La promesa - Temporada 3 - Ep 409
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00:00How did you know?
00:02I don't know.
00:04Margarita.
00:05Sorry.
00:06Sorry, Ignacio, because
00:08the question caught me by surprise.
00:10By surprise?
00:12We've been going over the matter
00:14a lot of time.
00:16Well, but it was
00:18absorbed by Martina's situation.
00:20Yes. Yes, I understand, but that obstacle
00:22no longer exists.
00:24True.
00:26But it may be that
00:28the conflicts
00:30you have or had with my daughter
00:32have
00:34made her mine.
00:38Wow.
00:43I thought her reparations seemed
00:45unjustified and groundless to you.
00:47Well,
00:49they don't seem so to me anymore.
00:51Because I shouldn't have allowed you
00:53to take my daughter to that sanatorium.
00:55Nothing justifies something like that, Ignacio.
00:57Especially knowing, as we now know,
00:59that Martina was innocent.
01:01Or forget it all.
01:03Don't torture yourself.
01:05Let's get married.
01:06Let's live our love.
01:10I just can't.
01:11Ignacio, I can't.
01:13After all this, it's...
01:16I don't know.
01:19I think it doesn't make any sense
01:21to formalize our union.
01:24Margarita, please.
01:28You know how much I love you.
01:31If I have made mistakes,
01:33it has been precisely because of that.
01:35And yes, yes, it is true
01:37that I have not had a left hand
01:39to deal with the girl.
01:41And that if I were your daughter,
01:43I should have been above all.
01:45I wish I could go back
01:47and fix all the times
01:49I've messed up.
01:51Well,
01:53we've all made mistakes.
01:55But you have to be indulgent
01:57with mistakes made out of love.
01:59And if I know something, Margarita,
02:01it's that I love you.
02:03And I don't want anything more
02:05than to spend the rest of my life with you.
02:11That's very nice of you to say, Ignacio.
02:13And above all, it's true.
02:16My heart is yours.
02:22Yes.
02:24What?
02:28Yes, I want to marry you.
02:30Are you serious?
02:34You make me the happiest man in the world.
02:51Yes.
03:06I don't think she'll be back before lunch.
03:08So stay focused on helping Lope
03:11and Candela in the kitchen, okay?
03:13Only if they ask you to, don't get carried away.
03:15In the kitchen, they claim your presence.
03:17Now!
03:19What were you telling her, Mrs. Martínez?
03:21I was just giving her some instructions.
03:24And why didn't you give her those instructions in the kitchen?
03:27Because I was about to leave,
03:29as I suppose you've noticed,
03:31because of my attire.
03:33I can see perfectly well that you're not wearing your uniform.
03:36You're very observant.
03:38And where are you going, if I may ask?
03:42That's none of your business.
03:44I think it is.
03:46I remind you that I am the key master, Mr. Martínez.
03:49Yes, yes, yes, I'm very clear about that.
03:51Well, then go to me, with due respect.
03:54Where are you going?
03:56Well, I respectfully inform you
03:59that I'm going to enjoy
04:01the morning of release that I deserve.
04:03So you're free today.
04:05And what are you going to do with your free time?
04:08That's none of your business.
04:11I don't have to give you explanations
04:13about what I do or don't do
04:15in my free time.
04:17I think you do.
04:18Because tell me, what would happen
04:20if there was a contingency?
04:22Ah, yes, like what?
04:23Cutting the mayonnaise?
04:25I don't want to waste any more time.
04:27Tell me, what are you going to do?
04:29It's a matter of vital importance.
04:32Which one?
04:34I've already told you.
04:36Enjoy my free morning.
04:38So let me go.
04:40I know, Simona,
04:42that today is not your day of release.
04:45And you don't need me to go to my office
04:47to find out.
04:48Because I have the quadrant here,
04:50in my head.
04:57Yes, it's true.
04:59Today is not my day of release.
05:01But this matter is ...
05:04It's important and I can't wait.
05:06But you know perfectly well
05:08that I need a special permission for that.
05:10I haven't given it to you, have I?
05:12Yes, I know.
05:14And have the Marquises given it to you
05:16and I haven't found out?
05:18No.
05:20Well then,
05:22I advise you to put on your uniform
05:24halfway around
05:26and go to the kitchen to work,
05:28Mrs. Martínez.
05:30I'm very sorry, Mrs. Petra, but I'm not going to do it.
05:32What?
05:34This matter is important and urgent
05:36and I can't wait.
05:38Simona, don't you dare leave the palace.
05:40I warn you.
05:42I'm very sorry, Mrs. Arcos,
05:44but I'm going out.
05:46I have to save my daughter and my grandson.
05:48And neither you nor anyone else will stop me.
05:50So,
05:52I suggest you do nothing to stop me.
06:02Well, congratulations to both of you.
06:04Thank you very much.
06:06I am glad that you have finally decided to take this step.
06:10We were beginning to think that this moment would never come.
06:14Well, the truth is that it has not been easy
06:16to get here.
06:18Yes, and in the end we have managed to solve all the misunderstandings
06:20that prevented it.
06:22And we also have Martina's blessing.
06:24What else can we ask for?
06:26My most sincere congratulations.
06:30I think I speak on behalf of everyone when I tell you
06:32that we were so worried about whether this union
06:34was going to be carried out or not.
