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00:00:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:00:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:01:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:02:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:02:30This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:03:00This is a work of fiction. Any resemblance to anyone, living or dead, is coincidental and unintentional.
00:03:31Yeah. Yeah. Oh, come on.
00:03:43Give it to me.
00:03:46Who have you been calling?
00:03:49All right, we'll see for ourselves.
00:03:52Alice. I might have known.
00:03:55I'm going to keep this until you go home for half term.
00:03:57And if I see any more of these, I'm going to confiscate them for good.
00:04:01Do you understand?
00:04:03Yes, Mrs. Van Heeren.
00:04:05Good. Tell Alice to bring her phone to me after morning assembly.
00:04:08And Charlotte, go back to your room.
00:04:11Yes, Mrs. Van Heeren.
00:04:27Good.
00:04:48Well, normally I would go home to Bahrain, but my father's in Singapore at the moment.
00:04:52And, well, although my Aunt Elizabeth would be happy to see me, I just...
00:04:55I just feel it would be more productive if I stay here and work during half term.
00:04:59I really don't think that's on, Louise.
00:05:02Mrs. Van Heeren, it's really important to me that I do well in my exams.
00:05:06Besides, I'd be company for Phoebe when she returns from France.
00:05:12Have you given any more thought to the school play?
00:05:15Um...
00:05:17You know, you really were my first choice.
00:05:20Yes, I know, Mrs. Van Heeren, but I really have to concentrate on the play.
00:05:23I know, Mrs. Van Heeren, but I really have to concentrate on getting my A-levels.
00:05:27That's very laudable, Louise, but...
00:05:30to be honest, you're the only person who can play that part.
00:05:33The inter-school competition is very high profile,
00:05:37and this year we're really in with a chance of winning.
00:05:40Think how disappointed the other girls would be if I have to cancel the play.
00:05:44You're perfect for the role of Susie.
00:05:47I'm really flattered, Mrs. Van Heeren, but I just don't think I can do it. I'm sorry.
00:05:50Well, you'd better call your Aunt Elizabeth
00:05:54and let her know when she can come collect you.
00:06:00The role of Susie is the catalyst for everything that happens in the play,
00:06:04but my role has the bulk of the dialogue.
00:06:07You could study for your exams in the morning,
00:06:10and we could rehearse in the afternoon.
00:06:21Fuck you!
00:06:47Come in.
00:06:50I'm going to see Dr. Reid.
00:06:52I should be back about two.
00:06:54You're not feeling very well?
00:06:56Oh, it's a social visit. Dr. Reid was my godmother's best friend.
00:06:59Really?
00:07:01My godmother was Lady Margaret Oakes.
00:07:03Wow, I didn't realise.
00:07:05Everything all right?
00:07:07Yeah, yeah, fine, thanks.
00:07:09I'm finding it so much easier to concentrate without the other girls around.
00:07:12Well, help yourself to anything in the fridge. It should be pretty well stocked.
00:07:15I'm going to go.
00:07:17Is Mr. Van Heeren going with you, then?
00:07:18Keep at it. I'll see you later.
00:07:20OK. Bye.
00:07:43Handsome guy.
00:07:45Yeah, but is it art?
00:07:46Well, I'd rather have that on my wall than a bunch of sunflowers.
00:07:49Thanks, but I'm not so sure.
00:07:55You are not meant to be up here.
00:07:59It's out of bounds.
00:08:01You can send me away if you want to.
00:08:07There's no point taking stupid risks.
00:08:17You know, she rode back for hours. She said so.
00:08:22Hey, get away from there!
00:08:25I'm sorry.
00:08:27It's just that it's not for public viewing.
00:08:30Maybe I should get back.
00:08:37Louise.
00:08:39Come here, please.
00:08:43Louise.
00:08:45You made me cut my thumb.
00:08:49Hand it to me.
00:09:07It's so embarrassing.
00:09:10I mean, I could attend a car crash, no problem.
00:09:14As soon as I see my own blood,
00:09:16these black sheets start flapping in front of my eyes, and out I go.
00:09:20Not very manly.
00:09:24But very endearing.
00:09:26Are you sure you're up to this?
00:09:29You bet.
00:09:32But, um...
00:09:34you'll have to undress me.
00:09:38Matt.
00:09:40Matt.
00:09:42Matt.
00:09:44Matt.
00:09:46Matt.
00:09:48Matt.
00:09:50Matt.
00:09:52Matt.
00:09:54Matt. Matt.
00:09:58Come here, you.
00:10:24What did you give your mother-in-law?
00:10:43You have got one up there, haven't you?
00:10:46Oh, shit.
00:10:48What?
00:10:49We've run out.
00:10:51But I thought you bought it in bulk.
00:10:54I did.
00:10:56We've been busy.
00:11:08Wait, let's try something else.
00:11:10Louise?
00:11:12I should have mentioned that during the school holidays,
00:11:15Mr. Van Hewitt sometimes wanders through the building.
00:11:18So don't get a shock.
00:11:22Louise?
00:11:29Louise?
00:11:31Louise?
00:11:33Louise?
00:11:35Louise?
00:11:37Louise?
00:11:39Louise?
00:12:09Louise?
00:12:40I...
00:12:57God, I love you.
00:13:09I love you.
00:13:39I love you.
00:14:09I love you.
00:14:39I love you.
00:14:50Matt, what happened? I was waiting up for you.
00:14:56It's over, Louise.
00:14:58Oh, my God.
00:15:01She found out about us.
00:15:03How?
00:15:06What did she say?
00:15:07Not much.
00:15:09But she...
00:15:11She made her feelings clear.
00:15:18What's going to happen now?
00:15:20I don't know.
00:15:23But I...
00:15:25I doubt you'll be staying on at the school.
00:15:30My father's going to kill me, Matt.
00:15:34What are we going to do?
00:15:36What are we going to do?
00:15:38Do you want to go back to the States, or...
00:15:46I don't think you understand.
00:15:49You just said it was over.
00:15:52Between us.
00:15:54You and me.
00:15:55No.
00:15:58No, you don't mean that.
00:16:01Louise, you are a really special girl.
00:16:06And I like you.
00:16:08A lot.
00:16:11But...
00:16:13I am married to Veronica.
00:16:18That's just the way it is.
00:16:21But I've fallen in love with you.
00:16:23No, no, you haven't.
00:16:24Yes, I have.
00:16:26And...
00:16:29Listen, we can work this out.
