Category
📺
TVTranscript
00:00[♪ soft music playing ♪... ♪.]
00:04Margarita?
00:05I'm sorry, I'm sorry.
00:07Ignacio, because I was so surprised by the question.
00:11By surprise?
00:12We've been going over the situation for a long time now.
00:16Well, but I was...
00:18absorbed by Martina's situation.
00:20Yes, I understand.
00:21But that obstacle no longer exists.
00:24True.
00:25But it's possible that the conflicts you have or had with my daughter
00:33have made her me.
00:38Wow.
00:43I thought her repairs seemed unjustified and groundless to you.
00:47Well, they don't seem so to me anymore.
00:51Because I shouldn't have allowed you to take my daughter from the sanatorium.
00:54Nothing justifies something like this, Ignacio.
00:57Let alone knowing, as we now know, that Martina was innocent.
01:02Paula, forget it all. Don't torture yourself.
01:05Let's get married. Let's live our love.
01:10I just can't, Ignacio. I just can't.
01:13After all this, it's...
01:16I don't know.
01:19I don't think it makes any sense for us to formalize our union.
01:25Margarita, please.
01:28You know how much I love you.
01:32If I've made mistakes, it's precisely because of that.
01:35And yes, it's true that I haven't had a left hand to deal with the girl.
01:41And that if she were your daughter, she should have been above all.
01:45I wish I could go back and fix all the times I've messed up.
01:51Well, we've all made mistakes.
01:55But you have to be indulgent with mistakes made out of love.
01:58And if there's one thing I know, Margarita, it's that I love you.
02:03And I don't want anything more to happen to you in the rest of my life.
02:10That's very nice of you to say, Ignacio.
02:13And above all, it's true.
02:16My heart is yours.
02:25Yes.
02:27What?
02:30Yes, I want to marry you.
02:32Are you serious?
02:36You make me the happiest man in the world.
02:43I love you.
03:06I don't think she'll be back before lunch.
03:08So be sure to help Lope and Candela in the kitchen.
03:12Okay?
03:13Only if they ask you to, don't be a pain in the ass.
03:15In the kitchen, they claim your presence.
03:17Now!
03:19What were you telling her, Mrs. Martínez?
03:21I was just giving her some instructions.
03:24And why weren't you giving her those instructions in the kitchen?
03:27Because I was about to leave, as I suppose you've noticed, because of my costume.
03:31Yes.
03:32I can see perfectly well that you're not wearing your uniform.
03:36You're very observant.
03:38And where are you going, if you may know?
03:40Uh ...
03:42That's none of your business.
03:45I think it is.
03:47I remind you that I am the key master, Mr. Martínez.
03:49Yes, yes, yes, I'm very clear about that.
03:51Then go to me, with due respect.
03:54Where are you going?
03:57Well, I respectfully inform you that I am going to enjoy the morning of release that is due to me.
04:04So today you are free.
04:06And what are you going to do with your free time?
04:09That's none of your business.
04:11I don't have to give you explanations about what I do or stop doing in my free time.
04:17I think so.
04:18Because tell me, what would happen if a contingency arose?
04:21Ah, yes, like what?
04:23That the mayonnaise is cut?
04:25I don't want to waste any more time.
04:27Tell me, what are you going to do?
04:29It is a matter of vital importance.
04:32Which one?
04:34I've already told you.
04:35Enjoy my free morning.
04:37So let me go.
04:40I know, Simona, that today is not your day of release.
04:45And no, you don't need me to go to my office to find out.
04:48Because I have the quadrant here, in my head.
04:57Yes, it's true.
04:59Today is not my day of release.
05:01But this matter is ...
05:04It's important and I can't wait.
05:06But you know perfectly well that I need a special permission for that.
05:10I haven't given it to you, have I?
05:12Yes, I know.
05:14And have the Marquises given it to you and I haven't found out?
05:17No.
05:20Well then, I advise you to turn around,
05:24put on your uniform and go to the kitchen to work, Mrs. Martínez.
05:30I'm very sorry, Mrs. Petra, but I'm not going to do it.
05:32What?
05:35This matter is important and urgent and I can't wait.
05:38Simona, don't you dare leave the palace. I warn you.
05:42I'm very sorry, Mrs. Arcos, but I'm going out.
05:45I have to save my daughter and my grandson.
05:47And neither you nor anyone else will stop me.
05:50So I suggest you do nothing to stop me.
06:02Well, congratulations to both of you.
06:04Thank you very much.
06:06I am glad that you have finally decided to take this step.
06:10We were beginning to think that this moment would never come.
06:14Well, the truth is that it has not been easy to get here.
06:17Yes, and in the end we have managed to solve all the misunderstandings that prevented it.
06:21And we also have Martina's blessing. What else can we ask for?
06:26My most sincere congratulations.
06:29I think I speak on behalf of everyone when I tell you that we were a little worried
06:33about whether this union was going to be carried out or not.
06:35You are wrong.
06:36Some of us thought that this moment would never come.
06:39Well, what is clear is that we can finally start to get excited about your celebration.