06:36You are wrong.
06:38Some of us thought that this moment would never come.
06:40Well, what is clear is that we can finally start to get excited
06:42with your celebration.
06:44Well, yes.
06:46Although I have to say that it is a pity
06:48that you have to leave
06:50before the wedding is celebrated.
06:52But hey, we will write to you
06:54and we will tell you everything with all the luxury of details.
06:56But are you really leaving?
06:58I'm afraid so.
07:00In such a hasty way?
07:02Well, it's actually
07:04a decision made a few days ago.
07:06Yes, and it has simply
07:08taken a little time
07:10to pack all your luggage.
07:12But I'm finally leaving.
07:14I'm afraid I've abused
07:16the hospitality of Mémiga Cruz.
07:18Don't say that, María Antonia.
07:20You know that your stay
07:22has become very short for us.
07:24But everything comes to an end.
07:27I see.
07:30Well, I wouldn't like
07:32this announcement to spoil the happiness of a moment like this.
07:34No.
07:36That is impossible to neglect.
07:38I trust that you will be very happy
07:40and that we will see each other again when you are already husband and wife.
07:42Of course.
07:44We will be delighted and I hope it will be very soon.
07:46Maybe it won't be so soon, Margarita.
07:48I understand that your cousin Esmeralda
07:50has been wanting to see her for a few days.
07:52Yes, that's right.
07:54And where is that cousin of yours?
07:56A little far away, in Mallorca.
07:58Right?
08:00Well, they told me that this island is wonderful.
08:02So you will be enjoying a paradisiacal place.
08:04Look,
08:06maybe it would be a good fate for you
08:08to spend your honeymoon.
08:10Don't you think?
08:12Well, we will appreciate it.
08:14Yes. Well, there are still many things
08:16that we have to take into account. We don't want to rush.
08:18Well, I hope you enjoy
08:20your stay at your cousin's house.
08:24We will miss you.
08:26Yes, especially on the wedding day.
08:28And you are attentive
08:30on the wedding day,
08:32whatever may happen.
08:34What are you referring to?
08:36You already know the saying.
08:38From one wedding,
08:40another wedding comes out.
08:42That's right.
08:44But none of them are married.
08:46Well, that's why.
08:48Maybe at the ceremony
08:50they meet someone special.
08:52I'm not in the mood, man.
08:54Yes, neither am I.
09:08And now what do we do?
09:10I suppose we should play
09:12one last round to draw.
09:14Because if I'm not mistaken,
09:16we both won two games.
09:18Yes, I think so too.
09:22Let's go.
09:30You are a tough competitor, you know that, right?
09:32Well, I haven't played in a long time.
09:34But I don't like to lose.
09:36Absolutely nothing.
09:38Absolutely nothing.
09:40Even to a game as simple
09:42as the petanque.
09:44Well, it has its technique and its strategy.
09:46You have to calculate the force
09:48at which the ball is thrown.
09:50And you have to roll according to the terrain.
09:52Remember that I will never accept
09:54a chess game against you again.
10:00Your pride couldn't stand
10:02being humiliated by a young lady.
10:04My pride is more than used
10:06to losing against you.
10:08But one thing is that and another is recreating.
10:10I understand.
10:16Well, I'm not sure which of the two balls
10:18is yours or mine.
10:20This is surprising.
10:22It's a draw, isn't it?
10:24It seems so.
10:26They are at the same distance.
10:28Maybe they don't want to separate
10:30one from the other.
10:32And now what do we do?
10:34Draw. There is no other way.
10:36Petra.
10:46Miss Fernández,
10:48are you sure you gave her notice?
10:50To Carta Cava, who doesn't think
10:52it's easy to come here,
10:54dodging the thousands of eyes
10:56of the disgusted Miss Petra.
10:58Miss Fernández, be careful with that language.
11:00You are right.
11:02I was referring to the disgusted Miss Petra.
11:04Come in.
11:06It must be her.
11:08Good morning.
11:12Mr. Baeza, Maria Fernández told me
11:14she wanted to see us here.
11:16Yes, yes. I thought this would be a good place,
11:18far from the Marquises and also from Mrs. Arcos.
11:20And I understand that she wants to talk
11:22about Mrs. Adarre, right?
11:24That's right. I wanted to comment on the conversation
11:26I had last night with Mr. Marquez.
11:28Did he pay attention to our situation?
11:30That's right. What did he say?
11:32I'll put it another way.
11:34Mr. Marquez was sincerely concerned
11:36about the fate of Mrs. Adarre.
11:40And what does that mean?
11:42Well, it means
11:44that he has given his permission
11:46for us to move Mrs. Adarre to Ramona's cabin.
11:48Thank goodness. I saw Mrs. Pia
11:50lose her tie.
11:52He also showed me his willingness
11:54to help us in everything possible.
11:56Of course, that's good news.
11:58As it is logical, despite his generosity,
12:00he will be able to intervene directly.
12:02Of course. With the help of Mr. Manuel,
12:04we already have more than enough.
12:06Thank you, María.
12:08Thank you, sir.
12:10We are all very grateful, including your father.
12:12He was surprised and proud
12:14to know that you were aware.
12:16Thank you, Ramona.
12:18But there is no reason.