00:16:30You can...
00:16:32You can teach art at another school.
00:16:33Teaching art is not a high-paying job.
00:16:36Look, if money's the problem...
00:16:39My mother left me some in her will.
00:16:40It's mine in three years.
00:16:42It's easily enough for us to buy a house.
00:16:46Louise...
00:16:49Veronica and I need each other more than you know.
00:16:56We'd better be getting back.
00:16:58No, please wait.
00:17:04I'm really sorry.
00:17:07I've abused my position and I've hurt you.
00:17:13Wish I could undo that.
00:17:33Shhh...
00:18:03Shhh...
00:18:28Ma'am?
00:18:30Oh, yes.
00:18:33Yes.
00:18:34This is very special.
00:18:36A classic Van Heuwet.
00:18:38Signature's excellent.
00:18:39Well done.
00:18:41How much do you think you can get for it?
00:18:44Forty pounds or euro.
00:18:47Oh, definitely, Sterling.
00:18:49Forty thousand pounds.
00:18:51Think what we can do with that.
00:18:53Minus my 40% commission, by the way.
00:18:55How many more do you think you can sell?
00:18:58Mmm...
00:18:59The art world's very small and full of tittle-tattle.
00:19:01So we must be careful not to flood the market.
00:19:04But my husband was a renowned collector.
00:19:06So the fact that I'm selling some Van Heuwet paintings
00:19:08to pay off outstanding tax
00:19:10shouldn't raise too many eyebrows.
00:19:15He's got a real talent, that boy.
00:19:17It's rare for a son to fully inherit his father's gifts.
00:19:20I think we've found him.
00:19:22See if you can get him to sign some more.
00:19:24Oh, I'll do my best.
00:19:25But you saw he's a bit reluctant.
00:19:27You must try.
00:19:28If he doesn't sign,
00:19:30I'm sure I can still pass them off as his father's work,
00:19:33but for a lot less money.
00:19:35Right.
00:19:37Hope you're not finding your inheritance
00:19:38a bit of a poison chalice.
00:19:40Oh, no, not at all.
00:19:42But the school can always do with a bit more money.
00:19:44Couldn't we all, my dear?
00:19:47Thank you, miss.
00:19:48Couldn't we all, my dear?
00:19:51Thank you, Mr. Stubbs.
00:19:52Pleasure.
00:19:54I'll pop back tomorrow.
00:19:55Give you an update.
00:19:57Come for tea.
00:19:58Lovely.
00:20:00Goodbye, Mr. Stubbs.
00:20:01Goodbye, Dr. Reid.
00:20:02Not a word, Veronica.
00:20:05You're doing the right thing, miss.
00:20:07I hope so, Stubbsy.
00:20:10I hope so.
00:20:18Goodbye.
00:20:32What are you doing?
00:20:33I'm packing.
00:20:35But why?
00:20:37Because I've been sleeping with your husband.
00:20:39I've fallen in love with him,
00:20:40and I should be expelled.
00:20:46I've no intention of expelling you.
00:20:47It wasn't your fault.
00:20:48You can't just blame him.
00:20:50Mr. Van Heuwet is a member of staff
00:20:52with a duty of care.
00:20:54Your father entrusts the school to look after you,
00:20:56not seduce you behind the bike sheds.
00:20:58It wasn't like that.
00:21:01Your feelings for my husband
00:21:02should never have been encouraged.
00:21:05It was entirely wrong of him
00:21:06to take advantage of you,
00:21:07no matter what enticements you gave him.
00:21:12Oh, Louise, you can't throw it all away now.
00:21:15You've got your whole life ahead of you.
00:21:19Unless...
00:21:22you've already mucked it up by getting pregnant.
00:21:25No, I'm not pregnant.
00:21:29Anyway,
00:21:31what hope has the school got of winning the competition
00:21:33without you in the play?
00:21:38I'll see you later.
00:21:45Bye.
00:22:08Why have you never asked me to sit for you?
00:22:11Because you wouldn't sit still, would you?
00:22:13You're probably right.
00:22:18No, it really does look like you.
00:22:20Wow, weird.
00:22:22A self-portrait that looks like the subject.
00:22:24I didn't mean it like that.
00:22:27I mean it really looks like you.
00:22:30More than a photograph would.
00:22:32Well,
00:22:34that's the point of a painting.
00:22:37It's meant to capture the soul as well as the image.
00:22:40How many achieve that?
00:22:44You have a rare gift.
00:22:50You know,
00:22:51when I was a boy,
00:22:53my father was so determined to pass on his talent
00:22:56that he made me draw every day.
00:22:58Not paint, draw.
00:23:01Truly great painters know how to draw.
00:23:05For an entire year,
00:23:06all I did was draw some skull he bought from a hospital.
00:23:10For another year, all I drew was hands.
00:23:12My mother's hands, my brother's hands.
00:23:16Even my own left hand.
00:23:18Well, it's really paid off.
00:23:21To the tune of 40,000 pounds.
00:23:2424,000.
00:23:26Don't forget Imogen's 40% rip-off.
00:23:29She's obviously trying to make up for not inheriting the school.
00:23:33She says once you've signed your name to the other paintings,
00:23:36she'll get 40,000 for them too.
00:23:38Well, that's too bad.
00:23:40Because I'm not doing it.
00:23:42Not now.
00:23:44When you've finished your self-portrait.
00:23:46Not never.
00:23:49I know I paint like my father.
00:23:51I can't help it, but...
00:23:53forging his signature on something that I've painted?
00:23:56Where's the satisfaction in that?
00:23:58The satisfaction is in seeing off the overdraft at the bank.
00:24:02And in re-equipping the school.
00:24:04Christ, even the kids want to see it.
00:24:06And in re-equipping the school.
00:24:08Christ, even the carpet needs changing.
00:24:10That's where you'll find your satisfaction.
00:24:20You'd better get to see lunch.
00:24:22What about Phoebe?
00:24:23Aren't you going to be picking her up?
00:24:25She's not due until four. I'll go after lunch.
00:24:31Your father would have been very proud of you.
00:24:35Would he?
00:24:37Yes, he would.
00:24:39He's a very talented son.
00:24:42Yeah, like imitation is the sincerest form of flattery.
00:24:46It's still your work.
00:24:48Your skill.
00:24:49Yeah, but that's meaningless.
00:24:51Paintings are judged by their market value.
00:24:54Period.
00:24:56I mean, look.
00:24:59Look at this room.