06:43Well, yes. Although I have to say that it is a shame that you have to leave before the wedding is celebrated.
06:51But hey, we will write to you and we will tell you everything with all the luxury of details.
06:55But are you really leaving?
06:57I'm afraid so.
06:59And why so hastily?
07:02Well, it's actually a decision made a few days ago.
07:07Yes, and it has simply taken a little time to pack all his luggage.
07:13But I'm finally leaving.
07:15I'm afraid I have abused the hospitality of my friend Cruz.
07:18Don't say that, Maria Antonia.
07:20You know that your stay has become very short for us.
07:24But everything comes to an end.
07:27Yeah.
07:30Well, I wouldn't like this announcement to spoil the happiness of a moment like this.
07:35That's impossible, carelessness.
07:37I trust that you will be very happy and that we will see each other again when you are already husband and wife.
07:42Of course. We will be delighted and I hope it will be very soon.
07:45Maybe it won't be so soon, Margarita.
07:47I understand that your cousin Esmeralda has been wanting to see her for a few days.
07:52Yes, that's right.
07:54And where is that cousin of yours?
07:56A little far, in Mallorca, right?
07:59Well, they told me that this island is wonderful.
08:01So you will be enjoying a paradisiacal place.
08:05Look, maybe it would be a good fate for you to spend your honeymoon.
08:09Don't you think?
08:11Well, we will appreciate it.
08:14Yes. Well, there are still many things that we have to take into account, we don't want to rush.
08:18Well, I hope you enjoy your stay at your cousin's house.
08:25We will miss her.
08:27Yes, especially on the wedding day.
08:29And you are attentive on the day of the wedding, no matter what happens.
08:35What are you referring to?
08:37You already know the saying.
08:39From one wedding, another wedding comes out.
08:42That's right.
08:44But none of them are in a relationship.
08:47Well, that's why.
08:49Maybe at the ceremony they meet someone special.
08:52I'm not in the mood for work, man.
08:54Yes, neither am I.
09:05And now what do we do?
09:07I suppose we would have to play one last round to draw,
09:10because if I'm not mistaken, we both have two games won.
09:13Yes, I think so too.
09:26You are a tough competitor, you know that, right?
09:29Well, I haven't played in a long time.
09:31Well, I haven't played in a long time.
09:33But I don't like to lose.
09:35Absolutely nothing.
09:37Absolutely nothing.
09:39Even to a game as simple as the pétanque.
09:43Well, it has its technique and its strategy.
09:46You have to calculate the force at which the ball is thrown.
09:49Predict how much it will roll depending on the terrain.
09:52Remind me that I will never accept a chess game against you again.
09:57Your pride couldn't stand being humiliated by a young lady.
10:00My pride is more than used to losing against you.
10:03But one thing is that and another is to recreate.
10:05I understand.
10:12Well, I'm not sure which of the two balls is closer,
10:15yours or mine.
10:17This is surprising.
10:19It's a draw, isn't it?
10:21It seems so.
10:23It seems so.
10:25They are at the same distance.
10:27Maybe they don't want to be separated from each other.
10:33And now what do we do?
10:35Draw. There is no other way.
10:46Miss Fernández, are you sure you gave him notice?
10:49To Carta Cava, who doesn't think it's easy to come here,
10:52dodging the thousands of eyes of the distasteful Miss Petra.
10:56Miss Fernández, be careful with that language.
10:59You are right. I was referring to the distasteful Miss Petra.
11:04Come in. It must be her.
11:07Good morning.
11:12Mr. Baeza told me Maria Fernández wanted to see us here.
11:15Yes, yes. I thought this would be a good place.
11:17Far from the Marquises and also from Mrs. Arcos.
11:20And I understand that he wants to talk about Mrs. Adarre, right?
11:23That's right. I wanted to tell you about the conversation I had last night with Mr. Marquez.
11:27Did he pay attention to our situation?
11:29That's right.
11:30What did he say?
11:31Well, how could it be otherwise?
11:33Mr. Marquez was sincerely concerned about the fate of Mrs. Adarre.
11:39And what does that mean?
11:41Well, it means that he has given his authorization for us to move Mrs. Adarre to Ramona's cabin.
11:48Thank goodness. I already saw Mrs. Pia lose her mind.
11:51He also showed me his willingness to help us in everything possible.
11:55Of course, that is good news.
11:57As it is logical, despite his generosity, he will not be able to intervene directly.
12:01Of course. With the help of Mr. Manuel, we already have more than enough.
12:06Thank you, Maria.
12:07Thank you, sir. We are all very grateful, including your father.
12:12He was surprised and proud to know that you were aware.
12:16Thank you, Ramona.
12:18But there is no reason.
12:21Did my father say anything else?
12:23No. He said that we would keep you punctually informed of all our movements.
12:27The truth is that it is a relief.
12:29You know that Marquez is with us to help us in case something goes wrong.
12:33Don't be boring, Maria Fernandez.
12:35Nobody wants anything to happen.