12:20Did my father say anything else?
12:22No.
12:24He said that we would keep you
12:26punctually informed of all our movements.
12:28The truth is that it is a relief.
12:30You know that Marqués is with us
12:32to help us in case something goes wrong.
12:34Don't be boring, María Fernández.
12:36Nobody wants anything to happen.
12:38I am completely convinced that this company
12:40will succeed if we all adjust to the established
12:42with precision.
12:44Like a Swedish watch.
12:46Swiss. María Fernández,
12:48the famous watches are the Swiss.
12:50They are very similar, right?
12:52Well, whatever.
12:54It is very important that we all maintain discretion.
12:58Yes, we are a tomb.
13:00For this one, which is a cross.
13:02I hope so.
13:04Well then, let's proceed, right?
13:06I'm going to order you to prepare the car.
13:08It's a good idea.
13:10If we leave everything ready tonight,
13:12tomorrow at the first hour we can start.
13:14I also think it's a good idea to go out at dawn.
13:16So at least we can make the transfer
13:18faster and more efficient.
13:20Well, I'm glad to see
13:22that we are all
13:24so
13:26prepared.
13:28Of course.
13:30Well, now I'm going to give the orders.
13:34Yes, I'm leaving now.
13:36Don't let Mrs. Petra disappoint me.
13:40Are you coming, Ana?
13:42Of course, gentlemen.
13:56So, are you already specifying
13:58the details of the wedding?
14:00Well, I think it's a bit early for that.
14:02Well, I have some ideas.
14:04Nothing definitive.
14:06But I would like the wedding to be a reflection
14:08of the rich traditions of Spain.
14:10Do you mean the gastronomic part?
14:12I mean the whole thing.
14:14From the wedding to the invitation,
14:16I would like it to be imbued
14:18with the richness of the traditions of Spain.
14:20Well, I think it's an excellent idea.
14:23I didn't have us for such exalted patriots.
14:27What do you think if instead of the nuptial march,
14:29what sounds like the march of grenadiers?
14:31Lorenzo, do you think it's wrong to honor
14:33the patriotic values, precisely you?
14:35Me? Absolutely.
14:37What I think is wrong is that
14:39the patriotic spirit
14:41is used to hide
14:43the vicissitudes
14:45that surround your link.
14:47What vicissitudes do you mean?
14:49I don't know.
14:51To your supposed poisoning.
14:54To Martina's subsequent burial.
14:56To your constant changes of opinion.
14:58Please.
15:00Enough.
15:02All that is part of the past now.
15:04What we are talking about is finding the best way
15:06to celebrate a wedding.
15:08I just say that celebrating that wedding
15:10with all its glory and with flags of Spain
15:12will not do, but make its weaknesses more evident.
15:14Lorenzo, that's it.
15:16As Maria Antonia says,
15:18well is what ends well.
15:20I agree to take the opposite.
15:22All I want is to prevent you from bothering
15:24Margarita and the count.
15:26Well, it seems that I interrupt
15:28an interesting conversation.
15:30Very interesting, sister-in-law. A lot.
15:32What do you have there?
15:34Nothing.
15:36It's a little detail for our guest,
15:38Maria Antonia.
15:40For me?
15:42Yes. I didn't want you to leave
15:44without having a gift,
15:46so that when you are far away,
15:48you don't need it.
15:50I know, but
15:52I wanted to give it to you.
15:54It is in gratitude
15:56for everything you have done for me.
15:58For me and for Alonso.
16:02And for all those present here, of course.
16:04And what is it?
16:06Now you will see.
16:08Oh my God!
16:10Isn't it a beautiful necklace?
16:12The truth is that it is.
16:22I can't accept it.
16:24And why not?
16:26Well, because I know ...
16:28I know it's a gift
16:30that Alonso gave you.
16:32And I know
16:34it's a gift
16:36that Alonso gave you.
16:42I don't know if you are
16:44very conservative
16:46or detached.
16:48Stop being sarcastic, Lorenzo.
16:50Don't hesitate, dear.
16:52Think that
16:54with that necklace you have a gift
16:56from me and Alonso.
16:58Well,
17:00it's another way of seeing it.
17:02No.
17:04I don't think it's appropriate, Cruz.
17:06I don't think it's appropriate
17:08for me to have it.
17:10But I want you to have it.
17:12It's my way of wishing you
17:14good luck in your game.
17:16And to make you see how much
17:18we're going to miss you.
17:22I'm also going to miss you a lot.
17:24All of you.
17:26All of you.
17:32All of you.
17:42Another damn wedding?
17:44I'm afraid so.
17:46But have they proposed to ruin ours or what?
17:48I highly doubt that the Count of Ayala
17:50and Doña Margarita thought of us
17:52before planning their wedding.
17:54Or they could have.
17:56I suppose it would be a decision
17:58they had made a long time ago.
18:00They could have celebrated it right now.
18:02But if they make a few mistakes,
18:04they wanted to take Miss Martín.
18:06What does that have to do with anything?
18:08Well, they could have waited a little, Salvador.
18:10Yeah, but the one who's getting married
18:12isn't Miss Martín.
18:14No, neither are we.
18:16What a bad luck.
18:18Don't worry. I've already spoken to Don Rómulo
18:20and he, in turn, spoke to the Marquises
18:22to ask for permission for our wedding.
