't sleep much, did you?
06:17Is everything okay?
06:19Is it about Mo?
06:22You wanted to tell us something, didn't you?
06:24Who annoyed you?
06:26Ben Berger.
06:27But he didn't annoy me.
06:28He... he mocks me.
06:30He ruins my sealing surfaces and even pees on them.
06:33Can you imagine that?
06:34It's so disgusting.
06:37Actually, we haven't seen each other for a while.
06:39I...
06:40Actually, we got along quite well.
06:42I don't know what got into him.
06:47And then he chased my gardener into the air.
06:50Into the air?
06:53I'm sorry, I...
06:55I don't listen to you at all.
06:56I can tell.
06:59So go to Mo.
07:01Yes, what can I say?
07:04Isn't it getting boring for you?
07:06This constant misfortune with my men.
07:09Julius.
07:13You listen to my misfortune.
07:15And I listen to your misfortune.
07:17Those are the rules.
07:21He doesn't want to talk to me in public.
07:25Well, not now.
07:26And I understand that.
07:27But also not in the future.
07:29Never.
07:31That's what he told you.
07:33He suddenly came to you and said
07:35I will never show myself to you in public, right?
07:39No, it was about something else.
07:41But why is that important?
07:43I just wanted to know if you put him under pressure.
07:46You like that.
07:50What do you mean, under pressure?
07:53I just want hope.
07:55A perspective, something.
07:57Yes, I understand that.
07:59No, you don't understand that.
08:00I drive with the handbrake on all the time.
08:03Just so he doesn't get scared and runs away.
08:06I give him space.
08:07I give him time.
08:08I do everything back and forth.
08:10But...
08:14Mo?
08:16No, Peter.
08:18Peter?
08:19Your ex?
08:20Oh God, I hope you don't want to go there.
08:22The guy treated you like shit.
08:26And besides, you're building something new here.
08:29Do I?
08:31Julius.
08:34I can understand if you...
08:36Yes, if you're afraid of getting hurt by Mo.
08:39But he's probably even more afraid.
08:42He needs time.
08:44I know, patience is not your strength, but...
08:48When the tender plant of love is supposed to grow,
08:51it needs space.
08:53Says the landscape architect.
08:56Says the landscape architect.
08:58Yes.
08:59I'm familiar with plants.
09:02They must not be confined.
09:05Otherwise, nothing will come of them.
09:12I don't think you'll be able to read during training.
09:15Very funny.
09:16Leyla said I should make the backpack as heavy as possible.
09:19Oh, that sounds like a fun day.
09:21And all that for a snack at the volunteer fire brigade.
09:25Why not? It's generally good to get fit again.
09:29True.
09:30But Leyla is a real drill instructor, you know that, right?
09:32Yes.
09:33But without a drill, I wouldn't go to my limits.
09:35That's why it's fine.
09:37Oh.
09:39I should do sports again.
09:41You can come along if you want to.
09:44Oh no.
09:45I still want to work on my blog a bit.
09:48Oh, I see.
09:49Géraldine Gégé-Douaille.
09:51Ah, Simon.
09:52A sensitive topic.
09:56What now?
09:58She's asking for a draft, you send it in,
10:01and then she doesn't reply.
10:02How unprofessional is that?
10:04She obviously didn't need it.
10:06My draft was probably just terribly bad.
10:10No.
10:11It was great, okay?
10:12And she'll see that too.
10:14Says the fashion expert.
10:15Says Miss Mayfair.
10:18But you're not Miss Mayfair.
10:20For Géraldine Gégé-Douaille, yes.
10:24I don't get it either.
10:27I don't understand why you didn't check again.
10:29Sometimes an e-mail gets lost or ends up in spam.
10:32Seriously, Marvin?
10:33That's what beginners do.
10:34Oh, lost e-mail.
10:37Well, guys, I think you should check again.
10:41I mean, you didn't send this draft without permission, did you?
10:45Yes, maybe.
10:46It's just part of the job.
10:50Yes, maybe.
10:51But I don't follow anyone.
10:56I'm not a beggar.
11:02Uh-huh.
11:04Ah, yes, okay.
11:06Ah, you overslept.
11:09That's great.
11:10Yes, yes, yes.
11:12No, I...
11:13I said yes.
