• 2 months ago
A rough cut of a Hollywood movie is an early version of the film that typically includes all the main scenes and sequences arranged in the order intended for the final cut. It is a raw, unpolished version, usually without final visual effects, sound design, or color grading. The pacing, timing, and flow of the story are crucial elements evaluated at this stage, and it often runs longer than the final product.

The rough cut includes temporary or placeholder soundtracks, incomplete CGI, and may have visible production slates or rough transitions between scenes. Filmmakers and editors use this cut to assess the film's structure, narrative coherence, and overall tone. Feedback from producers, directors, and sometimes test audiences during this phase helps guide the changes needed before moving to the fine cut and final cut stages.

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Transcript
00:00:30To my lovely bride, on our first anniversary!
00:01:00To my lovely bride, on our first anniversary!
00:01:30To my lovely bride, on our first anniversary!
00:01:53To my lovely bride, on our first anniversary!
00:02:23To my lovely bride, on our first anniversary!
00:02:42To my lovely bride, on our first anniversary!
00:03:12To my lovely bride, on our first anniversary!
00:03:32To my lovely bride, on our first anniversary!
00:03:52To my lovely bride, on our first anniversary!
00:04:07To my lovely bride, on our first anniversary!
00:04:37To my lovely bride, on our first anniversary!
00:04:52To my lovely bride, on our first anniversary!
00:05:07To my lovely bride, on our first anniversary!
00:05:22To my lovely bride, on our first anniversary!
00:05:37To my lovely bride, on our first anniversary!
00:06:07To my lovely bride, on our first anniversary!
00:06:37To my lovely bride, on our first anniversary!
00:06:52To my lovely bride, on our first anniversary!
00:07:07To my lovely bride, on our first anniversary!
00:07:22To my lovely bride, on our first anniversary!
00:07:42To my lovely bride, on our first anniversary!
00:08:02To my lovely bride, on our first anniversary!
00:08:22To my lovely bride, on our first anniversary!
00:08:32To my lovely bride, on our first anniversary!
00:08:42To my lovely bride, on our first anniversary!
00:08:52To my lovely bride, on our first anniversary!
00:09:02To my lovely bride, on our first anniversary!
00:09:12To my lovely bride, on our first anniversary!
00:09:22To my lovely bride, on our first anniversary!
00:09:32To my lovely bride, on our first anniversary!
00:09:42To my lovely bride, on our first anniversary!
00:09:52To my lovely bride, on our first anniversary!
00:10:02To my lovely bride, on our first anniversary!
00:10:12To my lovely bride, on our first anniversary!
00:10:22To my lovely bride, on our first anniversary!
00:10:32To my lovely bride, on our first anniversary!
00:10:42To my lovely bride, on our first anniversary!
00:10:52To my lovely bride, on our first anniversary!
00:11:02To my lovely bride, on our first anniversary!
00:11:12To my lovely bride, on our first anniversary!
00:11:22Lovely evening for it.
00:11:24I got it!
00:11:25Good.
00:11:26I got it.
00:11:34Why don't we just work our way up to you being down there?
00:11:48You've got mirrors on the ceiling.
00:11:50Naughty, naughty boy.
00:11:56Oh, they go all the way round.
00:11:58You must be very happy, Pev.
00:12:00Oh, what a sensational view.
00:12:03Where is it?
00:12:04It's my apartment.
00:12:06Good idea.
00:12:09What do you like, Pev?
00:12:11Tell me, what would you like?
00:12:13What would you like?
00:12:19Well, I think a new shirt would be fine.
00:12:29Why don't we go slower?
00:12:31You know, by the numbers.
00:12:33I think it'd be much more fun.
00:12:36Nice.
00:12:38Do you sleep here?
00:12:41No.
00:12:42I sleep up there.
00:12:45Oh.
00:12:48Then we'll stay here.
00:12:53Hold it.
00:12:55I mean, don't move.
00:13:07Come on.
00:13:37Come on.
00:14:08Hello.
00:14:10What are you doing here?
00:14:13Robbing you.
00:14:16Oh.
00:14:20Don't go away.
00:14:32Checkmate.
00:14:33Right.
00:14:34I thought I heard voices.
00:14:36Of course you did.
00:14:37That was you and I.
00:14:41Because there's nobody else here.
00:14:44Right?
00:14:45Right.
00:14:47There's nobody else here.
00:14:51Well, good night.
00:14:53Thank you for a perfect evening.
00:14:56Was I good?
00:14:57Wonderful.
00:14:59I only just got here.
00:15:01I only just got here.
00:15:04Did you?
00:15:06I think so.
00:15:08I had too much to drink, didn't I?
00:15:11You don't like that, I know.
00:15:14That's all right.
00:15:16Give me another chance.
00:15:18Let me throw up.
00:15:20How sweet.
00:15:22You don't have to do that for me.
00:15:24Really.
00:15:27Waldo.
00:15:28Waldo.
00:15:29I'm terribly sorry, darling.
00:15:31I wouldn't be any good to you.
00:15:32Pardon me, sir?
00:15:33I'm not talking to you, Waldo.
00:15:34Would you send me one of your better taxis?
00:15:36Thank you, sir.
00:15:37Thank you.
00:15:38What do you mean?
00:15:39I was injured in the war.
00:15:41Not many people know about it.
00:15:43Oh, darling.
00:15:44Yes.
00:15:45Bit of a sticky wicket, but somehow I managed.
00:15:51I can help you.
00:15:53Let me try.
00:15:54No, no, no.
00:15:55It wouldn't be any good.
00:15:56You see, I...
00:15:57I have to strap things on.
00:15:59Besides, all my batteries are dead.
00:16:01It'd be a mess.
00:16:02Well, I have to go.
00:16:04Will you call me?
00:16:05I bless.
00:16:06Of course, I'll call you every day.
00:16:07Every day.
00:16:08Bless you.
00:16:09Bless you.
00:16:15Well, I'm going to Nufford.
00:16:28Bye.
00:16:42Are you decent?
00:16:45Would you be so kind as to hand me a shirt?
00:16:48I take it she's left.
00:16:49Yes.
00:16:50Gone off to join a monastery.
00:16:53Would you like to step outside,
00:16:54or do you want me to get a couple of chairs
00:16:55and come in there with you?
00:17:02I don't want to seem ungrateful.
00:17:05How did you get in?
00:17:06A skeleton key.
00:17:08Ah.
00:17:09You just walked past the doormen, I assume.
00:17:12Doormen are always asleep.
00:17:14Mm, poor Waldo.
00:17:16He died about three years ago.
00:17:18We haven't had the heart to tell him.
00:17:22Did you find what you were looking for?
00:17:24Oh, I wasn't looking for anything special.
00:17:27Just so long as it cost a fortune
00:17:30to even score, you might say.
00:17:32I see.
00:17:35Perhaps you were looking for this.
00:17:39How did you do it?
00:17:40Cigarette.
00:17:43Where are the diamonds?
00:17:44Little black box.
00:17:46Second drawer.
00:17:47Left-hand side.
00:17:48Secret compartment.
00:17:50How do I know you're not lying?
00:17:51You don't.
00:17:54What is your game, Mr. Rhodes?
00:17:55No, no, no.
00:17:56It's my place, my bed, my questions.
00:17:59What's your game?
00:18:01I steal things.
00:18:03You're with the Acme Robbery Company?
00:18:06I just take things, that's all.
00:18:08Why?
00:18:09Because it's exciting and dangerous.
00:18:13Not for the money?
00:18:15No.
00:18:16Oh.
00:18:20You're a kleptomaniac.
00:18:23How brilliant.
00:18:25That's very common.
00:18:26I'm terribly sorry, it's not more stylish.
00:18:29You know why you do it?
00:18:31Well, I have...
00:18:34This is going to be long.
00:18:37It's love you really want.
00:18:41Attention, tenderness.
00:18:44You steal to compensate, to fill a void in your life.
00:18:48Void?
00:18:49Yes, void.
00:18:50It's a classic syndrome, but I think it can help.
00:18:54Well, maybe I'll just go and steal a good book on the subject.
00:19:02You can't go yet.
00:19:05Blackmail.
00:19:06Only as a first resort.
00:19:08When will I see you again?
00:19:10When's good for you?
00:19:11Tomorrow night.
00:19:13Friday's better.
00:19:14I was going to get married Friday, but I can put it off a couple of weeks.
00:19:18Dinner?
00:19:20Lunch would be easier.
00:19:22Lunch would be fine.
00:19:24I'll pick you up around noon, okay?
00:19:26You won't forget my corsage?
00:19:28It can be your treat.
00:19:32You want good food or just expensive?
00:19:34Both.
00:19:37Oh.
00:19:38And you might find that you need this.
00:19:43Tweed jacket, inside pocket.
00:19:44One of the first places we look.
00:19:46Good night again, Mr. Rose.
00:20:13Hello.
00:20:16Hello.
00:20:18No, it's perfectly all right.
00:20:21How did it go?
00:20:24Lunch on Friday?
00:20:26Oh, lovely.
00:20:27What a wonderful start.
00:20:29You'd better pop round tomorrow.
00:20:31Ten-ish?
00:20:33Yes, I want to hear all the details.
00:20:36I'm very pleased, my dear.
00:20:38Very pleased and very grateful.
00:20:40Very pleased and very grateful.
00:20:43Good night, my dear.
00:20:51Rather late for someone to be calling us.
00:20:54Rather an exceptional situation, dear.
00:20:58She sounded beautiful.
00:21:01I'm sorry she woke you.
00:21:04Is she?
00:21:05Beautiful?
00:21:06Beautiful?
00:21:08More like stunning, I'd say.
00:21:13I was dreaming when the phone rang.
00:21:16It was the middle of August.
