Igra sudbine, Epizoda 1176,Igra sudbine 1176 ,Igra sudbine 1177,Igra sudbine Epizoda 1176, Igra sudbine Epizoda 1177,Epizoda 1176 Igra sudbine ,Epizoda 1177 Igra sudbine
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TVTranscript
00:00♪♪
00:10♪♪
00:20Trivanović?
00:24Trivanović?
00:31Hello, boss. It's me.
00:33It's me, too.
00:34It's...
00:40Boss, are you in my dream, or...
00:43Or...
00:46I didn't hide anything.
00:48If you're...
00:51Otherwise...
00:52We'll see about that in the office.
00:55You're on duty.
00:57Mhm.
00:58Did you fall asleep on duty?
01:01I didn't, boss.
01:03I was making a list of last night's events.
01:06And how was last night?
01:09No mistakes.
01:11Absolutely.
01:12It was just a little more dynamic.
01:15Half a month.
01:16So...
01:18So...
01:19So what happened?
01:22Here's an example, boss.
01:24One of the nurses
01:26attacked another nurse.
01:32For unknown reasons.
01:34She probably got mad
01:36because she was with her surgeon.
01:38But...
01:39I mean, she cut off her finger in the end.
01:41And boss, believe it or not,
01:43cut off her finger on the nose.
01:45I don't know, I mean...
01:47And worst of all, this one has...
01:49a very specific foot structure.
01:54I saw it.
01:55But I won't go into details now, boss.
01:58In the end, I get out of the clinic
02:01and I see a man, Go.
02:03He's running.
02:05And I...
02:06I follow him.
02:08You see?
02:09I see a man running.
02:10Yes.
02:11And I see a bend.
02:12And I say, what is this?
02:13I mean, is it because of all the news?
02:15But I'm not afraid, boss.
02:17I follow him.
02:18I can't reach him.
02:19And I remember, at one point,
02:21that I accidentally took, you know,
02:24this little...
02:25What's it called?
02:27A sofa.
02:28And I throw the sofa
02:30and grab it by the leg.
02:31At that moment,
02:32because I was on the floor,
02:33like a little kid,
02:34and I pull it and he falls.
02:36And I come and say, where are you running?
02:38And he says, I was here with a woman.
02:40And I say, OK, but what happened?
02:42And he says, no, dogs are chasing me,
02:44dogs are chasing me.
02:45I say, I'm the dog, boss.
02:47And he says, you're the dog.
02:48And I say, come on.
02:49And there were a couple of events.
02:54A drunk story, sometimes.
02:57Fans.
02:58Marriages.
02:59And...
03:00Great.
03:01So it was dynamic.
03:03Yes, yes, yes.
03:04Give me his schedule.
03:11His schedule.
03:12Give it to me.
03:13Yes.
03:14Just...
03:16So I know where it is.
03:18It's always in the same place, boss.
03:20Always in the same place.
03:22Here.
03:30Just a little manuscript.
03:32Because I mix Cyrillic and Latin.
03:35OK.
03:36And I write...
03:37You write well.
03:39Maybe you'll get something.
03:41One day.
03:43And you're free.
03:47Go, think.
03:48Free...
03:49Like a...
03:50Like a free bird.
03:52Go get some coffee.
03:54Thank you, boss.
03:55Come on.
04:13THE END
04:25Mile...
04:27These days we'll have full hands of work.
04:30It's like that every day, Mido, I don't know what to tell you.
04:34Good day.
04:35Good day.
04:36Good day, good day, guys.
04:38This is...
04:39Mido Pjanovic.
04:40Luka Kanacki.
04:41Aleksa Žegović.
04:42I'm glad, I'm glad, guys.
04:43I know, Mido, who are you?
04:45Mido!
04:46Let's go get some rakija, come on.
04:48No, no.
04:49I'll just get some water.
04:50We heard about those bajadere.
04:52And how's the work going?
04:54I can tell you, guys, it's going great.
04:56It can't get any better.
04:58Well, OK, yes.
04:59In hospitality, it always gets better.
05:01I mean, even I know that.
05:03I know.
05:04I like it, I like how you think.
05:07I agree with that.
05:08I see that you two are good hosts.
05:10We just want this tavern to survive.
05:13Everything that happened here.
05:15I know, I know.
05:16Don't worry about a thing.
05:17Mido knows what he's doing.
05:19I guarantee you that the whole of Belgrade
05:22will come here to eat those bajadere from Kosmaj.
05:25What's so special about those bajadere?