11:15He feels comfortable with you and Henni.
11:17Yes.
11:19And, uh, what about dropping out of the nursery?
11:22Did it work out?
11:26Oh, yes, that would be great.
11:29Yes, if you could drop out, that would be great.
11:31Yes.
11:33Yes, I have to have booked the workshop by tomorrow.
11:37Yes.
11:38Yes, no, a friend of mine.
11:40He, uh, he has a barn.
11:42I can store everything there.
11:44Yes.
11:46Ah, that would be great.
11:48Yes.
11:49Well, thank you very much.
11:51See you later.
11:52Bye.
11:53Oh.
11:54Yes, thank you, too.
11:58You're not really fit yet, are you?
12:01Ah, it's a little late, you know.
12:04I noticed.
12:05Yes.
12:08Who is making such a mess here?
12:11Oh, me?
12:13Oh, I'm sorry.
12:14I, uh...
12:16Shit.
12:17Do you want me to do it?
12:18Yes, please.
12:19Oh, okay.
12:20And the next time you're in bed,
12:22why don't you just take off your shoes when you come in?
12:25Yes, of course.
12:31Ah, I just had a deja vu.
12:33I actually dreamed that Mrs. Böttcher was standing in front of me.
12:38And she was terribly excited because I trampled her cherries.
12:43Kirschlorbeer.
12:44You like to plant it in beds.
12:46And no, that wasn't a dream.
12:58Okay, you have an impotent child on your back.
13:00You just saved it on the tram.
13:02And now you have to go to the ambulance.
13:04You can't stop.
13:05No, I can't anymore.
13:06You can't stop.
13:07No, I can't anymore.
13:08The child, Simon, go!
13:09Hey, you're worse than any drill instructor.
13:11I just want to save the child.
13:13Okay, that's fun for you, isn't it?
13:14Yes, that too.
13:15Come on, we'll be done soon.
13:16So, last hurdle.
13:17You wait in the basement and now you have to climb out.
13:20I'm supposed to go up there?
13:22No, definitely not.
13:23Uh...
13:24No.
13:25You have to explain that to your parents.
13:27Oh, God, man.
13:30Okay.
13:32Huh?
13:33Yes, that's how I want you...
13:35Okay.
13:36Very good.
13:37Okay.
13:38And how does it feel?
13:40Awesome.
13:41Yes, feel the body.
13:42There's nothing more beautiful.
13:43Uh-huh.
13:44So, and now jump down.
13:45Leila, if I jump down here, I'll break all my bones.
13:47I can't do that.
13:48No way.
13:49No, stop.
13:50That's too risky.
13:51Leila, stop it.
13:52I believe you.
13:53Yes, it's okay.
13:54It's okay.
13:55I believe you.
13:56You came up here and now please go down again.
13:57Don't jump down with your shoulder.
13:58Leila, man!
14:00So, and now say again that it's too high.
14:06Can I come down again now?
14:12Okay.
14:13Good.
14:14Now go on.
14:15Go.
14:16Yes.
14:17Yes.
14:18Zack, zack, zack.
14:19Yes.
14:20You can do it.
14:29Thanks.
14:30You're welcome.
14:51Is everything okay with you, Baba?
14:53What?
14:56You don't have to help me today.
14:57I don't have that much to do.
14:59I wasn't planning on doing that.
15:01Sander?
15:04I have to finish my homework.
15:06It's a big project with several students.
15:09And from a certain point on, it's only going to work together.
15:12You have to go back to Cologne?
15:14Of course.
15:16Is that really okay?
15:18I have the feeling that it's just chaos here.
15:20We're here for Leyla.
15:22And Simon too.
15:24It's good to have him on your side.
15:26At least she has something to do.
15:28It was big of you to come here, really.
15:31But not neglecting your studies now.
15:33Leyla will get over it.
15:35You too?
15:37Why shouldn't I get over it?
15:39I think the thing with Max and his boyfriend,
15:42the attack, it really got to you.
15:45You're really worrying her.
15:47A father always worries about his children.
15:49For a lifetime.
15:51But that doesn't change anything if you're hanging around here.
15:54You can drive with confidence.
15:56I'll contact Simon and take care of Leyla, okay?
15:59Okay.
16:06Don't make yourself too comfortable.