00:21:20We were in the south of France.
00:21:22You'd take me on holiday.
00:21:25Lovely, was it?
00:21:26Not really. It was pissing down rain.
00:21:30Did you read that article in the paper today?
00:21:33Which one was that?
00:21:35It said if you don't use it, you'll lose it.
00:21:39Can't have that, can we?
00:21:41No, dear.
00:22:00PHONE RINGS
00:22:06Come in.
00:22:09Ah, good morning, Miss Brumley.
00:22:12No calls, Pilgrim?
00:22:13Yes, sir.
00:22:14Unless it's major, of course.
00:22:15Somebody telephones the Queen and starts breathing heavily, that sort of thing.
00:22:18Yes, sir.
00:22:20I must say, the sight of you cheers me, my dear.
00:22:24I can only say that I feel every bit as well as you look.
00:22:27Whereas I feel cheap and slimy.
00:22:31Ah, yes, well, police work can do that to you.
00:22:34My first year at it, I almost scrubbed my hands raw.
00:22:37I'm not with the police.
00:22:39Just so long as you're not against us, that's all we ask.
00:22:42Now, tell me, how did it go with Rhodes?
00:22:44I told you on the phone, it went exactly as you planned.
00:22:47He introduced himself at the party and we're going out.
00:22:50On Friday?
00:22:51Absolutely.
00:22:52Splendid.
00:22:53About one week together should do it, I would think.
00:22:55You do presuppose, of course, that he will want to see me again.
00:22:59Modesty is boring.
00:23:01False modesty puts me in a coma.
00:23:04Jack Rhodes has always been attracted to beautiful women.
00:23:08Now, your very considerable looks, plus your wit and style,
00:23:11should rivet him for quite a time.
00:23:13Long enough for him to be mine.
00:23:15You may fail.
00:23:16I refuse to entertain that possibility.
00:23:19You see, for the whole of my adult life, I have been a policeman.
00:23:23But soon, as comes to all who serve, I should be turned out to pasture.
00:23:28Mandatory retirement, a sort of capital punishment for the old.
00:23:32But I would go without a whimper if I could bag the one man
00:23:35who has always eluded my reach.
00:23:38Oh, I've come close, I've come tantalizingly close.
00:23:41But he's always been one step ahead.
00:23:43Jack Rhodes is brilliant.
00:23:45He's smooth.
00:23:47But he is also, I'm quite convinced,
00:23:49the most successful diamond thief at large today.
00:23:53And the thought of being forced to retire before I bested him...
00:23:58Oh, forgive me, I have run on.
00:24:00Helps to have a captive audience.
00:24:04I prefer to think of you as a cooperative one.
00:24:07Oh, yes, I forgot.
00:24:08When the police turn the screws, it is called cooperation.
00:24:13Turning the screws?
00:24:14Has anybody yet told your father?
00:24:16Turning the screws?
00:24:17Has anybody yet told your father that his daughter's light-fingered proclivities
00:24:21may jeopardize his position in the government?
00:24:24Haven't I kept mum about your long string of indiscretions?
00:24:29Nice to see you, Inspector.
00:24:46Bye.
00:25:09Do your parents live in America?
00:25:12They died before I was born.
00:25:14I never forgave them for it.
00:25:17Bye.
00:25:23Are we anywhere near the end of the runway yet?
00:25:47Oh, dear, what a nuisance.
00:25:55Better pull over, you could lose your license.
00:25:57I don't have a license.
00:26:01Cost you a lot of money.
00:26:02Cost me a lot more if they find out it's a stolen car.
00:26:06You stole this car?
00:26:07Yes.
00:26:09You stole this car?
00:26:10Yes.
00:26:11You stole this car?
00:26:12Yes.
00:26:13You stole this car?
00:26:14Yes.
00:26:18To fill a void in my life.
00:26:35Excuse me for mentioning it, but we're about to become a hood ornament for a truck.
00:26:38I don't think so.
00:26:43Did I scare you?
00:26:45No.
00:27:11How am I doing?
00:27:13Swell.
00:27:18Excuse me.
00:27:33Heads up!
00:27:34Jack!
00:27:37Were you trying to get rid of me or the car?
00:27:44Jack!
00:27:53Well, I don't need lifts.
00:28:13Does he wait?
00:28:15He waits.
00:28:22You wait.
00:28:23Right, Gardner.
00:28:29Oh, my goodness.
00:28:30It's a huet.
00:28:31Yes.
00:28:35Very nice of you, but quite unnecessary.
00:28:37Yes, it is.
00:28:38You all right?
00:28:39No.
00:28:41I think I hurt my titty.
00:28:43I'm not surprised.
00:28:44How much do you weigh?
00:28:46Eight stone three.
00:28:48You never know.
00:28:53Beautiful house.
00:28:54Thank you.
00:28:55Is he yours?
00:28:56Mm-hmm.
00:28:57Where'd you steal it?
00:29:00The key's under the mat.
00:29:02Oh.
00:29:04That's a terrific hiding place.
00:29:05No one would ever think of looking there.
00:29:11Want me to come in and help you turn out a bed?
00:29:15I don't think so.
00:29:16I could lay out your jammies.
00:29:18I don't wear pajamas.
00:29:20I could lay out your nightgown.
00:29:23I don't wear a nightgown.
00:29:26You don't wear anything.
00:29:28Oh, God.
00:29:29I think I have to come in and take a cold shower.
00:29:40Good night.
00:30:01Good night.
00:30:11Good night.
00:30:23Same time tomorrow?
00:30:25Yes.
00:30:26Good night.
00:30:38But on the other hand, we say tomato and you say tomato,
00:30:41yet you don't call a potato a potato.
00:30:44No.
00:30:45No, that would be stupid for you to say potato.
00:30:47Silly.
00:30:48Yes?
00:30:49What would you like?
00:30:50Ah, um, a thin slice of that one, please.
00:30:53A thin slice of that one.
00:30:54And some gooseberries.
00:30:55And some gooseberries.
00:30:58Oh, and one of those meringue tart things.
00:31:01And one of those meringue tart things.
00:31:04And for you, sir?
00:31:05Nothing for me. I'm driving.
00:31:08You sure that's all you want?
00:31:09Mm-hmm.
00:31:11You know why you ordered so many desserts?
00:31:15Starved for love.
00:31:18Join the club.
00:31:25Six.
00:31:27Thirteen.
00:31:32Eighteen.
00:31:36Seven.
00:31:37Seventeen.
00:31:42Nine.
00:31:43Nineteen.
00:31:52Twenty.
00:31:54Twenty.
00:32:20Ben?
00:32:22Excuse me, sir.
00:32:23Have we got a little more out of Dr. Chivers this morning?
00:32:27Uh, he's told us nearly everything.
00:32:30The only thing is,
00:32:31we don't know where he's buried his wife's left leg.
00:32:34Well, stay on it,
00:32:35because it would be a big help
00:32:36if we could put Mrs. Chivers back together before the trial.
00:32:38Yes, sir.
00:32:43Chief Inspector Willis's office.
00:32:46It's your call to Miss Bromley, sir.
00:32:47Mm-hmm. Get the file.
00:32:48Yes, sir.
00:32:49Yes, sir.
00:32:53Good morning, my dear.
00:32:55All goes well, I trust?
00:32:57Yes?
00:32:58Yes?
00:33:00And tonight as well?
00:33:02Well, that's perfect.
00:33:04Ben, I think we'll move on to the next phase.
00:33:06There is a time factor here, after all.
00:33:08That's right. You're already halfway there.
00:33:11Goodbye.
00:33:13Bilbo, be ten years younger.
00:33:15Yes, sir.
00:33:16Ten more years of this sort of power.
00:33:20Good shot, sir.
00:33:31They let you cook here?
00:33:33They have to.
00:33:34I own the joint.
00:33:37Enjoy the food.
00:33:39My teeth are applauding.
00:33:41Quite remarkable, aren't you?
00:33:43Only quite.
00:33:45You'd love Chinese food,
00:33:46so you'd buy a Chinese restaurant.
00:33:48That makes sense. A good investment.
00:33:50You have to work very hard not to work for a living.
00:33:53You don't like work?
00:33:55I saw enough of it when I was a kid, watching my folks.
00:33:58I thought you were an orphan.
00:33:59I was one of the lucky ones. I had parents.
00:34:02Of course, I never told them they were adopted.
00:34:05You don't like being pinned down about your past, do you?
00:34:08The past bores me.
00:34:10I'm only interested now.
00:34:12Right now.
00:34:14What about your parents?
00:34:16You have the usual, one of each?
00:34:18My mother was lovely.
00:34:20She died five years ago.
00:34:22My father, he's not quite so lovely.
00:34:24He's very cold.
00:34:26Except to strangers, of course.
00:34:28Does Daddy do?
00:34:30He's in the government.
00:34:32High up.
00:34:34Very high up.
00:34:36He's not the queen, is he?
00:34:40Shall we?
00:34:42You have to say something.
00:34:45What?
00:34:49No.
00:34:55Not tonight, all right?
00:34:57All right.
00:35:09Still on for tomorrow?
00:35:12Lunch at Les Eyes.
00:35:15Can we make it dinner?
00:35:16Sure.
00:35:18It's better.
00:35:20I like the nights.
00:35:22They're all yours.
00:35:23Only all of them?
00:35:25All of them.
00:35:28Except one.
00:35:30Why except one?
00:35:32It's a very long, boring story.
00:35:37I used to see a man named Maxwell Levy
00:35:42for a rather long, wonderful time,
00:35:44and then it ended,
00:35:46mainly because his wife didn't think it was so wonderful.
00:35:48Max's senior partner with Levy & Levy,
00:35:51the big diamond firm in Hatton Garden.