12:36I am completely convinced that this company will succeed if we all adjust to what is established with precision.
12:42Like a Swedish watch.
12:44Swiss. Maria Fernandez, the famous watches are the Swiss.
12:48Are we similar or not?
12:50Well, whatever. It is very important that we all maintain discretion.
12:57Of course. We are a tomb. For this.
13:01I hope so. Well then, let's proceed.
13:06Well, I'm going to order them to prepare the car.
13:09It's a good idea. If we leave everything ready tonight, we can start early tomorrow.
13:14I also think it's a good idea to go to the Alba.
13:16So at least we can make the transfer faster and more efficient.
13:21Well, I'm glad to see that we are all so committed.
13:27Of course.
13:29Well, now I'm going to give the orders.
13:34Yes, I'm leaving now. Don't let Mrs. Petra disappoint me.
13:39Are you coming, Ana?
13:41Of course, gentlemen.
13:56So, are you already specifying the details of the wedding?
13:59Well, I think it's a bit early for that.
14:02Well, I have some ideas. Nothing definitive.
14:05But I would like the wedding to be a reflection of the rich traditions of Spain.
14:10Do you mean the gastronomic part?
14:12I mean the whole thing. From the wedding to the invitation,
14:15I would like it to be imbued with the richness of the traditions of Spain.
14:20Well, I think it's an excellent idea.
14:23I didn't have us for such exalted patriots.
14:27What do you think if instead of the nuptial march, what sounds like the march of grenadiers?
14:31Lorenzo, do you think it's wrong to honor patriotic values?
14:34Precisely you.
14:35Me? Absolutely.
14:37What I think is wrong is to resort to the patriotic spirit
14:42to hide the vicissitudes that surround your link.
14:48What vicissitudes do you mean?
14:50I don't know, maybe your supposed poisoning,
14:54Martina's subsequent burial, your constant changes of opinion ...
14:58Lorenzo, please.
15:00Enough.
15:02All this is part of the past now.
15:04What we are talking about is finding the best way to celebrate a wedding.
15:07I just say that celebrating that wedding with all its glory and with flags of Spain
15:11will not do but make its weaknesses more evident.
15:14Lorenzo, that's it.
15:16As Maria Antonia says, what is well is what ends well.
15:19It seems that you have agreed to take me the opposite.
15:22All I want is to prevent you from bothering Margarita and the count.
15:26It seems that I interrupt an interesting conversation.
15:29Very interesting, sister-in-law. A lot.
15:32What do you have there?
15:34Nothing. It's ...
15:36It's a little detail for our guest, Maria Antonia.
15:40For me?
15:41Yes.
15:42I didn't want you to leave without having a gift,
15:45so that when you are far away you remember your stay here.
15:48Cruz ...
15:49Well, it's not that, man.
15:51I know, but I wanted to give it to you.
15:54It is in gratitude for everything you have done for me.
15:59For me and for Alonso.
16:01And for all those present here, of course.
16:04And what is it?
16:05Now you will see.
16:15My God!
16:17Isn't it a beautiful necklace?
16:19The truth is that it is.
16:25I can't accept it.
16:27And why not?
16:29Well, because I know ...
16:31I know it's a gift Alonso gave you.
16:38I don't know if ...
16:40you are very conservative or detached too.
16:44Stop being sarcastic, Lorenzo.
16:47Don't hesitate, dear.
16:49Think that ...
16:51with that necklace you have a gift from me and Alonso.
16:55Well ...
16:56Is it another way of seeing it?
16:59No.
17:01I don't think it's appropriate, Cruz.
17:03I don't think it's appropriate for me to have it.
17:05But I want you to have it.
17:08It is my way of wishing you luck in your game.
17:12And to make you see how much we are going to miss you.
17:16I'm also going to miss you a lot.
17:20All of you.
17:22All of you.
17:36Another damn wedding?
17:38I'm afraid so.
17:39The mother who brought them.
17:41But they have proposed to me.
17:43I'm afraid so.
17:45The mother who brought them.
17:46But they have proposed to ruin ours or what?
17:48I highly doubt that Count de Ayala and Doña Margarita
17:51have thought of us before planning their wedding.
17:54Well, they could have done it.
17:56I suppose it would be a decision they had taken a long time ago.
17:59And they have decided to celebrate it right now.
18:02But a few months ago, some nuns wanted to take Miss Martín.
18:06But what does that have to do with it?
18:08Well, they could have waited a little, Salvador.
18:10Yes, but the one who is getting married is not Miss Martín.
18:13No, neither are we.
18:15What a bad luck.
18:17Don't worry. I have already spoken to Don Rómulo
18:19and he, in turn, spoke to the Marquises
18:21to ask for permission for our wedding.
18:24I see. And what did he say?
18:26That we cannot get married by that absurd rule
18:28that servants cannot get married if there is a wedding of middlemen?
18:31No, no, no.
18:32That rule only applies to the direct relatives of the Luján family.
18:36And Count de Ayala and Doña Margarita are just guests.
18:39Not so much.