16:08There's a second round.
16:09Yeah, I was afraid of that.
16:10Only at the limit does the training effect kick in.
16:12Good thing I can't do it now.
16:14Pain is weakness that leaves the body.
16:17Do you have calendars for athletes?
16:19Do you want another one?
16:21Quality comes from suffering.
16:23Do you need such words to motivate yourself?
16:26Huh? Leyla?
16:32What's that supposed to mean?
16:34Why is my father writing you something like that?
16:36Oh, I see.
16:37Is this supposed to be occupational therapy for me?
16:39No, no, no.
16:40I...
16:42I...
16:43Your father thought it might be good for you
16:46if you train someone, and then...
16:49What I'm trying to say is, I think your father...
16:52He's pretty close to not coming to you.
16:55Do you understand?
16:57Yes.
16:58Leyla, wait a minute, wait a minute.
16:59I'm doing this for myself, okay?
17:01Not for your father.
17:04Yes.
17:05Are you still mad at him?
17:06Yes!
17:07At my father, because he always has to interfere.
17:11Come on, let's continue.
17:24Marvin, you have to sharpen your knife more often.
17:28Take mine.
17:37Can I make another dimi glass later?
17:39Uh, you'll have to ask Ms. Frey.
17:41I'll be at the food truck later.
17:43Like every afternoon now.
17:45I thought it was a shame that I couldn't be there at the opening.
17:48Well, someone had to keep the shop running, right?
17:50That's right.
17:53Oh, can you put a herring on the side for me later in the fridge, please?
17:57A herring?
17:58A herring. I want to make a fish sandwich.
18:00I want to surprise Ms. Jansen.
18:05You want to make a fish sandwich for Ms. Jansen in your burger shop?
18:08No, not Ms. Jansen, someone I know.
18:11Okay, I don't have to understand that,
18:13but I'm sure Ms. Fairman will jump for joy if she finds out that you're taking herring with you.
18:17Ms. Fairman always jumps for joy.
18:19If it was Ms. Fairman, I wouldn't have a food truck,
18:21and even if it would go down...
18:24How did you manage to get Mr. Flickschild to do all of this?
18:26The free afternoons and stuff.
18:28I insisted.
18:30And of course I made sure that everything was running smoothly here at Carlisle.
18:35Marvin, if something is really important to you,
18:39if it's your dream,
18:41you can't be satisfied with compromises.
18:46And my experience has shown me that if people notice or feel that you have a passion,
18:53they will come to you.
18:55Half-heartedness, yes.
18:57You just can't get far with that.
19:02Oh, uh...
19:04Could you please think about the fish?
19:06Of course.
19:11Okay.
19:16Well, Ms. Mayfair is also burning for her designs.
19:20Madame Gigi Doux.
19:24Okay, and...
19:26how did you break your leg?
19:31Um...
19:33Really?
19:37You, Peter, I have to get back to work.
19:39Think about it and I'll get back to you, okay?
19:43I'll get back to you.
19:47Ms. Savackos, you wanted to talk to me.
19:50Is everything okay with you?
19:52Oh, yes, private stuff.
19:54We can go to my office if you want.
19:56Well, if you want to talk, I can listen very well.
19:59No.
20:00No.
20:02Yes.
20:04Maybe.
20:09Okay.
20:39Now he wants you back?
20:42Now he wants a nurse.
20:44Oh. A nurse?
20:46He broke his leg.
20:48Fifth floor, no elevator, no man.
20:51He asked me if I could help him.
20:53Sounds like exploitation.
20:55Then it's clear, right?
20:58Still, I'm thinking about it.
21:01Now you've lost me.
21:04There is also a difficult emotional situation in Lüneburg.
21:11I should get out of there.
21:13And in fact, Peter is good at distracting.
21:16Either funny or dramatic.
21:18Well, or both.
21:20And he needs me.
21:23Don't you have a few free days left anyway?
21:27Well, I think Amelie would be happy.
21:31Oh God, I'm talking and talking and talking.
21:33What did you want to talk about?
21:35Oh, I just wanted to make sure that you know that I have the next afternoon off
21:40so I can work at my food truck.
21:42Yes, Mrs. Fehrman communicated that.
21:44No, I don't know if it got through to you.
21:46It is.