00:25:00Stuffed full of great works.
00:25:04Without my old man's signature, they're not worth shit.
00:25:07That's not true.
00:25:08Yes, it is.
00:25:12You'll get recognized one day.
00:25:15It just takes time.
00:25:18At least you can afford to practice your art.
00:25:23I don't think you fully comprehend what it is you're asking me to do.
00:25:26All I'm asking you to do is sign a sodding picture.
00:25:29What could be easier than that?
00:25:30What you're asking me to do is to betray my father's memory.
00:25:35I mean, if I was forging a bacon or a dali, I wouldn't give a shit for my own father.
00:25:39Okay, fine. Forge a dali. What are they worth these days?
00:25:41Oh, now you're being stupid.
00:25:43You know, I have a talent, too.
00:25:46A talent to teach English, and I'm good.
00:25:49But my godmother selfishly died and left me this crumbling school and a mountain of debt.
00:25:53And you know what?
00:25:55The bank manager couldn't care less how good a teacher I am.
00:25:58His only interest is interest, and that's about 5% over base rate.
00:26:02So get off your fucking high horse and earn your keep.
00:26:08Do you wonder why I've never asked you to sit for me?
00:26:13I paint what I see.
00:26:17And your soul's not worth a stroke.
00:26:23How can you say that?
00:26:26How can you say that?
00:26:34All that witch writing I put you through, I created a monster.
00:26:44Okay.
00:26:48You bastard.
00:26:51Veronica, listen to me. Calm down. I can explain.
00:26:56You bastard!
00:26:58Fucker, if you like my paint...
00:27:26Mrs. Van Peet, did you want something?
00:27:30Can you drive, Louise?
00:27:32Phoebe needs picking up from Gatwick this afternoon.
00:27:36No, in Bahrain, you can't learn until you're 18.
00:27:38And I've only just had my birthday. Sorry.
00:27:42You can go by train.
00:27:44I'll phone for a taxi.
00:27:55BAHRAIN
00:28:26BAHRAIN
00:28:29What happened?
00:28:30That was Mr. Stubbs.
00:28:48How much is that?
00:28:4930 quid, love.
00:28:51Great, thank you.
00:28:55Oh, um...
00:29:01I've only got 20p.
00:29:07Let me take that.
00:29:25BAHRAIN
00:29:56BAHRAIN
00:30:04Louise.
00:30:07What happened?
00:30:09It was for the best.
00:30:12Matt and I needed a little time apart.
00:30:15I don't understand.
00:30:17It'll do us both the world of good.
00:30:21Where's he gone?
00:30:22To Florence.
00:30:24He's always wanted to visit and...
00:30:27he thought his paintings might sell well to the tourists.
00:30:32Gosh.
00:30:34Well, he's packed up quickly.
00:30:36He only needed the tools of his trade and some clothes.
00:30:39I put everything else down in the cellar.
00:30:42Why couldn't you just leave it in here?
00:30:44Because this is the perfect room for us to rehearse in.
00:30:48It's freezing down in the main hall.
00:30:50I'm sorry, Mrs. Van Heuert.
00:30:53Why didn't he wait till I got home before he left?
00:30:55He wanted to, darling.
00:30:57But he got a last-minute booking on a cheap flight,
00:30:59and it was all a bit of a rush.
00:31:01But he sends you lots of love and a big kiss.
00:31:06Louise, join us for a drink downstairs before dinner.
00:31:08What are we having?
00:31:10Your favourite, Chinese.
00:31:12Can I cook it? I love using the wok.
00:31:14Afraid not.
00:31:15I've ordered ten of them.
00:31:17I love using the wok.
00:31:18Afraid not.
00:31:19I've ordered takeaway.
00:31:20I didn't have a chance to go down to the village and do any shopping.
00:31:24I hope I'll see you downstairs in a few minutes.
00:31:48Come on, Phoebe, eat up.
00:31:50I don't want to see Daddy.
00:31:52It's only for three days.
00:31:54Why at half-term?
00:31:56I'd never seen him at half-term before.
00:31:58Why now?
00:32:00Because he's your father, and you should see him.
00:32:02Always arguing.
00:32:04I hate it there.
00:32:05I don't care if you like it or not.
00:32:07You're going.
00:32:09Louise, will you take Phoebe for me?
00:32:11It's just to Sevenoaks.
00:32:13It's only half an hour from London by train.
00:32:39You know, you're welcome to stay the night.
00:32:41It might make things a bit easier.
00:32:43Oh, I'm sorry, I can't.
00:32:45I've got to rehearse the play with Mrs Van Heer tonight.
00:32:47Sorry.
00:32:48No, sorry.
00:32:49So, is she going in for it again?
00:32:50Yeah.
00:32:51Yeah, she thinks I've got a chance this time.
00:32:53What's the play?
00:32:54Um, Conflicting Emotions.
00:32:56B.J. Manson.
00:32:57Yeah.
00:32:58Good job.
00:32:59Thank you.
00:33:00Bye.
00:33:01Bye.
00:33:02Bye.
00:33:03Bye.
00:33:04Bye.
00:33:05Bye.
00:33:06Bye.
00:33:07B.J. Manson.
00:33:08Yeah, good choice.
00:33:09Are you playing Susie?
00:33:10Yeah.
00:33:11Yeah, and Mrs Van Heer is playing Beatrice.
00:33:13She can't resist the dramatics.
00:33:15Mind your head.
00:33:17No, I'm sure she'll be very good.
00:33:19I'm sure she will.
00:33:23Come on, Princess.
00:33:24There's a special surprise waiting for you inside.
00:33:28Pheebs.
00:33:31Come on.
00:33:32Look, I'm sure she'll be OK in a few minutes, Mr Penelic.
00:33:35Isabel's cooking your favourite.
00:33:37Chinese.
00:33:38Sichuan.
00:33:47Phoebe, I've got to get Jamie out.
00:33:58I'm going in now, Pheebs.
00:34:00So how long have you been at Lady Margaret's?
00:34:02Um, just over a year.
00:34:03Are you enjoying it?
00:34:04It's had its brighter moments.
00:34:06What do you teach?
00:34:08Physics and chemistry.
00:34:10Or I did before the arrival of a certain American art teacher.
00:34:13Come on, little man.
00:34:33Come on.
00:35:03Come on.
00:35:30Come on, girls.
00:35:31Settle down, please.
00:35:34OK, thank you.
00:35:41We'll begin with Louis Van Staten.