18:24Yeah, and what did he say?
18:26That we can't get married
18:28if there's a wedding
18:30of the middlemen.
18:32No, no, no. That rule only applies
18:34to the direct relatives of the Luján family.
18:36And the Count of Ayala and Doña Margarita
18:38are just guests.
18:40Well, neither are we.
18:42Doña Margarita is part of the promise.
18:44Well, the thing is,
18:46the Marquis said there would be no problem.
18:48After all, we work for him
18:50and those who get married are not his children.
18:52So we have the Marquis' permission
18:54to get married, right?
18:56Look, Salvador, don't fool me.
18:58I don't want to get honey in my lips again.
19:00I'm not fooling you.
19:02We can start preparing the wedding
19:04without fear of being rejected again.
19:06What if something happens?
19:08I don't know. I don't care, woman.
19:10Not even your Candido, Salvador?
19:12Well, you can find out
19:14because you're arguing.
19:16It's her fault.
19:18But, well,
19:20you're not going to let us get married?
19:22Well, there is a wedding, Candela.
19:24I don't think so.
19:26What do you mean, there is no wedding?
19:28Have you already started the management?
19:32What management are you talking about?
19:34Explain yourself.
19:36If you mean the Marquis,
19:38everything has already been discussed.
19:40I'm not talking about the Marquis.
19:42I'm talking about the priest.
19:44Because to get married,
19:46you have to talk to the priest, right?
19:48And I, taking advantage of not being able to go to town,
19:50I went to church and talked to the priest.
19:52Yes, me.
19:54As if you had forgotten to do it.
19:58And what did he say?
20:00Well, I asked him to start
20:02as soon as possible
20:04so that you can contract
20:06the Holy Sacrament
20:08as soon as possible.
20:10And what did he answer?
20:12All good things.
20:14He told me that he would be delighted
20:16to celebrate your union,
20:18which is going to be his first wedding in Luján.
20:20Already.
20:22And what should I do now?
20:24You have to start by making the amnesties.
20:26And as soon as you go to see the priest,
20:28he will give you the date.
20:30And soon.
20:34I see that you are in a hurry to see the priest.
20:36A lot.
20:44Romulo.
20:46I was just going to look for you
20:48to ask you if you had uploaded
20:50the mail to the noble plant.
20:52Ah yes.
20:54And have you given each gentleman his letter?
20:56Well, not each one.
20:58The one from Miss Martina
21:00I have delivered directly to Mr. Curro,
21:02who is with whom I have met.
21:04Well, I guess he will give it to him.
21:06I have also met with your son.
21:08He took the opportunity to consult me
21:10if part of his obligations
21:12was to collect the mail from Mr.
21:14You would clarify that it is not necessary.
21:16It's been a long time.
21:18Is Mr. Curro satisfied?
21:20Yes, we have not received any complaints from him.
21:22At the moment.
21:24Anyone would say that you are not happy
21:26that your son is doing well.
21:28No, no, no, I'm glad, I'm happy.
21:30In fact, look.
21:32Every morning we review
21:34what are the functions of a personal lackey.
21:36All of them?
21:38Yes, all of them.
21:40Don't you think it's excessive?
21:42What do you mean?
21:44Don't you think it's excessive?
21:46Come on, Ricardo.
21:50I guess you're right.
21:52I can afford to trust him.
21:54So why don't you do it?
21:56Well, because ...
22:00I don't trust Mrs. Arcos.
22:02And the fact that this promotion
22:04has been promoted by her ...
22:06What does she have with the fly behind her ear?
22:08Don't be surprised if no one in this palace
22:10trusts her.
22:12We have met other facets of her,
22:14but it is true that she generates suspicion
22:16and many times with reason.
22:18Many times? Well, almost always.
22:26Can you tell me what that is, Mrs. Arcos?
22:28Well,
22:30Mrs. María Antonia gave it to me.
22:32It is a gratification for the service,
22:34as a thank you for
22:36how well served she has felt here.
22:38Very generous on her part.
22:40And why does she give it to us?
22:42Because you are the ones who pay the salary.
22:44And I thought that the most appropriate thing
22:46would be for you to decide
22:48how to distribute it.
22:50Very well, we will try to do it
22:52in the most equitable way possible.
22:54I'm sure of it.
22:56One moment, Mrs. Arcos.
22:58Speaking of Mrs. María Antonia,
23:00is your departure ready?
23:02That's right.
23:04And when will the match of the promise be?
23:06This afternoon at ten thirty.
23:08Thank you very much, Mrs. Arcos.
23:10If you don't need anything else from me.
23:12No, that's all.
23:30May I? Or are you busy?
23:32I just sat down to read a little.
23:34But yes.
23:36I met Mr. Baeza
23:38and he gave me this letter, which is for you.
23:40Come on, thank you.
23:48Is it important?
23:50It's from the Duchess of Cerezuelos.
23:52But wasn't she
23:54your mother's friend?
23:56She's a gossip.
23:58All she wants is
24:00to return the honor to my mother
24:02that she invited her at the time of the promise,
24:04inviting me
24:06to a snack at her palace
24:08and apparently it's like a very special event.
24:10And that?
24:12Because she's inviting
24:14all the young people of a good family in the area.