21:47Yes.
21:52Mrs. Sarvacos?
21:55I'm actually not the type to spread private information.
22:00But it did well.
22:05You're welcome.
22:06Now you just have to decide.
22:08Mhm.
22:19Oh, shit.
22:24Ahem.
22:55Yes.
22:56And...
22:57Yesterday...
22:59Carla said some stupid things.
23:01That...
23:02I'm sorry about that, too.
23:05Yes, I probably left my frustration at the wrong place.
23:10Sorry.
23:12If you take back the crap now, you almost made it.
23:15What crap?
23:17Really?
23:18Were you so drunk that you don't even know that anymore?
23:21No, I...
23:25No, I...
23:27I...
23:28I used the dictation function.
23:30Yes, that should actually mean
23:32sorry.
23:35Sorry.
23:36Yes, sorry.
23:37Sorry...
23:38Sorry, crap, I don't know.
23:40Something like that.
23:42That doesn't make any sense.
23:44I wanted...
23:45I wanted to say crap.
23:46Yes, exactly.
23:47But a lot of things don't make sense to you.
23:50Okay, I'm sorry.
23:51I'll take that back.
23:53And I'll accept your numerous apologies.
23:55Ah, good, great.
23:56If you could help me
23:58to put everything in order here.
24:01Ah.
24:02I have to go to my workshop right away.
24:05From...
24:09Okay, yes, good.
24:12What should I do?
24:17Arms away from the body and don't peddle.
24:20He's peddling on his own.
24:21No, Simon, you're peddling.
24:22Straight posture, core activated
24:24and arms away from the body.
24:26If he peddles one more time,
24:27you'll do ten squats.
24:31We're not done yet.
24:32Yes, we're done now.
24:34Because you're just letting your frustration out
24:36and that's no fun.
24:37It doesn't have to be fun.
24:38Yes, it can be fun,
24:40regardless of what your father wants.
24:43And you know what I'm wondering?
24:45What's so hard and bad about
24:47him worrying about you?
24:49I'm an adult.
24:50I don't need a babysitter.
24:52Yes, but he just doesn't want you
24:54to be alone in this crisis.
24:56And he even gives you space.
24:58I think he's doing a pretty good job.
25:01Yes, he's doing a very good job.
25:04He gives you space.
25:05He takes care of you.
25:07He cares for you.
25:08He loves you.
25:10I wish I had a father like that.
25:20I wish I had a father like that.
25:38Mo.
25:40Hey.
25:44I'm sorry I was like that yesterday.
25:48Can we talk in peace?
25:50Now?
25:52Yes.
25:53You're in a bad mood.
25:54Elias is going back to Cologne later.
25:56I got him something to eat.
25:58Xem Süle likes to eat there.
26:00Aha.
26:02Maybe we can see each other later
26:03when Elias has left.
26:05Then I might already be in Berlin.
26:07Berlin?
26:09Yes.
26:10Peter needs my help.
26:13Peter, your ex?
26:14Yes.
26:15It's an emergency.
26:16He broke his leg.
26:21Then he's a good guy.
26:24I'm sorry.
26:46So.
26:48You can put that over there.
26:53Well.
26:55In the end, I don't even know
26:56if I should thank you.
26:58Well.
26:59After all, you only fixed
27:01what you broke.
27:04I've already apologized three times.
27:06Isn't that enough?
27:07Yes, yes.
27:08I'm just saying.
27:09I should clean up my workshop.
27:11A friend is waiting for me.
27:12And all I hear from him is
27:14accusations, accusations, accusations.
27:16It's okay, it's okay.
27:17I didn't mean it that seriously.
27:19And I can only say
27:21it's my own fault.
27:23Oh, sure.
27:24Of course.
27:25For you women,
27:26in the end, it's always my fault.
27:27For us women.
27:29You could have opened your mouth
27:31and talked to me about the seal.
27:33But no.
27:34That's not an issue anymore.
27:35It's just like Tina.
27:37Her self-discovery trip
27:38ruined everything.
27:39But in the end, it means
27:40I should have fought more.
27:41I should have done this, that, that.
27:43It's always the same accusations.
27:46I'm not Tina.
27:47No.
27:48But you do the same.
27:50You do know
27:51that you're breaking
27:52your deputy's argument.