00:35:54Several times a year,
00:35:56Max sends up to a million pounds worth of rough stones to Antwerp
00:35:59for cutting along with all the other diamond houses.
00:36:02One of Max's couriers takes the stones
00:36:06to some central place where they join the others.
00:36:09But the idea is to keep the whole thing very secret
00:36:11so no one is ever told what time or indeed day
00:36:16the shipment is due to take place.
00:36:20You're right.
00:36:22It's a long, boring story.
00:36:25What's it got to do with us?
00:36:27Max always calls me
00:36:30the night before the shipment is due.
00:36:33He considers sleeping with me good luck.
00:36:36Well, it certainly wouldn't hurt him.
00:36:38He wouldn't settle for a rabbit's foot.
00:36:57Lucky man, Maxwell Levy.
00:37:02All those diamonds.
00:37:05That's not what I meant.
00:37:07I won't sleep with him. I'll only see him.
00:37:11Good night.
00:37:15Maybe I should sleep with Mrs. Levy.
00:37:21Good luck.
00:37:37Ah, Miss Bromley. I'd hoped to catch you in.
00:37:40I thought I'd pop round for a progress report.
00:37:43How nice of you to call. Do come in, Inspector.
00:37:50You once described yourself as a captive audience.
00:37:54Turnabout is fair play.
00:37:56Now it is I who am that to you.
00:37:59Well, I told him your tale of Maxwell Levy,
00:38:02whoever in God's name he is,
00:38:04the shipments to Antwerp, the lot,
00:38:06and he couldn't have cared less.
00:38:08Well, he could hardly have reacted with enthusiasm.
00:38:11That would have been the same thing
00:38:13as admitting that he is what I know him to be.
00:38:15I'm certain that he isn't what you know him to be, Inspector.
00:38:19Certain?
00:38:21He has everything anyone could possibly want.
00:38:23Oh, that's quite beside the point.
00:38:25I told you before, of all the world's thieves,
00:38:28this one is the most gifted.
00:38:29He not only knows how to steal superbly,
00:38:32but, even more important,
00:38:34he knows how to fence successfully.
00:38:36I don't quite see why being able to fence them
00:38:38is more important than stealing them.
00:38:41The world is crammed with light-fingered ladies and gentlemen
00:38:45who never realise more than a fraction of the value
00:38:48of the merchandise they so painstakingly purloin.
00:38:51Jack Rhodes is an exception.
00:38:53With his contacts, he gets full value for his exploits.
00:38:56He really is the most gifted.
00:38:57I'm sure he's not interested in committing any crime.
00:39:01Great masters don't quit at the peak of their powers.
00:39:04The man is not yet 40.
00:39:06There's a string of successes behind him.
00:39:08There's no way that he's laid down his bow
00:39:11or pushed aside his pallet or bronzed his baton.
00:39:14No.
00:39:16What I think will happen is that, very soon,
00:39:18he will enquire whether you haven't heard
00:39:21from your old friend Mr Levy.
00:39:23And isn't it about time he called?
00:39:24When that happens, we'll know he's taken the bait.
00:39:27I will let him run with the line
00:39:29because I will give you the date
00:39:31of the next shipment to Antwerp.
00:39:33You will pass it on to Rhodes.
00:39:35He will then spring into action.
00:39:37His action, of course, triggering my own.
00:39:42Yes.
00:39:47Listen, I did what you asked.
00:39:49I fed him the information you wanted.
00:39:51You go and get him to rob the coast.
00:39:52Rob the coast?
00:39:54Oh, my dear girl.
00:39:56Knowing what he would then know,
00:39:58do you think Rhodes would settle for a kidney
00:40:00when he can have the whole pie?
00:40:02Once he has that date,
00:40:04the man is bound to go for the entire diamond shipment.
00:40:06They're dealing with a master,
00:40:08and I'm setting him a goal worthy of his stature.
00:40:12With all the police and the security,
00:40:14he's never going to try it.
00:40:16I have the greatest faith in him,
00:40:18as indeed I do in you, my dear.
00:40:19Doesn't trouble you that blackmail
00:40:21is in fact against the law?
00:40:23Policemen are constantly breaking the law.
00:40:25It's one of the many ways we have of upholding it.
00:40:28But I give you my word.
00:40:30Help me with Rhodes,
00:40:32and we'll wipe the slate clean.
00:40:35You want to be careful with those eyes.
00:40:37They could be assault with a deadly weapon.
00:40:49I'll be back.
00:41:11Hello.
00:41:13Hello.
00:41:15It's the lady that sleeps naked.
00:41:17I thought we had a date this evening.
00:41:19No, we didn't.
00:41:21But something came up.
00:41:23See, there's this woman I know,
00:41:26and the night before she races her greyhound,
00:41:29she rings me up.
00:41:31And I talk dirty to her on the telephone.
00:41:35Brings her luck.
00:41:37Touché.
00:41:40Are you busy tomorrow?
00:41:42No, I'll be free.
00:41:44Terrific.
00:41:46Sensational.
00:41:48Pick you up around one o'clock?
00:41:50I'll be waiting.
00:41:52By the way, I'm glad you called.
00:41:54Of course you are.
00:41:56Toodle-oo.
00:41:58Toodle-oo.
00:42:16Toodle-oo.
00:42:32Cards to serve.
00:42:34First game, first set.
00:42:47Toodle-oo.
00:42:55You like some strawberries and champagne?
00:42:58Toodle-oo.
00:43:06What's the matter?
00:43:08Did I say anything was?
00:43:11No, but you're a loud thinker.
00:43:13It was just a mood, Vic.
00:43:14It was just a mood, they come and go.
00:43:17This one coming or going?
00:43:19Going.
00:43:21I think we ought to have this lance.
00:43:27Jack. Jack Rhodes.
00:43:30Hello, Ronnie.
00:43:32Yes, I told you he was there.
00:43:34Gillian Bromley, Ronnie Taylor.
00:43:36Gillian Bromley, Jack Rhodes.
00:43:38I'd like you to meet Maxwell Levy.
00:43:40Miss Bromley.
00:43:42Mr. Levy.
00:43:44Mr. Rhodes.
00:43:46Great pleasure.
00:43:48I'm told you own the best restaurant in London, Mr. Rhodes.
00:43:51That's what I tell everybody.
00:43:53Why don't you two do a swap?
00:43:55One Chinese dinner for an order of diamonds to go.
00:43:57Great idea.
00:43:59We were just thinking of strolling over to court number six,
00:44:02see how young Tracy Austin's getting along.
00:44:04Why don't you two come along with us?
00:44:06You go ahead, I'll join you.
00:44:08Great.
00:44:11You play tennis, Miss Bromley?
00:44:14No, I don't.
00:44:29Beautiful, that was just beautiful.
00:44:31I can see why women find him attractive.
00:44:33He's very handsome, I hear.
00:44:35What?
00:44:37I said I see why women find him attractive.
00:44:39No, you said you hear.
00:44:41Right.
00:44:42What do you mean, you hear?
00:44:44You've just met him.
00:44:46Did I?
00:44:48We are talking about Maxwell Levy.
00:44:50I was.
00:44:52Well, you just met him with that friend of yours, Ronnie Taylor.
00:44:54No, no, no.
00:44:56You met Maxwell Levy.
00:44:58I met Peter Pritchard.
00:45:00Lovely guy, Peter.
00:45:02Failed actor by trade.
00:45:04Never quite made it.
00:45:06Ronnie said he was born a has-been.
00:45:08An actor?
00:45:10Both of them.
00:45:12They've tried so hard.
00:45:15Don't be ridiculous.
00:45:17Of course you didn't hire him to play the part.
00:45:19Oh, yes, I did.
00:45:2150 pounds and the use of my body.
00:45:23After I'm dead.
00:45:26How did you know I didn't know him?
00:45:28When you told me that story about jumping in the sack with him for luck, I...
00:45:33I hoped it wasn't true.
00:45:38Well, Gillian?
00:45:43Do you know a man called Chief Inspector Willis?
00:45:46Why?
00:45:48Because he knows you extremely well.
00:45:55He's been on to me for some time, but he never did anything about it.
00:45:59He tried to arrest me from time to time, but I thought he was toying with me.
00:46:03I didn't know what he wanted.
00:46:05It's called policeman's foreplay.
00:46:07He certainly looks positively spiritual when he discusses you.
00:46:12Anyway, about a month ago, he told me he was arranging for us to meet.
00:46:17He knew you were going to be at the Lloyd Palmer party.
00:46:20How'd he get you there?
00:46:22Lloyd Palmer and my father are old friends.
00:46:25They share a lot of the same insensitivities.
00:46:28It was easy for me to be invited.
00:46:30Stealing the diamonds upstairs?
00:46:32I did that on my own.
00:46:34I see.
00:46:36What makes Willis so sure on what he thinks I am?
00:46:38Lots of things. Your whereabouts.
00:46:39You appear and suddenly diamonds disappear.
00:46:43Your success in business.
00:46:45Your money coming from no traceable source.
00:46:49Is there anything I can say that you'll believe from now on?
00:46:53Why should I?
00:46:55You haven't been honest with me about anything.
00:46:57The way I feel about you is honest.
00:46:59Oh, sure. Your mouth is crazy about me.
00:47:01It's your mind that wants to send me to prison.
00:47:03Don't be silly. That's the last thing I want.
00:47:05Where the hell do you think Willis wants to send me? To summer camp?
00:47:07Now what?
00:47:09You tell your friend, Mr. Willis,
00:47:11that I never mentioned another word about Haddon Garden.
00:47:14Then?
00:47:16Then he tells Daddy about your problem.
00:47:18And you go directly to jail.
00:47:22Charming right to the end.
00:47:36Why didn't you go to bed with me?
00:47:38I beg your pardon?