18:40Doña Margarita is the owner of part of the promise.
18:43Well, the point is that Mr. Marquez said there would be no problem.
18:47That we, after all, work for him
18:49and that those who get married are not his children.
18:52So we have Marquez's permission to get married, right?
18:55Uh-huh. That's it.
18:57Look, Salvador, don't fool me.
18:59I don't want to get honey on my lips again.
19:01I'm not fooling you. We can really start preparing the wedding.
19:04Without fear that they throw everything behind us again.
19:06Look, if something happens ...
19:07Don't be such a whore, woman.
19:09Well, not even your Candido, Salvador.
19:10Not Candido, but ...
19:11Well, you can know why you are arguing.
19:15It was her fault.
19:16It was her fault.
19:17But well ...
19:19Are you not going to leave anything for the wedding?
19:21Well, there is a wedding, Candela.
19:23And until I see it, I don't believe it.
19:24What do you mean there is no wedding?
19:26So, have the managements already started?
19:31What management are you talking about?
19:34Explain that.
19:35If you mean the Marqueses, everything is already spoken.
19:38I'm not talking about Marqueses.
19:40I'm talking about the priest.
19:42Because to get married, first you have to talk to the priest, right?
19:46And I, taking advantage of not escaping to town, I went to the church.
19:49And I talked to the priest.
19:51You?
19:52Yes, me.
19:53As if you had forgotten to do it.
19:58And what did he tell you?
20:01Well, I asked him to put in motion what is necessary
20:04so that you can contract the Holy Sacrament as soon as possible.
20:10And what did he answer?
20:12All good things.
20:13He told me that he would be delighted to celebrate your union.
20:17What else is it going to be?
20:18His first wedding in Luján.
20:21Already?
20:22And what should I do now?
20:25You have to start by making the amnesties.
20:27And as soon as she goes to the priest, she will give you the wedding.
20:31And soon.
20:34Wow, she is in a hurry to the priest.
20:37A lot.
20:45Romulo.
20:46Justo.
20:47Justo was going to look for you to ask you if you had heard the mail to the noble plant.
20:51Oh yes.
20:52And have you given each gentleman his letter?
20:54Well, not each one.
20:55The one from Miss Martínez I have delivered directly to Mr. Curro,
20:58who is with whom I have met.
21:00Well, I guess he will give it to him.
21:02I have also met with your son.
21:04He took the opportunity to consult me if part of his obligations was to collect the mail from Mr. Curro.
21:08And you would clarify that it is not necessary.
21:10That's right.
21:11But he has shown great interest in his tasks as a camera assistant.
21:14Yes, I hope that good disposition lasts a long time.
21:17Mr. Curro is satisfied.
21:19Yes, we have not received any complaints from him.
21:21For now.
21:22Anyone would say that you are not happy that your son is not going to see things.
21:26No, no, no, no.
21:27Not really.
21:28I'm glad.
21:29I'm happy.
21:30In fact, look.
21:31Every morning we review what are the functions of a personal lackey.
21:35All of them.
21:36Yes, all of them.
21:37Don't you think it's excessive?
21:39What do you mean?
21:41Well, that you could trust more in his abilities.
21:46Come on, let's go, Ricardo.
21:49I guess you're right.
21:51That I can afford the luxury of trusting him.
21:53So why don't you do it?
21:55Well, because ...
21:59I don't trust Mrs. Arcos.
22:01And the fact that this promotion has been promoted by her ...
22:04What does she have with the fly behind her ear?
22:06Don't be surprised.
22:07Nobody in this palace trusts her.
22:09Well, those of us who have been here for a long time have known other facets of her.
22:13But it is true that she generates suspicion.
22:15And many times with reason.
22:17Many times.
22:18Well, almost always.
22:21Let's go.
22:26May I know what that is, Mrs. Arcos?
22:29Well, Mrs. María Antonia gave it to me.
22:32It is a gratification for the service.
22:34As a thank you for how well served you have felt here.
22:38Very generous on your part.
22:40And why do you give it to us?
22:42Because you are the ones who pay the salary.
22:45And I thought that the most appropriate thing would be for you to decide how to distribute it.
22:50Very well, we will try to do it in the most equitable way possible.
22:53I'm sure of it.
22:55One moment, Mrs. Arcos.
22:57Speaking of Mrs. María Antonia, is your departure ready?
23:01That's right.
23:02And when will the match of the promise be?
23:04This afternoon.
23:05Ten thirty.
23:06In fact, the maids have already prepared all their luggage.
23:09Thank you very much, Mrs. Arcos.
23:10If you don't require anything else from me.
23:12No, that's all.
23:30May I? Or are you busy?
23:32I just sat down to read a little, but yes.
23:35It is that I have crossed paths with Mr. Baeza and he has given me this letter that is for you.
23:40Come on, thank you.
23:49Is it important?
23:51It's from the Duchess of Cerezuelos.
23:54But wasn't she a friend of your mother?
23:56She's a gossip.