27:54Like I said,
27:55I'm not Tina.
27:56And...
27:57like in Frusterbau,
27:58you can look for another fool.
28:00Or you can buy a punching bag.
28:14Hey.
28:15One latte macchiato,
28:16one spoon of sugar.
28:17Thanks.
28:18We can sit down.
28:19No, let's stay in the fresh air.
28:21I need some fresh air.
28:22And maybe two minutes with you.
28:25Okay.
28:33Has Gigi Du already contacted you?
28:39Did you check your e-mails?
28:41Not at the moment, but...
28:43Yeah, sure.
28:44Good.
28:45Also the ones from your Miss Mayfair account?
28:49Why is that so important now?
28:51I'm just interested.
28:52Marvin, she hasn't contacted you all week.
28:54Why should she contact you today?
29:00What did you do?
29:04Marvin?
29:05You can't go on with half-heartedness.
29:07You wrote to her?
29:09But friendly.
29:11Marvin!
29:12What are you doing?
29:13You sent her such a great draft.
29:15You can't just leave it like that.
29:17Yes, I can.
29:18And I should.
29:20Everyone knows that Géraldine Gigi Du hates it
29:22when people threaten her.
29:23I don't know that.
29:26Whatever.
29:28She doesn't take me seriously anyway.
29:33You know what?
29:34Forget her.
29:36You don't need her.
29:38Your blog is awesome.
29:40The whole fashion world follows it.
29:43Just pursue your dream.
29:44It doesn't matter what people say
29:45or what they don't say.
29:47As long as you're happy.
29:55Hey, hello!
29:58Are we having dinner together?
29:59Yes, a small family dinner before Elias says goodbye to Cologne.
30:03Will you cover for Simon?
30:04No problem.
30:05Of course. You're part of the family.
30:08Hello, everyone!
30:10Oh, you're already here. Nice.
30:12How are you?
30:13Good.
30:15I've got a little surprise for you, too.
30:17For me?
30:19What's that?
30:23Crème brûlée?
30:24You're the best.
30:26But first, there's magic mixed with water.
30:28Lenses?
30:29Can I help you?
30:31Yes, I was engaged to your cousin.
30:37Sir!
30:39Jada called, by the way. She wanted to talk to you.
30:41Yes, me too.
30:42I had to push her away for a while.
30:44You don't feel like her?
30:46I always feel like talking to my mother.
30:49Oh, I see.
30:50So, if it's about the fact that Delilah has a boyfriend,
30:53I know.
30:55Ah, okay.
30:56Yes, Jada definitely thinks it's too soon
30:58that the two of them want to move in together.
31:00I don't know what you're supposed to do there,
31:01but she wants to talk to you.
31:02I'll call her back later.
31:04Now we want to eat first.
31:06You've done a good job, haven't you?
31:10You were training, weren't you?
31:15Ah, yes.
31:16She finished me off.
31:17Fixed and done.
31:18It was quite good.
31:20So, it was very good.
31:29Well, honey, everything's fine again.
31:31You don't even yawn anymore, do you?
31:33Yes, all thanks to Jürgen's hay fever.
31:35You should take a look at Klaas.
31:38You know what?
31:40Betty and I
31:41will just accompany you to the clinic.
31:43Yes, that's a good idea.
31:51Everything's fine.
31:52Everything's fine, Betty.
31:53Everything's fine.
31:54What's wrong with you?
31:56I...
31:57The stuff from the workshop?
32:00Yes.
32:01There are the motorcycles in there.
32:04Is everything okay?
32:05Yes.
32:07No, I...
32:09I'm stressed.
32:10Okay.
32:11Ah.
32:12Let's see.
32:13If there's trouble again.
32:15Oh.
32:16Good.
32:18But, um...
32:20Yesterday with Klaas was quite funny.
32:22We can do it again soon, right?
32:24Yes.
32:25We'll see.
32:26What happened?
32:31I was there yesterday for a quick pee.
32:33Uh-huh.
32:34Yes.
32:35And, uh...
32:36Obviously, I have a prayer of...
32:40Franka Böttcher.
32:42What?
32:43Yes.
32:44And now I have,
32:45even though I don't have time at all,
32:47helped to rebuild everything.
32:49Yes.