24:16Well,
24:18it sounds fun, doesn't it?
24:20It sounds like a trap.
24:22Because what she wants is for us to join
24:24charities.
24:26Even so,
24:28I think it could be fun.
24:30I get the feeling
24:32that in these activities
24:34they only have people of
24:36advanced age
24:38and that she wants to catch young faces
24:40to increase the donations.
24:42Fresh blood to empty
24:44the pockets, yes.
24:46And what kind of charity is it?
24:48Well, she doesn't specify it.
24:50But come on, knowing her, what she wants
24:52is to surround herself with girls to make her look like
24:54the queen of her castle.
24:56Not a bad idea.
24:58I remember that once my mother told me that
25:00once a year this woman organizes
25:02trips to Lourdes for all the
25:04girls who want to venture
25:06into volunteering.
25:08Well, it's a good opportunity to travel
25:10and get to know the south of France.
25:12Yes, but it's not a pleasure trip.
25:14It's to help the sick who go
25:16from pilgrimage to the sanctuary.
25:18I see. But we're sure
25:20they all come back, right?
25:22What am I saying?
25:24No.
25:26Unless one of them wants to stay there to see if
25:28they contemplate some miracle
25:30or some apparition.
25:34But come on, I can think of
25:36better plans.
25:38And this year, taking into account the war,
25:40I highly doubt that she will venture to organize
25:42a trip like this, right?
25:44Yes. That would be a miracle,
25:46for that war to stop.
25:48Of course.
25:50Well, taking away the trip to Lourdes,
25:52I don't know why
25:54there is something that tells me that that dinner
25:56could be fun.
25:58Very fun.
26:00Martina, listen to me.
26:02You could have the opportunity to meet
26:04girls your age and make new friends.
26:06I don't know why, but I have the feeling
26:08that we won't have similar interests.
26:10No, you don't know that.
26:12And that's why you have to go there.
26:14But I do know that.
26:16They want to meet to talk about the gossip of the moment.
26:18Well, go there and talk.
26:20What?
26:22Martina, I'm serious.
26:24Look, your last weeks here
26:26have been complicated.
26:28You deserve to go out
26:30and change the air.
26:32Besides,
26:34is there anything better than a good gossip?
26:36No, no.
26:38I'll think about it.
26:40Think about it well.
26:54Thank you for the t-shirt, Candela.
26:56The truth is that I needed it.
26:58I'm a nervous wreck.
27:00I've put on valerian and paciflora.
27:02Let's see if it relaxes us a little.
27:04Are you nervous too?
27:06No, I'm here to keep you company.
27:08You wouldn't tell my mother
27:10what your plans were, would you?
27:12Not a word, not to me, not to anyone.
27:14I don't know what to do.
27:16I don't know what to do.
27:18I don't know what to do.
27:20I don't know what to do.
27:22You don't know, do you?
27:24Not a word, not to me, not to anyone.
27:26The only thing we know is that
27:28he's signed Marimandrajo.
27:30And do you think he's got into
27:32any trouble because of me?
27:34Because of you, girl.
27:36We don't know what he's been up to.
27:38Or do you know something that I'm missing?
27:40Me? What would I know?
27:42Then he's gone on a business trip.
27:44And he's been busy all day?
27:46He must have had fun with something
27:48that your mother knows everyone in town.
27:50I don't think so.
27:52Well, we've got another one waiting for us.
27:54We're not going to give him away to the Seville guards
27:56because your mother hasn't arrived.
27:58No one's going to call the authorities here.
28:00I'm already here.
28:02Mother!
28:04You'd better go without telling anyone.
28:06Don't even ask God or the devil.
28:08I'm sorry.
28:10I didn't know exactly
28:12what I was going to do
28:14and if I was going to get anything.
28:16But where have you been?
28:18I'm glad you're with your Adolfito.
28:20And...
28:22I don't have any bad news.
28:24Don't tell me you've got it.
28:26Well, almost.
28:28You have the last word.
28:30Oh, Simona,
28:32you like to keep secrets.
28:34Yes, Mother, speak up.
28:36What have you done?
28:38Well, I went to town
28:40and after asking around,
28:42I found the house
28:44where Josefa and her husband are.
28:48And my son was there.
28:52More beautiful than a cousin.
28:54And what did you say to him?
28:56Did you tell him everything he had to say?
28:58I told him about your situation,
29:00daughter.
29:02And I did it like good people do,
29:04with my heart in my hand.
29:08And after a long time
29:10talking and thinking,
29:12the three of us have found
29:14a solution.
29:16Tell me.
29:18The solution is that
29:20Virtudes is going to live
29:22with them and the child
29:24at the house of Josefa's parents.
29:26But...
29:28How are my in-laws
29:30going to take me?
29:32Where will I live?
29:34In their garden, daughter.
29:36Until you find a job,
29:38you'll help your father-in-law
29:40in the garden and you'll grow vegetables,
29:42you'll sell them in the market
29:44to get four rooms.
29:46You look prepared to do something like this.
29:50Will I have to learn a lot from my father-in-law?
29:52You'll get ahead, daughter.
29:54They'll do everything they can
29:56and you'll do the rest.
29:58But are they really in agreement?
30:00Yes, daughter, yes.