23:59All she wants is to return the honor to my mother that she invited her at the time of the promise,
24:05inviting me to a snack at her palace and apparently it's like a very special event.
24:12And that?
24:13Because she is inviting all the young people of good family in the area.
24:17Well, it sounds fun, doesn't it?
24:20It sounds like a trap.
24:22Because what she wants is for us to join charities.
24:27Even so, it seems to me that it could be fun.
24:31It gives me the feeling that in these activities they only have people of advanced age
24:37and that she wants to capture young faces to increase the donations.
24:42Fresh blood to empty the pockets, yes.
24:45And what kind of charity is it?
24:48Well, she doesn't specify it.
24:50But come on, knowing her, what she wants is to surround herself with girls to make her look like the queen of her castle.
24:55Not a bad idea.
24:58I remember that once my mother told me that once a year this woman organizes trips to Lourdes
25:03for all the girls who want to venture into volunteering.
25:08Well, it's a good opportunity to travel and get to know the south of France.
25:12Yes, but it's not a pleasure trip.
25:14It's to help the sick who go from pilgrimage to the sanctuary.
25:18I see.
25:19But we're sure they all come back, right?
25:22What am I saying?
25:25Unless one of them wants to stay there to see if they contemplate some miracle or some apparition.
25:35But come on, I can think of better plans.
25:38And this year, taking into account the war conflict, I highly doubt that she will venture to organize a trip like this, right?
25:43Yes, that would be a miracle, for her to stop that war.
25:48Of course.
25:50Well, taking away from the trip to Lourdes,
25:53I don't know why there is something that tells me that that dinner could be fun.
25:58Very fun.
26:00Martina, listen to me.
26:02You could have the opportunity to meet girls your age and make new friends.
26:06I don't know why, but I have the feeling that we will not have similar interests.
26:10No, no, you don't know that.
26:12And that's why you have to go there.
26:14But I do know.
26:16What they want is to meet to comment on the gossip of the moment.
26:19Well, go there and comment.
26:21What?
26:22Martina, I'm serious.
26:24Look, your last weeks here have been complicated.
26:29You deserve to go out and change the air.
26:32Besides, is there anything better than a good gossip?
26:36No, no.
26:39I'll think about it.
26:41Think about it well.
26:53A few days later.
27:04Thank you for the herbal tea, Candela.
27:06The truth is that I needed it.
27:08I'm a nervous wreck.
27:10I've put valerian and paciflora.
27:13Let's see if it relaxes us a little bit.
27:15Are you nervous too?
27:17No, I'm here to accompany you.
27:20You wouldn't tell my mother what her plans were, would you?
27:23Not a word. Not to me, not to anyone.
27:25Come on.
27:26The only thing we know is that she has signed Marimandrajo.
27:31And do you think she got into any trouble because of me?
27:33And why is it your fault, girl?
27:35We don't know what happened to Luján.
27:38Or do you know something that is escaping me?
27:41Me? What was I going to know?
27:43Then she must have gone shopping.
27:45And she's busy all day.
27:47Maybe she's having fun with something.
27:48Your mother knows everyone in town.
27:50I don't think so.
27:53Well, we have another one waiting for us.
27:55We're not going to give her part of the Guardia Seville either,
27:57because your mother hasn't arrived yet.
27:59No one is going to call the authorities here.
28:01I'm already here.
28:02Mother.
28:03Yes, right?
28:04You'd better go without telling anyone.
28:07Don't order God or the devil.
28:09I'm sorry.
28:10I didn't know exactly what I was going to do
28:13and if I was going to get anything.
28:15But where have you been?
28:17Looking for a way for you to be with your Adolfito.
28:21And I don't bring bad news.
28:25Don't tell me you got it.
28:27Well, almost.
28:29You have the last word.
28:31Oh, Simona, you like mystery.
28:34Yes, mother, speak up.
28:36What have you done?
28:38Well, I went to town and after asking some and others,
28:43I stayed with the house where Josefa and her husband are.
28:48And my son was there?
28:52More beautiful than a cousin.
28:55And what did you do to talk to him?
28:57Did you tell him everything he had to say?
28:59I have explained your situation, daughter.
29:02And I have done it as good people do,
29:05with my heart in my hand.
29:08And after a long time talking, thinking,
29:12the three of us have found a solution.
29:15Let's see, tell me.
29:18The solution is that Virtudes is going to live with them and the child
29:24at Mrs. Josefa's parents' house.
29:27But ...
29:29How are my in-laws going to take me?
29:32What will I live on?
29:34From his garden, daughter.
29:36Until you find a job,
29:38you will help your father-in-law in the garden,
29:41and you will grow vegetables,
29:43you will sell them on the market,
29:45to get four quarters.
29:47You look prepared to do something like this.
29:50I will have to learn a lot from my father-in-law.
29:52You will get ahead, daughter.
29:54They will do everything they can and you will do the rest.
29:58But are they really in agreement?
30:01Yes, daughter, yes.
30:03They have shown you very good will and they do not hold a grudge against you.
30:08If they separated you from the child, it was because of everything you did.