00:35:44Louis Van Staten was a watercolourist
00:35:46renowned for the quality of his reflections.
00:35:49If he'd painted in oils,
00:35:51his works would be worth thousands today instead of hundreds.
00:35:55Who can tell me why?
00:35:59Louise.
00:36:03Louise.
00:36:33Louise.
00:36:53Hello.
00:36:54I'm so sorry. I didn't mean to startle you.
00:36:56Please, can you help me?
00:36:58If I can.
00:37:00I think...
00:37:01I think she's just buried him in the garden.
00:37:03Who are you?
00:37:04Louise.
00:37:05Louise, what a pretty name.
00:37:06Louise, what are you doing here?
00:37:08This is my school.
00:37:09Are you sure?
00:37:10Yes, of course I'm sure.
00:37:12Are you sure it's not Orchard House?
00:37:14Look, I'm not mad.
00:37:15Don't say you are.
00:37:16Doctor, why don't you remember me?
00:37:18You gave me my booster jabs at the beginning of term.
00:37:20My dear, there are over 350 girls in the school.
00:37:23You can't expect me to remember every one.
00:37:25Please, listen to me.
00:37:26Matthew just suddenly disappeared.
00:37:28Why would that concern you?
00:37:31Because he's my friend.
00:37:33Because he deflowered you.
00:37:35Pardon?
00:37:36I thought after the last occasion he'd learn to keep his flies buttoned up.
00:37:42Listen.
00:37:43Please, listen to me.
00:37:44I just heard...
00:37:45I heard voices outside just now.
00:37:47And I came in and no one was in here.
00:37:49And I've just seen her out in the garden and...
00:37:51You heard voices?
00:37:52Yes.
00:37:54And now you're accusing your headmistress of burying him?
00:37:59I don't...
00:38:02God, you don't believe me, do you?
00:38:04Please, listen. Listen to me.
00:38:06Louise, you're being hysterical.
00:38:08Lady Margaret's ashes are buried in that garden.
00:38:12Veronica was very fond of her godmother.
00:38:15I don't want Veronica upset.
00:38:17If you mention one more word of this ridiculous story, I'll...
00:38:22Imogen.
00:38:23Louise, what are you two talking about?
00:38:26Young Louise rather fancies herself as a teacher when she grows up,
00:38:29and I rather fancy myself as a pupil.
00:38:31I think one of us is going to be sorely disappointed.
00:38:34Well, if you don't mind paying the school fees, Imogen, where's the problem?
00:38:40Louise, is Phoebe all right?
00:38:42Yes, she's fine.
00:38:47Here's what's left of the money that we gave.
00:38:50Thank you.
00:38:52Well, I don't know about you two, but I'd rather fancy some tea.
00:38:55Yeah.
00:39:01Come in.
00:39:02Yeah.
00:39:21I'm afraid we can't take your call,
00:39:23we'll leave a message after the long beep. Thank you.
00:39:28Hi, Auntie Elizabeth, it's me, Louise.
00:39:31Um, listen, can you come and pick me up after all?
00:39:36I would catch the train, but I don't have any money.
00:39:42OK, I'll talk to you soon. Bye.
00:39:53Bye.
00:40:23PHONE VIBRATES
00:40:53HEAVY BREATHING
00:41:16HEAVY BREATHING
00:41:24HEAVY BREATHING
00:41:29Good morning.
00:41:31I knocked several times, you must have been sound asleep.
00:41:35I've got to go to London and buy a few things, I'll see you upstairs at two.
00:41:40Will you be all right? I think even Mr Stubbs has gone.
00:41:45Yeah, I'll be fine.
00:41:47Thanks for the tea.
00:41:49Don't forget to look at your lines.
00:41:53HEAVY BREATHING
00:42:04HEAVY BREATHING
00:42:23HEAVY BREATHING
00:42:54Don't you trust me, Veronica?
00:43:16I'm afraid we can't take your call. Please leave a message after the long beep.
00:43:20BEEPING
00:43:23Hello?
00:43:24Louise, it's Mrs Van Hewitt. You answered quickly.
00:43:28Yeah, I was just making a cup of coffee, I was standing right by it.
00:43:32I'm afraid I've driven off without the address of where I've got to go.
00:43:35I wonder if you'd mind getting it for me?
00:43:37Yeah, certainly. Where is it?
00:43:39It's on the...
00:43:41I'll call you back in a couple of minutes.
00:43:44Mrs... Sorry, Mrs Van Hewitt, I can't hear you. You're breaking up.
00:43:48Damn. I think I've been spotted by a police car.
00:43:53Hello? Mrs...
00:44:04Hello?
00:44:05It's me again. I've pulled into a lay-by, so I'll hang on while you get it.
00:44:09Yeah, OK. Where is it?
00:44:11It's on the desk in my study.
00:44:14What about the key?
00:44:16It's not locked.
00:44:18Well... I thought you always locked it when you went out.
00:44:22Not when there are only two of us in the school, Louise.
00:44:25OK, OK. Just hang on a minute.
00:44:40Hello?
00:44:49PHONE RINGS
00:45:01Louise?
00:45:12Mrs Van Hewitt?
00:45:14You got in OK. I forgot to mention sometimes the hallway door sticks.
00:45:18Yeah, yeah, fine.
00:45:20I wrote the address on a yellow Post-it note.
00:45:24Um...
00:45:32Yeah, I think I found it.
00:45:34It's called something like Stage Props Limited?
00:45:37Yeah. Number 4, Old Fools Yard, Soho Square, W1.
00:45:43Thank you, Louise. I'll see you later. Bye.
00:45:46Bye.
00:46:16PHONE RINGS
00:46:35Ow!
00:46:46Hello?
00:47:16MUSIC PLAYS
00:47:32Good morning, Louise. How are you?
00:47:34I'm fine, thanks. You look a little pale.
00:47:37I couldn't see Mrs Van Hewitt's car.
00:47:39No, she's just gone into London.
00:47:41Of course. She said she was going.
00:47:43Right. Now, I need your help, my dear.
00:48:13KNOCKING
00:48:35Oh, my God.
00:48:43Oh.
00:48:45Nice work.
00:48:49Not really what we need.
00:48:58So what are you doing with these paintings?
00:49:00I'm going to sell them, I hope.
00:49:02I've made contact with the dealer who thinks Matthew Van Hewitt is the ideal choice.
00:49:05And what does Matthew think about this, have you asked him?
00:49:08I would if I could.