30:02They have shown
30:04very good will
30:06and they don't hold a grudge against you.
30:08If they separated you from the child,
30:10it was because of everything you did.
30:12I know, mother.
30:14I know I behaved
30:16in an unworthy way
30:18and you prevented me from doing it again.
30:22You don't deserve them.
30:24Now the decision is yours.
30:26They will welcome you
30:28with open arms.
30:34But...
30:36I'll lose you.
30:38You'll be with your son.
30:40You can't have everything in life.
30:44And we know it's not important.
30:48Besides, no matter how far you go,
30:50you'll never lose me.
31:26Thank you very much, Mr. Pellicer, for your help.
31:28I didn't know you had so much luggage.
31:30You've been with us for a long time.
31:32It's normal
31:34that you have so much luggage.
31:36Maria Antonia.
31:40You came.
31:42How could I not come?
31:44You're my friend.
31:46It's a shame that the day
31:48to say goodbye has come.
31:50Deep down, neither of us
31:52wanted it to come.
31:54It flew by, huh?
31:56It seems like a lie.
31:58After sharing
32:00a table and
32:02so many talks and
32:04so many confidences and laughs.
32:06Good and bad moments.
32:08For me,
32:10they have been especially good.
32:12But as it always happens
32:14in life, everything comes to an end.
32:18Well, yes.
32:20I guess there is no other
32:22than to assume it.
32:26Cruz.
32:30I came
32:32with the sole purpose
32:34of accompanying you in a delicate moment.
32:38And I'm leaving
32:40with the good taste in my mouth of having achieved it.
32:44I hope that taste in your mouth
32:46lasts a long time.
32:48Just as long as the happiness
32:50you have left me will last.
32:54Ma'am.
32:56The luggage is loaded and the car
32:58is ready to leave.
33:02Well, if that's the case,
33:04I'm afraid the time has come.
33:08Good night.
33:38Good night.
34:08Good night.
34:34You don't know how you got rid of her.
34:36She was willing to delay the wedding again
34:38because of a stupid rule.
34:40It's an absurd rule.
34:42What does it have to do with her staying at the noble house
34:44and with what we do down here?
34:46Besides having to attend to them with more care.
34:48And that we have to dress them up
34:50and not stop in the kitchen ...
34:52The everyday thing, wow.
34:54That's right.
34:56But hey, in the case of the wedding of Margarita
34:58and Count Ayala,
35:00that rule is not applied.
35:02Have you consulted that with Mr. Baeza?
35:04Well, it would only apply
35:06if there were direct relatives.
35:08That is to say, it is only valid for Mr. Marquez
35:10and his children.
35:12That's it.
35:14Well, well,
35:16we trust that they adhere to the rule.
35:18We trust. And if not, well ...
35:20Well, we'll have to put up with it.
35:24Put up with it?
35:26You're not in a hurry to get married anymore?
35:28No, I didn't say that.
35:30But I mean that ...
35:32Well, if you can't, you can't.
35:34Maybe we have to delay the wedding.
35:36What else can we do?
35:38And the disgust that Maria Fernández would take?
35:40Already.
35:44Salvador, what's going on with you and the wedding?
35:46What's going on with me and the wedding?
35:48Nothing. Why do you say that?
35:50Don't treat me like an idiot
35:52that I've known you since we were kids.
35:54Please. Don't try to hide anything from me
35:56because you're deaf.
35:58But I don't know what you're referring to.
36:00I look at you and I see that you don't have any kind of enthusiasm.
36:04I don't think these are your imaginations, López.
36:06Oh yeah?
36:08Well, when Maria and you talk about the wedding, you do it without any kind of illusion.
36:10But where do you get that from?
36:12Salvador, it is obvious that you are disappointed.
36:14Since you know that the wedding of Count Ayala
36:16and Doña Margarita will not delay yours.
36:18That's not true.
36:20As you say a word of that to Maria ...
36:22Salvador, I'm not going to say anything to Maria.
36:24Because I love you.
36:26Because I know you love each other from the bottom of my heart.
36:28So what's going on?
36:30You've been lost in your thoughts for a few days.
36:34You're hiding something from me, Salvador.
36:36And I need you to trust me because I can help you.
36:42What's wrong?
36:46It's okay.
36:48It's true that something's wrong with me.
36:50But I can't tell you anything yet.
36:54Why?
36:56Because it has to be Maria,
36:58the first person I tell it to.
37:00Otherwise ...
37:02I would never look her in the face again.
37:08Then talk to her.
37:10As soon as possible.
37:12Because she deserves to know the truth.
37:18I'll tell you it was a coincidence.
37:20I was at the door waiting to enter the office
37:22when suddenly I heard Mr. Baeza and Hanna
37:24talking about Mrs. Pia as if she were alive.
37:26And you were frozen.
37:28I couldn't even move.
37:32Thank goodness it was you who found out.
37:34Another person with that information would have put our plan in danger.
37:38We didn't want to make everyone go through
37:40the curse of Pia's death.
37:44But it was the only way we could find to protect her.
37:48I deduce that Pia's safety would require it.
37:50There was no other option, son.
37:52And honestly ...
37:56Now I'm glad you're aware.
38:00Because having someone close to whom I can talk about all this
38:02relieves my guilt.