32:50I'll make it a thousand times nicer than before.
32:52I mean, I'm not a wild boar.
32:55I can't have ruined so much.
32:57Come to the priest, please.
32:58The point is,
33:00that I helped her
33:02and she is not grateful to me,
33:04but just bangs her head
33:07that I work off my anger at Tina.
33:10I honestly think so, too.
33:12That's nonsense.
33:13She takes herself far too seriously, the aunt.
33:15I don't work off her.
33:19This Franka drives me crazy.
33:21She just takes the workshop away from me.
33:23Taking away is a little different.
33:25You and your stupid unlocking are to blame.
33:27Unlocking.
33:28Unlocking, unlocking.
33:30Can I please get upset about the woman in peace?
33:32She always knows everything better.
33:35She always has to have the last word
33:37and always turns everything around
33:38so that I end up acting stupid again.
33:40That's actually quite ingenious.
33:41Yes, but it's only about her own interests.
33:43The woman is about corpses.
33:45Like Tina.
33:46Yes, just like Tina.
33:47Ben.
33:48The woman is Tina's lost,
33:50believed twin sister.
33:53Hendrik, say something, too.
34:01No, no.
34:03I don't think you can say
34:05that you work your anger at Tina on Frau Böttcher.
34:10Yes.
34:11See?
34:12Yes.
34:33I knew it.
34:34Too late, I've seen it.
34:36What do you think you've seen?
34:38You weren't on the page as a visitor,
34:40but as an administrator.
34:42You are Miss Mayfair.
34:44Uh-huh.
34:45And what if I were?
34:47Relax.
34:48I've been mumbling for a long time that you are.
34:51I'm not a woman.
34:52I'm a woman.
34:53I'm a woman.
34:54I'm a woman.
34:55I'm a woman.
34:56I'm a woman.
34:57I'm a woman.
34:58I'm a woman.
34:59I'm a woman.
35:00I'm a woman.
35:01I'm a woman.
35:02I'm a woman.
35:03I'm a woman.
35:04I'm a woman.
35:05I'm a woman.
35:06I'm a woman.
35:07I'm a woman.
35:08I'm a woman.
35:09I'm a woman.
35:10I'm a woman.
35:11I'm a woman.
35:12Why are you so happy?
35:14I'm happy because you are.
35:16Respect, Ms. Dahlmann.
35:18I wouldn't have trusted him.
35:20You've always underestimated me.
35:22Why the secret Math Dear Great?
35:25For the human being's fear of his own curator?
35:29Oh, yes?
35:30Yes.
35:31Such a wonderful, down-to-earth remark from you.
35:34But I have it now.
35:36I'll get it tomorrow.
35:38Perfect. Thank you very much.
36:00And you really don't want any of the crème brûlée?
36:03It tastes really great.
36:05Really, I'm through.
36:07My little sister really got you, didn't she?
36:10Yes, she did.
36:12Elias, have a good trip to Cologne, okay?
36:14I'm looking forward to seeing you again.
36:16Take care.
36:17Bye.
36:18Simon.
36:20Mom really shouldn't have told you that
36:23Delia wants to move in with her boyfriend.
36:26Yes, as I said.
36:28I don't have a problem with that.
36:29Yes, but with moving in together.
36:32Yes, well, what can I say?
36:34Of course, it's a strange feeling.
36:36And somewhere, I think, Delia was already much more complicated with me.
36:39Well, I think Delia is still quite complicated.
36:42To be replaced from zero to a hundred?
36:44What's that?
36:46Yes, but you're doing well without her, aren't you?
36:49Hey, you saved a lot of children from burning houses today.
36:52You're a hero.
36:53A hero who can't move anymore, yes.
36:55Yes, then we'll wait until tomorrow.
36:57Yes, I'm looking forward to it.
36:58Me too.
37:04Leave me.
37:07Okay, thank you very much, yes?
37:09Yes, see you tomorrow.
37:10Bye.
37:21That's so delicious, Baba.
37:24But I'm going to get my bags now and then I have to go, yes?
37:26You can take me to the train station?
37:28Sure.
37:38Klaas?
37:41It's nice to see you happy.
37:43Really.
37:45What about you? You were just as happy yesterday.
37:48Did something happen with Julius?
37:49It's complicated.