00:49:10But he's in Florence somewhere and this won't wait.
00:49:13I don't think you can take these without asking.
00:49:15I wouldn't dream of it. Veronica's delighted for him.
00:49:18Is she?
00:49:20Tell Mrs Van Hewitt I'll call her this evening.
00:49:40KNOCKING
00:50:11PHONE RINGS
00:50:16Hello, Lady Margaret.
00:50:18Louise, it's Phoebe.
00:50:20Oh, Phoebe, hi. How are you?
00:50:22You've got to come and get me.
00:50:24Phoebe, what's happened?
00:50:26Just come.
00:50:28Um, look, I can't. I don't have any money and your mum's gone out.
00:50:32I can't stand her here any longer.
00:50:34Phoebe, are you not getting on with your dad?
00:50:36He's not my dad. He's Isabel.
00:50:38There's something wrong with her.
00:50:40Is she ill?
00:50:41I think she's nuts. She was shouting at my dad all last night.
00:50:44She made Jamie cry.
00:50:46Cried to comfort him for hours.
00:50:49Listen, Phoebe, it's just a little bit tricky.
00:50:51What do you mean a bit tricky?
00:50:53I'm just a little bit worried about Matt, that's all.
00:50:55Why?
00:50:57Louise, why are you worried about Matt?
00:50:59I'm not worried. It's just that he hasn't phoned to tell us where he's staying.
00:51:03What does mum say? Is she all right? Is she worried too?
00:51:06Listen, Phoebe, can I call you back tomorrow?
00:51:09OK. Bye.
00:51:14No, she doesn't seem worried at all.
00:51:19I knew I'd find you here.
00:51:22After all, this is where it happened.
00:51:27Yes.
00:51:30Was it really worth it?
00:51:32What do you mean?
00:51:34I don't think so.
00:51:39You're frightening me.
00:51:42Sometimes I frighten myself.
00:51:45I want to go.
00:51:47You had it all.
00:51:49Youth, beauty, the whole world at your feet.
00:51:53He brought it on himself, you know.
00:51:57You'll never get away with this.
00:51:59Whether I do or not, you'll still be dead.
00:52:03Please. Please, I'll do anything you want.
00:52:07Anything.
00:52:09You should be grateful.
00:52:11Grateful?
00:52:13You won't grow old as I'll grow old.
00:52:16You will not weary with age.
00:52:19Your beauty will not be condemned by the years.
00:52:26No more conflicting emotions.
00:52:33And curtain.
00:52:37That was fantastic, Louise.
00:53:04Don't you ever, ever do that again, do you hear me?
00:53:14Matthew's dead, isn't he?
00:53:17Dead?
00:53:19What are you talking about?
00:53:20You lied to me.
00:53:22You told me he'd taken the tools of his trade with him.
00:53:24For God's sake, Louise, these are the tools of his trade, his hands.
00:53:28He doesn't need to drag all that stuff with him.
00:53:30He can buy anything he wants in Florence.
00:53:33Are you satisfied?
00:53:37I know he's dead.
00:53:39Why on earth would you think he was dead?
00:53:41Because he's been trying to tell me.
00:53:45I don't want to lose you, Louise.
00:53:47But I'm prepared to make the financial sacrifice
00:53:49if you continue with this ludicrous behaviour.
00:54:00I love you.
00:54:30I love you.
00:54:41Hello?
00:54:46Mrs Van Heerd?
00:54:53Who's there?
00:55:01Who's there?
00:55:09Dr Reid.
00:55:12What happened?
00:55:14I thought there was an intruder in the washrooms.
00:55:16She slammed the door in my face.
00:55:18I called out. Why didn't you answer me?
00:55:20It was because you were calling out I opened the door, you silly girl.
00:55:23I've got some arnica in my bathroom.
00:55:25Or I can call your locum if you like.
00:55:27Just pour me a stiff gin.
00:55:29I'm going to get rid of that girl.
00:55:42It's an answering machine.
00:55:44Yeah, I know. Can I leave a message?
00:55:46Not without paying for the call.
00:55:48Look, it's very important. It's an emergency.
00:55:50If it's an emergency, then which service do you require?
00:56:00What's your liking?
00:56:02I'm not very hungry.
00:56:10Mrs Van Heerd, I need to know what happened before Matthew left for Italy.
00:56:15I just...
00:56:17I really want to believe you.
00:56:23You meddled in my marriage, didn't you?
00:56:27You meddled in my marriage enough, Louise.
00:56:32I'm sorry. I...
00:56:34Look, maybe I am hearing things.
00:56:36Maybe I am going mad. I've just...
00:56:39He suddenly disappeared and now nothing seems right.
00:56:44He didn't just suddenly disappear.
00:56:47I asked him to leave because I needed a little time to forgive him.
00:56:52You're not the first pupil he seduced.
00:56:55But you are the last.
00:57:02Have you heard from him?
00:57:04No.
00:57:05Why not?
00:57:06Because he hasn't called.
00:57:08Where's he staying?
00:57:09I don't know.
00:57:12He said he'd ring me when he'd settled somewhere.
00:57:18I'm sorry, I just don't believe you.
00:57:20He would have called by now.
00:57:25Unless he'd found some nice warm Italian girl to snuggle up with.
00:57:34Louise, do you really believe I'm capable of murder?
00:57:38I don't know.
00:57:41You saw how I reacted when I thought I'd shot you.
00:57:45Isn't the second murder supposed to be easy?
00:57:55I'm sorry.
00:57:57Maybe it's just that I miss him so much.
00:58:01I miss him too, Louise.
00:58:08And when he does call,
00:58:11I'll get his number and you can call him back in private.
00:58:15Do you mean that?
00:58:19Yes, I do.
00:58:21Now, I've cooked us a delicious dinner.
00:58:25I don't know about you, but all this talk of murder has given me quite an appetite.
00:58:32I'm sorry, I don't know how to speak to you like that.
00:58:41I'll tell you how you can make it up to me.
00:58:45Turn in a performance like you did this afternoon when we're in front of the judges.
00:58:50And whether we win or not, I'll make you head girl.
00:58:54Head girl?
00:58:56Mary Bockbank's leaving at the end of term.
00:58:59Why?
00:59:01Her father lost his job and they can't afford the fees.
00:59:04Oh, my God, poor Mary.
00:59:07Don't tell anyone, Louise.
00:59:09No, of course not, Mrs. Van Heerd.