00:47:40I'm sure Willis suggested it.
00:47:42It was always implicit in what he said.
00:47:44It would have suited him right down to the ground.
00:47:46Then you laid down on the job.
00:47:48Or rather, you didn't. Why?
00:47:50Because I didn't.
00:47:52You didn't?
00:47:54No, I didn't.
00:47:56You didn't?
00:47:58No, I didn't.
00:48:00You didn't?
00:48:02No, I didn't.
00:48:03You laid down on the job.
00:48:05Or rather, you didn't. Why?
00:48:07Because I can't do that unless I care.
00:48:10And you don't.
00:48:12Willis used me because he knew of your weakness for women.
00:48:15Fondness.
00:48:17Fondness?
00:48:19I had no intention of being added to what must be an extremely long list indeed.
00:48:24I did the best I could.
00:48:26All things considered,
00:48:28I think you'd better come in now.
00:48:33Thank you.
00:48:43Oh, my God.
00:48:45That's better than speeding.
00:48:49It does have its high points, doesn't it?
00:48:51It certainly does.
00:48:54Can you tell me something?
00:48:56Sure.
00:48:58If that dreadful Carrie Grant approach hadn't worked,
00:49:01did you have another one up your sleeve?
00:49:04Of course. I have my fail-safe approach.
00:49:07What's that?
00:49:09Well, if I spot a woman at a party that's really beautiful,
00:49:13not as beautiful as you,
00:49:15beautiful,
00:49:17I kind of sidle up to her and I say,
00:49:20excuse me, but I couldn't help but notice,
00:49:23you've never really been sexually fulfilled, have you?
00:49:26Well, she says, oh, boring, and walks away.
00:49:28And then a few minutes later, I walk up to her and say,
00:49:31you know, I mean, have you ever fainted?
00:49:34And then I walk away.
00:49:36Well, a few minutes go by, pretty soon her curiosity's kind of piqued,
00:49:41and pretty soon she kind of comes up to me and says,
00:49:43what do you mean, fainted?
00:49:45And I say, well, I mean, at the end of this sexual exercise,
00:49:50do you faint?
00:49:53Because with me,
00:49:55they always,
00:49:56always,
00:49:58faint,
00:50:00dead away.
00:50:02Well, I didn't faint.
00:50:04Well, it's the first time.
00:50:10Wouldn't Inspector Willis absolutely adore this?
00:50:15Yes.
00:50:17I think we owe him something.
00:50:20You know, for bringing us together,
00:50:23something special.
00:50:24What do you suggest?
00:50:26Patton Garden.
00:50:29You're mad.
00:50:31No, I'm not.
00:50:33The only reason I haven't taken a run at those diamonds before
00:50:35is I never did know the exact date they were being shipped to Antwerp.
00:50:39I don't know why I didn't think of asking Scotland Yard.
00:50:43You're exactly what he said you were, aren't you?
00:50:47Only a little better.
00:50:49I'm a collector of diamonds.
00:50:51Especially diamonds that other people have already collected.
00:50:55And you've never been called.
00:50:58Rolge 12, police.
00:51:03Zero.
00:51:07Who are you calling?
00:51:09Willis.
00:51:11You're calling Willis?
00:51:13You're calling Willis.
00:51:15Why am I calling him?
00:51:17Why are you whispering? You haven't dialed yet.
00:51:20Why am I calling him?
00:51:21Tell him that I mentioned the name Maxwell Levy.
00:51:25Right out of the blue.
00:51:29It's ringing.
00:51:31Good.
00:51:32In a sense, I won't be lying, will I?
00:51:35Only in the sense that you won't be telling the truth.
00:51:37It's still ringing.
00:51:39You can never get a cop when you want one.
00:51:44Yeah, and we don't need this one.
00:51:46I'm not going to go through with it.
00:51:48I need that date.
00:51:49Well, then get it yourself,
00:51:51because I'm not going to do something
00:51:53that's going to put you in jail forever.
00:51:55And besides, I do not wish to be electrocuted.
00:51:58You can't be electrocuted from just six bullets.
00:52:02Besides, if you've got such a charge
00:52:04out of stealing two diamond earrings,
00:52:06just think of the charge you'll get
00:52:08when you steal $30 million worth of diamonds.
00:52:20So yesterday, Rhodes finally asked about Mr. Levy.
00:52:24I never said so.
00:52:26It's perfectly obvious from your mutinous expression.
00:52:29All right, he asked.
00:52:31But you'll have to catch him yourself,
00:52:33because I'm finished.
00:52:36I see.
00:52:38Well, then you'll leave me no alternative
00:52:40but to have a word with...
00:52:42Oh, yes, my father.
00:52:44I've come to a conclusion, Inspector.
00:52:46I really don't think the government
00:52:47and he would miss each other that much.
00:52:49So I think it would be a jolly good idea
00:52:51if you did tell him about me,
00:52:53and then we can wipe the slate clean.
00:52:56I'm sorry, but that's the way I feel about it,
00:52:58because I have absolutely no intention
00:53:00of passing on the date of that shipment.
00:53:03Well, let me put it another way.
00:53:05Do the names Halliday, Hornfield, Kinnersley and Drampton
00:53:10mean anything to you?
00:53:12Uh, no, I don't follow you.
00:53:14They're all my names.
00:53:15No, I don't follow you.
00:53:17They're all women's prisons.
00:53:19Well, there's a fairly large selection of them
00:53:21available in this country,
00:53:23but I think I should point out
00:53:25that they do have one thing in common.
00:53:27They are all poisonously unpleasant.
00:53:33I'll manage somehow. Others have.
00:53:36Yes.
00:53:38Well, let me draw a persuasive little picture for you.
00:53:40Where you will be going,
00:53:42they have the oddest notions of hospitality.
00:53:45First, they shave your head.
00:53:47Then they delouse you,
00:53:49feed you with something
00:53:51that a ravenous crocodile would pass up,
00:53:53then lock you up for the night
00:53:55with unfriendly lesbian companions,
00:53:58and you have your own
00:54:00private little chamber pot under the bed.
00:54:02Oh, it is very unpleasant, I know.
00:54:04That's why I urge you to think again
00:54:06and reflect whether you shouldn't
00:54:08save yourself all that misery
00:54:10by passing on the date to Rhodes.
00:54:15Well, take your time.
00:54:17Reflect well.
00:54:23I've taken my time and I've reflected well.
00:54:26And?
00:54:28I've decided to save myself all that misery
00:54:30I'll pass on the date.
00:54:32Splendid.
00:54:34When is it?
00:54:36You'll get it in a day or two.
00:54:38Run along now.
00:54:46Oh, Inspector,
00:54:48I thought I might send you a little present,
00:54:50a kitten.
00:54:52They're ever such a lot of fun
00:54:54if you strangle them right.
00:55:04Jack, I must say,
00:55:06I don't see the point of poring over
00:55:08all these maps and charts.
00:55:10We're never going to pull it off
00:55:12because we don't have the date.
00:55:13I know that.
00:55:16In any case,
00:55:18I'm getting a little old for all this thievery.
00:55:20Nigel, after this one,
00:55:22we'll quit for keeps.
00:55:24Marry nice girls,
00:55:26have kids, grow fat,
00:55:28drink port.
00:55:30I like port.
00:55:32Jack, we'll need a million dollars,
00:55:34maybe more.
00:55:36So what?
00:55:38We're going to make 30 million dollars,
00:55:40maybe more.
00:55:41Do you mind getting the door?
00:55:44Do you mind?
00:55:55Ah, Nigel Lawton.
00:55:57Yes.
00:55:59Gillian Bromley, hello.
00:56:01I've heard a lot about you.
00:56:03Well, I've heard absolutely nothing
00:56:05whatever about you.
00:56:07Like another bubble bath.
00:56:09Absolutely loved one.
00:56:11Did it go all right?
00:56:13Yes, it was fine.
00:56:17Oh, excuse me.
00:56:21What were you talking about?
00:56:23Oh, I know.
00:56:25The date.
00:56:27Miss Bromley is going to get us the date.
00:56:29You are going to get us the date, aren't you?
00:56:32Yes, I am.
00:56:34Yes, she is.
00:56:36And where are you going to get it from?
00:56:38Hatton Garden, I suppose.
00:56:39All right, don't tell me then.
00:56:43You see, I have this great admirer in Scotland Yard,
00:56:46and he's going to go fishing.
00:56:48The date is the bait,
00:56:50and I'm the fish.
00:56:52Jack, I read the other day
00:56:54about a chap in America
00:56:56who used a computer to embezzle
00:56:58ten million dollars from various people's accounts
00:57:00into a Swiss bank.
00:57:02There's some already made in the kitchen.
00:57:04You listening?
00:57:05Yes.
00:57:07When he got the money, he took it to Russia
00:57:09and spent ten million dollars...
00:57:11Black, no sugar.
00:57:13Ten million dollars' worth of diamonds.
00:57:15When he got the diamonds back on the open market...
00:57:17Sandwich, a biscuit?
00:57:19When he got the diamonds back on the open market,
00:57:21he found they were worth 13 million, so far so good.
00:57:23Then he tried to convert the diamonds back into cash,
00:57:25and that's when they got him.
00:57:27See?
00:57:29We'll need passports.
00:57:31You haven't listened to a single word I've been saying,
00:57:33have you?
00:57:35All right, passports, what name?
00:57:37Something exotic.
00:57:39Police.
00:57:41All right, what else?
00:57:43Radio man.
00:57:45What about your friend Ferguson,
00:57:47the chap you were in the signal score with?
00:57:49He's been out of the trade for about ten years.
00:57:51He's a tough cookie, though.
00:57:53Pilot?
00:57:55Ernst Miller.
00:57:57Last I heard, he was flying Cubans into Africa.