30:12I know, mother.
30:14I know I behaved in an unworthy way and ...
30:18that you have prevented me from doing it again.
30:23You don't deserve them.
30:25Now the decision is yours.
30:28They will receive you with open arms.
30:33But ...
30:35I will lose you.
30:38You will be with your son.
30:40You can't have everything in life.
30:43And we are clear that it is very important.
30:47Besides, no matter how far you go,
30:50you will never lose me.
31:03No.
31:26Thank you very much, Mr. Pellicer, for your help.
31:29I didn't know you brought so much luggage.
31:31You have been among us for a long time, it is normal that you have so much luggage.
31:36Maria Antonia.
31:40You have come.
31:42How am I not going to come? You are my friend.
31:46It is a shame that the day has come to say goodbye.
31:50Deep down, neither of us wanted you to arrive.
31:53It has flown by, huh?
31:57It seems like a lie, after sharing a table and ...
32:02so many talks and so many confidences and laughs.
32:06Good and bad moments.
32:08Well, for me they have been especially good.
32:13But as it always happens in life, everything comes to an end.
32:18Well, yes.
32:20I guess there is no choice but to assume it.
32:26Cruz.
32:29I came with the sole purpose of accompanying you in a delicate moment.
32:38And I'm leaving with the good taste in my mouth of having achieved it.
32:44I hope that taste in your mouth lasts a long time.
32:48Just as long will the happiness you have left me last.
32:52No.
32:54Ma'am, the luggage is loaded and the car is ready to leave.
33:02Well, if so, I'm afraid the time has come.
34:22You don't know what you've gotten rid of.
34:24Maria was not willing to delay the wedding again because of a stupid rule.
34:28It's an absurd rule.
34:30What does it have to do with her staying at home on the noble floor with what we do down here?
34:34Besides having to take care of them with more care.
34:36And that we have to dress them up and not stop in the kitchen ...
34:39Every day, go.
34:40Oh yeah?
34:41Yes.
34:42I don't know.
34:43I don't know.
34:44I don't know.
34:45I don't know.
34:46I don't know.
34:47I don't know.
34:48I don't know.
34:49Every day ...
34:50Every day, go.
34:51That's right.
34:54But hey, in the case of the wedding of Doña Margarita and Count Ayala,
34:58that rule is not applied.
35:01Have you consulted that with Mr. Baeza?
35:03Yes, and he has consulted it with the gentlemen.
35:05It would only apply if there were direct relatives.
35:08That is to say, it is only valid for the Marquises and their children.
35:12That's it.
35:14Good.
35:15Well, let's trust that they adhere to the rule.
35:18Let's trust.
35:19And if not, well ...
35:21Well, we'll have to put up with it.
35:24Put up with it?
35:26You're not in a hurry to get married anymore?
35:27No.
35:28I didn't say that.
35:29But I mean that ...
35:31Well, if you can't, you can't.
35:33Maybe we have to delay the wedding.
35:35What else can we do?
35:37And the disgust that María Fernández would take?
35:40Already.
35:44Salvador, what about you and the wedding?
35:47What's wrong with me and the wedding, baby?
35:49Why do you say that?
35:50Don't treat me like a fool.
35:52I've known you since we were kids, Teta, please.
35:54Don't try to hide anything from me because it's absurd.
35:56But I don't know what you're referring to.
35:59Well, I've been observing you for a while and I see that you don't have any kind of enthusiasm.
36:04I don't think these are your imaginations, López.
36:06Oh yeah?
36:07Well, when María and you talk about the wedding, you do it without any kind of illusion.
36:11But where do you get that from?
36:12Salvador, it is obvious that you are disappointed.
36:14Since you know that the wedding of Count Ayala and Doña Margarita will not delay yours.
36:18That's not true.
36:20If you say a word like that to María ...
36:22Salvador, I'm not going to say anything to María.
36:24Because I love you.
36:25Because I know you love each other from the bottom of your heart.
36:27Of course we love each other.
36:28So what's going on?
36:30You've been misguided for a few days, in your thoughts.
36:34You're hiding something from me, Salvador.
36:36And I need you to trust me because I can help you.
36:42What's wrong?
36:45It's okay.
36:47Yes, it's true that something is wrong with me.
36:50But I can't tell you anything yet.
36:54Why?
36:55Why not?
36:56Because María has to be the first person I tell her.
36:59Otherwise, I would never look her in the face again.
37:07Then talk to her.
37:09As soon as possible, because she deserves to know the truth.
37:15I already told you it was something casual.
37:17I was at the door waiting to enter the office
37:19when suddenly I heard Mr. Baeza and Hanna talk about Doña Pía as if she were alive.
37:24And you were frozen.
37:25I couldn't even move.
37:28Thank goodness you were the one who found out.
37:30Another person with that information would have put our plan in danger.
37:35We didn't want to make everyone go through the bad taste of Pía's death.
37:40But it was the only way.
37:41I deduce that Pía's safety was needed.
37:43There was no other option, son.
37:46And honestly,
37:48now I'm glad you're aware.