00:59:13Call me Veronica, just for half term.
00:59:23Louise.
00:59:25Louise.
00:59:27Louise.
00:59:29Louise.
00:59:31Louise.
00:59:33Louise.
00:59:35Louise.
00:59:37Louise.
00:59:39Louise.
00:59:41Louise.
00:59:43Louise.
00:59:45Louise.
00:59:47Louise.
00:59:49Louise.
00:59:51Stop it.
00:59:55Louise.
01:00:20Louise.
01:00:51Matt.
01:00:52Don't scream. It's me, David, Phoebe's father.
01:00:54No noise.
01:00:55Did you think I was mad?
01:00:56Yeah.
01:00:57I don't know how to say this, but I think he's dead.
01:00:59Phoebe told me what happened when you picked her up from the airport.
01:01:01How Matt just took off without saying a word.
01:01:20I can't wait until the last minute.
01:01:23Just a minute.
01:01:24Oh, I know.
01:01:25This is the sign.
01:01:26She's coming.
01:01:28What are you doing here?
01:01:29Right.
01:01:30I just feel to turn the right.
01:01:32Without Veronica knowing about it.
01:01:34I'm gonna have to get to her.
01:01:35What's the shot?
01:01:37You think she killed him, don't you?
01:01:38Well, it's certainly a possibility.
01:01:40Especially if she's got him screwing around again.
01:01:42Anyway, that's what I'm here to find out.
01:01:44Okay?
01:01:45I mean, seeing her banged up for his murder will be sweet, sweet revenge.
01:01:48You know, on the night that I walked out,
01:01:50Veronica swore that one day she'd bury me here.
01:01:54But you're not...
01:01:55You can't, you can't dig up that garden.
01:01:57She'll think it was me that did it.
01:01:58Please.
01:01:59Look, if I find what I expect to find, she'll be safely locked away.
01:02:02But if you don't, please.
01:02:04God, I pray that you don't.
01:02:06She'll see that the earth's been disturbed and she'll think that it was me that did it.
01:02:08Don't you want to know the truth?
01:02:10Yes, of course I do.
01:02:13Louise.
01:02:15I put up with that woman for years,
01:02:17and I let her get away with bloody murder.
01:02:19Can you understand that?
01:02:20Not anymore.
01:02:22David, please.
01:02:23Stop.
01:02:24Stop it.
01:02:26When I come out with you tonight,
01:02:27I can't stay here by myself anymore.
01:02:29Please.
01:02:32Okay.
01:02:34Oh, thank you.
01:02:36Listen, I've just got to get some stuff from my room.
01:02:38Please don't go.
01:02:40All right.
01:02:44Come on.
01:03:14Come on.
01:03:44Oh!
01:04:15Oh, my God.
01:04:36Oh!
01:04:44Oh!
01:05:15Oh!
01:05:41Don't bother with tea.
01:05:42Just tell me what happened.
01:05:44Tell me.
01:05:50Mrs. Van Hewitt, tell me what happened.
01:05:58Louise,
01:06:00a pupil in my school had been having an affair with my husband, Matthew.
01:06:04Needless to say,
01:06:06having caught the matted red-handed, so to speak,
01:06:09he and I had more than a few words,
01:06:12culminating in our temporary separation.
01:06:17And where is Mr. Van Hewitt?
01:06:20In Florence, I believe.
01:06:22I haven't heard a word from him since he left.
01:06:27So,
01:06:28what happened last night?
01:06:30Louise and I had come to what I thought was an understanding.
01:06:34I didn't blame her for the affair,
01:06:36and I had no intention of expelling her from my school.
01:06:40But then...
01:06:43she betrayed my trust.
01:06:47Frankly, I was feeling pretty damn depressed.
01:06:50Mrs. Van Hewitt, I'm not interested at this point in your emotional state.
01:06:53I just want to know the sequence of events which led to the woman's death.
01:07:05Shall I go on?
01:07:09Yes.
01:07:33If she wants you so much, my darling,
01:07:35she can bloody well have you.
01:07:40Ow! Ow!
01:07:57Get away from me!
01:07:59What are you doing?
01:08:00I'm leaving.
01:08:01In the middle of the night?
01:08:10Louise, wake up!
01:08:12Wake up!
01:08:15David?
01:08:22Isabel?
01:08:23Now, come in.
01:08:24What are you doing here?
01:08:26Where's David?
01:08:28Can we talk?
01:08:40The time was 3 a.m.
01:08:43Your call to the police was three hours later.
01:08:46Why?
01:08:49I helped Louise to my bedroom
01:08:51and found some herbal sleeping tablets
01:08:53and placed them under her tongue to dissolve.
01:08:55Then I lay down on the bed beside her
01:08:58and held her.
01:09:01I fell asleep.
01:09:03You just stabbed a woman in your hall,
01:09:05and you fell asleep?
01:09:08I wanted to be there in case Louise woke up.
01:09:12And I was in shock.
01:09:14As soon as I woke, I dialed 999.
01:09:19We found a bodyguard.
01:09:21Would you mind going with the officer and confirming the identity?
01:09:25It's a bit gruesome, sir.
01:09:28I'll be all right.
01:09:31It might go some way to explain her actions,
01:09:33but Isabel was once a resident of Orchard House.
01:09:36You mean she worked there?
01:09:38No. She was a customer.
01:09:41I see.
01:09:43My first husband used to help out there in his spare time.
01:09:46Take the residents for walks, trips to town, that sort of thing.
01:09:50So she had mental problems.
01:09:52She was diagnosed a paranoid schizophrenic.
01:09:55But David always swore the drugs kept her under control.
01:10:07KNOCK ON DOOR
01:10:09Miss Thompson?
01:10:13Miss Thompson?
01:10:18Miss Thompson? Hello?
01:10:20Ah!
01:10:22Miss Thompson, I'm Detective Inspector Aymer.
01:10:28Where... Where am... Where am I?
01:10:32Where...
01:10:34Where...
01:10:36Where is she? Have you arrested her?
01:10:38Who?
01:10:39Veronica Van Hewitt.
01:10:41Not as yet.
01:10:43Why not? The woman is a murderer.
01:10:46She killed her husband, she buried him in the garden,
01:10:48and last night she attacked me.
01:10:50You mean her ex-husband, David Van Allick?
01:10:53No, Matthew Van Hewitt.
01:10:55It was Mr Van Allick who finally convinced me that he was dead.
01:10:58That Mr Van Hewitt is dead?