05:30Well, you should try them sometime.
05:32You wouldn't even ask me about that.
05:34Aleksa is asking from the manager's side.
05:36I mean, how are those bajadere going to make us proud?
05:39In what way?
05:40Of course they will.
05:41Of course they will.
05:42Of course they will.
05:43Because it's a special recipe.
05:46You know what I mean, guys?
05:48And there's no chocolate.
05:49There's no chocolate?
05:50There's no chocolate.
05:51And bajadere?
05:52That's right.
05:53I thought so.
05:54On the outside, that thin crust.
05:56Crispy on the inside.
05:57Meat.
05:58Soft, juicy.
06:00I can't reveal the recipe to you, can I, dear?
06:05Because if I did, I'd have to eliminate you.
06:10I'm sorry, I have to go.
06:13You're welcome.
06:15I have to go, I'm busy.
06:17See you.
06:18I'm kidding.
06:35Yes?
06:37Hello.
06:39Una, dear.
06:40Hi.
06:42Would you like some coffee?
06:43I can't, thank you.
06:45Do you need anything?
06:46Just like that.
06:48I need the company's data, Radula Design.
06:52What do you need that for?
06:53I want to investigate things to the end.
06:55Okay, come on, sit down and calm down, please.
06:57You're not going to give it back to me,
06:59but give me the company's data and phone number.
07:02I'll give it to you, but I don't know why you're adding stress.
07:05Because I need to know what I'm on.
07:08Radula Design won't help you, trust me.
07:10How can you be so sure?
07:12You won't find out anything new that can help you.
07:15Exactly.
07:16I'm not going to call him.
07:18Una, as a friend, I'm telling you,
07:21when it comes to work,
07:23you can't catch Andrija by the hair or by the tail.
07:26What are you trying to say?
07:28I want to say that things sometimes look different than they are.
07:32I'm a witness.
07:34At least you're covering for him now.
07:36No.
07:37I want to protect you.
07:39To stop digging into things
07:41because it will make you even more insecure.
07:59Thank you for worrying about me,
08:01but this time I'm not going to listen to you.
08:03Una!
08:04Look, I have too much going on in my head
08:06that I need to find a way to stop this.
08:09Listen to me, this is not a way.
08:11A way or not, I don't have a choice.
08:13But you have to be patient.
08:15Patient? Well, I just don't have that.
08:17I don't believe in patience anymore.
08:19I'm dying to know if Andrija is lying to me or not.
08:22I understand, but...
08:23Grandma, until I find out if it's true or not,
08:25I'm not going to calm down.
08:26I don't know how to explain it to you.
08:28Okay.
08:29Come on, give me the data and don't make this harder for me.
08:33Here you go.
08:34Here's all the data, the phone number.
08:39And I didn't do anything good to you.
09:02So, there's hope.
09:03The space for one of the potential contracts has opened.
09:07Okay, come on, go on.
09:09Don't keep me in the dark.
09:10They called me from the fashion house,
09:12and we have a meeting tomorrow.
09:14Maybe everything will turn out as it should.
09:16Should we fly to Lukaja, huh?
09:18Let's go now.
09:19It's too early.
09:20Wait until we see how it goes tomorrow,
09:23and then we'll easily arrange for later.
09:26Your, your, thank you.
09:28You're welcome.
09:29Keep your fingers crossed for me.
09:31Come on.
09:34Something happened anyway.
09:35Yeah, come on, let's hope so.
09:38I have to go.
09:39I promised to eat lunch with Lenko and Luleto, so...
09:42Don't worry, I'll be here.
09:43I'll hang out with them.
09:44See you later.
09:45I'll talk to you later.
09:46Come on.
09:47Come on.
09:48God bless you.
09:49He's not coming.
09:50He's not coming.
09:51He'll have to kill us.
09:52What happened?
09:53What's so funny?
09:54What?
09:55What, what?
09:56What's so funny?
09:57Put your hands down.
09:58What?
09:59I don't know what.
10:00Nothing.
10:01You take a glass and pour it into a cup.
10:02That's how it is.
10:03I don't know what he's talking about.
10:04What's he talking about?
10:05Who's talking about what?
10:06Nothing.
10:08I don't know what.
10:11I don't know what.
10:12I don't know what.
10:35Who knows if this is the right number?
10:42Opa.
10:43Hey.
10:46What are you doing here?
10:49I don't know.
10:52Am I not allowed to enter your office?
10:55No, no, no.
10:57You're not.