37:52Because having someone close to whom I can talk about all this relieves my guilt.
37:59Guilt?
38:00Yes, the guilt of keeping that lie and acting behind everyone else's back.
38:05I'm sorry.
38:06Guilt?
38:08Yes, the guilt of keeping that lie and acting behind everyone else's back.
38:12Father, you have saved Doña Pía's life.
38:16There is nothing to reproach.
38:19In fact, I am proud of you.
38:22Proud?
38:23Yes.
38:25You did the best you could.
38:27And that was leaving Pía to her luck with that man.
38:30Yes.
38:32I guess so.
38:36However, I don't see you very satisfied.
38:40It's just that there is something else that worries me too.
38:44Do you want to share it?
38:46It's about your mother.
38:49What has she done this time?
38:51Something without too much importance, I think.
38:55Well, to be something bad, it affects her a lot.
39:00It turns out that to pay homage to Maria Antonia, she gave her a gift.
39:04Well, that's a generous detail.
39:06Yes.
39:08If it weren't for the pearl necklace she gave her,
39:11it was a gift I gave her a long time ago,
39:14and now she has gotten rid of it.
39:17I understand.
39:19So to please your friend, she ended up hurting you.
39:23That's right.
39:26Did my mother know that would hurt her?
39:30I asked her not to do it.
39:32To give her something else, you see.
39:35She decided to give you her necklace.
39:38Yes.
39:40She wanted it to be a personal object that would be difficult for her to get rid of.
39:44That doesn't make any sense.
39:46Not much.
39:48And do you know why she did something like that?
39:50Sometimes I think the only thing she wanted was to hurt me.
39:56Come on, Father.
39:58It doesn't make much sense, I know, but...
40:00it's what it seems.
40:05As you had requested, sir,
40:07I have lowered the hairpins to prepare that new cemental that had arrived.
40:11Are you referring to a mouse?
40:13I understood that it was the one you wanted.
40:15That's right.
40:17It looks like a young and vigorous animal.
40:21Don't you think so?
40:23Of course.
40:25I have to admit that you have a lot of nerve to dare to ride such a beast.
40:29Let's hope he's not as brave as he seems.
40:31Let's hope he's not as brave as he seems.
40:34Let's hope.
40:37I have also supervised the preparation of the horse personally.
40:41I have made sure that they saddle it according to their preferences.
40:45And have you made sure that the harnesses are well adjusted?
40:48Of course.
40:50I hope the saddle is comfortable for your ride.
40:54I'm sure it is.
40:56It's a perfect afternoon.
40:58The sun shines and there is a gentle breeze.
41:02Of course.
41:06If you need anything else, please don't hesitate to ask me.
41:11I will.
41:15Santos, wait a moment.
41:19Yes, sir.
41:24Thank you for having everything necessary for my ride.
41:31You don't have to thank me. It's my job.
41:34I know, but I must admit that at first I was reluctant to ask you to be my camera assistant.
41:42I'm not the one to doubt your preferences, sir.
41:45I know, but I wanted to make it clear that it was nothing personal.
41:49It's just that, as you know, I just returned from the front.
41:54I know.
41:56Well, there one takes care of himself.
41:58There are no luxuries of any kind.
42:00At the front, you realize that you don't need so many privileges.
42:05Do you understand me?
42:07I think so.
42:09So, if my presence bothers you ...
42:12No, no. Let's see.
42:14I have something else to ask you.
42:16Excuse me, sir. I didn't mean to interrupt.
42:19There is another reason.
42:21And the truly important one.
42:25It still hurts me the death of my former employee, Feliciano.
42:33Yes, I understand that he died shortly before I came to work here.
42:39That's right.
42:42Feliciano was a good boy.
42:44And he had the misfortune of dying in the best part of his life.
42:50Precisely when everything was starting to go well.
42:55You mean he died shortly after he was promoted, just like me?
43:00But I'm not referring to that.
43:02I'm referring to the fact that he found love.
43:05A happily corresponding love.
43:07I see.
43:09He was going to marry one of the girls.
43:11Who?
43:13You won't know her.
43:15She doesn't work here anymore.
43:17Her name was Teresa and she loved her madly.
43:20Teresa, yes. She left shortly after I joined.
43:24Yes.
43:28Feliciano's death made me realize how ephemeral existence is.
43:35We both got shot on the same day.
43:40And now I'm here.
43:43And he, on the other hand, is dead.
43:46I'm very sorry, sir.
43:49And I understand your doubts about me.
43:51But I guarantee you that I will do my best to be up to the task.
43:59Thank you very much, Santos.
44:01You're welcome.
44:20So, do you agree that Spain should not participate in the European conflict?
44:24Without a doubt.
44:26Being as we are, in the middle of an economic crisis, it could be disastrous.
44:29Besides, it's not good for us in Africa.
44:32The captain of the Mata thinks exactly like you.
44:36Well, that's not exactly a compliment.
44:38No.
44:40And you? What is your opinion about it?
44:43Well, I have mixed feelings.