00:57:59I wonder if Casper knows he's a Nazi.
00:58:01Thank you.
00:58:03Who cares, he's a damn good pilot.
00:58:05I need someone who knows Amsterdam really well.
00:58:07It shouldn't be too hard.
00:58:09It's a difficult question,
00:58:11but if we are successful,
00:58:13how do we then go about converting the stones into cash?
00:58:15Oh, that's exactly what Jack's the best at.
00:58:18Not as far as I'm concerned.
00:58:21Thank you.
00:58:27Could we get back to work, please?
00:58:39All right.
00:59:00Hello?
00:59:02Hello, this is your world traveler from Germany.
00:59:04How are you?
00:59:06A lot better since the phone rang.
00:59:07Yes, I called you as soon as I could.
00:59:09No, I meant the call before yours.
00:59:11My friend finally called,
00:59:13and he wants to see me on the 28th at 11 o'clock.
00:59:17On the 28th?
00:59:19He's got a lot of confidence in me.
00:59:21That's one week.
00:59:23Do you think that you can do it?
00:59:25Of course I can do it.
00:59:27Jack?
00:59:29Yes?
00:59:31I do miss you.
00:59:33Are you in bed?
00:59:35Yes.
00:59:37No jammies?
00:59:39Neither.
00:59:41Why don't you meet me in Paris tonight?
00:59:43Plaza Artenay.
00:59:45Really?
00:59:47Nine o'clock.
00:59:49I'll be there.
00:59:51Gillian?
00:59:53Yes?
00:59:55Come as you are.
00:59:57Absolutely.
00:59:59Bye-bye.
01:00:07Bye-bye.
01:00:30Burtz.
01:00:32Rhodes, my friend.
01:00:34Good to see you.
01:00:36If it is Rhodes, it must be Diamonds, yeah?
01:00:39Still smart as a vip.
01:00:41When is the job?
01:00:43Soon. London.
01:00:45It is London?
01:00:47It starts in London, and you fly over the Channel.
01:00:49You know how many times I fly the Channel?
01:00:51Oh, many times.
01:00:53But this time you won't be carrying any bombs.
01:00:55It won't be nearly as much fun,
01:00:57but then you'll go a lot faster.
01:00:59If we dropped more bombs last time,
01:01:01different story.
01:01:03Well, you can't win them all.
01:01:05Any of them.
01:01:08You gotta promise not to strafe any civilians.
01:01:11Always the jokes.
01:01:13What do I fly?
01:01:15HS-125.
01:01:17HS-125. Nice plane.
01:01:19Alone?
01:01:21I need a radio man.
01:01:23No, no. I am very good with radio.
01:01:25I don't know how to tell you this,
01:01:27but you have a German accent.
01:01:29What German accent?
01:01:31I already have another man.
01:01:33Okay, okay. Whatever you say.
01:01:38Who else have you found?
01:01:40Nigel Lawton.
01:01:42Good man.
01:01:44Please, one more question.
01:01:49Three million dollars.
01:01:51That is my share.
01:01:53That is your share.
01:01:55Do I mean you? Are you serious?
01:01:57Yes.
01:01:59I have no words.
01:02:00I need you in London tomorrow.
01:02:02Tomorrow?
01:02:04I will already be there one day.
01:02:30Watch out, old man.
01:02:32You are going to bust my head.
01:02:34He just won't mind.
01:02:36It's not a thing that you see.
01:02:38I may be old,
01:02:40but I'm young and free.
01:02:42You know that boogey.
01:02:44Yeah, boogey.
01:02:46Boogey can't go wrong.
01:02:49You step forward,
01:02:51then you jump back in to play.
01:02:53Watch out, old man.
01:02:55You are going to bust my head.
01:02:57He just won't mind.
01:02:58I may be old,
01:03:00but I'm young and free.
01:03:02You know that boogey.
01:03:04Yeah, boogey.
01:03:06Boogey can't go wrong.
01:03:08Boogey can't go wrong.
01:03:10Boogey can't go wrong.
01:03:12Boogey can't go wrong.
01:03:14Boogey can't go wrong.
01:03:29Halt!
01:03:31Boogey all night long.
01:03:33Boogey,
01:03:35we call you boogey.
01:03:37You know that boogey
01:03:39can't go wrong.
01:03:44Hey!
01:03:46Hey, that's fine, fellas.
01:03:48That's fine.
01:03:50Freddie!
01:03:52Hey, buddy.
01:03:54Say hello to Jillian Bromley.
01:03:56Hello to Jillian Bromley.
01:03:58Let's go to the rhythm section, all right?
01:04:01I see the Salvation Army
01:04:03is still making your clothes.
01:04:05I see you're still faking it on the piano.
01:04:07Mean to me.
01:04:09Why is he always so mean to me?
01:04:12Ah, you know,
01:04:14as long as I keep missing the cracks.
01:04:16Hey, it's been a while, Jack.
01:04:18It's been a while and a half.
01:04:20How do you like Paris?
01:04:22Ah, the people are cool.
01:04:24I'm all right, can't complain.
01:04:25What is it?
01:04:27Patton Garden.
01:04:29Somehow if you're going to lose a bit of inventory?
01:04:34All of them.
01:04:36Ain't misbehaving.
01:04:38Very ambitious, this guy.
01:04:40Man's got to grow.
01:04:42Who else is in on the gig?
01:04:44Nigel.
01:04:45Lovely, lovely.
01:04:46Ernst Mueller.
01:04:48Do I know him?
01:04:49You were in the German Army, were you?
01:04:51I flogged the gullet to answer.
01:04:53How about it, you in?
01:04:55Tell me about the wages.
01:04:58I'll give or take a few, Bob.
01:05:01Thirty million dollars.
01:05:03You get ten percent.
01:05:05I'm misbehaving.
01:05:08You provide lunch?
01:05:09You got it.
01:05:10All right.
01:05:11I'll make a phone call.
01:05:14The man's a natural high, huh?
01:05:16Absolutely.
01:05:19You've known him a long time.
01:05:20Mm-hmm.
01:05:21Why has he never been called?
01:05:23Because he's too damn smart.
01:05:26What would happen if, um,
01:05:29somebody crossed him?
01:05:32I hate to even think about that, baby.
01:05:37Sam, I thought I told you never to play that song.
01:05:40Sorry, boss.
01:05:41Got to catch a plane to Amsterdam.
01:05:43Call Nigel, he'll give you all the details.
01:05:45Grab your coat and grab your hat.
01:05:50Beautiful city, Amsterdam.
01:05:52It's where all the light bulbs come
01:05:53to have a vacation.
01:05:55Nigel says it's de Gouillet.
01:05:57He's the best driver in Europe
01:05:58and he really knows the city well.
01:06:00Well, what about me? I'm fast.
01:06:02I know, I know.
01:06:03You'd like to drive.
01:06:04No offense, but you're just a little
01:06:05too kamikaze for me.
01:06:07Why don't we just leave the job
01:06:08to a professional?
01:06:12Oh, don't the shops stay open late here?
01:06:15Don't let the red lights throw you.
01:06:16All they have here are
01:06:18massage parlors, leather whips,
01:06:20bondage, French lessons.
01:06:23It's kind of a home away from home.
01:06:25Ah, here we are.
01:06:28You know what always surprises me?
01:06:30Some of these girls are really
01:06:31very chic and elegant and fat.
01:06:33Is de Gouillet in?
01:06:35Come in and sit down.
01:06:46I wouldn't sit there.
01:06:47You might catch something.
01:06:49You don't know where that couch has been.
01:06:51Hello.
01:06:52Hello. Can I help you?
01:06:53Oh, just waiting.
01:07:04You want to see me?
01:07:06De Gouillet?
01:07:08You want to have some business here?
01:07:10Someone for you both or
01:07:12to watch or what?
01:07:14No, something a little different actually.
01:07:16Whatever you like.
01:07:17If you show us once, we can do it.
01:07:21I'm Jack Rhodes.
01:07:24Oh, good.
01:07:27Sit down.
01:07:28We'll talk.
01:07:30Couldn't we go somewhere
01:07:31a little more private?
01:07:33They can't here
01:07:34and she's dead above the waist.
01:07:36So,
01:07:38you need a driver.
01:07:39Right.
01:07:40We're talking about a lot of money.
01:07:43Yeah.
01:07:44Do you need anything else?
01:07:45Like making people disappear?
01:07:47Either temporarily or permanently.
01:07:49I can do both tricks.
01:07:51You do that a lot, I bet.
01:07:53I like it.
01:07:55What about terrorist work?
01:07:56You like that too?
01:07:57Terrorist is a dangerous word.
01:07:59I prefer mercenary.
01:08:01So,
01:08:02what do you think?
01:08:04I think I don't like you.
01:08:06I've only known you a few minutes
01:08:08but already I don't like you for years.
01:08:10Let's go.
01:08:13You came here
01:08:14to insult me?
01:08:16No, I just worked out that way.
01:08:18Move.
01:08:22Or what?
01:08:27I don't want to have a fight
01:08:28in a whorehouse window.
01:08:30It causes a lot of commotion.
01:08:31You don't want to be
01:08:32with this boy, do you?
01:08:34Don't push your luck.
01:08:35Incredible face, you know.
01:08:36If you worked for me,
01:08:37I could retire.
01:08:45Cyril!
01:08:46Hurry up!
01:08:48Breakfast is getting cold,
01:08:49as usual.
01:08:53Cyril, I don't like your tie.
01:08:55You gave it to me, dear.
01:08:56That's no excuse.
01:08:59Cyril,
01:09:00look at the newspaper.
01:09:01Something in it?
01:09:02The date.
01:09:04That made the front page again.
01:09:06It's the 25th.