01:11:00Yes.
01:11:02Miss Thompson, please just sit down.
01:11:05Sit down. Come on.
01:11:07Take your time.
01:11:09And tell me what happened last night.
01:11:11I just told... I just told you what happened.
01:11:13She... She attacked me.
01:11:15Well, according to Mrs Van Hewitt,
01:11:17it was Mrs Van Allick who tried to take your head off with a spade.
01:11:21What?
01:11:23Just like she'd done to her husband.
01:11:26No!
01:11:28What are you... What are you saying? He's dead?
01:11:30And buried. Till a few minutes ago.
01:11:33But... Oh, God.
01:11:36I don't understand this. Why would Isabel want to kill David?
01:11:40You tell me.
01:11:42I don't know! Why didn't you ask her?
01:11:44Well, I'd like to. But she's also dead.
01:11:47Mrs Van Hewitt had to kill her in order to save you.
01:11:50Well, that's how it looks at present.
01:11:55That's a lie.
01:11:57Why... Why would Isabel want to kill me?
01:11:59Perhaps she thought you were also having an affair with her husband.
01:12:05You aren't... You're joking. No.
01:12:07Well, she clearly thought something was going on.
01:12:10Otherwise, why steal a neighbour's car and follow him here, eh?
01:12:13Anyway, forensic tests will prove who killed David Van Allick.
01:12:17Spattered blood on clothes, et cetera.
01:12:20This is a nightmare.
01:12:23Miss Thompson, would you like to see a doctor?
01:12:25I understand you fell down some stairs.
01:12:27No, thanks.
01:12:29Right. Well, I'll get a formal statement from you when you've had a bit more rest, eh?
01:12:33Vincent, please wait.
01:12:35Are you telling me that she's convinced you that she's committed no crime?
01:12:39Well, that's for the Crown Prosecution Service to decide.
01:12:42They may think that stabbing Mrs Van Allick to save your neck was using excessive force.
01:12:46But you've only got her word for all of this.
01:12:49Yes. And a spade clamped in a dead woman's fingers.
01:12:53Have you found Matthew's body?
01:12:55What body?
01:12:57People disappear after hours every day, miss.
01:13:03Is there somebody we can call for you?
01:13:21Apparently, you saved my life.
01:13:25Well, it was either that or cancel the school play.
01:13:46Louise?
01:13:48Phoebe.
01:13:51I'm so sorry about your dad.
01:13:54Sweetheart, what are you doing here?
01:13:56I came here to tell you that it wasn't your fault.
01:13:59She was jealous of you.
01:14:00If my dad even talked to another woman, she'd accuse him of having an affair.
01:14:04That's why he did going round there so much.
01:14:07Listen, Phoebe, what's happened to Jamie? Is he OK?
01:14:10Yeah, we're staying at Uncle Tony's in Outraces.
01:14:12They drove me down here to collect a few things.
01:14:14You'd better get back. You've got all your stuff, haven't you?
01:14:17Yeah. Oh, did you know some of Matthew's weights are missing?
01:14:20I told Mum and she said they were stolen.
01:14:22Stolen?
01:14:23The two big ones, the ones I can't even lift.
01:14:25I noticed it when I went into the gym to get my trainers.
01:14:47PHOEBE
01:15:17Imogen, thank you so much for coming so quickly on such a horrible evening.
01:15:21She may be suffering the effects of concussion.
01:15:23You should have called me this morning.
01:15:25She seemed all right, just a bit bruised and shaken.
01:15:35I'm in the studio. Please bring Dr Reid up.
01:15:38Is this a game?
01:15:39I don't know, but I think we should do as she asks.
01:15:42I'm not going to have that wanton young girl dictate to me.
01:15:45Please, Imogen.
01:15:48What is all this, Louise?
01:15:52Matthew was murdered in this room, wasn't he?
01:15:54What are you talking about?
01:15:59Prove me wrong, but his body is at the bottom of the pond,
01:16:03held down by those two weights missing from the gym.
01:16:09Mrs Van Heuren, I need to know what happened,
01:16:12because I feel responsible.
01:16:15It was the day he disappeared,
01:16:16it was the day that you found out that we were having an affair.
01:16:20It wasn't that.
01:16:22It was the portrait.
01:16:24When I saw it, I lost control and...
01:16:27I grabbed his knife.
01:16:29Did you stab him?
01:16:32I just slashed his hand.
01:16:36There was so much blood.
01:16:40I bandaged the wound as best I could and went to call Dr Reid.
01:16:44Why didn't you tell me? I could have come and helped you.
01:16:48I wanted to.
01:16:50I even came to your room, but...
01:16:53I couldn't.
01:16:56When Dr Reid arrived, his hand was still bleeding badly.
01:17:01He was in shock. I went to get him a cup of tea.
01:17:06And what did you do to help him, Dr Reid?
01:17:09It was a very deep cut. I had to stitch it.
01:17:12When I came back, she was fighting to save his life.
01:17:16Why didn't you call an ambulance?
01:17:18I was protecting Veronica. Anyway, it was too late.
01:17:21He died of blood poisoning, septicemia.
01:17:24The knife blade was filthy.
01:17:31Septicemia?
01:17:34I don't think so.
01:17:37Why did you tell me that he'd gone to Florence?
01:17:40I think Louise needs a little something to calm her down.
01:17:43No, Imogen, it's over.
01:17:46I've called the police.
01:17:48If the police come, we both go to prison.
01:17:52I'll tell them you stitched the wound and went home.
01:17:58When he died, I panicked and...
01:18:01I dumped his body in the pond.
01:18:03Yes, but they'll still want to do a post-mortem.
01:18:06Why do you look so frightened, Dr Reid?
01:18:13What did you do?
01:18:16Veronica, you're such a fool.
01:18:19Stay still, or I'll make sure this hurts.
01:18:21No, Imogen, it's over.
01:18:30Just enough for you. You don't mind sharing a needle, do you?
01:18:35You're sick.
01:18:36No, I'm a pillar of the community.
01:18:38Who's going to connect me with a silly schoolgirl who goes missing?
01:18:41It happens every day.
01:18:43Veronica will never let you get away with this.
01:18:45I'm going to get Veronica to type her full confession,
01:18:47and then I'm going to give her an overdose, just like I did Matthew.
01:18:50Now, don't make this any harder.
01:18:53Run, Louise!
01:18:57Get up!
01:19:06No!
01:19:18No!
01:19:36Is she dead?