44:45On the one hand, I consider that the actions of the German Empire are abusive and we have to stop them.
44:51We agree on that, but if going to war brings us ruin ...
44:55I don't care about economic reasons.
44:58Moral aspects are more important.
45:01I understand.
45:03War is never the solution.
45:05In fact, resorting to it is a failure.
45:07Because it involves the annihilation of the opposing army.
45:10What you say sounds horrible and it is certainly true.
45:14We don't feel bad, do we?
45:17About what?
45:19Talking about the divine, the human.
45:22Going back to the old days as if nothing had happened.
45:25That's what we agreed on, right?
45:28And we feel perfect.
45:30I agree with you on that.
45:33From the point of view of our experiment,
45:36I think we are much better when there is no one around us.
45:39I agree with you again.
45:41Although I see a small problem in your conclusion.
45:44What?
45:46You can't hide here forever.
45:49Sooner or later you will have to return to the promise.
45:53Well, come back to me.
45:55I asked you once and I ask you again now.
46:00Wait here.
46:09Wait here.
46:24I can't believe it.
46:27Are you kicking me out?
46:30Don't you want us to have another chance?
46:39Come in.
46:46Manuel.
46:51I had to wait a while for a report until your father left here.
46:55You did the right thing.
46:57The one who is aware of Doña Pia has a fly in his ear.
47:00Although he took it quite well.
47:02Well, I didn't really come to talk about your father.
47:05And you want to review the transfer plan, right?
47:07We can do it. We have the papers.
47:10Manuel, that worries me a lot.
47:12Of course it does, but it's not what worries me the most right now.
47:16And then?
47:19It's about Mr. Baeza.
47:21I know something's wrong with him. I know.
47:28And why do you say that?
47:30Well, I don't know how to tell you exactly,
47:33but he's behaving in an extremely strange way with me.
47:38And I've been noticing it for a few days.
47:40Would you know exactly since when?
47:44Well, I wouldn't know how to tell you, but...
47:48I noticed it when we had the meeting about the transfer.
47:55Yes.
47:57You're right, Romulo. Something's wrong with him.
48:01And do you have any idea what it could be?
48:03What could it be?
48:05I have a pretty precise idea of what it is.
48:08Well, tell me.
48:14He knows about us.
48:17What?
48:19He saw us kissing right here.
48:22And after that, it didn't take long for me to deduce
48:25that my sudden interruption in his office had nothing to do with it.
48:28But...
48:30Does he know everything?
48:32Yes.
48:35Manuel, do you realize that if Mr. Baez finds out about this...
48:38It's pretty serious, yes.
48:41And what are we going to do?
48:45For now, we're going to keep calm.
48:49And we're going to trust him.
48:52I've asked him for time.
48:55And he said he'd give it to us, so...
48:58Manuel, that's a lot of money.
49:02Yes, it could be, but...
49:05Actually, I have a plan.
49:08You have a plan?
49:10That's right.
49:12Sooner or later, he'll find out about us.
49:15And we can't be hidden forever.
49:18What do you mean by that, Manuel?
49:23That we're going to tell him everything.
49:26And we're going to do it now.
49:31I'm sorry.
49:36Couldn't you just tell me that you're sorry,
49:39but that you can't accept my proposal?
49:41I wasn't going to say such a thing.
49:43No, of course not. Why go into detail?
49:45Why talk when a suitcase and a kick say it all?
49:48And what am I supposed to do, if you don't know?
49:51You're seeing in me the son you no longer have.
49:53And I didn't come here for you to pull out your mother's thorns with me.
49:56He's coming with me.
49:58Where to?
49:59Is that a treat for the Duchess of Cirezuelos in her palace?
50:02No, Martina. I'm not invited.
50:04And it's a treat for young ladies.
50:06Let's see what I can do.
50:08Martina, what's wrong?
50:10I'm afraid.
50:12What?
50:14That they found out about the sanatorium
50:16and that they'll ask me and I'll have to explain.
50:19It's me.
50:21Take it off.
50:23Are you sure?
50:30And my wife?
50:32The Marquise is upset, sir.
50:35She doesn't want to see anyone right now.
50:37I think I've been denying reality for a long time.
50:42And I think it's not just my thing, Ana,
50:45it's also Salvador's.
50:47All I can think of, Maria, is for you to talk to him.
50:49What do you mean?
50:51That when that wedding is held,
50:53the 25% of the promise that belongs to Margarita
50:56will go to your dear friend Ayala.
50:57It's a consequence of the wedding
50:59that I'll take care of when the time comes.
51:01I can take everything from you.
51:03You can threaten me with anything you want,
51:05but I'm only going to bark at you.
51:07Don't you dare bite me.
51:09Because I'd rather see you sink little by little.
51:12You'll regret your ungratefulness.
51:14And I'll tell you more.
51:16There's more?
51:17Yes, there's more.
51:19But don't worry, you don't have to listen to me.
51:21You can dedicate yourself to doing that,
51:23which is much more important to you.
51:27I love you.
51:33Dennis.