01:09:07Six more days
01:09:08and you'll finish at the yard.
01:09:10Hopefully in a blaze of glory.
01:09:12My final case,
01:09:13the turn of my career.
01:09:14What difference would it make?
01:09:16It has to do
01:09:17with something sacred.
01:09:19Cyril,
01:09:20you're making no sense,
01:09:21as usual.
01:09:22This is about
01:09:23the sanctity of property.
01:09:24Of all the crimes
01:09:25of which man is capable,
01:09:26the one that
01:09:27really rankles my soul
01:09:29is the violation of property.
01:09:31Or there is your murder,
01:09:32of course.
01:09:33Rape, kidnap,
01:09:34wife beating.
01:09:35Ridiculous.
01:09:36But life,
01:09:37however precious,
01:09:38life perishes.
01:09:40It's only property
01:09:41that lives on and on.
01:09:42Now the man I intend to arrest
01:09:44has the presumption
01:09:45to usurp himself
01:09:47that which we consider
01:09:48to be the most
01:09:49valuable property
01:09:50of all.
01:09:51Diamonds.
01:09:52The dearest,
01:09:53noblest,
01:09:54most direct link
01:09:55we have
01:09:56with the very core
01:09:57of the planet itself.
01:09:59A filthy bugger.
01:10:00Yes, dear.
01:10:03I'll answer it.
01:10:10A3.
01:10:12Oh.
01:10:14Hold on a moment.
01:10:15It's Pilbro.
01:10:18He says it's a matter
01:10:19of some importance.
01:10:23Hello, Pilbro.
01:10:25What?
01:10:27That's not possible.
01:10:30Tell them I'll come at once.
01:10:32I'll meet you there.
01:10:33Trouble, dear?
01:10:35Trigatastrophe.
01:10:37I'm afraid it's final,
01:10:38Inspector.
01:10:39The Diamond House
01:10:40has decided
01:10:41to make the shipment
01:10:42on the 10th of next month
01:10:43rather than the 28th.
01:10:45May I remind you, sir,
01:10:46of the many anonymous tips
01:10:47we've received in the past?
01:10:49We were never this close
01:10:50to a shipment
01:10:51and never so
01:10:52specifically Hatton Garden.
01:10:53What exactly
01:10:54did the caller say
01:10:55about the 28th?
01:10:56Well, he merely said
01:10:57to watch for trouble
01:10:58at that time.
01:10:59That's good enough for us.
01:11:00Let me assure you, sir,
01:11:01but nothing,
01:11:02nothing at all
01:11:03will happen.
01:11:04I personally
01:11:05will stay with the shipment
01:11:06until it's safely
01:11:07on its way
01:11:08to Luton Airport.
01:11:09Then I'll fly on
01:11:10and cover its arrival there.
01:11:11Well, why would you not
01:11:12fly all the way
01:11:13with them yourself, Inspector?
01:11:14Because I want to make
01:11:15quite sure
01:11:16that the Belgian police
01:11:17have taken all possible
01:11:18precautions at their end.
01:11:20I hope you're not
01:11:21taking this too lightly,
01:11:22Inspector.
01:11:23I must urge you, sir,
01:11:24most strongly
01:11:25not to alter your date.
01:11:27Once you do that,
01:11:28from then on,
01:11:29Diamond House
01:11:30will have its timetable
01:11:31dictated by tipsters.
01:11:38Give us one hour.
01:11:41Inspector Willis.
01:11:42Yes, Pilgrim?
01:11:44We've just had a call
01:11:45from Diamond House, sir.
01:11:46Oh?
01:11:47At the 28th, it is.
01:11:49Ah, ah.
01:11:51Are you pleased, sir?
01:11:52Of course I'm pleased.
01:11:53I'm just not able
01:11:54to applaud at this
01:11:55particular moment.
01:11:57But have you any idea, sir,
01:11:58who might have given them
01:11:59the tip?
01:12:00Yes, I have.
01:12:02I did.
01:12:03You, sir?
01:12:04How else can we get
01:12:05the massive security we need?
01:12:06You're a genius, sir.
01:12:07You're a genius.
01:12:09You're a genius, sir.
01:12:10An out-and-out genius.
01:12:12In a few more days,
01:12:13I may be a retired
01:12:14out-and-out genius.
01:12:15Sir?
01:12:16No more villains to hunt.
01:12:18No more midnight oil
01:12:19being burnt
01:12:20stalking the prey.
01:12:23From now on,
01:12:24it's the slippers
01:12:25and the pipe
01:12:26and listening to the chimes
01:12:27of that bloody clock
01:12:28in the mantelpiece
01:12:29and to Mrs. Willis,
01:12:30of course.
01:12:31But before that happens,
01:12:32I'm going to get Rhodes.
01:12:34The thought of him
01:12:35rotting in jail
01:12:36might make my
01:12:37sitting at home
01:12:38slightly more bearable.
01:12:40Yes, quite so.
01:12:41But what is he up to?
01:12:43Now, we know he's been
01:12:44in Germany and Paris
01:12:45and seen Muller and Ferguson,
01:12:46but I don't understand
01:12:47what he would want
01:12:48with an engineer
01:12:49and a piano player.
01:12:50The answer to that question
01:12:51is absolutely nothing.
01:12:53But he might want
01:12:54a great deal
01:12:55from an ex-pilot
01:12:56and an ex-air traffic controller.
01:13:00Don't answer it.
01:13:04It's been so long
01:13:05since I've had you to myself.
01:13:08Now then,
01:13:09I'm too old
01:13:10to play the cat
01:13:11and you're far too pretty
01:13:12for a mouse.
01:13:13You promised
01:13:14to leave me alone.
01:13:15I intend to keep
01:13:16that promise.
01:13:17I mean,
01:13:18did you stop breaking it?
01:13:19Exactly.
01:13:21So you gave Rhodes
01:13:22the date?
01:13:23Yes.
01:13:24And?
01:13:25There is no and.
01:13:26That was the end of it.
01:13:27The subject
01:13:28never came up again?
01:13:29It did not.
01:13:30Immediately thereafter
01:13:31he just started
01:13:32hopping from country
01:13:33to country?
01:13:34How did you know that?
01:13:36Because
01:13:37Her Majesty's police
01:13:38and Her Majesty's immigration
01:13:39both happen to work
01:13:40for the same Majesty.
01:13:42Why did he go to Germany?
01:13:44I don't know.
01:13:45Have you any idea
01:13:46why you joined him
01:13:47in Paris and Amsterdam?
01:13:48He is supposed
01:13:49to find me attractive,
01:13:50remember?
01:13:51Oh, yes.
01:13:52Where did you go
01:13:53in Amsterdam?
01:13:54I went to the
01:13:55Red Light District.
01:13:56I found an extremely
01:13:57nice little place.
01:13:58Where was Rhodes
01:13:59during all this
01:14:00upheaval?
01:14:01I don't know.
01:14:02Where was Rhodes
01:14:03during all this
01:14:04art appreciation?
01:14:06He was with me.
01:14:07All the time?
01:14:08Yes.
01:14:09You're lying, you know.
01:14:11Please yourself.
01:14:12Still mutinous?
01:14:14Well, in case you need
01:14:15to bolster your
01:14:16flagging enthusiasm
01:14:17for our little project,
01:14:18let me assure you
01:14:19women's prisons
01:14:20have not altered
01:14:21one whit
01:14:22since we last
01:14:23talked about them.
01:14:25One more turn
01:14:26of the screw.
01:14:28Well, I don't think
01:14:29you can catch him anyway,
01:14:30so I might as well
01:14:31tell you.
01:14:34He went to these
01:14:35countries to try
01:14:36to recruit help.
01:14:38I don't know
01:14:39who he saw,
01:14:40because I waited
01:14:41behind to get
01:14:42the date from you.
01:14:43How does he plan
01:14:44to steal them?
01:14:49Hello.
01:14:50Hello.
01:14:51Shall I come back?
01:14:52No, you're, um,
01:14:53just in time
01:14:54to meet someone.
01:14:55Hello.
01:14:56Chief Inspector
01:14:57Willis.
01:14:58Jack Rhodes.
01:14:59Ah, Mr. Rhodes.
01:15:00Chief Inspector.
01:15:01Oh, inspector's
01:15:02quite sufficient.
01:15:03Chief always strikes me
01:15:04as somewhat, um,
01:15:05tribal.
01:15:06Um, the inspector
01:15:07is an old friend
01:15:08of the family.
01:15:09I've known Gillian
01:15:10ever since she was
01:15:11a little girl,
01:15:12stealing around the house.
01:15:16Just, uh,
01:15:17visiting our country,
01:15:18Mr. Rhodes?
01:15:19No, I'm, um,
01:15:20a permanent resident,
01:15:21actually.
01:15:22Really?
01:15:23Mm.
01:15:24What is it,
01:15:25the, the damp
01:15:26and the drizzle
01:15:27that dazzles you?
01:15:28No, I'm one of
01:15:29England's foul weather friends.
01:15:30That's very good.
01:15:31Lots of exciting
01:15:32challenges over here.
01:15:33You enjoy
01:15:34a good challenge, do you?
01:15:35If the prize is right.
01:15:36I like him.
01:15:37I knew you would.
01:15:38Well, I'm afraid
01:15:39I must get back to the yard.
01:15:41Your work must be
01:15:42very exciting.
01:15:43Oh, it's routine,
01:15:44mostly.
01:15:45It does have
01:15:46its rewards, though.
01:15:47At least it did.
01:15:48I should be retiring
01:15:49in just a few days.
01:15:50Oh.
01:15:51Mandatory, unfortunately.
01:15:52Why is that?
01:15:53Well, it seems that
01:15:54I had the bad taste
01:15:55to age rather than
01:15:56die on them.