37:51And now he's leaving instead of talking to me about it.
37:55Hi.
37:56Hi.
37:57What's wrong with this Ben Berger?
37:59Oh, it's you.
38:00What's up?
38:01We're always arguing.
38:03But he doesn't have a problem with me, but with his ex.
38:11Are you leaving?
38:12Yes, I have a few more days off and I have to get out of here.
38:16Where are you going?
38:19To Berlin.
38:21Where are you going?
38:24To Berlin.
38:26Really?
38:27Let me guess.
38:28Peter called and you went in.
38:32Are you serious?
38:34He broke his leg.
38:35He needs help.
38:37And what about Mo...
38:38And he broke up with his husband.
38:40Julius!
38:41Finally!
38:42It's just a friendship service.
38:44I'm definitely not going to start with Peter again.
38:50To be honest, I kind of hoped that Mo would try to stop me.
38:55Or confess to me or something.
38:58And you don't understand how to put pressure on someone.
39:03It's my fault.
39:04I would have liked to talk to him about it again.
39:08So, I said goodbye to Lena.
39:10She's leaving again.
39:12And who would you like to talk to about what?
39:18Oh, secrets.
39:20No, with a client.
39:22Okay, I understand.
39:24I'm ready.
39:26Oh, Elias, actually I would like to take you to the train station.
39:30I'm still sick and Baba urgently has something to do.
39:34Yes, the client. Sorry, I totally forgot.
39:37Okay.
39:38Take care.
39:40And call me, okay?
39:42I will, Baba.
39:48And then he hid behind his family and didn't even have time to talk to me.
39:54There's no reason to run to Peter right away.
39:57It's a friendship service.
39:59I don't expect anything from him. He won't hurt me.
40:03Should I take you to the train station?
40:06Yes, please.
40:07I will.
40:17Hi.
40:19Hi.
40:21Well?
40:22Well, you sport ace.
40:24Sport ace is good, ey.
40:27I didn't even know how unfit I was.
40:31But was it good with Leyla?
40:33Yes, it was very good.
40:35What are you doing?
40:37I'm outing myself as Miss Mayfair.
40:40Yes, Geraldine, Gigi, you can do me.
40:42My blog is doing great and I can make something out of it.
40:45Yes, of course, if I had the choice, I would of course also start a start-up, but ...
40:49Yes, yes, yes, Simon. I'm not quite there yet.
40:51I have to make a cool video first.
40:53So.
40:55I also know how much I need for it.
40:58Well, hopefully not me. I should take a shower urgently.
41:02Okay.
41:04I also know how much I need for it.
41:06Well, hopefully not me. I should take a shower urgently.
41:10Oh, yes. I can only recommend that.
41:12That bad?
41:13Yes, it is.
41:18Tell me, Simon.
41:21Did you see the new post from Leyla on Pictogram?
41:27With her new boyfriend?
41:29Yes.
41:31What status? Big love?
41:34She even wants to move in with him right away.
41:37Really?
41:39Oh.
41:41That's fast.
41:44And that doesn't bother you?
41:47Well, I don't know. It was a little trick, but ...
41:52Leyla set me up quite well.
41:54Cool.
41:56You two are getting closer and closer, aren't you? Leyla and you.
41:59As if I were going to win another little sister.
42:02Oh, cool. So I'm not enough for you, right?
42:05No, you can never have enough little sisters.
42:09You know, when Leyla and I broke up, Kilic told me that I would always stay family.
42:14And I thought, of course, it's just a joke and they say it like that, but ...
42:19It's actually true.
42:22Cool.
42:23Yes.
42:24Then I don't have a bad conscience if I go back to London after the holidays.
42:28No, I only count the days until you're gone.
42:30Great. I'll go on.
42:32Lotte?
42:33Yes?
42:34I'll show her.
42:35Take a shower.
42:38Hey, Carla.
42:39Hey, Franca.
42:41Do you want to eat a burger now?
42:43Yes, absolutely. I would like to enjoy it now.
42:45I'll have the cheese supreme, please.
42:49Okay, coming right up.
42:52And, how's it going?
42:54Oh, it's wonderful. I feel so good here.
42:57Hey, Carla.
42:58Oh, Ben. Hi.
42:59Hi.
43:01Would you like the triple B burger today?