38:06Guilt?
38:08Yes, the guilt of keeping that lie
38:10and acting behind everyone's back.
38:12Father, you have saved Mrs. Pia's life.
38:16There is nothing to reproach.
38:18In fact, I'm proud of you.
38:20Proud?
38:22Yes.
38:24You did the best you could.
38:26And that was what would leave Pia
38:28to her fate with that man.
38:30Yes.
38:32I guess so.
38:36However, I don't see you very satisfied.
38:40It's just that ...
38:42there's something else that worries me too.
38:44Do you want to share it?
38:46It's about your mother.
38:50What did she do this time?
38:52Something without much importance, I think.
38:56Well, to be something bad, it affects her a lot.
39:00It turns out that to pay tribute to Maria Antonia
39:02for her farewell, she gave her a gift.
39:04Well, that's a generous detail.
39:06Yes.
39:08If it weren't for the pearl necklace she gave him,
39:10it was a gift I gave her
39:12a long time ago.
39:14And now she has gotten rid of it.
39:16I understand.
39:18So to please your friend,
39:20she ended up hurting you.
39:22That's right.
39:26Did my mother know that would hurt her?
39:30I asked her not to do it.
39:32To give her something else, you see.
39:34She decided to give him her necklace.
39:38Yes.
39:40She wanted it to be a personal object
39:42to get rid of.
39:44That doesn't make any sense.
39:46Not much.
39:48And do you know why she did something like that?
39:50Sometimes I think the only thing she wanted
39:52was to hurt me.
39:56Come on, Father.
39:58It doesn't make much sense, I know, but
40:00it's what it seems.
40:08As you requested, sir,
40:10I brought the horseshoes to prepare
40:12that new cemental that had arrived.
40:14You mean a moose?
40:16I understood it was the one she wanted.
40:18So it is.
40:20It looks like a young animal
40:22and vigorous.
40:24Don't you think so?
40:26Of course.
40:28I have to admit that you have a lot of nerve
40:30to dare to ride such a beast.
40:32Let's hope he's not as brave as he seems.
40:34Let's hope so.
40:36I have also supervised
40:38the preparation of the horse.
40:40I have made sure
40:42that they saddle it according to their preferences.
40:44And have you made sure
40:46that the hooks are well adjusted?
40:48Of course.
40:50I hope the saddle is comfortable
40:52for your ride.
40:54I'm sure it is.
40:56It's a perfect afternoon.
40:58The sun shines and there is a soft breeze.
41:02Of course.
41:06If you need anything else,
41:08please don't hesitate to ask me.
41:10I will.
41:16Santos, wait a moment.
41:20Yes, sir.
41:24Thank you
41:26for having everything you need
41:28for my ride.
41:30You're welcome.
41:32It's my job.
41:34But I must admit that at first
41:36I was reluctant
41:38to ask you to be my camera assistant.
41:42I'm not the one to doubt your preferences, sir.
41:44I know.
41:46But I wanted to make it clear
41:48that it's nothing personal.
41:50It's just that, as you know,
41:52I just returned from the front.
41:54I know.
41:56Well, there you take care of yourself.
41:58There are no luxuries of any kind.
42:00At the front, you realize
42:02that you don't need so many privileges.
42:04Do you understand me?
42:06I think so.
42:08So,
42:10if my presence bothers you...
42:12No, no. Let's see.
42:14I have something else to ask you.
42:16I'm sorry, sir. I didn't mean to interrupt.
42:18There is another reason.
42:22And the truly important one.
42:26It still hurts me
42:28the death of my former personal lackey,
42:30Feliciano.
42:34Yes, I understand that
42:36he died shortly before
42:38I started working here.
42:40That's right.
42:42Feliciano was a good boy.
42:44And
42:46he had the misfortune of dying
42:48in the best part of his life.
42:50Precisely when everything
42:52was starting to go well for him.
42:56Are you saying that he died
42:58shortly after being promoted, just like me?
43:00Yes, but I'm not referring to that.
43:02I'm referring to the fact that he found love.
43:04A love that was
43:06happily reciprocated.
43:08He was going to marry one of the girls.
43:10Who?
43:14You won't meet her.
43:16She doesn't work here anymore.
43:18Her name was Teresa and she loved her madly.
43:20Teresa, yes.
43:22She left shortly after I joined.
43:24Yes.
43:28Feliciano's death made me realize
43:30how ephemeral
43:32existence is.
43:34We both
43:36got shot
43:38on the same day.
43:40And now I'm here.
43:42And he, on the other hand,
43:44is dead.
43:46I'm very sorry, sir.
43:48And I understand
43:50your doubts about me.
43:52But I guarantee you that I will do my best
43:54to be up to the task.
43:59Thank you very much, Santos.
44:01You're welcome.
44:20So, do you agree that Spain
44:22should not participate in the European conflict?
44:24Without a doubt.
44:26In the midst of an economic crisis,
44:28it could be disastrous.
44:30Besides, it's pretty bad for us in Africa.
44:32The captain of the Mata
44:34thinks exactly like you.
44:36Well, that's not exactly a compliment.
44:38No.
44:40And you?
44:42What is your opinion about it?
44:44Well, I have mixed feelings.
44:46On the one hand,
44:48I consider that the actions of the German Empire
44:50are abusive and we have to stop them.