01:15:58Well, that hardly
01:15:59seems fair, does it?
01:16:00I mean, your side
01:16:01has to retire,
01:16:02and the other side
01:16:03just becomes
01:16:04the low, rich bad guys.
01:16:05That's right.
01:16:06Not very fair on me, either.
01:16:07I have to retire
01:16:08in a most measly
01:16:09little pension.
01:16:10But I shall miss it all,
01:16:11the criminals,
01:16:12the immorality,
01:16:13the deception.
01:16:14All the things
01:16:15that make life worthwhile.
01:16:17Well, I mustn't complain.
01:16:18I've, I've achieved,
01:16:19um, pretty much
01:16:20what I set out to do.
01:16:21Lots of heads on the wall?
01:16:22One always felt
01:16:23there was room
01:16:24for just one more.
01:16:25Hmm.
01:16:26Well, I hope
01:16:27to see you again.
01:16:28Oh, I'm sure you will.
01:16:29Would you, uh,
01:16:30would you be my guest?
01:16:31Oh, how kind.
01:16:32Your restaurant?
01:16:33People say
01:16:34the food's good enough to eat.
01:16:35I might just take you
01:16:36up on that.
01:16:37Now, if you should
01:16:38find yourself
01:16:39in the vicinity
01:16:40of Scotland Yard
01:16:41before the week's out,
01:16:42one never knows.
01:16:43Oh.
01:16:44Well, I'd love to see it.
01:16:45I'd love to show it to you.
01:16:46Goodbye, Inspector.
01:16:48I'll show myself out.
01:16:49Oh, and give my very best
01:16:50to your father.
01:16:51Hmm.
01:16:58Did he dust your entire body
01:17:00from my fingerprints?
01:17:01God, don't joke about it.
01:17:03You don't seem to appreciate
01:17:04how much he wants you.
01:17:06Oh, I do.
01:17:07I'm looking forward
01:17:08to seeing him again.
01:17:09Do you know what?
01:17:11I want you.
01:17:13When?
01:17:15Now.
01:17:16Where?
01:17:18Wherever.
01:17:22Thank you.
01:17:35I have to make a phone call.
01:17:38Hmm.
01:17:39Do you need permission?
01:17:40Cute.
01:17:48Nigel.
01:17:51I have to talk fast, Nigel.
01:17:54I, um...
01:17:55I need a...
01:17:56a vehicle.
01:17:58Did you arrange that?
01:17:59Good.
01:18:01I have a driver.
01:18:04The best.
01:18:07What about the
01:18:08Pakistani and Arabian situation?
01:18:10You know,
01:18:11Turan Bey and
01:18:12Maria Montez.
01:18:17Excellent.
01:18:19I'll call you back, Nigel.
01:18:21Something just came up.
01:18:48Hello, Jack.
01:18:51Hello, Nigel.
01:18:53Morning, Miss Bromley.
01:18:54Hello.
01:18:59Ta-da.
01:19:00Ah-ha.
01:19:01How are they getting along?
01:19:02Muller and Fergie?
01:19:03Yeah.
01:19:04Oh, Muller loves him.
01:19:05I think it must be his dark glasses.
01:19:08You have enough decals?
01:19:10Yes, plenty, I should think.
01:19:12Radio.
01:19:13Yep, in here.
01:19:21Any problems getting the plane?
01:19:22No, one has one's friends.
01:19:25Here's the lease.
01:19:27You'll be pleased to see
01:19:28that we're a Panamanian corporation.
01:19:31Based in Beirut?
01:19:32With a Liechtenstein charter.
01:19:34Did you remember to write in diamonds?
01:19:36No, I didn't.
01:19:37I'm sorry.
01:19:38I'm sorry.
01:19:39With a Liechtenstein charter.
01:19:40Did you remember to write in diamonds?
01:19:43No, I put dope smugglers.
01:19:44Didn't want to arouse suspicion.
01:19:45Very sensible.
01:20:01Hello, Fergie.
01:20:02Hey, Jack, how are you?
01:20:03How do you like the plane?
01:20:04Excellent.
01:20:05Beautiful.
01:20:06It's a Steinway.
01:20:07Good to see you.
01:20:08Remember Gillian?
01:20:09Hello, Miss Bromley.
01:20:10We meet again.
01:20:11Yes.
01:20:12Ernst Muller, Gillian Bromley.
01:20:13Hello.
01:20:14He doesn't talk much.
01:20:16Jack, when are you going to tell us the date?
01:20:19The day before the caper.
01:20:21That's not very sporting of you.
01:20:23What's the matter, don't you trust us?
01:20:24You're right.
01:20:27It's the 28th.
01:20:28Good.
01:20:29God, that's tomorrow.
01:20:30Well, that's the day before the caper.
01:20:32Miss Bromley is in, she's with us?
01:20:35Without Miss Bromley, there'd be no zest to be in.
01:20:44Oh, absolutely.
01:20:48What did he say?
01:20:50I think he wants to jump you.
01:20:53British Overseas Airline, flight number 76 now arriving from London.
01:20:58Welcome to Antwerp.
01:21:05Arriving from London now, welcome to Antwerp.
01:21:20Mr. Sharma?
01:21:21Yes, sir. I'm Mr. Sharma. Can I help you, sir?
01:21:26This is my wife, this is my wife.
01:21:30She lower the veil.
01:21:32Veil.
01:21:34Would you lower your veil, my dear?
01:21:36She is shy to the point of modesty.
01:21:44Thank you for the excellent stamping of my passport.
01:21:49Good day.
01:21:55That was the worst Peter Sellers I have ever heard.
01:21:58I wasn't doing Peter Sellers.
01:22:00I was doing Peter Sellers doing Omar Sharif.
01:22:31The people you suspect are under strict surveillance.
01:22:34My men have followed the couple to L'Hotel Splendide.
01:22:37Now, why should we not arrest them?
01:22:39Because as yet, there's no evidence against them.
01:22:42If the diamonds are taken anywhere, my guess is it will happen in Antwerp,
01:22:46somewhere between the airport and their arrival in the city.
01:22:49I don't think so.
01:22:50I don't think so.
01:22:51I don't think so.
01:22:52I don't think so.
01:22:53I don't think so.
01:22:54I don't think so.
01:22:55I don't think so.
01:22:56I don't think so.
01:22:57I don't think so.
01:22:58I don't think so.
01:22:59Between the airport and their arrival in the city.
01:23:01But why should you think the diamonds are in danger?
01:23:04Do you have some inside information?
01:23:06Have you perhaps had a tip of...?
01:23:08Instinct, Inspector.
01:23:09The best part of a policeman, which allows him to think like a criminal.
01:23:13No, I'm only asking your permission for me to be in on the case.
01:23:16In on the case?
01:23:18But as you say, there is no evidence that there is no case.
01:23:22Of course, I simply mean that I'd like to be in on the case, just in case there is one.
01:23:26A case, if you follow my thinking.
01:23:28Look, once I'm quite sure that the diamonds are safely on their way from Hatton Garden,
01:23:34I will fly on ahead to Antwerp and meet you at the airport before they arrive.
01:23:38Do I have your cooperation?
01:23:41Rest assured, we shall do everything possible to make sure that the shipment is safe.
01:23:46Always a pleasure to talk with you, Inspector.
01:23:48The man is a lunatic.
01:23:49Good night.
01:23:59Another shipment ready to go.
01:24:01It will be the normal routine for loading.
01:24:04Yes, sir.
01:24:28Antwerp, Germany
01:24:59I don't mean to be rude, but what exactly are we doing here?
01:25:03Well, we're in Holland.
01:25:06I thought I'd show you a windmill.
01:25:09You've seen one, you've seen them all.
01:25:12Mm-hmm. Right.
01:25:19What's this supposed to be?
01:25:22This is what you drive to get us into the airport.
01:25:25And hopefully out.
01:25:27How'd you get here?
01:25:28Nigel arranged it.
01:25:29Oh, he's a handyman.
01:25:31Smart, too.
01:25:33If we botch this up, he'll still be alive.
01:25:36From this moment on, it starts to get a little sticky.
01:25:39So if you want out, now's the time to say so.
01:25:45When you say out, what do you mean?
01:25:49You tell me.
01:25:52What's my share in this?
01:25:54Charming. Right to the end.
01:25:57You haven't told me anything about it. I don't know what's going to happen.
01:26:01I never tell anybody everything.
01:26:03Never?
01:26:04If I told you everything, I'd scare the hell out of you.
01:26:07I doubt it.
01:26:11One more thing.
01:26:13What?
01:26:19I love you.
01:26:24I love you, too.
01:26:54I love you, too.
01:27:12The diamonds are being loaded at this very moment.
01:27:17As usual.
01:27:20All secure, sir.
01:27:24Our people are in position, ready and waiting.
01:27:26Very good. I just spoke to Inspector Vanderbilt.
01:27:28Our couple is still under surveillance in the hotel.
01:27:30Excellent, sir.
01:27:31Well, I'm on my way to Antwerp.
01:27:33Good hunting, sir.
01:27:50Just take it easy.
01:27:52Plenty of time. You don't have to drive to the airport fast.
01:27:55Don't panic.
01:28:19Antwerp, Germany
01:28:49Golf, bravo, bravo, Romeo, tank.
01:28:53Loud and clear, Nigel. Loud and clear.
01:28:56Golf, bravo.
01:29:00Bravo.
01:29:20Tango.
01:29:29Mother's in the maternity ward.
01:29:32Did you say mother?
01:29:34I said mother.
01:29:36Mother.
01:29:38Mother.
01:29:40Mother.
01:29:42Mother.
01:29:44Mother.
01:29:46Mother.
01:29:48I said mother.
01:30:09Mother's expecting twins.
01:30:18Mother.