43:04No, thank you. I'll have the cheese supreme.
43:08Ah, okay. Then the same one.
43:17Oh, um ...
43:19Damn, I only have cucumber for one burger.
43:23Then I'll pass.
43:24No, no, no, um ...
43:25It's okay without for me, too. Give him the cucumber.
43:28No, no, Carla. Give her the cucumber.
43:31I don't want a cucumber at all.
43:34I don't want it.
43:36Okay. So twice without cucumber.
43:47So.
43:49Ta-da. Here you go.
43:52Carla?
43:53Um, tell the lady please that she can stay here.
43:56I'm eating elsewhere. Could you pack it for me, please?
43:58No, no. Um, just pack mine.
44:01The gentleman really likes to eat here.
44:04Carla, as I said, pack one for me.
44:07I ... We want something.
44:09No, I don't want to eat here at all.
44:11I really want to eat elsewhere.
44:14Pack mine, please.
44:23Excuse me, have you seen Mr. Böttcher?
44:25Yes, earlier, when he said goodbye to Berlin.
44:27When was that?
44:29About an hour ago.
44:31Maybe he's still at home.
44:33No, I was just there.
44:35Then he's probably gone.
44:37Trouble in paradise?
44:39I don't think that's what you mean.
44:41Yes, if you're being considerate.
44:53Hey, Julius.
44:59You're probably already on your way to Berlin.
45:03I'm sorry.
45:05Everything.
45:07And I...
45:09I'd be happy if you'd call me.
45:11Like that?
45:13That's a bit too cool.
45:15Miss Mayfair is cool.
45:17Yes, but not too much.
45:19What was that?
45:21I'm supposed to help you, aren't I?
45:23Yes, yes, you're right.
45:25The first impression is crucial, okay?
45:27It could mean a breakthrough for the fashion world.
45:29So...
45:31Should I relax?
45:33Charlotte.
45:35Just be yourself.
45:37Then people will...
45:39Wait a minute.
45:41What is it?
45:43Wait a minute, I don't know if I saw that right, but...
45:47Marvin.
45:49I saw it right.
45:51Didi-Doo sent you a message.
45:53What?
46:01My email with the design ended up in her spam.
46:03And she's thrilled.
46:05Well, it's good that you checked again.
46:07Although, no, wait, that was me anyway.
46:13She wants to work with me.
46:15Wait a minute.
46:17Wait a minute.
46:19Oh.
46:21Oh what?
46:23I can work for the best designer in the world,
46:25but only...
46:27if I bury Miss Mayfair.
46:35Elvis.
46:37I thought you could use it.
46:39Oh, you're too good for me.
46:43You can almost see your muscles grow.
46:45Yes, of course.
46:51Do you really think you can see something?
46:53Yes, of course.
46:55Well, so far you've only complained about me.
46:57Yes, because I wanted to get the best out of you.
46:59I see.
47:01You're doing a great job.
47:03Really?
47:05Yes.
47:09I admire you.
47:11I admire you.
47:13Not only...
47:15because of your perseverance,
47:17but also because of how you got through the last year.
47:21I wish I could be so confident.
47:23Well, I wasn't that confident
47:25from the moment of the diagnosis.
47:27It's impressive
47:29how brave you are to get through all this.
47:33All those years invested in sports
47:35and then it's over
47:37from now on.
47:39Unbelievable.
47:41How good that we have each other.
47:43Yes, you could say that.
47:47How important is your artistic freedom to you?
47:51Very important.
47:53Aha, what does Gigi Du say then?
47:55I design fashion for the label of the industry.
47:57He turned his back on his ex.
47:59Maybe the distance is good.
48:01It depends on what happens in Berlin now.
48:03In case of doubt, he will miss you as much as you will miss him.
48:05So you're threatening to save again, right?
48:07Yes.
48:09Well, like every quarter.
48:11But this time I'll take the wind out of his sails.
48:13Wow!
48:15Who's trading something like that?
48:17Well, Mr. Lüder,
48:19you're really a trade genius.
48:21The finance committee has simply
48:23debunked all our savings proposals.
48:25And the worst part is, we're supposed to save another 15%.
48:27How am I supposed to do that?
48:29Wow.
48:31To find an answer to this, I have three days.
48:33What?