10:59But you're not even allowed to sleep at home.
11:08I slept with Akica.
11:09So you slept with Luka, right?
11:12Yes.
11:14Couldn't you have left the child for his father to put him to sleep?
11:20I could, but you know he's used to me putting him to sleep.
11:24I was next to him, trying to put him to sleep, but Luka never woke me up.
11:31Okay, okay.
11:32It's okay.
11:39You're mad.
11:40No.
11:42No, I'm just noticing that we have double standards.
11:48You don't understand.
11:50When I don't sleep at home, I'm accused of treason.
11:55And when you sleep with your ex-husband, it's completely normal.
12:02Andrija, I explained what happened.
12:05Okay, okay.
12:06It's nothing.
12:07You asked me to tell you what's bothering me.
12:10But it's not the same when you say things.
12:12It's not the same.
12:14It's not.
12:15I'm not investigating.
12:18I'm not digging.
12:20I could investigate what happened last night.
12:27But I'm really not interested in opening another front of distrust.
12:34Yes.
12:37I'm sorry I took up your space.
12:42It's okay, dear.
13:06Hey, Bobo.
13:08Let's go through today's agenda to see what we have.
13:25So, there's no chocolate?
13:27No chocolate.
13:28Don't say that.
13:29I thought so, too, because the baguettes are all chocolate.
13:32There's no chocolate.
13:33There's no chocolate.
13:34There's no chocolate.
13:35There's no chocolate.
13:36Milo.
13:38Come on, help me.
13:39The baguettes from Kosmalje have arrived.
13:41I just need to unpack them, Shank.
13:43Do you hear what I'm saying?
13:44Come on.
13:45The van is waiting.
13:46The driver is inside.
13:47I can't do it all by myself.
13:48Come on.
13:49I just need to pack Shank.
13:50Hello, hello.
13:51Has it arrived?
13:52The van has closed the street.
13:54Who else is the boss here?
13:55I don't want Mido to listen to Milo.
13:57I want Milo.
13:58Mido, come on.
13:59Hey, hey.
14:01What happened?
14:02You can't do that.
14:20What happened?
14:33What happened?
14:44What happened?
15:03You are Radula.
15:04Maybe I am, maybe I am not.
15:06Depends on who asks.
15:09I'm Una.
15:11I'm glad.
15:12What can I do for you?
15:17I want to buy a model.
15:20That's how you know about me.
15:23Admit it.
15:24Admit it.
15:25I don't believe you.
15:26I'm a serious buyer.
15:27I'm not a magician.
15:28I don't believe you.
15:29I'm not a magician.
15:30I don't believe you.
15:31I'm a serious buyer.
15:33I'm not.
15:34Look, I'm not selling any products.
15:36You're in the way.
15:38Wait, I'm sorry. Stop.
15:42Okay.
15:45What are you up to?
15:47You're really persistent.
15:49I won't stop until you answer me.
15:51What's this test about?
15:53It's not just that.
15:55What's the problem? Answer me.
15:58I'm afraid he's involved in something.
16:07Say that again. What did you say?
16:10I said you can't talk to him like that.
16:12How can't I?
16:13I can't. I won't.
16:15You won't. Okay.
16:17Who are you to say that?
16:19Why do you care? I won't.
16:21Who are you to say that?
16:23That doesn't matter right now.
16:25Who are you to say that?
16:27That's what I thought.
16:29You don't matter.
16:33Look, Mido.
16:35Say it.
16:36You can think whatever you want.
16:39It's not nice to talk like that at work.
16:43I'm the boss here.
16:45Mido Pljanovic is the boss here.
16:47And I'll talk how I want.
16:50You won't talk to my friend.
16:52I'm sorry.
16:54Come on. Why are you so nervous?
16:56I didn't say anything to him.
16:58He knows who the boss is.
17:00And he should know who the boss is.
17:02And he should know how the job is done.
17:04I see.
17:06And I understand that
17:08Mancetta made you change her.
17:10While she's not here.
17:12But that doesn't mean you're the boss.
17:14Yes.
17:15Do you understand?
17:16It doesn't mean I'm the boss.
17:18Okay. Who is she?
17:20Mancetta.
17:22Besides that, Tica gave me and Alex
17:24a part of Maldives.
17:26So...
17:28I'm a bit of a boss.
17:29Yes.
17:30And a bit of Alex.
17:31A bit.
17:32And I'm not, right?
17:34You're not, yes.
17:35See?
17:37I'm the boss here.
17:48Why did you call me here?