01:30:33Mother's on the way to delivery room.
01:30:48Romeo, tango. Ready for take-off.
01:30:50Romeo, tango. Clear for take-off.
01:30:52Surface wind 05513 knots.
01:30:55Romeo, tango. Rolling.
01:31:01Mother's going to deliver twins.
01:31:03Mother.
01:31:05Mother.
01:31:07Mother.
01:31:09Mother.
01:31:11Mother.
01:31:13Mother.
01:31:15Mother.
01:31:17Mother's given birth.
01:31:25V1.
01:31:27VR.
01:31:29V2.
01:31:30V1, rotate.
01:31:32V2.
01:31:33Gear up.
01:31:35Gear up.
01:31:39Gear up.
01:31:41Gear up.
01:31:48V1.
01:31:50V2.
01:31:52V1, rotate.
01:31:54V2.
01:31:56V1.
01:31:58V2.
01:32:00V1.
01:32:02V1.
01:32:04V1.
01:32:06V1.
01:32:08V1.
01:32:10V1.
01:32:12V1.
01:32:14V1.
01:32:16V1.
01:32:18V1.
01:32:20V1.
01:32:22V1.
01:32:24V1.
01:32:30V1.
01:32:32We're getting close to the midway point.
01:32:34We've got to be near him when London switches him over to Antwerp.
01:32:37He's somewhere here.
01:32:39There's only one Sky little eagles.
01:33:16Golf, Bravo, Bravo, Romeo, Tango, this is Antwerp.
01:33:28Antwerp, this is Golf, Romeo, Tango.
01:33:31Romeo, Tango, this is Antwerp. We have an emergency. The airfield is closed. Divert to Amsterdam.
01:33:37Antwerp, this is Golf, Romeo, Tango. We are diverting to Amsterdam.
01:33:42Give me a heading for Amsterdam.
01:33:45It's the fourth time in the last three months they've diverted us. Your new course is 067.
01:33:51Amsterdam, this is Golf, Bravo, Bravo, Romeo, Tango. We are diverting from Antwerp.
01:33:57You're going to have to hustle if we're going to make Antwerp before they groove in on Amsterdam, eh?
01:34:15What would I do?
01:34:17Oh, jeez.
01:34:47Drive to the far side of the field.
01:35:15Good morning, Inspector.
01:35:16Bonjour.
01:35:17The shipment is safely on its way.
01:35:19Astounding. Then we're almost halfway there.
01:35:22Right on time.
01:35:36What do we do now?
01:35:39We wait.
01:35:40Good morning, Antwerp. This is Golf, Bravo, Bravo, Romeo, Tango.
01:35:44Romeo, Tango, Roger. Run away to 6 right. Wind is southwest at 9 knots.
01:35:51Gear down.
01:35:52Gear down.
01:35:57Three greens.
01:36:05So far, so good.
01:36:08We've got to get out of here now.
01:36:38We've got to get out of here now.
01:37:06We've got to get out of here now.
01:37:35We've got to get out of here now.
01:38:04Amsterdam, this is Golf, Bravo, Bravo, Romeo, Tango.
01:38:07Romeo, Tango, go ahead.
01:38:10Amsterdam, this is Golf, Romeo, Tango. Request landing clearance.
01:38:14Romeo, Tango, Roger. Clear for final approach. Runway 17 left. The wind is southwest at 7 knots.
01:38:25Gear down.
01:38:26Gear down.
01:38:29Three greens.
01:38:59What the hell is this?
01:39:12Looks like some kind of security check.
01:39:14Yeah, we've never stopped here before.
01:39:16I don't like it.
01:39:29What's going on back there?
01:39:33Go! Go! Go! Go!
01:39:44Was anyone hurt?
01:39:45Just their pride.
01:39:46What?
01:39:48Only a little stone.
01:39:51You ready to take your driver's test, Miss Bromley?
01:39:53Jolly well bet your bottom I am.
01:40:22So, Inspector.
01:40:39Our fears seem to have been for naught.
01:41:08What is wrong?
01:41:27Quartz. They are all quartz.
01:41:29Absolutely worthless.
01:41:33Matt!
01:42:03We're coming up to a fork in the road. I want you to go right.
01:42:07Mr. Rhodes, I haven't said this before, but I do love you.
01:42:13Ever such a lot.
01:42:17Thank you, darling. Now hang a right.
01:42:29They're down to their last rubber.
01:42:34We're almost home, babe.
01:42:36What a pity. I was just getting into this.
01:42:39Shoot!
01:42:40Maybe they're here.
01:42:53Just passed your driver's test.
01:42:55Yes, I did.
01:43:25Going out?
01:43:37Yes.
01:43:42With all that?
01:43:43I'm not coming back. You can get in touch with my lawyer.
01:43:47You mean you're leaving?
01:43:49What an amazing deduction.
01:43:53Who might want to inquire what made you decide so suddenly?
01:43:56It's not sudden. Why should I stay with you now that you're an ex-chief inspector who's the laughingstock of the whole country?
01:44:02Charity, perhaps?
01:44:04Charity begins abroad.
01:44:13Registered letter for the chief inspector.
01:44:15Ex-chief inspector.
01:44:18Sorry to hear about that, Mrs. Willis.
01:44:20Ex-Mrs. Willis.
01:44:26Your Royal Highness.
01:44:30Bye, Cyril.
01:44:57A toast to us.
01:45:00And the late Inspector Willis.
01:45:03How he must have felt when they opened that box at Antwerp just quarts.
01:45:11It is so beautiful, darling.
01:45:14Must be nearly as big as the Star of India.
01:45:33That was the dumbest, most moronic thing any man has ever done.
01:45:41Quartz.
01:45:43What?
01:45:44The whole lot was quartz.
01:45:47Everything we took from Amsterdam was quartz.
01:45:53I have a question, but you must give it to me very gently.
01:45:58The packet in Antwerp was quartz, right?
01:46:02Right.
01:46:04The packet we picked up in Amsterdam was quartz?
01:46:07Right.
01:46:09Then here is my question.
01:46:12Where are the diamonds?
01:46:23Hello, Kirk.
01:46:25How's the trip?
01:46:26First class all the way.
01:46:28Any problems with customs?
01:46:29No, I had no problems.
01:46:30I've still got my Scotland Yard ID card.
01:46:35You remember Miss Bromley?
01:46:36Oh, Miss Bromley.
01:46:37How nice to see you again.
01:46:42I was trying to explain, Miss Bromley, who has the diamonds.
01:46:46Ah, yes.
01:46:48Well, I have the diamonds.
01:46:49He has the diamonds.
01:46:50I'm here to sell them to Mr. Rhodes.
01:46:53You have the diamonds?
01:46:55The Scotland Yard Chief Inspector in charge of shipments has ample opportunity to switch things around.
01:47:02He's pulled off the perfect crime, except for one thing.
01:47:05He doesn't know who to sell the diamonds to now.
01:47:08That's right.
01:47:09If I'd gone looking for a fence, they'd have been delighted to turn me in, of all people.
01:47:15I don't believe this.
01:47:20How much do you want for the diamonds?
01:47:23Well, uh...
01:47:27Would you think that one million dollars is fair?
01:47:32No.
01:47:34I don't think one million dollars is fair.
01:47:38I think three million dollars is fair.
01:47:42Well, let me say this.
01:47:44I prefer your definition of fair.
01:47:50I thought you would.
01:47:54Then you two have been conspiring together all the time.
01:47:58No, we've never actually conspired.
01:48:00You could call us non-conspiring conspirators.
01:48:03For instance, he knew there wouldn't be any diamonds in Antwerp.
01:48:08I wish you could have seen my expression of mortification and humiliation.
01:48:12I thought I did it rather well.
01:48:14Yes, I bet you did do it rather well.
01:48:16You tailed me rather well.
01:48:17And discovered everything you wanted me to discover.
01:48:20The pilot, the wizard radio operator, in other words, the second plane.
01:48:25And Amsterdam.
01:48:28It is the only other city on the diamond run.
01:48:31Darling, what was it that made you aware of what was going on?
01:48:35Well, first of all, there was his obsession with catching me.
01:48:39Blackmailing me and trusting that you wouldn't double-cross or report him.
01:48:42And that boring, boring story about Maxwell Levy.
01:48:48You caught on fairly soon, huh?
01:48:50Roughly how soon?
01:48:51Roughly immediately.
01:48:52And it paused soon.
01:48:56Then you two were exchanging signals in my flat.
01:48:59Yes.
01:49:00Would you like some champagne?
01:49:01No, thank you.
01:49:06Ah.
01:49:08So the fact that the inspector went to Antwerp told you that he wanted you to get away with it in Amsterdam.
01:49:16And that is why you were almost positive that the diamonds we stole would be fakes, right?
01:49:22Wrong.
01:49:23I was absolutely positive.
01:49:25Unidentified parties, steals, fakes.
01:49:28Everyone assumes they're diamonds, but they'd already been stolen.
01:49:33Sheer perfection.
01:49:34I've always had this stout fondness for sheer perfection.
01:49:37God, you've gotten away with stealing $13 million.
01:49:41Yes, but $30 million won't buy what it used to.
01:49:58$30 million won't buy what it used to.
01:50:28$30 million won't buy what it used to.
01:50:33$30 million won't buy what it used to.
01:50:38$30 million won't buy what it used to.
01:50:43$30 million won't buy what it used to.
01:50:48$30 million won't buy what it used to.
01:50:53$30 million won't buy what it used to.
01:50:58$30 million won't buy what it used to.
01:51:03$30 million won't buy what it used to.
01:51:08$30 million won't buy what it used to.
01:51:13$30 million won't buy what it used to.
01:51:18$30 million won't buy what it used to.
01:51:23$30 million won't buy what it used to.