01:19:55She must have tripped.
01:19:58No, she didn't.
01:20:00I pushed her.
01:20:06She made me think I'd killed him.
01:20:12Why did she do it?
01:20:16I told her Matt wouldn't sell any more paintings under his father's name.
01:20:25I'm so sorry, Louise.
01:20:29What are we going to do?
01:20:36I'm going to tell the truth.
01:20:43Okay?
01:20:46Now, listen.
01:20:48I saw her trip.
01:20:58Shit.
01:21:06Shit.
01:21:18So what, couldn't wait till the morning, Miss Thompson?
01:21:28Good evening, Mrs Van Hewitt.
01:21:31I see you've got another dead woman in your hall.
01:21:35Thank you.
01:21:56Thank you for coming.
01:22:06Are you ready?
01:22:07Yeah.
01:22:35Let's go.
01:23:05Veronica Van Hewitt, I'm arresting you on suspicion of the murder of Lionel Stubbs.
01:23:10You do not have to say anything,
01:23:12but it may harm your defence if you do not mention, when questioned,
01:23:15something that you later rely on in court.
01:23:35Louise?
01:23:48Louise?
01:23:51Hello?
01:23:54Hello?
01:23:57Louise?
01:24:06Louise?
01:24:17Hello?
01:24:35Louise?
01:25:06Louise?
01:25:11When the icy water closed over my face, I fought for my life.
01:25:21I had to kill him.
01:25:26It was either Stubbs or me, I...
01:25:28I had to kill him.
01:25:35Come on, Louise, it's me.
01:25:39I'm flesh and blood, not a ghost.
01:25:43I'm calling the police.
01:25:44No.
01:25:46Wait.
01:25:52You see this?
01:25:55Veronica did this to me.
01:25:58I can't paint.
01:26:07I...
01:26:12Veronica didn't kill me, but she might as well have.
01:26:16And now she's in jail.
01:26:20And that's where she's gonna stay.
01:26:28I'm calling the police.
01:26:36Help!
01:26:37Somebody help me, please!
01:26:40Help!
01:26:47Hello?
01:26:48Louise!
01:26:49No, he's coming now!
01:26:50Louise, Louise!
01:26:51Get away from me!
01:26:52Please.
01:26:53Get away from me!
01:26:54Get away from me!
01:26:55Get away from me!
01:26:56Shh, shh, shh.
01:26:57I'm sorry.
01:26:59I'm so sorry.
01:27:00I'm so sorry.
01:27:01I'm so sorry.
01:27:02I didn't mean to scare you.
01:27:03I'm so sorry.
01:27:05Oh, baby, you're right.
01:27:06Of course you're right.
01:27:10We'll go to the police station, okay?
01:27:12Together.
01:27:15Come on, I'm sorry.
01:27:18Come on.
01:27:25Come on.
01:27:55Come on.
01:28:25Come on.
01:28:26Come on.
01:28:27Come on.
01:28:28Come on.
01:28:29Come on.
01:28:30Come on.
01:28:31Come on.
01:28:32Come on.
01:28:33Come on.
01:28:34Come on.
01:28:35Come on.
01:28:36Come on.
01:28:37Come on.
01:28:38Come on.
01:28:39Come on.
01:28:40Come on.
01:28:41Come on.
01:28:42Come on.
01:28:43Come on.
01:28:44Come on.
01:28:45Come on.
01:28:46Come on.
01:28:47Come on.
01:28:48Come on.
01:28:49Come on.
01:28:50Come on.
01:28:51Come on.
01:28:52Come on.
01:28:53Come on.
01:28:54Come on.
01:28:55Come on.
01:28:56Come on.
01:28:57Come on.
01:28:58Come on.
01:28:59Come on.
01:29:00Come on.
01:29:01Come on.
01:29:02Come on.
01:29:03Come on.
01:29:04Come on.
01:29:05Come on.
01:29:06Come on.
01:29:07Come on.
01:29:08Come on.
01:29:09Come on.
01:29:10Come on.
01:29:11Come on.
01:29:12Come on.
01:29:13Come on.
01:29:14Come on.
01:29:15Come on.
01:29:16Come on.
01:29:17Come on.
01:29:18Come on.
01:29:19Come on.
01:29:20Come on.
01:29:21Come on.
01:29:22Come on.
01:29:23Come on.
01:29:24Come on.
01:29:25Come on.
01:29:26Come on.
01:29:27Come on.
01:29:28Come on.
01:29:29Come on.
01:29:30Come on.
01:29:31Come on.
01:29:32Come on.
01:29:33Come on.
01:29:34Come on.
01:29:35Come on.
01:29:36Come on.
01:29:37Come on.
01:29:38Come on.
01:29:39Come on.
01:29:40Come on.
01:29:41Come on.
01:29:42Come on.
01:29:43Come on.
01:29:44Come on.
01:29:45Come on.
01:29:46Come on.
01:29:47Come on.
01:29:48Come on.
01:29:49Come on.
01:29:50Come on.
01:29:51Come on.
01:29:52Come on.
01:29:53Come on.
01:29:54Come on.
01:29:55Come on.
01:29:56Come on.
01:29:57Come on.
01:29:58Come on.
01:29:59Come on.
01:30:00Come on.
01:30:01Come on.
01:30:02Come on.
01:30:03Come on.
01:30:04Come on.
01:30:05Come on.
01:30:06Come on.
01:30:07Come on.
01:30:08Come on.
01:30:09Come on.
01:30:10Come on.
01:30:11Come on.
01:30:12Come on.
01:30:13Come on.
01:30:14Come on.
01:30:15Come on.
01:30:16Come on.
01:30:17Come on.
01:30:18Come on.
01:30:19Come on.
01:30:20Come on.
01:30:21Come on.
01:30:22Come on.
01:30:23Come on.
01:30:24Come on.
01:30:25Come on.
01:30:26Come on.
01:30:27Come on.
01:30:28Come on.
01:30:29Come on.
01:30:30Come on.
01:30:31Come on.
01:30:32Come on.
01:30:33Come on.
01:30:34Come on.
01:30:35Come on.
01:30:36Come on.
01:30:37Come on.
01:30:38Come on.
01:30:39Come on.
01:30:40Come on.
01:30:41Come on.
01:30:42Come on.
01:30:43Come on.
01:30:44Come on.
01:30:45Come on.
01:30:46Come on.
01:30:47Come on.
01:30:48Come on.
01:30:49Come on.