44:52We agree on that.
44:54And on the other hand,
44:56the war leads us to ruin.
44:58I don't care about economic reasons.
45:00Moral aspects are more important.
45:02Yeah, I understand.
45:04War is never the solution.
45:06In fact, resorting to it is a failure
45:08because it involves the annihilation
45:10of the opposing army.
45:12What you say sounds horrible
45:14and without a doubt it's true.
45:18We don't feel bad, do we?
45:20About what?
45:22About the divine, the human.
45:24To be the same as before
45:26as if nothing had happened.
45:28That's what we agreed on, right?
45:30And it's perfect.
45:32I agree with you on that.
45:36In view of our experiment,
45:38I think we are much better
45:40when there is no one around us.
45:42I agree with you again.
45:44Although I see a small problem
45:46in your conclusion.
45:48Which one?
45:50I want to keep you here forever.
45:52Sooner or later you will have to return
45:54to the promise.
45:56Then come back to me.
45:58I asked you once
46:00and I ask you again now.
46:04Wait here.
46:20I can't believe it.
46:22Are you kicking me out?
46:26Don't you want us
46:28to give ourselves another chance?
46:36Come in.
46:44Manuel.
46:46Manuel.
46:52I had to wait a while for a report
46:54until your father left.
46:56You did the right thing.
46:58The one who knows about Mrs. Pia
47:00has him on his tail.
47:02Although he took it pretty well.
47:04Well, I didn't really come to talk about your father.
47:06And you want to review the transfer plan, right?
47:08We can do it.
47:10I have the papers.
47:12That worries me a lot.
47:14I need that right now.
47:16So?
47:20It's about Mr. Baeza.
47:22I know something's wrong with him.
47:28Why do you say that?
47:30I don't know exactly
47:32but
47:34he's behaving
47:36extremely strange with me.
47:38I've been noticing it for a few days.
47:40Since when?
47:44I wouldn't be able to tell you
47:46but
47:48I noticed it when we had the meeting
47:50about the transfer.
47:54Yes.
47:56You're right, Romulo.
47:58Something's wrong with him.
48:00Do you have any idea
48:02what it could be?
48:04I have a pretty precise idea
48:06of what it is.
48:08Then tell me.
48:10He knows about us.
48:14What?
48:16He saw us kissing right here.
48:18And after that,
48:20it wasn't long before he deduced
48:22that my sudden interruption in his office
48:24had nothing to do with it.
48:26But...
48:28Does he know everything?
48:30Yes.
48:32Well, do you realize
48:34that if Mr. Baeza knows about this...
48:36It's pretty serious, yes.
48:38It's pretty serious, yes.
48:42What are we going to do?
48:46For now, we're going to keep calm.
48:50And we're going to trust him.
48:52I've asked him for time.
48:56And he said he'd give it to us, so...
48:58Manuel, that's a lot of money.
49:02Yes, it could be.
49:04But I actually have a plan.
49:08You have a plan?
49:10That's right.
49:12Sooner or later, he'll find out about us.
49:14And we can't be hidden forever.
49:18What do you mean by this, Manuel?
49:22That we're going to tell him everything.
49:26And we're going to do it now.
49:28You have to tell him.
49:30Tell him everything.
49:32Tell him everything.
49:34Tell him everything.
49:36You couldn't just tell me
49:38that you regret it,
49:40but you're just not capable of accepting my offer?
49:42I wasn't going to say such a thing.
49:44No, you should've been more subtle.
49:46What's there to talk about
49:48when a suitcase and a kick say it all?
49:50And what do you think I'm doing here, if you know that?
49:52You're seeing my son who no longer has a son.
49:54And I didn't come here for you to take your mother's spines off with me.
49:56She's coming with me.
49:57Where to?
49:58Where else?
49:59To that dinner that the Duchess of Cirezuelos is going to give at her palace?
50:02No, Martina.
50:03I'm not invited, and it's also a dinner for young people.
50:05Let's see what I'll paint there.
50:07Martina, what's wrong?
50:09Well, I'm scared.
50:11Of what?
50:12That they found out about the sanatorium and that they'll ask me and I'll have to give explanations.
50:19It's me.
50:20Take it off me.
50:21Are you sure?
50:26Yes.
50:31And my wife?
50:32The Marquise is unwilling, sir.
50:35And she doesn't want to see anyone right now.
50:37Well, I think I've been denying myself to see reality for a long time.
50:42And I think it's not just my thing, Ana, it's also Salvador's.
50:46The only thing I can think of, Maria, is that you talk to him.
50:49What do you mean?
50:50That when that wedding is celebrated, 25% of the promise that belongs to Margarita
50:55will go into the hands of your dear friend Ayala.
50:57It's a consequence of the wedding that I'll take care of when the time comes.
51:01I can take everything from you.
51:03You can threaten me with anything you want.
51:05But I'm only going to bark at you.
51:07Don't you dare bite.
51:09Because I prefer to see how you sink little by little.
51:12You'll regret your ingratitude.
51:14And I'll tell you more.
51:15Oh, there's more?
51:16Yes, there's more.
51:17But well, don't worry, you don't need to listen to me.
51:19You can dedicate yourself to doing that, which is much more important to you.
51:33You're amazing.