17:50I wanted to talk to you.
17:56Did you talk to him?
17:58No.
18:00I didn't have a chance to talk to him.
18:02And I didn't call you because of that.
18:04Hello.
18:06Do you want something to drink?
18:08No, thank you.
18:10I'm there if you need me.
18:12Okay, thank you.
18:14Ljubinka, look.
18:16I promised you
18:18that I'll find something suspicious about Trivanović.
18:20What is it about?
18:22You know how much I respect you,
18:24your father and your whole family.
18:26And I don't want to make a problem
18:28where there is none.
18:30Wait, you met him with another woman.
18:32No, no, no.
18:34It's not about that.
18:38I found something very interesting
18:40in his office.
18:49The entrance of Å tofa.
18:52Okay.
18:54And the work?
18:56Who are you?
18:58Who am I?
19:00Well, I told you.
19:02I'm...
19:04I'm Una.
19:06Does Una have a last name?
19:10She does.
19:12I'm...
19:14Una Bošnik.
19:16Bošnik?
19:18Andrija Bošnik's wife.
19:20You know her, right?
19:22No, I don't know who she is.
19:24Come on, I'm sure you know her.
19:26You know him.
19:28Do you know how close I am
19:30to people?
19:32I believe you, but
19:34he's someone you can't remember.
19:36He's not remembered by one person.
19:40Look, maybe I know him,
19:42but I don't know that I know him.
19:44I bought a piece from you.
19:46What do you want from me, ma'am?
19:48What do I want?
19:52To replace that piece.
19:54Excuse me?
19:56Yes, he bought a piece,
19:58but it doesn't fit him,
20:00so I came to replace that piece.
20:02Look, first you wanted
20:04to buy a piece,
20:06now you want to replace it.
20:08I don't like that.
20:10That's what I said.
20:14No, no, no.
20:16I was confused.
20:18I just want to replace a piece,
20:20not to buy a piece.
20:22To replace the piece he bought.
20:24Look, I don't know who your husband is
20:26or what piece you're talking about.
20:28You made a mistake.
20:30Are you sure about that?
20:32I'm sure. Have a nice day.
20:34Wait, but...
20:44What did you find?
20:54What did you find?
21:02This.
21:08You found that on his table.
21:10It was in the morning.
21:12Is it yours?
21:14No.
21:16It's not.
21:18Okay, it doesn't have to mean anything.
21:20Maybe it's just stupidity.
21:24But I felt the need to tell you.
21:34I'm glad you told me.
21:42Bye.
21:56Listen, kid.
21:58Panchetta and I
22:00agreed that when she's not here,
22:02I'll be the host.
22:04That's what Panchetta said.
22:06Panchetta wouldn't want you to be the host.
22:08Really?
22:10You should mind your own business.
22:12This is my business.
22:14You're a singer.
22:16Take it easy.
22:18Janović.
22:20Don't be such a hero.
22:22You might get hit in the head.
22:26Really?
22:28I'm really interested.
22:30How can I get hit in the head?
22:34Can I show you something?
22:36I don't think you'd like it.
22:38Come on, show me.
22:40Wait, Mido.
22:42Don't touch him.
22:44Don't fight.
22:46It's all set here.
22:48Shut up.
22:50Shut up.
22:52We're having a civilized conversation.
22:54There's no reason to fight.
22:58Mido is a wonderful man.
23:00Don't mess with him.
23:02I won't.
23:04You will.
23:06Alright, next time.
23:08I'll let this wonderful man Mido
23:10beat you up.
23:12You'll see.
23:14Why are you getting mad?
23:16Don't go.
23:18Look at him.
23:22He's a heartthrob.
23:26He's not a heartthrob.
23:28He's nervous.
23:30He's always nervous.
23:32He's always like that.
23:34He's always like that.
23:36Are you insulting him?
23:38No.
23:40Are you praising him?
23:42No.
23:44I respect him.
23:46I won't insult you.
23:48You can insult me.
23:50Don't piss me off.
23:52You're dirty.
23:54I'm dirty?
23:56Mind your own business and shut up.
23:58You're behaving like you're the boss.
24:00God bless you.
24:02I won't.
24:04I'll tell everyone.
24:06Shut up, idiot.
24:08You're the boss.
24:10If you don't know the streets,
24:12you're messing with me.
24:24Jovana, where are you from?
24:28I come in peace.
24:30It's hard for me to believe that.
24:32You should start believing.
24:36There must be something else.
24:38There is.
24:40Like what?
24:42A warning.
24:46Your threats again?
24:48No, I came to warn you
24:50and help you in that way.
24:52What way?
24:54That way.
24:56That way?
24:58We're ready to go.
25:00Come on, please.
25:02Please, don't get involved
25:04in her and my relationship.
25:06I didn't mean to,
25:08but I can't shut up when I know something.
25:10It's not my style.
25:12Please, this time
25:14shut up and act crazy.
25:16I think
25:18you should listen to me.
25:20Thank you in advance.
25:22I don't want to.
25:24I have to tell you something.
25:26As far as I'm concerned,
25:28the time of our enmity is over.
25:30You've shown that you care about me
25:32and that we can be friends.
25:46Hey, honey.
25:48Come here, honey.
25:50Ahem.
25:58What happened?
26:02Are you okay?
26:06Why are you looking at me like that, honey?
26:08What's wrong?
26:10Huh?
26:20What's that?
26:22A bra.
26:24Well, okay.
26:26Honey, I see it's a bra.
26:28I mean, I'm just asking.
26:30Did you take a bra?
26:32You don't know what a bra is.
26:36I know.
26:38It was found in your office
26:40on your desk, but not mine.
26:42Let's see whose it is.
26:44In my office?
26:46On my desk?
26:50I don't remember this bra, honey.
26:52Here, I'm looking at it.
26:56Literally.
26:58I don't know.
27:00I don't know.
27:02Maybe it's Seljanović's.
27:04Don't be silly.
27:06I'm not being silly, honey.
27:08I'm telling you nicely.
27:10Maybe it's his, Seljanović's.
27:12He goes to those costumes...
27:14Is it Galina's bra?
27:16Bra?
27:18I don't know.
27:20Trivanović, I'm asking you nicely.
27:22Is it Galina's bra?
27:30You and me, let's be friends.
27:32Why not?
27:34We've been together for so many years.
27:36Oh, Jovana,
27:38I can't believe what you're saying.
27:40Well, it's better for you to start believing.
27:42Because I could be your saviour.
27:44It's hard for me,
27:46but I've come this far.
27:48All those women around you,
27:50Boba, Una, Milena Burazer,
27:52sooner or later you'll get tired of them.
27:54Yes, that's true.
27:56That's why it's best for you to keep me.
28:10Yes?
28:16I was at Radula's.
28:18You weren't, I guess.
28:20Yes, yes.
28:22And what was it?
28:24I don't know how to explain it to you.
28:26I mean, I don't know what words to use for that man.
28:28I can't believe Andrija went down to that level.
28:30The man is a con artist.
28:32And that's a special kind of people.
28:34That's what I'm talking about.
28:46A lot of people
28:48pass through my office.
28:50A lot of them.
28:52Is it Galina?
28:54Galina?
28:56Is it Galina?
28:58It's not Galina.
29:00Or is it?
29:02I'm asking you,
29:04was Gala at your office?
29:06Maybe she was.
29:08It's not that she wasn't, but she was.
29:10So she was at your office.
29:12She was.
29:16She was.
29:22Okay.
29:24What's going on?
29:28I can't hide my pleasure.
29:30I can see that.
29:32Better days are coming.
29:36In what sense?
29:38In every sense.
29:46I can't hide my pleasure.
29:48I can't hide my pleasure.
29:50I can't hide my pleasure.
29:52Is that your conclusion?
29:54I don't know if there's another possibility.
29:56Maybe.
29:58Maybe.
30:02Can I tell you something honest?
30:04Can I tell you something honest?
30:06I think you just went down to that level.
30:08I think you just went down to that level.
30:10What do you think?
30:12What do you think?
30:14I'm not sure.
30:16I'm not sure.
30:18I'm not sure.
30:20I'm not sure.
30:22I'm not sure.
30:24I'm not sure.
30:26What have you thought about now?
30:28You're not going to buy a apartment?
30:30Don't worry, Soton.
30:32I think it would be much better
30:34if she could rent the apartment.
30:36You understand?
30:38That Ljubinka
30:40would go and see
30:42Let them try it out a bit, you know?
30:57Who's the problem here? I didn't get it.
31:02You?
31:05Me?
31:08How do you know?
31:12I don't know.
31:23Cheers.
31:26Are we celebrating something?
31:29Yes, we're celebrating that Mido has rented a house for Ljubinka.
31:42OK, let's go. I'm thrilled.
31:54I've rented a house for you and Trivanović.
32:01For God's sake, what is it now?
32:12You